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Left Foot Poet Apr 2020
months do not diminish my
curiosity

you ask brave questions
and are answered in
works harvested
from
my fields

ah!

you went away to fall in love!

no?

illness?

a course correction?

I’m a-live in New York City,
where almost 800 persons die each day.

my perspectives have altered.

what are your questions now?
Left Foot Poet Oct 2017
the sighs in our chest that emanate from a different kind of
breast cancer*

wrote these words prior,
then, certainly uncertain of the exactitude of their meaning,
clearly unclear of their useable intention,
yet the too real wrathful sensations
that inspired their caesarian creation,
the sigh's very own exhalations,
floatations devices for the interned-no-longer emotions,
escapees via the crevasses of chest ribs splitting open,
return to glory thanking me for freedom given

let posterior eloquence suffice, let brevity guide
my self's interior diagramming,
lengthy explications and deep analytics, I leave to you,
the astonished medical examiner and the horrified mortician

chest ripped, my hand reinserted, the blighted scourges,
the abscessed cancers, the obsessive relentless cankers,
asking shamelessly why have I returned to the crime scene

the sighs are air-borne, ready for air plucking,
all cloud seeded, deeded for poets to seize and commence,
to plant and invent, a mountain top trickle to a mighty
river of poems to be recovered and discovered,
unrehearsed and unleashed

but you and I have unwished, unfinished business,
as of yet unwritten, one last poem to honor our
mutually assured destruction,
for this day will be
rewritten differently
this one, a simple script, a written pyramid,
built by an Israelite, who by command, perforce
mustn't but does write prophecies
that may or may not come to being,
poem pyramids,
surely none will not survive Darius's desert sandstorms
ravaging kisses of time's forgetting
10:02am


https://hellopoetry.com/poem/2141695/my-day-will-be-different-today/
Left Foot Poet Jun 2015
at a turbulent vortices of chance,
a backyard funeral,
shoebox burial
following immediately thereafter

last copies of a body
of work,
so very human
some really bad,
most highly
average
amidst the occasional
how-did-that-one-get-overlooked,
all human, all, time yellowed

some on paper napkins scribbled,
some as typos fired by a Remington,
some lasered, some inkjet sprayed,
all stored on papyrus memory cells,

but all
born,
all common ancestoried
in the dust of
turbulent vortices of chance,
all to the dust of loam and sand,
returned,
returned to sender

my shoebox of poems,
will soon to disappear,
following on and hard by
their author,
who like any poem possessed,
mad, insane, life cycle victims
defying,
nay denying,
the notion of
sustainability
(the title was taken from a recent review of the 2016 Mazda MX-5)
Left Foot Poet Jul 2018
this man of constant tomorrows,
hopeful Mondays, bad Fridays,
a man of constant sorrows,
pictures and poems from a life
celebrating constant recalibration,

never allowed to forget that the
years of lucky will run out,
like the string you saved from packages were delivered,
when come the years with
no luck and no more packages arriving
Sabbath 7:31am Jan 11, 2025
<•>
For later, forecast proclaims:

snow showers for much of the day,
but in our temperate clime, rarely
do we get inches or feats of accumulation,
but it will be chill enough to turn my
heavy duty “Icer” navy coat to its
whiteout version, where the flakes
individually attach themselves to
to fat fabric for self-preservation,
displaying their distinct DNA patterns of intricate crystallization artwork on a
gallery of me…

assuredly, some will attach to eyelashes
and extruded tongue, perhaps inhaled,
in nostril and open mouth, as I employ
all my senses to retain, retrain, my brain,
to walk alongside a saltwater estuary that
welcomes every flake as a long lost son and
daughter, who has returned from its prodigal global journey around the world, to melt back into a mother’s currents embrace, returning
home to my patch of briefly occupied spatial, white palatial existence

