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"sundown" poems
The distant hollow of the high mountain pass swallows the setting sun as it steals away southbound behind the coastal mountain's tangerine sunset hued silhouettes Mulberry plashed shadows pointing northward across the evergreens outstretched dimming, beneath the waning fade of each fleeting eventide Sundown ebbing asunder the wafting daylight, each gloaming of the day, helplessly a moment sooner past, transfixed further south beyond yesterday's passing azure The lazy days of summer escape unbounded, nomadic as the sea I've seen sail away before; evanescent as the beauty of the bloom summer days beheld and the memory of the fragrance they exhale The nebulous weight of the gravity is consciously denied by the truths a human heart beholds A moment’s epiphany afflicts like a rogue wave in a calm sea; the only thing my heart ever wanted remains out of reach Everything my heart needs consciously surrendering to the poignant passing moment's beauty, the falling sun at distance sets more suddenly now Lost in the undeniable certainty life's imminent season's change Eyes drawn stubbornly from presence to a sky so far away, knowing there'll be no restitution for the welling sense of loss... A bitter sweet song mummers in the silence of the absorbing spell, summer's sun stained pages of watermarked soul scribbles, time tattooed reparation for the indelible ache of a harsh grey winter loneliness Perhaps too familiar, this whelming Déjà vu that tears my soul;     that tugs at these roots but cannot sever their sacred grasp But for now, eyes fixed to the sun's inevitable tightening tether hence — to wear weary each fraying thread's  impending break Each sunset leans a deeper angle southward as it slips down through the firwood shadows; illuminating other faraway latitudes far beyond the distant horizon skies The preordained continuum unfolding what will be ... someone you used to know ... September 11, 2017 ... 7:30 PM
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Sep 14, 2017
Sep 14, 2017 at 11:41 AM UTC
Each Sunset Leans Farther Southward
The distant hollow of the high mountain pass swallows the setting sun as it steals away southbound behind the coastal mountain's tangerine sunset hued silhouettes Mulberry plashed shadows pointing northward across the evergreens outstretched dimming, beneath the waning fade of each fleeting eventide Sundown ebbing asunder the wafting daylight, each gloaming of the day, helplessly a moment sooner past, transfixed further south beyond yesterday's passing azure The lazy days of summer escape unbounded, nomadic as the sea I've seen sail away before; evanescent as the beauty of the bloom summer days beheld and the memory of the fragrance they exhale The nebulous weight of the gravity is consciously denied by the truths a human heart beholds A moment’s epiphany afflicts like a rogue wave in a calm sea; the only thing my heart ever wanted remains out of reach Everything my heart needs consciously surrendering to the poignant passing moment's beauty, the falling sun at distance sets more suddenly now Lost in the undeniable certainty life's imminent season's change Eyes drawn stubbornly from presence to a sky so far away, knowing there'll be no restitution for the welling sense of loss... A bitter sweet song mummers in the silence of the absorbing spell, summer's sun stained pages of watermarked soul scribbles, time tattooed reparation for the indelible ache of a harsh grey winter loneliness Perhaps too familiar, this whelming Déjà vu that tears my soul;     that tugs at these roots but cannot sever their sacred grasp But for now, eyes fixed to the sun's inevitable tightening tether hence — to wear weary each fraying thread's  impending break Each sunset leans a deeper angle southward as it slips down through the firwood shadows; illuminating other faraway latitudes far beyond the distant horizon skies The preordained continuum unfolding what will be ... someone you used to know ... September 11, 2017 ... 7:30 PM
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40
At sundown the world becomes a silhouette. The horizon line of a busy city, Mountain tops that go on for miles, Animals that roam free in the desert, Plants and trees that grow every day. At sundown the world becomes a silhouette. A simple outline, A dark shadow, No detail, Just silent figures, shaded by the sun.
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Mar 23, 2014
Mar 23, 2014 at 8:45 AM UTC
Silhouette
Don’t go, hold onto your colour bowl, never lose your paintbrush, not even at the twilight. Someone's smiling on earth. It can’t hide forever. Maybe hidden but not far— could be only behind a lock of hair. Black is not only black. Look beyond, it could be all fair. Gently raised and softly lit on the moonlight’s field These forever-calm shady groves, piled up on the night's pitch-black scene, are ahead of the curve in silent reading. Behind these out of the box line-ups by the middle, the stage composed for the thrillers that rock and roll An incense is still burning the sundown burns down into ashes, is still breathing, smelling the scent. Yesterday will revive and comes tomorrow keep an eye for a moment or two. Follow the glow, gazing in the night and slip into the grove for they are in the know is a veiled beauty, earth’s silhouette, drawn down to the moon! All the starry fireflies on the stardom love to drop down and join the moths Around this tucked away silhouette, charming beauty down the moon. Only on the earthen ground it grooms!
