The first time you hear a gunshot in person is a coming-of-age event. Where were you when you heard it? Standing behind your dad, wearing earmuffs and protective glasses while he showed you how to brace for the recoil of a 12 guage shotgun? Going into a shooting range to learn self defense and studying everyone else because you're too nervous to ask how you're supposed to stand or how you're supposed to hold it? On the street in the dark with your friends, walking through the rough part of the neighborhood to prove how big your sack was? Blam. Bright light. Blam. Total darkness. Blam. Bright light. Three shots. A total of 2.3 seconds has gone by. You are suddenly years older, because of how much those 2.3 seconds of time ages you. Your friend's injured. Blam. Get down. Blam. Go home. 1.8 seconds. Everything is silent now. The only sound is the ringing in your ears, followed by the peeling tires of the vehicle. Smoke hangs motionless in the air. In your head, in your room later that night, in the hospital to bring one of them poorly stated "Get well soon" cards and in the graveyard to bring the other one flowers, you only hear one sound. Blam. Four years later. Training on a range with soldiers. Have the drill sergeant scream in your face that you don't know what it's like to watch your best friend take a bullet in the battlefield. Compose yourself. Two years later, walking to work through the bad part of a different city. You already know it's going to happen. This time, it's not to you, or to anyone you know, but you hear it anyways and you think of the first time. Unfortunately, it's not the first time we all like to think about, which is usually a backseat, or your parents basement, or in the school bathroom, no, this one's a bang that's much less enjoyable. We're told not to talk about it. We live in fear of it. A constant fear. You start to feel unsafe where you live. Better go by a gun.

Of Tetley's and V-2's
(or, “Why Not to Bomb the Brits”)
by Michael R. Burch

The English are very hospitable,
but tea-less, alas, they grow pitiable ...
or pitiless, rather,
and quite in a lather!
O bother, they're more than formidable!

Keywords/Tags: limerick, light verse, nonsense verse, humor, humorous, England, English, Tetley, tea, milk, crumpets, scones, war, bomb, bombs, V-2, rocket, missile, missiles, formidable, Britain, Brits, defense, military, mrbtet, mrbtetley



This World's Joy
(anonymous Middle English lyric)
loose translation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
when it enters my thought:
regarding this world's joy,
how everything comes to naught.



Elegy for a little girl, lost
by Michael R. Burch

. . . qui laetificat juventutem meam . . .
She was the joy of my youth,
and now she is gone.
. . . requiescat in pace . . .
May she rest in peace.
. . . amen . . .
Amen.

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).



How Long the Night
anonymous Middle English lyric, circa early 13th century AD
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast,
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Fowles in the Frith
anonymous Middle English lyric, circa 13th-14th century AD
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!

Sounds like an early animal rights activist! The use of "and" is intriguing ... is the poet saying that his walks in the wood drive him mad because he is also a "beast of bone and blood," facing a similar fate?



I am of Ireland
anonymous Medieval Irish lyric, circa 13th-14th century AD
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



Whan the turuf is thy tour
(anonymous Middle English lyric, circa the 13th century AD)
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms’ to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within ...
what hope of my help then?

NOTE: The second translation leans more to the "lover's complaint" and carpe diem genres, with the poet pointing out to his prospective lover that by denying him her favors she make take her virtue to the grave where worms will end her virginity in macabre fashion. This poem may be an ancient precursor of poems like Andrew Marvell's "To His Coy Mistress."



Ech day me comëth tydinges thre
anonymous Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because I don't know where the hell I will go!



Ich have y-don al myn youth
anonymous Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously ...
And oh what grief it has brought me!



I Sing of a Maiden
anonymous Medieval English Lyric, circa early 15th century AD
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.
He came also as still
To his mother's breast
As April dew
Falling on the grass.
He came also as still
To his mother's bower
As April dew
Falling on the flower.
He came also as still
To where his mother lay
As April dew
Falling on the spray.
Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



Enigma
by Michael R. Burch

O, terrible angel,
bright lover and avenger,
full of whimsical light
and vile anger;
wild stranger,
seeking the solace of night,
or the danger;
pale foreigner,
alien to man, or savior ...

Who are you,
seeking consolation and passion
in the same breath,
screaming for pleasure, bereft
of all articles of faith,
finding life
harsher than death?

Grieving angel,
giving more than taking,
how lucky the man
who has found in your love,
this, our reclamation;

fallen wren,
you must strive to fly
though your heart is shaken;

weary pilgrim,
you must not give up
though your feet are aching;

lonely child,
lie here still in my arms;
you must soon be waking.



Floating
by Michael R. Burch

Memories flood the sand’s unfolding scroll;
they pour in with the long, cursive tides of night.

Memories of revenant blue eyes and wild lips
moist and frantic against my own.

Memories of ghostly white limbs ...
of soft sighs
heard once again in the surf’s strangled moans.

We meet in the scarred, fissured caves of old dreams,
green waves of algae billowing about you,
becoming your hair.

Suspended there,
where pale sunset discolors the sea,
I see all that you are
and all that you have become to me.

Your love is a sea,
and I am its trawler—
harbored in dreams,
I ride out night’s storms.

Unanchored, I drift through the hours before morning,
dreaming the solace of your warm *******,
pondering your riddles, savoring the feel
of the explosions of your hot, saline breath.

And I rise sometimes
from the tropical darkness
to gaze once again out over the sea ...
You watch in the moonlight
that brushes the water;

bright waves throw back your reflection at me.

This is one of my more surreal poems, as the sea and lover become one. I believe I wrote this one at age 19. It has been published by Penny Dreadful, Romantics Quarterly, Boston Poetry Magazine and Poetry Life & Times. The poem may have had a different title when it was originally published, but it escapes me ... ah, yes, "Entanglements."



Shock
by Michael R. Burch

It was early in the morning of the forming of my soul,
in the dawning of desire, with passion at first bloom,
with lightning splitting heaven to thunder's blasting roll
and a sense of welling fire and, perhaps, impending doom—

that I cried out through the tumult of the raging storm on high
for shelter from the chaos of the restless, driving rain ...
and the voice I heard replying from a rift of bleeding sky
was mine, I'm sure, and, furthermore, was certainly insane.



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



The Children of Gaza

Nine of my poems have been set to music by the composer Eduard de Boer and have been performed in Europe by the Palestinian soprano Dima Bawab. My poems that became “The Children of Gaza” were written from the perspective of Palestinian children and their mothers. On this page the poems come first, followed by the song lyrics, which have been adapted in places to fit the music …



Epitaph for a Child of Gaza
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...



For a Child of Gaza, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails
when thunder howls
when hailstones scream
while winter scowls
and nights compound dark frosts with snow?

Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



I Pray Tonight
by Michael R. Burch

for the children of Gaza and their mothers

I pray tonight
the starry Light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



Something
by Michael R. Burch

for the mothers and children of Gaza

Something inescapable is lost―
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone―
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past―
blown from a glimmer into nothingness, or less,
and finality has swept into a corner where it lies
in dust and cobwebs and silence.



Mother’s Smile
by Michael R. Burch

for the mothers of Gaza and their children

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,

then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!



Such Tenderness
by Michael R. Burch

for the mothers of Gaza

There was, in your touch, such tenderness―as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now―
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness―time, oh, and love.
But love in the end is seldom enough ...
and time?―insufficient to life’s brief task.
I can only admire, unable to ask―

what is the source, whence comes the desire
of a woman to love as no God may require?



who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same―
the slouching Beast mauls them
and WE have no shame:

“who’s to blame?”



