Submit your work, meet writers and drop the ads. Become a member
phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphant­asmal
phantasmalphantasmalphantasmalphantasmalphantasmalphantasma­lphantasmal
phantasmalphantasmalphantasmalphantasmalphantasmalpha­ntasmalphantasmal
phantasmalphantasmalphantasmalphantasmalphantas­malphantasmalphantasmal
phantasmalphantasmalphantasmalphantasmalp­hantasmalphantasmalphantasmal
phantasmalphantasmalphantasmalphant­asmalphantasmalphantasmalphantasmal
phantasmalphantasmalphantasma­lphantasmalphantasmalphantasmalphantasmal
phantasmalphantasmalpha­ntasmalphantasmalphantasmalphantasmalphantasmal
phantasmalphantas­malphantasmalphantasmalphantasmalphantasmalphantasmal
phantasmalp­hantasmalphantasmalphantasmalphantasmalphantasmalphantasmal
phant­asmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal­
phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphan­tasmal
phantasmalphantasmalphantasmalphantasmalphantasmalphantasm­alphantasmal
phantasmalphantasmalphantasmalphantasmalphantasmalph­antasmalphantasmal
                                  Asphalt Man
                                  Phantasm La
                                  Shaman Plat
                                  Asthma Plan
****** Hast
****** Hats
****** Shat
Napalms Hat
Plasma Than
Sampan Halt
Sampan Lath
                                                            ­        Manta Plash
                                                           ­         A Plasma Nth
                                                             ­       A Ham Plants
                                                          ­          A Hams Plant
A Mash Plant
A Sham Plant
A Maths Plan
A Math Plans
A Than Palms
A Than Lamps
A Than Psalm
Aha Plant Ms
Alpha Tan Ms
Alpha Ant Ms
Lama Pas Nth
Lama Asp Nth
Lama Spa Nth
Lama Sap Nth
Lamas Pa Nth
**** Path Ms
**** Phat Ms
Natal Hap Ms
Alas Amp Nth
Alas Map Nth
Ha Lam Pants
Ha Palm Tans
Ha Palm Ants
Ha Lamp Tans
Ha Lamp Ants
Ha Palms Tan
Ha Palms Ant
Ha Lamps Tan
Ha Lamps Ant
Ha Psalm Tan
Ha Psalm Ant
Ha Lams Pant
Ha Alms Pant
Ha Slam Pant
Ha Malts Nap
Ha Malts Pan
Ha Malt Pans
Ha Malt Snap
Ha Malt Naps
Ha Malt Span
Ha Plan Tams
Ha Plan Mast
Ha Plan Mats
Ha Plans Tam
Ha Plans Mat
                               Ha Plants Ma
Ha Plants Am
Ha Plant Sam
Ha Plant Mas
                               Ha Slant Amp
Ha Slant Map
Ha Splat Man
Ha Plats Man
                               Ha Plat Mans
Ah Lam Pants
Ah Palm Tans
Ah Palm Ants
Ah Lamp Tans
Ah Lamp Ants
Ah Palms Tan
Ah Palms Ant
Ah Lamps Tan
Ah Lamps Ant
Ah Psalm Tan
Ah Psalm Ant
Ah Lams Pant
Ah Alms Pant
Ah Slam Pant
Ah Malts Nap
Ah Malts Pan
Ah Malt Pans
Ah Malt Snap
Ah Malt Naps
Ah Malt Span
Ah Plan Tams
Ah Plan Mast
  Ah Plan Mats
   Ah Plans Tam
    Ah Plans Mat
     Ah Plants Ma
      Ah Plants Am
       Ah Plant Sam
        Ah Plant Mas
         Ah Slant Amp
          Ah Slant Map
           Ah Splat Man
            Ah Plats Man
             Ah Plat Mans
              Plash Ma Tan
Plash Ma Ant
Plash Am Tan
Plash Am Ant
Plash Man At
Plash Tam An
Plash Mat An
Lash Ma Pant
Lash Am Pant
Lash Man Tap
Lash Man Apt
Lash Man Pat
Lash Amp Tan
Lash Amp Ant
Lash Map Tan
Lash Map Ant
Lash Tamp An
Lash Tam Nap
Lash Tam Pan
Lash Mat Nap
Lash Mat Pan
Laths Ma Nap
Laths Ma Pan
Laths Am Nap
Laths Am Pan
Laths Man Pa
Laths Amp An
Laths Map An
Halts Ma Nap
Halts Ma Pan
Halts Am Nap
Halts Am Pan
Halts Man Pa
Halts Amp An
Halts Map An
Shalt Ma Nap
Shalt Ma Pan
Shalt Am Nap
