It is full summer now, the heart of June;
Not yet the sunburnt reapers are astir
Upon the upland meadow where too soon
Rich autumn time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see his treasure scattered by the wild and spendthrift breeze.

Too soon indeed! yet here the daffodil,
That love-child of the Spring, has lingered on
To vex the rose with jealousy, and still
The harebell spreads her azure pavilion,
And like a strayed and wandering reveller
Abandoned of its brothers, whom long since June’s messenger

The missel-thrush has frighted from the glade,
One pale narcissus loiters fearfully
Close to a shadowy nook, where half afraid
Of their own loveliness some violets lie
That will not look the gold sun in the face
For fear of too much splendour,—ah! methinks it is a place

Which should be trodden by Persephone
When wearied of the flowerless fields of Dis!
Or danced on by the lads of Arcady!
The hidden secret of eternal bliss
Known to the Grecian here a man might find,
Ah! you and I may find it now if Love and Sleep be kind.

There are the flowers which mourning Herakles
Strewed on the tomb of Hylas, columbine,
Its white doves all a-flutter where the breeze
Kissed them too harshly, the small celandine,
That yellow-kirtled chorister of eve,
And lilac lady’s-smock,—but let them bloom alone, and leave

Yon spired hollyhock red-crocketed
To sway its silent chimes, else must the bee,
Its little bellringer, go seek instead
Some other pleasaunce; the anemone
That weeps at daybreak, like a silly girl
Before her love, and hardly lets the butterflies unfurl

Their painted wings beside it,—bid it pine
In pale virginity; the winter snow
Will suit it better than those lips of thine
Whose fires would but scorch it, rather go
And pluck that amorous flower which blooms alone,
Fed by the pander wind with dust of kisses not its own.

The trumpet-mouths of red convolvulus
So dear to maidens, creamy meadow-sweet
Whiter than Juno’s throat and odorous
As all Arabia, hyacinths the feet
Of Huntress Dian would be loth to mar
For any dappled fawn,—pluck these, and those fond flowers which
are

Fairer than what Queen Venus trod upon
Beneath the pines of Ida, eucharis,
That morning star which does not dread the sun,
And budding marjoram which but to kiss
Would sweeten Cytheraea’s lips and make
Adonis jealous,—these for thy head,—and for thy girdle take

Yon curving spray of purple clematis
Whose gorgeous dye outflames the Tyrian King,
And foxgloves with their nodding chalices,
But that one narciss which the startled Spring
Let from her kirtle fall when first she heard
In her own woods the wild tempestuous song of summer’s bird,

Ah! leave it for a subtle memory
Of those sweet tremulous days of rain and sun,
When April laughed between her tears to see
The early primrose with shy footsteps run
From the gnarled oak-tree roots till all the wold,
Spite of its brown and trampled leaves, grew bright with shimmering
gold.

Nay, pluck it too, it is not half so sweet
As thou thyself, my soul’s idolatry!
And when thou art a-wearied at thy feet
Shall oxlips weave their brightest tapestry,
For thee the woodbine shall forget its pride
And veil its tangled whorls, and thou shalt walk on daisies pied.

And I will cut a reed by yonder spring
And make the wood-gods jealous, and old Pan
Wonder what young intruder dares to sing
In these still haunts, where never foot of man
Should tread at evening, lest he chance to spy
The marble limbs of Artemis and all her company.

And I will tell thee why the jacinth wears
Such dread embroidery of dolorous moan,
And why the hapless nightingale forbears
To sing her song at noon, but weeps alone
When the fleet swallow sleeps, and rich men feast,
And why the laurel trembles when she sees the lightening east.

And I will sing how sad Proserpina
Unto a grave and gloomy Lord was wed,
And lure the silver-breasted Helena
Back from the lotus meadows of the dead,
So shalt thou see that awful loveliness
For which two mighty Hosts met fearfully in war’s abyss!

And then I’ll pipe to thee that Grecian tale
How Cynthia loves the lad Endymion,
And hidden in a grey and misty veil
Hies to the cliffs of Latmos once the Sun
Leaps from his ocean bed in fruitless chase
Of those pale flying feet which fade away in his embrace.

And if my flute can breathe sweet melody,
We may behold Her face who long ago
Dwelt among men by the AEgean sea,
And whose sad house with pillaged portico
And friezeless wall and columns toppled down
Looms o’er the ruins of that fair and violet cinctured town.

Spirit of Beauty! tarry still awhile,
They are not dead, thine ancient votaries;
Some few there are to whom thy radiant smile
Is better than a thousand victories,
Though all the nobly slain of Waterloo
Rise up in wrath against them! tarry still, there are a few

Who for thy sake would give their manlihood
And consecrate their being; I at least
Have done so, made thy lips my daily food,
And in thy temples found a goodlier feast
Than this starved age can give me, spite of all
Its new-found creeds so sceptical and so dogmatical.

Here not Cephissos, not Ilissos flows,
The woods of white Colonos are not here,
On our bleak hills the olive never blows,
No simple priest conducts his lowing steer
Up the steep marble way, nor through the town
Do laughing maidens bear to thee the crocus-flowered gown.

Yet tarry! for the boy who loved thee best,
Whose very name should be a memory
To make thee linger, sleeps in silent rest
Beneath the Roman walls, and melody
Still mourns her sweetest lyre; none can play
The lute of Adonais:  with his lips Song passed away.

Nay, when Keats died the Muses still had left
One silver voice to sing his threnody,
But ah! too soon of it we were bereft
When on that riven night and stormy sea
Panthea claimed her singer as her own,
And slew the mouth that praised her; since which time we walk
alone,

Save for that fiery heart, that morning star
Of re-arisen England, whose clear eye
Saw from our tottering throne and waste of war
The grand Greek limbs of young Democracy
Rise mightily like Hesperus and bring
The great Republic! him at least thy love hath taught to sing,

And he hath been with thee at Thessaly,
And seen white Atalanta fleet of foot
In passionless and fierce virginity
Hunting the tusked boar, his honied lute
Hath pierced the cavern of the hollow hill,
And Venus laughs to know one knee will bow before her still.

And he hath kissed the lips of Proserpine,
And sung the Galilaean’s requiem,
That wounded forehead dashed with blood and wine
He hath discrowned, the Ancient Gods in him
Have found their last, most ardent worshipper,
And the new Sign grows grey and dim before its conqueror.

Spirit of Beauty! tarry with us still,
It is not quenched the torch of poesy,
The star that shook above the Eastern hill
Holds unassailed its argent armoury
From all the gathering gloom and fretful fight—
O tarry with us still! for through the long and common night,

Morris, our sweet and simple Chaucer’s child,
Dear heritor of Spenser’s tuneful reed,
With soft and sylvan pipe has oft beguiled
The weary soul of man in troublous need,
And from the far and flowerless fields of ice
Has brought fair flowers to make an earthly paradise.

We know them all, Gudrun the strong men’s bride,
Aslaug and Olafson we know them all,
How giant Grettir fought and Sigurd died,
And what enchantment held the king in thrall
When lonely Brynhild wrestled with the powers
That war against all passion, ah! how oft through summer hours,

Long listless summer hours when the noon
Being enamoured of a damask rose
Forgets to journey westward, till the moon
The pale usurper of its tribute grows
From a thin sickle to a silver shield
And chides its loitering car—how oft, in some cool grassy field

Far from the cricket-ground and noisy eight,
At Bagley, where the rustling bluebells come
Almost before the blackbird finds a mate
And overstay the swallow, and the hum
Of many murmuring bees flits through the leaves,
Have I lain poring on the dreamy tales his fancy weaves,

And through their unreal woes and mimic pain
Wept for myself, and so was purified,
And in their simple mirth grew glad again;
For as I sailed upon that pictured tide
The strength and splendour of the storm was mine
Without the storm’s red ruin, for the singer is divine;

The little laugh of water falling down
Is not so musical, the clammy gold
Close hoarded in the tiny waxen town
Has less of sweetness in it, and the old
Half-withered reeds that waved in Arcady
Touched by his lips break forth again to fresher harmony.

Spirit of Beauty, tarry yet awhile!
Although the cheating merchants of the mart
With iron roads profane our lovely isle,
And break on whirling wheels the limbs of Art,
Ay! though the crowded factories beget
The blindworm Ignorance that slays the soul, O tarry yet!

For One at least there is,—He bears his name
From Dante and the seraph Gabriel,—
Whose double laurels burn with deathless flame
To light thine altar; He too loves thee well,
Who saw old Merlin lured in Vivien’s snare,
And the white feet of angels coming down the golden stair,

Loves thee so well, that all the World for him
A gorgeous-coloured vestiture must wear,
And Sorrow take a purple diadem,
Or else be no more Sorrow, and Despair
Gild its own thorns, and Pain, like Adon, be
Even in anguish beautiful;—such is the empery

Which Painters hold, and such the heritage
This gentle solemn Spirit doth possess,
Being a better mirror of his age
In all his pity, love, and weariness,
Than those who can but copy common things,
And leave the Soul unpainted with its mighty questionings.

But they are few, and all romance has flown,
And men can prophesy about the sun,
And lecture on his arrows—how, alone,
Through a waste void the soulless atoms run,
How from each tree its weeping nymph has fled,
And that no more ’mid English reeds a Naiad shows her head.

Methinks these new Actaeons boast too soon
That they have spied on beauty; what if we
Have analysed the rainbow, robbed the moon
Of her most ancient, chastest mystery,
Shall I, the last Endymion, lose all hope
Because rude eyes peer at my mistress through a telescope!

What profit if this scientific age
Burst through our gates with all its retinue
Of modern miracles!  Can it assuage
One lover’s breaking heart? what can it do
To make one life more beautiful, one day
More godlike in its period? but now the Age of Clay

Returns in horrid cycle, and the earth
Hath borne again a noisy progeny
Of ignorant Titans, whose ungodly birth
Hurls them against the august hierarchy
Which sat upon Olympus; to the Dust
They have appealed, and to that barren arbiter they must

Repair for judgment; let them, if they can,
From Natural Warfare and insensate Chance,
Create the new Ideal rule for man!
Methinks that was not my inheritance;
For I was nurtured otherwise, my soul
Passes from higher heights of life to a more supreme goal.

Lo! while we spake the earth did turn away
Her visage from the God, and Hecate’s boat
Rose silver-laden, till the jealous day
Blew all its torches out:  I did not note
The waning hours, to young Endymions
Time’s palsied fingers count in vain his rosary of suns!

Mark how the yellow iris wearily
Leans back its throat, as though it would be kissed
By its false chamberer, the dragon-fly,
Who, like a blue vein on a girl’s white wrist,
Sleeps on that snowy primrose of the night,
Which ‘gins to flush with crimson shame, and die beneath the light.

Come let us go, against the pallid shield
Of the wan sky the almond blossoms gleam,
The corncrake nested in the unmown field
Answers its mate, across the misty stream
On fitful wing the startled curlews fly,
And in his sedgy bed the lark, for joy that Day is nigh,

Scatters the pearled dew from off the grass,
In tremulous ecstasy to greet the sun,
Who soon in gilded panoply will pass
Forth from yon orange-curtained pavilion
Hung in the burning east:  see, the red rim
O’ertops the expectant hills! it is the God! for love of him

Already the shrill lark is out of sight,
Flooding with waves of song this silent dell,—
Ah! there is something more in that bird’s flight
Than could be tested in a crucible!—
But the air freshens, let us go, why soon
The woodmen will be here; how we have lived this night of June!

She sent it to me as a text message, that is an image of a quote in situ, a piece of interpretation in a gallery. Saturday morning and I was driving home from a week in a remote cottage on a mountain. I had stopped to take one last look at the sea, where I usually take one last look, and the phone bleeped. A text message, but no text.  Just a photo of some words. It made me smile, the impossibility of it. Epic poems and tapestry weaving. Of course there are connections, in that for centuries the epic subject has so often been the stuff of the tapestry weaver’s art. I say this glibly, but cannot name a particular tapestry where this might be so. Those vast Arthurian pieces by William Morris to pictures by Burne-Jones have an epic quality both in scale and in subject, but, to my shame, I can’t put a name to one.

These days the tapestry can be epic once more - in size and intention - thanks to the successful, moneyed contemporary artist and those communities of weavers at West Dean and at Edinburgh’s Dovecot. Think of Grayson Perry’s The Walthamstowe Tapestry, a vast 3 x 15 metres executed by Ghentian weavers, a veritable apocalyptic vision where ‘Everyman, spat out at birth in a pool of blood, is doomed and predestined to spend his life navigating a chaotic yet banal landscape of brands and consumerism’.  Gosh! Doesn’t that sound epic!

I was at the Dovecot a little while ago, but the public gallery was closed. The weavers were too busy finishing Victoria Crowe’s Large Tree Group to cope with visitors. You see, I do know a little about this world even though my tapestry weaving is the sum total of three weekends tuition, even though I have a very large loom once owned by Marta Rogoyska. It languishes next door in the room that was going to be where I was to weave, where I was going to become someone other than I am. This is what I feel - just sometimes - when I’m at my floor loom, if only for those brief spells when life languishes sufficiently for me be slow and calm enough to pick up the shuttles and find the right coloured yarns. But I digress. In fact putting together tapestry and epic poetry is a digression from the intention of the quote on the image from that text - (it was from a letter to Janey written in Iceland). Her husband, William Morris, reckoned one could (indeed should) be able to compose an epic poem and weave a tapestry.  

This notion, this idea that such a thing as being actively poetic and throwing a pick or two should go hand in hand, and, in Morris’ words, be a required skill (or ‘he’d better shut up’), seemed (and still does a day later) an absurdity. Would such a man (must be a man I suppose) ‘never do any good at all’ because he can’t weave and compose epic poetry simultaneously?  Clearly so.  But then Morris wove his tapestries very early in the morning - often on a loom in his bedroom. Janey, I imagine, as with ladies of her day - she wasn’t one, being a stableman’s daughter, but she became one reading fluently in French and Italian and playing Beethoven on the piano- she had her own bedroom.

Do you know there are nights when I wish for my own room, even when sleeping with the one I love, as so often I wake in the night, and I lie there afraid (because I love her dearly and care for her precious rest) to disturb her sleep with reading or making notes, both of which I do when I’m alone.
Yet how very seductive is the idea of joining my loved one in her own space, amongst her fallen clothes, her books and treasures, her archives and precious things, those many letters folded into her bedside bookcase, and the little black books full of tender poems and attempts at sketches her admirer has bequeathed her when distant and apart. Equally seductive is the possibility of the knock on the bedroom / workroom door, and there she’ll be there like the woman in Michael Donaghy’s poem, a poem I find every time I search for it in his Collected Works one of the most arousing and ravishing pieces of verse I know: it makes me smile and imagine.  . .  Her personal vanishing point, she said, came when she leant against his study door all warm and wet and whispered 'Paolo’. Only she’ll say something in a barely audible voice like ‘Can I disturb you?’ and with her sparkling smile come in, and bring with her two cats and the hint of a naked breast nestling in the gap of the fold of her yellow Chinese gown she holds close to herself - so when she kneels on my single bed this gown opens and her beauty falls before her, and I am wholly, utterly lost that such loveliness is and can be so . . .

When I see a beautiful house, as I did last Thursday, far in the distance by an estuary-side, sheltering beneath wooded hills, and moor and rock-coloured mountains, with its long veranda, painted white, I imagine. I imagine our imaginary home where, when our many children are not staying in the summer months and work is impossible, we will live our ‘together yet apart’ lives. And there will be the joy of work. I will be like Ben Nicholson in that Italian villa his father-in-law bought, and have my workroom / bedroom facing a stark hillside with nothing but a carpenter’s table to lay out my scores. Whilst she, like Winifred, will work at a tidy table in her bedroom, a vase of spring flowers against the window with the estuary and the mountains beyond. Yes, her bedroom, not his, though their bed, their wonderful wooden 19C Swiss bed of oak, occupies this room and yes, in his room there is just a single affair, but robust, that he would sleep on when lunch had been late and friends had called, or they had been out calling and he wanted to give her the premise of having to go back to work – to be alone - when in fact he was going to sleep and dream, but she? She would work into the warm afternoons with the barest breeze tickling her bare feet, her body moving with the remembrance of his caresses as she woke him that morning from his deep, dark slumber. ‘Your brown eyes’, he would whisper, ‘your dear brown eyes the colour of an autumn leaf damp with dew’. And she would surround him with kisses and touch of her firm, long body and (before she cut her plaits) let her course long hair flow back and forward across his chest. And she did this because she knew he would later need the loneliness of his own space, need to put her aside, whereas she loved the scent of him in the room in which she worked, with his discarded clothes, the neck-tie on the door hanger he only reluctantly wore.

