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Sarah Flynn Oct 2020
“you ain’t a man until you’re given a gun.”
he said. but I knew better.
giving a boy a gun
doesn’t make him a man.
it makes him a boy with a gun.

my hands were made for pens, not glocks.
I told him his were too.
he laughed and said,
“nah, my hands are made the same
as every other boy on this block.
you cut off my finger, it’s still gon’ bleed.”

I tried to argue but he said,
“these hands steal ****.
money, jewelry, clothes.
hell, these hands steal lives!”

and he was right about that.
he had the same dirt on his hands
that any other boy around here had.

still, I think his hands
were made for pens, not glocks.
maybe he would’ve picked up a pencil
if his hands hadn’t gotten
so used to holding a gun.

he was nineteen.
he was young and angry
and ready to fight,
and he didn’t know exactly why,
but he knew he had to be.

the streets here are where people
disappear when it gets dark,
and where no one asks questions
when the sun comes up.

there are no flowers
growing next to the sidewalk.
here, there are bags of crack
and gold chains and Cuban cigars.
there are plants here, but no flowers.

I was taught that here,
they don’t follow laws,
but they need to follow rules.

most rules here are unwritten.
instead, they are ingrained
into the street’s children,
a mantra that you could die
for not remembering.

he said, “if I die,
it’s gon’ be sprawled out on concrete.
no way I’m going down
without a fight.”

here, they are still fighting wars
that ended years ago everywhere else.

here, they grow up without
mothers and fathers.
they learn to feed themselves
as soon as they no longer
need a baby bottle.

here, it is strange
to not join in on the violence.
it is strange to not participate
in drive-by shootings.
it is strange to not want revenge.

here, strange is dangerous.
things are the way that they are
and this is the way they have always been.

here, he was any other
nineteen-year-old boy.
here, they would say he died naturally.
he stepped a little too far into view
and a bullet struck him in the right spot.
or the wrong spot,
depending on how you see it.
quick and almost painless for him,
but that hurt moved on to everyone else.

here, there are no rights and no wrongs.
things are not good or bad.
things simply are.

his mama sobbed when
she heard what happened.
she cried for him, but also
for every other boy on the block.

she cried for the boy
who ended her son’s life,
because she knew
he wasn’t any different
than any other boy here.

she cried for all the mothers
who lost their sons,
and for all the children
born into this life.

here, they don’t have to die
for you to lose them.
this life takes them from you,
dead or alive.

he was a friend,
and a brother, and a son.
he could’ve been
a writer, or an athlete,
or a ******* astronaut
for all I know.

but in the end,
he was only a boy with a gun.
here, they call that a man.
Zywa Oct 2020
The Capital: dust

creeping into all my clothes –


clouding around me.
“The Capital” (c. 1085, Su Che)

Collection "Actively Passive"
Bullet Oct 2020
Apple lights keep hurting my eyes
Street corners breaking my threads
The concrete is now heating up
The constant noise I’m hearing fades
I’m fighting dreams of other cities
This phone keeps bussing me
I feel like a ghost in my reality
I’m busy but not keeping it busy
The screen distracting me from the concrete
All I’m asking for is an everything bagel
I’m hungry and dizzy in an empire wonderland of hopeful thinking

I’m trying to speak all these lights into an existence
I’m trying to walk in the streets best for me
Apple Empire lights have my eyes awake
Sipping on juice but eyes keep sleep crawling
Keep me from breaking bridges
I want to go for loop-de-loops in a six speed
Burning at the light and time we have all day
I want to follow my dreams but in order to be successful I might have too move. But I want to better my own city. I want it to be fun at the end of the day.
Robert Ronnow Oct 2020
Nothing more intimate than sleep
wake before dawn, go downtown
prepare for tomorrow, come home from work late.

Most cities prosper undisturbed
sleeping peacefully
while the tide goes out.

Are we asleep or are we dancing,
surrounded by buildings,
a primitive fertility dance in the forest?

Sleeping in my clothes,
sleeping in my underwear,
two dead leaves, then a breeze!

Fall asleep by the river,
in front of tv,
soon I will know who I am.