Shalt Am Pan
Shalt Man Pa
Shalt Amp An
Shalt Map An
Halt Ma Pans
Halt Ma Snap
Halt Ma Naps
Halt Ma Span
Halt Am Pans
Halt Am Snap
Halt Am Naps
Halt Am Span
Halt Man Pas
Halt Man Asp
Halt Man Spa
Halt Man Sap
Halt Mans Pa
Halt Amp San
Halt Map San
Halt Maps An
Halt Amps An
Halt Sam Nap
Halt Sam Pan
Halt Mas Nap
Halt Mas Pan
Lath Ma Pans
Lath Ma Snap
Lath Ma Naps
Lath Ma Span
Lath Am Pans
Lath Am Snap
Lath Am Naps
Lath Am Span
Lath Man Pas
Lath Man Asp
Lath Man Spa
Lath Man Sap
Lath Mans Pa
Lath Amp San
Lath Map San
Lath Maps An
Lath Amps An
Lath Sam Nap
Lath Sam Pan
Lath Mas Nap
Lath Mas Pan
Ham La Pants
Ham Plan Sat
Ham Plans At
Ham Plant As
Ham Slant Pa
Ham Alp Tans
Ham Alp Ants
Ham Lap Tans
Ham Lap Ants
Ham Pal Tans
Ham Pal Ants
Ham Laps Tan
Ham Laps Ant
Ham Pals Tan
Ham Pals Ant
Ham Alps Tan
Ham Alps Ant
Ham Slap Tan
Ham Slap Ant
Ham Splat An
Ham Plats An
Ham Plat San
Ham Las Pant
Ham Slat Nap
Ham Slat Pan
Ham Salt Nap
Ham Salt Pan
Ham Last Nap
Ham Last Pan
Hams La Pant
Hams Plan At
Hams Alp Tan
Hams Alp Ant
Hams Lap Tan
Hams Lap Ant
Hams Pal Tan
Hams Pal Ant
Hams Plat An
Mash La Pant
Mash Plan At
Mash Alp Tan
Mash Alp Ant
Mash Lap Tan
Mash Lap Ant
Mash Pal Tan
Mash Pal Ant
Mash Plat An
Sham La Pant
Sham Plan At
Sham Alp Tan
Sham Alp Ant
Sham Lap Tan
Sham Lap Ant
Sham Pal Tan
Sham Pal Ant
Sham Plat An
Maths La Nap
Maths La Pan
Maths Alp An
Maths Lap An
Maths Pal An
Math La Pans
Math La Snap
Math La Naps
Math La Span
Math Plan As
Math Alp San
Math Lap San
Math Pal San
Math Laps An
Math Pals An
Math Alps An
Math Slap An
Math Las Nap
Math Las Pan
Than La Maps
Than La Amps
Than Lam Pas
Than Lam Asp
Than Lam Spa
Than Lam Sap
Than Palm As
Than Lamp As
Than Lams Pa
Than Alms Pa
Than Slam Pa
Than Alp Sam
Than Alp Mas
Than Lap Sam
Than Lap Mas
Than Pal Sam
Than Pal Mas
Than Laps Ma
Than Laps Am
Than Pals Ma
Than Pals Am
Than Alps Ma
Than Alps Am
Than Slap Ma
Than Slap Am
Than Las Amp
Than Las Map
Hap Lam Tans
Hap Lam Ants
Hap Lams Tan
Hap Lams Ant
Hap Alms Tan
Hap Alms Ant
Hap Slam Tan
Hap Slam Ant
Hap Malts An
Hap Malt San
Hap Slant Ma
Hap Slant Am
Hap Slat Man
Hap Salt Man
Hap Last Man
Hasp Lam Tan
Hasp Lam Ant
Hasp Malt An
Haps Lam Tan
Haps Lam Ant
Haps Malt An
Paths La Man
Paths Lam An
Staph La Man
Staph Lam An
Path La Mans
Path Lam San
Path Lams An
Path Alms An
Path Slam An
Path Las Man
Phat La Mans
Phat Lam San
Phat Lams An
Phat Alms An
Phat Slam An
Phat Las Man
Has Lam Pant
Has Palm Tan
Has Palm Ant
Has Lamp Tan
Has Lamp Ant
Has Malt Nap
Has Malt Pan
Has Plan Tam
Has Plan Mat
Has Plant Ma
Has Plant Am
Has Plat Man
Ash Lam Pant
Ash Palm Tan
Ash Palm Ant
Ash Lamp Tan
Ash Lamp Ant
Ash Malt Nap
Ash Malt Pan
Ash Plan Tam
Ash Plan Mat
Ash Plant Ma
Ash Plant Am
Ash Plat Man
Hast Lam Nap
Hast Lam Pan
Hast Palm An
Hast Lamp An
Hast Plan Ma
Hast Plan Am
Hast Alp Man
Hast Lap Man
Hast Pal Man
Hats Lam Nap
Hats Lam Pan
Hats Palm An
Hats Lamp An
Hats Plan Ma
Hats Plan Am
Hats Alp Man
Hats Lap Man
Hats Pal Man
Shat Lam Nap
Shat Lam Pan
Shat Palm An
Shat Lamp An
Shat Plan Ma
Shat Plan Am
Shat Alp Man
Shat Lap Man
Shat Pal Man
Hat Lam Pans
Hat Lam Snap
Hat Lam Naps
Hat Lam Span
Hat Palm San
Hat Lamp San
Hat Palms An
Hat Lamps An
Hat Psalm An
Hat Lams Nap
Hat Lams Pan
Hat Alms Nap
Hat Alms Pan
Hat Slam Nap
Hat Slam Pan
Hat Plan Sam
Hat Plan Mas
Hat Plans Ma
Hat Plans Am
Hat Alp Mans
Hat Lap Mans
Hat Pal Mans
Hat Laps Man
Hat Pals Man
Hat Alps Man
Hat Slap Man
A Ha Plant Ms
A Ah Plant Ms
A Halt Nap Ms
A Halt Pan Ms
A Lath Nap Ms