Back to epic poetry and its possibility. Even on its own, as a single, focused activity it seems to me, unadventurous poet that I am, an impossibility. But then, had I lived in the 1860s, it would probably not have seemed so difficult. There was no Radio 4 blathering on, no bleeb of arriving texts on the mobile. There were servants to see to supper, a nanny to keep the children at bay. At Kelmscott there was glorious Gloucestershire silence - only the roll and squeak of the wagon in the road and the rooks roosting. So, in the early mornings Morris could kneel at his vertical loom and, with a Burne-Jones cartoon to follow set behind the warp. With his yarns ready to hand, it would be like a modern child’s painting by numbers, his mind would be free to explore the fairy domain, the Icelandic sagas, the Welsh Mabinogion, the Kalevara from Finland, and write (in his head) an epic poem. These were often elaborations and retellings in his epic verse style of Norse and Icelandic sagas with titles like Sigurd the Volsung. Paul Thompson once said of Morris  ‘his method was to think out a poem in his head while he was busy at some other work.  He would sit at an easel, charcoal or brush in hand, working away at a design while he muttered to himself, 'bumble-beeing' as his family called it; then, when he thought he had got the lines, he would get up from the easel, prowl round the room still muttering, returning occasionally to add a touch to the design; then suddenly he would dash to the table and write out twenty or so lines.  As his pen slowed down, he would be looking around, and in a moment would be at work on another design.  Later, Morris would look at what he had written, and if he did not like it he would put it aside and try again.  But this way of working meant that he never submitted a draft to the painful evaluation which poetry requires’.

Let’s try a little of Sigurd

There was a dwelling of Kings ere the world was waxen old;
Dukes were the door-wards there, and the roofs were thatched with gold;
Earls were the wrights that wrought it, and silver nailed its doors;
Earls' wives were the weaving-women, queens' daughters strewed its floors,

And the masters of its song-craft were the mightiest men that cast
The sails of the storm of battle down the bickering blast.
There dwelt men merry-hearted, and in hope exceeding great
Met the good days and the evil as they went the way of fate:
There the Gods were unforgotten, yea whiles they walked with men,

Though e'en in that world's beginning rose a murmur now and again
Of the midward time and the fading and the last of the latter days,
And the entering in of the terror, and the death of the People's Praise.

Oh dear. And to think he sustained such poetry for another 340 lines, and that’s just book 1 of 4. So what dear reader, dear sender of that text image encouraging me to weave and write, just what would epic poetry be now? Where must one go for inspiration? Somewhere in the realms of sci-fi, something after Star-Wars or Ninja Warriors. It could be post-apocalyptic, a tale of mutants and a world damaged by chemicals or economic melt-down. Maybe a rich adventure of travel on a distant planet (with Sigourney Weaver of course), featuring brave deeds and the selfless heroism of saving companions from deadly encounters with amazing animals, monsters even. Or is ‘epic’ something else, something altogether beyond the Pixar Studios or James Cameron’s imagination? Is the  ‘epic’ now the province of AI boldly generating the computer game in 4D?  

And the epic poem? People once bought and read such published romances as they now buy and engage with on-line games. This is where the epic now belongs. On the tablet, PlayStation3, the X-Box. But, but . . . Poetry is so alive and well as a performance phenomenon, and with that oh so vigorous and relentless beat. Hell, look who won the T.S.Eliot prize this year! Story-telling lives and there are tales to be told, even if they are set in housing estates and not the ice caves of the frozen planet Golp. Just think of children’s literature, so rich and often so wild. This is word invention that revisits unashamedly those myths and sagas Morris loved, but in a different guise, with different names, in worlds that still bring together the incredible geographies of mountains and deserts and wilderness places, with fortresses and walled cities, and the startling, still unknown, yet to be discovered ocean depths.

                                    And so let my tale begin . . . My epic poem.

                                                 THE SEAGASP OF ENNLI.
       A TALE IN VERSE OF EARTHQUAKE, ISLAND FASTNESS, MALEVOLENT SPIRITS,
                                                AND REDEMPTIVE LOVE.

Part One
Nascent Craving

The insular heart unsealed; pearled eyes
Breach parapets of stone— periled shield,
The sweetest ****—
A threatening wonder and irrefragable synergy,
Nervous routes of cognition  
In this nascent, amorous craving.
Locked and abased,
Dissonance lends pathos — euphoric and onerous,
Disconsolate cries curb sublimation,
The regnant bleed diffusing — fervid lust
Fondled, tactile surfaces in throbbing anticipation.

Sullen, aft a veil of laughter,
Visceral aftermath, out of
The ardent ash,
Burns a thirst;
Insuperable numbness and ache.
Efflorescent intimacy,
Table for two
Enraptured in new alliance,
Élan vital (psyche);
Urgent dialect petitions
Equivocation, jocularity blending
Provocation with indecision,
Noted lilt of descending inhibition.

Adrift, the incessant Now;
As occasion inexorably diminished;
Resonant simpatico tending,
Numinous amity;
Heard conversant, cognitive idioms—
Lassitude, time-eaten pangs of the unhinged heart,
Wounds axiomatic,
In disquieting synergy,
Nibbling, the circumference—
Misery’s permeating truth;
None immune, all trundle incongruously past,
Facing intrepid savages.

Licitly felt, reverberations of Amor
Whence the heart behaves;
Measured cadence, pulse elevating—
Treasured lover, contemplative muse;
Undulating clasp, inflated bone of absence;
Incarnation — a woman,
Beyond prosaic;
Ineffable adoration pours in certitudes of verse,
Elenita, enclothed —virtue unvarnished;
Reservoir intrinsic, poised advocate of the innocent:
The crooked lines of insolence,
Brazen culture of neglected youth.
Perceptive blue stare, sensitized tears—
Plaintively, evincing her injustice ago.

Part Two
Tendered Senses

Siren silence, eruptive blush, ampler between phrases
In dulcet tones — stirring discourse;
Foments rebellion, the strife beneath— his ****,
Out of its vast reserve,
Penetrate the narrowed ambit, vaguely announced.
Groping hands, migrating the sensual member
Stern faces grimacing— mirror in abrasion,
Under the blind surf of consent;
Burrowing ambiguity, emerging torsion,
Plunge, enlisted and content in the sea;
Subsumed in the nonverbal cue,
Persuasion’s plea,
Quelled in the post cerebral assent.

Piercing eyes parallel crystalline waters of Lake Tahoe.

An untouched portion of his awareness remains aloof,
Palpable in the subsequential quiet,
Obsequious and febrile, they sinned on sofas;
Peregrine predilections quenched and viscid—
Serenely requited, the room breathes her presence,
Limp, figures *******, mantled in adolescent torpor.

Erudition in bloom, trust undoubted,
Illuminating, satiating; tempest calm—
Under canvas
Terrain soaked and sodden,
Postliminary — rains of invalidation.
Allowance and permission
Recalibrate, salivate, shortly only—
Initiate, obliged consecration, appraising
Curvatures of the spine,
Stuns him obeisant, her femenine pulchritude,
Propinquity inciting vigor,
Emergent allure, the updriven
Tower of wood sprung from the blanket.

Suffused in ether, purring streams of remembrance
Vaginal honeyed dew, sung into
Orchids, remnants of remember;
Drenched down the cynosure of devotion;
Succulent view, diaphanous pantied bottom;
Halcyon mist, saporous wine — compliance of the will,
Freed fires wander,
Pliable rind, twin plums dripping,
Abject confession, dispatching doubt
In tendered senses,
Pivotal tree, lavender Jacaranda holds the key,
Unfurled, cindered vulnerability.

Half-denuded skin invites confessional savor
Acutely bubbled rear, fleshly furnished denim;
Sultry visit, San Ramon Valley in the fall,
Strewed limbs splendid, flowing filmy;
Imagination yields—
Bursting silk congealed
Across deft thighs, ambrosial thong draping ankles,
Grazing ascension, the curvaceous trajectory
Nose inflamed with fragrance,
Inhaling, climb of acquiescence,
The ****** weal, amid the globed fruit,
Focal intention — ploughed lance thrusting,
Absconding, the ancillary perfume of essence.

Perceiving avid validation,
Swimmingly, amid the monstrous gaze.
  
Humid skies simper dank, set swell the incense of Eros,
Surge of poetry engorged
The flame levened shaft,
Nimble ******* flounce, spill the harboring mouth;
Moist hands merging, unfettered,
Weave in supplication,
Vicinity voicing, enmeshed diversion;
Supple and spherical behind
Posterior arch, milky-skin against the lip—
Ripeness jostling their complacency;
Lapped the mooring, ridden decisively;
Recapitulating— spumed forth, bellied over hips warmth.
Abandon the dirge of self-pity
Late under ego’s trance.
  
Part Three
Present Tenses

Tempting trespass across sacred gardens,
Flowering, scandal set luminous: attachment—
Consensual, their corresponsive fear;
Protean manifestations— evocative, perpetual
Unutterable contention in a fictive resolve,
Deliberating the merits of their widely disparate tastes in coffee,
Amorously touring wine, let’s drowse through the gnarled vine.
Sundry deficiencies pale, once contrasted;
The beatific vision—
Material substance unaccompanied,
Imperceptible, tear-streamed cheeks in synch,
Ventral kiss, peak of carnal perfection,
Reminiscence— flesh violent with Love.

Fiction knew to meander the innominate rift,
A tincture of irony soften misdeeds
Immense as the sea.
Insolvent beast stippled with sapience—
Unmasked, the fabric of delusion;
Dependence smothering the disciplined heart
Resentment put up for release.

Waste of residual years
Fate’s apportion, scars bleakly observed;
Chastened by heartache, engulfing fervor
Too faint to recapture.
Vague glimpses dry—
Hypervigilant his defenses,
Veritable suspensions, embers lit linger;
Slender walls of solidity, the horizoned self,
Faith and reason in concert — stone levels of elucidation.

Fractured bones of distance, emanate a rigid salience,
Another ponderous night of absence—
Lingering, cauldron of dearth as indifference ushers,
The quotidian coil of contrition.
Tearful pallor, sequestered —ciphering time and solitude;
The unkissed mouth, his restive brow;
Suspend in the approximate span.
                      
After Lucid alliterations are spoken
Devoid of her face, his lover’s nudge—
The man nurtures his hurt.
Anxious as seldom unscarred,  
Venus’s susurrations,
In present tenses,
Kissed by her serenades of integration—
Notwithstanding metaphysic intrusion,
No chain stays unbroken,
Postponed drifts of deferment left unspoken,
Reverberations of amor.

© 2013 W. S. Warner

Ye learnèd sisters, which have oftentimes
Beene to me ayding, others to adorne,
Whom ye thought worthy of your gracefull rymes,
That even the greatest did not greatly scorne
To heare theyr names sung in your simple layes,
But joyèd in theyr praise;
And when ye list your owne mishaps to mourne,
Which death, or love, or fortunes wreck did rayse,
Your string could soone to sadder tenor turne,
And teach the woods and waters to lament
Your dolefull dreriment:
Now lay those sorrowfull complaints aside;
And, having all your heads with girlands crownd,
Helpe me mine owne loves prayses to resound;
Ne let the same of any be envide:
So Orpheus did for his owne bride!
So I unto my selfe alone will sing;
The woods shall to me answer, and my Eccho ring.

Early, before the worlds light-giving lampe
His golden beame upon the hils doth spred,
Having disperst the nights unchearefull dampe,
Doe ye awake; and, with fresh *****-hed,
Go to the bowre of my belovèd love,
My truest turtle dove;
Bid her awake; for ***** is awake,
And long since ready forth his maske to move,
With his bright Tead that flames with many a flake,
And many a bachelor to waite on him,
In theyr fresh garments trim.
Bid her awake therefore, and soone her dight,
For lo! the wishèd day is come at last,
That shall, for all the paynes and sorrowes past,
Pay to her usury of long delight:
And, whylest she doth her dight,
Doe ye to her of joy and solace sing,
That all the woods may answer, and your eccho ring.

Bring with you all the Nymphes that you can heare
Both of the rivers and the forrests greene,
And of the sea that neighbours to her neare:
Al with gay girlands goodly wel beseene.
And let them also with them bring in hand
Another gay girland
For my fayre love, of lillyes and of roses,
Bound truelove wize, with a blew silke riband.
And let them make great store of bridale poses,
And let them eeke bring store of other flowers,
To deck the bridale bowers.
And let the ground whereas her foot shall tread,
For feare the stones her tender foot should wrong,
Be strewed with fragrant flowers all along,
And diapred lyke the discolored mead.
Which done, doe at her chamber dore awayt,
For she will waken strayt;
The whiles doe ye this song unto her sing,
The woods shall to you answer, and your Eccho ring.

Ye Nymphes of Mulla, which with carefull heed
The silver scaly trouts doe tend full well,
And greedy pikes which use therein to feed;
(Those trouts and pikes all others doo excell;)
And ye likewise, which keepe the rushy lake,
Where none doo fishes take;
Bynd up the locks the which hang scatterd light,
And in his waters, which your mirror make,
Behold your faces as the christall bright,
That when you come whereas my love doth lie,
No blemish she may spie.
And eke, ye lightfoot mayds, which keepe the deere,
That on the hoary mountayne used to towre;
And the wylde wolves, which seeke them to devoure,
With your steele darts doo chace from comming neer;
Be also present heere,
To helpe to decke her, and to help to sing,
That all the woods may answer, and your eccho ring.

Wake now, my love, awake! for it is time;
The Rosy Morne long since left Tithones bed,
All ready to her silver coche to clyme;
And Phoebus gins to shew his glorious hed.
Hark! how the cheerefull birds do chaunt theyr laies
And carroll of Loves praise.
The merry Larke hir mattins sings aloft;
The Thrush replyes; the Mavis descant playes;
The Ouzell shrills; the Ruddock warbles soft;
So goodly all agree, with sweet consent,
To this dayes merriment.
Ah! my deere love, why doe ye sleepe thus long?
When meeter were that ye should now awake,
T’ awayt the comming of your joyous make,
And hearken to the birds love-learnèd song,
The deawy leaves among!
Nor they of joy and pleasance to you sing,
That all the woods them answer, and theyr eccho ring.

My love is now awake out of her dreames,
And her fayre eyes, like stars that dimmèd were
With darksome cloud, now shew theyr goodly beams
More bright then Hesperus his head doth rere.
Come now, ye damzels, daughters of delight,
Helpe quickly her to dight:
But first come ye fayre houres, which were begot
In Joves sweet paradice of Day and Night;
Which doe the seasons of the yeare allot,
And al, that ever in this world is fayre,
Doe make and still repayre:
And ye three handmayds of the Cyprian Queene,
The which doe still adorne her beauties pride,
Helpe to addorne my beautifullest bride:
And, as ye her array, still throw betweene
Some graces to be seene;
And, as ye use to Venus, to her sing,
The whiles the woods shal answer, and your eccho ring.

Now is my love all ready forth to come:
Let all the virgins therefore well awayt:
And ye fresh boyes, that tend upon her groome,
Prepare your selves; for he is comming strayt.
Set all your things in seemely good aray,
Fit for so joyfull day:
The joyfulst day that ever sunne did see.
Faire Sun! shew forth thy favourable ray,
And let thy lifull heat not fervent be,
For feare of burning her sunshyny face,
Her beauty to disgrace.
O fayrest Phoebus! father of the Muse!
If ever I did honour thee aright,
Or sing the thing that mote thy mind delight,
Doe not thy servants simple boone refuse;
But let this day, let this one day, be myne;
Let all the rest be thine.
Then I thy soverayne prayses loud wil sing,
That all the woods shal answer, and theyr eccho ring.

Harke! how the Minstrils gin to shrill aloud
Their merry Musick that resounds from far,
The pipe, the tabor, and the trembling Croud,
That well agree withouten breach or jar.
But, most of all, the Damzels doe delite
When they their tymbrels smyte,
And thereunto doe daunce and carrol sweet,
That all the sences they doe ravish quite;
The whyles the boyes run up and downe the street,
Crying aloud with strong confusèd noyce,
As if it were one voyce,
*****, iö *****, *****, they do shout;
That even to the heavens theyr shouting shrill
Doth reach, and all the firmament doth fill;
To which the people standing all about,
As in approvance, doe thereto applaud,
And loud advaunce her laud;
And evermore they *****, ***** sing,
That al the woods them answer, and theyr eccho ring.

Loe! where she comes along with portly pace,
Lyke Phoebe, from her chamber of the East,
Arysing forth to run her mighty race,
Clad all in white, that seemes a ****** best.
So well it her beseemes, that ye would weene
Some angell she had beene.
Her long loose yellow locks lyke golden wyre,
Sprinckled with perle, and perling flowres atweene,
Doe lyke a golden mantle her attyre;
And, being crownèd with a girland greene,
Seeme lyke some mayden Queene.
Her modest eyes, abashèd to behold
So many gazers as on her do stare,
Upon the lowly ground affixèd are;
Ne dare lift up her countenance too bold,
But blush to heare her prayses sung so loud,
So farre from being proud.
Nathlesse doe ye still loud her prayses sing,
That all the woods may answer, and your eccho ring.

Tell me, ye merchants daughters, did ye see
So fayre a creature in your towne before;
So sweet, so lovely, and so mild as she,
Adornd with beautyes grace and vertues store?
Her goodly eyes lyke Saphyres shining bright,
Her forehead yvory white,
Her cheekes lyke apples which the sun hath rudded,
Her lips lyke cherryes charming men to byte,
Her brest like to a bowle of creame uncrudded,
Her paps lyke lyllies budded,
Her snowie necke lyke to a marble towre;
And all her body like a pallace fayre,
Ascending up, with many a stately stayre,
To honors seat and chastities sweet bowre.
Why stand ye still ye virgins in amaze,
Upon her so to gaze,
Whiles ye forget your former lay to sing,
To which the woods did answer, and your eccho ring?