My nightmare ...

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



I, too, have a dream ...

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



Suffer the Little Children
by Nakba

I saw the carnage . . . saw girls' dreaming heads
blown to red atoms, and their dreams with them . . .

saw babies liquefied in burning beds
as, horrified, I heard their murderers’ phlegm . . .

I saw my mother stitch my shroud’s black hem,
for in that moment I was one of them . . .

I saw our Father’s eyes grow hard and bleak
to see frail roses severed at the stem . . .

How could I fail to speak?
―Nakba is an alias of Michael R. Burch



Here We Shall Remain
by Tawfiq Zayyad
loose translation/interpretation by Michael R. Burch

Like twenty impossibilities
in Lydda, Ramla and Galilee ...
here we shall remain.

Like brick walls braced against your chests;
lodged in your throats
like shards of glass
or prickly cactus thorns;
clouding your eyes
like sandstorms.

Here we shall remain,
like brick walls obstructing your chests,
washing dishes in your boisterous bars,
serving drinks to our overlords,
scouring your kitchens' filthy floors
in order to ****** morsels for our children
from between your poisonous fangs.

Here we shall remain,
like brick walls deflating your chests
as we face our deprivation clad in rags,
singing our defiant songs,
chanting our rebellious poems,
then swarming out into your unjust streets
to fill dungeons with our dignity.

Like twenty impossibilities
in Lydda, Ramla and Galilee,
here we shall remain,
guarding the shade of the fig and olive trees,
fermenting rebellion in our children
like yeast in dough.

Here we wring the rocks to relieve our thirst;
here we stave off starvation with dust;
but here we remain and shall not depart;
here we spill our expensive blood
and do not hoard it.

For here we have both a past and a future;
here we remain, the Unconquerable;
so strike fast, penetrate deep,
O, my roots!



Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.

Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.



Palestine
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

This land gives us
all that makes life worthwhile:
April's blushing advances,
the aroma of bread warming at dawn,
a woman haranguing men,
the poetry of Aeschylus,
love's trembling beginnings,
a boulder covered with moss,
mothers who dance to the flute's sighs,
and the invaders' fear of memories.

This land gives us
all that makes life worthwhile:
September's rustling end,
a woman leaving forty behind, still full of grace, still blossoming,
an hour of sunlight in prison,
clouds taking the shapes of unusual creatures,
the people's applause for those who mock their assassins,
and the tyrant's fear of songs.

This land gives us
all that makes life worthwhile:
Lady Earth, mother of all beginnings and endings!
In the past she was called Palestine
and tomorrow she will still be called Palestine.
My Lady, because you are my Lady, I deserve life!



Distant light
by Walid Khazindar
loose translation/interpretation by Michael R. Burch

Bitterly cold,
winter clings to the naked trees.
If only you would free
the bright sparrows
from the tips of your fingers
and release a smile—that shy, tentative smile—
from the imprisoned anguish I see.
Sing! Can we not sing
as if we were warm, hand-in-hand,
shielded by shade from a glaring sun?
Can you not always remain this way,
stoking the fire, more beautiful than necessary, and silent?
Darkness increases; we must remain vigilant
and this distant light is our only consolation—
this imperiled flame, which from the beginning
has been flickering,
in danger of going out.
Come to me, closer and closer.
I don't want to be able to tell my hand from yours.
And let's stay awake, lest the snow smother us.

Walid Khazindar was born in 1950 in Gaza City. He is considered one of the best Palestinian poets; his poetry has been said to be "characterized by metaphoric originality and a novel thematic approach unprecedented in Arabic poetry." He was awarded the first Palestine Prize for Poetry in 1997.



Excerpt from “Speech of the Red Indian”
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Let's give the earth sufficient time to recite
the whole truth ...
The whole truth about us.
The whole truth about you.

In tombs you build
the dead lie sleeping.
Over bridges you *****
file the newly slain.

There are spirits who light up the night like fireflies.
There are spirits who come at dawn to sip tea with you,
as peaceful as the day your guns mowed them down.

O, you who are guests in our land,
please leave a few chairs empty
for your hosts to sit and ponder
the conditions for peace
in your treaty with the dead.



Existence
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

In my solitary life, I was a lost question;
in the encompassing darkness,
my answer lay concealed.

You were a bright new star
revealed by fate,
radiating light from the fathomless darkness.

The other stars rotated around you
—once, twice —
until I perceived
your unique radiance.

Then the bleak blackness broke
and in the twin tremors
of our entwined hands
I had found my missing answer.

Oh you! Oh you intimate, yet distant!
Don't you remember the coalescence
Of our spirits in the flames?
Of my universe with yours?
Of the two poets?
Despite our great distance,
Existence unites us.



Nothing Remains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight, we’re together,
but tomorrow you'll be hidden from me again,
thanks to life’s cruelty.

The seas will separate us ...
Oh!—Oh!—If I could only see you!
But I'll never know ...
where your steps led you,
which routes you took,
or to what unknown destinations
your feet were compelled.

You will depart and the thief of hearts,
the denier of beauty,
will rob us of all that's dear to us,
will steal our happiness,
leaving our hands empty.

Tomorrow at dawn you'll vanish like a phantom,
dissipating into a delicate mist
dissolving quickly in the summer sun.

Your scent—your scent!—contains the essence of life,
filling my heart
as the earth absorbs the lifegiving rain.

I will miss you like the fragrance of trees
when you leave tomorrow,
and nothing remains.

Just as everything beautiful and all that's dear to us
is lost—lost!—when nothing remains.



Identity Card
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Record!
I am an Arab!
And my identity card is number fifty thousand.
I have eight children;
the ninth arrives this autumn.
Will you be furious?

Record!
I am an Arab!
Employed at the quarry,
I have eight children.
I provide them with bread,
clothes and books
from the bare rocks.
I do not supplicate charity at your gates,
nor do I demean myself at your chambers' doors.
Will you be furious?

Record!
I am an Arab!
I have a name without a title.
I am patient in a country
where people are easily enraged.
My roots
were established long before the onset of time,
before the unfolding of the flora and fauna,
before the pines and the olive trees,
before the first grass grew.
My father descended from plowmen,
not from the privileged classes.
My grandfather was a lowly farmer
neither well-bred, nor well-born!
Still, they taught me the pride of the sun
before teaching me how to read;
now my house is a watchman's hut
made of branches and cane.
Are you satisfied with my status?
I have a name, but no title!

Record!
I am an Arab!
You have stolen my ancestors' orchards
and the land I cultivated
along with my children.
You left us nothing
but these bare rocks.
Now will the State claim them
as it has been declared?

Therefore!
Record on the first page:
I do not hate people
nor do I encroach,
but if I become hungry
I will feast on the usurper's flesh!
Beware!
Beware my hunger
and my anger!

NOTE: Darwish was married twice, but had no children. In the poem above, he is apparently speaking for his people, not for himself personally.



Passport
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

They left me unrecognizable in the shadows
that bled all colors from this passport.
To them, my wounds were novelties—
curious photos for tourists to collect.
They failed to recognize me. No, don't leave
the palm of my hand bereft of sun
when all the trees recognize me
and every song of the rain honors me.
Don't set a wan moon over me!

All the birds that flocked to my welcoming wave
as far as the distant airport gates,
all the wheatfields,
all the prisons,
all the albescent tombstones,
all the barbwired boundaries,
all the fluttering handkerchiefs,
all the eyes—
they all accompanied me.
But they were stricken from my passport
shredding my identity!

