Me in jeans plus four others,
the nearest a guitarist,
black bag shape slung
over a seat, his sleeve
rolled high enough
to see a clamour of ink
in his skin, a ladder of colours.
He listens to music, white worms
lodged into ears.
Another, female, older,
glasses two-thirds down the nose,
much wrinkled Times between
her wrinkled fingers, glint of a ring,
the only one it seems, fatigue
rolling over her face.
The third, sweating, texting,
doesn’t look up, unaware to
anyone but the swirl of letters
on the screen beneath his eyes
where only he knows what exists.
The final guest is asleep,
or is pretending, head drooped
to a shoulder like a dog’s.
The train rattles on,
Monday night,
metal vessel of mysteries.
The musician glances up,
notices he is among a clutch
of others, sees me
and for maybe five, six seconds
does not look away,
his muddy-coloured irises
pouring into mine,
his boots scuffed with muck.
I cannot help but acknowledge
this unexpected attention,
but, flustered, I rustle for a book,
even though my exodus
is minutes away.
I flip to page sixty-two, he looks away,
and then back, swivelling, as if unsure
which way to stick, and there is
a fleeting stab of fear,
of what if in a shred of a second
he lunges across, a tattooed panther,
pins my wrists to the cold window,
spews his breath to my face
and grunts in that appallingly masculine way,
a way that suggests he’s in control,
ha ha *****, what you gonna do now?
when he wouldn’t be, I’d know.
I’d have a clear shot at the crotch
and even if the texter, sleeper, reader
didn’t spring to life, I could put a stop
to it, shove him from me like
yanking a piece of furniture across the room,
crank my voice into a bellow.
I can imagine the stupid mask
of shock on his stubbly face.
He could hurt me, of course he could,
anyone can hurt anyone
how they please, and I’m just as capable,
but I wouldn’t, shouldn’t
launch an attack of fists and kicks,
inject my words with venom.
This thought shrieks in my brain
and dies, squashed bug-like,
its pulse destroyed.
Always assuming the worst.
I’ll learn.
I don’t look at him again.
I don’t know if he looks at me
but he probably does,
thinking of a song he’ll write
or leftovers to eat,
or a missed opportunity.
The book slips to the floor,
for a moment, I forget,
I am being transported.
Everybody leaves, I am no exception,
standing, moving to the doors
that will open with a quiet whirr,
it slows and then a bit more,
bit more,
his memory of me
my ***, perfect in these jeans.
Typical. At least, I think,
it looks good.
Written: October 2017.
Explanation: A poem written in my own time. Feedback welcome. Marcy Avenue refers to the station on the New York Subway in Brooklyn. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