But if ye saw that which no eyes can see,
The inward beauty of her lively spright,
Garnisht with heavenly guifts of high degree,
Much more then would ye wonder at that sight,
And stand astonisht lyke to those which red
Medusaes mazeful hed.
There dwels sweet love, and constant chastity,
Unspotted fayth, and comely womanhood,
Regard of honour, and mild modesty;
There vertue raynes as Queene in royal throne,
And giveth lawes alone,
The which the base affections doe obay,
And yeeld theyr services unto her will;
Ne thought of thing uncomely ever may
Thereto approch to tempt her mind to ill.
Had ye once seene these her celestial threasures,
And unrevealèd pleasures,
Then would ye wonder, and her prayses sing,
That al the woods should answer, and your echo ring.

Open the temple gates unto my love,
Open them wide that she may enter in,
And all the postes adorne as doth behove,
And all the pillours deck with girlands trim,
For to receyve this Saynt with honour dew,
That commeth in to you.
With trembling steps, and humble reverence,
She commeth in, before th’ Almighties view;
Of her ye virgins learne obedience,
When so ye come into those holy places,
To humble your proud faces:
Bring her up to th’ high altar, that she may
The sacred ceremonies there partake,
The which do endlesse matrimony make;
And let the roring Organs loudly play
The praises of the Lord in lively notes;
The whiles, with hollow throates,
The Choristers the joyous Antheme sing,
That al the woods may answere, and their eccho ring.

Behold, whiles she before the altar stands,
Hearing the holy priest that to her speakes,
And blesseth her with his two happy hands,
How the red roses flush up in her cheekes,
And the pure snow, with goodly vermill stayne
Like crimsin dyde in grayne:
That even th’ Angels, which continually
About the sacred Altare doe remaine,
Forget their service and about her fly,
Ofte peeping in her face, that seems more fayre,
The more they on it stare.
But her sad eyes, still fastened on the ground,
Are governèd with goodly modesty,
That suffers not one looke to glaunce awry,
Which may let in a little thought unsownd.
Why blush ye, love, to give to me your hand,
The pledge of all our band!
Sing, ye sweet Angels, Alleluya sing,
That all the woods may answere, and your eccho ring.

Now al is done: bring home the bride againe;
Bring home the triumph of our victory:
Bring home with you the glory of her gaine;
With joyance bring her and with jollity.
Never had man more joyfull day then this,
Whom heaven would heape with blis,
Make feast therefore now all this live-long day;
This day for ever to me holy is.
Poure out the wine without restraint or stay,
Poure not by cups, but by the belly full,
Poure out to all that wull,
And sprinkle all the postes and wals with wine,
That they may sweat, and drunken be withall.
Crowne ye God Bacchus with a coronall,
And ***** also crowne with wreathes of vine;
And let the Graces daunce unto the rest,
For they can doo it best:
The whiles the maydens doe theyr carroll sing,
To which the woods shall answer, and theyr eccho ring.

Ring ye the bels, ye yong men of the towne,
And leave your wonted labors for this day:
This day is holy; doe ye write it downe,
That ye for ever it remember may.
This day the sunne is in his chiefest hight,
With Barnaby the bright,
From whence declining daily by degrees,
He somewhat loseth of his heat and light,
When once the Crab behind his back he sees.
But for this time it ill ordainèd was,
To chose the longest day in all the yeare,
And shortest night, when longest fitter weare:
Yet never day so long, but late would passe.
Ring ye the bels, to make it weare away,
And bonefiers make all day;
And daunce about them, and about them sing,
That all the woods may answer, and your eccho ring.

Ah! when will this long weary day have end,
And lende me leave to come unto my love?
How slowly do the houres theyr numbers spend?
How slowly does sad Time his feathers move?
Hast thee, O fayrest Planet, to thy home,
Within the Westerne fome:
Thy tyrèd steedes long since have need of rest.
Long though it be, at last I see it gloome,
And the bright evening-star with golden creast
Appeare out of the East.
Fayre childe of beauty! glorious lampe of love!
That all the host of heaven in rankes doost lead,
And guydest lovers through the nights sad dread,
How chearefully thou lookest from above,
And seemst to laugh atweene thy twinkling light,
As joying in the sight
Of these glad many, which for joy doe sing,
That all the woods them answer, and their echo ring!

Now ceasse, ye damsels, your delights fore-past;
Enough it is that all the day was youres:
Now day is doen, and night is nighing fast,
Now bring the Bryde into the brydall boures.
The night is come, now soon her disaray,
And in her bed her lay;
Lay her in lillies and in violets,
And silken courteins over her display,
And odourd sheetes, and Arras coverlets.
Behold how goodly my faire love does ly,
In proud humility!
Like unto Maia, when as Jove her took
In Tempe, lying on the flowry gras,
Twixt sleepe and wake, after she weary was,
With bathing in the Acidalian brooke.
Now it is night, ye damsels may be gon,
And leave my love alone,
And leave likewise your former lay to sing:
The woods no more shall answere, nor your echo ring.

Now welcome, night! thou night so long expected,
That long daies labour doest at last defray,
And all my cares, which cruell Love collected,
Hast sumd in one, and cancellèd for aye:
Spread thy broad wing over my love and me,
That no man may us see;
And in thy sable mantle us enwrap,
From feare of perrill and foule horror free.
Let no false treason seeke us to entrap,
Nor any dread disquiet once annoy
The safety of our joy;
But let the night be calme, and quietsome,
Without tempestuous storms or sad afray:
Lyke as when Jove with fayre Alcmena lay,
When he begot the great Tirynthian groome:
Or lyke as when he with thy selfe did lie
And begot Majesty.
And let the mayds and yong men cease to sing;
Ne let the woods them answer nor theyr eccho ring.

Let no lamenting cryes, nor dolefull teares,
Be heard all night within, nor yet without:
Ne let false whispers, breeding hidden feares,
Breake gentle sleepe with misconceivèd dout.
Let no deluding dreames, nor dreadfull sights,
Make sudden sad affrights;
Ne let house-fyres, nor lightnings helpelesse harmes,
Ne let the Pouke, nor other evill sprights,
Ne let mischivous witches with theyr charmes,
Ne let hob Goblins, names whose sence we see not,
Fray us with things that be not:
Let not the shriech Oule nor the Storke be heard,
Nor the night Raven, that still deadly yels;
Nor damnèd ghosts, cald up with mighty spels,
Nor griesly vultures, make us once affeard:
Ne let th’ unpleasant Quyre of Frogs still croking
Make us to wish theyr choking.
Let none of these theyr drery accents sing;
Ne let the woods them answer, nor theyr eccho ring.

But let stil Silence trew night-watches keepe,
That sacred Peace may in assurance rayne,
And tymely Sleep, when it is tyme to sleepe,
May poure his limbs forth on your pleasant playne;
The whiles an hundred little wingèd loves,
Like divers-fethered doves,
Shall fly and flutter round about your bed,
And in the secret darke, that none reproves,
Their prety stealthes shal worke, and snares shal spread
To filch away sweet snatches of delight,
Conceald through covert night.
Ye sonnes of Venus, play your sports at will!
For greedy pleasure, carelesse of your toyes,
Thinks more upon her paradise of joyes,
Then what ye do, albe it good or ill.
All night therefore attend your merry play,
For it will soone be day:
Now none doth hinder you, that say or sing;
Ne will the woods now answer, nor your Eccho ring.

Who is the same, which at my window peepes?
Or whose is that faire face that shines so bright?
Is it not Cinthia, she that never sleepes,
But walkes about high heaven al the night?
O! fayrest goddesse, do thou not envy
My love with me to spy:
For thou likewise didst love, though now unthought,
And for a fleece of wooll, which privily
The Latmian shepherd once unto thee brought,
His pleasures with thee wrought.
Therefore to us be favorable now;
And sith of wemens labours thou hast charge,
And generation goodly dost enlarge,
Encline thy will t’effect our wishfull vow,
And the chast wombe informe with timely seed
That may our comfort breed:
Till which we cease our hopefull hap to sing;
Ne let the woods us answere, nor our Eccho ring.

And thou, great Juno! which with awful might
The lawes of wedlock still dost patronize;
And the religion of the faith first plight
With sacred rites hast taught to solemnize;
And eeke for comfort often callèd art
Of women in their smart;
Eternally bind thou this lovely band,
And all thy blessings unto us impart.
And thou, glad

By this, sad Hero, with love unacquainted,
Viewing Leander’s face, fell down and fainted.
He kissed her and breathed life into her lips,
Wherewith as one displeased away she trips.
Yet, as she went, full often looked behind,
And many poor excuses did she find
To linger by the way, and once she stayed,
And would have turned again, but was afraid,
In offering parley, to be counted light.
So on she goes and in her idle flight
Her painted fan of curled plumes let fall,
Thinking to train Leander therewithal.
He, being a novice, knew not what she meant
But stayed, and after her a letter sent,
Which joyful Hero answered in such sort,
As he had hope to scale the beauteous fort
Wherein the liberal Graces locked their wealth,
And therefore to her tower he got by stealth.
Wide open stood the door, he need not climb,
And she herself before the pointed time
Had spread the board, with roses strowed the room,
And oft looked out, and mused he did not come.
At last he came.

O who can tell the greeting
These greedy lovers had at their first meeting.
He asked, she gave, and nothing was denied.
Both to each other quickly were affied.
Look how their hands, so were their hearts united,
And what he did she willingly requited.
(Sweet are the kisses, the embracements sweet,
When like desires and affections meet,
For from the earth to heaven is Cupid raised,
Where fancy is in equal balance peised.)
Yet she this rashness suddenly repented
And turned aside, and to herself lamented
As if her name and honour had been wronged
By being possessed of him for whom she longed.
Ay, and she wished, albeit not from her heart
That he would leave her turret and depart.
The mirthful god of amorous pleasure smiled
To see how he this captive nymph beguiled.
For hitherto he did but fan the fire,
And kept it down that it might mount the higher.
Now waxed she jealous lest his love abated,
Fearing her own thoughts made her to be hated.
Therefore unto him hastily she goes
And, like light Salmacis, her body throws
Upon his ***** where with yielding eyes
She offers up herself a sacrifice
To slake his anger if he were displeased.
O, what god would not therewith be appeased?
Like Aesop’s **** this jewel he enjoyed
And as a brother with his sister toyed
Supposing nothing else was to be done,
Now he her favour and good will had won.
But know you not that creatures wanting sense
By nature have a mutual appetence,
And, wanting organs to advance a step,
Moved by love’s force unto each other lep?
Much more in subjects having intellect
Some hidden influence breeds like effect.
Albeit Leander rude in love and raw,
Long dallying with Hero, nothing saw
That might delight him more, yet he suspected
Some amorous rites or other were neglected.
Therefore unto his body hers he clung.
She, fearing on the rushes to be flung,
Strived with redoubled strength; the more she strived
The more a gentle pleasing heat revived,
Which taught him all that elder lovers know.
And now the same gan so to scorch and glow
As in plain terms (yet cunningly) he craved it.
Love always makes those eloquent that have it.
She, with a kind of granting, put him by it
And ever, as he thought himself most nigh it,
Like to the tree of Tantalus, she fled
And, seeming lavish, saved her maidenhead.
Ne’er king more sought to keep his diadem,
Than Hero this inestimable gem.
Above our life we love a steadfast friend,
Yet when a token of great worth we send,
We often kiss it, often look thereon,
And stay the messenger that would be gone.
No marvel then, though Hero would not yield
So soon to part from that she dearly held.
Jewels being lost are found again, this never;
’Tis lost but once, and once lost, lost forever.

Now had the morn espied her lover’s steeds,
Whereat she starts, puts on her purple weeds,
And red for anger that he stayed so long
All headlong throws herself the clouds among.
And now Leander, fearing to be missed,
Embraced her suddenly, took leave, and kissed.
Long was he taking leave, and loath to go,
And kissed again as lovers use to do.
Sad Hero wrung him by the hand and wept
Saying, “Let your vows and promises be kept.”
Then standing at the door she turned about
As loath to see Leander going out.
And now the sun that through th’ horizon peeps,
As pitying these lovers, downward creeps,
So that in silence of the cloudy night,
Though it was morning, did he take his flight.
But what the secret trusty night concealed
Leander’s amorous habit soon revealed.
With Cupid’s myrtle was his bonnet crowned,
About his arms the purple riband wound
Wherewith she wreathed her largely spreading hair.
Nor could the youth abstain, but he must wear
The sacred ring wherewith she was endowed
When first religious chastity she vowed.
Which made his love through Sestos to be known,
And thence unto Abydos sooner blown
Than he could sail; for incorporeal fame
Whose weight consists in nothing but her name,
Is swifter than the wind, whose tardy plumes
Are reeking water and dull earthly fumes.
Home when he came, he seemed not to be there,
But, like exiled air ****** from his sphere,
Set in a foreign place; and straight from thence,
Alcides like, by mighty violence
He would have chased away the swelling main
That him from her unjustly did detain.
Like as the sun in a diameter
Fires and inflames objects removed far,
And heateth kindly, shining laterally,
So beauty sweetly quickens when ’tis nigh,
But being separated and removed,
Burns where it cherished, murders where it loved.
Therefore even as an index to a book,
So to his mind was young Leander’s look.
O, none but gods have power their love to hide,
Affection by the countenance is descried.
The light of hidden fire itself discovers,
And love that is concealed betrays poor lovers,
His secret flame apparently was seen.
Leander’s father knew where he had been
And for the same mildly rebuked his son,
Thinking to quench the sparkles new begun.
But love resisted once grows passionate,
And nothing more than counsel lovers hate.
For as a hot proud horse highly disdains
To have his head controlled, but breaks the reins,
Spits forth the ringled bit, and with his hooves
Checks the submissive ground; so he that loves,
The more he is restrained, the worse he fares.
What is it now, but mad Leander dares?
“O Hero, Hero!” thus he cried full oft;
And then he got him to a rock aloft,
Where having spied her tower, long stared he on’t,
And prayed the narrow toiling Hellespont
To part in twain, that he might come and go;
But still the rising billows answered, “No.”
With that he stripped him to the ivory skin
And, crying “Love, I come,” leaped lively in.
Whereat the sapphire visaged god grew proud,
And made his capering Triton sound aloud,
Imagining that Ganymede, displeased,
Had left the heavens; therefore on him he seized.
Leander strived; the waves about him wound,
And pulled him to the bottom, where the ground
Was strewed with pearl, and in low coral groves
Sweet singing mermaids sported with their loves
On heaps of heavy gold, and took great pleasure
To spurn in careless sort the shipwrack treasure.
For here the stately azure palace stood
Where kingly Neptune and his train abode.
The ***** god embraced him, called him “Love,”
And swore he never should return to Jove.
But when he knew it was not Ganymede,
For under water he was almost dead,
He heaved him up and, looking on his face,
Beat down the bold waves with his triple mace,
Which mounted up, intending to have kissed him,
And fell in drops like tears because they missed him.
Leander, being up, began to swim
And, looking back, saw Neptune follow him,
Whereat aghast, the poor soul ‘gan to cry
“O, let me visit Hero ere I die!”
The god put Helle’s bracelet on his arm,
And swore the sea should never do him harm.
He clapped his plump cheeks, with his tresses played
And, smiling wantonly, his love bewrayed.
He watched his arms and, as they opened wide
At every stroke, betwixt them would he slide
And steal a kiss, and then run out and dance,
And, as he turned, cast many a lustful glance,
And threw him gaudy toys to please his eye,
And dive into the water, and there pry
Upon his breast, his thighs, and every limb,
And up again, and close beside him swim,
And talk of love.

Leander made reply,
“You are deceived; I am no woman, I.”
Thereat smiled Neptune, and then told a tale,
How that a shepherd, sitting in a vale,
Played with a boy so fair and kind,
As for his love both earth and heaven pined;
That of the cooling river durst not drink,
Lest water nymphs should pull him from the brink.
And when he sported in the fragrant lawns,
Goat footed satyrs and upstaring fauns
Would steal him thence. Ere half this tale was done,
“Ay me,” Leander cried, “th’ enamoured sun
That now should shine on Thetis’ glassy bower,
Descends upon my radiant Hero’s tower.
O, that these tardy arms of mine were wings!”
And, as he spake, upon the waves he springs.
Neptune was angry that he gave no ear,
And in his heart revenging malice bare.
He flung at him his mace but, as it went,
He called it in, for love made him repent.
The mace, returning back, his own hand hit
As meaning to be venged for darting it.
When this fresh bleeding wound Leander viewed,
His colour went and came, as if he rued
The grief which Neptune felt. In gentle *******
Relenting thoughts, remorse, and pity rests.
And who have hard hearts and obdurate minds,
But vicious, harebrained, and illiterate hinds?
The god, seeing him with pity to be moved,
Thereon concluded that he was beloved.
(Love is too full of faith, too credulous,
With folly and false hope deluding us.)
Wherefore, Leander’s fancy to surprise,
To the rich Ocean for gifts he flies.
’tis wisdom to give much; a gift prevails
When deep persuading oratory fails.