A Lath Pan Ms
A Than Alp Ms
A Than Lap Ms
A Than Pal Ms
A Hat Plan Ms
A La Maps Nth
A La Amps Nth
A Lam Pas Nth
A Lam Asp Nth
A Lam Spa Nth
A Lam Sap Nth
A Palm As Nth
A Lamp As Nth
A Lams Pa Nth
A Alms Pa Nth
A Slam Pa Nth
A Alp Sam Nth
A Alp Mas Nth
A Lap Sam Nth
A Lap Mas Nth
A Pal Sam Nth
A Pal Mas Nth
A Laps Ma Nth
A Laps Am Nth
A Pals Ma Nth
A Pals Am Nth
A Alps Ma Nth
A Alps Am Nth
A Slap Ma Nth
A Slap Am Nth
A Las Amp Nth
A Las Map Nth
Ha La Pant Ms
Ha Plan At Ms
Ha Alp Tan Ms
Ha Alp Ant Ms
Ha Lap Tan Ms
Ha Lap Ant Ms
Ha Pal Tan Ms
Ha Pal Ant Ms
Ha Plat An Ms
Ah La Pant Ms
Ah Plan At Ms
Ah Alp Tan Ms
Ah Alp Ant Ms
Ah Lap Tan Ms
Ah Lap Ant Ms
Ah Pal Tan Ms
Ah Pal Ant Ms
Ah Plat An Ms
Halt An Pa Ms
Lath An Pa Ms
Than La Pa Ms
Hap La Tan Ms
Hap La Ant Ms
Path La An Ms
Phat La An Ms
Hat La Nap Ms
Hat La Pan Ms
Hat Alp An Ms
Hat Lap An Ms
Hat Pal An Ms
La Ma Pas Nth
La Ma Asp Nth
La Ma Spa Nth
La Ma Sap Nth
La Am Pas Nth
La Am Asp Nth
La Am Spa Nth
La Am Sap Nth
La Amp As Nth
La Map As Nth
La Sam Pa Nth
La Mas Pa Nth
Lam Pa As Nth
Alp Ma As Nth
Alp Am As Nth
Lap Ma As Nth
Lap Am As Nth
Pal Ma As Nth
Pal Am As Nth
Las Ma Pa Nth
Las Am Pa Nth
A La Pa Nth Ms
This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.
Jack Kerouac  Oct 2010
Nebraska
April doesnt hurt here
Like it does in New England
The ground
Vast and brown
Surrounds dry towns
Located in the dust
Of the coming locust
Live for survival, not for 'kicks'
Be a bangtail describer,
like of shrouded traveler
in Textile tenement & the birds fighting in yr ears-like Burroughs exact to describe & gettin $
The Angry Hunger
(hunger is anger)
who fears the
hungry feareth
the angry)
And so I came home
To Golden far away
Twas on the horizon
Every blessed day
As we rolled And we rolled
From Donner tragic Pass
Thru April in Nevada And out Salt City Way Into the dry Nebraskas And sad Wyomings Where young girls And pretty lover boys
With Mickey Mantle eyes
Wander under moons
Sawing in lost cradle
And Judge O Fasterc
Passes whiggling by To ask of young love: ,,Was it the same wind Of April Plains eve that ruffled the dress
Of my lost love
Louanna
In the Western
Far off night
Lost as the whistle
Of the passing Train
Everywhere West
Roams moaning
The deep basso
- Vom! Vom!
- Was it the same love
Notified my bones As mortify yrs now
Children of the soft
Wyoming April night?
Couldna been!
But was! But was!'
And on the prairie
The wildflower blows
In the night For bees & birds And sleeping hidden Animals of life.
The Chicago
Spitters in the spotty street
Cheap beans, loop, Girls made eyes at me And I had 35 Cents in my jeans -
Then Toledo
Springtime starry
Lover night Of hot rod boys And cool girls A wandering
A wandering
In search of April pain A plash of rain
Will not dispel This fumigatin hell Of lover lane This park of roses Blue as bees
In former airy poses
In aerial O Way hoses
No tamarand And figancine Can the musterand Be less kind
Sol -
Sol -
Bring forth yr Ah Sunflower - Ah me Montana
Phosphorescent Rose
And bridge in
fairly land
I'd understand it all -
Martin Narrod  May 2014
Blessings
Martin Narrod May 2014
Something original. Of newer words, that originate from the pleasure and happiest of timeless incidents. The happenings, back of the park, near a set of restrooms, a pool of clear sea water and a purplish-red starfish. A sea cucumber. Trailing sea lions diving off of a cliff, a vertical display of rocks, moving a millionth of an inch each year. You caught me.  --------

