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"alliteration" poems
What's it take These days To write a poem That makes the world go mad That brings the crowds to their feet That spreads like wildfire Through a dry winter forest Is it those excessively long words? The ostentatiously loquacious Platitudinous ramblings Of an insecure mind aspiring To authentic intellect? Is it perhaps...      the "creativity"                of      varied      spacing   or...    could it be..... the lack                               of capitalization                the loathsome little letters                screaming out                          hey, look at us!          ... or maybe it's                the punctuation marks,      littered, haphazardly           through the text                     (whether used correctly)                or, theyre not?!      despite worrds mispeled           and a grammar might is broken    can these gimmicks increase interest         though miswritten or misspoken? Is the trick alliteration Whose bite brightly bids us To center on the snappy sounds? Although all along      unvoiced underneath Ideas idle in the isles    (or perhaps the aisles) Of the mind To meld and craft and bind Our thorough thoughts And worthy words Into lines Which Heard by herds Raise the                   Praise for which we                   Privately, desperately                   Pray Maybe it's a magical mix Of splendid in-your-head rhythm Marvelous meter that perfectly clicks Flowing smoothly without schism Well-spaced stanzas Well-used time Well-crafted phrases Well-thought-out rhymes Well, maybe not...      those gems are often ignored      cast-aside, unread, even abhorred Why? Because the modern world doesn't need your rules your restrictions your regulations your misguided boundaries your oppression your antiquated ideas    of "the right way"    to write    to speak    to act    to live    to (fill in the blank) No, what the modern world needs is Negation! Contradiction! Resistance! Revolt! And poetry whose words Say the same thing Repeat the same meaning Echo the same lyrics Rephrase the same thoughts But in an ever-so-slightly Different Varied Altered Adjusted Changed up way Line After line Of synonyms           over                and                     over                          and                          over                          again ----- What's it take These days To not give in To narcissism's spiral? But more importantly: What's it take To make my poem go viral?
0
Aug 12, 2018
Aug 12, 2018 at 12:17 AM UTC
Viral
What's it take These days To write a poem That makes the world go mad That brings the crowds to their feet That spreads like wildfire Through a dry winter forest Is it those excessively long words? The ostentatiously loquacious Platitudinous ramblings Of an insecure mind aspiring To authentic intellect? Is it perhaps...      the "creativity"                of      varied      spacing   or...    could it be..... the lack                               of capitalization                the loathsome little letters                screaming out                          hey, look at us!          ... or maybe it's                the punctuation marks,      littered, haphazardly           through the text                     (whether used correctly)                or, theyre not?!      despite worrds mispeled           and a grammar might is broken    can these gimmicks increase interest         though miswritten or misspoken? Is the trick alliteration Whose bite brightly bids us To center on the snappy sounds? Although all along      unvoiced underneath Ideas idle in the isles    (or perhaps the aisles) Of the mind To meld and craft and bind Our thorough thoughts And worthy words Into lines Which Heard by herds Raise the                   Praise for which we                   Privately, desperately                   Pray Maybe it's a magical mix Of splendid in-your-head rhythm Marvelous meter that perfectly clicks Flowing smoothly without schism Well-spaced stanzas Well-used time Well-crafted phrases Well-thought-out rhymes Well, maybe not...      those gems are often ignored      cast-aside, unread, even abhorred Why? Because the modern world doesn't need your rules your restrictions your regulations your misguided boundaries your oppression your antiquated ideas    of "the right way"    to write    to speak    to act    to live    to (fill in the blank) No, what the modern world needs is Negation! Contradiction! Resistance! Revolt! And poetry whose words Say the same thing Repeat the same meaning Echo the same lyrics Rephrase the same thoughts But in an ever-so-slightly Different Varied Altered Adjusted Changed up way Line After line Of synonyms           over                and                     over                          and                          over                          again ----- What's it take These days To not give in To narcissism's spiral? But more importantly: What's it take To make my poem go viral?
Continue reading...
107
Why do people insist in the use of figurative language I am not as blue as the sky (simile) This sadness is not swallowing me whole (hyperbole) My tears are not carving new paths down the skin covering my cheeks (imagery) The frown I wear is not eating the happiness off my face (personification) This feeling is not a storm that won’t subside (metaphor) I am not softly shaking so someone stops to shush my sobs (alliteration) You can’t hear the smashing of tears on the table (onomatopoeia) There is no way to make this pain sound beautiful I am sad, plain and simple. Deal with it.
