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talaina sorensen Jul 2017
I am a bad *****
Doing bad, *****.
Doing bad so long
It's like a habit.
Been down for so long
***** turned me into a mad *****
**** being sad *****.
Sad for what?
I don't have ****.
As soon as I got one thing
**** it's gone like magic.
Cause it cost more to have nothing
Then to have ****.
All this, over compensation
And tryna pay back ****.
That I gave to a Mf when they didnt have it.
So now Im in my bag *****.
Now im wrong cause im actin savage.
Tryna get my life together, i thought youd be glad *****..
Im jus a badd *****
Going threw bad ****.
Shot ain't right
But that's too bad *****
Bunhead17 Sep 2014
[Verse]
Tell these ******* I’m queen, tell these ******* I’m gold
If you been where I’ve been, then you’d probably turn cold
I give a **** ‘bout you ******* who got a problem with me
I do **** for myself, nobody got it for me
You got an issue with me, but you ain’t licensed to speak
‘Cause I be feedin’ the streets, your *** is nothin’ to me
I’ve been hot with the lyrics and I’ve been dope with the fashion
I said I want it I need, I done spoke, I take action
And when you talkin’ I’m workin’, I’m gettin’ things I’m deservin’
But at a point I was hurtin’ and gettin’ nothin’ like virgins
I be takin’ my time, I’m only twenty years old
Nobody ******’ with Coca, I tell them suckers “go home”
***** I’m hype ‘cause I’m certified, all my ******* qualified
******’ with my team, finna get your face modified
What you comin’ for me? I ain’t scared, fam’
I eat them J’s off your feet with my bare hands
Stupid-*** ***** just stop
‘Cause I ain’t finna tolerate this **** you talk
Unless the ***** a boss she gettin’ boxed
They said Coca been on, and ***** you not
I be ‘bout it but I ain’t the type to start ****
Asian *****, never a fool, always some smart ****
Who you playin’? I done learned the game
Nobody teachin’ me ****, ‘cause me and you not the same
So get to suckin’ *****, you talk too much
You get a bit of ******’ fame, think you popular
You twerkin’ for a name, ****** bought you stuff
I make my own **** money, and I shop enough
They say I lie about the **** I do
Now you flexin’ ‘cause Coca ain’t ******’ with you
*****, swerve – I make moves, it’s the truth
This the mafia, ***** – who you?
Johnny Noiπ Nov 2018
Actions proposed by the police, homosexuality,
abuse by employees. Abuse of pharmaceutical
products - Mom came from the ***** Azaz and
demons. This is the city; Moab's ***** and the
landscape; Other police improvements are security
tools for terrorism. Homosexuality, specific faith
of the doctor. After the Alhambra epidemic. The
cousins ​​of the ***** and paralysis began. exploit.
Changes and changes in the city. Mafia of women
and other landscapes. Applications Police have security.
Such homosexuality, security device. Emergency
options, algebraic licenses, download versions Changes,
****** and changes in the city - from Moab. *****
and surrounding lands Police, for the safety of these
devices. The dangers of homosexuality that count.
Corrupted drugs: after the effects. From the pain
of the environment, cancel. Different cities; Morcha
and country kedekirešiyewineti Such devices are
often suspected of killing pigtails. Police homosexuality,
employees, ****** abuse, drug traffickers, from the
depression to the alley, where the devil is wine;
This is the city; The media ******. ****** and the nation;
More security improvements Police custody of this device.
Threats, homosexuality, weakness of faith; hospitals;
Post-traumatic problems Algeymera destruction of the devil.
Good changes of ****** and cities; The ******* ******
of the mafia. and the nation; Police guards more breeding police.
for this device The dangers of decadence, homosexuality,
trust. weakness; Common drugs Post-traumatic problems,
explosions. Algebra, evolution of the devil's ******; ******
and city reform; The mafia ******. ****** and the nation;
Additional benefits for police Threat, homosexuality, trust
in a pharmacist. corruption; Impact after the Alsemeera
of Satanism after the event. Changes of ****** and reformed
cities. The ******* ***** of the ****** and the nation;
Police murders cutting, extremely security forces. dangerous
metal tools, depression of the same ***, drug addiction;
Alzeihmer post-traumatic problem of the atmosphere of Satanism.
Horror gypsy sting secret staring secret staring staring staring
staring staring secret man secret gypsy secret staring two
woman secret smell gypsy couple hiding smell man horror whisper
staring admirer staring smell admirer front fun future originality
original Belgian, Belgian bruises, green ladies clothing;
Fundamentals of the Mafia, other improvements
in the police
and security.
Instruments, terrorism, homosexuality, faith. Hospitals
with disabilities after their death, the Alhambra
was freed from the ******; ****** and tuberculosis
change ******; ****** and changes in the city.
****** of the mafia, ****** and lands; Next device.
The police love these tragic catastrophic protections,
homosexuality, security. *******:
Conditions of emergency, algebra, conversion.
Pants and conversation licenses. Municipal councils -
Territories of ***** and moabitas in front.
Cover for ******, ****** and later guards.
Risks Dangers, homosexuality in moderation.
degradation; Pharmaceutical damage,
Damages, other contracts of spiritualism.
work; The females of Mordecai and the god.
in the field it has been determined
that these are the actions proposed by the
Police, homosexuality, abuse by employees.
abuse of pharmaceutical products -
Mom came from the ***** Azaz.
and demons. This is the city; ***** Moab
and the landscape; Other police improvements,
These are security tools for terrorism.
Homosexuality, specific faith of the doctor.
After the Alhambra epidemic.
The cousins ​​of the ***** and paralysis began.
exploit. Changes and changes
in the city. Mafia of women and other
landscapes. Applications Police have
security. Such homosexuality, security
device. Emergency options, algebraic
licenses, Download versions Modifications
****** and changes in the city - from Moab.
***** and surrounding lands
Police, for the safety of these devices.
The dangers of homosexuality that count.
Corrupted drugs: after the effects.
From the pain of the environment, cancel.
Different cities; Morcha and country
koleidocopalypse; Such devices
They are often suspected of killing pigtails.
Little Actions proposed by the police,
homosexuality, abuse committed by employees.
Abuse of pharmaceuticals - Mom came
from the Azaz *****. and demons.
It's the city; The dogs of Moab and the
landscape; Other font enhancements
are security tools for terrorism. Homosexuality,
specific faith of the doctor. After the outbreak of Alhambra.
The cousins ​​of the ***** and the paralysis
began. feat. Changes and changes in the
city. Mafia of women and other landscapes.
Police applications have security. Such
homosexuality, security device. Emergency
options, algebraic licenses, downloadable
versions Changes, ****** and changes in the city - Moab.
***** and the surrounding land policy,
for the safety of these devices. The dangers
of homosexuality that matter. Corrupted drugs:
after the effects. From the bread of the
environment, cancel. Different cities; Morcha
and country kedekirešiyewineti Such devices
are often suspected of killing. Police homosexuality,
employees, ****** abuse, drug traffickers,
depression in the alley where the devil is the wine,
It's the city; The ******* media. ******
and the nation; More security improvements.
Guarded by the police of this apparatus
Threats, homosexuality, weakness of faith;
hospitals; Post-traumatic problems, the Algorithm
era's destruction of the devil. Good changes
of ****** and cities; The ******* ****** of the mafia.
and the nation; The police keep the police.
The dangers of decadence, homosexuality,
trust. weakness; Common drugs Post-traumatic
problems, explosions. Algebraic evolution of the devil's ******.
the ****** and the reform of the city; The ******
of the mafia. ****** and the nation; Additional
benefits for the police Threat, homosexuality, trust
in a pharmacist. Corruption; Impact after alsemeera
satanism after the event. Changes of ****** and reformed cities.
The ***** ****** and the nation; The police
are killing cats, extreme security forces of
dangerous metal tools, same-*** depression,
addiction; Alzeihmer post-traumatic problem
of the atmosphere of satanism. Horror gypsy
sting secret staring stare staring gazing staring
secret secret man secret gypsy staring two
woman smell secret gypsy couple hiding smell
man horror murmur looking admire smell
admire front fun future originality original
Belgian, Belgian, Belgian, Belgian garments
are green; Foundations of the mafia,
other police and security improvements.
Instruments, terrorism, homosexuality, faith.
Disabled hospitals after their death,
The Alhambra was released from the ******.
****** and tuberculosis change ******;
****** and changes in the city. ****** of the mafia,
****** and land; Next device. The love of the police
these catastrophic catastrophic protections,
homosexuality, security. *******:
Emergency conditions, algebra, conversion.
Pants and conversation licenses. Municipal councils -
Territories of ***** and Moabitas in front.
Cover for ******, ****** and guards later.
Risks Dangers, homosexuality in moderation.
degradation; Pharmaceutical damages,
Damages, other contracts of spiritualism.
job; The females of Mordecai and the god.
in the field he was determined
that these are the actions proposed by
Police, homosexuality, abuse committed
by employees; pharmaceutical abuse -
Mom came from the Azaz *****.
and demons. It's the city; Moab *****
and the landscape; Other improvements
of the police. These are security tools
for terrorism. Homosexuality, specific
faith of the doctor. After the outbreak
of Alhambra. The cousins ​​of the *****
and the paralysis began feat. Changes
and changes in the city. Mafia of women
and other landscapes. Police applications
have security. Such homosexuality,
security device. Emergency options,
algebraic licenses, Download Changes
Versions of ****** and changes in the city - Moab.
******* and surrounding lands Police,
for the safety of these devices. The dangers
of homosexuality that matter. Corrupted drugs:
after the effects. From the bread of the environment,
cancel. Different cities; Morcha and country
keoleidopocalypse; Such devices
They are often suspected of killing mats.
Little Programs planned by police,
homosexuality, corruption by practitioners.
Abuse of pharmacies - Mom comes from
Azaz. and the demons. It is the city; The dogs
of Moab and the land; Other font accessories
are security tools for terrorism.
Homosexuality is a particular belief
of the doctor. After the outbreak of Alhambra.
The relationship of bite and paralysis begins
along with Changes and changes in the city.
Mafia of women and other areas. Security
applications are secure. Such homosexuality,
security device. Emergency options, algebra
licenses, favorite versions Changes, disks and
changes in the city - Moab. Our local and local
area plans, for the protection of these devices.
The dangers of homosexuality are important.
The drugs were defeated: after the effects.
From the environmental nutrients, cancel.
Another city; Morcha and country-class-sized
propaganda Such machines are suspected
of killing. Policemen, employees, sexually
immoral people, drug entrepreneurs, depression
on the night where the devil is. wine It is a city;
The gay media. prostitution and country; More
security improvements. The police of this device
protected fear, homosexuality, weakness of faith;
hospitals; The post-traumatic problems of the
Algeymera's destruction of the devil. The positive
changes of the visitors and the cities; Gay gay
of mafia and country; Police stopped knowing
the police. The dangers of decadence,
homosexuality, trust. ailment; Common drugs
Post-traumatic, explosion problems. Algebra,
evolution of devilish prostitutes. friends and reforms;
The regions of the Mafia. prostitution and country;
Additional benefits for police threats, homosexuality,
trust of a veteran. Drug; Impact after alsemeera
satanism after the event. Changing the disabled
and reconstructed cities. Fornicators and prostitutes;
The police **** the hackers, the most secure security.
such drugs, sexually depression, psychology;
Alzeihmer's is a post-traumatic problem of the air
of Satanism. Gypsy sad click private secret hidden
eyes look secret secret secret gypsy staring two
female smell babies gypsy couple store smell man
sad short looking beautiful smell nice front for future
originality original belt belt belt belt shirt; The
foundations of mafia, other police and security's
security. Applications, terrorism, homosexuality,
faith. The hospitals after their death, The Alhambra
has been released from the brothers of prostitution
and violence are the change; Who and the changes
in the city. Who of Mafia, health and land;
Next device. Desire of the police these catastrophic
catastrophic protections, homosexuality, security.
*******: Emergency situations, algebra,
change. Pants and communication documents.
City councils - The area of ​​prostitution,
Moabitas in front. Cover for prostitutes,
skeptics and guardians later. Agencies The dangers,
homosexuality are the norms of corruption;
The injury of the hospital, The harmful,
other spiritualism products work; The women
of Mordecai and god in the intended field
that these have the proposed services to the
Police, homosexuality, corruption by employees,
the harm of medicines - Mother came from Azaz
and the demons. It is the city; Moab
destroyed and the fields; Other improvements
of the police, these are protective tools
for terrorism. Homosexuality, a particular
belief of the doctor. After the outbreak
of Alhambra. The relationship of bite
and paralysis begins along with. Changes
and changes in the city. Mafia of women
and other areas. Security applications
are secure. Such homosexuality, security
device. Emergency options, algebraic
licenses, Accept Transformal changes
Who and the changes in the city - Moab.
******* and local environments
Police, for the safety of these devices.
The dangers of homosexuality are important.
The drugs were defeated: after the effects.
From the environmental nutrients, cancel.
Another city; Mordecai and country;
Crisis Such devices
They are suspected of killing off cars.
More
NeroameeAlucard Jul 2015
I saw the ***** in you
She walked out and said hello
She smacked me upside the head And almost ended me, like I was Macbeth or Cyrano