I can't nail it. It happens to me when I sleep, it comes around me, over my shoulders and latches onto my breaths. I'm breathing and it creeps inside of me like a mealworm, I turn to look for it and it disappears again. It lives in a shadow but it is also a shadow of itself. An anomaly, a space for time and the tell of time, its hidden agenda, its positive nature, how it yields itself to prey, how it coos for a sweet smile, runs up to me in mid-day traffic, and kisses me, noon at military time.  ------  

The blessings come. All of them. Laid out on a table in red and white checkerboard, making the eggplant parm and the homemade vinaigrette. Peanut butter chocolate chip vegan cookies. A dandelion necklace that only fits around my wrist. It makes me weep some twenty years ago on a Playskool slide, orange, red, bright. I'm looking around my neck and still it's not there. Every where I want to be, every where I've gone and could go. I should go to California too but all of this...stuff, everywhere, under my legs, in my pockets, the closets tumbling high and low, I haven't had enough to change, and still I am wanting something else. You the same, my shoulders tell me stories, I listen and I fall asleep.  -----  

Sometimes my nerves grow quiet, my words grow- but then they just fall again, skittering in a lull plash of blue-green pond water. The bench I sewed to the ground. A tale of mirth and woe. I cannot call on you, you will not come. Sleeping beauty, blue eyes, blonde hair. I wrestle you in the day to day, the hour to hour. Minutes cannot go by. Pages that turn but I remember everything. My mind will never go.  -----  

Two pink letters in the post today. Maybe neatly placed for you. A fake-tattoo puffin, upper-left hand corner. My hands are empty, they have indecent memories, they write indelible superpowers. I can't go on. I run lake water over my ankles, slowly drift beneath arcing waves and cold grey skies. Half a day blue goes black, night comes and I whisper when the sky goes quiet. Nothing is as serious as this.   ------    


In a white box there are two pairs of shoes and a soft bear. The bear without the name. He doesn't speak to me so I leave him with the sea birds. Put them in a push cart and show them off, I take them here, I take them there. No one asks his name, where he's going, what he's going to do. ------------


Tuesday's are the worst. I count and count and count. I will never forget Tuesday's, twisting like a cuneiform jelly, fingernails spoiling me-meat, breaking the Styx crossing the river Rhine, there is nowhere that I will not go, only for me to cross time. To wait, I really hate waiting. Nothing comes between, I lie to a stranger and they fall in love instantly. I see you on Monday evenings and I want to kiss you gently, the sides of your neck, on the inside of your hand. Where do you go when all the shadows go? ----

Some of me is backwards. The waves shape the sky. A rabbit goes with a fire truck, a blueberry with a cephalopod. Back to the soft wood walls of the cotton luxe room. My legs have never felt so safe, you have never made my teeth so happy. In Russia you touch my face, I see you, a picture of you, any part of your eyes or the things you draw upon and I am instantly in love. I love you, a part of you, all of the parts of you, your soul is the only part of me disconnected. You are the happiest moments of my pleasure. You taste like Tahitian Vanilla and Acai berries. Gold grains hit our shins as we go like great wild horses through the alluvial plains. -----

I cannot count to you. There are no goddesses in numbers. I only have sleep, for you to look me square away into a bliss I have in a picture of the two of us, lost in our faces, our hands wandering each others knees. I sit across from you and I am not close enough. I go closer and I want to be inside of you, all across my limbs expanding our spiritual forms, intertwining in our skins. So I speak, I lay my words gently in front of you so you cross them as you walk our path, back from the sea into a narrow slumber. Sleep is the only place we all can play. You, me, her, her, and I.
Aleister Crowley  Oct 2010
Adela
Jupiter Mars P Moon
VENEZIA, "May" 19"th", 1910.


Jupiter's foursquare blaze of gold and blue
Rides on the moon, a lilac conch of pearl,
As if the dread god, charioted anew
Came conquering, his amazing disk awhirl
To war down all the stars. I see him through
The hair of this mine own Italian girl,
Adela
That bends her face on mine in the gondola!


There is scarce a breath of wind on the lagoon.
Life is absorbed in its beatitude,
A meditative mage beneath the moon
Ah! should we come, a delicate interlude,
To Campo Santo that, this night of June,
Heals for awhile the immitigable feud?
Adela!
Your breath ruffles my soul in the gondola!

Through maze on maze of silent waterways,
Guarded by lightless sentinel palaces,
We glide; the soft plash of the oar, that sways
Our life, like love does, laps --- no softer seas
Swoon in the ***** of Pacific bays!
We are in tune with the infinite ecstasies,
Adela!
Sway with me, sway with me in the gondola!

They hold us in, these tangled sepulchres
That guard such ghostly life. They tower above
Our passage like the cliffs of death. There stirs
No angel from the pinnacles thereof.
All broods, all breeds. But immanent as Hers
That reigns is this most silent crown of love
Adela
That broods on me, and is I, in the gondola.

