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I hateth th' song of th' grass outside;
and t'eir blades t'at swing about my feet
like fire. How unfeeling all of which are-
did t'ey really think I wouldst ever be tantalised
by t'eir sickly magic? Such a gross one-
demanding, rapacious, parasitic!
Even I am fed up with t'eir proposals,
and ideas t'at t'ey fervently throw
in th' hope t'at t'ey canst corrupt my dreams,
my feelings-ah, yes, my sincere feelings,
and secure, t'ough imaginary, dreams.
Oh, and my comfortable desire as well!
My rosy desire-which at times canst tiringly
petrify me-ah, unbelievable, is it not? Th' fact
t'at I am so satiatingly, and daringly, petrified
by my own desire-and reproved by th' one
whom I am astonished at, praise, and admire;
How pitiful I am! How horrific and tragic!
I hath knitted my sorry without caution,
I was too immersed in vivid glances
and disguises and mock admiration.
Perhaps it hath been my mistake!
Eyes t'at blindly saw,
ears t'at wrongly judged!
Lies t'at I forsook,
tensions t'at I undertook!
Oh, how credulous I am-to vice!
Mock me, detest me, strangle me!
Stop my sullen heart from breathing-
as I hath, I hath spurned my darling-
oh, I hath lost my love!
How sorrowful, tearful-and painful!
And how I hath lost my breath; for cannot I stop
my feet from swimming and tapping
in t'is fraudulent air, gothic and transient
With poems t'at no matter how mad,
but nearly as thoughtful and eloquent,
I shalt still remain doleful and sad,
for my love for him is indeedst thorough-
and imminent; No matter how absurd he fancies
I am, and how he looketh at me oftentimes
with twigs of governing dexterity;
but most of all, shame.
I hath no shape now.
I hath lost, and raked away,
my elaborate conscience;
I hath corrupted my conciseness,
I hath wounded my sanguinity,
originality, and thoughts even, of my poetic
soul-of my poetic bluntness and sometimes
rigid, creativity.
I am an utter failure.
I am a mad creature; I am maddened by love,
I am frightened by virtue, I despise and reject
truth. I hath no sibling in t'is world of humanity,
ah-yes, no more sibling, indeedst,
neither any more puzzles of fate
t'at I ought to host, and solve;
I deserve nothing but fading and fading away
and give up my soul, my human soul-
to being a slave to disgrace
and cordial nothingness.
I belongst not, to t'is whole human world;
T'is is not my region, for I canst, here-
smell everything sacrificed for one another
and rings of delightful and blessed laughter
which I loathe, with all th' sonnets and auguries
of my laconic heart. Oh, I am misery!
I am evil, evil misery!
I, myself, equal tragedy; I am a devil,
a feminine and laurel-like devil-
just like how I look,
but tormented I am inside,
as a cursed being by nature and God Almighty
for never I shalt be bound to any love;
and engaged to any hands
in my left years and in th' afterlife outright.
I shalt have never any marriage within me,
any marriage worthy of talks, parties,
neither anything my wan heart desires;
like sweets with no sweetness,
or dances with no music.
No human love should ever
be properly conducted by me,
I am incapable of embodying
a unity, I am destined to be with me.
To be with me only-ah, as sad as it is,
as vague as how it sounds, or it might be.
O, and how I should love, emptiness!
Any loss should thus be romantic to me:
Just how death already is;
my husband is death,
and my chamber is his grave.
I shalt, night and day, sing to th' leaves
on his tomb,
ah-as t'ey are alive to me!
Yes, my darling reader! To me, t'ey are living souls,
t'ey open t'eir mouths and sing to me
Whenever I approach 'em with my red
bucket of flowers; lilies t'ey eat, ah-
how romantic t'ey look, with tongues
slithering joyfully over th' baked loaves I proffer!
T'eir smell of rotting flesh my hug,
meanwhile t'eir deadness my kisses!
T'eir greyness, and paleness-my cherry,
and t'eir red-blood heath my berry!
So glad shalt I becometh, and shimmer shalt my hair-
and be quenched my buoyant hunger-
beneath th' sun, with my hands, t'at hath
been aborted for long, robbed of whose divine functions
Laid in such epic, and abundant rejections
Brought into life again, and its surreal breath
But t'is time realistic, t'ough which happiness
shalt be mortal, as I perfectly, and tidily knoweth
and as I flippeth my head around
And duly openeth my eyes, I shalt again
be sitting in th' same impeccable nowhereness,
nowhere about th' dead lake, with its white-furred
swans, ghost-like at t'is hour of night-
Wherein for th' rest of my years should I dwell,
with no ability and desired tranquility
t'at canst once more guarantee
my security to escape.
T'ere's no door-yes, no door, indeedst,
to flee from th' gruesome trees,
t'eir putrid breath solitary and reeks of tears,
whilst t'eir tangled leaves smell strongly
of vulgarity and hate.
I hate as well-th' foliage amongst 'em,
grotesque and fiendish art whose dreamy visages,
with sticking tails wiping and squeaking
about my eyes, t'ough as I glance through
thy heavens, Lord, gleam like watery roses
before t'eir petals swell, fall, and die.
Oh-so creepy and melancholy t'ese feelings are,
but granted to me I knoweth not how,
as to why allowed not I am,
to becomest a more agreeable mistress
to a human-a human t'at even in solitude
breathes th' same air, and feels all th' same
indolent as me, by th' tedious,
ye' cathartic, morn.
Ah, and shalt I miss my lover once more
And t'is time even more persistently t'an before,
For every single of his breath is my sonnet,
and every word he utters my play.
He is th' salvation, and mere justification
I should not for ever forget,
just like how I should cherish
every sound second; every brand-new day.
My heart is deeply rooted in him;
no matter how defunct-
and defected it may seem,
as well as how futile, as t'is selfish world
hath-with anger and jealousy, deemed.
How I feel envy towards t'ose lucky ones,
with lovers and ringlets about t'eir palms,
so jealous t'at I cringe towards my own fate,
and my inability to escape which.
How unfair t'is world is sometimes-to me!
Ah, but I shalt argue further not;
I shalt make t'is exhaustive story short-
I am like a nasty kid trapped in th' dark,
without knowing in which way I should linger,
'fore making my way out and surpass her.
She is a curse-indeedst, a curse to me,
t'ough at th' moment she is a cure-but to him,
but she is all to forever remain a bad dream,
which he should but better quit,
she shalt subdue my light,
and so cheat him out of his wit.
She is an angel to him at night,
but at noon he sees her not,
she is an elegant, but mischievous auroch
with ineffectual, ye' doll-like and plastic auras
She is deceit, she is litter, she is mockery;
She hath all but an indignant, ****** beauty
She does not even hath a life, nor
a journey of destiny
She hath not any trace of warmth, or grace,
and most of th' time, at night
It is her agelessness t'at plays,
she ages but she falsely tricks him-my love,
into her lusted, exasperating eagerness;
t'ough colourless is her soul, now,
from committing too much of yon sin
She still knoweth not of her unkindness,
and thinks t'at everything canst be bought
by beauty, and t'at neither love nor passion
canst afford her any real happiness.