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May 22, 2017
May 22, 2017 at 6:06 PM UTC
Earth’s Silhouette
Hand me a cigarette And tell me another Beautiful lie before The sundown
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Aug 5, 2025
Aug 5, 2025 at 11:42 AM UTC
Cigarette
A late lark twitters from the quiet skies; And from the west, Where the sun, his day's work ended, Lingers as in content, There falls on the old, grey city An influence luminous and serene, A shining peace. The smoke ascends In a rosy-and-golden haze. The spires Shine, and are changed. In the valley Shadows rise. The lark sings on. The sun, Closing his benediction, Sinks, and the darkening air Thrills with a sense of the triumphing night-- Night with her train of stars And her great gift of sleep. So be my passing! My task accomplished and the long day done, My wages taken, and in my heart Some late lark singing, Let me be gathered to the quiet west, The sundown splendid and serene, Death.
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10.1k
I. M.--Margaritae Sorori
*She is on the street in her little kiosk , at the break of the dawn , When many are still on a lucid dream. Selling the most delicious of grapes Sourced straight from the vineyards Assembling  the previous  day's discards all in a tray Discards For humans it maybe , But for her birds its a treat to relish . Swooping down  for it ,day after day.. Mostly bought by the morning walkers , Many in numbers are they old patrons , as they say. Every day she sells her wares Holding the loveliest of smile That I have seen in years, All Knowing , the pain that she hides behind . Never misses a day nor business, And back home she is before sundown. Only to return the following day, With a new stock ,at the break of the dawn.*
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Jun 11, 2017
Jun 11, 2017 at 1:45 AM UTC
The Woman who sold Grapes
For 21 days I saw changes wrought by the freedom of 22 years Secrets of razor wire straight and taut Speak of those who continue to fear I saw nature’s beauty in land and face As black heel continues to rise Via school, ambition they prep for the race Even as secretly despised What’s changed in Soweto? I did not live But photos and newsreels survive Pictures of shanties bulldozed to give Whites room to extend their hives Now malls; monuments to white retail Built on Mandiba’s words Polished chrome and marble hail “Happy” workers in a black-faced world Monuments ringed with vendors tribal Carved goods for sale and cheap The rands they make do not rival What multi-nationals’ continue to reap Happiness is shallow until sundown When the curtain of decorum lifts Showing reality’s new shanty-town Where space and plumbing are gifts I wonder if He would be okay Seeing his people so used As pawns for labor with little say As black is seldom excused The young know the time is now As old hatred’s in shallow graves To be unearthed by book and plow Keeping dreams from stunting and fade
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Oct 12, 2016
Oct 12, 2016 at 8:48 AM UTC
SOUTH AFRICA - POST APARTHEID
354 From Cocoon forth a Butterfly As Lady from her Door Emerged—a Summer Afternoon— Repairing Everywhere— Without Design—that I could trace Except to stray abroad On Miscellaneous Enterprise The Clovers—understood— Her pretty Parasol be seen Contracting in a Field Where Men made Hay— Then struggling hard With an opposing Cloud— Where Parties—Phantom as Herself— To Nowhere—seemed to go In purposeless Circumference— As ’twere a Tropic Show— And notwithstanding Bee—that worked— And Flower—that zealous blew— This Audience of Idleness Disdained them, from the Sky— Till Sundown crept—a steady Tide— And Men that made the Hay— And Afternoon—and Butterfly— Extinguished—in the Sea—
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5.1k
From Cocoon forth a Butterfly
Bursting cherries remind me of the vibrancy of your curious lips Juicy peaches drippin' down your chin; a memory from years before. Sour lemons perking you up, for the hungry kiss. Oranges glisten as they mimic sundown in the city. Sunsets gleam orange and yellow, illuminating crowds of individuals, morphing everyone into no-one. Alone, you peak through; standing with intention and innocence among the shadows and empty bodies, admiring Mother Nature's harvest. You stand there looking as sweet as a fig; as wild and ripe as a strawberry, just waiting to get eaten. Just waiting for me to place my lips so delicately around the curve of your ripened body.