How was I stripped of my name and identity
on soil I tended with my own hands?
Today, Job's lamentations
re-filled the heavens:
Don't make an example of me, not again!
Prophets! Gentlemen!—
Don't require the trees to name themselves!
Don't ask the valleys who mothered them!
My forehead glistens with lancing light.
From my hand the riverwater springs.
My identity can be found in my people's hearts,
so invalidate this passport!



Autumn Conundrum
by Michael R. Burch

for the mothers and children of Gaza

It's not that every leaf must finally fall,
it's just that we can never catch them all.



Piercing the Shell

for the mothers and children of Gaza

If we strip away all the accouterments of war,
perhaps we'll discover what the heart is for.



Children of Gaza Lyrics

(adapted in places to the music by Michael R. Burch and Eduard de Boer)

World premiere, April 22, 2017, in the Oosterkerk in the Dutch town of Hoorn. Dima Bawab, soprano; Eduard de Boer, piano.

I. Prologue:

Where does the Butterfly go?
I'd love to sing about things of beauty,
like a butterfly, fluttering amid flowers,
but I can't, I can't …

Where does the butterfly go
when lightning rails
when thunder howls
when hailstones scream
while winter scowls
and nights compound dark frosts with snow,
where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the power of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

Where does the butterfly go
when mothers cry
while children die
and politicians lie, politicians lie?

When the darkness of grief blots out all that we know:
when love and life are running low,
where does the butterfly go?

And how shall the spirit take wing
when life is harsh, too harsh to face,
and hope is flown without a trace?

Oh, when the light of life runs low,
where does the butterfly go,
where does the butterfly go?

II. The Raid

When the soldiers came to our house,
I was quiet, quiet as a mouse…

But when they beat down our door with a battering ram,
and I heard their machine guns go "Blam! Blam! Blam!"
I ran! I ran! I ran!

First I ran to the cupboard and crept inside;
then I fled to my bed and crawled under, to hide.

I could hear my mother shushing my sister…
How I hoped and prayed that the bullets missed her!
My sister! My sister! My sister!

Then I ran next door, to my uncle's house,
still quiet, quiet as a mouse...

Young as I am,
I did understand
that they had come to take our land!
Our land! Our land! Our land!
They've come to take our land!

They shot my father, they shot my mother,
they shot my dear sister, and my big brother!
They shot down my hopes, they shot down my dreams!
I still hear their screams! Their screams! Their screams!

Now I am here: small, and sad, and still ...
no mother, no father, no family, no will.

They took everything I ever had.
Now how can I live, with no mom and no dad?
How can I live, with no mom and no dad?
How can I live? How can I live?

III. For God’s Sake, I'm only a Child

For God’s sake, ah, for God's sake, I’m only a child―
and all you’ve allowed me to learn are these tears scalding my cheeks,
this ache in my gut at the sight of so many corpses, so much horrifying blood!

For God’s sake, I’m only a child―
you talk about your need for “security,”
but what about my right to play in streets
not piled with dead bodies still smoking with white phosphorous!

Ah, for God’s sake, I’m only a child―
for me there's no beauty in the world
and peace has become an impossible dream;
destruction is all I know because of your deceptions.

For God’s sake, I’m only a child―
fear and terror surround me stealing my breath
as I lie shaking like a windblown leaf.

For God’s sake, for God's sake, I'm only a child,
I'm only a child, I'm only a child.

IV. King of the World

If I were King of the World,
I would make every child free, for my people’s sake.
And once I had freed them, they’d all run and scream
straight to my palace, for free ice cream!
[Directly to the audience, spoken:]
Why are you laughing? Can’t a young king dream?

If I were King of the World, I would banish
hatred and war, and make mean men vanish.
Then, in their place, I’d bring in a circus
with lions and tigers (but they’d never hurt us!)

If I were King of the World, I would teach
the preachers to always do as they preach;
and so they could practice being of good cheer,
we’d have Christmas ―and sweets―each day of the year!

[Directly to the audience, spoken:]
Why are you laughing? Some dreams do appear!

If I were King of the World, I would send
my couns'lors of peace to the wide world’s end ...
[spoken:] But all this hard dreaming is making me thirsty!
I proclaim lemonade; please [spoken] bring it in a hurry!

If I were King of the World, I would fire
racists and bigots, with their message so dire.
And we wouldn’t build walls, to shut people out.
I would build amusement parks, have no doubt!

If I were King of the World, I would make
every child blessed, for my people’s sake,
and every child safe, and every child free,
and every child happy, especially me!
[Directly to the audience, spoken:]
Why are you laughing? Appoint me and see!

V. Mother’s Smile

There never was a fonder smile
than mother's smile, no softer touch
than mother's touch. So sleep awhile
and know she loves you more than "much".

So more than "much", much more than "all".
Though tender words, these do not speak
of love at all, nor how we fall
and mother's there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father's back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother's tender smile
will leap and follow after you ...

VI. In the Shelter

Mother:
Hush my darling, please don’t cry.
The bombs will stop dropping, by and by.
Hush, I'll sing you a lullaby…

Child:
Mama, I know that I’m safe in your arms.
Your sweet love protects me from all harms,
but still I fear the sirens’ alarms!

Mother:
Hush now my darling, don’t say a word.
My love will protect you, whatever you heard.
Hush now…

Child:
But what about pappa, you loved him too.

Mother: My love will protect you.
My love will protect you!

Child:
I know that you love me, but pappa is gone!

Mother:
Your pappa’s in heaven, where nothing goes wrong.
Come, rest at my breast and I’ll sing you a song.

Child:
But pappa was strong, and now he’s not here.

Mother:
He’s where he must be, and yet ever-near.
Now we both must be strong; there's nothing to fear.

Child:
The bombs are still falling! Will this night never end?

Mother:
The deep darkness hides us; the night is our friend.
Hush, I'll sing you a lullaby.

Child:
Yes, mama, I'm sure you are right.
We will be safe under cover of night.
[spoken] But what is that sound?
[screamed] Mama! I am fri(ghtened)….!

VII. Frail Envelope of Flesh

Frail envelope of flesh,
lying on the surgeon's table
with anguished eyes like your mother's eyes
and a heartbeat weak, unstable…

Frail crucible of dust,
brief flower come to this―
your tiny hand in your mother's hand
for a last bewildered kiss…

Brief mayfly of a child,
to live five artless years…
Now your mother's lips seal up your lips
from the Deluge of her tears…

VIII. Among the Angels

Child:
There is peace where I am now,
I reside in a heavenly land
that rests safe in the palm
of a loving Being’s hand;
where the butterfly finds shelter
and the white dove glides to rest
in the bright and shining sands
of those shores all men call Blessed.

Mother:
My darling, how I long to touch your face,
to see your smile, to hear your laughter’s grace.
Great Allah, hear my plea.
Return my child to me.

Child:
My darling mother, here beyond the stars
where I now live,
I see and feel your tears,
but here is peace and joy, and no more pain.
Here is where I will remain.

Mother:
My darling, do not leave me here alone!
Come back to me!
Why did you turn to stone?
Great Allah, hear my plea.
Please send my child back to me...

Child:
Dear mother, to your wonderful love I bow.
But I can't return...
I am among the Angels now.
Do not worry about me.
Here is where I long to be.

Mother:
My darling, it is as if I hear your voice consoling me.
Oh, can this be your choice?
Great Allah, hear my plea.
Impart wisdom to me.