0
May 18, 2014
May 18, 2014 at 10:49 PM UTC
Figurative Sadness
Holi, a hearty enthusiastic festival in horizon Colours curdling, water washing every ***** Out of us evil ever going and playing on Land of character cherished by coloured lawn. What a scene to see! Gracious glory gone If you miss this mesmerizing festival upon A folly. Foolish will be called such a conn. Holi, a hearty enthusiastic festival in horizon Holy played in school is highly pleasing crayon, For Kinar, Aayushi, Kunal. Aryan or John. Monorhyme has one colour, holi many micron. Mital, Mitesh, Vaikhu, SIddhu, Saurabh are don. This day even principal thinks to prevent throne And join joy with teachers - see anxiety thrown. Holi, a hearty enthusiastic festival in horizon Songs, screams; dance, D.J.; homage and hymn on; This day with Holika heavy burdens and sins thrown. Cruel Hiranyakashyapa was killed; glory was won. Kunal, Arpita, Sandeep, Amit and Shreyas on lawn Play water and colours with cool Pari’s scone In Jalgaon, Agra, Kanpur, Karanja, Surat or Bonn. Holi, a hearty enthusiastic festival in horizon
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Nov 19, 2017
Nov 19, 2017 at 4:22 AM UTC
HOLI FOR SCHOOL ASSEMBLY IN ALLITERATION
I am Eternally exasperated Frequently frustrated Incessantly irate Perpetually perturbed Awfully ambivalent Forever fickle Frustratingly finnicky Laconicly labile Madly mercurial Virulently volatile And every other ******* adverb, adjective alliteration
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Jun 29, 2015
Jun 29, 2015 at 10:02 PM UTC
Adjectives
Tick tock, Tick tock, Tock Tock ticking Clocks cluck, catching curious cries Several seconds slide, slowly sticking Eclectic evil ever eager to eat out eyes Tock tock, tick tick Tock danger dances down, depicting doom Hands hold hearts heavily in hock aren't all able to articulately assume? Clock is currently counting costs justifying jumps and juggling jacks tabulating time that is tossed lightening liberal lust and loving lax tick tick tick, tick tick tick destination is a detonation despised tock tock tock, tock tock tock sheep sleep soundly shrouded, so surprised
0
May 26, 2014
May 26, 2014 at 2:50 AM UTC
Tick Tock, Counts the Clock (alliteration)
1.) You have the most loving heart. Your warmth, your gentle touch that you personify without words. Melts the supports of my heart 2.) Eyes of deep blue, that ensnare me and leave me thoughtless. How they change into everglade greens, and mystical greys. They're beautiful 3.) Few laughs may be as pure as your quiet giggle. The mere sound gives me goosebumps and a funny feeling in my stomach. You're so freakin' adorable 4.)The curves of a semi-circle aren't nearly as perfect as yours. You've worked alot for the perfect body. I simply need to ask... How can you make something that's something that is already perfect better? 5.) Spontaneous, unexpected and surprising. You keep me on my feet, keep me entertained and make me enjoy every second with you. Who knows what I am to expect?! 6.) Once upon a time, there lived to fluffy bunnies, they decided to leave their little hole and go out on an adventure. A wolf came along and bit of the rabbits head and it bled to death Its so dark, and it leaves you wondering what to think. I love your dark side. It both terrifies and intrigues me 7.) You're so intellectual. I love some of the things you say and more importantly write! You have an amazing capacity for knowledge and wisdom and you use it well. It baffles me, some of the connections you make in your essays and assignments 8.) My love you illustrate a maturity that surpasses your years. Pertaining to your ability to be responsible and reliable if and when - not that I ever am - clearly am not able to be. I think you're the one looking after me. I'm the older one, who just happens to have an 8yr old inside them~ 9.) You smell amazing, but no. Seriously, you are in every way, shape or form. The most amazing, star studded, picture perfect, superbly sensational girl. I could ever have met. Yes, let the alliteration flow 10.) Because you're you, and you are mine
0
Nov 15, 2015
Nov 15, 2015 at 2:16 AM UTC
10 Reasons Why I Love "You"