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Sep 2, 2018
Sep 2, 2018 at 9:48 PM UTC
Saturday Market
scaled your apartment in one of my favorite dresses right before sundown watched the wind billow the blue silk up my thighs, parachute like as i looked down, several stories above your neighbors (wonder if anyone looked up) swallowed my human fear, counted the rungs had opened our forties prematurely in your apartment sure didn't make climbing any easier that big map stretched out yawning across the bricks in your living room spotted the city you were headed for blame it on uninformed geography but didn't realize you'd be completely across the country (didn't tell you but your cat kissed my nose from the bathroom counter while i was peeing and i thought it was one of the most endearing things that probably ever happened to me) got to your roof outta breath all adrenaline and eyes took off that big leather jacket lined with fleece, wrapped it around our backs and sat facing the city you'd be leaving and i'd be entertaining watched the traffic crawl on the BQE the sunset bored, you spilled your beer- kept rolling in it innocently- ****** laughing, god i just wanted to keep touching you couldn't decide what to eat both didn't wanna impose neither of us could remember the name of that tree littering pink slippery offspring in spring for you and me to exclaim fondness over you were the birth of a simplicity it was so terribly easy to be happy
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May 11, 2013
May 11, 2013 at 11:31 PM UTC
dogwood or magnolia
My heartbeat sending up an erratic hymnal to the hand tightening around my neck: The same hand that grabbed my thigh under the table. Only God saw. The mouth that asked forgiveness on Sundays is on my collarbones in the park after sundown. It still gives me a stomach ache to think about you. Your fingers wrapped carefully around my throat wasn't the reason I couldn't breathe. I miss it already even though in the moment I wished I was anywhere else; my world was closing in again and I felt trapped. It happened on the same bench where I sat alone in grade school and wrote haikus about birds and waterfalls. Something must be wrong with me for thinking you were a blessing that I deserved.
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Jul 21, 2016
Jul 21, 2016 at 9:25 PM UTC
Prayer to the Cardinals
I hear America singing, the varied carols I hear; Those of mechanics—each one singing his, as it should be, blithe and strong; The carpenter singing his, as he measures his plank or beam, The mason singing his, as he makes ready for work, or leaves off work; The boatman singing what belongs to him in his boat—the deckhand singing on the steamboat deck; The shoemaker singing as he sits on his bench—the hatter singing as he stands; The wood-cutter’s song—the ploughboy’s, on his way in the morning, or at the noon intermission, or at sundown; The delicious singing of the mother—or of the young wife at work— or of the girl sewing or washing—Each singing what belongs to her, and to none else; The day what belongs to the day—At night, the party of young fellows, robust, friendly, Singing, with open mouths, their strong melodious songs.
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4.6k
I Hear America Singing
Orange peel Thursdays and the Velcro shoes Of children hordes Who spider up Alice on toadstools in Central Park Dusted psilocybin shoots my eyes through With the clarity of ice and sliced mushroom Steeping in stomach acid before finding blood The kids are tripping like madmen or halloween candy Like its time to release and give up to the nonsense And let your young self congeal to a saccharine sludge I don’t stroll in the park to keep my mind sharp I’m here because it’s a riot My head can throb to the jittery birds And the blasts of carsong It’s the right kind of rhythm to walk to ** ** ** Ketamine days and the lolling slums To make sure the insane stay insane And the hobos are washed with spit from the clouds And the subway exhaust always hangs in our hair And the old Coney Island burns again and twice more We don’t pretend to understand what we see In subway grates thirty feet wide Like the earth punching out of work for a bit Opening to you her *** belly So you can check out the strips of metal inside Before she slurps you down and with an esophageal squeeze Shoots you through the turnstiles The train squeals and grinds down our eyes With thoughts as slow as ketamine Makes room for schizophrenia in a conversation We’re listening to ‘til sundown ** ** ** Years full of Brooklyn and the assorted pills Makes offal fit for punks in name brand shoes Squared off with police in the park Being beaten for the fun of being beaten Peacoat locals pass the days in supermarkets And you grow up to the loony mumble Of the woman who knows the boat Moored at the end of the street Mansion of the stray cat colony You help her with her daily chore to feed them Tabbies popping the pills of the homeless And puking in tandem all over their house Living off generous dying folk
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Feb 11, 2010
Feb 11, 2010 at 4:02 PM UTC
Ketamine Days and the Lolling Slums