Ah, my love, I am hung about
by t'is prolific suspense;
My heart feels repugnant in its wait;
uncertain about everything thou hath said
As thou wert gentle but mean to me;
despite my kindness, ye' mistaken shortcomings
as I stood by th' railings th' other day, next to thee.
Ah, thee, please hear my apologies!
Oh, thee, my life and my midday sun,
a song t'at I sing-in my bed and on my pillow,
last week, yesterday, today, and tomorrow.
I am, however, to him forever a childlike prodigy-
shalt never he believeth in my tales,
ah, his faith is not in me,
but I in him.
How despicable!
But foolishly I still love him,
even over t'is overly weighing injustice
on my heart-
ah, still I love him, I love him!
I love him too badly and madly,
I love him too keenly, but wholly passionately.
I love him with all my heart and body!
Oh, Kozarev, I love thee!
I love thee only!
For love hath no more weight, neither justice
within it, if it is given not by thee;
I was born and raised to be thine,
as how thou wert created
and painted and crafted-by God Almighty,
to be mine. As I sit here I canst savagely feel, oh,
how painfully I feel-yon emptiness,
t'is insoluble, inseparable solitude
filled not with thy air, glancing at
th' deafening thunder, rusty rainbows
With thee not by my side.
I fallest asleep, as dusk preaches
and announces its arrival,
But asleep into a burdened nightmare,
too many fears and screams heightened in it,
ah, I am about to fallest from smart rocks
into th' boiling tides of fire beneath my feet.
I wake into th' imprudent smile of th' moon,
and her coquettish hands and feet
t'at conquer th' night so cold.
She is about to scold me away again,
'fore I slap her cheeks and send her back
to sleep, weeping.
I return to my wooden bench, and weep
all over again, as without thee still I am,
barefooted and thinly clothed amongst
th' dull stars at a killing cold night.
Th' rainbow is still th' rainbow,
but it is now filled with horror,
for I am not with thee, Kozarev!
Oh, Kozarev, th' darling of my heart,
th' mere, mere darling of my silent heart,
even th' heavens art still less handsome
t'an thy images-growing and fading
and growing and fading about me
Like a defiant chain, thou art my naughty prince,
but th' most decorous one, indeed;
thou art th' gift t'at I'th so heartily prayed for
and supplicated for-over what I should regard
as th' longest months of my life.
O, Kozarev, thou art my boy,
and which boy in th' world
who does not want to
play hide-and-seek in th' garden-
like we didst, last Monday?
Thou art my poem,
and thus worth all th' stories
within which. Thou art genial,
cautious, and beneficent. Thou art
vital-o, vital to me, my love!
I still blush with madness at th' remembrance
of thy voice, and giggle with joy and tears
over yon picture of thee; I canst ever forget thee
not, and sure as I am, t'at never in my life
I shalt be able to love, nor care for another;
thou art mine, Kozarev, thou art mine!
Thou art mine only, my sweet!
And ah, Kozarev, thou knoweth, my darling,
t'at the rainbow is longer beautiful
tonight; and as haughtiness surfaces again
from th' cynical undergrowth beneath,
I am afraid t'at t'eir fairness and brightness
shalt fade-just like thy love, which was back then
so glad and tender, but gets warmer not;
as we greet every inevitable day
and tend to t'eir needs,
like those obedient clouds
to th' appalling rain, in th' sky.

Ah, but nowest look-look at thee! Thy innocence,
t'at was but so delicate and sweet-
like t'ose bare, ye' green-clustered bushes yonder,
is now in exile, yes, deep exile, my love!
I congratulate thee on which, yes, I do!
I honestly do! For thy joy and gladness
doth mean everything to me,
'ven t'ough it means th' rudest,
th' eeriest of life; t'at I shalt'th ever seen!
But should I do so? T'at is a question
I canst stop questioning myself not.
Should I? Should I let thee go
and t'us myself suffer here
from th' absence
of my own true love-
and any ot'er future miracles
in my life?
I think not!
Ah, and not t'at there'd be
any ot'er mirages in my love,
for all hath been, and shalt always be-
united in thee! O, in thee, only, Kozarev!
For I am certain I love thee,
and so hysterically love thee only,
even amongst th' floods-ah, yes,
t'ese ambiguous piles of flooding pains,
disgusting as blood, but demure,
and clear as my own heartbeat;
I love and want thee only,
as how I dreameth of,
and careth for thee every night,
t'ough just in my dream,
and in life yet not!
Ah, Kozarev, I am thy star,
just like thou art mine-already,
I am fated and bound to thee,
and thou to me.
Thou art not an illusion,
neither a picture of my imagination.
Thou art real, Kozarev,
thou art real-and forever
shalt be real to me;
thou art th' blood,
t'at floweth through my veins,
thou art th' man,
t'at conquereth my heart-and hands,
thou art everything,
thou art more t'an my poem
and my delicate sonnet,
thou art more t'an my life
or my ever dearest friend.

Probably 'tis all neither a poem,
nor a matter of daydreams;
perhaps still I needst to find him,
t'ough it may bringst me anot'er curse,
and throwest me away
and into anot'er gloom.
Ah, Kozarev, thou-who shalt never
be reading t'is poem, much less write one
Unlike thou wert to me back t'en;
Thou art still as comely as th' sun;
Thou art still th' man t'at I want.
Even whenst all my age is done;
and my future days shalt be gone.
Nat Lipstadt Jan 2018
based on the essay in the notes below
which was forwarded to me by Liz Balise
<>
all poems and their accompaniment sauces commence with onions,
that start by fouling the air, bringing forth only unrestricted tearings,
but then...

the slow cooking elicits the sugars hid within,
the unpleasant odor, refined into something
minted new sweet and savory.

so too, the poem must simmer, slow cooked,
harmonizing the caramelizing,
even if some ingredients
claim the first born birthright of the eldest first essential,
despite the collective harmonizing.

the ripened color of the blood red tomatoes,
the ruddy cheery sanguinity of
certain words in each poem,
are the coloration of its entirety -
the ones your never forgive for never letting you forget them!

what matters not but how, the daring to substitute the new how,
how you chef see it and color it with the crazy way how
you beckon us over one by one to the big *** for a tasting
accepting critiques and suggestions, a thousand pinches
of your salty sweet essences.

and the recipe is dog stained and pointy corner ear-edged,
cause you cannot exactly write it down, and you bend the corner
for every substitution and variation,
cause every poem
made to taste the how of us,
each one a subtle different.