Child:
Dear mother, I was born of your great love,
a gentle spirit...
I died a slaughtered dove,
that I might bring this message from the stars:
it is time to end earth’s wars.

Remember―in both Bible and Koran
how many times each precious word is used―
“Mercy. Compassion. Justice.”
Let each man, each woman live by the Law
that rules both below and above:
reject all hate and embrace Love.

IX. Epilogue: I have a dream

I have a dream...
that one day all the world
will see me as I am:
a small child, lonely and afraid,
a small child, lonely and afraid.

Look at me... I am flesh...
I laugh, I bleed, I cry.
Look at me; I dare you
to look me in the eye
and tell me and my mother
how I deserve to die.

I only ask to live
in a world where things are fair;
I only ask for love
in a world where people share,
I only ask for love
in a world where people share.

Oh, I have a dream...
that one day all the world
will see me as I am:
a small child, lonely and afraid,
a small child, lonely and afraid.



hey pete
by Michael R. Burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy's dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then you'll be a Superstar.

When I was a boy, Pete Rose was my favorite baseball player; this poem is not a slam at him, but rather an ironic jab at the term "superstar."



Reflections on the Loss of Vision
by Michael R. Burch

The sparrow that cries from the shelter of an ancient oak tree and the squirrels
that dash in delight through the treetops as the first snow glistens and swirls,
remind me so much of my childhood and how the world seemed to me then,
that it seems if I tried
and just closed my eyes,
I could once again be nine or ten.

The rabbits that hide in the bushes where the snowflakes collect as they fall,
hunch there, I know, in the flurrying snow, yet now I can't see them at all.
For time slowly weakened my vision; while the patterns seem almost as clear,
some things that I saw
when I was a boy,
are lost to me now in my advancing years.

The chipmunk who seeks out his burrow and the geese in their unseen reprieve
are there as they were, and yet they are not; and though it seems childish to grieve,
who would condemn a blind man for bemoaning the vision he lost?
Well, in a small way,
through the passage of days,
I have learned some of his loss.

As a keen-eyed young lad I endeavored to see things most adults could not―
the camouflaged nests of the hoot owls, the woodpecker’s favorite haunts.
But now I no longer can find them, nor understand how I once could,
and it seems such a waste
of those far-sighted days,
to end up near blind in this wood.



Solicitation
by Michael R. Burch

He comes to me out of the shadows, acknowledging
my presence with a tip of his hat, always the gentleman,
and his eyes are on my eyes like a snake’s on a bird’s—
quizzical, mesmerizing.

He ***** his head as though something he heard intrigues him
(although I hear nothing) and he smiles, amusing himself at my expense;
his words are full of desire and loathing, and although I hear,
he says nothing that I understand.

The moon shines—maniacal, queer—as he takes my hand and whispers
"Our time has come!" ... and so we stroll together along the docks
where the sea sends things that wriggle and crawl
scurrying under rocks and boards.

Moonlight in great floods washes his pale face as he stares unseeing
into my eyes. He sighs, and the sound crawls slithering down my spine,
and my blood seems to pause at his touch as he caresses my face.
He unfastens my dress till the white lace shows, and my neck is bared.

His teeth are long, yellow and hard. His face is bearded and haggard.
A wolf howls in the distance. There are no wolves in New York. I gasp.
My blood is a trickle his wet tongue embraces. My heart races madly.
He likes it like that.

Published by Dowton Abbey, Aesthetically Pleasing Vampires, Into the Unknown, Since Halloween is Coming, and Poetry Life & Times



Songstress
by Michael R. Burch

for Nadia Anjuman

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw–
envenomed, fanged–could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty. But when the world robs her of both flight and song, what is left for her but to leave, bereaving it and us of herself and her song?



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite . . .

What do you know of the world’s despair,
gliding in vast  solitariness  there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and *****
its white rebellious wings,
and all
the houses watch with baffled eyes.

Published by Poetry Porch and The Chained Muse



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Published as the collection "Of Tetley's and V-2's"

They call me the smartest *****; they look at me like they would at Sauron.  Maybe I am just destined to be defined like an oxymoron, and also why do people shut their doors on me like I was a Mormon. Did I make the right choice when I took the blue pill and moved into Zion? Don’t know how to feel or who or what I should rely on. Bygones are bygones, got to follow the drill, so best not pull any funny ones. Being spied on, got no where to run, after all when your under a dictatorship there is no time for fun, there is only time to train one how to shoot a gun. Blang blam got a cross on fire on my lawn from the dreaded Ku Klux ****.  One extreme to another, what happened to Jesus’s teachings of how we are all heavenly sisters and brothers? **** the American dream; **** this apparent land of the free where anyone from anywhere can attain cream. Not a joke so turn this into a meme, this is serious if you only saw the things which some claim as the unseen.

Open your mind; don’t bind yourself to devilish things that appear kind. Charging up my chakra, hypnotizing you with my words like I’m the unclaimed child of Big Poppa. I am so waka I get yawl flocking to my flame, my bars aint **** yeah they as lit as Mary Jane. Bulking up like Bain, natural leader and I got a big brain. Some stalker ******* get so shady, thinking that I will spend my gravy, or that I will have their baby. Sorry I am not interested in getting rabies or taking a taste of your dead daisy. This is my loot; ***** the only thing I’ll give you is the boot. Scoot away from me, best stray by the bay before I write a restraining order on thee.  What is this world coming to? Harold be it that we stuck in a rut with a storm beginning to brew.  

People say I should stop drinking because I got family duties and responsibilities but I drink because I have to deal with the stress from family duties and responsibilities.  **** it all; **** my *****, better duck down because one punch and you’ll fall. Got the gall, Pokémon master man **** right I’m about to catch them all! I’m super and I like to smash bro, so better hide your ***** and your side **. Classically unclassified, mentally traumatized from a fall out of a genocide. Time to be unfiltered; rhyming from a heart that used to be good but now has been altered. Maybe I am just an oxymoron, just a sly fox that know how to survive because no matter what my hope for a better world will stay strong. I may live in this world but I am not of it, I may continue to give until I decide to say ah **** it! Isn’t it ironic? Isn’t the whole point of being a rapper to make a profit and strive to rap as fast as the speed of sonic? Let me puff some **** and drink till I’m subatomic. Wouldn’t that be ironic? Wouldn’t that be something if I chose to become like everyone else and live out a life of being toxic. So am I ironic or am I just an oxymoron? Don’t give a **** either way because I am iconic and will take anything you haters bring on!

I'll buy a gun
To have an escape plan,
My body's a map and I
X'd out my heart to mark
Where the bullets will land.
Blam! Blam! Blam!
Here I am,
Lodged betwixt bars;
Imprisoned and sickened
In a cage that twists and ribbons
Deeply buried feelings that won't stay hidden,
I'll wrap them up all nice and pretty-
To gift you this burden;
To: Your Corrosive Love
From: My Heavy, Metal Hurting.
I feel lost in your anti nitty-gritty,
Icky, sticky self-inflated tendencies.
Being picky-picky
As you host greed,
And it eats away at you
Like a parasitic disease.
Would you help me if I said please,
If I bruised my shaky knees?
Let me praise you like a king
While you're slowly floating
On Ego's hurling winds
If you don't stop blowing,
You'll pop that hot air balloon head.