Orange peel Thursdays and the Velcro shoes Of children hordes Who spider up Alice on toadstools in Central Park Dusted psilocybin shoots my eyes through With the clarity of ice and sliced mushroom Steeping in stomach acid before finding blood The kids are tripping like madmen or halloween candy Like its time to release and give up to the nonsense And let your young self congeal to a saccharine sludge I don’t stroll in the park to keep my mind sharp I’m here because it’s a riot My head can throb to the jittery birds And the blasts of carsong It’s the right kind of rhythm to walk to ** ** ** Ketamine days and the lolling slums To make sure the insane stay insane And the hobos are washed with spit from the clouds And the subway exhaust always hangs in our hair And the old Coney Island burns again and twice more We don’t pretend to understand what we see In subway grates thirty feet wide Like the earth punching out of work for a bit Opening to you her *** belly So you can check out the strips of metal inside Before she slurps you down and with an esophageal squeeze Shoots you through the turnstiles The train squeals and grinds down our eyes With thoughts as slow as ketamine Makes room for schizophrenia in a conversation We’re listening to ‘til sundown ** ** ** Years full of Brooklyn and the assorted pills Makes offal fit for punks in name brand shoes Squared off with police in the park Being beaten for the fun of being beaten Peacoat locals pass the days in supermarkets And you grow up to the loony mumble Of the woman who knows the boat Moored at the end of the street Mansion of the stray cat colony You help her with her daily chore to feed them Tabbies popping the pills of the homeless And puking in tandem all over their house Living off generous dying folk
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45
The redneck got arrested last night. The ******* was barking back at dogs and belting shots of scotch well-before sundown. You could say he and the sun were collectively sinking. Nights like these breed pregnant silences between the outbursts. I sit poised for the next eruption as a child cloistered under covers for fear of thunderclaps-- Another howl, (presumably bellowing for beer) then he's batting his live-in lap-straddler around the apartment beneath me. With every strike the drywall learns a lesson this ignorant ***** can't get a grip on: some things never change. The world will change around them like tissue growing around a bullet fragment. The cops come, the cuffs go on, and the problem is put on pause for an evening-- but he'll ascend the stairs with the sunrise. They'll reconcile,             because misery does want for company. He'll promise he'll be different. She'll actually believe him. They'll be back to battering their plaster with the reverberations of ******* and arguments. She can't see that a drunkard's apologies         are counterfeit currency. I took it for common knowledge. Perhaps it is... Perhaps, like living in tornado alley, they cope with ceaseless shit-storms because they're just too lazy to move.
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Sep 20, 2012
Sep 20, 2012 at 12:36 AM UTC
No Place Like Home
Prosecco cocktails, être pour la danse, cassis pour moi avec limoncello, madame, passion fruit, and blood oranges très grownup, breakfast at Tiffany's, she is all sunglasses and Audreyfied, me and George P., struggling writers, checking if i got enough cash or have to exit smooth, just in case, maybe we leave our coats behind, as ransom? lincoln center plaza cross-dressers, past the opera, the sun, a balmy thirty five degrees, laughing at us teasingly, cause tonight and tomorrow, *********** all the day, winter kisses in case we forgot, early March first belongs to the Ides of Winter Afternoon of a Faun, another ballet, origin, a Mallarmé poem. (you begin to comprehend) yes quite so, a perfect synopsis of the day, Acheron imported from Scarlett Liam who lives in the U.K., but comes to choreograph here, for gloria Americana sundown, soul cold back, "lest we forget," but the dancers bid us adieu with a rousing waltz, frenchified, La Valse, une poème chorégraphique, by Ravel, bien sûr! aroused and heart gladdened, return home for for veal chop love two hours of *** banging, kitchen banishment, (Yay!) chanterelles steeped in red wine, coverlet for a non-vegan tasting, English peas, red and purple potatoes, and for desert, a diet dream of verbal exchanged of detailed I love you's He: I love you, She (happy), replies: I love you more. (this repartee ballet, has been rehearsal danced before) He: Why? She: Because you are kind and generous, to street beggars, my single friends, good and smart, love art, and never let me down, and love my cooking, leave space for others when you park, go thru life making waiters and ticket takers smile and laugh, sleep for hours your head on my hip, write me crazy love poems about veal chops He: What's for desert tonight? She: A ****
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Apr 29, 2014
Apr 29, 2014 at 8:41 PM UTC
a love poem ~ veal chops and the ballet