I anticipate the taste of snow to be a
multi~flavored cone, souvenirs, accrued
while globe trotting, with hints ofAsian
spices, on a riverbed of Italian red
peppery tomato sauce, the crusty
spicy fabric of the fried chickpeas of the Middle East, the cilantro stinging of Latin continents,and pretend that my nature
wetted cheeks  are so because I cry & walk alone, sadness flavored, wishing I could partake of this snowy journey repast, with you by my side, for how much better would this global travelled whirlpool repast  of white ice and scented airs, tastes if it could be joyfully shared

but I am by myself,
sensibly refused companionship
by others, and my
voyaged meditation now,
well ended,
well recall,
Whitman’s Song of Myself (1) conclusion:
                          
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self


join me?
(1).  https://www.poetryfoundation.org/poems/45477/song-of-myself-1892-version
For Thyreez,
because she aspires


<>
most of us, no,
almost all of us,
collectors, of those little things,
real, substantive,
kept in that drawer,
reminders of collected moments,
of places people, successes, tragedies,
lumped together because,
just because
they constitute the pinpricks,
the meddles, safety pins, needles
of our lives, some treasures,
and a few collectibles of
black trimmed saddies

I have such a drawer,
admixture of single cufflinks, spare buttons,
Aaa batteries that might still work,
expired credit cards, charging cords for
devices long ago discarded,
a whole class of items I call
you never know when

some slides, pics from prehistoric times
when we never dreamed of magic phones
as life’s mini storage units

even I had
a lipstick kiss napkin,
just in case, when was required a
need a brevity taste of
a sad time-in-‘n-out
and back again
to feel human

but the mission critical
little things
do not fit in a drawer,
for they are the action’s & visions
we seize and keep in shadowy unseen
but inserted
grey cells

the taste, aroma, of that first cup of coffee
made by whoever was up first,
brought and placed on the nightstand
with a nudge, that failing, a very wet
kiss and a foot-beneath-blanket-squeeze,

the feel~touch of a particular locket,
the never-to be-removed-ever,
till it was
placed perhaps in someone else’s
drawer, shoebox, attic, or lost
in a ‘can’t be foundering place’

we probably have all three;
the drawer, the memory triggers,
the lost items that cannot be
lost, or forgot nor found

and I think and add all these,
I realize that this script
is
one such of the places,
where we put things,
we might need someday,
or maybe never but,

you never know when!
Left Foot Poet Aug 2014
Tragedy morphs into insanity for the living,
the living grow jealous of the
dead and dying,
envying their release,
softly, the confusion grows,
until crescendo
dreams screams merge
and confusion
is king
and
no answers
are the inky stained insoluble
residue
Left Foot Poet Jun 2020
_____


another mourning morning, usual signs of warning,
wanted to wash away the distress signs of no sleep,
turned on the tap, out came only troubled waters,
my only friend, the voice from the mirror, pretending
to be coming from me, speaking: Oh Lord, Oh Lord!

is there no surcease for me, somewhere, can I find,
little bites, small plates, pieces of peace, the kind
of kindness that eases, repairs the dividers of mind,
the country stone fences that been growing wilder,
when, troubled child of 10, window breaking, beyond
youthful mischievousness, evil streaked, so deemed


Give me a boat, give me a bridge, give me a road, a home,
one of those things poets, songwriters about, wax lyrical,
Oh Lord, give me time, 45 seconds, even two or three,
Being strong, being confident, am I not entitled to that,
a boat, sturdy mast, cause sailing from storm to storm,
just glimpsing dry land, is that too much, a pale beyond?