I saw the ***** in you
She looked me in the eyes
With a heart full of jealousy and lies
Took advantage of my emotions And left me drowning in a tear filled ocean

I saw the ***** in you, she was hard to find
The ***** that said I'm less of a man,
For breaking down to cry.
I see the ***** in you
Leah Rae Apr 2015
This poem is for the *******.
The ice princesses.

Solid and frozen.
Hearts carved from arctic stone.
Jaw lines so sharp they could *cut
you.
Girls so bitter, *they bite.


Leave your mouth aching.

This is for the evil stepsisters,
The Ursulas,
The Queens of Broken Hearts -

I’ll tell you.
They are deadly beautiful.

They are the bossy, and the terribly too honest.
Mouths on fire,
jaws snapping,
man eaters,
sirens of the sea,
they will swallow you whole.

When the boys ask -
Tell them, no, I don’t need saving.

**** being a princess.
Be the dragon.

Be fire breathing, and pmsing.
Be angry, girl.

Cause you got **** to be angry about.

Every cat call –
Every glass ceiling you will shatter with your bare hands –
Every time you say the word no and mean it –
Every time they make you feel like you anything less than powerful.

You tell them –
You are eternal.

That you carry a generation in your belly -
That it all begins and ends here, inside you.

That you can bleed for seven days straight and come back with teeth sharpened for war.

Remind them that that when something is taken from you, you will do everything you can to get it back.

You will destroy what destroys you.
Eating fire and spitting brimstone.
And never, ever saying sorry.

They will call you crazy.
They will call you over emotional.
They will call you loud mouth.

They will ask for your smile, pretty girl.
Give it to them with poison ivy lips and a razor blade between your teeth.

What no body knew was that Ursula was King Triton’s sister.
A perfect storm.
Banished from the palace -
When a loud, powerful woman gets out of hand, we don’t call it leadership.
We call her dog.
*****.
Bossy.
Fangs out and snarling, we don’t battle, we cat fight.
**** kitten gone wrong, when she learns to leave scars.

A dog, no not a dog, a wolf in heat.
Domestication is a ***** word.

***** is to know your worth, and take it.

To carry it in your esophagus.
A war cry.
Feeding your enemies to your children, and coming back starving for seconds.

Doing anything to stay alive.

Because you were raised by a mother who fed you fear for supper.
Packed your backpack with mace, and brass knuckles.
She told you to turn your body into a weapon.
She knew there would be men who would try to cover your mouth.
So she taught you to bite.

This is how you protect yourself.
A mouth full of *****, and a bark to match.
“Beware of dog” sign around your throat.

This is how you keep them away.
This is how you warn them.

Because the villain was not always the villain.

She was made that way.
You were made this way.

You’ve got brands still healing, still smoking, skin still searing.
You’ve got a trauma written in your blood.
You’ve got a ribcage holding onto your heart too tightly.

You are chasing down a revenge so sweet it could rot your teeth.
A heart attack romance asleep in your chest.

You will come back home limping after this war.

And you will tell all the other girls -

It ain’t all about the love story.
**It’s about the “being in love with yourself” story.
This is originally a slam poem, I am open to all feedback :)
Sarah Flynn Oct 2020
when he called me a *****,
I said "thank you."

if a ***** is what a woman is
when she calls you out
on your ignorance,
then yes,
I am a *****.

if a ***** is what a woman is
when she tells you "no"
and it hurts your fragile ego,
then yes,
I am a *****.

if a ***** is what a woman is
when she uses her voice
and stands up for herself,
then yes,
I am a *****.

so if you call me a *****,
my response will
always be "thank you."

if having my own opinions
and my own thoughts
makes me a *****
then yes,
I am a *****.

and I am proud of that.
Sam Conrad Dec 2013
Words still ring in my head
*****
What do you want
*****...*****...*****...******...*****...
dead line

So many threats
Don't go into her work
Don't see her at school, and don't ******* talk to her
Stay the **** away from my daughter
*****

Went to see a concert
Walked past her
Had to ignore her
To avoid jail time
When I would have loved to ...nevermind

Walked out
Into the parking lot
Half way there
I'm tackled with such a loving hug
From behind

I am stricken
Words ringing in my head
*****, *****, *****, he called me
It took a minute for me to muster
The courage to say a word to her

I turn around and speak
With such pain in my voice
She tried to calm my fears
She tried to cheer me up but
I just wouldn't budge

Little would I know
It would be the last time
She would ever want
To hug me from behind ...like
Like that ever again

As I sit alone every night, I jump, in surprise,
I'm still surrounded in warmth
As I'm forced to relive this ****,
Her last good surprise to me,
That memory forever

I get these flashbacks,
Like a VHS tape...play, rewind,
Pause, fast forward, but no stop... I still... I still...
I feel her wrap her arms around me
Over and over and over and over

I don't ******* know
How I'll ever get better
When the only thing that
Makes me feel any better
Is the same thing that hurts me

I've speculated upon
Destroying these tapes
Or at least destroying the player
But I can't push myself,
Because suicide is not...

Suicide
Is not the way out
And I don't know what is
But there's a long life ahead
Maybe I'll figure it out
I'm okay.
Eve Sep 2015
The one that egged houses with me, bad *****
The one that smoked with me, bad *****
The one that got into trouble with the cops with me, bad *****
The one that over dosed with me, bad *****
The one that was willing to accept my habits and try them, bad *****
The one that swore to be there in the end, bad *****
aye idk i pretty sure this is based on my best friend but i don't really wanna know
Nathan Young Jun 2014
So let me get this straight: you wish to be desired and get respect,
but hey, your personality is that of your looks that which reflects.
Yeah, and let me just further state:
I hope your future has one sick grim fate.

Slick *****, don't care.
No point tryin' repair.
Slick *****, don't care.
No point tryin' to repair.

because let's be honest: your *** deserves ******* nothing.
I can't believe I even fathomed at one point you were something.
Slug once said that he's the captain of a sinking ship
and now, I finally get it. I've got nothing left to lose
because at this point, I've already been used and abused.

Slick *****, don't care.
Pain is something I must bear
Slick *****, don't care.
Anger is something I must bear

You're ******* toxic. Nuclear waste to be exact
and as a matter of fact: **** the goody two shoes act.
We all realize that you're being fake
Now, just how long will this take?

Slick *****, don't care
I'll rise above you though, I swear.
Slick *****, don't care.
I'll rise above you though, I swear.

You may have stripped me down to a **** man,
doesn't matter for I still stand,
resilient and proud to prove your *** wrong
because I sing this song and I walk that walk
proving to myself that I am that strong.
So this was my first official attempt at writing a song. Enjoy, friends!
Evie G Feb 2022
Who here loves *******?!!!
I mean, dogs
Obviously…
Immature people.

I love ***** shows.

Seeing them all groomed to perfection, not a hair out off place
A shame some cute faces will just go to waste.
While some may whine and some may resist,
If it’s not monetised, well… does it exist?

Lined up in a row
Look at them go
Praying and hoping to win best in show, just for a itty bitty wittle headpat, while the owner gets useful things like money.
Cause a dog can’t use money, that’s just silly

Nails perfectly trimmed
Intelligence dimmed
Watch how they walk with a little trot, so proud of themselves,
its like they forgot they only have the same rights as their owners in 6 countries.
But dogs don’t need equal working rights, that’s just silly

Look its absurd
When they whine all their words
Clogging up space with their frilly likes and their silly ums that totally like inconveniences like everyone because they have to um like listen to a ***** talk for um longer than they like totally like um have to like ***.

But they aren’t so bad, especially when you’ve had
A ***** that wont behave, a ***** that’s gone mad
Howling at the moon with their wandering wombs
It’s like there’s no party, only balloons.
If a ***** wears pants, do they go on all fours
Or do they get sent home for showing more than their paws.

Gasp at how they growl, protecting their hairy bodies, which, silly them, they don’t own.

They must be culled
Anger dulled
Knock in their thick skulls they are nothing but a *****.