Prosecco cocktails, être pour la danse, cassis pour moi avec limoncello, madame, passion fruit, and blood oranges très grownup, breakfast at Tiffany's, she is all sunglasses and Audreyfied, me and George P., struggling writers, checking if i got enough cash or have to exit smooth, just in case, maybe we leave our coats behind, as ransom? lincoln center plaza cross-dressers, past the opera, the sun, a balmy thirty five degrees, laughing at us teasingly, cause tonight and tomorrow, *********** all the day, winter kisses in case we forgot, early March first belongs to the Ides of Winter Afternoon of a Faun, another ballet, origin, a Mallarmé poem. (you begin to comprehend) yes quite so, a perfect synopsis of the day, Acheron imported from Scarlett Liam who lives in the U.K., but comes to choreograph here, for gloria Americana sundown, soul cold back, "lest we forget," but the dancers bid us adieu with a rousing waltz, frenchified, La Valse, une poème chorégraphique, by Ravel, bien sûr! aroused and heart gladdened, return home for for veal chop love two hours of *** banging, kitchen banishment, (Yay!) chanterelles steeped in red wine, coverlet for a non-vegan tasting, English peas, red and purple potatoes, and for desert, a diet dream of verbal exchanged of detailed I love you's He: I love you, She (happy), replies: I love you more. (this repartee ballet, has been rehearsal danced before) He: Why? She: Because you are kind and generous, to street beggars, my single friends, good and smart, love art, and never let me down, and love my cooking, leave space for others when you park, go thru life making waiters and ticket takers smile and laugh, sleep for hours your head on my hip, write me crazy love poems about veal chops He: What's for desert tonight? She: A ****
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55
I was asking for something specific and perfect for my city, Whereupon, lo! upsprang the aboriginal name! Now I see what there is in a name, a word, liquid, sane, unruly, musical, self-sufficient; I see that the word of my city is that word up there, Because I see that word nested in nests of water-bays, superb, with tall and wonderful spires, Rich, hemm’d thick all around with sailships and steamships—an island sixteen miles long, solid-founded, Numberless crowded streets—high growths of iron, slender, strong, light, splendidly uprising toward clear skies; Tide swift and ample, well-loved by me, toward sundown, The flowing sea-currents, the little islands, larger adjoining islands, the heights, the villas, The countless masts, the white shore-steamers, the lighters, the ferry-boats, the black sea-steamers well-model’d; The down-town streets, the jobbers’ houses of business—the houses of business of the ship-merchants, and money-brokers—the river-streets; Immigrants arriving, fifteen or twenty thousand in a week; The carts hauling goods—the manly race of drivers of horses—the brown-faced sailors; The summer air, the bright sun shining, and the sailing clouds aloft; The winter snows, the sleigh-bells—the broken ice in the river, passing along, up or down, with the flood tide or ebb-tide; The mechanics of the city, the masters, well-form’d, beautiful-faced, looking you straight in the eyes; Trottoirs throng’d—vehicles—Broadway—the women—the shops and shows, The parades, processions, bugles playing, flags flying, drums beating; A million people—manners free and superb—open voices—hospitality—the most courageous and friendly young men; The free city! no slaves! no owners of slaves! The beautiful city, the city of hurried and sparkling waters! the city of spires and masts! The city nested in bays! my city! The city of such women, I am mad to be with them! I will return after death to be with them! The city of such young men, I swear I cannot live happy, without I often go talk, walk, eat, drink, sleep, with them!
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4.2k
Mannahatta
I was asking for something specific and perfect for my city, Whereupon, lo! upsprang the aboriginal name! Now I see what there is in a name, a word, liquid, sane, unruly, musical, self-sufficient; I see that the word of my city is that word up there, Because I see that word nested in nests of water-bays, superb, with tall and wonderful spires, Rich, hemm’d thick all around with sailships and steamships—an island sixteen miles long, solid-founded, Numberless crowded streets—high growths of iron, slender, strong, light, splendidly uprising toward clear skies; Tide swift and ample, well-loved by me, toward sundown, The flowing sea-currents, the little islands, larger adjoining islands, the heights, the villas, The countless masts, the white shore-steamers, the lighters, the ferry-boats, the black sea-steamers well-model’d; The down-town streets, the jobbers’ houses of business—the houses of business of the ship-merchants, and money-brokers—the river-streets; Immigrants arriving, fifteen or twenty thousand in a week; The carts hauling goods—the manly race of drivers of horses—the brown-faced sailors; The summer air, the bright sun shining, and the sailing clouds aloft; The winter snows, the sleigh-bells—the broken ice in the river, passing along, up or down, with the flood tide or ebb-tide; The mechanics of the city, the masters, well-form’d, beautiful-faced, looking you straight in the eyes; Trottoirs throng’d—vehicles—Broadway—the women—the shops and shows, The parades, processions, bugles playing, flags flying, drums beating; A million people—manners free and superb—open voices—hospitality—the most courageous and friendly young men; The free city! no slaves! no owners of slaves! The beautiful city, the city of hurried and sparkling waters! the city of spires and masts! The city nested in bays! my city! The city of such women, I am mad to be with them! I will return after death to be with them! The city of such young men, I swear I cannot live happy, without I often go talk, walk, eat, drink, sleep, with them!