They twist, they twine, these white and black canals,
Now stark with lamplight, now a reach of Styx.
Even as out love - raging wild animals
Suddenly hoisted on the crucifix
To radiate seraphic coronals,
Flowers, flowers - O let our light and darkness mix,
Adela,
Goddess and beast with me in the gondola!

Come! though your hair be a cascade of fire,
Your lips twin snakes, your tongue the lightning flash,
Your teeth God's grip on life, your face His lyre,
Your eyes His stars - come, let our Venus lash
Our bodies with the whips of Her desire.
Your bed's the world, your body the world-ash,
Adela!
Shall I give the word to the man of the gondola?
243

I’ve known a Heaven, like a Tent—
To wrap its shining Yards—
Pluck up its stakes, and disappear—
Without the sound of Boards
Or Rip of Nail—Or Carpenter—
But just the miles of Stare—
That signalize a Show’s Retreat—
In North America—

No Trace—no Figment of the Thing
That dazzled, Yesterday,
No Ring—no Marvel—
Men, and Feats—
Dissolved as utterly—
As Bird’s far Navigation
Discloses just a Hue—
A plash of Oars, a Gaiety—
Then swallowed up, of View.
Dorothy  Apr 2014
Needy Girl
Dorothy Apr 2014
But what about me!? What about my feelings!?
What about my needs!? It’s my heart you’re unknowingly stealing!

Don’t ignore my love, I’ll make you miss my presence
Show you what you’ve lost so you wished you never left it
Because I know you didn’t mean to drop my heart, here’s some glue
Now get to fixin’ I’m desperate

Obsessed and conniving with a plash guile touch
When did she get so vigilant with her fussbudget qualities?

OH babygirl you’re to much!
Stop wanting things you cant have, and don’t force someone to Love.
You fell for him big deal, doesn’t mean it was meant to be.
Don’t let this one guy devastate you
It’s your love and you can still give it out freely.

Lets not add another person with their heart locked down
’cause of a few let downs
All casually swimming in that
Pool of “I don’t believe in true love” crowd
They go around shut off from the world
Refusing life’s love passion pearls

Instead accept the ones who loves you now
More love will come your way, quit searching for a when,where & how
Let nature take it’s course and follow it
Restrict not your love just the need for it to always be accepted

Prince charming will be here to scoop up his queen
In the meantime enjoy having just yourself, figure out what life’s got to offer
Its right at your fingertips nearly bursting at the seams.
Forth from the dust and din,
The crush, the heat, the many-spotted glare,
The odour and sense of life and lust aflare,
The wrangle and jangle of unrests,
Let us take horse, Dear Heart, take horse and win--
As from swart August to the green lap of May--
To quietness and the fresh and fragrant *******
Of the still, delicious night, not yet aware
In any of her innumerable nests
Of that first sudden plash of dawn,
Clear, sapphirine, luminous, large,
Which tells that soon the flowing springs of day
In deep and ever deeper eddies drawn
Forward and up, in wider and wider way,
Shall float the sands, and brim the shores,
On this our lith of the World, as round it roars
And spins into the outlook of the Sun
(The Lord's first gift, the Lord's especial charge),
With light, with living light, from marge to marge
Until the course He set and staked be run.

Through street and square, through square and street,
Each with his home-grown quality of dark
And violated silence, loud and fleet,
Waylaid by a merry ghost at every lamp,
The hansom wheels and plunges.  Hark, O, hark,
Sweet, how the old mare's bit and chain
Ring back a rough refrain
Upon the marked and cheerful *****
Of her four shoes!  Here is the Park,
And O, the languid midsummer wafts adust,
The tired midsummer blooms!
O, the mysterious distances, the glooms
Romantic, the august
And solemn shapes!  At night this City of Trees
Turns to a tryst of vague and strange
And monstrous Majesties,
Let loose from some dim underworld to range
These terrene vistas till their twilight sets:
When, dispossessed of wonderfulness, they stand
Beggared and common, plain to all the land
For stooks of leaves!  And lo! the Wizard Hour,
His silent, shining sorcery winged with power!
Still, still the streets, between their carcanets
Of linking gold, are avenues of sleep.
But see how gable ends and parapets
In gradual beauty and significance
Emerge!  And did you hear
That little twitter-and-cheep,
Breaking inordinately loud and clear
On this still, spectral, exquisite atmosphere?
'Tis a first nest at matins!  And behold
A rakehell cat--how furtive and acold!
A spent witch homing from some infamous dance--
Obscene, quick-trotting, see her tip and fade
Through shadowy railings into a pit of shade!
And now! a little wind and shy,
The smell of ships (that earnest of romance),
A sense of space and water, and thereby
A lamplit bridge ouching the troubled sky,
And look, O, look! a tangle of silver gleams
And dusky lights, our River and all his dreams,
His dreams that never save in our deaths can die.