Look, I don't want my sun
To burn all this dread
I'm just trying to end my weeks
At the arcade, man.
Let my hands hold sticks of joy
Instead of stones you throw
At my frame's brittle bones;
In games I don't stay dead,
I'll make an escape quick.
Just pray my fingers don't slip
And I press the wrong button,
In a lickety split moment.

-SLuR

Some say it should go burn in hell
That the money leaves a really bad smell
  But hit and giggle
  Or **** and piddle
It's here to stay the IPL.

From countries far and wide
Come players with heaps of pride
  But if they fail
  You'll hear them wail
For there is not anywhere to hide

The cheques books come out
The auctioneers will shout
  Some Players get bought
  Some others get naught
The IPL now has such clout

The turn-styles are all in clamour
The Batsmen are using the hammer
  They go for the big six
  Bowlers try their new tricks
So cricket is married to glamour

Should cricket become this glam
When the ball is met with a blam
  hit way in the air
  didn't see you there
Sorry about that Maam!

So there was this girl. And I met her my freshman year in German class, fourth hour. Her name was Sophia and I thought she was weird and creepy because she stared and didn't talk and tried to play footsie with me and me being the still-self-loathing queer that I am was desperately terrified that anyone would know I was bi. So I gave her mean looks, didn't look at her eyes, turned from her, ignored her. The list goes on. And then she basically disappears for the next two years. And last year, my senior year, I had her in my first semester second hour German class. And she was different. I thought hey. "Maybe she's cooler now, she's kinda a bit cute maybe I'll get to know???? Her ??? Maybe ???? And so we kinda talked a lil lil bit, but not really talking till xc skiing started, in November. I don't know I what it was, but I thought "hey. She's cute AND smart" so I made up a little brouhaha till I was suddenly driving with her to practice. Every day. And I learned she was kind, smart, funny, hilarious, BEAUTIFUL, kept me on my toes... The list goes on. As I spent more and more time with her, more and more time following her like a lost puppy, i feel deeper and deeper into love. She never texted a lot, so I started to text my thoughts to her with no expectation of a text back. I knew she appreciated them even if she didn't reply. And when she did reply, BLAM! A lightning bolt would slam into my stomach each time I saw her name in my notifications screen. I treasured those texts back, and stated writing poems about her, to her, inspired by her, inspired by HER, seeing her blonde hair every time I looked at the sun, her blue eyes in every lake and clear day and for-get-me-not and her big nose in my mind's peripheral vision and her cute small firm **** and the way she walked, straight up, so solid and set-forth and DEtermined, ******* (though she would never swear) to get to where she was going. I couldn't get her out of my head. Her just, state of being. I'd never met a creature so quietly, yet so determinedly set on who they were and how they were. The way she always knew what to say. I swear to god I thought this girl was an angel. When I looked at her, I wanted to trail my fingers over every inch of her, memorizing it, imprinting it on my bones, that intimate knowledge of you to visible eons from now. I would've climbed through hell for her, to just get five minutes of her, a nod a smile a GEN-YOU-INE laugh *******. I thought about how our bodies would fit together, the ghosting of lips over parts only The Holy Ones know. The way we'd sit together, soft and silent, barely touching but very at peace, and I was planning a title for a book of my poetry entitled "A Series of Notes to the Love of my Life (And a Cherishment of Nature)". I mean I thought this girl, this one in the world-universe, was my everything my holy savior my holy love my holy angel. I just thought that feeling, this feeling that was so intense, was because that was RIGHT. AND must BE. So I fell deeper and deeper, snatching knowledge bits of her that I could, leaving sweet notes and compliments, all over and to who ever for her. I asked her to prom. Through a letter I gave her, with a kayak-Paddler necklace in it. I'd never been brave enough to think about doing that before, ADMITTING my feelings for the girl. I was so smooth and charming and kind (cause I thought she might kinda maybe be gay or at least gay ish way and thought if she was and liked me too she might wanna be going "as friends" or something) and she said yes. I was so happy. It made my whole day better. Forever. I thought about slow dancing with her, imagined pictures floating about in my daydreams, taking up all time and space. And we went. Except she invited her best friend along too who she stayed glued to all night and never danced with me and barely looked at me And I felt like a third wheel to THEM, and so we got home and I was sad and tired and didn't want to do anything but we went on a night kayak and and I told her she was the most beautiful girl there by far and I had so much fun with her and on and on and I was just. So sweet to her how could she not know I like her ****. And she just said. "Oh you're so sweet." And she might've said something else, something idk, but I was just so bitterly in love but wanting her all the same and loathing her with how and by and why I wanted her attention. And I continued falling, ignoring the bitter bad parts of our relationship in favor of the new small things I'd learn about her. And for her birthday, July something, I was gonna give a small box id make in woodworking with a beautifully planned out and executed *** from ceramics with a nice letter telling her how amazing I thought she was and how I might tell her how i feel. And I made them, falling worse and worse daily. So in love. And I awkwardly increased the looks, the poems, the sighs and dreams and wishes. And school ended, we graduated, with pictures and a letter to her from me about how cool she was and a promise of a Better letter with her bday gift. I kept sending her my thoughts, asking her to hangout, (we never did) and telling her I missed her. Well I finished her gift and packed it. The letter, and all. By this time I had tried to get over her. I thought I was (except for the bits that stick with you You Know) and we'd just be friends but-I'm-cool-with-More. Forever. I thought this friend was a Real Deal. Once in. A lifetime. So I gave her the gift, then she didn't open if(or maybe she did and wanted to pretend she didn't open) cause she had a 30-day trip. No phones. I sent her some of my thoughts, not all you know. Didn't wanna overload her texts when she gets back. And I waited, and waited. And it had been thirty days! I Waited for some notification that she saw it, that she opened something. I texted her. Her read receipts? On. She saw it. No reply. I waited and texted and waited and texted. Each message more sour than the last. Eventually I all hope. I said to her I was disappointed in her (I had come out to her as bi in my letter, something I wasn't sure she supported.) so I'm devastated now. I thought she'd be in my life forever, how could an angel like that not stay????? But she's gone. I might never know what she really thought and why she didn't reply. It makes me lose so much faith and hope and love in humanity when someone like that leaves your life. It cracked my soul and I honestly think I might never be able to trust anYONE completely. Ever. Because of a girl like her. She broke my heart and never even knew she had it. Or maybe she did. I guess I might never know. It makes me so sad. She absolutely crushed me, quietly and subtly. I do think I'm ruined for life. Even if only slightly. I might slowly be losing my sanity. I just want to talk to you. Please. What did I do? God I loved you. I still might. Please just stitch my soul back together, even just a little bit.

His mother's dumb face
His father's cold drinks
It's all fun and games
'Till the happiness sinks

He'll walk straight inside
Not announcing his presence
Stare fear in the eye
And inhale killer's essence

Walk up to his room
And open his door
Foreshadowing doom
That box on the floor

Within it? The metal
He stole it for fun
The steel 'shakes his settle'
In the form of a gun

He tugs on the hammer
And pulls back the slide
Waits 'till the clamor
Of anxiety subsides

Remembers the beatings
His father would lay
Remembers the feeding
Of lies in the hay

He waltzes down stairs
With the gun in both hands
At the very last step
He nervously stands

He won't just say 'blam'
And pull back the trigger
His thoughts make a plan
A process much bigger

Confronting them both
At the small kitchen table
He didn't once choke
When he said "I am able"

He pointed the gun
But his resolve soon shattered
And in shame, shot himself
Saying first "It won't matter!"