1.) You have the most loving heart. Your warmth, your gentle touch that you personify without words. Melts the supports of my heart 2.) Eyes of deep blue, that ensnare me and leave me thoughtless. How they change into everglade greens, and mystical greys. They're beautiful 3.) Few laughs may be as pure as your quiet giggle. The mere sound gives me goosebumps and a funny feeling in my stomach. You're so freakin' adorable 4.)The curves of a semi-circle aren't nearly as perfect as yours. You've worked alot for the perfect body. I simply need to ask... How can you make something that's something that is already perfect better? 5.) Spontaneous, unexpected and surprising. You keep me on my feet, keep me entertained and make me enjoy every second with you. Who knows what I am to expect?! 6.) Once upon a time, there lived to fluffy bunnies, they decided to leave their little hole and go out on an adventure. A wolf came along and bit of the rabbits head and it bled to death Its so dark, and it leaves you wondering what to think. I love your dark side. It both terrifies and intrigues me 7.) You're so intellectual. I love some of the things you say and more importantly write! You have an amazing capacity for knowledge and wisdom and you use it well. It baffles me, some of the connections you make in your essays and assignments 8.) My love you illustrate a maturity that surpasses your years. Pertaining to your ability to be responsible and reliable if and when - not that I ever am - clearly am not able to be. I think you're the one looking after me. I'm the older one, who just happens to have an 8yr old inside them~ 9.) You smell amazing, but no. Seriously, you are in every way, shape or form. The most amazing, star studded, picture perfect, superbly sensational girl. I could ever have met. Yes, let the alliteration flow 10.) Because you're you, and you are mine
Continue reading...
10
Hi, below I copy a humorous hiabun, which I shared as an exercise to mentor enquiring and inspired poets to learn, so they might adopt and try different techniques and then give critique together with awesome comments... Yes, I used the words *** ****** and **** for context the rest was left to an individual imagination as in good poetry! It included reflective commentary encompasses innocent classification terminology used in the critique, reading, examining, appreciating, understanding and writing of poetry for example: POETIC DEVICES (enjambement, duality, keriji, images, collocation, semantic, oxymoron, repetition, listing etc.), STORY (personification, characterisation, subject, context, voice etc.), IMAGERY (synaesthesia), STRUCTURE ( lineation, breaks, syntactic etc.), SOUNDS (syllables, rhyme, alliteration, pace, musicality, phrasing, beat, assonance, onomatopoeia, mouthed rhythms, patterned) and WORDS (preposition, determiner, verbs, adverbs, lexical, nouns, adjectives) used by poets, critics and academics... And here it is : **** tongue-in-cheek haibun - a reflective commentary on writing a popular tanka Eye lashes flicker a shared urgent interest parting - dancing smile My first inspiration was *** passionate life squeezing screaming *** the thumping wall musicality of *** exhaustingly inventive sweaty and wet. I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.   Arousing images captured her moaning splashing loneliness in unusual collocation. I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.   I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown. So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality! Exhausted shivers in windowed naked currents unfolding sinking then surfing vital wavelets drowning screams - pleasures wet bite **
0
May 2, 2010
May 2, 2010 at 7:10 PM UTC
CONSTRUCTIVE CRITIQUE v SOMETHING WORSE
Hi, below I copy a humorous hiabun, which I shared as an exercise to mentor enquiring and inspired poets to learn, so they might adopt and try different techniques and then give critique together with awesome comments... Yes, I used the words *** ****** and **** for context the rest was left to an individual imagination as in good poetry! It included reflective commentary encompasses innocent classification terminology used in the critique, reading, examining, appreciating, understanding and writing of poetry for example: POETIC DEVICES (enjambement, duality, keriji, images, collocation, semantic, oxymoron, repetition, listing etc.), STORY (personification, characterisation, subject, context, voice etc.), IMAGERY (synaesthesia), STRUCTURE ( lineation, breaks, syntactic etc.), SOUNDS (syllables, rhyme, alliteration, pace, musicality, phrasing, beat, assonance, onomatopoeia, mouthed rhythms, patterned) and WORDS (preposition, determiner, verbs, adverbs, lexical, nouns, adjectives) used by poets, critics and academics... And here it is : **** tongue-in-cheek haibun - a reflective commentary on writing a popular tanka Eye lashes flicker a shared urgent interest parting - dancing smile My first inspiration was *** passionate life squeezing screaming *** the thumping wall musicality of *** exhaustingly inventive sweaty and wet. I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.   Arousing images captured her moaning splashing loneliness in unusual collocation. I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.   I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown. So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality! Exhausted shivers in windowed naked currents unfolding sinking then surfing vital wavelets drowning screams - pleasures wet bite **
Continue reading...