everyone understands metaphor,
even the society of the reticent ones in the back row,
just say the “trapdoor of depression” and they’ll nod knowingly,
so say to them a poem is a metaphor for you,
and spaghetti sauce is how you see, recreate in words,
how you need to add an ingredient of yourself
to this one,
a word, a phrase, becomes you,
becoming you in it,
in you,
you in it are both poet and poem,

a simmering new and different

————————————————————————-


A Well Written Essay— The Spaghetti Sauce Method

As a teacher and a learner, I have always wanted to see the "nuts and bolts" of everything. Yes, it slows the process down, but the learning is more complete, and a person becomes capable of making endless connections of understanding, branching to other  creative possibilities. Writing like dancing, and all that is worth learning, deserves all of the pieces and steps of the process.
I remember telling my students every year that grammar could indeed be a dry bone, but necessary in the process of good communication. Told them that I would teach writing by the "spaghetti sauce method" (Visualize their perplexed faces here.). "A well-written essay should be like a really good sauce-- smooth, fine textured, with a complete harmony of meat, sweet, tomato, and seasonings-- not one overpowering the others, but all in marvelous union of great flavor and aroma."
I continued, giving the example of my mother's
(God rest 'er) Irish spaghetti sauce" as a contrast. "Mama would throw in onions, peppers (if she had ‘em), hamburger, salt and pepper, fry it all in corn oil, and mix with two cans of plain tomato sauce. This was all okay with me," I went on,“ till I experienced the epiphany of garlic, basil, oregano, pork neck bones and a cup of wine; in the kitchen of an Italian neighbor, who walked me through the process and ingredients of real Italian sauce that was simmered for hours."
I continued to nudge them with the comparison: "Excellent writing is more than talent and passion, otherwise a tirade of curses, knotted ideas, and copied paragraphs of someone else would always do.” "No," I went on, "It is clear thought, captured, slow-cooked in the labor of mind and understanding— and in good time, expressed, in a way that others can comprehend -- with great attention to the cardinal rule: It is not as much WHAT you say-- but HOW you say it."
Through the year I focused on one or two aspects of better writing at a time for each paper. It was an uphill battle, often teaching against the mediocrity of the expectations in the PA State Standards of Assessment. It would add ten hours to my work week to grade and comment on a set of a 115 papers.
GaryFairy Oct 2015
optimist - acrostic

Open up the book
Page one, neutralize your thoughts
Turn the page
Induct elation
Make your temperament positive
Idealism
See the prism of sanguinity
Turn the page

============================================

aqua - acrostic

Arid soul washed away
Quietly sinking down
Underneath the waves to stay
Awakening as i drown

========================================

flaw - acrostic

Forget about the way we see
Looking past the shallow grey
Awaken to a deeper degree
We are all beautiful in our own way

=========================================

harm - acrostic

Hurt me, the pain will go away
All anguish is fleeting
Remnants of your words might stay
My heart will go on beating

====================================

wolf pack - acrostic

Wild and free, nature's breed
Out of bounds of any containment
Living off of only what they need
Flourishing in sustainment

Prowling the forests and grass
Attacking only what they eat
Canids from our distant past
Killing only to replete

(i know i didn't use the word sustainment correctly here, but it rhymes)
==================================

jugs - acrostic poem

Jiggle and bounce for me
Underneath a cotton top
Gives me such satisfaction
Seeing them flip and flop

=================================

sympathy and attention - pity party poetry page

with an affinity for sympathy and attention
pity without empathy ends up as an affliction
sitting all alone having fits not fit to mention
depicting his own addiction to his self infliction

distemper words, written with intention
listless visions are a picture of his fiction
his existence isn't gifted within this dimension
it's a senseless decision to befit a contradiction

==================================================­====

discretion

if deception is a threat, i guess it begs the question
does perception get better with less discretion?
can a gesture of conception be answered best with ingestion
by letting down our guards will we fester in suppression?

changing our direction away from our debts of reception
pressed by our expression of protested progression
best bets are guessed and when we collect we learn a lesson
back to the question, is perception better with less discretion?

====================================

rhyme without reason

what is a rhyme without a reason?
it's no feat to beat the drum of no cohesion
it's like planting seeds that aren't in season
or a disease that leaves a bleeding lesion

a decent poet is adept at seeing adhesion
leaving the meaning amounts to being treason
completely missing pieces for completion
not even worth reading, only worth deletion

========================================

everlasting (4 versions)

though i have ran with the rats of cancer
as i craft the ladder to the final chapter
i never planned for crass disaster
abashed by the lasting factor

where the past is passing faster
i ask the lord and await his answer
are my chances granted to live hereafter
i clasp the hand of the everlasting master

---------------------------------------------------------­-

abashed by the lasting factor
i never planned for crass disaster
as i craft the ladder to the final chapter
though i have ran with the rats of cancer

i clasp the hand of the everlasting master
are my chances granted to live hereafter
i ask the lord and await his answer
where the past is passing faster

---------------------------------------------------------­---

abashed by the lasting factor
i never planned for crass disaster
as i craft the ladder to the final chapter
though i have ran with the rats of cancer

where the past is passing faster
i ask the lord and await his answer
are my chances granted to live hereafter
i clasp the hand of the everlasting master

---------------------------------------------------------­-------

(you can also do one of these)

where the past is passing faster
i ask the lord and await his answer
are my chances granted to live hereafter
i clasp the hand of the everlasting master
i clasp the hand of the everlasting master
are my chances granted to live hereafter
i ask the lord and await his answer
where the past is passing faster
you can make different versions of everlasting, with different shapes, and different flows by changing the lines around...some of the shapes look cool if the poems are centered also...i had a blast doing this!
She is the world to me,
An infinite source of eternal glee…

She is the pinnacle of compassion,
God’s greatest creation…

Looking into her eyes gets you transfixed,
Into a world where love, joy and sanguinity is mixed…

Her voice, my rhythm divine,
Which makes me glad to know she’s mine…

Her heart, that’s the sole reason for my being,
Since she’s into the habit of heart stealing….

Her smile that inspires me into motion,
Her mind that brims me up with every positive emotion…

She doesn’t realize, she’s worth lava to a volcano,
The fish to every Eskimo…

She thinks I’m joking, but she’s my life’s repertoire,
My one and only true desire…

She’s as sweet as candy,
And as intoxicating as brandy…

She’s my sweetheart, one of very few,
Who makes every day of my like adventurous and new…

She means everything to me,
For now until all eternity…
Jaclyn Nov 2014
Yesterday,
Tender pursuits
Ordered
by shortened expression
And personal amusement.

Pleasure was channeled
by uncanny imagination.

Ignorance was developed
with years
of sheltered nurture.