What miracle is happening in the air,
Charging the very texture of the gray
With something luminous and rare?
The night goes out like an ill-parcelled fire,
And, as one lights a candle, it is day.
The extinguisher, that perks it like a spire
On the little formal church, is not yet green
Across the water:  but the house-tops nigher,
The corner-lines, the chimneys--look how clean,
How new, how naked!  See the batch of boats,
Here at the stairs, washed in the fresh-sprung beam!
And those are barges that were goblin floats,
Black, hag-steered, fraught with devilry and dream!
And in the piles the water frolics clear,
The ripples into loose rings wander and flee,
And we--we can behold that could but hear
The ancient River singing as he goes,
New-mailed in morning, to the ancient Sea.
The gas burns lank and jaded in its glass:
The old Ruffian soon shall yawn himself awake,
And light his pipe, and shoulder his tools, and take
His hobnailed way to work!

Let us too pass--
Pass ere the sun leaps and your shadow shows--
Through these long, blindfold rows
Of casements staring blind to right and left,
Each with his gaze turned inward on some piece
Of life in death's own likeness--Life bereft
Of living looks as by the Great Release--
Pass to an exquisite night's more exquisite close!

Reach upon reach of burial--so they feel,
These colonies of dreams!  And as we steal
Homeward together, but for the buxom breeze,
Fitfully frolicking to heel
With news of dawn-drenched woods and tumbling seas,
We might--thus awed, thus lonely that we are--
Be wandering some dispeopled star,
Some world of memories and unbroken graves,
So broods the abounding Silence near and far:
Till even your footfall craves
Forgiveness of the majesty it braves.
Destiny Hicks  Nov 2010
Fishing
Destiny Hicks Nov 2010
He awoke at four that morning with the sunrise.
"Time to go, babe, get ready," he said with a smile,
Thinking I had been asleep, unaware
I lied awake all night, waiting anxiously.
I wondered if he thought it rather strange,
His little girl wanted to deep-sea fish.

He hand-made ham sandwiches with cheddar cheese--
(Because he knows that cheddar is my favorite)--
And then forced me to take some dramamine.
"It keeps you from puking your lunch," he teased.
I didn't fuss at him for giving me the **** pills.
I was ready to catch my first Atlantic shark.

Florida's early mornings aren't that warm,
So he gave me his old jean jacket as we drove south.
The dock was full of average sailor types--
Our captain's name was Anderson, I think.
Anderson looked just like his boat too,
Weathered by the wicked waves of the ocean.

The boat would swerve and I would sway so awkwardly,
Unbalanced like a newborn giraffe.
Dad gripped my shaking shoulders and whooped,
"This one's gonna be a beauty, you can mark my words!"
I snatched, tugged, and reeled violently--!
The beast finally surfaced with the tiniest plash.

She wiggled on the hook, to my mild astonishment,
Slippery, slime-covered, and small in size.
"It's a white snapper!" Anderson boomed.
She was sixteen inches and diamond white,
Glistening in the sun like the greatest treasure.
Dad patted me on the back, chest swollen with pride.

Catching Atlantic sharks didn't matter now.
Thought about making this prose, but tried it out as a poem instead.
harlon rivers Nov 2018
Remains of the summer
sunlight drip out,
entomb'd in raindrops
from the prevailing
gray beclouded skies
Memories of joy
bathed in sunlight
unravel like a wind
frayed kite dancing
above a day at the beach

Soaring seagulls ponder
all thousand feet of kite string
tied to a hidden bliss below —
hurtling through
the shapeless heavens
tethered to refreshed
dreams still lingering
within an untamed
child of the wind

Morning falls
from  the  trees
in whispers
of golden sorrow
The damp chilled air
smells fresh as the traces
of heaven's cleansing rain —
befallen drop  by  drop,
each plash counted
from an angel weeping,
splattering the broken silence
all  through the night.

An inflamed montage
of leaves surrender
all this unholdable lifeline
we  ever  know;
blanketing the fields
of  autumn's tawny  grass —
Sowing a mosaic colored
reclamation  reposed
atop a nascent green,
soon enrobed by impending
winter’s pallid slumbering hues

The darkening hush
imbues a shadowing
fugitive peacefulness
bathed in wind river eddies
of autumn’s blessing rains