By this Leander, being near the land,
Cast down his weary feet and felt the sand.
Breathless albeit he were he rested not
Till to the solitary tower he got,
And knocked and called. At which celestial noise
The longing heart of Hero much more joys
Than nymphs and shepherds when the timbrel rings,
Or crooked dolphin when the sailor sings.
She stayed not for her robes but straight arose
And, drunk with gladness, to the door she goes,
Where seeing a naked man, she screeched for fear
(Such sights as this to tender maids are rare)
And ran into the dark herself to hide.
(Rich jewels in the dark are soonest spied).
Unto her was he led, or rather drawn
By those white limbs which sparkled through the lawn.
The nearer that he came, the more she fled,
And, seeking refuge, slipped into her bed.
Whereon Leander sitting thus began,
Through numbing cold, all feeble, faint, and wan.
“If not for love, yet, love, for pity sake,
Me in thy bed and maiden ***** take.
At least vouchsafe these arms some little room,
Who, hoping to embrace thee, cheerly swum.
This head was beat with many a churlish billow,
And therefore let it rest upon thy pillow.”
Herewith affrighted, Hero shrunk away,
And in her lukewarm place Leander lay,
Whose lively heat, like fire from heaven fet,
Would animate gross clay and higher set
The drooping thoughts of base declining souls
Than dreary Mars carousing nectar bowls.
His hands he cast upon her like a snare.
She, overcome with shame and sallow fear,
Like chaste Diana when Actaeon spied her,
Being suddenly betrayed, dived down to hide her.
And, as her silver body downward went,
With both her hands she made the bed a tent,
And in her own mind thought herself secure,
O’ercast with dim and darksome coverture.
And now she lets him whisper in her ear,
Flatter, entreat, promise, protest and swear;
Yet ever, as he greedily assayed
To touch those dainties, she the harpy played,
And every limb did, as a soldier stout,
Defend the fort, and keep the foeman out.
For though the rising ivory mount he scaled,
Which is with azure circling lines empaled,
Much like a globe (a globe may I term this,
By which love sails to regions full of bliss)
Yet there with Sisyphus he toiled in vain,
Till gentle parley did the truce obtain.
Wherein Leander on her quivering breast
Breathless spoke something, and sighed out the rest;
Which so prevailed, as he with small ado
Enclosed her in his arms and kissed her too.
And every kiss to her was as a charm,
And to Leander as a fresh alarm,
So that the truce was broke and she, alas,
(Poor silly maiden) at his mercy was.
Love is not full of pity (as men say)
But deaf and cruel where he means to prey.
Even as a bird, which in our hands we wring,
Forth plungeth and oft flutters with her wing,
She trembling strove.

This strife of hers (like that
Which made the world) another world begat
Of unknown joy. Treason was in her thought,
And cunningly to yield herself she sought.
Seeming not won, yet won she was at length.
In such wars women use but half their strength.
Leander now, like Theban Hercules,
Entered the orchard of th’ Hesperides;
Whose fruit none rightly can describe but he
That pulls or shakes it from the golden tree.
And now she wished this night were never done,
And sighed to think upon th’ approaching sun;
For much it grieved her that the bright daylight
Should know the pleasure of this blessed night,
And them, like Mars and Erycine, display
Both in each other’s arms chained as they lay.
Again, she knew not how to frame her look,
Or speak to him, who in a moment took
That which so long so charily she kept,
And fain by stealth away she would have crept,
And to some corner secretly have gone,
Leaving Leander in the bed alone.
But as her naked feet were whipping out,
He on the sudden clinged her so about,
That, mermaid-like, unto the floor she slid.
One half appeared, the other half was hid.
Thus near the bed she blushing stood upright,
And from her countenance behold ye might
A kind of twilight break, which through the hair,
As from an orient cloud, glimpsed here and there,
And round about the chamber this false morn
Brought forth the day before the day was born.
So Hero’s ruddy cheek Hero betrayed,
And her all naked to his sight displayed,
Whence his admiring eyes more pleasure took
Than Dis, on heaps of gold fixing his look.
By this, Apollo’s golden harp began
To sound forth music to the ocean,
Which watchful Hesperus no sooner heard
But he the bright day-bearing car prepared
And ran before, as harbinger of light,
And with his flaring beams mocked ugly night,
Till she, o’ercome with anguish, shame, and rage,
Danged down to hell her loathsome carriage.

Side by side, their faces blurred,
The earl and countess lie in stone,
Their proper habits vaguely shown
As jointed armour, stiffened pleat,
And that faint hint of the absurd -
The little dogs under their feet.

Such plainness of the pre-baroque
Hardly involves the eye, until
It meets his left-hand gauntlet, still
Clasped empty in the other; and
One sees, with a sharp tender shock,
His hand withdrawn, holding her hand.

They would not think to lie so long.
Such faithfulness in effigy
Was just a detail friends would see:
A sculptor's sweet commissioned grace
Thrown off in helping to prolong
The Latin names around the base.

They would no guess how early in
Their supine stationary voyage
The air would change to soundless damage,
Turn the old tenantry away;
How soon succeeding eyes begin
To look, not read. Rigidly they

Persisted, linked, through lengths and breadths
Of time. Snow fell, undated. Light
Each summer thronged the grass. A bright
Litter of birdcalls strewed the same
Bone-littered ground. And up the paths
The endless altered people came,

Washing at their identity.
Now, helpless in the hollow of
An unarmorial age, a trough
Of smoke in slow suspended skeins
Above their scrap of history,
Only an attitude remains:

Time has transfigures them into
Untruth. The stone fidelity
They hardly meant has come to be
Their final blazon, and to prove
Our almost-instinct almost true:
What will survive of us is love.

in this world of the limped nuptial
i’ve appeared as a power-missile of the lac-dye
that is used by the hindu women
to paint the border of their feet

the tooth-ache of some-one pumpkin
that grows on the thatched roof of a hut
has wringed spirally  
my mythological birth with corporate death

managing and arranging  my thoughts
on what I was in the past
what I would be in the future
or what is my dos at present  
the wonder-paintings of the altamira cave
unfolds its wings beside my painful in-growing nail

and in her own sky of miss marry  
my hands become so much condensed in every drops
as if within that moping smog
without any speech
speaks the twinkle twinkle little star…

beside  that labour pain what awakes then
is the patronage of a one-horned idea
along which while walking  without much preparation
i can enter into any e-mail

though our love pulls a very long-face about itself
and in the opinion of the married women
the sigh of the sin θ of our love wants to cultivate
mustered-seeds on the soil of the inhabitants
of this human-life
with a stick by which the monkeys are driven out
what more can i say in lieu of
a piece of red-salute written in green ink

if i say in the dawn of the 52-cards
i touch your face
by the hands of a school-boy
your calmness and earthly perfume
make me stunned

then in this field of sweat and war
the explosion of logic and intellect
of your top-floor
seems more famous anchor than the milk
that spilt over on the fire

and more to say
when daubing all over the body
all taste of the path of joy
enter into then fort of gold you can notice there
when in some unknown moment
my pajama dies socially
by the bite of the snails and oysters

to keep the heart of the break-kiln always move
this form-less interactions are so well
in the harvest-arrangement of the late-autumn
we are all uttering the name of cherry-flower
and begging shelter from the mango leaves

the cause of spreading over of the fragrance
from our secret myrobalan to every side of the pillows
is not only such that in the morning
an empty ink-*** says to the rain-water
you are beautiful

it is also remarkable that
coming to our half-articulated  travelling
the writings carved on the granite stone
become very much ashamed also

and  taking the busy market-price of the sun-glass
in the fold of the **** cloth tied at the waist
my both hands are also marked very much
in the omnibus of the dancing-bar

such is just because it is the art and science of navigation
that pastes some earth-wave
having no number-plate
with the public
rolling down  on the mat of the summer

it is impossible
to memorise the history of  those
so much contended-hunger
so much contended-sleep

it is all right that the staff-members
of our vibgyr university are all alive  
but they are the existence of some
bio-data only

arrangement of so much smiles and tears
in the nomenclature of banana-bed of mrs sofia
is not to tell the directionlessness of her fishery products
but if the culture of the wild trees assuming figure
then there remains no separate entity of the rbcs
inside or inside-up of the veins and arteries

all are the world of cosmetic-surgery
all are the arena of displaced national integrity
that is the only way to get admitted
into the still water of the horse-race

so the making of this self-portrait of the tip-cat game
by own-hand
so is the fancy of the engagement ring of the bursar

as a result of the headache in the au fait knee-joint
all the rats on the rice-*** of margaret  
become very angry
and when they make their performance  
you can’t catch them by extending your hands

so there is this sky-blue printed sari of desdemona
now take refuge under her perfumed disaster
and it is feared that there may be the drops of sweat
on the lobes of her nose extremely devoted
that the trees become to reside in

how much confusing is that cascade
in each of whose earings the dark fortnight
and whose eden garden is so large
that all those  people with crevasses dwell there

they stay in a group of nine
neither eight nor ten
just n for 9
n is also meant for the nancy
and the narcissus
and the sensational appearance of the
nereid  

once again we rub green-chilly after pouring water
in the parched-rice on the ancient plate made of brass
it is right that the peak is separated down from the temple
but it does not hurt the priest

by the right of our walks strewed outside
we too when hiding ourselves in the regime of fire
with our intention and activities
with our standpoint
with our conduct and  behaviour
or any instant rule or direction
or our deeds
that compel the rotation of the deodorant

thus after the eye-operation
the love between you and me is now
seeing more week-ends than before
to her knee has been submitted many caws
painted in water-colour

in every corner and every hole of the body
that pulls the rickshaw the wind enters
and in every root-cause of the sufferings
the ripple of annihilation of love

from the shop of dip-swimming now
you can also purchase soundlessness  
to feel  the spirit of  chrysoberyl

now you need the work for 100 days
to gain the power you need to keep pace
with the graph of the terracotta
that may also be a long day of fasting  

then on the back of that hungry conch-shell
a globe shouts
the other’s world puts its office-water
in the fountain of cactus the roaring of which
pours so many telephone-calls into the ears

then in our market the ear-bursting sound of the generator
then in our forest-land
the bullet-fight between maoist and the joint-force

then with the enlarging and waning of our moon
are the bright fortnight the dark fortnight and the leaves of wood-apple

you may say now
those demerits relate to the seeds of the gm oranges
but just think the scanning of hibernation of the philtre
or of the kite the thread of which is cut off
they can’t escape their responsibility too

then tell me to whom i could give
my sad melting point  

but then to do any work means
this trigonometry
outside the territory of copyright

then the connection of the biscuits
with the thoughts of the fire-works
is clearly dismantled

the border-zone of all relations thus keep themselves apart
and due to a sharp difference in the chromosomes of sand-stone
our dwelling-house becomes a museum

to build a hospital with a big moustache
at last within the hypnotized company
the shadow of our bed-room appears

then the light of the social moon  is like the materials
with which the inner parts of the sorrows of the pomelo
is made up

it may be well for making great
the art-work of the horse-rider
that is wrapped with the handkerchief of ocean  

it must be waiting for my shampoo-power too

some cure may be offered by the paraffin
and her open hair

but one deed of the rose-petals
and the convex sweet drops of molasses  
is the flame of thumb-impression
that is born and brought up by the pan-cake
in-between sauce-pan and peter pan