19
This woman speaks in tongues Foreign languages roll from her mouth Like summer fog ladled over the rim Of Candlestick Park In the not-so-distant Far far away of long long ago This woman speaks in rotund sentences Effulgent with vocabulary That shimmers with the electrified joy Of lights over Ghirardelli Square In the not-so-darkness Of the clammy and cabalistic night This woman speaks with her hands Impresciable, implacable, and inconsolable As she tries to mold untranslatable words From air that is as thin As the promises she’d preferred And purchased with the shards of her heart This woman speaks in lyrics Arpeggios of adjectives and alliteration That tumble acrobatically with the intricacy And grace Of a hummingbird in spring On the kiss of a blossom Rich and fragrant and giving as This woman speaking in tongues
0
May 30, 2012
May 30, 2012 at 4:35 PM UTC
Con la Nonna Rotondetto in Cucina di Musica
As a child I was taught poetry the quiet writing of feelings reflections often in a beat with a rhyme and a few examples of alliteration I was taught that as a woman my feelings should be hid and kept quiet that when I liked a boy it was not my place to ask him whether he liked me back I was taught to look out for myself by not dressing slutty not walking home late at night I was taught that my curvy figure would make people question my morals my virginity my character I was taught that as a girl I won't be as successful in math or science I was taught to give myself to other pursuits in liberal arts or domestic dealings I was taught that even if by some miracle I found success in the fields where I "wouldn't be successful" that I would and should give it up in a heart beat to raise a family I was taught that I must share my feelings my emotions my struggles but not in a loud and open way I had to remain quiet cool composed Poetry was to be my outlet, written in couplets sonnets and verse quiet and held inside written on paper stored away from the world to be read inside the mind by others- men, teachers, parents in order to decode me and learn how to keep me silent
0
Dec 22, 2013
Dec 22, 2013 at 5:08 AM UTC
I was taught poetry
I Intend Inspiring Indians Internationally After Accounting All Aspiring Appointments These Thermal Things Though Tastefully Testing She Seldom Sleeps Some Sultry-Smothery Styles Often Opening On Object-Orifice Of Operation Crudely Caring Cant Cross Covering Case About All Astral And Attractive Allocations
0
Mar 26, 2013
Mar 26, 2013 at 4:46 AM UTC
I Love Alliteration
I'd rather die than listen to your poetry. **** pellets of perfection, Forget rhyme, rhythm or talent, Leave that **** for the poets, The saps and the ******* Don't start with that alliteration. No pantooms or odes. I'd rather place my head on the chopping block. I'd rather watch blood with such high viscosity, That it flails and leaps toward the opened mouth, Pleading "no more! No more!"
0
Feb 22, 2011
Feb 22, 2011 at 1:02 PM UTC
For The Poetry Haters
An agent of assonance, An army of alliteration, A conquistador of climaxes, A fighter with form, A marksman of motif, A mercenary of metaphors, A ninja of nuances, A raider of rhyme, A soldier of synonyms, A vigilante of voice, I strike with the fiercest of sentences, With such clarity and no false pretenses, I assail with the mightiest of swords, I am a warrior of words.