harlon rivers
November 3, 2018

"Every man has his secret sorrows which the world knows not;
and often times we call a man cold when he is only sad."
― Henry Wadsworth Longfellow
Maggie Emmett Sep 2016
He perches in the slime, inert,
Bedaubed with iridescent dirt.
The oil upon the puddles dries
To colours like a peacock’s eyes,
And half-submerged tomato-cans
Shine scaly, as leviathans
Oozily crawling through the mud.
The ground is here and there bestud
With lumps of only part-burned coal.
His duty is to glean the whole,
To pick them from the filth, each one,
To hoard them for the hidden sun
Which glows within each fiery core
And waits to be made free once more.
Their sharp and glistening edges cut
His stiffened fingers. Through the ****
Gleam red the wounds which will not shut.
Wet through and shivering he kneels
And digs the slippery coals; like eels
They slide about. His force all spent,
He counts his small accomplishment.
A half-a-dozen clinker-coals
Which still have fire in their souls.
Fire! And in his thought there burns
The topaz fire of votive urns.
He sees it fling from hill to hill,
And still consumed, is burning still.
Higher and higher leaps the flame,
The smoke an ever-shifting frame.
He sees a Spanish Castle old,
With silver steps and paths of gold.
From myrtle bowers comes the plash
Of fountains, and the emerald flash
Of parrots in the orange trees,
Whose blossoms pasture humming bees.
He knows he feeds the urns whose smoke
Bears visions, that his master-stroke
Is out of dirt and misery
To light the fire of poesy.
He sees the glory, yet he knows
That others cannot see his shows.
To them his smoke is sightless, black,
His votive vessels but a pack
Of old discarded shards, his fire
A peddler’s; still to him the pyre
Is incensed, an enduring goal!
He sighs and grubs another coal.
“The Coal Picker” was published in Sword Blades and Poppy Seed (Houghton Mifflin Company, 1914).
The brook at the end of the garden
Would gurgle and gush through the weeds,
Would ripple and plash in the morning sun
Like a spirit with spiritual needs,
I’d play as a child with my paper boats
As they twisted and twirled on the stream,
Not knowing the danger my sister faced
As she paddled barefoot in a dream.

For under the water and in the weeds
Was the face of a Grindylow,
He’d stare long up at my sister’s legs
From his weedbed, down below,
I should have known and I should have warned
If I’d known he lay down there,
Ruling the brook from his silver throne
But I didn’t, I declare.

I didn’t then, till I saw one day
His face in the willow shade,
Reflected up on the water course
Like a shadow God had made,
He wore a sinister smile that turned
The edge of his mouth to scorn,
And eyes that pierced as Deirdre passed
Her legs quite bare at the dawn.

I said, ‘You walked by the river god
And he stared right up your skirt,’
But Deirdre frowned, stared at the ground
I thought that she must feel hurt.
She kept on paddling in the brook
Walked out by the willow tree,
And two long arms then pulled her down
Rose out of the brook, by me.

I hadn’t the time to scream or cry
Her hair went into the brook,
Quick as a wink, she made no sound
I dashed to the tree to look,
And though the water was inches deep
Its depth had taken the girl,
Down through the weeds where the Dryads weep
With the water starting to whirl.

The brook still bubbles and gurgles there
Will ripple and plash in the weeds,
But I won’t go where I know below
My sister lies in the reeds,
She must have married the Grindylow
For she never came back to see,
If I was there in the morning air,
If anything happened to me?

David Lewis Paget
Martin Narrod  Feb 2014
The Seems
Martin Narrod Feb 2014
Hours. Back. Tideless extreme. Gaunt. Happy face, good luck, forever ago. A go-go. Breakfast. Preference. Slip stream mock tidal bliss. Humpback seal stardom, infinite provocative immortal. Catches me. In between the teeth. Cool, Mach 3. Sumptuous extravagant human meat, flesh game. The flesh game. Heroes air-freight. Wash cloth. Hot breaths. 'ths' and plastic bag I-280 North ***** and sudatorium.

Pick a pepper.
Cow Palace.
Moth ***** and mouth *****.
Tea bags and sore throats.
Presumptuous candid                                            story-telling anomalies, trite

/masterful caustic limping brick-pedaling life-goers in major metropolis wearing leather sandals, whistling\

Whistling deep cavernous chasm bellowing hollowing, in out in out arithmetic.
        
                                                                                        Sand gathers boulders.

Women gather warmer wethers. The weathered. That ton. One of the asinine                                        

                                                        and aesthete.

Curious. Before
clause. The story god.
                                                        The kick of Achilles

                 and the Satan prance. Bleat of the squeeze.
                                        Course set. Picking up the pieces and going spelunking. French maid syndrome. Wan. Wielding the anatomical dollar of the "this-just-didn't-work" childhood.

                                                                                                Wears gloves. Has colds.

Breaks molds, and reads fortune cookies.

Limps                            lifeless, heavy as a Tuesday and digging its own grave. It owns gray. It

makes
meals
and carries them through broken towns,
over smoky ridges,
helping out and just- helping.

The line wakes it.                                        One traffic light.   Three thousand three hundred lakes.

Steals a cell phone. Goes quiet for days in the forest.

Kills a wild pig. Bares a feral hog.

Opens up a can of sour condensed milk and still makes caramels. The open fire. The children gasping and favoring the brave. The score is limitless.



Hours go by.

                                                        ...    ­                                      ...

                      ­                    ...

                                        ­                                            ...

Mites dig into the skins, and the shins of the subtle. The men come back. The palm fronds make excellent roofs. Raised. Reared. Canned food makes abhorrent constipation forest dwelling; syndrome. And excrement. The crowns carry over.

The bejeweled mid-rim equator

                                                               ­                                                 providence.