in this all-pervasive panorama of slang-opera

Perplexed and troubled at his bad success
The Tempter stood, nor had what to reply,
Discovered in his fraud, thrown from his hope
So oft, and the persuasive rhetoric
That sleeked his tongue, and won so much on Eve,
So little here, nay lost.  But Eve was Eve;
This far his over-match, who, self-deceived
And rash, beforehand had no better weighed
The strength he was to cope with, or his own.
But—as a man who had been matchless held
In cunning, over-reached where least he thought,
To salve his credit, and for very spite,
Still will be tempting him who foils him still,
And never cease, though to his shame the more;
Or as a swarm of flies in vintage-time,
About the wine-press where sweet must is poured,
Beat off, returns as oft with humming sound;
Or surging waves against a solid rock,
Though all to shivers dashed, the assault renew,
(Vain battery!) and in froth or bubbles end—
So Satan, whom repulse upon repulse
Met ever, and to shameful silence brought,
Yet gives not o’er, though desperate of success,
And his vain importunity pursues.
He brought our Saviour to the western side
Of that high mountain, whence he might behold
Another plain, long, but in breadth not wide,
Washed by the southern sea, and on the north
To equal length backed with a ridge of hills
That screened the fruits of the earth and seats of men
From cold Septentrion blasts; thence in the midst
Divided by a river, off whose banks
On each side an Imperial City stood,
With towers and temples proudly elevate
On seven small hills, with palaces adorned,
Porches and theatres, baths, aqueducts,
Statues and trophies, and triumphal arcs,
Gardens and groves, presented to his eyes
Above the highth of mountains interposed—
By what strange parallax, or optic skill
Of vision, multiplied through air, or glass
Of telescope, were curious to enquire.
And now the Tempter thus his silence broke:—
  “The city which thou seest no other deem
Than great and glorious Rome, Queen of the Earth
So far renowned, and with the spoils enriched
Of nations.  There the Capitol thou seest,
Above the rest lifting his stately head
On the Tarpeian rock, her citadel
Impregnable; and there Mount Palatine,
The imperial palace, compass huge, and high
The structure, skill of noblest architects,
With gilded battlements, conspicuous far,
Turrets, and terraces, and glittering spires.
Many a fair edifice besides, more like
Houses of gods—so well I have disposed
My aerie microscope—thou may’st behold,
Outside and inside both, pillars and roofs
Carved work, the hand of famed artificers
In cedar, marble, ivory, or gold.
Thence to the gates cast round thine eye, and see
What conflux issuing forth, or entering in:
Praetors, proconsuls to their provinces
Hasting, or on return, in robes of state;
Lictors and rods, the ensigns of their power;
Legions and cohorts, turms of horse and wings;
Or embassies from regions far remote,
In various habits, on the Appian road,
Or on the AEmilian—some from farthest south,
Syene, and where the shadow both way falls,
Meroe, Nilotic isle, and, more to west,
The realm of Bocchus to the Blackmoor sea;
From the Asian kings (and Parthian among these),
From India and the Golden Chersoness,
And utmost Indian isle Taprobane,
Dusk faces with white silken turbants wreathed;
From Gallia, Gades, and the British west;
Germans, and Scythians, and Sarmatians north
Beyond Danubius to the Tauric pool.
All nations now to Rome obedience pay—
To Rome’s great Emperor, whose wide domain,
In ample territory, wealth and power,
Civility of manners, arts and arms,
And long renown, thou justly may’st prefer
Before the Parthian.  These two thrones except,
The rest are barbarous, and scarce worth the sight,
Shared among petty kings too far removed;
These having shewn thee, I have shewn thee all
The kingdoms of the world, and all their glory.
This Emperor hath no son, and now is old,
Old and lascivious, and from Rome retired
To Capreae, an island small but strong
On the Campanian shore, with purpose there
His horrid lusts in private to enjoy;
Committing to a wicked favourite
All public cares, and yet of him suspicious;
Hated of all, and hating.  With what ease,
Endued with regal virtues as thou art,
Appearing, and beginning noble deeds,
Might’st thou expel this monster from his throne,
Now made a sty, and, in his place ascending,
A victor-people free from servile yoke!
And with my help thou may’st; to me the power
Is given, and by that right I give it thee.
Aim, therefore, at no less than all the world;
Aim at the highest; without the highest attained,
Will be for thee no sitting, or not long,
On David’s throne, be prophesied what will.”
  To whom the Son of God, unmoved, replied:—
“Nor doth this grandeur and majestic shew
Of luxury, though called magnificence,
More than of arms before, allure mine eye,
Much less my mind; though thou should’st add to tell
Their sumptuous gluttonies, and gorgeous feasts
On citron tables or Atlantic stone
(For I have also heard, perhaps have read),
Their wines of Setia, Cales, and Falerne,
Chios and Crete, and how they quaff in gold,
Crystal, and myrrhine cups, imbossed with gems
And studs of pearl—to me should’st tell, who thirst
And hunger still.  Then embassies thou shew’st
From nations far and nigh!  What honour that,
But tedious waste of time, to sit and hear
So many hollow compliments and lies,
Outlandish flatteries?  Then proceed’st to talk
Of the Emperor, how easily subdued,
How gloriously.  I shall, thou say’st, expel
A brutish monster: what if I withal
Expel a Devil who first made him such?
Let his tormentor, Conscience, find him out;
For him I was not sent, nor yet to free
That people, victor once, now vile and base,
Deservedly made vassal—who, once just,
Frugal, and mild, and temperate, conquered well,
But govern ill the nations under yoke,
Peeling their provinces, exhausted all
By lust and rapine; first ambitious grown
Of triumph, that insulting vanity;
Then cruel, by their sports to blood inured
Of fighting beasts, and men to beasts exposed;
Luxurious by their wealth, and greedier still,
And from the daily Scene effeminate.
What wise and valiant man would seek to free
These, thus degenerate, by themselves enslaved,
Or could of inward slaves make outward free?
Know, therefore, when my season comes to sit
On David’s throne, it shall be like a tree
Spreading and overshadowing all the earth,
Or as a stone that shall to pieces dash
All monarchies besides throughout the world;
And of my Kingdom there shall be no end.
Means there shall be to this; but what the means
Is not for thee to know, nor me to tell.”
  To whom the Tempter, impudent, replied:—
“I see all offers made by me how slight
Thou valuest, because offered, and reject’st.
Nothing will please the difficult and nice,
Or nothing more than still to contradict.
On the other side know also thou that I
On what I offer set as high esteem,
Nor what I part with mean to give for naught,
All these, which in a moment thou behold’st,
The kingdoms of the world, to thee I give
(For, given to me, I give to whom I please),
No trifle; yet with this reserve, not else—
On this condition, if thou wilt fall down,
And worship me as thy superior Lord
(Easily done), and hold them all of me;
For what can less so great a gift deserve?”
  Whom thus our Saviour answered with disdain:—
“I never liked thy talk, thy offers less;
Now both abhor, since thou hast dared to utter
The abominable terms, impious condition.
But I endure the time, till which expired
Thou hast permission on me.  It is written,
The first of all commandments, ‘Thou shalt worship
The Lord thy God, and only Him shalt serve.’
And dar’st thou to the Son of God propound
To worship thee, accursed? now more accursed
For this attempt, bolder than that on Eve,
And more blasphemous; which expect to rue.
The kingdoms of the world to thee were given!
Permitted rather, and by thee usurped;
Other donation none thou canst produce.
If given, by whom but by the King of kings,
God over all supreme?  If given to thee,
By thee how fairly is the Giver now
Repaid!  But gratitude in thee is lost
Long since.  Wert thou so void of fear or shame
As offer them to me, the Son of God—
To me my own, on such abhorred pact,
That I fall down and worship thee as God?
Get thee behind me!  Plain thou now appear’st
That Evil One, Satan for ever ******.”
  To whom the Fiend, with fear abashed, replied:—
“Be not so sore offended, Son of God—
Though Sons of God both Angels are and Men—
If I, to try whether in higher sort
Than these thou bear’st that title, have proposed
What both from Men and Angels I receive,
Tetrarchs of Fire, Air, Flood, and on the Earth
Nations besides from all the quartered winds—
God of this World invoked, and World beneath.
Who then thou art, whose coming is foretold
To me most fatal, me it most concerns.
The trial hath indamaged thee no way,
Rather more honour left and more esteem;
Me naught advantaged, missing what I aimed.
Therefore let pass, as they are transitory,
The kingdoms of this world; I shall no more
Advise thee; gain them as thou canst, or not.
And thou thyself seem’st otherwise inclined
Than to a worldly crown, addicted more
To contemplation and profound dispute;
As by that early action may be judged,
When, slipping from thy mother’s eye, thou went’st
Alone into the Temple, there wast found
Among the gravest Rabbies, disputant
On points and questions fitting Moses’ chair,
Teaching, not taught.  The childhood shews the man,
As morning shews the day.  Be famous, then,
By wisdom; as thy empire must extend,
So let extend thy mind o’er all the world
In knowledge; all things in it comprehend.
All knowledge is not couched in Moses’ law,
The Pentateuch, or what the Prophets wrote;
The Gentiles also know, and write, and teach
To admiration, led by Nature’s light;
And with the Gentiles much thou must converse,
Ruling them by persuasion, as thou mean’st.
Without their learning, how wilt thou with them,
Or they with thee, hold conversation meet?
How wilt thou reason with them, how refute
Their idolisms, traditions, paradoxes?
Error by his own arms is best evinced.
Look once more, ere we leave this specular mount,
Westward, much nearer by south-west; behold
Where on the AEgean shore a city stands,
Built nobly, pure the air and light the soil—
Athens, the eye of Greece, mother of arts
And Eloquence, native to famous wits
Or hospitable, in her sweet recess,
City or suburban, studious walks and shades.
See there the olive-grove of Academe,
Plato’s retirement, where the Attic bird
Trills her thick-warbled notes the summer long;
There, flowery hill, Hymettus, with the sound
Of bees’ industrious murmur, oft invites
To studious musing; there Ilissus rowls
His whispering stream.  Within the walls then view
The schools of ancient sages—his who bred
Great Alexander to subdue the world,
Lyceum there; and painted Stoa next.
There thou shalt hear and learn the secret power
Of harmony, in tones and numbers hit
By voice or hand, and various-measured verse,
AEolian charms and Dorian lyric odes,
And his who gave them breath, but higher sung,
Blind Melesigenes, thence Homer called,
Whose poem Phoebus challenged for his own.
Thence what the lofty grave Tragedians taught
In chorus or iambic, teachers best
Of moral prudence, with delight received
In brief sententious precepts, while they treat
Of fate, and chance, and change in human life,
High actions and high passions best describing.
Thence to the famous Orators repair,
Those ancient whose resistless eloquence
Wielded at will that fierce democraty,
Shook the Arsenal, and fulmined over Greece
To Macedon and Artaxerxes’ throne.
To sage Philosophy next lend thine ear,
From heaven descended to the low-roofed house
Of Socrates—see there his tenement—
Whom, well inspired, the Oracle pronounced
Wisest of men; from whose mouth issued forth
Mellifluous streams, that watered all the schools
Of Academics old and new, with those
Surnamed Peripatetics, and the sect
Epicurean, and the Stoic severe.
These here revolve, or, as thou likest, at home,
Till time mature thee to a kingdom’s weight;
These rules will render thee a king complete
Within thyself, much more with empire joined.”
  To whom our Saviour sagely thus replied:—
“Think not but that I know these things; or, think
I know them not, not therefore am I short
Of knowing what I ought.  He who receives
Light from above, from the Fountain of Light,
No other doctrine needs, though granted true;
But these are false, or little else but dreams,
Conjectures, fancies, built on nothing firm.
The first and wisest of them all professed
To know this only, that he nothing knew;
The next to fabling fell and smooth conceits;
A third sort doubted all things, though plain sense;
Others in virtue placed felicity,
But virtue joined with riches and long life;
In corporal pleasure he, and careless ease;
The Stoic last in philosophic pride,
By him called virtue, and his virtuous man,
Wise, perfect in himself, and all possessing,
Equal to God, oft shames not to prefer,
As fearing God nor man, contemning all
Wealth, pleasure, pain or torment, death and life—
Which, when he lists, he leaves, or boasts he can;
For all his tedious talk is but vain boast,
Or subtle shifts conviction to evade.
Alas! what can they teach, and not mislead,
Ignorant of themselves, of God much more,
And how the World began, and how Man fell,
Degraded by himself, on grace depending?
Much of the Soul they talk, but all awry;
And in themselves seek virtue; and to themselves
All glory arrogate, to God give none;
Rather accuse him under usual names,
Fortune and Fate, as one regardless quite
Of mortal things.  Who, therefore, seeks in these
True wisdom finds her not, or, by delusion
Far worse, her false resemblance only meets,
An empty cloud.  However, many books,
Wise men have said, are wearisome; who reads
Incessantly, and to his reading brings not
A spirit and judgment equal or superior,
(And what he brings what needs he elsewhere seek?)
Uncertain and unsettled still remains,
Deep-versed in books and shallow in himself,
Crude or intoxicate, collecting toys
And trifles for choice matters, worth a sponge,
As children gathering pebbles on the shore.
Or, if I would delight my private hours
With music or with poem, where so soon
As in our native language can I find
That solace?  All our Law and Story strewed
With hymns, our Psalms with artful terms inscribed,
Our Hebrew songs and harps, in Babylon
That pleased so well our victor’s ear, declare
That rather Greece from us these arts derived—
Ill imitated while they loudest sing
The vices of their deities, and their own,
In fable, hymn, or song, so personating
Their gods ridiculous, and themselves past shame.
Remove their swelling epithetes, thick-laid
As varnish on a harlot’s cheek, the rest,
Thin-sown with aught of profit or delight,
Will far be found unworthy to compare
With Sion’s songs, to all true tastes excelling,
Where God is praised aright and godlike men,
The Holiest of Holies and his Saints
(Such are from God inspired, not such from thee);
Unless where moral virtue is expressed
By light of Nature, not in all quite lost.
Their orators thou then extoll’st as those
The top of eloquence—statists indeed,
And lovers of their country, as may seem;
But herein to our Prophets far beneath,
As men divinely taught, and better teaching
The solid rules of civil government,
In their majestic, unaffected style,
Than all the oratory of Greece and Rome.
In them is plainest taught, and easiest learnt,
What makes a nation happy, and keeps it so,
What ruins kingdoms, and lays cities flat;
These only, with our Law, best form a king.”
  So spake the Son of God; but Satan, now
Quite at a loss (for all his darts were spent),
Thus to our Saviour, with stern brow, replied:—
  “Since neither wealth nor honour, arms nor arts,
Kingdom nor empire, pleases thee, nor aught
By me proposed in life contemplative
Or active, tended on by glory or fame,
What dost thou in this world?  The Wilderness
For thee is fittest place: I found thee there,
And thither will return thee.  Yet remember
What I foretell t

Ulysses now left the haven, and took the rough track up through
the wooded country and over the crest of the mountain till he
reached the place where Minerva had said that he would find the
swineherd, who was the most thrifty servant he had. He found him
sitting in front of his hut, which was by the yards that he had
built on a site which could be seen from far. He had made them
spacious and fair to see, with a free ran for the pigs all round them;
he had built them during his master’s absence, of stones which he
had gathered out of the ground, without saying anything to Penelope or
Laertes, and he had fenced them on top with thorn bushes. Outside
the yard he had run a strong fence of oaken posts, split, and set
pretty close together, while inside lie had built twelve sties near
one another for the sows to lie in. There were fifty pigs wallowing in
each sty, all of them breeding sows; but the boars slept outside and
were much fewer in number, for the suitors kept on eating them, and
die swineherd had to send them the best he had continually. There were
three hundred and sixty boar pigs, and the herdsman’s four hounds,
which were as fierce as wolves, slept always with them. The
swineherd was at that moment cutting out a pair of sandals from a good
stout ox hide. Three of his men were out herding the pigs in one place
or another, and he had sent the fourth to town with a boar that he had
been forced to send the suitors that they might sacrifice it and
have their fill of meat.
  When the hounds saw Ulysses they set up a furious barking and flew
at him, but Ulysses was cunning enough to sit down and loose his
hold of the stick that he had in his hand: still, he would have been
torn by them in his own homestead had not the swineherd dropped his ox
hide, rushed full speed through the gate of the yard and driven the
dogs off by shouting and throwing stones at them. Then he said to
Ulysses, “Old man, the dogs were likely to have made short work of
you, and then you would have got me into trouble. The gods have
given me quite enough worries without that, for I have lost the best
of masters, and am in continual grief on his account. I have to attend
swine for other people to eat, while he, if he yet lives to see the
light of day, is starving in some distant land. But come inside, and
when you have had your fill of bread and wine, tell me where you
come from, and all about your misfortunes.”
  On this the swineherd led the way into the hut and bade him sit
down. He strewed a good thick bed of rushes upon the floor, and on the
top of this he threw the shaggy chamois skin—a great thick one—on
which he used to sleep by night. Ulysses was pleased at being made
thus welcome, and said “May Jove, sir, and the rest of the gods
grant you your heart’s desire in return for the kind way in which
you have received me.”
  To this you answered, O swineherd Eumaeus, “Stranger, though a still
poorer man should come here, it would not be right for me to insult
him, for all strangers and beggars are from Jove. You must take what
you can get and be thankful, for servants live in fear when they
have young lords for their masters; and this is my misfortune now, for
heaven has hindered the return of him who would have been always
good to me and given me something of my own—a house, a piece of land,
a good looking wife, and all else that a liberal master allows a
servant who has worked hard for him, and whose labour the gods have
prospered as they have mine in the situation which I hold. If my
master had grown old here he would have done great things by me, but
he is gone, and I wish that Helen’s whole race were utterly destroyed,
for she has been the death of many a good man. It was this matter that
took my master to Ilius, the land of noble steeds, to fight the
Trojans in the cause of kin Agamemnon.”
  As he spoke he bound his girdle round him and went to the sties
where the young ******* pigs were penned. He picked out two which he
brought back with him and sacrificed. He singed them, cut them up, and
spitted on them; when the meat was cooked he brought it all in and set
it before Ulysses, hot and still on the spit, whereon Ulysses
sprinkled it over with white barley meal. The swineherd then mixed
wine in a bowl of ivy-wood, and taking a seat opposite Ulysses told
him to begin.
  “Fall to, stranger,” said he, “on a dish of servant’s pork. The
fat pigs have to go to the suitors, who eat them up without shame or
scruple; but the blessed gods love not such shameful doings, and
respect those who do what is lawful and right. Even the fierce
free-booters who go raiding on other people’s land, and Jove gives
them their spoil—even they, when they have filled their ships and got
home again live conscience-stricken, and look fearfully for judgement;
but some god seems to have told these people that Ulysses is dead
and gone; they will not, therefore, go back to their own homes and
make their offers of marriage in the usual way, but waste his estate
by force, without fear or stint. Not a day or night comes out of
heaven, but they sacrifice not one victim nor two only, and they
take the run of his wine, for he was exceedingly rich. No other
great man either in Ithaca or on the mainland is as rich as he was; he
had as much as twenty men put together. I will tell you what he had.
There are twelve herds of cattle upon the mainland, and as many flocks
of sheep, there are also twelve droves of pigs, while his own men
and hired strangers feed him twelve widely spreading herds of goats.
Here in Ithaca he runs even large flocks of goats on the far end of
the island, and they are in the charge of excellent goatherds. Each
one of these sends the suitors the best goat in the flock every day.
As for myself, I am in charge of the pigs that you see here, and I
have to keep picking out the best I have and sending it to them.”
  This was his story, but Ulysses went on eating and drinking
ravenously without a word, brooding his revenge. When he had eaten
enough and was satisfied, the swineherd took the bowl from which he
usually drank, filled it with wine, and gave it to Ulysses, who was
pleased, and said as he took it in his hands, “My friend, who was this
master of yours that bought you and paid for you, so rich and so
powerful as you tell me? You say he perished in the cause of King
Agamemnon; tell me who he was, in case I may have met with such a
person. Jove and the other gods know, but I may be able to give you
news of him, for I have travelled much.”
  Eumaeus answered, “Old man, no traveller who comes here with news
will get Ulysses’ wife and son to believe his story. Nevertheless,
tramps in want of a lodging keep coming with their mouths full of
lies, and not a word of truth; every one who finds his way to Ithaca
goes to my mistress and tells her falsehoods, whereon she takes them
in, makes much of them, and asks them all manner of questions,
crying all the time as women will when they have lost their
husbands. And you too, old man, for a shirt and a cloak would
doubtless make up a very pretty story. But the wolves and birds of
prey have long since torn Ulysses to pieces, or the fishes of the
sea have eaten him, and his bones are lying buried deep in sand upon
some foreign shore; he is dead and gone, and a bad business it is
for all his friends—for me especially; go where I may I shall never
find so good a master, not even if I were to go home to my mother
and father where I was bred and born. I do not so much care,
however, about my parents now, though I should dearly like to see them
again in my own country; it is the loss of Ulysses that grieves me
most; I cannot speak of him without reverence though he is here no
longer, for he was very fond of me, and took such care of me that
whereever he may be I shall always honour his memory.”
  “My friend,” replied Ulysses, “you are very positive, and very
hard of belief about your master’s coming home again, nevertheless I
will not merely say, but will swear, that he is coming. Do not give me
anything for my news till he has actually come, you may then give me a
shirt and cloak of good wear if you will. I am in great want, but I
will not take anything at all till then, for I hate a man, even as I
hate hell fire, who lets his poverty tempt him into lying. I swear
by king Jove, by the rites of hospitality, and by that hearth of
Ulysses to which I have now come, that all will surely happen as I
have said it will. Ulysses will return in this self same year; with
the end of this moon and the beginning of the next he will be here
to do vengeance on all those who are ill treating his wife and son.”
  To this you answered, O swineherd Eumaeus, “Old man, you will
neither get paid for bringing good news, nor will Ulysses ever come
home; drink you wine in peace, and let us talk about something else.
Do not keep on reminding me of all this; it always pains me when any
one speaks about my honoured master. As for your oath we will let it
alone, but I only wish he may come, as do Penelope, his old father
Laertes, and his son Telemachus. I am terribly unhappy too about
this same boy of his; he was running up fast into manhood, and bade
fare to be no worse man, face and figure, than his father, but some
one, either god or man, has been unsettling his mind, so he has gone
off to Pylos to try and get news of his father, and the suitors are
lying in wait for him as he is coming home, in the hope of leaving the
house of Arceisius without a name in Ithaca. But let us say no more
about him, and leave him to be taken, or else to escape if the son
of Saturn holds his hand over him to protect him. And now, old man,
tell me your own story; tell me also, for I want to know, who you
are and where you come from. Tell me of your town and parents, what
manner of ship you came in, how crew brought you to Ithaca, and from
what country they professed to come—for you cannot have come by
land.”
  And Ulysses answered, “I will tell you all about it. If there were
meat and wine enough, and we could stay here in the hut with nothing
to do but to eat and drink while the others go to their work, I
could easily talk on for a whole twelve months without ever
finishing the story of the sorrows with which it has pleased heaven to
visit me.
  “I am by birth a Cretan; my father was a well-to-do man, who had
many sons born in marriage, whereas I was the son of a slave whom he
had purchased for a concubine; nevertheless, my father Castor son of
Hylax (whose lineage I claim, and who was held in the highest honour
among the Cretans for his wealth, prosperity, and the valour of his
sons) put me on the same level with my brothers who had been born in
wedlock. When, however, death took him to the house of Hades, his sons
divided his estate and cast lots for their shares, but to me they gave
a holding and little else; nevertheless, my valour enabled me to marry
into a rich family, for I was not given to bragging, or shirking on
the field of battle. It is all over now; still, if you look at the
straw you can see what the ear was, for I have had trouble enough
and to spare. Mars and Minerva made me doughty in war; when I had
picked my men to surprise the enemy with an ambuscade I never gave
death so much as a thought, but was the first to leap forward and
spear all whom I could overtake. Such was I in battle, but I did not
care about farm work, nor the frugal home life of those who would
bring up children. My delight was in ships, fighting, javelins, and
arrows—things that most men shudder to think of; but one man likes
one thing and another another, and this was what I was most
naturally inclined to. Before the Achaeans went to Troy, nine times
was I in command of men and ships on foreign service, and I amassed
much wealth. I had my pick of the spoil in the first instance, and
much more was allotted to me later on.
  “My house grew apace and I became a great man among the Cretans, but
when Jove counselled that terrible expedition, in which so many
perished, the people required me and Idomeneus to lead their ships
to Troy, and there was no way out of it, for they insisted on our
doing so. There we fought for nine whole years, but in the tenth we
sacked the city of Priam and sailed home again as heaven dispersed us.
Then it was that Jove devised evil against me. I spent but one month
happily with my children, wife, and property, and then I conceived the
idea of making a descent on Egypt, so I fitted out a fine fleet and
manned it. I had nine ships, and the people flocked to fill them.
For six days I and my men made feast, and I found them many victims
both for sacrifice to the gods and for themselves, but on the
seventh day we went on board and set sail from Crete with a fair North
wind behind us though we were going down a river. Nothing went ill
with any of our ships, and we had no sickness on board, but sat
where we were and let the ships go as the wind and steersmen took
them. On the fifth day we reached the river Aegyptus; there I
stationed my ships in the river, bidding my men stay by them and
keep guard over them while I sent out scouts to reconnoitre from every
point of vantage.
  “But the men disobeyed my orders, took to their own devices, and
ravaged the land of the Egyptians, killing the men, and taking their
wives and children captive. The alarm was soon carried to the city,
and when they heard the war cry, the people came out at daybreak
till the plain was filled with horsemen and foot soldiers and with the
gleam of armour. Then Jove spread panic among my men, and they would
no longer face the enemy, for they found themselves surrounded. The
Egyptians killed many of us, and took the rest alive to do forced
labour for them. Jove, however, put it in my mind to do thus—and I
wish I had died then and there in Egypt instead, for there was much
sorrow in store for me—I took off my helmet and shield and dropped my
spear from my hand; then I went straight up to the king’s chariot,
clasped his knees and kissed them, whereon he spared my life, bade
me get into his chariot, and took me weeping to his own home. Many
made at me with their ashen spears and tried to kil me in their
fury, but the king protected me, for he feared the wrath of Jove the
protector of strangers, who punishes those who do evil.
  “I stayed there for seven years and got together much money among
the Egyptians, for they all gave me something; but when it was now
going on for eight years there came a certain Phoenician, a cunning
rascal, who had already committed all sorts of villainy, and this
man talked me over into going with him to Phoenicia, where his house
and his possessions lay. I stayed there for a whole twelve months, but
at the end of that time when months and days had gone by till the same
season had come round again, he set me on board a ship bound for
Libya, on a pretence that I was to take a cargo along with him to that
place, but really that he might sell me as a slave and take the
money I fetched. I suspected his intention, but went on board with
him, for I could not help it.
  “The ship ran before a fresh North wind till we had reached the
sea that lies between Crete and Libya; there, however, Jove counselled
their destruction, for as soon as we were well out from Crete and
could see nothing but sea and sky, he raised a black cloud over our
ship and the sea grew dark beneath it. Then Jove let fly with his
thunderbolts and the ship went round and round and was filled with
fire and brimstone as the lightning struck it. The men fell all into
the sea; they were carried about in the water round the ship looking
like so many sea-gulls, but the god presently deprived them of all
chance of getting home again. I was all dismayed; Jove, however,
sent the ship’s mast within my reach, which saved my life, for I clung
to it, and drifted before the fury of the gale. Nine days did I
drift but in the darkness of the tenth night a great wave bore me on
to the Thesprotian coast. There Pheidon king of the Thesprotians
entertained me hospitably without charging me anything at all for
his son found me when I was nearly dead with cold and fatigue, whereon
he raised me by the hand, took me to his father’s house and gave