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Aug 10, 2018
Aug 10, 2018 at 8:18 AM UTC
A warrior of words
Alliteration isn't cheesy Not for me. When I use words to stave off the clutching squeeze of A panic attack I can write: "There is pressure on my chest and I feel anxious." or "Pain presses me into purgatorial prayers." Alliteration becomes the stutter into which I Skid to a stop
0
Jan 18, 2019
Jan 18, 2019 at 6:18 PM UTC
This poem is titled in the long and verbose manner of a pop-punk song from the mid to late 2000s
~ the skies breath aloud their sighs as county-sized clouds tower o'er the countryside severed by the mountain's scythe remnants scattered now like little spies no hope of rebound to their former glory only obliterated slices now the sun can’t hide clouds reduced to skyscraper size must now suffice and on it goes, cumulus fingers sliced by lofty granite spires. ~ *post script. just a playful mix of mindless alliteration with a bit of concrete.*
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Apr 22, 2015
Apr 22, 2015 at 2:32 AM UTC
cloud alliterations
As I ponder, perplexed by the possibility Of a premature passing that may present itself to me I consider and calculate Though my conclusion may be crude That the finest fix for my fear is a feasting of food I munch on a morsel, my mouth making moisture Overwhelmingly open to offal and oysters I'd take them, temptation takes its toll Curiosity for calories that I can't control I'd have them, Hoover them, heck I'd hoard 'em But by now I believe it's basically boredom Not a necessity to nibble the nosh It's late I ate a plate at eight, I can wait my gosh No, I know there is no need To slurp on soup or scoff some seeds Only fatigue fuelling the feeling to feed Got to get to grips with this gross and grotesque greed Choking on choices, trembling in my chair Do I punt for the pudding, the peach or the pear? Selecting such seductive sweeties Or dealing with death, diets and diabetes? While I wonder and weep about what will win My insatiable starvation stumbles on a sin Not funny you'll find when you're finished and fat 'Cause in the kitchen on the counter there's a KitKat Four fiendish fingers fascinate the feeling So seductive, my senses soaring to the ceiling Try to meet it, cheat it, beat it, defeat it But what the hell, I don't care, I'll just ****** eat it.
0
Aug 27, 2016
Aug 27, 2016 at 5:08 AM UTC
Starvation Alliteration
Poets, the disciples of the modern world. Followers of the great Almighty Lord of alliteration and symbolism. Their eccentric natures make them the pariahs of this world. We cannot wrap our minds around the words they artfully speak, so we refuse to accept them. Their eyes burn like fire in their skulls as they stare you down from a podium. In their hands, they hold their own hearts which they have ripped out of their chests, holding them out as if asking for you to accept it from them, wanting you to understand what every beat means. Poets are misunderstood beings, tortured creatures, but they are far stronger than any others, because they have the gall to speak their minds unforgivingly, bare their most inner secrets and struggles to an audience of strangers. They are quick of tongue, speaking faster than one's ear can hear, but somehow they still manage to work themselves into your head with every word. They're parasites, infecting your mind and soul, tugging at you and driving themselves into your brain until their poems are all you think of. But they are not evil parasites. They hurt us and make us feel to save us.
0
Jul 9, 2015
Jul 9, 2015 at 11:49 PM UTC
Parasites
When I decided to write my first poem, I thought back to the days, when we were studying poetry and the teacher would amaze, she'd make me write down words and things, I'd be chasing praise. But looking back at my book now, I know what I should do, and so here follows my glossary of things I'll write for you: I have - Alliteration, Antagonist, Allegory and Anapest. Characterisation, Complication, Convention and Connotation. Elegy, Elision, Epigram and Exposition. Free verse, Falling action, Falling meter and also Fiction. Literal language, Imagery, Lyric poem and Irony. Rising action, Resolution, Rising meter with Recognition. Acatalectic, Anacreontic, Amphimacer and Amphibrachic. Cliché, Common Measure, Couplets and Catalectic. Deconstruction, Dispondee, Dialect Verse with a Dictionary. Iambic Meter, Incantation, Impromptu with Inspiration. Laureates and Limericks, Light Verse poems and Linguistics. Metaphors, Mock-Heroics, Middle English and Movement Poets. Oh gosh that seems a little worse, than I had it made to be, I was expecting just to write a poem 'bout my cat and me. I guess it's harder than it looks so I'll just give up now; I'll let those big brave poet people, write them all somehow.
0
Apr 29, 2012
Apr 29, 2012 at 11:55 AM UTC
Glossary of Poetic Devices
This nebulous life is like a puzzle dissipated, When you can't comprehend what's real, fake, clear, or faded. Clueless, mystified, seeking inspiration, Meaningless alliteration, Inadequate concentration, Diligence and dedication, What I need is a vacation.