We all love ***** shows, we love the ******* even more.
So come on ladies, get down on all fours.
Cunning Linguist Nov 2013
Loaded down with swag, you could say I got some baggage
Now tag me in your post - host server overload with traffic
Havoc, I smashed it I'm smokin on that hash **** its magic I'm laughin,
***** where the **** my brain go?
Oh I know **** I got so braindead before I wrote this
I'm monumental, moving boulders
Deport this *****, jumpin borders
Spit my lyrics so hot just like you was sippin Folger's
Burn your tongue? I burned my face,
You in a race?
Huh, ***** don't even try to run

Your nightmares are my fantasy
I make your dreams rip at the seams
Best believe it I'm the reason
You be losing sleep
Unfeasibly
Freddy who? Man **** that dude
This ain't no ****** "Elm Street"
11-12 Better check yourself
**** with me I killed it
You're in my world now *****

And grab your crucifix
Ha! AND PRAY TO GOD *****

Oh ****, break in the beat
I can't be defeated so don't leave your seat
So many drugs my heart feels complete
Lungs replete with the cloud of a thousand burning trees
Smokeapalooza, my brains on vacation
maybe it's a factor, all the inhalation
Snoozing you loser?
Got it going on,
Got more bombs than a marathon in Boston
AND IF YOU THINK THAT **** WASN'T A FALSE FLAG GO BACK TO SLEEP

I'm a self confessed bongaholic by definition
Cro-Magnon, I'm stone-age in terms of cognition
though hopefully I can get some ignition, generate some sparks
My colorful rhymes stand in stark contrast
against this black and white palette
all these so called artists paint with
Oh and blunts are great, ******* Wiz Khalifa
pearl another one and I'm feelin golden
withholding nothin, so I'm puffin til I'm huffin

straight baked like space muffins
something you can't relate or replicate,
so don't defame, or deface my status as
realest ***** in the rap game
no malarkey;
you have a better chance swimming with sharks b

breaking bad
take a line of that Walter White to my head
til my brains are frying like eggs at breakfast
hear just a little sizzling
**** bro I'ma wake up dead

David Banner he don't know swag
Lil' B holla that he own swag
Overflowin with all these newfags
I /b/ like :bitchplease: I ******* made swag

I'm beautiful man super cool
and all all the ******* love me
most popular boy in school
I have everything I want
it seems -
in my dreams,
******* **** me
My ADD is so infuriating
which is at least partially
why my primary hobbies
are screaming rapping and smoking ****
Oscar Harding Jun 2016
” ***** Face ”
Supposedly my face is the cause
Left over angry! Written on my face
*****, ***** resting on my face
They say my eyes glare out of their sockets …
with angyry eyes and dead pan ***** written on my face
And honestly this makes no sense
Are you mad?
Are you sad?
Are you okay?
Left over angyry written on my face
Look, I’m sorry if you’re offeneded.
Because the way my face naturally bends!
Please understand that I don’t mean
the expression, my resting ***** face
puts on for me,I went to bed upset
Wishing that I could just forget
My head just spun
As I lie in frustration
The tears kept coming
While I kept wishing
I could fall fast asleep
Yet I kept replaying the words that were said
As they consume my head
And then
I look in the mirror and seen that resting ***** written
On my face
Yo, shout out to everybody that worked on the album
You feel me, son? Yo, shouts out to Ty Dollas
Shouts out to Hodgy Daddies, shouts out to Left Brizzle
Shouts out to Domyon, shouts out to Frankie Ocean
Shouts out to Syd the Dude, shouts out to L-Boy Awk
Big eared bandit is tossing all his manners
In a bag and wrapping them in seran wrap bandages
Tossing 'em in baskets with the rest of those sandwiches
So when he says "Catch up, *****" it looks like an accident
Um, flowing like my pad is the maxiest
My ***** white and black like she's been mimicking a panda
It's the dark skinned *****, kissing ******* in Canada
Then kicking all out like Mr. Lawrence did Pamela
Put her in the chamber all against her Wilt Chamberlain
I never had a Reason, ***** I was just Ableton
Not a ******* Logic contradicting *******
Flyer than an ostrich moshing in a tar pit
***** scented cheetah printed tee
In that 'Preme five panel, I'll repeat it for the season
Previous items in the present
With the normal *** past like I cheated on my team
It's me (Tried to get that *****, but, Golf ****)
To have some type of knowledge that is one perception
But knowing you own your opponent is a defeating bonus
I'm Zeus to a Kronos, cartilage cartridge is boneless
Smiles of cowards in lead showers
Dead spouses in red blouses
Children who fled houses on Mustang horses and went jousting
I'm on my Robin Hood ****, robbin' in the hood
Whips, drugs, jewels, and your pet, I'm stealing your rings
Coke diamonds and your Vet, soldiers lace the ******' boot
And salute like the troop when you shoot you gon' ****
It's **** Hodgy, *****, stay the ******* my stoop
And out my Kool aid, Juice
Hodgy got the juice, I got the gin
Jasper got the Henny, my ***** we get it in
Wolf Gang party at the hotel
I call a **, you call a **, and all the hoes tell
You know Left Brain need a freak
I need a ***** to go down like a Nitty beat
Yup, uh, and her *** fat
Don't be surprised if I ask where the hash at
***** I'm tryin' to smoke, ***** get higher
Domo where that Flocka Flame? Talkin' 'bout a lighter
Still bang salute me or just shoot me
Cause if you don't salute me then my team will do the shooting
Yeah my ***** Ace will pull the black jack
The king Mike G is in the cut with the black mac
Livin' like the Mafia, *****, don't get to slacking up
And if these haters actin' up, throw 'em in the aqueduct
Free my ***** Earl, yo, I don't really ask for much
But two bad ******* in front of me *******
What the **** is caution?
Often I leave you flossin' and cause exes next to coffins
Lost in translation, the dreams you chase
Got you diving for the plates like you stealin' home base
That's great, I'm home alone dreamin' of two on ones
With Rihanna and Christina Milian, bring it on
And Travis is in the closet organizing and hangin' the *****
Three lettermans that Ace has been making him
No strays while we catchin' matinees, huh?
I'm gettin' blazed thinking 'bout those days
I had the top off the GT3 like toupees
One finger in the air, all's fair when crime pays
My grand scheme of things is to be attached
To the game like ******* to their wedding rings
And you don't even need to look cause we gleam obscene
In the light, ride slow to my yellow diamond shining
Like the Batman logo over Gotham, rock LA to Harlem
If you say "get 'em Mike G" then I got 'em
One man squadron, ***** I'm a problem
From Briggs I got bars and plans to
**** these Polish ******* into pop stars
Humanity kills, we all suffer from insanity still
And if I said it then it is or it's gonna be real
OF 'til I OD and I probably will, uh
It's still Mr. Smoke-a-Lotta-***, get your baby mommy popped
With my other ****** bop, do I love her? Prolly not
Know your **** is not as hot as anything I ******' drop
***** I'm in the zone, stand alone, like Macaulay ****
I've been runnin' blocks since a snotty tot
Big wheel was a big deal with the water Glock
Now I'm all grown, sing songs just to give 'em watts
Fire what I talk, but still cooler than the otter pop
Op Dom neck **** in your wish list
Mad sick ****, mad **** for your *******
On some slick ****, your mistress on my hit list
And I'm lifted 'til I'm stiff out of this *****
Odd in your *******' area
Blood clots give me five feet 'fore I bury ya
Suicide flow, let the big wave carry ya
Tyler got the mask like he held Jim Carey up
And **** your team, ** ***** wassup
Wolf Gang so you know we not givin' no *****
You know me dog, I'm a chill in the cut so I can
Cut it short, break it down, couple pounds, roll it up
Get me a Persian rug where the center looks like Galaga
Rent a super car for a day
Drive around with your friends, smoke a gram of that haze
Bro, easy on the ounce, that's a lot for a day
But just enough for a week, my ***** what can I say
I'm hi and I'm bye, wait I mean I'm straight
I'mma give you this wine, the runner just brought the grapes
My brother give it some time, Morris, and Day
Course you know the vibe's as fly as the rhymes
On the song, cut and you could sample the feel
Headphone bleed, make this **** sound real
Used to work the grill, fatburger and fries
Then I made a mil and them psychics was liars
Now, how many ******' crystal ***** can I buy and own
Humble old me had to flex for the fogs
Down in Muscle Beach pumpin' iron and bone
Bumpin' oldies off my cellular phone
Yeah, bumpin' oldies off my cellular phone
*******, this rapping is stupid and it's hard
Gotta do it over and over and over again but here I go
Hey it's Jasper, not even a rapper
Only on this beat to make my racks grow faster
Got a TV show, so I guess I'm an actor
*** head, half baked, lookin' like Chappelle
Rollin' up a blunt with that fire from hell
Still ignorant, still hit a *****
Wolf Gang, *****, so I still don't give a ****
Catch me in the back with Miley on my lap
**** rips as I feel on that little ***** cat
Hah, ***** came through with a 9 bar real quick
Just for the *******, little bit of money in my pocket
**** it, Wolf Gang
Yeah, **** that, look, the contrast is a pair of lips
Swallowin' sarapin, settin' fires to sheriffs whips
(Whoosp, whoosp) ******' All-American terrorist
Crushin' rapper larynx to feed 'em a ******' carrot stick
And me? I just spent a year Ferrisin'
And lost a little sanity to show you what hysterics is
Spit to the lips meet the bottom of a barrel
So that sterile **** flow remind these ****** where embarrassed is
Narrow, tight line, might impair him since
I made it back to Fahrenheit, grimey get dinero type
Feral, ******' ill apparel, wearin' pack of parasites
Threw his own youth off the roof after paradise
La di da di, back in here to **** the party up
Raidin' fridges, tippin' over vases with a tommy gun
Never dollars, poppa make it rain hockey pucks
And 60 day chips from ******' awesome anonymous
Call him bloated 'til he show 'em that the flow deluxe
Off the wall loafers, Four Loko, and a cobra clutch
Vocals bold and rough, evoke a ** to pose as drum
And let me hit and beat it with a stick until the hole was numb
The culprit of the potent punch
Scoldin' hot as dunkin' ******* in a Folgers cup, or Nevada
Drivin' drunk inside a stolen truck, shittin' like his colon bust
Belly full of chicken and a fifth of old petroleum
Supernova, I'm rollin' over the novices
I'm roamin' through the forest and spittin' cold as the porridge is
Stay gold 'til the case closed and the story end
Post mortem porkin' this rap **** and record it
To escort it to the morgue again, lord of lips
Bored of this, forklift the tippy top, best under 40 list
Stormin' the gate, ensurin' the bass, scorchin' ladies
******* sore in torso and face
Get at me with savages, have a pack of Apache
Indian pack of ****** who don't give a **** if we nasty as flatulence
As a matter of fact, your swagger is tacky
So see me you can't like Crunchy Black catchin' a taxi
Back like lateral passin'
With that *******' gladiator manner of rappin'
As an addict I let percocets and xannies relax me
Fall back if your paddies is ****, please
OF, **** that's all I got
From my bigger brother Frankie to my little brother Tac
From that father figure Clancy to that skatey ***** Naks
Shredding down 'Fax, Wolf Gang run the ******' block
Storefront, knee tat
Book cover is the same lettering on lettermans and cotton socks
And grip tape, and my shoes
Um, I was 15 when I first drew that donut
5 years later, for our label yea we own it
I started an empire, I ain't even old enough
To drink a ******' beer, I'm tipsy off this soda pop
This is for the ****** in the suburbs
And the white kids with ***** friends who say the n-word
And the ones that got called weird, ***, *****, nerd
Cause you was into jazz, kitty cats, and Steven Spielberg
They say we ain't actin' right
Always try to turn our ******' color into black and white
But they'll never change 'em, never understand 'em
Radical's my anthem, turn my ******' amps up
So instead of critiquing and *******, being mad as ****
Just admit, not only are we talented, we're rad as ****
*******
OFM, bangin' on your FM
Gnaw, 2011, yeah, Golf ****
by odd future
Brandon Webb Nov 2012
she had mornings
(still does)
where she'd not talk to anybody
so i'd get on tumblr and check,
finding the familiar phrase
she used on these days
"i'm such a *****"