1.**

A horizontal fall
from the high-up slide
made for big kids was not
what I expected as I screamed
“Push me down, Haley!”

Unexpected, too, was the destruction of your wounded butterfly days later–
revenge is sweet, yet unsatisfying.
And then you left for six years,
turning up again as hormones
were in full swing
in our freshman year of high school.

2.

you said



"i'll teach you to love,

just draw nearer to me.

draw nearer to me

and i'll make you mine."



as you



laced up your best heels

put on your best face

and applied another coat

of liquid vanity.



as i


made an effort to


concoct a new way to say

"no"


and


ignore the 
rotting

carcasses of

hearts

that strewed the floor.


i'd seen your kind before


"but losing you would be a chore

my darling detritivore"



i said

3.

focus of a new kind sheds a big difference BIG DIFFERENCE upon your face bright yet shadows consume both it and your body like a prophecy. since when did that happen? so what if it never did? so you came to your senses; perhaps that was it. perhaps the realization of “you sure do know how to pick ‘em” broke you and now you’re left with a twelve-and-one-half-inch phallus in your big box of board games. we hardly speak anymore. i am now your temptress, detritivore and you’ll never escape never escape the howls of agony and desire releasing themselves from your joints your muscles your heart aches for fresh meat and you get it, **** you. you get it daily for viewing pleasure. dear heavens speak of shabby apartments and televisions that don’t work. they never knew how to comfort me; so why should they now? falling down the stairs into the pitch black night irreversible womb child conceived on camera and carried to term on God’s watch. do you remember pushing me down that slide in the second grade? it’s your turn.

4.

Unexpected, too, was the destruction of my wounded memory
of an innocent girl from second grade
now in chains and leather,
used and watched and seen and lusted over and masturbated over,
but for a hefty sum.

And I still see second grade Haley
and we still talk
and we share the occasional cigarette
and we tell of our conquests.
But I am no savior–

5.

Feeling vibrations in my palm is finding decaying matter on the forest floor to eat–
the words they carry are a substitute for nutrition.
The nearest bounty of corn is a thousand miles away,
for God places us here and our placement is the source of life’s cruelty.
And second-grade Victor would happily take a beating
for gas money; desperate detritivore–
feast on decaying matter, get your fill
and one day substance of corn will fill your stomach
and you will hibernate indefinitely.

High up above the open, welcoming door
It hangs, a piece of wood with colours dim.
Once, long ago, it was a waving tree
And knew the sun and shadow through the leaves
Of forest trees, in a thick eastern wood.
The winter snows had bent its branches down,
The spring had swelled its buds with coming flowers,
Summer had run like fire through its veins,
While autumn pelted it with chestnut burrs,
And strewed the leafy ground with acorn cups.
Dark midnight storms had roared and crashed among
Its branches, breaking here and there a limb;
But every now and then broad sunlit days
Lovingly lingered, caught among the leaves.
Yes, it had known all this, and yet to us
It does not speak of mossy forest ways,
Of whispering pine trees or the shimmering birch;
But of quick winds, and the salt, stinging sea!
An artist once, with patient, careful knife,
Had fashioned it like to the untamed sea.
Here waves uprear themselves, their tops blown back
By the gay, sunny wind, which whips the blue
And breaks it into gleams and sparks of light.
Among the flashing waves are two white birds
Which swoop, and soar, and scream for very joy
At the wild sport. Now diving quickly in,
Questing some glistening fish. Now flying up,
Their dripping feathers shining in the sun,
While the wet drops like little glints of light,
Fall pattering backward to the parent sea.
Gliding along the green and foam-flecked hollows,
Or skimming some white crest about to break,
The spirits of the sky deigning to stoop
And play with ocean in a summer mood.
Hanging above the high, wide open door,
It brings to us in quiet, firelit room,
The freedom of the earth's vast solitudes,
Where heaping, sunny waves tumble and roll,
And seabirds scream in wanton happiness.

adjacent at my right,
your thoughts with you are,
strewed in opposition,
calling out my name,
i am the child,
you are the adult,
why wont i understand,
for i have no experience,
no life lived,
my intrigue provoked,
ideal foresight,
but that, all they are,
questions to actions,
tell me im wrong,
just an ignorant soul,
for i must see the world,
the way that you do,
and for the sake of the horse,
hope the legs can support,
the stead in which you ride,
for it must be cold,
one thousand jen high,
should i bow at your feet?
as my opinion indifferent,
blasphemer,
heathen,
tell me to seal my mouth,
say "I dont listen",
over again,
you never heard the words,
"your hurting my chest",
stepping on my lungs,
hearing one phrase of words,
"you dont listen",
but i heard every word,
whether i agree or not,
is another lore,
but ill admit im wrong,
will you do the same?,
now i'll hope you know,
i judge you not,
i love that you have opinion,
for you are only human,
even if the whip strikes my back,
ill never stop,
continue your attack,
for these are my thoughts,
you made me this way,
you cant change my brain.

October winds, they came at last
Across the hills and ponds, they passed
And strewed bright autumn leaves around
So wonderful, their stirring sound
Relentlessly, they lured my mind
Down ancient paths that ever wind
So forthwith I sped through my door
Toward Massapoag's long sandy shore
And to the windy beach, I came
As waters glowed with twilight's flame
I felt your love on me enfold
As I gazed out on waters gold
So movingly, our hearts were one
Neath crimson rays of setting sun
Though far across the land, you dwelt
Eternal was the love I felt
That spanned the mountains and the seas
And rode the wild Autumn breeze
Now Autumn days to Winter, turn
This vision will, in my heart, burn.

I

The cloud my bed is tinged with blood and foam.
The vault yet blazes with the sun
Writhing above the West, brave hippodrome
Whose gladiators shock and shun
As the blue night devours them, crested comb
Of sleep's dead sea
That eats the shores of life, rings round eternity!

II

So, he is gone whose giant sword shed flame
Into my bowels; my blood's bewitched;
My brain's afloat with ecstasy of shame.
That tearing pain is gone, enriched
By his life-spasm; but he being gone, the same
Myself is gone
****** by the dragon down below death's horizon.

III
I woke from this. I lay upon the lawn;
They had thrown roses on the moss
With all their thorns; we came there at the dawn,
My lord and I; God sailed across
The sky in's galleon of amber, drawn
By singing winds
While we wove garlands of the flowers of our minds.

IV

All day my lover deigned to ****** me,
Linking his kisses in a chain
About my neck; demon-embroidery!
Bruises like far-ff mountains stain
The valley of my body of ivory!
Then last came sleep.
I wake, and he is gone; what should I do but weep?

V

Nay, for I wept enough --- more sacred tears! ---
When first he pinned me, gripped
My flesh, and as a stallion that rears,
Sprang, hero-thewed and satyr-lipped;
Crushed, as a grape between his teeth, my fears;
****** out my life
And stamped me with the shame, the monstrous word of
wife.

VI

I will not weep; nay, I will follow him
Perchance he is not far,
Bathing his limbs in some delicious dim
Depth, where the evening star
May kiss his mouth, or by the black sky's rim
He makes his prayer
To the great serpent that is coiled in rapture there.

VII

I rose to seek him. First my footsteps faint
Pressed the starred moss; but soon
I wandered, like some sweet sequestered saint,
Into the wood, my mind. The moon
Was staggered by the trees; with fierce constraint
Hardly one ray
Pierced to the ragged earth about their roots that lay.

VIII

I wandered, crying on my Lord. I wandered
Eagerly seeking everywhere.
The stories of life that on my lips he squandered
Grew into shrill cries of despair,
Until the dryads frightened and dumfoundered
Fled into space ---
Like to a demon-king's was grown my maiden face!

XI

At last I came unto the well, my soul
In that still glass, I saw no sign
Of him, and yet --- what visions there uproll
To cloud that mirror-soul of mine?
Above my head there screams a flying scroll
Whose word burnt through
My being as when stars drop in black disastrous dew.

X

For in that scroll was written how the globe
Of space became; of how the light
Broke in that space and wrapped it in a robe
Of glory; of how One most white
Withdrew that Whole, and hid it in the lobe
Of his right Ear,
So that the Universe one dewdrop did appear.

IX

Yea! and the end revealed a word, a spell,
An incantation, a device
Whereby the Eye of the Most Terrible
Wakes from its wilderness of ice
To flame, whereby the very core of hell
Bursts from its rind,
Sweeping the world away into the blank of mind.

XII

So then I saw my fault; I plunged within
The well, and brake the images
That I had made, as I must make - Men spin
The webs that snare them - while the knee
Bend to the tyrant God - or unto Sin
The lecher sunder!
Ah! came that undulant light from over or from under?

XIII

It matters not. Come, change! come, Woe! Come, mask!
Drive Light, Life, Love into the deep!
In vain we labour at the loathsome task
Not knowing if we wake or sleep;
But in the end we lift the plumed casque
Of the dead warrior;
Find no chaste corpse therein, but a soft-smiling *****.

XIV

Then I returned into myself, and took
All in my arms, God's universe:
Crushed its black juice out, while His anger shook
His dumbness pregnant with a curse.
I made me ink, and in a little book
I wrote one word
That God himself, the adder of Thought, had never heard.

XV

It detonated. Nature, God, mankind
Like sulphur, nitre, charcoal, once
Blended, in one annihilation blind
Were rent into a myriad of suns.
Yea! all the mighty fabric of a Mind
Stood in the abyss,
Belching a Law for "That" more awful than for "This."

XVI

Vain was the toil. So then I left the wood
And came unto the still black sea,
That oily monster of beatitude!
('Hath "Thee" for "Me," and "Me" for "Thee!")
There as I stood, a mask of solitude
Hiding a face
Wried as a satyr's, rolled that ocean into space.

XVII

Then did I build an altar on the shore
Of oyster-shells, and ringed it round
With star-fish. Thither a green flame I bore
Of phosphor foam, and strewed the ground
With dew-drops, children of my wand, whose core
Was trembling steel
Electric that made spin the universal Wheel.

XVIII

With that a goat came running from the cave
That lurked below the tall white cliff.
Thy name! cried I. The answer that gave
Was but one tempest-whisper - "If!"
Ah, then! his tongue to his black palate clave;
For on soul's curtain
Is written this one certainty that naught is certain!

XIX

So then I caught that goat up in a kiss.
And cried Io Pan! Io Pan! Io Pan!
Then all this body's wealth of ambergris,
(Narcissus-scented flesh of man!)
I burnt before him in the sacrifice;
For he was sure -
Being the Doubt of Things, the one thing to endure!

**

Wherefore, when madness took him at the end,
He, doubt-goat, slew the goat of doubt;
And that which inward did for ever tend
Came at the last to have come out;
And I who had the World and God to friend
Found all three foes!
Drowned in that sea of changes, vacancies, and woes!

XXI

Yet all that Sea was swallowed up therein;
So they were not, and it was not.
As who should sweat his soul out through the skin
And find (sad fool!) he had begot
All that without him that he had left in,
And in himself
All he had taken out thereof, a mocking elf!

XXII

But now that all was gone, great Pan appeared.
Him then I strove to woo, to win,
Kissing his curled lips, playing with his beard,
Setting his brain a-shake, a-spin,
By that strong wand, and muttering of the weird
That only I
Knew of all souls alive or dead beneath the sky.

XXIII

So still I conquered, and the vision passed.
Yet still was beaten, for I knew
Myself was He, Himself, the first and last;
And as an unicorn drinks dew
From under oak-leaves, so my strength was cast
Into the mire;
For all I did was dream, and all I dreamt desire.

XXIV

More; in this journey I had clean forgotten
The quest, my lover. But the tomb
Of all these thoughts, the rancid and the rotten,
Proved in the end to be my womb
Wherein my Lord and lover had begotten
A little child
To drive me, laughing lion, into the wanton wild!

XXV

This child hath not one hair upon his head,
But he hath wings instead of ears.
No eyes hath he, but all his light is shed
Within him on the ordered sphere
Of nature that he hideth; and in stead
Of mouth he hath
One minute point of jet; silence, the lightning path!