His plan had recoiled
But his mission still stood
As the bullet hit oil
And caught fire to the wood

And the flames licked and climbed
And the roof burned and caved
And the family died
In the fiery blaze

And the town down the road
Never did realize
The church choir sings odes
And a young lady cries

But never word flew
Of the evil within
'Till the killers mind slew
Just a boy and his kin

This is the very first SNOGGO adventure, written by SNOGGO himself in the 1st Person (well, by Edna Sweetlove really)

    Cruising through space, looking out of the space porthole, seeing the planets passing by, jesus ******* christ we were so excited, all those ******* planets, what a ******* staggering sight.

    Sharon, our Captain (at three foot six and twenty-one and a half stone an imposing looking woman), bellowed out her order: 'Prepare to descend, you mothers!'

    So most of us stopped ******* and we started preparations for the descent onto the surface of the treacherous unknown planet ****** (aka Big ****** on account of there having been a mix up in naming newly discovered planets and so the universe had ended up with three planets all called ******) - as I was saying, the planet ****** on which no ******* human ever, ever, ever trod on before. Wow, this was ******* exciting.

    The zonometer showed we were only 3,000 feet above the surface of the unknown planet....2,900, 2,800, 2,700, 2,600, 2,500, 2,400......

    You got the ******* picture?

    BLAM!!  We landed. The ******* zonometer was inaccurate, but that's what happens when you buy cheap Asian imports at a ******* discount.

    Captain Sharon went through the full three-hour post-landing, pre-disembarcation procedure whilst I was *******.  I did an enormous one, very smelly and utterly horrible.  She was waiting at the door when I finished and she was clearly very constipated.

    It was time to disembark onto the unknown surface of the unknown planet ******.  The stratodoor opened and we were overwhelmed by the stench which hit our ******* nostrils toute suite: purest ****. What kind of people were the Bolloxonians who couldn't even organise a decent sewage system?

    I was chosen (on account of my club foot) to be among the first to descend onto ******'s surface.  It was cool and I limped heroically onto the planet's surface.

    We explored a bit, being careful not to step on the huge piles of used condoms everywhere.  The terrain was hideous and eldritch, a bit like my Aunt Edna's bedroom after she's been entertaining the local retards for a ******* ****-in.

    We saw this thing.  My mind could not immediately recognise it for its utter, brain-blowing horror.  I cannot tell you what it was, the words fail me, my intellect goes into shut-down mode.  O holy **** it was ghastly.  All right, I'll tell you what it was.  It was a THREE HUNDRED FOOT ****, all covered in oozing pus and vibrating bleeding worms and so on and **** like that.

    The crew of the our spaceship were enraptured and I was nearly killed in the scrum to get stuck in to this mighty beauty.  We had travelled three light years, crossed fifty galaxies, battled twelve-inch penised space midgets for the right to feast on this great ****.

    What can I say?  How can I describe the mighty cry that rose up from the assembled crew as they started to gobble the giant space poo lump....?

    'YUM! YUM! YUM! YUM! YUM! YUM!' they shrieked orgasmically, ******* themselves in well-earned contentment. I think we must agree that it was delicious and well worth the journey.

THE END

tsk tsk asterisk
        chk chk clap blam boom

sik click arsonic
         grip glap drap gloom

wix wax anthrax
               hop leap woosh slam

sip spike archetype
               cough crash anagram

hark bark blue monarch
            wrapped in a summer's day

tick tack heart attack
            passing the cabaret


she used to say words like
            bump, beep, buzz

until flutter fizz crunch chirp
            fell beams of a truss

and tenderly did hum zap sing
            in little vrooms and snags

did she meet unfortunate ends
           woof, crack, thud, down crags


shimmer shingles whisper dust
ugh, agh, yawn, sigh!
her eye sockets gathered such beautiful rust
and did crunch clink, flick and eek
to crack the numbing morning moon
but break, snap, bash, sink
into the hyphenated royal lagoon.

la laa la la sing the happy song!
the smurfs... they told me to **** again...
la la laa, lasing the happy song all day long
noose to the toes popsicle stick up the nose...what great fun!
la laa la la
time to **** again
la la la laa
death is my friend, 80\'s cartoons tell me to **** again...
la la laa sing the happy song...
I have a collection of tongues nailed to a gong...
it rings quite happily with a happy song...
la la laa la la, sing the happy song
i wish i lived in hong kong. thums are in hong kong...
la la laa la... sing the happy song
skin is blue, teeth are red, only one is paint,
smurfs are good people are bad, who says I need meds?
la la laa la... sing the happy song
I lay my feet among human heads
la la laa la... sing the happy song
my walls were not always red,
I like to ring my gong w/ every added leg
it rings quite happily with a happy song...
la la laa la... sing the happy song
take a bow, reach in my pants
not for reasons you think my friend
la la laa la... sing the happy song
decorate the stage w/ happy brains..
sing the happy song!
*BLAM

The little lamb totters around on unsteady legs,
Pretending
That its limbs are sure and strong.
It diverts from the flock,
Frolicking and prancing around in the mud.
Oh! What’s this? Grass! Green grass!
Better grass!
It charges forward, fast as its scrawny,
Spindly legs can go.
The lamb’s almost there, when
BLAM!

Silly lamb.
There’s a wall there, you know.
No matter how hard you try,
You won’t get pas—
Oh. You did.

The lamb munches happily on this new grass.
It finishes and looks around.
It bleats in alarm when it sees
How far the flock has gone.
It bleats again, charges forward…
BLUNK!

Stupid lamb.
The wall’s gone and sealed itself.

KUNK!
THWUNK!

It won’t reopen.
Stupid, stupid lamb.

my mind is so much all over the place i might as well have blown my brains out.
how funny.

That look of anticipation
Followed by hesitation

Hoping to be unchanged
Since you kept your world still

Looking for similarity
Shadowed by uncertainty

Trying to look past her
To see if you can find her

Asking if she has changed
Or if I've just forgotten

She's not the same


Am I to blam

Ghetto life, it nuh easy
Especially when hungry a bite
Hungry can cause man fi a fight
Also loose dem life

Man hangout pon ends
Sey dem a hold a medz,
Police draw gun, man affie run
Tom get shot him tumble down

We cagow sleep a night, cause gun shot teck flight.
Blam, blam, bow bow, Kapow pow
Pon is floor man get down
Whouie him dead!!
Gun shot eena him head.

Alpha Pistols
It’s a nice warm summer’s evening in 2004
The cool man was on top of the Manchester tower block
He fires down with various guns at his lower targets
There is a builders yard two hundred metres away
The fork lift trucks zip about and disturb his sleep
When they reverse their beeper goes Beep Beep!
This riles the man and makes him madly dance
Round his one bedroom flat on the 22nd floor

He grabs all of his guns in a heavy holdall and rushes up
To the very top of the building where he can pop them
While wearing only his bleached white Y-fronts
He sits down by the edge and gets ready for war
From up here he can hear the fork lifts beeping
He grimaces and shakes his head then opens his bag
And removes a small tape player then presses play
The 12 inch version of So Alive by Love and Rockets

His chrome and ivory Colt 45 follows with three clips
Clicking off the safety he aims at the reversing trucks
Their blinking orange light and street lights illuminate
Y-front man aims and fires at the small trucks
His gun is loud and follows thru the muggy night air
Bullets spark off concrete blocks and one hits home
Going thru the windscreen and shocking the operator
Quickly reloading he fires again till the mags are empty

