.
So here I am once more, in the playground of the broken hearts.
One more experience, one more entry in a diary self-penned.
Yet another emotional suicide,
overdosed on sentiment and pride.
To late to say I love you, to late to re-stage the play.
Abandoning the relics in my playground of yesterday'.


The first words you killed me with.
The first Script to make me cry.
The opening song on a plate of sorrow.
The opening sight of my Poets eye.

Your words soaked my childlike mind
as I lost on the roundabouts and swings.
The Jester stands with violin and quill,
composing tears on his broken strings.

I sat and chewed those daffodils
and I still struggle to answer why.
I grew up and left that playground
but its the place where my heart died.

So I never did write that love song,
My words just never seemed to flow.
The martyrs twisted smile haunts me,
my Harlequins head dreams in sorrow.

The game is over.
The game is over.

© Pagan Paul (22/05/17)

I promise this shall be the last poem of thee I've written of thee. And thus I have dedicated all the love I have for thee into this; in the hope that my heart has none of it left after writing the poem.

I hate the dreadful hollow behind the little wood;
Its taint of darkness dripping down like blood-red hearth.
A breeze of morning moves, that we love, has gone;
For a musk of the skies at dusk must have come down.

Come into the garden, my love, and play around with me;
For a bed of love daffodils is on high;
For a set of faint lights is now there to catch;
One breed of lights that we used to play with.
Bring my that green glass of paint, and draw by me,
While I rub thy dark hair on my lap, with my bronze fingertips.

Run around here, Immortal, and give me thy handsome hand;
Thou art the speed and pace I need here to stay;
Ah, I am not detached from t'is world, so long as I have you;
I am charmed, even in the darkest abyss of yon superficiality.
Thou art the fragrance of happiness found in decay;
Strength in the most diminished, and yet distinguished ecstasy;
A fable t'at becometh real in a flight of seconds;
A temptation no maiden heart canst afford to dismiss.
And look at me, now and then and all over again,
I wanteth to look pretty in my ruffle brown skirt,
Just like in my midnight gown on a flowery wedding night,
One t'at we shalt have above the sun, out of everyone else's jealous sight.

Let's dream t'at this delight shall ne'er wear out, and leave to us t'is nuptial potion;
I hath ideas for us and the most sensible of worldly notions;
Naughty as water ripples and the broadening green plantations;
I knoweth now where we canst go and hide our insightful destinations.
Thou wert always running in thy magical shoes,
And t'eir worlds of visions and phantom-like phantasies,
Like woeful but wise extraterritorial dimensions,
A forest of spells and love curses we never knoweth.
But worry not, my dear, for I shall hold thee in both portals,
I'll keep thee safe by my side, I'll keep thee immortal,
So that we are ne'er to be apart, in such a bright love like pearls,
And the petals of roses t'at ne'er swerve again from our fingertips.
We were always inhabited by our little jokes, and moved by an unseen hand at game,
T'at everything was too tranquil even for being a game as itself its nature,
And the whole little wood we were perched on was one world
Of fun shivers, wonders, and plunder and prey,
Oft' at midnight hours we looked at each other so kindly and peacefully,
With eyes mastered by love and tough loveliness,
Thou looked but wholesomely splendid in thy own questioning minds,
And thy brown hair t'at was turned about by solitary winds.
Ah, Immortal! Immortal, Immortal, my visionary love, my darling bird.
And yet, the night knew then, of our tricks and who we were, funny little liars—
Little liars t'at had but a tender love outta' time and space,
And such a gleaming love for one another,
We whispered, and hinted, and chuckled, with an aroma of love about us,
However we'd braved it out, we felt about it glad and not sorry;
We humans of a naughty, devilish, notorious, but sophisticated breed!

Come into the garden, Immortal, for the night bat now hath flown;
The one thou fear, my love, hath left us alone.
And forgive me for my rigid clauses to them;
For I want only to writ' of thee, my darling bud.
The planet of love seem't be on high,
Beginning to pick away its fruitful colours,
And make itself look petrified and stultified,
Like one from abroad, flown in as foreign woodbine spices.
Ah, as though t'is temporal world is not murky enough for us both,
That our translucent breaths are those who survive;
Who remain rustic in this unmerited ordinary world.