and between classes
i would find her and wrap her in my arms
and tell her she wasn't
she never believed me,
always disagreed with me

so isn't it ironic
that those words-
"you aren't a *****"
are the ones i hold on to now
everytime i start thinking she is
i tell myself i was right,
that she's only had a hard life
and thinks differently than me

but then she cuts me off walking in the hall,
she gives me emotionless stares on the bus
(where i sit 8 seats farther from her than ever before)
and i almost call her a *****
but i hold off, knowing i was right

i walk an extra three blocks
to and from the convenience store
to avoid her house.
i spend lunch in the library
to avoid hearing her voice.
i walk home from the elementary school
to avoid her presence.
and i don't go swimming
with my brothers boyscout troop
to avoid the memory
of the first time she said she loved me.
but when i'm about to call her a *****
because avoiding her
only makes me remember what she did to me-
i stop
because i know i was right

those words were probably the reason
she left for the last time
the reason she says nothing to me now
becasue she always believed she was right.
i only hope i'm right,
but i try so hard to convince myself
because i don't want to, someday
get so ******* that i scream at her
that she's a *****.
because that will break her
and she'll think she's right
that all her insecurities and anxieties
are true
are righteous,
and she'll be hurt forever
thinking that she's horrible.
she isn't

she isn't a *****
just misunderstood by herself.

when i look at her,
i feel no anger
and i supress the sadness
which may create anger.
anger only fuels my thinking that word
and i can't bring myself to hurt her

no matter how much she hurt me.

not a *****...
not
a
*****




©Brandon Webb
2012
Cass was the youngest and most beautiful of 5 sisters. Cass was the most beautiful girl
in town. 1/2 Indian with a supple and strange body, a snake-like and fiery body with eyes
to go with it. Cass was fluid moving fire. She was like a spirit stuck into a form that
would not hold her. Her hair was black and long and silken and whirled about as did her
body. Her spirit was either very high or very low. There was no in between for Cass. Some
said she was crazy. The dull ones said that. The dull ones would never understand Cass. To
the men she was simply a *** machine and they didn't care whether she was crazy or not.
And Cass danced and flirted, kissed the men, but except for an instance or two, when it
came time to make it with Cass, Cass had somehow slipped away, eluded the men.
Her sisters accused her of misusing her beauty, of not using her mind enough, but Cass
had mind and spirit; she painted, she danced, she sang, she made things of clay, and when
people were hurt either in the spirit or the flesh, Cass felt a deep grieving for them.
Her mind was simply different; her mind was simply not practical. Her sisters were jealous
of her because she attracted their men, and they were angry because they felt she didn't
make the best use of them. She had a habit of being kind to the uglier ones; the so-called
handsome men revolted her- "No guts," she said, "no zap. They are riding on
their perfect little earlobes and well- shaped nostrils...all surface and no
insides..." She had a temper that came close to insanity, she had a temper that some
call insanity. Her father had died of alcohol and her mother had run off leaving the
girls alone. The girls went to a relative who placed them in a convent. The convent had
been an unhappy place, more for Cass than the sisters. The girls were jealous of Cass and
Cass fought most of them. She had razor marks all along her left arm from defending
herself in two fights. There was also a permanent scar along the left cheek but the scar
rather than lessening her beauty only seemed to highlight it. I met her at the West End
Bar several nights after her release from the convent. Being youngest, she was the last of
the sisters to be released. She simply came in and sat next to me. I was probably the
ugliest man in town and this might have had something to do with it.
"Drink?" I asked.
"Sure, why not?"
I don't suppose there was anything unusual in our conversation that night, it was
simply in the feeling Cass gave. She had chosen me and it was as simple as that. No
pressure. She liked her drinks and had a great number of them. She didn't seem quite of
age but they served he anyhow. Perhaps she had forged i.d., I don't know. Anyhow, each
time she came back from the restroom and sat down next to me, I did feel some pride. She
was not only the most beautiful woman in town but also one of the most beautiful I had
ever seen. I placed my arm about her waist and kissed her once.
"Do you think I'm pretty?" she asked.
"Yes, of course, but there's something else... there's more than your
looks..."
"People are always accusing me of being pretty. Do you really think I'm
pretty?"
"Pretty isn't the word, it hardly does you fair."
Cass reached into her handbag. I thought she was reaching for her handkerchief. She
came out with a long hatpin. Before I could stop her she had run this long hatpin through
her nose, sideways, just above the nostrils. I felt disgust and horror. She looked at me
and laughed, "Now do you think me pretty? What do you think now, man?" I pulled
the hatpin out and held my handkerchief over the bleeding. Several people, including the
bartender, had seen the act. The bartender came down:
"Look," he said to Cass, "you act up again and you're out. We don't need
your dramatics here."
"Oh, *******, man!" she said.
"Better keep her straight," the bartender said to me.
"She'll be all right," I said.
"It's my nose, I can do what I want with my nose."
"No," I said, "it hurts me."
"You mean it hurts you when I stick a pin in my nose?"
"Yes, it does, I mean it."
"All right, I won't do it again. Cheer up."
She kissed me, rather grinning through the kiss and holding the handkerchief to her
nose. We left for my place at closing time. I had some beer and we sat there talking. It
was then that I got the perception of her as a person full of kindness and caring. She
gave herself away without knowing it. At the same time she would leap back into areas of
wildness and incoherence. Schitzi. A beautiful and spiritual schitzi. Perhaps some man,
something, would ruin her forever. I hoped that it wouldn't be me. We went to bed and
after I turned out the lights Cass asked me,
"When do you want it? Now or in the morning?"
"In the morning," I said and turned my back.
In the morning I got up and made a couple of coffees, brought her one in bed. She
laughed.
"You're the first man who has turned it down at night."
"It's o.k.," I said, "we needn't do it at all."
"No, wait, I want to now. Let me freshen up a bit."
Cass went into the bathroom. She came out shortly, looking quite wonderful, her long
black hair glistening, her eyes and lips glistening, her glistening... She displayed her
body calmly, as a good thing. She got under the sheet.
"Come on, lover man."
I got in. She kissed with abandon but without haste. I let my hands run over her body,
through her hair. I mounted. It was hot, and tight. I began to stroke slowly, wanting to
make it last. Her eyes looked directly into mine.
"What's your name?" I asked.
"What the hell difference does it make?" she asked.
I laughed and went on ahead. Afterwards she dressed and I drove her back to the bar but
she was difficult to forget. I wasn't working and I slept until 2 p.m. then got up and
read the paper. I was in the bathtub when she came in with a large leaf- an elephant ear.
"I knew you'd be in the bathtub," she said, "so I brought you something
to cover that thing with, nature boy."
She threw the elephant leaf down on me in the bathtub.
"How did you know I'd be in the tub?"
"I knew."
Almost every day Cass arrived when I was in the tub. The times were different but she
seldom missed, and there was the elephant leaf. And then we'd make love. One or two nights
she phoned and I had to bail her out of jail for drunkenness and fighting.
"These sons of *******," she said, "just because they buy you a few
drinks they think they can get into your pants."
"Once you accept a drink you create your own trouble."
"I thought they were interested in me, not just my body."
"I'm interested in you and your body. I doubt, though, that most men can see
beyond your body."
I left town for 6 months, bummed around, came back. I had never forgotten Cass, but
we'd had some type of argument and I felt like moving anyhow, and when I got back i
figured she'd be gone, but I had been sitting in the West End Bar about 30 minutes when
she walked in and sat down next to me.
"Well, *******, I see you've come back."
I ordered her a drink. Then I looked at her. She had on a high- necked dress. I had
never seen her in one of those. And under each eye, driven in, were 2 pins with glass
heads. All you could see were the heads of the pins, but the pins were driven down into
her face.
"******* you, still trying to destroy your beauty, eh?"
"No, it's the fad, you fool."
"You're crazy."
"I've missed you," she said.
"Is there anybody else?"
"No there isn't anybody else. Just you. But I'm hustling. It costs ten bucks. But
you get it free."
"Pull those pins out."
"No, it's the fad."
"It's making me very unhappy."
"Are you sure?"
"Hell yes, I'm sure."
Cass slowly pulled the pins out and put them back in her purse.
"Why do you haggle your beauty?" I asked. "Why don't you just live with
it?"
"Because people think it's all I have. Beauty is nothing, beauty won't stay. You
don't know how lucky you are to be ugly, because if people like you you know it's for
something else."
"O.k.," I said, "I'm lucky."
"I don't mean you're ugly. People just think you're ugly. You have a fascinating
face."
"Thanks."
We had another drink.
"What are you doing?" she asked.
"Nothing. I can't get on to anything. No interest."
"Me neither. If you were a woman you could hustle."
"I don't think I could ever make contact with that many strangers, it's
wearing."
"You're right, it's wearing, everything is wearing."
We left together. People still stared at Cass on the streets. She was a beautiful
woman, perhaps more beautiful than ever. We made it to my place and I opened a bottle of
wine and we talked. With Cass and I, it always came easy. She talked a while and I would
listen and then i would talk. Our conversation simply went along without strain. We seemed
to discover secrets together. When we discovered a good one Cass would laugh that laugh-
only the way she could. It was like joy out of fire. Through the talking we kissed and
moved closer together. We became quite heated and decided to go to bed. It was then that
Cass took off her high -necked dress and I saw it- the ugly jagged scar across her throat.
It was large and thick.
"******* you, woman," I said from the bed, "******* you, what have you
done?
"I tried it with a broken bottle one night. Don't you like me any more? Am I still
beautiful?"
I pulled her down on the bed and kissed her. She pushed away and laughed, "Some
men pay me ten and I undress and they don't want to do it. I keep the ten. It's very
funny."
"Yes," I said, "I can't stop laughing... Cass, *****, I love you...stop
destroying yourself; you're the most alive woman I've ever met."
We kissed again. Cass was crying without sound. I could feel the tears. The long black
hair lay beside me like a flag of death. We enjoined and made slow and somber and
wonderful love. In the morning Cass was up making breakfast. She seemed quite calm and
happy. She was singing. I stayed in bed and enjoyed her happiness. Finally she came over
and shook me,
"Up, *******! Throw some cold water on your face and pecker and come enjoy the
feast!"
I drove her to the beach that day. It was a weekday and not yet summer so things were
splendidly deserted. Beach bums in rags slept on the lawns above the sand. Others sat on
stone benches sharing a lone bottle. The gulls whirled about, mindless yet distracted. Old
ladies in their 70's and 80's sat on the benches and discussed selling real estate left
behind by husbands long ago killed by the pace and stupidity of survival. For it all,
there was peace in the air and we walked about and stretched on the lawns and didn't say
much. It simply felt good being together. I bought a couple of sandwiches, some chips and
drinks and we sat on the sand eating. Then I held Cass and we slept together about an
hour. It was somehow better than *******. There was flowing together without tension.
When we awakened we drove back to my place and I cooked a dinner. After dinner I suggested
to Cass that we shack together. She waited a long time, looking at me, then she slowly
said, "No." I drove her back to the bar, bought her a drink and walked out. I
found a job as a parker in a factory the next day and the rest of the week went to
working. I was too tired to get about much but that Friday night I did get to the West End
Bar. I sat and waited for Cass. Hours went by . After I was fairly drunk the bartender
said to me, "I'm sorry about your girlfriend."
"What is it?" I asked.
"I'm sorry, didn't you know?"
"No."
"Suicide. She was buried yesterday."
"Buried?" I asked. It seemed as though she would walk through the doorway at
any moment. How could she be gone?
"Her sisters buried her."
"A suicide? Mind telling me how?"
"She cut her throat."
"I see. Give me another drink."
I drank until closing time. Cass was the most beautiful of 5 sisters, the most
beautiful in town. I managed to drive to my place and I kept thinking, I should have
insisted she stay with me instead of accepting that "no." Everything about her
had indicated that she had cared. I simply had been too offhand about it, lazy, too
unconcerned. I deserved my death and hers. I was a dog. No, why blame the dogs? I got up
and found a bottle of wine and drank from it heavily. Cass the most beautiful girl in town
was dead at 20. Outside somebody honked their automobile horn. They were very loud and
persistent. I sat the bottle down and screamed out: "******* YOU, YOU *******
,SHUT UP!" The night kept coming and there was nothing I could do.
Drew Vincent Apr 2015
"Oh honey that's terrible. I am so sorry you had to go through that. I promise I will only take it when I have no other option,"
you said to me when I told you about my mother's addiction to Xanax.
"I love the way you kiss me. Every single kiss is just as passionate as the next,"
you said to me after kissing you for the hundredth time.
"I love you more than I have ever loved anyone. I want to spend the rest of my life with you. I want our days to be just like this,"
you said to me as we laid on your bed in our underwear.