There are 30 different fork trucks in the yard and area
He killed one driver and wounded another in the leg
They are all instructed to to their job while able and alive
Next he gets a 45 calibre Grease Gun with long barrel
He opens the shoulder support and readies his toy
He stands up and sprays the yard from the hip
His grin sez it all as his sub gun blazes away
Two fork lifts collide and drop their pallets of bricks
Reloading he fires at the upended yellow trucks

Their gas bottles explode and cremate the drivers
His song is on a loop and goes on forever
With raised arms and eye to the sky he dances
Round and round he spins to the goth song
Next he grabs his Al Capone 45 Tommy Gun
It has a round mag full of bullets good to go
Standing and firing from the shoulder he goes
The recoil pushes him away from the roof edge

He leans into it and the muzzle flash is serene
The slugs impact all over the yard and 6 trucks
Snapping chains piercing tyres hitting drivers
Two are killed one hurt three are terrified
They still operate their vehicles as ordered
Second mag time and more damage below
A gas bottle blows in an orange blast of debris
While this occurs beepers still beep and lights flash
It’s a huge yard and there are many targets still

Slowly but surely he eliminates them like a surgeon
His next gun is a BAR Browning Automatic Rifle
This he shoots on single shot bipod lying down
It’s a powerful 7.62mm gun and simply superb
Each shot hits home and kills 4 operators dead
Explodes rear 3 mounted gas bottles and more
But the BAR does full auto too and he we go!
*** ****** full ******* auto 30 shot mag wham

Soon empty rounds down range more hits
The fire has been devastating attrition mounts
There are far less fork lifts now in use there
Burning trucks and dead or dying operators cry
In his head he’s the rock n roll man on a roll
I’ve got more guns to fire and now it’s my cod piece
Browning 7.62mm machine gun with bipod
I quickly pull the parts from my bag to assemble
Then a belt of 250 rounds with 1 in 5 red tracer

Happy it’s ready I click off the safety and fire
I’m sat down and hose fire downwards
I slowly move the gun left to right left to right
Impacts spark and in the night air tracer guided
My 250 bullets lasts fifteen seconds and is it
Nothing intact remains below working wise
I took out 30 fork lift trucks and operators
Many are dead some injured others hiding
Lastly I use my M1 Garand rifle with blank ammo

I fire eight rifle grenades at the builders’ yard
I pop a grenade on the end angle up and fire
The blank shell launches the grenade up and down
It takes seconds to fall and hit and Bang Boom Blam!
I fire 8 at random spots of the huge yard
There are no more reverse beepers sounding
All fork lift truck use ceases forever due to me
Now I can peacefully sleep in my room at night
Do not destroy my slumber!

Now picture this... I communed with chaos and conjured up an ancient conquistador by the name of Quetzalcoatl. He called me a chickenshit coward before grabbing me by my cranial consciousness container; and with a chiropractic crack, just like that, my chakras connected and I channeled the grizzled ghost of Ol' Ronnie Reagan. He gurgled a “Hello” and grumbled “Just Say No” ... “Did you know my Nancy fancied fucktarded fantasies, or that she believed in batshit lunacy like astrology and necromancy?" ***** better know, it's bros before hoes cuz this ghost with the most is about to get gangsta with my ***** Miki-G... "Yo, Gorbachev, you old goblin goat, wipe off that **** stain on your head and tear down that muthafuckin' wall.” After guzzling a gallon of ***** Putin ****** in, he gave Ol’ Ron a wink with a glowing goat eye of iris framed rectangle dark... lowering his headgear he ran slowly while singing a slurred ***** polka rendition of possibly a ***** Riot song. The chorus went something like "******* the Bolsheviks with 11 inch strap-on *****" to which Ronnie replied, “Ewe can dew it to Nancy too!”, as his horns hit cement setting off the biggest supernova block party this side of the galaxy. When the dust settled, everybody was gone and all was right with the quarks and the gluons. The quasars aligned and spun in a symmetrical dance inducing this trance that gave me the vision of which you are reading and the bliss about to unfold here on the shores of Château de Event Horizon, my own private island. As I watch the goblin goats manufactured from the genes of Gorbachev graze the galactic grassy knoll, I’m soon seduced by the song of a sidereal siren... KA-BLAM a ******* shipwreck I endure. When I came to, at the end of my rescue, by whom I suspect to be the same starry-eyed saboteur. She whispers somniferously that to be saved I must partake in her hedonist holy communion. “Drink this neutron star wine in remembrance of my taste, distilled from grapes grown on gamma ray vines representing the lust-laced blood of salvation.” I, a blissom blind bavian obviously, find myself beneath an altar awaiting with bated breath and baculus bombé, bewitched by this bathykolpian beauty of absolute perfection, it’s made clear from my enormous ******* that I’m eager to worship betwixt her exquisite bombosity. “I come to you… er... and on you... with this sacrificial offering of byssus ******* and baptismal borborology... but before I implore... first, hit this baetyl of brume and breathe in a Big Bang **** hit of some killer cosmic kush grown on Kepler 452…. *******?”

“What if I were to bind you up with a sash? Byssus bound with blindfold, and belayed beautifully as can be. Blissom confinement is liberating when not meant to abash. Bestowing to you a masterpiece in *******, a most exquisite ligatured apogee.”

Exhaling miasmic veils of woven haze blindfolds she blows, until we are unable to see. Instead we let our lips caress each others flesh in search of the treasures buried just below. The ritual begins when I go down to taste your nectar of the gods, feel my fingers scrawl spells on your flesh in hieroglyphic haste, Anubis awakes when I invoke he to weigh my heart and become Osiris resurrected, manifested as broken pieces tossed and lost by the tempest of temptation. To traverse this tribulation and emerge triumphant, invoke Isis and find the 13 to complete the puzzle of my psyche. But if you want your toes curled and that shaking sensation, it’s 14 you’ll need to complete the capstone of my ******* obelisk. Then we can transcend by the touch of the tongue, ******* ritual recitation through unspoken glossolalia until we complete our journey to become the Gods of our own creation. Why should we not manifest through sensual sidereal sexuality? Orchestrating a galactic glowing mass of groans from groins grinding in tune with the pulsar powered music produced by Love, Lust, and Longing. Our libidos vibrate as sine waves in harmony with strummed string theory, for we are the Cosmic Conductors controlling this sonorous ****** symphony riding gravitational waves that will forever ripple throughout the fabric of spacetime. Cosmological carnal knowledge collapses and condenses our atoms, coalescing to produce photons of pure light to illuminate the encroaching dark void of loneliness which desires to devour it all.

pop

kapow

boing

****

*****

blam

babamm

SHABAM

I can't believe how high I am.
Soaring above the clouds, looking down in ambivalence.
Pretending to care has never been so hard. BLAM!
Into the ground I crash in magnificence.
Sparks explode and seas collapse,
into the void we all descend hopeless and afraid
aimlessly we wander with no maps,
I look towards your braid,
hoping to find solace
in this emptiness
but i only find malice.
hatred towards this loneliness.
I can't stand this feeling
it's all too trivial.
It's like my skin is peeling
and the atmosphere was convivial.
No one seemed to notice the struggle I had within me
because we all tend to avoid others problems,
but this was arranged differently.

Killing is a cute game
Full of hate & love
With this knife I rip and mame
Go meet our God above

Like paint comes this red
To make a glorious masterpiece
Too bad you wind up dead
Never finding your own peace

Why do you push this line?
Always starting a fuss.
You wanna start with me? Fine.
Just know, you can't **** with us

So I played that game with you
'Till we saw what you were
You never acted too true
Now you're a liar for sure

Pull a gun to your chest
Scream real loud at you, "Sham!"
"You think you're the best?"
Click the trigger, gun goes *blam!