Endeavors were focused
Through heartened dreams
Waiting eternities to age.

Today,
Life is starved of dignity,
Lead by the breath of humanity,
And trailed by my past.

Kindness overshadowed
by needless mockery.

Confidence diminished
Through thoughtless faults.

Purity saturated
with uncertain willingness.

Competence choked
from the flairs of society.

Tomorrow,
Independence is a necessity
Steered by Today,
Speckled by yesterday.

Motivation should dictate
my verdicts,
And challenge perils.

Agonies lifted
Through sanguinity

Virtue grown
Only through praise
From the satisfaction of many.

Yesterday, today, tomorrow
Immersed in today
Is the root of my future.
sleeplessnxghts Dec 2013
I.  
A rumble of a failing engine and an abandoned heart does not always make for the best mixed drink you’d typically order at the bar
The gasoline fumes rising towards my nostrils, the taste replicated on the taste buds, not exactly the main course you’d hope to appear on the main entrée menu
The shrinking world swallows my perception, and all I can see are endless forests with an unending road, not exactly the picturesque view you’d pick from the 5-star hotel you presumed to stay in comfortably

II.
Recurring whiplash carries me deep within the foliage of the woods, where the bristles from the furious trees feel like spikes brushing across my fragile skin
My thoughts are encompassed by my wildest fears, intensifying the pitter patter in my chest, nearing a detonation, but no witnesses to confirm or deny it
The limbs outstretch themselves and enfold me inside a hallowing clasp, resemblance of an agonizing chokehold
The fires begin slowly, but hurriedly strengthen into a sore, sweltering sensation that hastily seizes control over my nervous system, rendering me helpless with no one to soothe me from it, for isolation is the true affliction of it all

III.
And suddenly I am traveling through a dark neighborhood, the ones we were all warned about as adolescents, as the lamp posts house stood-up lovers and lost souls who are trying to catch a fresh thought aside from the filthy repetition we are provided with
The light bulbs flicker and the yellow paint dividing the two paths incases my thoughts, stimulating every sensory input to intake the detection of safety between the two opposite directions, because once a path is chosen, returning is forbidden
This social deprivation surely beholds my salient inner pain, as I cannot confide in anyone on this lonely road except for the shining Milky Way and smiling crescent moon, eons away from my reach

IV.
Foaming salt water crashes over me, encumbering my lungs from performing their simple task successfully, caught in a riptide sensing my discomfort with reality and self-hatred brought upon by the overriding waves that deteriorate my sanguinity
I cannot control anything in my life and the sea acknowledges this weakness, What a real favor it is! Killing me, for me, subduing the airflow right out of me but also purifying my corrupted being, freeing my aggressions, letting go of faulty hearts, and ensuring arcadia by ripping away a future I could not survive in
The sunken sailors in their sinking ships do not drown by choice, like I, but they may not be as grateful for the gift of release as I am
I realize I may have a shot at social encounters, until I gather that the glass wall that separates me from the world is unbreakable, and the water pressure is much too great to fight through, so I must die alone

V.
As my vision fades to black, I am awakened once again, stranded on this Earth, this place where life exists but living does not
And I feel like ever since the door slammed shut as I collapsed in cascading tears on the floor in your favorite white button down, I’ve been a bit lonesome and defunct, my mood has a constant sullen adjective attached to it
Adventure and spontaneity meant everything to you, and I took on the same attitude, breaking out of my comfort zone and implementing yours instead
What once was now lingers as a painful memory and acts as a narcotic because I am experiencing a difficult withdrawal of your voice, and I cannot last much longer before the insanity devours me from the inside out

VI.
As the hourglass passed all of the time, your personality withered as each interest you held dear to your heat contracted into an abhorrent piece of art, dedicated to miserableness
And as your presence no longer fills up my time, maybe I too am disappearing, or so I wish
Because losing you to yourself felt like being stranded in the middle of nowhere with an unceasing life of despondency and unanswered questions
It felt like being burned alive to ashes from a forest fire, so deep in that not a single person would notice its evanescence
And worst of all it felt like drowning, as my control slipped away from the tight grip I once had, like nobody could resuscitate me from
I play over every doting moment with you over in my head as my mind slowly fades to darkness, a blank state of depression

VII.
So tell me from the heavens once more that I do not need you, because you see what I am experiencing in your absence
Maybe I need you as a constant in my life and not a fleeting breeze in the persistently bipolar wind movements
But you bolted the moment the poisoned fog touched your fingertips and your fear took you away from me
So how can I possibly hold on, when I am clearly alone and depressed?
I know death is merciful compared to losing my one true love
Tell me you’re listening, I need someone to talk to
I cannot leave all these words left unspoken
jt May 2014
1) I am the half-pint of hope in a plastic cup, not the full litre of utopia in the bottle of sanguinity.

2) I am the cracks in the side-walk, not the perfectly paved path for positive people.

3) I am everything the fire left behind, not the half-salvaged items saved from the burning wreck that steals oxygen.

4) I am just a cigarette you put between your lips, not the romanticised fad people say it is.

5) I am the heaving through heavy lungs, not the clear inhaling and exhaling of oxygen through untainted lungs.

6) I am the awkward silence, not the deafening silence that people love.

7) I am the heart that still imagines the ghost of your fingertips on it , not the one that is covered with love bites and dark bruises constituted of unbridled lust.

8) I am the jagged path of unsteady thoughts, not the ebb and flow of consciousness.

9) I am scattered thoughts quickly scribbled in an old moleskin notebook, not sad love droning about his eyes.

10) I am mottled blood stains on bleached floors, not those oddly beautiful blood patterns you see in ****** scenes.

11) I am the static on the television which matches the thoughts in your mind, not the always-very-strong-signalled antenna on your rooftop.

12) I am a burning building screaming for help, not the beautiful luxury homes that are fireproof.

13) I am not flawless, I am the imperfections that are difficult to embrace.
Kozarev.
One tickling of my breath.
One naughty fantasy.
One piece, of forbidden bliss.
One haziness I chose to feel.
The seventh drip, of my ****** blood.
The light on the very tip of my tongue.
The fire of my thoughts; my minds, and even my slightest, hesitation.
A charm so genuine, clear, and vibrant;
But never raises; nor becomes too petulant.
A crush I firstly detested,
but to which now; I am most heartily attached.
And all in all, the prince I once prayed for,
the man I ever so sincerely dreamed of.
Kozarev.
O, my Kozarev-
my very, my very own, Kozarev.
Had I not attended to yon duty that night-
There might have been no Kozarev at all;
Ah, that one night-that was indeed so blinding and tantalizing,
Yet full of auspicious words, and weary tasks;
And I felt a lot of fantasies were whirling about me-
Speeding about like they had never been before;
Making my auras more visible, and my shy lips form and seen more,
Ah, but all was, and still is-because of thee, Kozarev.