"You're going to have to try for me honey, I'm not some 18 year old boy,"
you said to me while I straddled you and kissed your neck.
"Here honey, maybe this will help,"
you said to me as you sent me an article about how to pleasure a man.
"If you're going to start working out, you can't do anything with your upper arms...If you do that then you'll lose weight in your ******* and make them even more lopsided,"
you said to me when I wanted to get in better shape.

"It would have been better if you called me first instead of your friend,"
you said to me when I called you to tell you my grandfather died.
"Why are you leaving? We had plans! Are you breaking up with me?,"
you said to me when I left to be with my family after my grandfather's death.
"Drew, I am going to **** myself. I can't take this anymore. I'm just going to go driving and not come home,"
you said to me after my grandfather's funeral.

"I can't do this anymore. We need to move on and go our separate ways."

"Can we still be friends?,"
you said to me after trying to put up a fight

"Yes"

"Who are you with?,"
you said to me after I didn't answer your call.
"You're on a date aren't you?,"
you said to me once you figured it out.
"We need to talk. Get out of the car and let's walk."
you said to me after waiting in front of my house to get home.

"You were on a date? Are you kidding me? After telling me you want to be alone? What the actual **** Drew?"
you said to me on our walk.
"I hate you,"
you said to me after yelling at me for an hour and a half.
"You're a monster. You are acting like a *****. You know what? No. You're not acting like a *****. You ARE a *****. You're a ******* *****,"
you said to me after telling me that you will never call me a *****.

I want to **** myself. Leave me, please.

"No, I'm not leaving,"*
you said to me as I cried for an hour.
"Its okay, Drew. You need to breathe. You're going to pass out soon you need to relax,"
you said to me as a panic attack settled in.
"Let's go get you some water and Advil,"
you said after the crying and panicking ceased.

"You're a *****."
you said to me after my emotional breakdown.
"Happy New Year's,"
you said as you kissed me when it hit midnight.
"See you tomorrow,"
you said as you left me even more of an emotional disaster than before.

We can try and be friends again but that's it. Nothing more.

"Drew, I am so glad we could be friends again."
you said to me as we tried this one last time.
"I've missed you."
you said as you straddle me in the backseat of your mom's car.
"I love you,"
you said to me as you planted your lips onto mine.

I think we're toxic for each other. I think we should go our separate ways.

"Toxic? TOXIC? Take me back to Michael's. NOW."
you said to me as your face changed to pure anger.
"You're a ******* monster. A *****,"
you said to me as you slammed the car door shut.
"You're a worthless *******. You're a waste of space,"
you said to me as I drove down that dark, windy road.

"No wonder everyone around you has to pop Xanax. No one ever knows what they'll get from you that day. One day its 'I love you' and the next it's, 'you're toxic,'"
you said to me as your voice progressively got louder and louder.
"I'm going to finally **** myself now. Thank you so much, Drew. For finally giving me the chance to do it. And when I do, you better believe I'll be coming back to make your life a living hell."
you said to me as tears distorted my vision.
"I promise I'm going to **** myself. And I keep my promises,"
you said to me as you squeezed my thigh.

You scare me.

"Oh Drew, I am so sorry."
you said to me, your voice quiet and broken.
"I'll take an anger management class. I am so sorry,"
you said to me as tears flooded your eyes.
"I love you see you tomorrow,"
you said to me as you kissed me goodnight.
Johnnie Rae Jun 2012
Pssh, *****, your secrets out,
Nothing left to do but sit and pout,
All you make me wanna do is ******* shout,

Haha *****, you're no longer safe,
So here I sit, watching you pace, wondering what you'll do with your day,
When you're not trying to ruin peoples lives, what will you do with your time?

Thats what I've been wondering about, but that okay, because your secrets out,
And now you'll be shunned by everyone, just like you tried to force on me,
But we knew this would work out for me,
***** this is reality, you can't just go about doing as you please, trying to make a mess out of me,

To be honest, you almost had me, you almost killed me completely,
But I had people on my side, someone found out you're a lying *****,
And now I can be happy with the real friends I have, unlike you, you little ****,
So bye bye *****, have fun making up for all the **** you've done.
Written about a ***** who think she can liee...and not get caught...***** please..ive got my ways
noseyrosey Jan 2010
There is a young lady called Anna. She is a loner. She lives alone with her two cats. They are her world. I am a cat lover myself and have 2 little cuties in my nest. But these cats are just plain feral. They terrorise the other cats in the neighbourhood and **** in all the neighbours’ garden.

She works Monday to Friday for a recruitment company. She leaves her flat in a purple Mazda convertible which is renowned for being a Hairdresser’s (AKA dumb ****) car. Every day she leaves at 7.30am on the dot and every day she arrives home at 7.15pm on the dot.

Once at home she turns on her TV cinema system (sub), just to watch the TV.

*****!

At the weekend she also leaves her stinking putrid ******* bags out in the communal hallway.

*****!

She ignores her neighbour’s knocking on her door. She ignores the notes that they put through her letterbox.

*****!

So as Anna was not willing to speak to her neighbours directly. They had no other way to turn apart from to report her to Environmental Health for playing her TV cinema system (sub) too loudly and also for the disgusting ******* that she regularly leaves out in the communal hallway.

*****!

In which she returns the compliment by reporting them (said neighbours) to the Environmental Health for:

1) Shouting at each other,
2) Talking too loudly,
3) Banging kitchen utensils on the floor when she is in her kitchen

How deluded is this *****?!?!

At the same time that her neighbours reported Anna to the Environmental Health they also spoke to the Community Support Officer. They advised them to contact the Mediators in their local area. Which of course they did. The Mediators arranged to visit one evening. Unbeknownst to them they parked in Anna’s allocated parking space. Once they had finished with her neighbours, the Mediators returned to their car. Just as they were about to reverse their car, Anna arrived home in her Mazda convertible and blocked them in.

*****!

When she got out of the Mazda convertible, with attitude I might add, she asked the Mediators who they were. They then introduced themselves. Once she knew who they were, she invited them into her flat to hear her side on the story.

YES I AM HER ******* NEIGHBOUR AND YES I AM STILL WAITING TO HEAR BACK FROM THE MEDIATORS……
Becky Littmann Mar 2015
Eenie Meenie Miney Moe
You're just another ***
Never saying "no" & NOT **** fo' show
Beyond  ****** is where you go
The nasty crust is what you are below

A busted *** ratchet
With a scandalous habit
So bounce *****, with  that ****
Or you're going to get hit
Peace out **** it
You need to just quit
Karma is what you're going to get
Because ******* DONT  FORGET

You're  not classy, just a slutty *****
With legs like a revolving door
Open to anyone wanting to score
But your ***** is stank & rotten to the core!
With more than one new STD sore
Just like I said before
BOUNCE,***** no one wants MORE!
Cedric McClester Dec 2015
By: Cedric McClester

***** **** ***
Terms that we all know
Which only goes to show
The depths to which men go
To shame women although
They have mothers who
Get categorized that way too
But they act like who knew

*****, ****, ***
It has a certain flow
On and on we go
Tryin’ to bring ‘em low
But it’s not fair and yo
We need to take it slow
Before those labels stick
Let’s change our rhetoric

*****, ****, ***
People that we know
Use it frequently although
It shouldn’t be that way but yo
Guess that’s just how it go
We use it for ammo
When we refuse to grow
Change sometimes is slow

***** **** ***
Are terms that havta go
Why hold ‘em in escrow
For the sake of puttin’ on a show
Of put downs that’s below
The ladies we bestow
Those names on even though
They’ve become status quo


















Cedric McClester. Copyright © 2015. All rights reserved.
Lyra Brown Mar 2013
About a month ago I was waiting inside the lobby of a bank until the bus came. I was just standing there, innocently blaring Regina Spektor in my headphones to drown out my mind as I usually am, when this tall, *****-blonde, pretty handsome boy walked in.

“Hi.” He said, standing directly in front of me, looking straight into my eyes.

“Um… Hi.” I replied, and pulled out my headphones because I didn’t want to seem rude.

“You have really nice eyes. You’re really cute. How old are you?”

“….Twenty One. Why?” I couldn’t help but let out a loud laugh.

“Because you look so young! Can I see your ID?” He asked.

I laughed and laughed and laughed and didn’t know what to do other than laugh.

“You’re joking, right?” I said.

“No, let me see it. Please.”

I should have told him to ******* right then and there but instead I kept laughing and fumbled for my wallet, took out my ID and handed it to him.