XXVI

Also his nostrils are shut up; for he
Hath not the need of any breath;
Nor can the curtain of eternity
Cover that head with life or death.
So all his body, a slim almond-tree,
Knoweth no bough
Nor branch nor twig nor bud, from never until now.

XXVII

This thought I bred within my bowels, I am.
I am in him, as he in me;
And like a satyr ravishing a lamb
So either seems, or as the sea
Swallows the whale that swallows it, the ram
Beats its own head
Upon the city walls, that fall as it falls dead.

XXVIII

Come, let me back unto the lilied lawn!
Pile me the roses and the thorns,
Upon this bed from which he hath withdrawn!
He may return. A million morns
May follow that first dire daemonic dawn
When he did split
My spirit with his lightnings and enveloped it!

XXIX

So I am stretched out naked to the knife,
My whole soul twitching with the stress
Of the expected yet surprising strife,
A martyrdom of blessedness.
Though Death came, I could kiss him into life;
Though Life came, I
Could kiss him into death, and yet nor live nor die!

***

Yet I that am the babe, the sire, the dam,
Am also none of these at all;
For now that cosmic chaos of I AM
Bursts like a bubble. Mystical
The night comes down, a soaring wedge of flame
Woven therein
To be a sign to them who yet have never been.

XXXI

The universe I measured with my rod.
The blacks were balanced with the whites;
Satan dropped down even as up soared God;
****** prayed and danced with anchorites.
So in my book the even matched the odd:
No word I wrote
Therein, but sealed it with the signet of the goat.

XXXII

This also I seal up. Read thou herein
Whose eyes are blind! Thou may'st behold
Within the wheel (that always seems to spin
All ways) a point of static gold.
Then may'st thou out therewith, and fit it in
That extreme sphere
Whose boundless farness makes it infinitely near.

Quite admirable , awe-inspiring , a divine piece of manufacture
It’s capriciousness is an equivalent of swooning of rapture

This carpet conveys itself as flawless , the fragrance is pleasant

The glossy finish generates a yearning to have it present

The blissful texture is mesmerizing , subject to perfect knitting

Not to mention it’s size is perfectly fitting

~

Though the alternative side seems worn and tattered

And the fabric surrounding is scattered

There are pockets and splits

There are strewed fiber bits

Along the edges are multicolored spots

And the yarn had formed knots

~

At that point the onlooker would become flustered helplessly

Were they to take it into their tenancy ?

Sure it was depleted

And maybe it was slightly untreated

Though it was equally handsome

Despite it’s opposing filthy expansion


~


Then the beholder would ponder a tad

And realize the flaws weren't so bad

They were to be contemplated abnormally

Though as well stood out morbidly

The allotment seemed now suitable

And each side was mutable

I tiptoe across the wooden floor avoiding all the creaks.
Moonlight streaming through open windows of a silent summer night,
casting shadows over rumpled sheets of a well-used king size bed.
I hear the water running in the bathroom across the hall,
grabbing clothing strewed around the room I move with ninja speed.
Hunting for the elusive pair of ******* I just can’t seem to find.
Forget it, time is almost running out, I need to leave before that door opens.
Rushing now I grab my stash and head for the front door,
lightly hopping, stealthily propping as I pull on piece by piece.
Last, my shoes, I grab as I unlock the front door,
grab my keys, leave the note and run out barefoot.
“It was fun, I had to run, see you again someday,”
get in my car, start the engine, drive, drive away.

Meanwhile Ulysses and the swineherd had lit a fire in the hut and
were were getting breakfast ready at daybreak for they had sent the
men out with the pigs. When Telemachus came up, the dogs did not bark,
but fawned upon him, so Ulysses, hearing the sound of feet and
noticing that the dogs did not bark, said to Eumaeus:
  “Eumaeus, I hear footsteps; I suppose one of your men or some one of
your acquaintance is coming here, for the dogs are fawning urn him and
not barking.”
  The words were hardly out of his mouth before his son stood at the
door. Eumaeus sprang to his feet, and the bowls in which he was mixing
wine fell from his hands, as he made towards his master. He kissed his
head and both his beautiful eyes, and wept for joy. A father could not
be more delighted at the return of an only son, the child of his old
age, after ten years’ absence in a foreign country and after having
gone through much hardship. He embraced him, kissed him all over as
though he had come back from the dead, and spoke fondly to him saying:
  “So you are come, Telemachus, light of my eyes that you are. When
I heard you had gone to Pylos I made sure I was never going to see you
any more. Come in, my dear child, and sit down, that I may have a good
look at you now you are home again; it is not very often you come into
the country to see us herdsmen; you stick pretty close to the town
generally. I suppose you think it better to keep an eye on what the
suitors are doing.”
  “So be it, old friend,” answered Telemachus, “but I am come now
because I want to see you, and to learn whether my mother is still
at her old home or whether some one else has married her, so that
the bed of Ulysses is without bedding and covered with cobwebs.”
  “She is still at the house,” replied Eumaeus, “grieving and breaking
her heart, and doing nothing but weep, both night and day
continually.”
  As spoke he took Telemachus’ spear, whereon he crossed the stone
threshold and came inside. Ulysses rose from his seat to give him
place as he entered, but Telemachus checked him; “Sit down, stranger.”
said he, “I can easily find another seat, and there is one here who
will lay it for me.”
  Ulysses went back to his own place, and Eumaeus strewed some green
brushwood on the floor and threw a sheepskin on top of it for
Telemachus to sit upon. Then the swineherd brought them platters of
cold meat, the remains from what they had eaten the day before, and he
filled the bread baskets with bread as fast as he could. He mixed wine
also in bowls of ivy-wood, and took his seat facing Ulysses. Then they
laid their hands on the good things that were before them, and as soon
as they had had enough to eat and drink Telemachus said to Eumaeus,
“Old friend, where does this stranger come from? How did his crew
bring him to Ithaca, and who were they?-for assuredly he did not
come here by land”‘
  To this you answered, O swineherd Eumaeus, “My son, I will tell
you the real truth. He says he is a Cretan, and that he has been a
great traveller. At this moment he is running away from a
Thesprotian ship, and has refuge at my station, so I will put him into
your hands. Do whatever you like with him, only remember that he is
your suppliant.”
  “I am very much distressed,” said Telemachus, “by what you have just
told me. How can I take this stranger into my house? I am as yet
young, and am not strong enough to hold my own if any man attacks
me. My mother cannot make up her mind whether to stay where she is and
look after the house out of respect for public opinion and the
memory of her husband, or whether the time is now come for her to take
the best man of those who are wooing her, and the one who will make
her the most advantageous offer; still, as the stranger has come to
your station I will find him a cloak and shirt of good wear, with a
sword and sandals, and will send him wherever he wants to go. Or if
you like you can keep him here at the station, and I will send him
clothes and food that he may be no burden on you and on your men;
but I will not have him go near the suitors, for they are very
insolent, and are sure to ill-treat him in a way that would greatly
grieve me; no matter how valiant a man may be he can do nothing
against numbers, for they will be too strong for him.”
  Then Ulysses said, “Sir, it is right that I should say something
myself. I am much shocked about what you have said about the
insolent way in which the suitors are behaving in despite of such a
man as you are. Tell me, do you submit to such treatment tamely, or
has some god set your people against you? May you not complain of your
brothers—for it is to these that a man may look for support,
however great his quarrel may be? I wish I were as young as you are
and in my present mind; if I were son to Ulysses, or, indeed,
Ulysses himself, I would rather some one came and cut my head off, but
I would go to the house and be the bane of every one of these men.
If they were too many for me—I being single-handed—I would rather
die fighting in my own house than see such disgraceful sights day
after day, strangers grossly maltreated, and men dragging the women
servants about the house in an unseemly way, wine drawn recklessly,
and bread wasted all to no purpose for an end that shall never be
accomplished.”
  And Telemachus answered, “I will tell you truly everything. There is
no emnity between me and my people, nor can I complain of brothers, to
whom a man may look for support however great his quarrel may be. Jove
has made us a race of only sons. Laertes was the only son of
Arceisius, and Ulysses only son of Laertes. I am myself the only son
of Ulysses who left me behind him when he went away, so that I have
never been of any use to him. Hence it comes that my house is in the
hands of numberless marauders; for the chiefs from all the
neighbouring islands, Dulichium, Same, Zacynthus, as also all the
principal men of Ithaca itself, are eating up my house under the
pretext of paying court to my mother, who will neither say point blank
that she will not marry, nor yet bring matters to an end, so they
are making havoc of my estate, and before long will do so with
myself into the bargain. The issue, however, rests with heaven. But do
you, old friend Eumaeus, go at once and tell Penelope that I am safe
and have returned from Pylos. Tell it to herself alone, and then
come back here without letting any one else know, for there are many
who are plotting mischief against me.”
  “I understand and heed you,” replied Eumaeus; “you need instruct
me no further, only I am going that way say whether I had not better
let poor Laertes know that you are returned. He used to superintend
the work on his farm in spite of his bitter sorrow about Ulysses,
and he would eat and drink at will along with his servants; but they
tell me that from the day on which you set out for Pylos he has
neither eaten nor drunk as he ought to do, nor does he look after
his farm, but sits weeping and wasting the flesh from off his bones.”
  “More’s the pity,” answered Telemachus, “I am sorry for him, but
we must leave him to himself just now. If people could have everything
their own way, the first thing I should choose would be the return
of my father; but go, and give your message; then make haste back
again, and do not turn out of your way to tell Laertes. Tell my mother
to send one of her women secretly with the news at once, and let him
hear it from her.”
  Thus did he urge the swineherd; Eumaeus, therefore, took his
sandals, bound them to his feet, and started for the town. Minerva
watched him well off the station, and then came up to it in the form
of a woman—fair, stately, and wise. She stood against the side of the
entry, and revealed herself to Ulysses, but Telemachus could not see
her, and knew not that she was there, for the gods do not let
themselves be seen by everybody. Ulysses saw her, and so did the dogs,
for they did not bark, but went scared and whining off to the other
side of the yards. She nodded her head and motioned to Ulysses with
her eyebrows; whereon he left the hut and stood before her outside the
main wall of the yards. Then she said to him:
  “Ulysses, noble son of Laertes, it is now time for you to tell
your son: do not keep him in the dark any longer, but lay your plans
for the destruction of the suitors, and then make for the town. I will
not be long in joining you, for I too am eager for the fray.”
  As she spoke she touched him with her golden wand. First she threw a
fair clean shirt and cloak about his shoulders; then she made him
younger and of more imposing presence; she gave him back his colour,
filled out his cheeks, and let his beard become dark again. Then she
went away and Ulysses came back inside the hut. His son was
astounded when he saw him, and turned his eyes away for fear he
might be looking upon a god.
  “Stranger,” said he, “how suddenly you have changed from what you
were a moment or two ago. You are dressed differently and your
colour is not the same. Are you some one or other of the gods that
live in heaven? If so, be propitious to me till I can make you due
sacrifice and offerings of wrought gold. Have mercy upon me.”
  And Ulysses said, “I am no god, why should you take me for one? I am
your father, on whose account you grieve and suffer so much at the
hands of lawless men.”
  As he spoke he kissed his son, and a tear fell from his cheek on
to the ground, for he had restrained all tears till now. but
Telemachus could not yet believe that it was his father, and said:
  “You are not my father, but some god is flattering me with vain
hopes that I may grieve the more hereafter; no mortal man could of
himself contrive to do as you have been doing, and make yourself old
and young at a moment’s notice, unless a god were with him. A second
ago you were old and all in rags, and now you are like some god come
down from heaven.”
  Ulysses answered, “Telemachus, you ought not to be so immeasurably
astonished at my being really here. There is no other Ulysses who will
come hereafter. Such as I am, it is I, who after long wandering and
much hardship have got home in the twentieth year to my own country.
What you wonder at is the work of the redoubtable goddess Minerva, who
does with me whatever she will, for she can do what she pleases. At
one moment she makes me like a beggar, and the next I am a young man
with good clothes on my back; it is an easy matter for the gods who
live in heaven to make any man look either rich or poor.”
  As he spoke he sat down, and Telemachus threw his arms about his
father and wept. They were both so much moved that they cried aloud
like eagles or vultures with crooked talons that have been robbed of
their half fledged young by peasants. Thus piteously did they weep,
and the sun would have gone down upon their mourning if Telemachus had
not suddenly said, “In what ship, my dear father, did your crew
bring you to Ithaca? Of what nation did they declare themselves to be-
for you cannot have come by land?”
  “I will tell you the truth, my son,” replied Ulysses. “It was the
Phaeacians who brought me here. They are great sailors, and are in the
habit of giving escorts to any one who reaches their coasts. They took
me over the sea while I was fast asleep, and landed me in Ithaca,
after giving me many presents in bronze, gold, and raiment. These
things by heaven’s mercy are lying concealed in a cave, and I am now
come here on the suggestion of Minerva that we may consult about
killing our enemies. First, therefore, give me a list of the
suitors, with their number, that I may learn who, and how many, they
are. I can then turn the matter over in my mind, and see whether we
two can fight the whole body of them ourselves, or whether we must
find others to help us.”
  To this Telemachus answered, “Father, I have always heard of your
renown both in the field and in council, but the task you talk of is a
very great one: I am awed at the mere thought of it; two men cannot
stand against many and brave ones. There are not ten suitors only, nor
twice ten, but ten many times over; you shall learn their number at
once. There are fifty-two chosen youths from Dulichium, and they
have six servants; from Same there are twenty-four; twenty young
Achaeans from Zacynthus, and twelve from Ithaca itself, all of them
well born. They have with them a servant Medon, a bard, and two men
who can carve at table. If we face such numbers as this, you may
have bitter cause to rue your coming, and your revenge. See whether
you cannot think of some one who would be willing to come and help
us.”
  “Listen to me,” replied Ulysses, “and think whether Minerva and
her father Jove may seem sufficient, or whether I am to try and find
some one else as well.”
  “Those whom you have named,” answered Telemachus, “are a couple of
good allies, for though they dwell high up among the clouds they
have power over both gods and men.”
  “These two,” continued Ulysses, “will not keep long out of the fray,
when the suitors and we join fight in my house. Now, therefore, return
home early to-morrow morning, and go about among the suitors as
before. Later on the swineherd will bring me to the city disguised
as a miserable old beggar. If you see them ill-treating me, steel your
heart against my sufferings; even though they drag me feet foremost
out of the house, or throw things at me, look on and do nothing beyond
gently trying to make them behave more reasonably; but they will not
listen to you, for the day of their reckoning is at hand.
Furthermore I say, and lay my saying to your heart, when Minerva shall
put it in my mind, I will nod my head to you, and on seeing me do this
you must collect all the armour that is in the house and hide it in
the strong store room. Make some excuse when the suitors ask you why
you are removing it; say that you have taken it to be out of the way
of the smoke, inasmuch as it is no longer what it was when Ulysses
went away, but has become soiled and begrimed with soot. Add to this
more particularly that you are afraid Jove may set them on to
quarrel over their wine, and that they may do each other some harm
which may disgrace both banquet and wooing, for the sight of arms
sometimes tempts people to use them. But leave a sword and a spear
apiece for yourself and me, and a couple oxhide shields so that we can
****** them up at any moment; Jove and Minerva will then soon quiet
these people. There is also another matter; if you are indeed my son
and my blood runs in your veins, let no one know that Ulysses is
within the house—neither Laertes, nor yet the swineherd, nor any of
the servants, nor even Penelope herself. Let you and me exploit the
women alone, and let us also make trial of some other of the men
servants, to see who is on our side and whose hand is against us.”
  “Father,” replied Telemachus, “you will come to know me by and by,
and when you do you will find that I can keep your counsel. I do not
think, however, the plan you propose will turn out well for either
of us. Think it over. It will take us a long time to go the round of
the farms and exploit the men, and all the time the suitors will be
wasting your estate with impunity and without compunction. Prove the
women by all means, to see who are disloyal and who guiltless, but I
am not in favour of going round and trying the men. We can attend to
that later on, if you really have some sign from Jove that he will
support you.”
  Thus did they converse, and meanwhile the ship which had brought
Telemachus and his crew from Pylos had reached the town of Ithaca.
When they had come inside the harbour they drew the ship on to the
land; their servants came and took their armour from them, and they
left all the presents at the house of Clytius. Then they sent a
servant to tell Penelope that Telemachus had gone into the country,
but had sent the ship to the town to prevent her from being alarmed
and made unhappy. This servant and Eumaeus happened to meet when
they were both on the same errand of going to tell Penelope. When they
reached the House

They are thieves, and yet they walk in
"No forced entry."  has been the told tale
"Oh, home sweet home." sighs the owner.
A stranger in his home, but his home all the same
He knows every cranny
He'll sit and watch them raid the cupboards,
they leave when full...Broken bottles, Cigarettes strewed

He was made for a 100 miles.
Born for The Chase
Gathering arms, declaring the hunt

All day I run with no end in sight
My gaze has weakened
So again I rise, and lift my head to stare down the horizon
I will run a 100 miles and even more,
Until exhaustion grips my foes, bringing them to the dirt
I tower over what once dominated,
And looking down
I see them...