Ruler first or ruled

in the grand
scheme
of things

the inter-e-
stop

interest
interesting times, quants of time,

quants divisible, but

non-un-en-tangle-able as opposed

at tthis moment
with tangibility being the re-
al-it-if-I-can temptation

time is permanently temporary here,
if that's okeh with you, as

peacemakers were learned to say.

Leave us let this be, see we was never taught,
we
was caught, and we learned

I can-tations
I caint-tatations yessir nossir, damnright,
I'm white trash

from way back. Hillbilly Scotts and Fisher man Sicilians.

Outlaws hang from my family tree
with some honor, omerta. doncha know.

My great granddaddy fought in the Lincoln County War,
on the side that won.

Ever last one o' my kin's sons,
I ken re
call

was left with a life t' live after
winning a war.

Then came me,
and I'as left t'live after losing war after war after war

for no reason,

those was unreasonable wars.

We was poor boys made men by God
And the Corp-
us, the embodiment of an esprit d'corp

-- flash (the real kind, where you remember an event
in time re-
lated by the merest of mere threads of
wonder)

what if, you are reading this and its like
reveilatory
re-veily girl wwwuwu
re-unveiling, luring

you

to a true-ly, like true,
(you can't tell the difference, no diff, right? D'Israeli, maybe.
said that, aside)
true
Hell. Imagine that.
You can't.

Searing hot iron truth:
no condemnation here, no more, ever on
this edge,

if
things stay balanced.
Any time, past now, is mortally pre-carrious

im' guessing that means pre-tooth rot,
but, I can check…

I 'as wrong, lookathis:
precarious (adj.)
1640s, a legal word,
"held through the favor of another,"
from Latin precarius 
"obtained by asking or praying,"
from prex (genitive precis)
"entreaty, prayer"
(from PIE root *prek- "to ask, entreat").

Notion of "dependent on the will of another" led to
extended sense "risky, dangerous, uncertain" (1680s).

"No word is more unskillfully used than this with its derivatives.
It is used for uncertain in all its senses;
but it only means uncertain, as dependent on others ..."
[Johnson]. Related: Precariously; precariousness.

From <https://www.etymonline.com/search?q=precarious>

tooth-rot persuasion-wise, I'as right.

Jahnsan, we assume Samuel or some other dangling
Johnson, says *******, who rides me

through the raison patch from time to time
so I can see the angel.

The messenger, the very one, told
the Prophet professed to be that lastest wit' the mostest

but un-propheside of precariousness

this very voice manifest aurally, in the
non-shadow-casting image of a pillar of light,

highbeams on a foggy night,
from far away,
then blam
headlights

the voice it said,
"Read".

Twice. Nada mas. Read. He heard it.
But he could not read, so
highly spiritual
was he --
post allakindaholyshit
to him, alone,
an angel of light, with new good news,
just in time,

write this down,
its
weird.Wait…
Wars could …

They could.
Wait. ( as we have, and may, yet.)
Wait,
I can see what the professed prophet can see.
I did read.
He could not.
Ought he to have taught? Who am
I to judge,

times and times and half a time,
that clock,
did it have an alarm?

I want to drop
the fattest bass line
Ever.
So thick that people
are literally shaking,
(lose control of your body,
you won’t need it in this place)

Ka blam!
baby wake the **** up,
**** is about to get

Funky
in here.

Cold settled in deep
On him and their son,
A poor fool, lost in his own world,
Scarcely aware his mother was gone.

The boy's father couldn't cope...
Tried, but hope with her had died.
Bankrupt faith, spent in futile prayer
To cure the failing heart,
Restore the lungs...
A silent "NO" hung in the air,
And she was gone.

Her ashes flew home beside him.
He went to pick up his son,
Stopped for three fifths of Scotch...
Proceeded to disappear,
Proceeded to disappear,
Proceeded to disappear.

The house suffered under stench:
Old *****,
Excrement,
*****,
Spilled bottles,
Cans scattered on the floor;
Everywhere a sour putrescence.

His son floated in and out of vision,
Autism and inebriation:
Two forms debilitation,
No hope of equilibration.

Neighbors made some calls...
Social workers came,
Took the son away.

Death seemed a reasonable option.
Leave the mess.
Join his wife.
End this ******* life....

Revolvers favor simplicity:
Load the chambers,
Snap the cylinder in place...
Aim closely to remove his face.

Muzzle up,
Open mouth,
Squeeze the hammer down...
Only a clicking sound.

Unusual, this...
Aim at the ground,
Squeeze off a round...
Ears ringing from the sound.

Raise the muzzle once again,
Bite ******* steel,
Squeeze the trigger down...
Again, a clicking sound.

Aim at the ground,
Blam! Potent round...
Set the revolver down.

"Hello. 911. What is your emergency?"

"Come get my gun;
I'm trying to **** myself."

Police arrive.
He's still alive.
Drunk and numb...
They take his gun.

Six weeks later, still in a haze,
He's told his story.
We are amazed,
But still he's found no calm for grief.

We struggle beside him,
Waiting for some sign,
Some reason why a gun
Should fail to fire...twice.

If you should read these words, my friends,
Please speak a prayer for a lonely man.
Ask for freedom from despair,
For peace and letting go,
For comfort and the hope of friends,
For better ends.
For better ends.
For better ends.

I play guitar,
I play punk rock, and pop punk.

Sometimes people cause arguments with me. I fight back.

This time someone was insulting my little sister, trying it on my sister. I found him holding her in the back alley. I took my guitar and blam.
No more guitar,

It's four am. I'm passed out in an alley somewhere, covered in blood, is it mine?
I dip a finger in and test.
Yes it's mine. Some of it is anyway.

I feel around and find that there's a stab wound in my side.

Blood slowly oozing from the puncture,
I'm lucky it didn't hit an artery.
I look around.

There's the little **** who hit my sister! Who tried to... Tried to... He isn't moving! ****! There's more blood on him!

I lurch forward towards him, he's dead.
Throat slit by the guitar strings.
I move around.

The neck of the guitar is still embedded in my side. Stemming the flow of blood.
I stand I look for my little sister,


I don't see her! Where is she!?

I start running, everything goes red.
I round a corner. There's my sister.

She's fine.... She's fine... Thank God

In the running the guitar neck fell from my side,
Blood pours from the wound. There's an ambulance.

"I love you sister, don't you ever let them hurt you"

I tried to love you, I tried very hard,
but you did not understand  my incurable romantic heart,
You gave me no flowers, no Christmas, Valentine, or Easter
Cards, and you gave no birthday cards as well.
All you thought about was your ****** needs,
You did not think about how to please me
To you it was Slam, Blam, thank you Ma''am
it was not making love between two heart and souls,
you just wanted ****** release
You were Clingy, selfish, thoughtless, and did not think of me
you would not give me space when I asked for it.
When you did not get your way you cheated on me and thought it was okay.
You did not understand that I needed time to grieve over someone who loved for 12 years you see. You pouted like a little boy which meant to me you are nothing but a Peter Pan.
The only thing you thought about was being a want to be musician in Nashville. You are still homeless without a home and left me to die on my own. One thing you don't know about I am like a Phoenix Bird you see. I will rise from the ashes you will see and when I am ready I will find that special soul mate God made especially for me.  I tried to love you but I could not because you are not incurable romantic.