In the last days you may be found sleeping in the laundry mornings,
or sitting in the holy spot
gazing at a crescent moon.

Get up early but gotta nap,
winter afternoons or summer heat
Thanatopsis, Big Comfy Couch.

Sleep in the bed next to your wife
that way when life ends
someone misses you.

That sounds harsh but we’re matter of fact
about the fact of death.
Death is most of all like sleep.

Doctor, engineer, lawyer, soldier,
writer, poet, that’s the pecking order,
get some sleep, get over it.

Not the kind of gal who’ll have *** twice
on the first date. When that happens
marriage, babies, graduations, tragedies, sleep.

Headache, surgery, through it all
there’s sleep, a haven, heaven, hovel, cave, raven,
a place to be with eyes wide open.

Don’t have a hissy fit
or case of colon cancer, get 8 hours
shuteye in contiguous array.

If not, listen to a TED talk, they like explaining things
Selected Shorts solves insomnia,
The Moth Hour, the peaceful father, mother.

Sweet pleasing Sleep!
in Hades
where the lights are always blue, gentian actually.

Every third thought doesn’t have to be about death.
Sleep together, get laid.
Sleep. How memories are made.
Sleep. In the palm at the end of the mind or on another plane.
page Oct 2020
Fox and I drove past the Evergreen cemetery on
Thursday night and parked in an old motel parking lot
(the one with the bright neon sign). I told him about
how I loved the idea of prayer candles because
there’s power that we grant ourselves when we perform
rituals, plus I liked to burn things. Then it gets late so
he says he should take me home. We take a short cut
through a poorly lit neighborhood when suddenly red
and blue lights shine behind us.  One cop goes to the driver’s
window and shines a bright flashlight inside the vehicle; two
more cops surround the opposite side of the car. They demand
identification and to know where we were going. We say we
are taking pictures and even show the lady our disposable
camera. “You know that this behavior is weird right?” “Yes but
the city is so beautiful at night,” we say. The cop asks me to get out
of the car. She leans down into my face, “Did you try to **** yourself
last Monday night?” “Yes,” I tell her. She writes something down.
“Okay, have a good night.” “You too, ma’am.” We drive away and he drops
me off at my apartment. I see that there’s a dead pigeon on my balcony.
Henry Oct 2020
Rigid, impasto clouds
Stick out of the sky
Like Van Gogh
Put them there himself
Sky peaking between
Buildings and towers
Pushed and pulled
Twisted and ripped apart
Like fabric tearing slowly
Moved by the breeze
Invisible currents slicing
A silent cacophony of air
I reach up and feel
Solid, dried paint crackles
Under my finger tips
I pull my hand away
Digits stained white and blue and gray

Shifting streets and their buildings
Pulsing and moving and shaking
Jagged and prickly corners
Edges of windows glint
Like drops of blood
On the edge of a sword
Walls and sidewalks
Rough like a giant cat's tongue
The skyscrapers carve the landscape
Into a distorted forest
An amalgamation of today
And yesterday and the day before that
I reach forward and feel
I pull back in shock
Fingers pricked and knees scraped
imagery from where i live now
Ema Sep 2020
One leg up
hand resting
I'm scribbling ideas
to help me fall asleep.
I like tall buildings
and lots of concrete

One leg up
while walking in the city
still
faces in weird spaces
move
my gait, not that pretty
look!
four pugs on a chain
city cerberus
concrete keeper
perpetual eater
grim reaper
shh

One leg up
on a concrete world
that idea spilled
like a cup
coffee
on the floor
my mind
sleep
Norman Crane Sep 2020
banker's lamp green light of envy because
she will never be his late office nights
work done beneath sheer illicit thoughts
of her and her blue dress become his flights
of fancy wrapped tightly around her waist
blinds half-drawn the city is invasive
automobile engines and cigarettes
smell of lost love, dust, marriage and regrets
their futures already both faint shadows
on the walls outside the halls are empty
the desk is wet with sweat nobody knows
so they are free how empty they will leave
for homes already broken bittersweet
lives caught on repeat caught on repeat
Inspired by Edward Hopper's 1940 painting Office at Night.
Cox Sep 2020
I stay up all night,
wishing to be amongst the city light.
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