0
Aug 16, 2015
Aug 16, 2015 at 6:49 PM UTC
Nebulous Life
slow slips his sighing. she succors his heart, her shades of seduction, his harmonious hearing her hushed sonata sighs softly in stillness quiet quintessence, he yearns her melodious marvels moonlight makes for merry mischief, consorted in concert. quickly comes the crescendo of their close cadence luminescence laments their languid leaving melancholy moon shares hushed solitude in silence, so sweet --bruised orange
0
Oct 4, 2011
Oct 4, 2011 at 2:06 PM UTC
euphony on a moonlit night (alliteration)
Twisting tendrils of realization Run through my evermoving mind Up unto the age of eighteen I abhorred alliteration The seemingly simple Style showed, I thought An easy way of writing Whatever Just finding fitting words With meanings matching. Untill I read The Raven Poe penned what is I think, the epitome Of epic poems All while writing, in a weirdly Woven way A story of love lost Of wishing gone awry So since then I sometimes Try to match "my" master And in writing wishes With no reasonable rhyme I uncover my understanding Of my own simplistic stupidity But beside that also, always, Of how beautiful a language loved Can be.
0
Jul 28, 2017
Jul 28, 2017 at 5:29 AM UTC
Alliteration anxiety
I got into an altercation over a little alliteration. I offended and cant amend it. It was more than an argument, I was almost arrested. I obviously ****** someone off with my honest offering. I wasn't teasing. See, all I said was pretty please...Will you **** my ***** while winding up my windmill and blowing between my **********
0
Mar 2, 2010
Mar 2, 2010 at 11:14 PM UTC
Alliteration Altercation
College dreamers, trust fund seams broken down like veins after repetitive prods. Drinking days are alliteration accented because two dollar drinks deserve denotation. A hangover that brings clarity is irony; a sad realization made after a night of excess. A drop of vulnerability and personal accountability is desperation, and preference at this point is permissible, yet premature. Face buried, between the sheets, wrapped in legs and lust, books thrown against a wall. Classes are dropped faster than broken furniture and one night stands. And **** the taste. We're all chasing that last sip that brings a confidence to think rhythmically.
0
Sep 23, 2015
Sep 23, 2015 at 12:47 PM UTC
The Rules of Attraction
i love alliteration like kings love living like lions love killing like love lost leaves aching and wonder wide wonder where we were, when we were we were so... alive. awesome. some sleep. others dream. fetch fire from fire blaze blaze and black opposites. awesome opposites. still not us. some sleep. some slip away. slippery like fish. i dont like fish very much. live late. love long. life if it is life lives lest life linger, sub-par sub-average far more fitting. (the former phrase, of course, following "fish" sans "sub-" sentences) some sleep, some dream. others, oddly enough, bother both both worlds, which while one works without what one would supply (some sleepers dont dream) dreamers, sometimes, seldom sleep. rather, wrestle restlessly, fervently futile fights fighting fear, hate, hardship, hardly having strength to share their ideas. folly. does it seem, slightly that they need both? sleep and strength? brains and brawn? take teamwork, temporarily. you and i... we we would win. we wish, we wonder, we wander wherever. we watch, we would, whatever, win. because we live. like lines long for letters which would whittle words from whiteness we would work with one another and, so, we could rule the world. would you rule with me? please? because i love alliteration like lines and letters love leading listless eyes lacking lids courses carved across canvas craving closure. craving cause. point. place a period. pause. pax. peace. pretty please?
0
Feb 28, 2012
Feb 28, 2012 at 2:26 AM UTC
[untitled 1]
Bias  Is a little *****  The alliteration is merely a coincidence  But it is Everyone has their own views  Their own opinions Their own perspective  Negative or positive  Like the moodswings of a mother in menopause  It's still a ***** Hah just like your mother , jk Bias is everyone  Everyone has a bias It's their perspective  No matter their age, their IQ, or the amount of muscle mass on their perfectly chiseled body They have a bias It's rarely good  So look out for that ***** Bias It'll bite you in ***
0
Jun 17, 2014
Jun 17, 2014 at 2:29 PM UTC
Perspectives
I If I were a poet I would compose beautiful line breaks and elegant stanzas. Similes would be ******** scattered with alliteration like stars against a sunset sky. My tone would be of reason rather than innocence. I would refuse to analyze the meaning of death in literature. II Fortune cookies would be my mantra and life would be a wiggle instead of a struggle. I would pray five times a day to my journal most benevolent, ever-merciful. My poems would not be of peace of war or (you)nity or them here Amur'cans. III My form would be indifferent and probably never earn me awards or acceptance to grad school. Fondness of (parentheses) may get me compared to e.e. cummings or completely dismissed if I were a poet.
0
Nov 15, 2011
Nov 15, 2011 at 11:49 AM UTC
If I Were A Poet