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24
Lush mango groves where  the musky scent of mango blooms once wafted making the bulbuls sing in ecstasy from morning till sundown                   are reborn as gated communities,                   where grim seriousness parade.                       In sun drenched vineyards,                       shadows of dreams,                       wanting to dress up as IT parks, spread.                       Bangalore barters its  medley of colors and smells                       for prosperity in terms of greenbacks,                       as people learn to be 'smart' players,                                        and more and more get 'Bangalored'*                                        from around the world. Corn fields that danced to the tunes of  the songs of  toiling farmers go missing within days. To match with the new mood, nature, in this green paradise, till not so long ago shamelessly wears the  unnatural with style.
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Mar 4, 2013
Mar 4, 2013 at 10:09 AM UTC
Getting Bangalored while Bangalore bleeds dry
It’s so easy to feel so small I’m on a bus, the last one that runs on a Wednesday night, Sketching a tired face Bags under the eyes, made of black ink I’m eavesdropping on a conversation, (Does it count as eavesdropping when There are only two people speaking in an otherwise Silent bus?) My heart’s been having an existential crisis, And my stomach and chest Empty Yet heavy Someone’s hands are holding my insides And squeezing them in a fist It is exhausting It is lonely In my right ear is this beautiful song Violin and cello and A raw passion that reminds me That it’s okay To be human, and to be scared shitless I’m still listening, partly But not really It’s late I want to sleep Busses are full of zombies- Phone, earphone, unsmiling zombies And despite the Tired sketch on my lap I’m one, too The conversation slows I smile I turn and I recognize the face in front of me I’m told that this person, vaguely familiar face, whose conversation I’ve been eavesdropping on remembers one of my poems About stars And the line is on his wall A line from a poem that I wrote About stars Is on someone’s wall Even better than when Chad Oliver told me I was Quite attractive junior year of high school, And I remember writing that poem And I feel a little less useless I want to cry My body hasn’t known what to do with itself lately You see I exhausted myself in love And now that it’s gone I feel useless My heart pulls towards mediocre sketches First sips of coffee in the morning, Listening to the violin It doesn’t know what else to feel for It’s been left in this dark room Grasping for a table, **** even a stepstool, Heartbreak is exhausting Because it’s not just the heart And it doesn’t really break It just has to re-learn how to feel But I get off the bus And the night is warm, The moon is Beautiful, This white-hot luminescence Burning through the silhouettes of trees, So bright the sky is still blue 6 hours after sundown. I open my palms up to her I see the stars I open my palms up to them They guide me home
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Feb 20, 2014
Feb 20, 2014 at 1:08 PM UTC
Complimenting the Stars
It’s so easy to feel so small I’m on a bus, the last one that runs on a Wednesday night, Sketching a tired face Bags under the eyes, made of black ink I’m eavesdropping on a conversation, (Does it count as eavesdropping when There are only two people speaking in an otherwise Silent bus?) My heart’s been having an existential crisis, And my stomach and chest Empty Yet heavy Someone’s hands are holding my insides And squeezing them in a fist It is exhausting It is lonely In my right ear is this beautiful song Violin and cello and A raw passion that reminds me That it’s okay To be human, and to be scared shitless I’m still listening, partly But not really It’s late I want to sleep Busses are full of zombies- Phone, earphone, unsmiling zombies And despite the Tired sketch on my lap I’m one, too The conversation slows I smile I turn and I recognize the face in front of me I’m told that this person, vaguely familiar face, whose conversation I’ve been eavesdropping on remembers one of my poems About stars And the line is on his wall A line from a poem that I wrote About stars Is on someone’s wall Even better than when Chad Oliver told me I was Quite attractive junior year of high school, And I remember writing that poem And I feel a little less useless I want to cry My body hasn’t known what to do with itself lately You see I exhausted myself in love And now that it’s gone I feel useless My heart pulls towards mediocre sketches First sips of coffee in the morning, Listening to the violin It doesn’t know what else to feel for It’s been left in this dark room Grasping for a table, **** even a stepstool, Heartbreak is exhausting Because it’s not just the heart And it doesn’t really break It just has to re-learn how to feel But I get off the bus And the night is warm, The moon is Beautiful, This white-hot luminescence Burning through the silhouettes of trees, So bright the sky is still blue 6 hours after sundown. I open my palms up to her I see the stars I open my palms up to them They guide me home
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71
Blue as the geography of footprints across the dunes quiet as the white music of a silent moon like the wind blowing the soul off the water the shadows go out and are lost in the evening I conclude the hypothesis of sundown making no sound while night climbs the vines where lowing sadness abides the ritual of tides pulls me under.
