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Azaria 4d
Where the woods warp all and none,
the invisible path to nowhere, stands tall,
beneath the line of conscience.

There awaits a BEACON of light
where no eyes have dared walked,
and no tongue have whispered a name.

Still, I lift the beam, my own,
trembling at its source, and wish to know
what lies behind the prickly thorn

Many hold the mask of hollow hearts,
but I tell you this, it is not absent
only scarred
so much as to not see its own dimensions

Better to bring a torch, a friend,
and a snack or two for waiting,
for it is a dark cave ,
like the womb against all the thieving
done in taking

And on your way out and far ,
dont forget to greet the old hag at the gate there,
Spin around three
and on the third
you may find a new perception,
far from this
and probably to the relief of all your attention.
Before the world called us black,
We were bronze, shining in royal grace.  
We were complete, nothing we lack.  
Fly with me now, through poetic space,  
To a land where legends never die,  
Where every stone tells a tale,  
And bronze plaques are tongues of ancestors,  
Still speaking, still loud, still real.  
We built walls without cement, but with resolve,
No empire walked through without bowing first.
We lived in a Utopia, before they came,  
Thieves of time, looters of sacred flame.  
Not all white‑looking birds are eagles,
Ask the ones who plundered our treasures.  
But the bronze whispered till the world listened.  
We, the children of the soil, rise again.  
Not just children of history, we are history itself.  
So when you speak of kingdoms…
Whisper Benin with respect.
"Odes to the Great Benin People" is a poetic tribute to the rich heritage, resilience, and glory of the Edo people — both past and present. It honors the ancient Benin Kingdom, whose legacy still echoes through its art, architecture, and ancestry. Each line carries the voice of bronze, stone, and soil — mediums through which our ancestors continue to speak.

This ode is not just for those who once ruled with wisdom and walked with spirits, but also for we, their descendants, who carry their pride, pain, and power in our veins. It reminds the world that Benin was never defined by colonial shadows but by its own brilliance long before foreign footprints.

The poem calls for remembrance, respect, and the revival of cultural pride — because we are not just children of history, we are history itself.
Ylzm Aug 16
Why is life measured in years and not living?
Long years and truly life, uncorrelated
Age and wealth, mere numbers, not significance
Whereas transcendence and becoming is

The old was yesterday, the new reborn daily
More than the sum of all you were, and more
Every day a new world, walked with new eyes
With ancient soul, and even more ancient spirit

Seeing from the end to the beginning, and beyond
Insatiable but there is yet sleep, and tomorrow
Today, a life fully lived, and ancient evermore aged
Eternal life beckons, and tomorrow We walk, again

And We walk not alone, but as One
The unseen truly real not that seen
Back from the county town, my past lives
collide with my present course, I'm tinged
with nostalgia, memories of my upbringing;
Coming-of-age, young adulthood, in-between.

I can't shake the place I was born and reared,
A town so submetropolitan.

Back from the capitol region, upstate,
I ponder an alternate life that never was
under the flag of the United States; dream
of whoever I would have been.

I can't shake the cultures I was brought up in,
A healthy moon, a rose so paracelsian.

Back in The Fair City,
I am absolved ♃ere.


♑︎herefore this instance
of being in the world,
Having known and loved
one's place in the universe.

Some time abroad
excites the soul,
¥ is the new Ƶ.
Once cannot teach
Because One is still a student,
This is because we are always learning.

One cannot study
Because One is still a teacher,
This is because we are always guiding.

Developing,
Like three rivers which join & fork -
Only to re-join in course.

We are always trying & changing,
Doing & reaching.

In the pursuit of understanding,
Truth is achieving
And knowledge is victory.

Compassion & patience -
The keys to all things.
Where in the world?!
What in the world?!

- Poseidon

How in the world?!
𝐖𝐡𝐞𝐧 𝐢𝐧 𝐭𝐡𝐞 𝐰𝐨𝐫𝐥𝐝?!
Why in the world?!

-Zeus

Wanna test it?!
Can we ¹perfect it?!

-Hades
1 - Perfect has many definitions and bares many different meanings, given the context.
Bacchus was the title
Conferred to those responsible for ¹"gardening."
Zagreus, lineage of Zeus but son to ²Hades, bore another title.
The "Zageuri" lead in the night.
There were no feasts of raw flesh, but many dances and celebrations while they tended to "The Great Fire."
Of the Zageuri, Zagreus lead.
The title, rendered in Latin, is like Noctus Rex.
You see, on islands, humans have the capacity for an incomparable amount of exertable control over that of their environment.
Those of the lineage Zeus & ³chosen sons of the "God" had, along with the Baccuhi, relocated or slayed the majority of the island's predators.
All those who would not be or could not be companions, like Lupus & Lybica.
The few remaining were nocturnal.
The relocation or slaying of them, any & all nocturnal predators,
Fell to those responsible for when Darkness dawned & Night reigned.
Those "descendants"  of Hades, lineage of Zeus.
And in that, "The Great Hunt," we found among the elusive,
As we had found among the obvious,
Many other intelligent animals.
Many welcomed companions.
Wherein was birthed the Zageuri title,
Noctus.

The Nocti, the owls.

Gardeners in their own right,
Yet still hunters.
1 - Scale, methods, resources expended, et cetera are closer to what we would call terraforming. Proto-terraforming.

2 - Hades being in charge of the "night shift," within this context. Nyx of his lineage. Hades of the lineage of Kronos, but son to Khaos.

3 - As in, they themselves proved they were worthy enough to make their own decisions. They are "children" because they have chosen. Chosen that specific order/family.
Hadrian Veska Jun 26
Down the hall
Back and to the right
Past a broken neon sign
Through an unlocked door
Then down four flights
A hole in the wall
In a room on the left
Follow it down
Through dirt and rock
After more than a while
You'll see a faint light
A oil lamp hanging
Kept by those who travel
So bring some won't you
The oil that is
Not much further past
You'll  find what you seek
The city beneath the city
The world and the way
That we abandoned long ago
The past they made us forget
And the future that might still be
Drink the golden nectar from the cedar cup,
enter the forbidden world,
steal the poetry,
and sing the songs,
enlighten your soul,
and return richer,
for this life seems short,
time after time.
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