Ah, Kozarev, do you know not-how I often picture thee;
Thee with fits of exuberant temper; or joys so enigmatic, and tender.
Sometimes you startle me, or become simply too childish but lovely;
And offer a love I have never been used to, or shall be used to-or either.
I am charmed by your presence;
For 'tis much more valuable than any slice of gem;
Nor a number of countless diamonds, or divine salutations.
A love so vehement, a love too virulent.
A love not so tough, nor one too dramatic;
A love that fears betrayal and torment,
A love too expected, but never grow, nor be chaotic.
Ah, and sadly perhaps you are the last love-but the one
that shall never grow, regardless of how handsome you are;
Still, you are too far, and far away, from my felicity;
You are like an evil hero urging to be my temptation;
You adore my morning and flirt with my afternoon-
With some shy shades, that sadly shall disappear-or fade away, too soon.
Ah, Kozarev, you are real, but sometimes unreal as a painting;
Your heart knows not sorrow; nor desperate cries-that are all honest,
For your heart is not yours now, but someone else's.
Ah, how a woman-a similar being to me, can be so fortunate-
I know not how, for she is in possession if thee, and thy very fate;
She who shall live by thee and by thee only, grow old,
She whose hands are to be so lucky in thy marriage.
Sometimes I understand not, how I can be so bold,
And wordless-upon your very mentioning of her name,
For as I say nothing, my warm blood still gets cold,
For my heart is torn, and turned into raw pieces of shame.
Ah, Kozarev, but still-you know never any of this suffering;
Over a joy that I cannot reach, over the half of my heart, that you make missing.

Ah, Kozarev, perhaps you shall never read any of my poetry,
nor know anything else about me;
For your heart is altogether too lively and swift;
With secrets I cannot see; and stubborn closures I cannot lift.
But do you know that sometimes I dream of thee-
and our charming melancholy Sofia?
Ah, those dreams-dreams that are so purely thick, but solid-and sweet?
Dreams that I cannot forget-or simply cannot forgive.
For you are there-always, even only as a shadow in my dreams;
Just like you are a shadow in my reality-ah, you whom I greatly miss,
But sadly can perhaps never become my real lover-oh, my true gentle lover!
For you only care about everything of her-and not mine;
But you know not-every single mention of her name is a curse to me,
Even though you say everything so smoothly-and gently,
Still I hate knowing that she is your destiny,
One that celebrate the sanguinity of your lips,
One that your adorable being shall desire to keep.
Ah, and not-and not me, and perhaps never be me,
I-who love you with all the discourses, and powers-of my might,
I-who write and dream and think about you all day and night;
I-whose heart grows, and thrives in your very irresistible delight,
I-who in your absence shall scream inside, and be tainted and blurred, by fright;
Ah, Kozarev, you know my being-but indeed! Indeed you know not-everything;
You know my poetry-but one you never read; nor one you ever sing;
You know not what I endure, you know not you are in truth, my heart's darling.

Ah, Kozarev, thinking of her fills my poetic blood with anger;
I am like a dying bird-tearing through the air with mad wings;
From the pain of death-until I am killed in the hands of my hunter-
And you know not, my hunter is her;
She, whom your idyll is depended on,
She, who has stolen thy heart-and left me alone,
She, who is my tragedy, and on top of all-my blood-red misery,
She, who has caused all this gloom, and tragic poetry.
Ah, if only couldst fate tear you apart and blow her away-
And should you turn to me, I shall give you only the brightest of days.
I shall cuddle you, and bewitch you-with open arms;
I shall praise you, and make you mad-with the comeliness of my charms.
I shall love you-and turn to you with my whole paradise;
Where the sun is shining and fills our very souls with bliss;
I shall make you feel none else but wonder and victory;
I shall make you feel but tenderness, and the finest linings-of destiny.

And Kozarev-if possible, I wouldst be glad to be your sun itself;
I wouldst be blessed as one full of courage; and one thoughtful, and brave.
And then, just beautifully as I shall paint this stunning love in your heart-
I shall duly, write on thee all more deeply, and more eagerly;
I shall paint thee as one so insanely handsome as the rainbow-
I shall play your melody on my dearest flute;
And turn alight, everything that was forgotten-everything t'was mute.
I shall be your star, and be your sole, finest future,
I shall be your grace, and for your every wound-the most awaited cure.
And at last-I shall open my very door to you, and make everything delightful; make everything but sure.
Ah, Kozarev, do you know not-how meaningful you actually are to me,
More than I can ever comprehend; nor I can ever desireth myself, to be.

Oh, Kozarev, for you are even more dangerous than this sullen peeping fog,
For you own my heart the most; and be the one it has always sought!
Ah, Kozarev, show me then-how graceful paths of delight can be;
As well how holy and enduring lightness of heart is, and how sacred-suffering may be.

Ah, Kozarev, I love you; for you shall always be my little, little twinkling star,
And thus my poetry is dedicated to you-you whom now stay still afar-
But to my dear heart is a one closest, and the soul I desireth most;
And from whose charms I can no more escape; nor more can I hide.
Ah, Kozarev, just this time-and perhaps t'is time only,
Read now one part of my poetry; and tell me a line-of one pretty loving story;
And just once only-look at me more and give me that lovely thrill;
Listen to me t'is very time, so that you'd finally understand-what I feel.
Tom McCone Mar 2013
the overcast window haze casts shadows over farmlands at distance, past ferns and cottage solemnities out on plains cold and alive; meanwhile, concrete and preservative-laden once-trees cage in the zoo-horde of humanity this lovely city is built upon, through the steep divides between the walls of foreign strangers, still neighbours, calling telephone lines to the lover that makes their heart shrink in the cool sheets at a distance of eight thousand leagues under kitchen sink designs where drips escape onto a blue-grey dishtowel, strategically placed to avoid having to address the issue over farmland holidays when stormclouds gather and sleep 'til the grand show, back over the alps, as the fallabout planes drift under blue over grey with distorted fantasies sandwiched three abreast internally, whispering "you'll be here, I'll be here, seventeen minutes" as the black gown of evening bids its farewells to the long-worn ball of flame we call upon for life's little affirmations, the skin and bone we call home, the constructed caves we wish we didn't, and, letting frost's call begin, the last of the seasons hauls its bulky frame over the horizon and clusters on the fingertips of tree limbs, coercing: "let go, it's late, it's so very late" and so the sidewalks choke with debris under the wearing off of summer feet, and the declination of that peach-pit feeling of sanguinity as the blankets pile up and the distance consumes once again, long after delusion gave up the chase; we all want to be left alone and want someone to pursue us at the same time, we all dream of the grandeur of timeless monuments: the desert road, the glint of illuminated heavens, the mist's rise and fall, the electricity in her eyes.
AzealAngel Feb 2012
The spaces in between my fingers were made just for your hands
When intwined they fit together just like puzzles pieces
Your palm radiates warmth that flows into mine
The warmth that leaves me with that feeling of security
Then life continues and eventually you are forced to let go
Taking the warmth and security with you
Leaving me with a frosty feeling and loneliness
But there’s a glimmer of sanguinity because I know you will return to me
Restoring my peace of mind,
Giving back my feeling of security,
and
Completing me
Bob B Jul 2018
To return to the essence of what I was
Before I was: a mystery.
Will knowing who or what I was
Before I was be clear to me?