“See. I’m not lying.” I said.

“Oh. That’s weird. You look so young. Like at most sixteen.”

“Okay.” I looked out the window and stared at the traffic. The bus should be here any minute. Get here. Get here. Get here. Somebody save me.

“What are you doing tomorrow?” he asked, standing closer to me.

“Um… Nothing.” **** why did I say that why didn’t I just lie **** why won’t he just leave me alone this is so weird ugh why is he getting closer to me.

“Come for coffee with me.”

“HAHAHA! Why?” I laugh.

“Because. Just do it. Say you’ll do it.”

“Um… okay… Are you high or drunk or something?” I ask him.

“Nope. Just really tired. It’s been a long day.”

“Okay well this is just really weird. Like, you’re so confident and so sure of yourself. It’s weird. Not many people just walk up to someone and do this to a stranger.”

“Well I was just passing by and noticed your eyes and had to come talk to you.” He said.

Finally the bus came, we both got on, and he kept asking me questions.

I was trying to ignore how uncomfortable he was making me feel, how insane he was acting, how he was handsome but most definitely not even close to a gentleman, in fact he was the farthest thing from gentle I have ever encountered. He made me feel like an object, like an empty shell stranded on the shore that was waiting for someone, anyone to pick it up and call it beautiful. This was not okay.

But all I could do was laugh, because that’s what I do when I don’t know what to do.

“I know what kind of music you listen to just by looking at you.” He said.

“Oh, really? Guess.” I said and rolled my eyes. No he most certainly does not. Who EXACTLY does this guy think he is?

“Fleet Foxes, Joanna Newsom… You look like a hippy. A small, young, hipster.” He said.

“Well you’re wrong. Joanna Newsom is okay, but no.” I laughed some more and listed about 30 artists he’s only dreamed of listening to.

“Oh. That’s a lot of music. I’ve never heard of them.” He said.

“Yeah, that’s what I thought.”

He inched closer and closer to me until both of our shoulders were suddenly touching.

“Do you want to know who my favourite band is?” He asked.

“Who?” I said, not wanting to know at all but I was getting off the bus soon and didn’t want to end our conversation leaving the impression that I was a *****.

He leaned in close, and whispered into my ear -

“The Strokes.”

I immediately pulled away from him and laughed,

“Why did you have to whisper that?!?!”

“Because I like your mouth.” He said, smiling.

By this time, I didn’t know whether to laugh or cry, to be flattered or insulted, to slap him or kiss him. Basically I was torn between giving him what he wanted: someone to **** and chuck, or giving myself what I wanted: to get the **** away from him.

“This is my stop.” I said.

“What are you doing tomorrow?” He asked.

“Uh… Nothing.” I said.

“Wrong! You’re going for coffee with me!” He said.

I laughed and got off the bus.

                                                               ­           ———-

About a month later, (which would be probably a week ago, presently speaking), I ran into him on the bus AGAIN and we made eye contact but I chose to ignore him. He did not choose to ignore me, although I wish he did. He came up to the front of the bus, sat beside me and said,

“What’s your name again?”

“….Lyra.” I said.

“Hi, yeah, I thought it would be awkward if I didn’t come say hi.”

“Hi.” I said, and continued looking out the window.

“Hi.” He said.

There was a long pause of silence that satisfied me because I had turned into a porcupine the moment he sat beside me and I was hoping he could feel the sting of my quills lodging themselves into his face.

“I can go… If you want….” He said.

“Well then why don’t you?” I asked.

“You just seem interesting, I don’t know.”

“Well you don’t know me and I don’t know what you want from me but I have nothing to say or give you. So yeah, you should go.” I said.

He gave me an insulted look and went back to the back of the bus where he belonged.

We got off at the same stop which ******, but I didn’t look at or speak to him at all, even as we walked side by side to cross the street.  

I felt relieved, elated, guilty, surprised, empowered, safe, in control.

I felt like a ***** and I liked it.

And I learned a lot from that one small encounter. I learned that being a ***** takes me out of my comfort zone, because I care so much about what other people think of me, I am always trying to come across as “the cute little blonde girl who laughs a lot and is very sweet”. Because that’s easier than being “the self assured woman who doesn’t take anyones **** and sometimes comes across as a ***** who doesn’t give a **** because she only returns the respect she is shown.”

I learned that it doesn’t always have to be one or the other, it is also okay to be both of those girls simultaneously.

I learned that I like attention, but I also like respect. And he made me feel extremely disrespected. I learned that some boys only want a girl for their own personal pleasure. I learned that some boys will literally do and say anything to get pleasure. I learned that it’s okay to stand up for yourself, it’s okay to turn into a porcupine when you feel uncomfortable to get the other person to leave you alone, it is okay to USE YOUR QUILLS.

I thought of all the girls I know, including myself, who have let men use them to get what they want, just to feel beautiful for a fleeting moment. I thought of all the girls I know, including myself, who have been in or stayed in a toxic, abusive relationship just to avoid being lonely. I thought of how sad it is that so many of us hate ourselves that much to let ourselves be used just so we can feel something other than pain for one ******* minute. I thought of how easy it is for so many of us to abandon ourselves like that and how no matter how many times we tell ourselves it’s okay, IT IS NOT OKAY.

I felt sad, but I felt hopeful too.

Because we don’t need someone to tell us we’re cute or beautiful or interesting or **** or funny or talented or special to feel like a ******* human who is all of those things already. We are and always have been, all of those things, regardless of who we are kissing or ******* or loving or talking to at any given moment. It’s nice to be reminded sometimes, but it’s not nice to depend on someone to make us feel like that. We do not need to settle for anything less than someone who ******* respects us and treats us how we ******* ought to be treated.

Most of all, I felt proud of myself.

And I feel like the Spice Girls or P!nk or Alanis Morisette would have been proud of me, too.
Olivia Aug 2012
I thought we were friends
I thought you liked me.
I thought we would be friends forever
I thought wrong
I thought.
Your a *****.
Your an ungrateful *****.
Your just a plain out *******
I would have apologized for calling you a little *****,
if you stopped acting like one.
After the argument...you still continue to be a little *****,
but sure, go ahead and turn the tables as if
it's all my fault because you're right and i' am wrong.
You're a little princess walking around with
your high horse and knight in shining armor.
But one thing you don't understand is that if you
didn't carry the possessions you have
then you'd be lost in this world
without a hand.
Little *****
Because you lie then cry for attention,
you seek the pity out of your petty
which has no significance
through the words you speak.
brandychanning Jul 2020
he called me *****


when I left the room,
he called me *****,
My tomes of Shakespeare,
witnesses,
fellow poets all, my wall decor.

well familiar with fools,
reported the occurrence
upon my return.

confronted, it,
he did not deny,
for he understood
pointless
at that point,
exceedingly well.

was not angered, simply asking,
since he fancied himself a poet, did
he know any rhymes for that word?

in the interest
of poetic brevity,
answered for him.

*****.
witch.
twitch.

gave him reason to use
those words
sequentially.

after that, he addressed me
as mistress, or *******,
with respect, an attitude
that was previously
menu unavailable.

what then shall we call you?

the Bard,
his Band of Brothers, and I
jointly confabed.

undignified is slave,
Shakespeare opined,
human dignity needs
respecting.

my walled observer,
co-conspirator of
all that transpired,
drew upon his
own source material,
suggested,
knave.

yes, quite apropos,
my considered reply,
a fool always, and still,
after all, was he not
himself not a
son of a *****


as much as I,
Brandy Channing, is, was, daughter, proud, child
of one great and wonderful Queen
*****.
Kelly Bitangcol Oct 2016
Every person in this world has a name. Of course, the first thing in life that makes us all different is our name. Or names, perhaps. I know someone who has four names, Marie France Antoinette Anne. I’m friends with someone who has 3 names, Eivram Jan Heaven. Even though 3-4 names are probably hard to have, it’s kind of amazing because it adds a lot to your singularity. And the best example of them all are two names, my best friend’s name is Khelsy Gayle, my eldest sister’s: Christina Andrea, my other sister’s name is Francesca Julia and my name is Kelly Denise. And we all here, don’t even bother to deny it, has a nickname. My best friend’s name is Chellsie and everybody calls her Che. Both of my classmates are both Joshua, and they only have one name, so my teacher, in order for us to not be confused, decided to call the one who has a surname that starts with C, JC and the surname that starts with D, JD and until now we still call them by those names. And in some cases, we pick nicknames by different choices. My eldest sister’s nickname is Zoe and my other sister’s nickname is Franny because my mom loved JD Salinger so much that she named my sisters from her favourite fictional siblings. Maybe my mother wasn’t expecting me, so she didn’t name me from an iconic literary character, or a famous philosopher. Instead, she called me with a nickname that I will be known till the day that I die, it’s called ‘Keidy’. And, to be honest, I hate that nickname. But hey, I have no choice. Or we can all be known for the things that we did. Daenerys Targaryen has a lot of names, Mother of Dragons, Breaker of Chains, Protector of the realm and so on and so forth. Or you can be Arya Stark, who is  No One. An example of a name that people force to be known as but they will never achieve because she will always be Arya Stark of Winterfell.

You see, names are wonderful. It's a proof that everyone in this world, is different. And what a magical thing it is, living in the same world with different people who have different views. And to mention, same views. We all here share same views, and maybe, some of us here even share the same name.

But in every woman’s life, we share the same names. People call us with names that we don’t even have. Each of us have been called or will be called these names.


You will call us, doll. You told us we have so much cuteness in us and we are as beautiful as dolls, and we don’t have any problem with that. Little did we know that some of you don’t really admire our beauty but instead think of us as toys. Toys that you can control, toys that you think would do everything that you want. You will teach us what that we should do, you will teach us what to say and how we should act, you will teach us everything like you own us. And after we do everything that you told us to you will call us good girls.  Good girl,  continue following me.  Good girl,  get ready for more, like we are toys. But of course, you will not call us toys because girls and toys are the same for you, right?

We were taught to be clean, we were raised to be pure. That chastity is the most important thing that every woman should have. And for sure, you all want our purity, but when we disagree like we were taught to you will call us prudes. ***** for choosing who I open up to. ***** for not letting you inside my temple when I am the landlord making choices.  ***** for saying no, because your ego is far more important than my consent. And when we say yes, you will call us *****. Choosing what to do to your own body is a not a thing you should do. Expressing your sexuality is a sin to this world when you’re the one who does it. A woman’s pleasure, is not a real thing. Because we’re not allowed to have one, because we are known for giving one. We are known as ******, as women who are not clean and pure. Who spend their lives offering their bodies like they're the only thing that we can offer. You will shame us for being filthy and disgusting when you’re the reason why we are here in the first place. We are here to pleasure you, to give you what you want. But when we are the ones who would like to experience it, the world suddenly goes mad. We should not experience any pleasure but they can all the time. And when we finally speak for what’s right, our names will suddenly become *******. A ***** for speaking up, a ***** for doing the thing that I should have done ages ago, a ***** for fighting back. A ***** for being strong to be able to remove the tight grip of your hands to my mouth that has been keeping it shut, a ***** for removing the word ’silence’ in my vocabulary, a ***** for being brave to destroy the power that have kept me powerless for a long time.