Ki­ng and queen.
Prince and princess. Knees bend and over and over. Mirthy trammeled lots. Egg white clouds scurry through towns scurrying through. The bastion wall. A romance connecting. Two lovers. The lot. A burrow in the ground. Short-haired hares: run, jump, skip. Life settles. No one comes back. The skin starts to itch. Gratitude is and is not. Worry steps in. The chimes glow through the rorschach tree tops. Fires and combustion. Great oversized bells. Who hears the ringing?

The canopy overcome with splinters, the eyebrows are furnaces that never spit out the light.

Spectacular plight. Unbelievable nights. Feeling fowl in the palms of another                                                        
                                                                        land where weirs and wilds
and roaring waterfalls
                                                decorated with cowards collecting honey
                                                                                                              combs
through hair-strainers, so brave    soo brave, to brave, to hunter-gatherer
African mission-syndrome types in white long coats and sometimes and dangerously called doctors. Do not stop for lines. Do not stop for lions. Or

                        when stuck in the cauldron of the c t a         & cia

do not weave heavily through traffic, railing divorce into the cellular phone of man        . NO ZHE DOES NOT. NO.

No one eats, anymore.
The pleasure is moved.
The happy have landed.
The girl of my dreams is foretelling, foretold. She climbs into a lunchbox and heads to work. She digs her nails into her skirt and chimes for dinner.

All is sentimental and elementary. No one is everyone. There is something human in the air.

Something cumin in the water. I love in French in English. In Germanic.

I'm in the water. Feet stuck in the mud. Hands flailing, I'm naked contemplating making shark moves, one hand flat-out, vertical, putting on a show for ducks and swallows.

The women return. The girls come back. Catastrophe and the merriment of the seven deadly fellows.

I run around Sue
and move back.                         I come to the coast to see what's the matter. It's blue. A cinder blanketed snow home. An igloo. An ice tale of curiosity, of  

                two cities, twisted cities. Mad dragons and weirder wizards that rear silver and portage the weirs of Elk Grove, thru the elk homes
humming bizarre cantatas, making Raspberry jellish and relishing

inthelast
lightsofthemorning

of an

interruption. The wanton exercise. The carnivorous machismo.
We work out with our quirks out and lead with the flaws. A tailored finite saw. A ringing through the air. Who can hear the ringing?                

Makes the men to swine, to mew muses. And get choosy on cabooses while

saving Moose.

                                                  maybe like Salvatore Dali would have done

He would halve none of it and brim over with it all.
Make cape flight from coastal waters. Riding the thermal winds of

North Africa, Tomato, and Japan;                              

BEARDEDfrogOFprinceGENEALOGYneededTOO     ...  ...  ... ....  .. . . ... ..

To sew buttons. To bring the water from the well. The shrimp from the levy. We all go to war on Sundays. We hate on Tuesdays,





but the women never come with the water.


                         [now you're supposed to ask if they keep it for themselves]

sad-leis         'end nose.'

I can't but we can. You don't and I hate you for it.

I smell you on socks

                                                          ­                          .On pillowcases and bullet casings. I'm hot and hard to handle. I lay down in front of forklifts trying to bulldoze shopping malls. I am too and too sentimental. I have a 25¢ ring from a vending machine. I love it. I love you. I go to the bottom room. Blue carpet. **** carpet. Tilted blinds. I find the moors and the heaven. I put my books and a sweater in a sack and I start moving. No ones ever seen me move like this. It's like I had revolution for breakfast. I sip a small glass of orange juice. Orange colored juice. I'm off like a stereo and walking through and through up into a story. I'm making life easy with my purple crayon. I draw a canyon and a boat too. The boat can't float so I draw myself an ocean, a coastline. I call out for my friends and no one is there, so I draw friends. I draw the seashore, the plateau. I make other ships. I shift in my seat, it's uncomfortable so I make it leather. I write a letter but it flies away with a pigeon. I'm stuck on a peninsula, crying. On the front step of a friend's tenement and I'm sobbing. I'm waiting for the waif and she's not coming. I think her over with coffee all alone in a diner, and eventually I have to leave. I trail like an autumn sun, splashing bits of earth with my tepid light. I plash in the sea and still I'm very alone. I run my fingers through my hair and find a find a crown to make myself king. I'm heir to my own home, but it's not good enough. It never was. I grow curiouser and curiouser. I don't know what to do, I'm without. I'm without use. Eight months on top of six years, on top of the second floor of a third floor building, it's hot, and I'm locked out, I'm fighting off weakness and indecision. I'm starving and I haven't eaten in days. I'm confused and the ******* seems the rite. I've got no one to call and I start swimming. I start swimming in circles. I get verbal. I start crawling and drawling and soon I'm weeping in a brutal drawl. And I can't hear you. And all I have is the coastline and the ocean, a plateau,

a yacht club full of empty vessels. A flotilla of friends but there's


eh                                                            ­                        eve             nobody home.

And I see you. I meet you. I mean to meet you. But I can't. I can't move or be moved. I can't speak or be made to speak. I am gripped by your love and yet wrapped in fear. In the rapture of fear. Its rancor grips me. So I stand up. I'm halved and naked and half naked. In the sea. And I see you.

And I seem you, to me. I seam you to me.

— The End —