love, nah, a bridge too far, not even on the menu, not blinded,
I am off key, not well enough, between the peaks between,
I am out of sync, bubbling discombobulated, a **** besided, behind,
lend  me a finger, not even a hand, a kernel, not even a cob,
a string, forget a rope, a washcloth to bathe and dry,

lay me down, lay me down, to live, even just not dying.
When you’re weary, feeling small
When tears are in your eyes, I will dry them all, all
I'm on your side, oh, when times get rough
And friends just can't be found
Like a bridge over troubled water
I will lay me down
Like a bridge over troubled water
I will lay me down
When you're down and out
When you're on the street
When evening falls so hard
I will comfort you
I'll take your part, oh, when darkness comes
And pain is all around
Like a bridge over troubled water
I will lay me down
Like a bridge over troubled water
I will lay me down
Sail on silver girl
Sail on by
Your time has come to shine
All your dreams are on their way
See how they shine
Oh, if you need a friend
I'm sailing right behind
Like a bridge over troubled water
I will ease your mind
Like a bridge over troubled water
I will ease your mind
Source: LyricFind
Songwriters: Paul Simon
Left Foot Poet Apr 2015
nearing midpoint
and looking
twice backwards   -  once ahead

leaning ever so - modestly bent forward
in keeping with a
past and future futile balanced,
sad bent with weight of passé tragedy,
to leaning forward with speaking eagerness
a future anticipated,
dearly beloveds,
trundle to and from thee
~~~~~~~~~~~~~~~~~~
burdened and yet unbundled,
eyes in the head back and front
who is pushing this carriage?

old love stories well recalled,
new love poems unwritten
I roll along, slow trundle
the human condition -
love failures only make you more
needy wanting
to run
faster away and towards
love poems
Left Foot Poet Sep 2017
trust in the shape of a key,
good god how corny is that?

satisfactorily nonsensical, a Pharisee phrase,
so offal illogical,
it borders on the poetically reprehensible

who has time to state this stuff,
pretend it is worthy of something respectful,
work it into a Nobel Prize awarded script,
nominated for "really bad ****?"

an ordinary hardware key, brass gleamy,
and the squealing grinding noise
heard while a blank progenitor is reimagined,
so so annoyingly ludicrous in this century
of plastic replicators but the noise,
comfortably familiar as a sound of
things being made

run thumb test over the cuts,
as if your thumb should know
what order the points and bevels,
the toothy gap spaces should be,
the correct disorderly order of the teeth

there are very few locks on a farm;
indeed the front door key
has not
been seen
in many a year

what's that you ask?
ok ok - I get it - in harvest time
it is early to bed and earlier to rise,
conclude this mystery key,
red winter wheat needs laying down,
stop your word seeds germinating

there may be few locks on a farm,
everything rusts so quickly anyway,

but stop to comprehend just how many locks
the human body employs  -
at least 613,
maybe many more,
and only one master
for them all

a shiny gleamy thing,
strangely,
its cuts and grooves seem to
spell a word
trust

go figure

1:05am in the city
yes, for the Canadian Iranian
i place my head beside her thigh
as if to sleep in her warmth,
I say Twosday,
she says,what?

I repeat, Twosday,

Yes, she say, it is,
pausing to consider
and connect
my dots:

Ha, you’re writing a poem!

“head connected to my thigh bone,
drawing from within me,
the necessary ingredients to
inspire, perspire,-and respire
this agglomeration of the
in and out of your surroundings
contacting pulses”

I think, ah,
she’s got it,
but all I say and
state with definiteness,
by repeating,
and  breathing out

Toosday, Twosday!
Tues 1-14-25
Left Foot Poet Sep 2024
there is no river
without the shores,
two hands guiding

no left poet
unless a right,
to believe in

let magic dragons
all the live long day,
sit upon my shoulder

whispering bad jokes,
always showing off,
with whistling fiery

demonstrations,
still there, old man’s
boon companion

didn’t wake to write
this, but Puff nudged
me awake, his heart

so big it lives, loves,
me still, always will,
for the little poem boy

could not dream, now
that history leaves its
handiwork tell tale signs

upon his carriage,
but look closer,
twinkling eyes, yet scheme

and my dragon licks
me wet face, every Morn,
and I tuck him in every Eve

he is my friend, my better half,
and likes this poem very much,
watched me write every word

dragons purr, laugh out loud,
at their own jokes, makes me
happy, because old men die
happy contented knowing that

dragons will always tell jokes
even when a little boy lover
must go
in every grumpy curmudgeonly old man,
lives f o r e v e r a little boy, I am living
almost dying proof…just tell him an old corny he has
heard 1000’s of times, and watch what happens

stand back for that scaly dragon may just yet
spit firer *****
Left Foot Poet Jun 2015
~~~