Woman, I agree that we should be called names. We should be known as fire, a fire so powerful that can lit up the entire world, and burn you for playing with us the entire time. We are warriors fighting for the right thing, warriors that are strong enough to combat all the wrong doings. We are magic,we can do things that everyone never expected we could. Our mind, is the most beautiful place anyone will ever come across.
We are women, and that one word, is more than enough to make people know our value. Woman, the next time they will call you names you do not approve of, tell them. Woman, the next time they lecture you with the things you should do knowing you have your own decisions in life, **** them with your independence. Woman, make them tremble when they realise you are one. Woman, prove them all wrong. Woman, the next time they belittle you; do not let them.
prose free verse feminism women misogyny sexism
David Walker Dec 2012
Origins
written and directed
by
David Walker

Inspired
by
the films of
Quentin Tarantino
David Lynch
&
Rob Zombie

There is method
To his madness

                                                        ­                                                                 ­                  January 2013              
                                              ­                                                                 ­                       first draft









1. EXT. Run down project apartment complex - 3:00 am

A dark, tall figure with long black hair and a trenchcoat opens the already cracked red door.

MAN:
I'm looking for love in all the wrong places.

                                                        ­                                                                 ­                                       CUT TO:
INT. Apartment 3

A typical roach infested apartment with a kitchen built into the living room. 3 GIRLS are on the kitchen floor. GIRL # 1 one has black hair with big lips and a curvy frame and she is wearing a pair of Tripp pants and a black bra barely covering her ample *****. She has a flesh colored rubber hose tied to her left arm. GIRL # 2 has dyed rainbow colored hair, a nice smile, and a skinny frame. She is wearing a pair of tore blue jeans with smiley faces and cute in jokes written on them, also not wearing a shirt with a lacy blue bra on. She has a spoon with water and black tar ****** inside it which she is heating up with a silver Zippo with the word "Skittles" engraved into it. GIRL # 3 Has long naturally red hair, glasses and an extremely voluptuous figure. She is wearing tight black pants and a black shirt with thin sleeves. She is inspecting a covered syringe with an unsure look in her eyes.

GIRL # 2:
So, do you wanna do it or not Jane?

Snatches the syringe out of JANE's hand.

JANE:
I'm not sure. How long have you been doing this ****?

Girl #2 takes the orange cap off the syringe revealing a small needle.

GIRL #2:
Since after I graduated. About 3 years. Liz you ready?

LIZ:
As ready as I am for dat sweet tang!

Girl #2 giggles. She sticks the needle into Liz's arm, blood mixes with the brown fluid inside, and she pushes the plunger down. Liz leans back into Girl #2's arms and Girl #2 gives her a kiss.

LIZ:
I love you, Julia.

JULIA:
Well, I love you too.

JANE:
You guys are so gay!

(OS):
Save that **** for the ******* customers!

                                                     ­                                                                 ­                                       CUT TO:
Other side of room. A greasy looking MAN with short faded black hair and a scar going from the corner of his mouth to the right ear is sitting in a beat up recliner cleaning his Uberti 1873 Cattleman revolver while smoking a fat blunt and watching some kind of high budget **** with Sasha Grey in it.

JULIA:
Sorry, Mike. It didn't stop you from leaving me and Liz unsatisfied and bored, did it?

LIZ and JULIA laugh. JANE has a nervous look in her eyes.

MIKE:
Very ******* funny you wore out trick! Am I gonna have to smack the sass out yo mouth?

MIKE gets up, puts out his blunt and walks over to the GIRLS gun in hand.

MIKE:
Or am I gonna have to give your little friend a scar like mine.

LIZ:
Mike don't!

MIKE SLAPS JULIA with the side of his UNLOADED revolver and grabs JANE by her hair.

MIKE:
Who the **** are you, anyways *****?

JANE:
(stuttering)
I was walking down the street earlier today and I ran into Julia and Liz. They went to school with my sister I think. Let me go!

MIKE:
So you're a young'n. Well you have some nice big *******!

MIKE RIPS off her shirt exposing her *******. He begins to squeeze the right one. JANE SLAPS MIKE HARD!

MIKE:
*****!

MIKE lets go of her hair. Jane runs to the other room grabbing her shirt. LIZ stumbles towards him and PUNCHES him in the nose.

MIKE:
That's it! You little *** dumpsters are dead!

MIKE picks up the REVOLVER, runs to the chair where the bullets are and tries to reload. JULIA wakes from her daze. We see him load 3 rounds. All of a sudden the DOOR gets broken down and the dark clad FIGURE from the scene before pulls out a BERETTA M9 with a silencer attachment. MIKE FIRES 2 shots at him haphazardly missing both. The MAN LAUGHS and FIRES one shot that MIKE's crotch catches.

                                                       ­                                                                 ­                                       CUT TO:
2. INT. Next door in Apartment 2.

A MAN and WOMAN in their early 40's are smoking a joint and seem disturbed by the gunfire.

MAN:
(coughing)
What the hell was that?

WOMAN:
Sounded like gunshots. Do you think we should call the cops?

MAN:
**** no! There is a pound of chronic in the bedroom closet! Just pray whoever it is doesn't come over here!

WOMAN:
Okay. Are you gonna pass that?

                                                          ­                                                                 ­                                     CUT TO:
3. INT. Apartment 3.

The smoke has cleared. MIKE is begging for death and BLEEDING out everywhere, JULIA is in a daze, dumbfounded by what she just witnessed, LIZ is cowering in fear, crying, and JANE just came out of the bedroom with her TORN SHIRT on and a terrified "Oh my God" expression. The unknown assailant has a devilish grin upon his face.

MIKE:
Godfuck! **** me you sunuvabitch! Godda--

The MAN obliges. He fires a single shot into his RIGHT EYE.

MAN:
Well, looks like I got here in the nick of time!

JULIA:
(blankly)
W-Who the **** are you?

MAN:
That is of little importance right now. Who are you foxy ladies?

JULIA:
M-My name's Julia. That girl over there (points to Liz) is Liz, and the ginger is Jane.

MAN:
What pretty names! Well, I have a question. Will you three lovely young ladies gather round that despicable looking chair and listen to what I have to say, or are you going to run? Keep in mind I have rope in my trenchcoat and the fact I mean you no harm. I am just a lonely man with a story to tell, and the way I see it, what with that bruise on your sweet face, you kinda owe me.

JULIA:
I think we can stay. I just wanna know your name.

MAN:
Ahh, but I am a man of many names. My christian name is Derek. You don't need the last for now.

DEREK walks to the chair and sits down. He waves the GIRLS over.

DEREK:
C'mon I just want to tell my tale. Look, I will put the gun under the chair as a sign of good faith that neither you girls or I will start shooting the place up again. Are we square ladies?

JULIA:
What do ya say guys?

They gather in the kitchen.

LIZ:
This guy has a ***** loose.

JULIA:
Yes, but he saved us from our ****. We should humor him.

JANE:
I think he is hot!

LIZ and JULIA just stare at JANE.

JANE:
Sorry, but he is.

JULIA:
So it's agreed. We will listen to his story, silently pray he doesn't **** us and leave afterwards.

The GIRLS walk to the chair. DEREK has lit the blunt.

DEREK:
Ahh, so you have decided to join me. Good. Do you guys wanna hit this?

LIZ and JULIA shake their heads no.

JANE:
I will.

DEREK:
Great. Now, where do I begin. I suppose everybody's roots stem from childhood, so lets go back, oh say, 20 years ago.

                                                           ­       FADE TO BLACK        
Against black, TITLE CARD

October 15th 1995.

                                                          ­                       CUT TO      
4. EXT. Suburbia circa 1995.

There are three boys between the ages of 6 and 9 playing in front of a grey HOUSE with a white MINIVAN in the driveway. Little DEREK is a scrawny 6 year old boy with short brown hair and a Teenage Mutant Ninja Turtles action figure in his hands. The 2 other BOYS ages 7 and 9 are picking on him and trying to take away DONATELLO.

DEREK:
Leave me alone or I will whoop your ****.

BOY #1:
Whatever! You are scrawny and lame. Give us your Ninja Turtle now or we will beat you up!

BOY #2 picks up a STICK and starts hitting DEREK with it.

BOY #2:
What are you going to do? Get your daddy? Oh, wait...that's right, you don't have one!

The 2 BULLIES start laughing. A look of hatred fills young DEREK's eyes. He catches the STICK and slaps BOY #2 in the face with it. He then tackles him and starts beating him mercilessly. BOY #1 runs towards the PORCH and knocks on the DOOR. DEREK'S MOM answers. She is in her mid 30's with brown hair and casual clothing on, smoking a cigarette and drinking a cup of "coffee."

BOY #2:
Derek's beating up Josh again!

DEREK'S MOM:
Well, good for him! Bet that little pecker snot deserved it too. Now, Brad...why don't you take you and your friend on home before I tell your dad you play with Barbies.

LATE 20'S DEREK:
(OS)
My mother was a sweet ol' broad!

BRAD:
(sighs)
Okay, Ms. Walters, but you do know you are going to have to pull him offa Josh right?

DEREK'S MOM:
(sighs like Brad)
I suppose.

DEREK'S MOM and BRAD walk to the front yard and GASP when they notice that DEREK has knocked out 2 of JOSH'S baby teeth, both in the front and broke his nose, which is bleeding profusely.

DEREK'S MOM:
Derek Charles Walters! Get the **** up offa him!

DEREK:
(crying)
He hit me with a stick!

DEREK'S MOM:
Well, now I'm about to!

She picks up the STICK and beats his *** with it several times.

DEREK:
******* *****!

DEREK'S MOM, infuriated throws the stick down and SLAPS him across the face. DEREK runs away.
He runs to a wooded area in the back yard as far as his legs can take him.

LATE 20'S DEREK:
(OS)
Do not weep, for on that day, I met God and Satan incarnate and it turns out they existed singularly in my head.
                                                           ­                                                                 ­                          CUT TO:

5. JANE:
Like a conscience?

DEREK:
Much more. These guys are in the room right now and only I can see him. Satan led me to you guys tonight! Who knows what kind of CRAZY hijinks are in store!

JULIA:
That's it I'm outta here! C'mon gu--

DEREK fires of his M9 1 time.

DEREK:
Now, listen to me you dykey, ****** *****. I have 3 more rounds in this ******* and one
of them is reserved for you if you don't sit your tight *** back down.

JULIA sits back down scared to death. DEREK regains his composure and is "all smiles" again.

DEREK:
Phew! I don't want to hurt anybody. I just want someone pretty to listen to my ******* story. ****, if you want, I will ask you guys about yourself later on, but for now I'm going to introduce you to my best friends.