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May 6, 2016
May 6, 2016 at 6:02 PM UTC
The hypothesis of sundown
Ocean bluing beneath my hands brushing over warm Caribbean bathing salts at dusk.
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May 20, 2014
May 20, 2014 at 2:23 AM UTC
Caribbean Sundown
Inside the Rainbow Forest Where unicorns are born, And fairy dust floats on the air From sundown until dawn, There dwells in royal splendour Yet very rarely seen, The king of all the pixies With his pretty pixie queen. His palace is a mushroom As tall as any tree, With bright red spots upon it That will make you squeal with glee. A winding golden staircase Stretches to the very top, In a mesmerizing spiral That you think will never stop. All those brave enough to climb it Would soon chance upon a door, With the most enormous knocker That you really ever saw. One hard tap summons the butler, A polite and friendly gnome, Serving tea and fondant fancies That will make you feel at home. Through a maze of vaulted chambers Each more lavish than the last, Passing walls lined with the portraits Of kings from the distant past, That dear gnome shall gently guide you, With much merriment and song, To the Great Hall of his master Who resides there all day long. From beneath a silver archway Set with precious gems galore, You will enter to the fanfare Of ten trumpets, maybe more. Dainty apple blossom petals Shall be scattered at your feet, As you bow your head in homage To the king you are to meet. With a heart bursting with wonder You will hastily be brought, To the throne of his most highness Far across the royal court, Threading through the marble towers Of an ornate colonnade, And a troupe of prancing dragons With their riders on parade. Seated high upon a pumpkin In a matching orange gown, Curly shoes of bright green velvet And an elderflower crown, The king shall bid you welcome With a beaming toothy grin, As he beckons to the minstrel For the music to begin. With his beard like cotton candy Waving wildly in the air, As he slides down to embrace you From atop his lofty chair, Both your arms shall link together To the fiddler's merry tune, Clicking heels and laughing loudly As you skip around the room. In the magic of the moment You will give yourself to fun, As the mischief making monarch Tweaks your ears and cracks a pun, All those cares your heart now carries Shall dissolve and simply be Lost in wondrous celebration Of a pixie jamboree!
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Sep 27, 2014
Sep 27, 2014 at 6:38 PM UTC
The Pixie King
Inside the Rainbow Forest Where unicorns are born, And fairy dust floats on the air From sundown until dawn, There dwells in royal splendour Yet very rarely seen, The king of all the pixies With his pretty pixie queen. His palace is a mushroom As tall as any tree, With bright red spots upon it That will make you squeal with glee. A winding golden staircase Stretches to the very top, In a mesmerizing spiral That you think will never stop. All those brave enough to climb it Would soon chance upon a door, With the most enormous knocker That you really ever saw. One hard tap summons the butler, A polite and friendly gnome, Serving tea and fondant fancies That will make you feel at home. Through a maze of vaulted chambers Each more lavish than the last, Passing walls lined with the portraits Of kings from the distant past, That dear gnome shall gently guide you, With much merriment and song, To the Great Hall of his master Who resides there all day long. From beneath a silver archway Set with precious gems galore, You will enter to the fanfare Of ten trumpets, maybe more. Dainty apple blossom petals Shall be scattered at your feet, As you bow your head in homage To the king you are to meet. With a heart bursting with wonder You will hastily be brought, To the throne of his most highness Far across the royal court, Threading through the marble towers Of an ornate colonnade, And a troupe of prancing dragons With their riders on parade. Seated high upon a pumpkin In a matching orange gown, Curly shoes of bright green velvet And an elderflower crown, The king shall bid you welcome With a beaming toothy grin, As he beckons to the minstrel For the music to begin. With his beard like cotton candy Waving wildly in the air, As he slides down to embrace you From atop his lofty chair, Both your arms shall link together To the fiddler's merry tune, Clicking heels and laughing loudly As you skip around the room. In the magic of the moment You will give yourself to fun, As the mischief making monarch Tweaks your ears and cracks a pun, All those cares your heart now carries Shall dissolve and simply be Lost in wondrous celebration Of a pixie jamboree!