Clawing at my feet for mercy.
Choking between sobs, they curse me.

Snot bubbles form, laced with dust.
Terror takes its grip.
They beg me, "lets us go, you must!"

Our eyes meet, and silence takes reign.
I stretch out my hand, wink, and say thanks for the pain.

the five days was a constant battle
between all the things
that ever existed

your thoughts were strewed
and your legs were too skinny
your arms can be measured
by your thumb and pinky

that stream of verbal consciousness
uttered nothing but prayers
between the dusky hours

i lost a limb on the fifth day
that empty hallway with dimmed lights
and the realizations with frustrations
the machines stopped working

it was more than tropical storms
and depressions, more than
mayhem, it scares me more than
the turbulence hundred miles
above the ground

it was an inestimable amount
of tragedy and heartaches
you begged for him to live
and yet it wasn't given to you

i cannot be angry at God
he wants you back
all i can really do
is wait for you
and **still pray for you

In melancholy moonless Acheron,
Farm for the goodly earth and joyous day
Where no spring ever buds, nor ripening sun
Weighs down the apple trees, nor flowery May
Chequers with chestnut blooms the grassy floor,
Where thrushes never sing, and piping linnets mate no more,

There by a dim and dark Lethaean well
Young Charmides was lying; wearily
He plucked the blossoms from the asphodel,
And with its little rifled treasury
Strewed the dull waters of the dusky stream,
And watched the white stars founder, and the land was like a dream,

When as he gazed into the watery glass
And through his brown hair’s curly tangles scanned
His own wan face, a shadow seemed to pass
Across the mirror, and a little hand
Stole into his, and warm lips timidly
Brushed his pale cheeks, and breathed their secret forth into a
sigh.

Then turned he round his weary eyes and saw,
And ever nigher still their faces came,
And nigher ever did their young mouths draw
Until they seemed one perfect rose of flame,
And longing arms around her neck he cast,
And felt her throbbing *****, and his breath came hot and fast,

And all his hoarded sweets were hers to kiss,
And all her maidenhood was his to slay,
And limb to limb in long and rapturous bliss
Their passion waxed and waned,—O why essay
To pipe again of love, too venturous reed!
Enough, enough that Eros laughed upon that flowerless mead.

Too venturous poesy, O why essay
To pipe again of passion! fold thy wings
O’er daring Icarus and bid thy lay
Sleep hidden in the lyre’s silent strings
Till thou hast found the old Castalian rill,
Or from the Lesbian waters plucked drowned Sappho’s golden quid!

Enough, enough that he whose life had been
A fiery pulse of sin, a splendid shame,
Could in the loveless land of Hades glean
One scorching harvest from those fields of flame
Where passion walks with naked unshod feet
And is not wounded,—ah! enough that once their lips could meet

In that wild throb when all existences
Seemed narrowed to one single ecstasy
Which dies through its own sweetness and the stress
Of too much pleasure, ere Persephone
Had bade them serve her by the ebon throne
Of the pale God who in the fields of Enna loosed her zone.

Dear Florence,

I remember the day I first saw you. I swear that is the only time I ever believed in ‘love at first sight’. You were as calm as the meditating soul. Your passing wind soothed my beating heart.
In that first ride to my new house, I knew. I knew you were going to be my home. I knew you would mend all of my aching slits, stitch after stitch. Each day you bestowed me with a new beautiful day to inspire me, to metamorphose me, even more poetically than the phoenix rising from its ashes.

I knew, one day, I would say goodbye. Chasing your dreams can sometimes be a painful journey. I knew leaving you would shatter my soul into little pieces, strewed all around your streets and alleys and piazzas and bridges. But dear Florence, you deserve so much more than my little-scattered pieces.

As I say goodbye, pondering over the Santa Trinita bridge, I become forever yours. The joys you have given me, the memories of which will wander along through all my journeys.  My sorrows, the memories of the flowing Arno river will always wash away.

So, as I leave this place, I request you to take care of me. For ‘the me as I know it’ has become ‘the me as I knew it’. I am leaving behind this version of me for it is only in your shadows did she glow bright. Let your pink skies continue to set away all my anxieties. Let your rising blues continue to give me hope. Let the shining gold, always guide my heart home, just like the Duomo always guides us in its warm embrace. Let your ringing bells, help me rise every time I stumble. Let your art, keep my imagination flowing and let your symmetry create order in my life. Let your changing skies give me strength and inspire me to never stop, come what may.

Take care of me when I am gone. Just like you have over the past year.

Forever yours,
The girl who never really left.

Best and brightest, come away,
Fairer far than this fair day,
Which, like thee, to those in sorrow
Comes to bid a sweet good-morrow
To the rough year just awake
In its cradle on the brake.
The brightest hour of unborn Spring
Through the Winter wandering,
Found, it seems, the halcyon morn
To **** February born;
Bending from Heaven, in azure mirth,
It kissed the forehead of the earth,
And smiled upon the silent sea,
And bade the frozen streams be free,
And waked to music all their fountains,
And breathed upon the frozen mountains,
And like a prophetess of May
Strewed flowers upon the barren way,
Making the wintry world appear
Like one on whom thou smilest, dear.

Away, away, from men and towns,
To the wild wood and the downs -
To the silent wilderness
Where the soul need not repress
Its music, lest it should not find
An echo in another’s mind,
While the touch of Nature’s art
Harmonizes heart to heart.

Radiant Sister of the Day
Awake! arise! and come away!
To the wild woods and the plains,
To the pools where winter rains
Image all their roof of leaves,
Where the pine its garland weaves
Of sapless green, and ivy dun,
Round stems that never kiss the sun,
Where the lawns and pastures be
And the sandhills of the sea,
Where the melting ****-frost wets
The daisy-star that never sets,
And wind-flowers and violets
Which yet join not scent to hue
Crown the pale year weak and new;
When the night is left behind
In the deep east, dim and blind,
And the blue noon is over us,
And the multitudinous
Billows murmur at our feet,
Where the earth and ocean meet,
And all things seem only one
In the universal Sun.

Let me write you into a fantasy,
spin your fingertips through a maze,
weaving the freckles on your arms into
the things that you crave.
The frustration will shatter
like the plates you have always secretly wanted strewed
across the kitchen floor.
Glass dust rests
in the creases and,
though you warned me to wear shoes,
remain endlessly embedded in my heels.
I will lift up my legs and let you see,
to try to catch a glimpse of your own reflection,
the sparkle past your eyes that match the glint
of glass in my skin.
“See?” I would say,
arms tight around your chest, eyes
clenched shut buried
in the damp nape
of your neck.

Let me become your time vessel.
Rewind, two years,
you are still you and I am still me,
pressed up against the corner
of one of your kitchen counters.
Your ghost whisper lingers
in my ear,
“You’re giving me goose bumps.”
I will bring you through time,
jumping moment
to moment,
a rush of feeling settling in
the pit of your stomach.
You are blindsided,
tangled in the clutches of each second wasted
and ignited into gray ash.
When I am your time vessel, those seconds will be collected
and stored, so you can replay them over
and over and eventually
you will understand
the implications,
you will find the meaning,
you will learn to be happy again.

Let me count your bruises.
Red-faced and breathless,
you push the world away
only to fall back into the carpet again.
Each exhale jagged but controlled,
a bead of sweat forming like tears
against your wrinkled forehead.
An instant clouded by exertion, hearing nothing but
the sharp intake of breath.
I will lie next to you with my hair
above me, hands cupping ears.
And as you lift
your shoulders
off the ground, I will count for you.

A bluebird hovers above rifles

raised in memory of people dying, clasping the cold edges of guns in the absence of their mothers' love.

Cheers ring out for survivors having embraced their triggers hard enough to keep breathing

as a million of last sighs were left united above the bruised treetops sobbing quietly in the burning fumes.

Scattered souls getting bled through eyes are seen among the laughing crowds, widows clutching their children's hands twice

making up for fathers lost in a foreign land.

The bluebird cries. His tears fall to the ground stomped by marching feet honoring those who cannot walk,

screaming every word the bird can't roll his tongue around, too real for his trembling lips to form.

His dropped jewels gleam in the

gloomy day as they let their vibrating voices break the crispness of the morning, pieces tumbling down into the

children of his sobs,

enhancing their strength as they shout out the horror of marching in memory of soldiers; the sadness of cheering surviving armies; the utter foolishness of raising guns dignifying buried boys that would have laughed and run, embosomed their children hard enough to squeeze the sorrow from out their skin, if greed wouldn't have given birth to those weapons.

Their shriek clangs through the streets,

clamoring how this should be a day spent mourning the lost men caught in uniforms brainwashed by altered patriotism, how their ashes shouldn't be strewed into a shatter grenade but planted along with
seeds of harmony on open fields,

how a peaceful world

should come to emerge from the endless graves where their spirits sleep.

The bluebird dives into the crowd, letting his body swirl around the uniforms walking stiffly through the darkening day.

He inhales before whirling down into a rifle held high in the sky,

allowing his tongue

to slide along the words no one marching has ever understood.

Freedom,

he calls. Let

peace

spread throughout the world, carried on the back of every bird floating across the empyrean until the message can be heard chanted from every mountain stroking the earth with its roots.

Let's honor the memory of lost men, he calls, let's learn to love as we now ****.

His voice is drowned by firings in the salute of lost troops. No one hears his last desperate cries, his throat celebrating his own mother who will never again

caress his plumage.

He clasps the coldness of the barrel, before his last breath unites with a

bullet.

He reminisced of storm-struck gilded sands
Where innocence was lost, upon the dunes
Where memory was drowned in golden strands
That faded to the fresh new autumn moon

oh roiling sea, what angered thee that night?
how dreadful was the fury of thy might!

Thin shredded fingers, torn by jagged cracks
In jagged rocks, were blessed by numbing cold;
Raw crimson eddies swirled and circled, sacks
And boxes strewed on tides that ebbed and flowed

oh woeful sea, how bittersweet thy kiss
that dragged unwary souls to thy abyss!

Behold! Did shadows play on weary eyes?
The hunters' moon revealed a pallid hand
Awash among the flotsam; hope denies
The wonted outcome of the seas command

oh jealous sea, why make young widows weep?
their souls you take, their hearts you cannot keep!

Alas! A lass as still as still is calm!
Her breathless lips as deadly as the sea
That knew the siren, knew her sailors charm,
That knew her song, her haunting melody

oh wicked sea, why did thou birth a maid
for whom the debt of life was never paid?

In evil things a beauty still prevails
And beauty is a poison to the wise;
The siren, borne on stretcher, born of sails,
Was dragged back to the depths of all her lies

oh mother sea, take back thy child of grief!
though thou would steal my soul, I am no thief!

Water filled her nose, her mouth, her lungs,
Convulsing her to sip a salted breath;
Her parting lips prepared to voice her songs
That fated those who heard to blissful death

oh hungry sea, thy daughter does thy deed!
take then thy fill to satiate thy greed!

Yet from her lips there came no haunting sound,
No siren song came forth from frothing sea;
Her saddened eyes beheld the soul she drowned,
And in her grief she chose to cease to be

oh grieving sea, what loss thou must have known!
thou took the rest, yet could not keep thine own!

A tale is told of storm-struck gilded sands
Where innocence was lost; upon the dunes,
A siren with her hair of golden strands
Stands with a sailor 'neath new autumn moon

A traveler on a dusty road
Strewed acorns on the lea;
And one took root and sprouted up,
And grew into a tree.

Love sought its shade at evening time,
To breathe its early vows;
And Age was pleased, in heights of noon,
To bask beneath its boughs.
The doormouse loved its dangling twigs,
The birds sweet music bore-
It stood a glory in its place,
A blessing evermore.

A little spring had lost its way
Amid the grass and fern;
A passing stranger scooped a well
Where weary men might turn.
He walled it in, and hung with care
A ladle on the brink;
He thought not of the deed he did,
But judged that Toil might drink.
He passed again; and lo! the well,
By summer never dried,
Had cooled a thousand parched tongues,
And saved a life beside.

A nameless man, amid the crowd
That thronged the daily mart,
Let fall a word of hope and love,
Unstudied from the heart,
A whisper on the tumult thrown,
A transitory breath,
It raised a brother from the dust,
It saved a soul from death.

O seed! O fount! O word of love!
O thought at random cast!
Ye were but little at first,
But mighty at the last.

                                                          ­  *Charles Mackay

Plasma stains
beneath family portraits
Dust collects
on top of fingerprints

Bit’s of hair, fingernails
jammed in braided rugs
Just knowing
creates a foul stench

Oh, the spatter
that splattered when
Buckshot went off!
It’s been 8 years ago today

Claimed crazy residing
were once he had killed
And he always
plans to stay

Neighborhood strays
never sow to his lawn
They scurry by
whimpering in fear

For a body was missing
the law never saw,
Not even
the protruding ear

Grocers delivering food
strewed cross the yard
And the mailman
hasn’t stopped by in ages

It is said “who gets too close
to what rests inside,
Will be next posted
on the front pages

I joust myself into jovial life
Jocose tatterdemalion and stygian salaciousness
Umbrage abrogating merit like swamping locusts
The mammoth chip on shouldered kids starving for life
I'm waiting on purgatory, and I'll wait for you with knives out
Cemetry of the artist stubbed beards and pubescence in the Phoenician Lands
He said she should have left the house
Tomahawks can still cut the vineyard, make my loquacity into beer-tap poetry
Flowery, murmur, kumbaya, kalimba de la soul and all thoughts aside
You're hoping music brings the song to my speechless heart
Your dance sounds light the motionless night, only the tapping of starry footsteps
Hob-nobs, more and more, knobs of heaven's doors open to every hippie with angel hair
Crossing the wires of substrates
Sonatas and partitas can be lugubrious, yet, elegantly examined
Nocturnes, from the centuries

Of ten old centurions
Came down to the Colosseum
Gladiator enthralled the chariots of fire
I was with ten ants, burning under the microscope
Tenants of this Roman Empire

Fighting for your rights
Fighting for the people who cannot fight
For the weak, requires peace and understanding
Shiny, homeless people lost the soul to the drugs and marijuana smoke under streetlamps stretching to infinity
This earth is an orchard of flowers
Slightly plump in the middle, it's mother nature
Not zaftig, it has latitudes and longitudes
Lavish life, garish fiefdom, stretches across the bent imagination of perverse minds
Looking for a kiosk in the peak of red skies that do not know blood and aggravation
New Year's Day, the cyka cry Mother Russia and SOS
Shooting flares into the sky
To reach so low, and to reach so high
Shouting slogans, written by the poets
Passion, prejudice, sensibility, comradery these are metiers of poets
Secrets strewed across the bloodless sky
Wishful thinking tantamount to head in the clouds
The clouds have different shapes and size, the fire of the greater existence lends us words in thoughts

she said

"i'll teach you to love,
just draw nearer to me.
draw nearer to me
and i'll make you mine."

as she

laced up her best heels
put on her best face
and applied another coat
of liquid vanity.

as i
made an effort to

concoct a new way to say
"no"

and

ignore the
rotting
carcasses of
hearts
that strewed the floor.
i'd seen her kind before
"but losing you would be a chore
my darling detritivore"

i said

There is something so superficial

About an art gallery

Strange pieces strewed about

For passers-by to see



Some people stare

With their nose in the air

And say:

“This piece is exquisite, what a lovely display!”

They’ll insist that it’s priceless but would not pay a cent

And others will question if it even makes sense

“How is this art? A stick glued to the wall,

I could do this myself, it means nothing at all!”



But though you think it’s insane

Your eyes still maintain



You’re respectful and quiet and do not make a peep.

Although you still think it’s a bit superficial,

You pretend to yourself that you get it to feel deep

And somehow it creates a vibe that’s… sort of beautiful



Some odd stokes of eloquence,

Mixed with trash on a shelf

But the piece with most elegance

Is the gallery itself

A new patch of flowers is strewed

Toes damp from the days morning dew

A leap and a dash

In puddles we splash

The essence is freshly renewed

disconnect melded with malcontent

strewed through common intents

durable perishables

in spite of unmentionables

see if they care

to see if you care

if nothing else

at least you know the least

of the beast

in the shadow

of the teeth

the worst is seen

and never felt

and if it was

would you know it

when it happened?

You ain't going to listen to anything I tell you
unless something
with my mind moves
be mindful
mind fools
I
used two
when eyes close
the one eye rules
last night I dreamed
in 1080 P
Both eyes closed
Some how I
always see
Nothing that
has to do with me
I look different
Like I?...I?...I?
3 different
views
Mind, Body, Soul,
Insufficient
Watched the preview
The vision of
The vision
Unadulterated  precision
Now it's division
Split screen
Black and white
And colorful
All kinds of hues
Spewed within contrast
Strewed
Better being first or last
The first through
Does not last
The last is late
But recognizes
Every previous mistakes
Such a nice guy
So mean
With what it takes
Can't you see?
It's the update
The new improved
An upgrade
The evolved
A scope
Why I be up late
For certain
The days are fake
Y'all can't relate
I'm in a hole Different place
Message displayed
I hope the last
Can learn from
My mistakes
Get to a higher
Level and control the stage
My autonomous faith
Causes the non judgers
To say
judgmental per say
I just say Touché