Vanilla Extract

under extreme duress,
word-boarding extreme,
she issues up reluctantly a true confess

her secret ingredient
in everything is
vanilla extract

where do you source this
in quantities so ample,
keep it well hid,
for all I see
after cupboard investigatory
solitary tiny brown bottle
shelved alone, forlornly?


wearing a vanilla smile,
that persists for quite the while,
she crinkly eyed laughs

“I extract vanilla
nearly everyday,
for when I awake to a
fresh poem from a poet
who loves me,
I draw all the vanilla out,
then feed it back to him
in the foods I supply,
so his poetry is for ever
sustainable”
Left Foot Poet Jul 2020
what color is hate?

think hard, answer, not easily up-conjured,
obvious choices, careful be, exclude not, some voices,
no rush, think upon it careful, after all, hate hates variations,
it, as old original as the Garden of Eden

you desire answer, something quick, *****,
look to very nature of hate, so easy spewed,
after centuries of construction, yet, there is
nothing quick about hating, tho learnt early on

some variants of millennium length, eons short,
oh weep, at this great irony of ironies, hate is so
innate engrained, is it in the red blood, cells of the
white colored brain apparatus we all share?

unnatural impossibly genetic. don’t believe it.

hate is colorless like air, like clear water.
how else could it be so easy given, taken.
innocent innocuous is the color of hate,
easy transmitted, and never to be a vaccine

until it can be seen how we implant it within ourselves.


11:40pm
Sat Jul 11
Left Foot Poet Feb 2018
what does the W stand for


my 2:00am friend?

left feet touching and yet I am clueless, unsure in what language I should compile the possibilities and

reread my poem and shotgun taken aback

you make my urgency feel so trifling

and I read your are back but you are more gone for,
love’s  misfortune has you, graced,
like a hole in the barbed wire fence,
had bled you dry and let the seeds for
the next planting go astray;
this is comprehended for my fences
are so busted in so many places that
all the animals escaped only to return
at feeding time, their curiosity of the outside world
limited

and W has limited infinite answers

for there are no names that begin with W
for farmers in our native tongues

suspect if you are reading this it must be after 2:00,
indeed it’s 4:07am, and the puzzlement is face flushing,
annoying and curiously intriguing...

and i remain,
“sincerely” yours

L.F. Poet




p.s. thanks for reading my stuff
Left Foot Poet Dec 2015
What I Mean When I Say Chinook Salmon

By Geffrey Davis

My father held the unspoken version of this story
along the bridge of his shoulders: This is how
we face and cast to the river — at angles.
This is how we court uncertainty. Here, he taught
patience before violence — to hold, and then
to strike. My fingers carry the stiff

memory of knots we tied to keep a 40-lb. King
from panicking into the deep current
of the stream. Back home, kneeling
at the edge of the tub with our kills, he showed
the way to fillet a King: slice into the soft
alabaster of the pectoral, study the pink-rose notes

from the Pacific, parse waste and bone from flesh. Then,
half asleep, he’d put us to bed, sometimes with kisses.
https://en.m.wikipedia.org/wiki/Geffrey_Davis
Left Foot Poet Jan 2018
<!>
inspired by a conversation with Maira Kalman


******* a name, adopt a persona, let my fingers do the talking,
place the instrumental sharp point tip upon the blankety blank paper,
maestro baton raised, coordinating,
the first sound, the vocal chords trembling,  
the first thought, the ultrasound image, entrance of a first violin,
coalescing into, into the initializing single primary phonation,
the stinging geometry of chance at last,
throwing  down the gauntlet, glove slapping, and the
tendons tense, the mouth opens, release and indentation,
a letter's curvature, a black and white downward stroking,
a sign is televised, revealed and released

a one way only sign

time bends knee, gravity suspended, terror morphs to
expelling rapid firefights of imagery needy for spacing,
even pauses mid-word  leave just this:

where is the in in
intimate?