To speculate on lofty dreams:
Wistful efforts to fantasize
Something that’s unheard by formless
Ears or seen by formless eyes.

Disintegration of ruins show
The odd conception of what became
A vainglorious attempt to have
A monument outlast its name.

Will the name be muffled by
The echoes of a limitless void
When all semblance to what we think
Is real is once and for all destroyed?

Even though impermanence
Governs what we think and feel,
Maybe a deep understanding
Reveals something pure and real--

As real as any bubble that bursts
Or lightning flash from sky to earth.
Must being be purely palpable,
Or does it somehow transcend our birth?

Speculation gives the seeker
Hope--a blissful sanguinity--
While past, present, and future constantly
Merge into infinity?

-by Bob B (7-28-18)
JD Connolly Jan 2011
a quantum of soul and cherry ***** in the backseat of a ford-
we were going to eighty-six the world

the sinews of our unattainable hands
that yanked themselves free
and went to ruining our best Bellamy salutes
and went to forming ladders and tarmacs in the vapor of the night
and went to everything

it's wasn't the shaking or the vim of the stockyards on the days they hung up ornaments
it wasn't those who followed a cheekier Moira and gawked at Rita of Cascia as she passed by

it was the way escape felt with you as it's stern
it's the way escape felt with you full of sanguinity

the kind that your mother gave you in the belly of California
the kind that I ripped away for ***** and giggles
Jackie Mead Oct 2019
The mouse with a house on the River Louse, was walking in a field one day.
He had his head down, nose buried in a stack of hay.

He was searching for some small sticks to take back to his home; his house on the River Louse.

Now that Winter was settling in, Mr Mouse wanted to light a fire and needed some sticks to form the pyre.

Mr Mouse had his head down and therefore not looking where he was going.

Along came a lady Mouse called Hilda with a bag full of shopping.
She was happy and singing and dancing, twirling and hopping.

Hilda was unaware of the Mouse with a house on the River Louse being in the vicinity.
She was feeling hopeful, full of sanguinity.

Mr Mouse still head down looking for sticks didn’t realise Hilda was around.
He had his nose firmly pointing to the ground.

Both mice continued  with their missions.
Oblivious to each other and the weather conditions .

Mr Mouse, head down turned to his left, Hilda twirling and hopping turned to her right.
Suddenly they clashed and caused each other such a fright.
Hilda clutched Mr Mouse very tight.

Mr Mouse apologised and pulled Hilda up off the floor.
He offered to show Hilda to his front door, Mr Mouse was very proud of his house on the River Louse.

The two mice had afternoon tea and sat warming themselves by the fire.
Soon it was time for Hilda to retire to her own home but they made plans to meet the very next day.

This time Mr Mouse would not have his nose in the hay.
They would walk and talk and have plenty to say.
Until the light faded from the day and the Moon came out to play.

In less than 2 months they had fallen in love and were married on the river by a dainty turtle dove.

Now they were together night and day.
Mr Mouse still searched for sticks with his nose in the hay.

Hilda still did the shopping all the while twirling, dancing and hopping

Together they had 12 children of their own.
Now they always had company, and neither ever felt alone.
It's been a while since I wrote one of these, I thought it would be fun to write how mr mouse met his match.
Amanda Brader Dec 2015
Everything these days is about ***.
Our culture is a graveyard of copulating corpses,
and nothing means anything.

Sure, everyone says they're looking
for meaning in a godless and corrupted world,
but hardly anyone tries to find something real
in someone else. 

They let fear of rejection,
abandonment, or heartbreak hold them back. 

Love is unending, unparalleled, underrated.
We're all dying anyway, what's the harm in
being vulnerable once in a while?

Death and *** somehow always go hand in hand.
Maybe it’s because they're in love.
Death is patient; he has all the time in the world. 
He appreciates life more than anyone possibly could.

What if Death isn't an abrupt, agonizing conclusion?
Perhaps he simply leads us through a passage to some afterlife.

Death has seen everything;
he's seen beauty and suffering,
love and loss.

But he's intrigued by the concept of love.
While it often transcends our comprehension, he understands it.
He's a hopeless romantic
in a sea of violent, sexist, gun-obsessed sharks.

*** is amorous, enigmatic, gentle, and compassionate.
She's not the vile disease everyone sneers at in guilt-ridden judgement.

They teach their children to grow up feeling *****,
to despise themselves
for wanting to understand her, as if she’s a sin.

But she knows she's not a perverse thing,
she's a symbol of love everyone's destroyed and disfigured.
So she's damaged.
But she feels things more strongly than anyone else.

She is a connection between people
desperate to survive in a wasteland of intolerance and indifference. 

Death is perpetually wandering the world alone.
He’s afraid of anyone getting too close, to let someone understand
and embrace the depths of his chaos.

He’s unrestrained, a free spirit who has never needed anyone,
and doesn’t expect to. Who could ever love death unconditionally?
He disregards his own emotions, reacts dispassionately to avoid trusting anyone.
He’s numb but ultimately knows he doesn’t have to be.

When she looks into his eyes she can see decades of devotion, despair,
sanguinity, and hopelessness, and it breaks and mends her simultaneously.

So, Death and *** are undeniably drawn to one another.
Eternal fugitives hiding together from a decaying world full
of ignorant people who are disgusted by them, to avoid persecution.

They are complete opposites, but they balance each other out.
Death is a realist. He’s optimistic, but not because he has nothing to fear.
He’s aware that there is so much to be afraid of,
but he knows love is a risk worth taking. 

*** is an idealist, a cautious optimist cursed with depression.
She's obsessed with the expression of art and beauty, ardor and humanity.

However, she knows all too well the pain
of heartbreak and loneliness, and it often consumes her.
She is constantly used and abused, and her trust is worn thin.

But she gives everything of herself,
loves blindly and recklessly,
because she knows a life without love is a life
hardly worth living.