JANE:
Who are they again?

DEREK:
Ah, you were trying to pay attention. I will remember that. They go by many names. One can be called "God", "Heroic Harry", "The White Knight", whatever you envision as good, this **** is it. He is the reason you guys are still alive.

LIZ:
And the other?

DEREK:
Ahh, him. He can go by "Satan", "The ******", "The Angel of Death." He's the reason ol' crusty here no longer bothers you.

LIZ:
So you're basically ape ****, right?

DEREK:
Pretty much! Now where was I? Ah...yes

                                                       ­                                                                 ­                                    CUT TO:

6. INT. Small wooded area behind the house --- Early evening.

DEREK has made himself a nice little HANGOUT in the woods! there is a trunk with tons of comics in it, an arsenal of sharpened sticks and rocks, Batman action figures, and a Game Boy Color. He is drawing a picture at the moment.

LATE 20'S DEREK:
(OS)
There I was in my element. ****** at my mother, then all of a sudden, a deep, angelic voice rang out.

VOICE #1:
(OS...of course)
You don't have to hate her, you know. She loves you.

LATE 20'S DEREK:
(OS)
And then another, this voice sounding more playful and mischievous then the other.

VOICE #2:
(OS)
But, for how long? Do you think she meant to have you?

DEREK:
Where are you guys?

LATE 20'S DEREK:
(OS)
And then they appeared.

A 13 YEAR OLD BOY with BROWN hair and a FLANNEL overshirt over a Nirvana T-SHIRT with baggy torn blue JEANS with stains on them appears.

BOY #1:
Don't hate your mom.

VOICE #2:
(OS)
But, watch her close.

DEREK turns his head. We see another BOY roughly the same age with slightly long BLACK hair and a TRENCHCOAT over a Nine Inch Nails T-SHIRT with tight black CHICK PANTS with a CHAIN leading from his pocket to his BELT. He has a lip piercing and he is smoking a cigarette.

DEREK:
Who are you guys?

BOY #1:
Just think of us as older brothers your mom can't see.

DEREK:
Wow! I should introduce you guys to my friends!

BOY #2:
No!

DEREK:
Why not?

BOY #2:
You are the only person that can see us. Don't go telling anyone and don't talk to us in front of anyone. People will think you are nuts!

BOY #1:
Think of us as two ghosts that give you advice. Don't listen to him though, he'll get you in trouble.

BOY #2:
Shut up! Or I will kick your *** again.

BOY #1:
Not in front of him. He doesn't need to see that ****. Not now

DEREK:
What are your names?

BOY #1:
That's up to you.

DEREK:
I'll call you Joe, and him Jerry.

JOE:
Works for me, for now. Call us whatever you feel like calling us whenever you like. If you wanna call me ******* and him poophead, go right ahead.

DEREK:
Okay, but for now you guys are Joe and Jerry.

JOE:
We are going to leave now. We will show up when we think the time is right. Sometimes you will see us others you won't, but we are always with you.

JERRY:
Even when you ****.

                                                          ­                                                                 ­                     CUT TO:
7. INT. Apartment 3.

LATE 20'S DEREK:
And then I went back home and they disappeared. I reconciled with my mom and for the next few weeks I didn't see them. Brad started hanging out with me again and school was good. The years go by and still no sight of them. 4 years pass by. It's 1999 and my tastes changed. Instead of Ninja Turtles and Batman it was KISS and Freddy Krueger. By this point me and Josh had made up and Brad was in middle school. And so we go to where me and the voices meet again.

8. INT. Taft Elementary
A class of roughly 25 children in your average 5th grade home room with a stout middle aged gentleman teaching. JOSH and DEREK are in the back row sitting side by side.

TEACHER:
...And that's how the metric system works.

JOSH:
(to Derek)
Dude, did you check out RAW last night? The Undertaker crucified Stone Cold!

DEREK:
**** I missed it. I was doing homework.

JOSH:
(loud)
****!!

TEACHER:
What did you say Mr. Jarvis?

JOSH:
Sorry Mr. Cannib. I forgot to do my homework.

MR. CANNIB:
Josh, Derek, outside!

LATE 20'S DEREK:
(OS)
The old man had taken kids out of the classroom before and they always came back with tears in their eyes. As we walked outside I heard a familiar voice.

JERRY:
(OS)
If he touches either of you, kick him in the nuts!

MR. CANNIB:
I told you boys too many times! None of this **** in my classroom! Josh get over here you little *****!

OL' TEACH GRABS JOSH by the NECK.

DEREK:
Hey ******* keep your hands to yourself!

CANNIB begins to throttle JOSH. DEREK pushes him off of JOSH and KICKS the TEACHER in the nuts with FURY about 3 times and jumps on top of him while JOSH watches holding his neck.

JERRY:
(OS) While we see Derek's mouth moving

Look here, *******. You think you can be called a teacher for drinking on a farm, ******* cattle and beating children so you can have Summer vacation every year? *******, you spiteful sad man.

DEREK SPITS in the *******'S face and begins to PUNCH him when JOSH pulls him off.

JOSH:
Dude, the door outta here is right there. Lets go to our lockers, get our **** and get outta here.

DEREK:
(Breathing heavily)
Did I just do that? What the ****? Let's get out of here...now!

                                                    ­                                                                 ­                                           CUT TO:
9. EXT. Taft Elementary
A bunch of playground equipment next to an alley with a fenced in field. JOSH and DEREK are walking down the alley. It is sunny outside but about to rain.

DEREK:
That wasn't me that did that.

JOSH:
If it wasn't you who was it?

DEREK:
It w...

JOSH:
(Interrupting)
It reall
B Jul 2013
You've been upgraded from ***** to ****
not a ****
not a **
you don't even blow
but your ugly shows
when your emotions grow

you're not a trick
it's not a stunt
I'm gonna light this blunt
and think about your upgrade
from ***** to ****

oh what have I done
went too far
from the time
we made love in my car
under the rising sun
before you upgraded
from ***** to ****

I remember when
things were sweet
just you and me
and every word
was spoken tenderly

that time went by
and that's why I'm here
getting igh
wondering why
how it all happened
when we lost our footing
tires lost traction

I'll never know
can't tell you why
the tears fall
from my eyes
as I smoke this grass
and saw it happen so fast
and for me to have to be this blunt
and upgrade you
from ***** to ****
ipoet Jul 2012
I have always liked,
Defiant Africans,

Nelson, Patrice, Kenyatta,
Martin Luther King,

Groovy black men,
******* with attitude,

But they intimidate me,
Black men.

Freedom fighters,
Bar room brawlers,

And I rise from sleep,
Sheened in sweat,

Running away,
Scribbling my number,
On scraps of paper,

On foreheads and trousers,
On outstretched palms,

And I’m breathing heavily,
Feeling stained,

Because,
That one there,

The white man in Navy uniform,
With hair on his *****,

I know him,

-conquistador-

He smells of garlic and grease,
And my black friends call me,
******, *****, *****.

Will he take the lion tooth offered,
Will he make the tribal dance?

-I can teach him to love the earth,
Teach him to plant his feet in, deep-

I ******* from sleep, supported
By thick, colonial, muscle.

I am forging steel,
Industrial iron,

I am engineering a white lover
Beneath the sheets, whilst

Apologising to freedom fighters,
Who call me ******, *****, *****.
Bunhead17 Nov 2013
[Intro]
Ah, it's a plane, it's a bird, it's a zombie, hahaha

[Verse 1: Meech]
The highest high, I'm Ayatollah
Rubber on my ****, allergic to baby strollers
Blue dream, that amazing odor
Ant is a pyrex, I'm the coke and the baking soda
Juice be the blue flame that create the whole thing
Rap game, crack game, apparently the same thing
If this was eighty-something I'd be in shell toes
Gucci link fat rings ashy *** elbows
Saving every penny trying to get up out this hell hole
For my super-thugs, hustling up off the jail phone
Life's a battle fool you better have your weapon drawn
How could I be scared of death, *****, I'm already gone
Money on my mind, your ***** on my zipper
Breaking up pound after pound, THC on every finger
You gon' need a boost from God to get as high as me *****
Excuse me, I meant to say as high as we *****

[Bridge]
Flatbush Zombie, A$AP Mobbin'
Hit a killswitch and put an end to any problem

[Verse 2: Juice]
Hash and ****, hash in a ****
Got **** by the ton, got blow by the load
If you wanna get throwed, A$AP Ant got the po-tion
Three fly *** ******* with we
Double-cupped them double D's
Hi-high *****, hi-high living
Three young *** ****** running ****, no slipping
Gotta know the game, gotta know the lane
Gotta know the pain, no handouts, ain't **** easy
Dark shades, on my Eazy-E, got ******* on my mini-me
And you ****** in the rap game can't relate
I'm real pimping, no fornicating
**** what you heard, I'm goin' ape
Smokin Grape Ape, **** your mixtape
That's a **** plate, Zombie style
A$AP, never mind these clowns
I love brain, zombie style, never mind these clouds

[Interlude: A$AP Ant]
Juice pass me the ****, Meech where the acid at?
A$AP Ant in this *****, uh

[Verse 3: A$AP Ant]
I'm a demon triple beaming, painting pictures
****** Mona Lisa, blood sheets, creeping for the *******
With the collar danny's, killing ******* sniffing *******
***** Wonka candy *****, three ******, one *****, one clip
One brain dead girl off your mind leave your brains on your moms
Razor blades dipped in bleach, tear your skin to pieces
Dump the body in Tennessee, highway getaway OJ bronco
Cap it baby drive 'em off the bridge, look into my eyes, vivid tears
I see fear, y'all some ******' queers
Grow a ******' pair, I'm 'posed to be here
'posed to be dead, overdosed on shrooms
Let's cruise, drive by on site
Ride like a bike, for my zombie homies **** tonight

[Bridge]

[Verse 4: A$AP Rocky]
A$AP ****** we aliens, cold-blooded *****, reptilian
Acid, acid, ambiens, only **** a ***** if she lesbian
Trill ****** run the city, got the key on lock
Juice got the juice, ***** Meech gon' pop
Addie in the Caddy with the heat on ****
When a Mac go brrra cause the beef don't stop, *****
My name is, that pretty *******
From the land of the lost of the gully and the gutta
See the Preds made a toast for the honey and the butter
Only die for two things, that's my money and my mother, *******!
****** know my name, did I stutter?
****** know me, man I keep it one hunna
I'm a stunna, Hood by Air for the summer
Toast to the God and it cost nine hunna
So-so ru-run up if you wanna
Mac in the backpack, right by the Macbook
And I rep that Harlem
And my Zombie ****** straight out of Flatbush
Lyrics to "Bath Salt" by A.$.A.P rocky ft A.$.A.P ant ft Flatbush Zombies, ****. P On The Boards ... I love them and this song! :D -A.$.A.P MOB
#LORD$ NEVER WORRY #Trap lord #Rap God

— The End —