are you the in in
inmate,
or the jailor at the gate?

you swear never again

until committing once more,

a sentence commutation, by committing a first sentence,

and the greater toll taken and paid for,

and the in in in-nate,
questions your sanity

happily


<•>

9/17/17 10:55pm
Left Foot Poet Jun 2023
where do a good man’s dreams go?

they leech, from brain to fingertips,
they fall & rise slow to the toes, no,
not gravity, but the weightlessness
of good dreams, up and down,
lets them invade our extremities,
so the migration is a transformation,
from dream to possible, from ephemeral,
to hardened becoming, to a realized


dream retold, nay, foretold,
in deed,
indeed,  
always, better!
6/21/23
Left Foot Poet Jul 2024
~A grimy, grimace of a grungy summer day~

Good Morning!


let the un-fun sting,
as the ardor never begins,
forecast a grimy grimace of a lousy
day ahead, at best, a clouded mess,
just to differentiate between bereaved
periods of rain, that train you in windows~
avoidance, for a grunge gloomy invades
all six senses (including the brain)
where all are concatenated),
and you can actually feel
the pallor descending
from brow to the bow
of your container,
feet swelling,

and you
in addition
to avoiding windows,
put some towels out over
all the mirrors, lest your pallor,
ah,

too late,
the grim grimace of grunted day
arrived even before the poem
was conceived, I deceived,
once more, the bore drill
drives a tubular of
despondency into
my spinal seam

Whether Weather Wither Whine Wailing
*****-Nilly  Wade  Why Why Writer

Why, Writer?
yeah, good morning…
Left Foot Poet Oct 2024
the wonderful breeze that inhabits this
Indian summer day, that is at that exact
momentous
grazing & glancing upon our ****** cheeks, reveling in this unseasonable walking
warm day, is probably, (ha!)
very likely,
writing a poem on my suddenly
silent tongue,
at that exact second
so,
am forced to stop and kiss her fingers,
i n d i v i d u a l l y,
whispering “you know me to well!”

and herein
is the proof positive of the
power
of outrageous good fortune
>telling<

of:
woman’s intuition
Left Foot Poet Feb 2015
one foot in every world
one foot in every word

prophetess of yore,
foreseeing farseeing,
recoding recording
mundane supermarket voyages,
become paradoxical
holy lover spats

for all of us
become her
become her poems,
travelogues, snippets
of marvel at the DNA
each thinking
wanting to think
tween us and no other

she does not know me
but she has felt my
foolishness here

connecting like no other
in a long time,
have listened to each record
in the Queen-bee's collection,
she unknowing, mine,
her favor returned

verbal scientist
she uncovered discovered
a small gate on the edge
of the map of her brain,
that led here her her here where
t her e

am amazed
she sees me

like no other
voyageur ******

but I cannot
Write like Deborah
no but I can
Write of Deborah
Left Foot Poet Apr 2019
this is a depth bomb cutting,
a midnight message for me,
a Zola accusatory,
“You make me think about death and doorways and sleep”

no mere paper cut incision,
bandaid and triple bacterial,
a forehead kiss
and an-on-your-way

nope serious business

death and doorways and sleep
and all that is in between,
nightly rehanging the me-moon,
on that curved tip

the onerous tasks of child raising,
you, the perp, the perpetual kid,
the holy version victim trinitized
too?

hanging your self right on that shining orbital,
leads to unquestionable answer processions
ahead of the unanswerable, they ask,
what’s behind the screen door of

death and doorways and sleep


life is hard,
but without questions,
it is unquestionably
harder

find the doorways.

this explains so little
and so more much.

reminder: make doorways - open them

11:10pm 4-10-19 ~ 10:31am 4-16-19

~for AH~

— The End —