*** and Death can never die, they are
immortal lovers enduring the deterioration of the planet together.
Dee Sep 2014
Divine heavenly sanguinity
blessed prehensile thoughts
of two souls sitting atop floating clouds
basking in sun’s glory.
Travelling as the drift takes us…sometimes
kissing mountain tops or dancing in the vale,
flowing along with the gurgling
stream, touching each pebble so gently
caressing each fern, each shore.
Sea the ultimate destination
merging into nothingness, yet
you and I granted immortality
unending mirth and laughter.
Heaven and earth our abode
Of two bodies and one soul.

*Our divine heavenly bodies
bless us with my red rainbow
our two souls floating in the different shades,
translucent of my colors
with sweet rain on our lips
kissing the ultimate of desire,
as we try and stay within the lines
somehow we drift, into the others  being,
with each stroke of your hand
you always bring me back to you
with each touch you transform
my blank canvas to blend with yours
as the red returns back in my soul…
Collaboration Dee
and Debbie Brook
Caitlin Fox Dec 2015
Sugar, salt -
Decadent crystals are the mistresses to the tongue,
Seducing the mouth,
all the while trapped in the slave house of the body.
They take forms of warm and soft, frozen and slick
and in their sanguinity, they partner to become fuel,
insulating, warming the body.
Creating perspiration, spawning inevitable regret.
Drawing the body, the looking glass calls,
singing its poisonous Siren song
Luring it to the whirlpool that is the surely awaiting distended figure
There stands a sickening creature,
one the tides would not accept as bait
unless it can return to the sickly prey it was moments before.
And so this prey must slink away,
Bow down before its Goddess, its Queen
who declares it a “Disgusting fool”,
commands it to “rid yourself of this delicacy you live in,
this fantasy world
And relinquish your happiness.”
Because in order to be perfect,
bliss is not deserved,
not handed out,
not accepted.
John F McCullagh Sep 2016
They briefly loved who sheltered here; the beautiful Sarah and her cousin Will.
They fled the City to this place in England’s north wild rolling hills.
Her husband had neglected her, visiting stables and not her bed.
By that wild summer of Sixty- eight their estrangement had come to a head.
To this old country house she fled; to linger in her Lover’s arms.
Their close sanguinity proved no bar; she gladly yielded to his charms.
They summered here and oft were seen, together, on the Lover’s walk.
A place where blackthorn trees entwine; but you know how people love to talk.
He left her then, alone, with child, as coloured leaves began to fall.
Divorced, disgraced, abandoned thus; She sheltered in another’s home.
This famous beauty with Stuart blood there would raise her child alone.

Such is the history of this place; their romance played out in these halls.
Their scandalous adultery was consummated within these walls.
Modern beauties visit still and stroll with beaus the Lover’s walk-
A place where blackthorn trees entwine and old ghosts whisper in the dark.
A tale of Lady Sarah Lennox, her first Cousin William Gordon and their scandalous adulterous affair in the summer of 1768
betterdays May 2014
lets just see
what the soothesayer
says he saw
in his silly  but soggy sanguinity
should he have seen,
the step, so slippery
that brought him to
this soap opera scene... seventeen stitches,
sore chin, not suffering...
too much silly,syrupy
stuff pumped in.
do you think the
soothsayer will see,
a sore and sorry sunday
for himself...
or will he be sadly
oblivious to the obviously, 
vaccuous summation
of the unpredictability of it...
seen here by one and all.
just wordplay... thats all
Michael Marchese Aug 2019
It shouldn’t be something
Just to get through
But a skill to take pride in
As one of the few
With a craft to be reveled in,
Relished, enjoyed
And on rarest occasion
A weapon employed
Should a dire most need
For a war of words waged
Upon those who prefer
The more literal graves
For their victims and enemies,
Childhood reveries
I bury mine
In descriptive serenities
Remedies curing me
Of morose maladies
Banal, mundane
Every day
Gray realities
Splitting dualities
Self-contradiction
Cognitive dissonant
Lawless conviction
A chaotic orderly
Misanthrope humanist
Spiritual atheist
Radical pacifist
Gifted with empathy
And equanimity
Equally balanced
In stoic disharmony
So alive
Dead inside
Cynic sanguinity
Outspoken introvert
Mortal divinity
Half full of doubt
And half empty of faith
Powerless to bring change
But I try all the same
And when shamed by a world
Torn apart
Just like me
I am wholly at peace
As I write poetry
Dustin Dean Jul 2016
Basked by the hedge of sanguinity
The lead role walked on through 
Trails of trivia in casualty, but elegance
As we made our way through corridors
Testing potions in accordance to patience
There was always a goal to be arrived
Even though a mind or two had quit
The morning sun shone through panes
Illuminating their collective third eye
The dream swept through like a charm
All throughout the halls in the monastery
And into the facility of knowledge
With its rosy brume, in an instant
The wheel of the colorful cycle had begun
Once again, to turn without hinderance
I swept the dust off my right cheek
And said to the fair maiden  
What if we never pass this way again?
She gently smiled
And hastened to the next lesson
John F McCullagh Sep 2017
They briefly loved who sheltered here; the beautiful Sarah and her cousin Will.
They fled the City to this place in England’s north wild rolling hills.
Her husband had neglected her, visiting stables and not her bed.
By that wild summer of Sixty- eight their estrangement had come to a head.
To this old country house she fled; to linger in her Lover’s arms.
Their close sanguinity proved no bar; she gladly yielded to his charms.
They summered here and oft were seen, together, on the Lover’s walk.
A place where blackthorn trees entwine; but you know how people love to talk.
He left her then, alone, with child, as coloured leaves began to fall.
Divorced, disgraced, abandoned thus; She sheltered in another’s home.
This famous beauty with Stuart blood there would raise her child alone.

Such is the history of this place; their romance played out in these halls.
Their scandalous adultery was consummated within these walls.
Modern beauties visit still and stroll with beaus the Lover’s walk-
A place where blackthorn trees entwine and old ghosts whisper in the dark.
A tale of Lady Sarah Lennox, her first Cousin William Gordon and their scandalous adulterous affair in the summer of 1768
aerial adams Jun 2015
I want you to know
that you cannot have me.
We are third-world countries
apart.

Our views are different;
yours – passionate,
mine – practical.

You hear beautiful music
in the noisiest place; whereas
that same area
disturbs me.

Where you see opuntias,
I see prickly spines
waiting
to pierce my
shield of sensibility.

Your sanguinity spites me,
yet it resounds from within—
a dreamer’s echoes in my veins.

Nonetheless, you have taught me,
guiding me through my
self-inflicted stress.
Your persistence has
deprived me of
pessimism, so

I thank you.
Uma natarajan Jun 2021
The gentle monsoon breeze carrying fragrance of earth and the rustling of the plants
Blow away my my mind's dust and moist the brain with their chants
Even then the stubborn heart steals few moments to persuade and follow the music of poised waves
That just raises and falls of the river flowing behind my house and it drives
My heart desires to stamp my feet on the wet miry sands
The crimson firmament of twilight spreading its orchestral band
Just enthuse sanguinity of joy creeping like the rays of sun rise
And my imaginations gallop floating around the peninsula of mind
Preeti Verma Oct 2019
Spiraling down the memory lane

With little to no shame

Muses the self esteem quitely

Where’s my gal who once shined ‘oh so brightly’

.