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72
i am frightened – i’m alone it is dusk and i am scared oh why was i born - what does it mean i wish someone cared i feel separate – apart from all it’s an awful thing to bear the twilight set in its eventide at blackness i stare moonbeam take my hand moonbeam guide me home moonbeam stay by me don’t leave me alone i'm confused and i’m asleep what is behind the dream? if i’m not awake then this whole thing is not what it seems healed then broken once again peelin’ layers until i see that it is a screen ain't nothing there but eternity moonbeam take my hand moonbeam guide me home moonbeam stay by me don’t me leave alone i feel like i need a map in the dim with no one near it’s a maze to me – why can’t i see that there’s somethin’ here it was light out then sun set in got lost in the nightfall i thought i knew how to guide my life now it’s you that i call moonbeam take my hand moonbeam guide me home moonbeam stay by me don’t me leave alone it is nighttime and it’s dark help me find a little spark a hope a dream at sundown seems i can’t even start there’s a purpose in all things i know because i feel there’s light before the shadow’s cast i know you are real moonbeam take my hand moonbeam guide me home moonbeam stay by me don’t me leave alone moonbeam took my hand i am not alone i'm amongst the stars i am finally home ©2016janetaylor
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Jun 2, 2016
Jun 2, 2016 at 6:25 AM UTC
moonbeam take my hand ~ song
I never did trust this goldfish while typing. Its bulging eyes scream spy, and I won't have it escape, tell people from wrong crowds about these secret writing projects. Circling its crystal bowl, this goldfish is mine. A political prisoner with no chance at pardon. Call Amnesty International or protest, I don't care. It knows too much to swim in freedom. (Eventually) Death will be its liberator: Its body glistening in the sundown during the proposed viking funeral; secrets kept secret.
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Dec 23, 2014
Dec 23, 2014 at 11:58 PM UTC
This goldfish is a political prisoner
the folded man sat creasing the edges of his wallet sized heart and stared off into the romantic night full of lovers embracing and others who silently wished for a hand to hold he waited for her soft footsteps but she just sat in her bedroom mirror brushing her hair thinking of some boy from long ago sundown was just that kind of girl trade your temptations today for the empty promise of yesterday she will stay here another season maybe he will pass this way maybe the storm clouds gathering will go away the harlots all dance with unacquainted tenderness not all embraces are done with joy call it a sundown's choice cause its a bad one and the gambler brushes dust off his neat appearances each detail of his solitude lie must be cared for lest it crumble and expose hes just a green kid from illinois we all put the best face we can some just take it too far she went to the picture show and looked for familiar faces in the crowded hall but the folded man had already slipped away with one of the harlots who will make a pretty bride someday everybody gets a second chance they just may not want it once they get it she brushed the ashes from her clothes they fell like thin snowfall on spring day a last taste of winters hand out of the burnt shell of the dancehall at dawn we came the thick smoke splayed out on the thin wind wound its way past catching the dust and making the sunlight a dull brown she looked at me with tears for eyes asked me to take her from this place everybody gets a second chance they just may not want it once they get it
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Jun 1, 2014
Jun 1, 2014 at 3:44 PM UTC
sundown for the foolish
the folded man sat creasing the edges of his wallet sized heart and stared off into the romantic night full of lovers embracing and others who silently wished for a hand to hold he waited for her soft footsteps but she just sat in her bedroom mirror brushing her hair thinking of some boy from long ago sundown was just that kind of girl trade your temptations today for the empty promise of yesterday she will stay here another season maybe he will pass this way maybe the storm clouds gathering will go away the harlots all dance with unacquainted tenderness not all embraces are done with joy call it a sundown's choice cause its a bad one and the gambler brushes dust off his neat appearances each detail of his solitude lie must be cared for lest it crumble and expose hes just a green kid from illinois we all put the best face we can some just take it too far she went to the picture show and looked for familiar faces in the crowded hall but the folded man had already slipped away with one of the harlots who will make a pretty bride someday everybody gets a second chance they just may not want it once they get it she brushed the ashes from her clothes they fell like thin snowfall on spring day a last taste of winters hand out of the burnt shell of the dancehall at dawn we came the thick smoke splayed out on the thin wind wound its way past catching the dust and making the sunlight a dull brown she looked at me with tears for eyes asked me to take her from this place everybody gets a second chance they just may not want it once they get it
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40
He left her in white. He left her in awe. He wasn't there, he didn't arrive. She smiled and waited, waited until sundown. He never came. He left her alone. He left her with nothing. She pouted and shook hands with the departing guests. He left her. He was nowhere to be found. She walked, barefoot and red, eyes blurry from the rain. He left her, he ran away. She passed strangers, who laughed, cried, gasped, ignored. He stayed away, nowhere to be found. She was home. In the dark. He was gone. In the dark. She took a bath in her wedding dress. He never took off his tux. She laid in an empty bed. He laid there. Dead.
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Feb 17, 2015
Feb 17, 2015 at 11:33 PM UTC
wedding dress