What made her loose the strength

That had earned her praises at length

What made that power she once held

to break into tears that geld

Who would u blame in this situation?

What led her pride to cessation?

Must be her own inability…..u say?

No one can control the thoughts that stray

.

One can ponder that till infinity

But now she is back to sanguinity

That was unexpected….u say?

Well these are the thoughts that stray

.

Worried, Ashamed, puzzled and hurt

What about me?…the esteem blurts

Crawling, Stumbling yet standing

How longer I’ll be the only one sacrificing?

.

The strength never comes from only growing

Sometimes it stems from the breaking

Those little pieces carry the heart aches

Which first quakes, breaks then makes

Let the past be her experience

That will make all the difference

Let the broken esteem guide her

Make her forever 'ohh so brighter’
3 a.m. thoughts (old collection)
November's Daughter


oh, say you, zithering delightfully
    the leaf's breath leads me on
    to the tree of your sanguinity.

the wind is much stronger,
    the verdure is greener
   in my side of the Earth
you cross with a single glance
   etching something in the soul:
a writ of marvels or a lace of birds
    stringing across the entire
November morning.

in one of the days made thoroughly
    by careful hands,
  it is you in the flesh of many
   tangible days.

i say again,
the wind is cooler,
  thwarting the summer.
surly flowers glide in the air
   and the clouds twitch in sun-glaze
  and temperamental pondering

November supremed you, me;
   the sovereign of its bounty
  opened its door and let in,
     a crystalline vestige:

the wind is tender past the windows.
  i watch the slow specter of night
    in its vertical climb;

  you,
the moon,
    altogether, hand in hand,
  like water falling and falling
    into my mouth, receiving your shadow–
the world
    moves brighter than ever.
For M.
Jay23 May 2017
You clandestinely waltzed into my life
leavened my moribund nights
lifted me up
with your graceful arcs of gab,
full of bewitching sweet nothings
and swirling soft kisses
you held the vise for my time and
unmitigated attention. 
And I liked making you laugh. 

Happy little period
where we dabbled in
the daily saccharine twaddling. 
The days gave way to nights
and time warped into a honey glob
on declivity, disintegrating gradually
while gravitating. 

The bonhomie finally
fizzled out.
And I wallowed in disbelief 
at your furtive retreat
silly me, cocooned in ingenuity
waited for you to come back
whilst you moon walked 
and cachinnated with the hip chicks. 

Rivulets of tears
fused with cheap dark ***
and months rolled into years
yet no cue of your return.
You moved on and I was still
stuck three years behind. 
Love felt like a prison
where I was serving a life
sentence for your transgressions. 
Doleful eyed, weary of waiting
and heaving dolorous sighs,
nearing nadir. 
It took me a long time to
finally accept defeat
and obliterate the last
shreds of sanguinity.
It took me a long time
to realize that
I cannot chase love.
By Dee
Debbie Brooks

Divine heavenly sanguinity
blessed prehensile thoughts
of two souls sitting atop floating clouds
basking in sun’s glory.
Travelling as the drift takes us…sometimes
kissing mountain tops or dancing in the vale,
flowing along with the gurgling
stream, touching each pebble so gently
caressing each fern, each shore.
Sea the ultimate destination
merging into nothingness, yet
you and I granted immortality
unending mirth and laughter.
Heaven and earth our abode
Of two bodies and one soul.

Our divine heavenly bodies
bless us with my red rainbow
our two souls floating in the different shades,
translucent of my colors
with sweet rain on our lips
kissing the ultimate of desire,
as we try and stay within the lines
somehow we drift, into the others  being,
with each stroke of your hand
you always bring me back to you
with each touch you transform
my blank canvas to blend with yours
as the red returns back in my soul…

Debbie Brooks 2014
Thank you Dee for another great Collaboration..
http://hellopoetry.com/deepakqt/
Esha Apr 2018
The nauseating humidity condenses into mellow rhythms of rain;
Feeling like your soft fingers on my bare skin, tingling my senses and easing their strain.
The fragrance of the night air, of the distant blooms, of the dewy earth;
Like the scent of your breath, of your breezy hair, of the soul that your body girths.
In my tiny world of short windy & sunny days, and long stormy & dark nights with sparkling rain, like stars, pouring down;
You walk in like a chromatic twilight, like sweet-scented dusk and dawn.
This gloomy room of mine is filled with the soft glow of the candle you lit;
With the flame flickering like my heart, and the melting wax dripping onto the floor like my regret and guilt.
The regret for not warning you about the fragile bridge between us;
And guilt for not stopping you when you tried to cross.
Like an utter coward, I didn’t jump to grab your hands when you fell;
Even if I kept on hurting you with words like stabbing your heart, you still spilled out a rainbow and stained me like an enchanted spell.
You’re like a beautiful melody to my deaf ears,
like tickles to my numb senses,
like a daybreak for my endless gloom.
Your sincerity dissolved my fears,
your sanguinity broke down my fences,
your ethereal affection made it a painless doom.
Thank you for not letting go even when I pushed you away;
For giving me eternal joy and taking in all my dismay.
Thank you, Sorry, and Goodbye.
Aditya Roy Oct 2018
I love her
She's wonderful
Shhe's prurient
And she'[s emollient
And truant when in the ood
Pervasive in her affection
Affectionate in her affliction
She stayed with me through her dying days
Lifeless breaths
But she got to thee
With a sense of sanguinity
That long-preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust;
Andrew Marvel
Michael Marchese Feb 2021
Moonlight is blue tonight
Luminous glow
Peering out of my window
At go away snow
Melting at a pace
Glacial
Too slow for my liking
I want open spacial
And temperatures hiking
Returning with haste
My impatience insatiable
Time laid to waste
But the portents of thawing
Apparent today
Warming up the inherent
More pleasant landscape
To sanguinity cheer
For the advent of Spring
And its promise
Of weather
Much better
Will bring
And whether or not
Its fecundity blooms
For me too
Or just once again withers
In winters entombed
Michael Marchese Dec 2021
Since meeting you
Haven’t made
Much time to write
And to share with you
Can’t find
The one I would like
To express what it’s like
To in just a few days
Shift away from the doldrums
Of dreary malaise
To elation,
Excitement,
And eager sanguinity
Finding someone
Who can share
My affinity
For what a simple
Arrangement of words
Can bestir in two hearts
Thrumming like
Hummingbirds

— The End —