Come again, my love, my impeccable darling,
Let's witness what the sonnet's yet to sing;
All we need t' do is pick up a lil' wooden chair;
And breathe the swampy midnight air before we sit.
Here is my poetry, and I'th written it for thee,
Long like the satin seas, and red ribbons made of clouds,
I needst not say it but thou read still, my heart out loud.
Ah, Immortal, the golden gift thrown at one clean snowy night!
And t'ese hidden memories now shine out back again,
For the drifts of the earth we ne'er knoweth, indeed,
And thus who knoweth the ways of the world,
And the surreptitious moves its soil's done,
From morning to night, from one day to another?
Ah, who knoweth 'em all but the Almighty?
Our Almighty, our very Almighty;
t'at breathed into our souls such loving love,
And made for us t'is decent planet, many suns, and one fair earth.
Ah, Immortal, and thou art the son of literature He had to me,
A joy t'at my hands, as He told, outta rejoice,
A glory t'at my faith should find.
Ah, Immortal, thou art sweet, sweet, and too sweet!
Thy sweetness is but an avarice, one bold austerity to me;
Scenic in its grace—a graceful grace t'at is far too restless and undying!
Undying, unweakening, but strengthening, t'at it'll ne'er die!
Ah, for thy sweetness, Immortal, hardly leaveth me a choice;
But to move and fall softly again and again for thee like before,
And thy honey-coloured skin and charms t'at I adore,
Not his, who knows or feels any of me not;
Not him, who is neither courtly not kind;
Not there, who understands not how to write,
to read, nor even to sing.

All night hath the roses heard songs from thy Eolian lute;
And my unveiled violin, piano, and bassoon;
All shrieking and collating in one strange space.
But hear thou, my love, of my shrilling little voice?
An unheard, abashed voice that keeps calling your name;
Your coloured name, that smells like trust
In its euphoric aura and ecstatic plays.
Where art but thou, my Immortal;
That was so close and definitive to my heart.
Where art but our strings, and guitar cords;
That used to rock up our beneficent loveliness?
That kept our hearts in tune, when desperately falling in love,
Ah, I do not want to leave thee still in thy weird dance,
I want to keep thy heart beating with mine and stay in tune;
I want to run with thee into a hush with the setting moon.
I said to the playful lily, 'There is none but one
With whom my curious heart is to be gay.
When will he be free to catch up with me?
I see him day and night and in dreams of my poetry.'
And half to the rising day, low on the sand
And loud on the stone our passion too shall rise;
Keep us cheerful and our heartbeats warm.
O young lord-lover, what sighs are those
For one that shall ne'er be thine?
'But mine, but mine,' I swore gaily to the rose,
'For ever and ever, mine. Just mine.'

And the soul of our fragrant rose sings into my blood,
That Immortal and his lover shall ne'er be apart.
He'll wait for her at night, in one bloodless Sofia;
She'll wait for him 'till such stars fall asleep.
He makes her blessed even in her dreams,
That all the red roses and lilies stay awake to watch their joy.

Immortal and Estefannia, the happiest ones along those summer days;
Are a threat to those soul frayed and vitriolic;
Too stellar to them romantic and idyllic;
Proud and sturdy in their ascetic life.
The best of love of the world's missing beat;
Daintier than any of this summer's bitter heat.
How fate tests their love we shall ne'er know,
but their love stretches as distantly as it can.

Ah, Immortal, tells Estefannia I shall make thee flattered
In sleep, in peace, in conscience, and in hate;
I shall make for us joy though our stories may be late.
Thy eyes are brown, my love, one shade the world's never owned
And thus thy love is valid and new in itself, ne'er worn.

And I shall hear when thy lips wan with despair, I'll be there;
I'll stand there with my basket, a gift from one faraway;
But with a love neither placid nor drained;
Villainous as t'is world is, what a broken wordling;
Like a wailing starling, torn in its calls and frothy desires.
T'ere is no more signal for us towards t'is despaired world;
I shall take thee yet, through the curtains of such speculations;
For 'tis only thy pride t'at lives, and not one soul of thine lies;
And should thou remain alive, my love shall ne'er hibernate,
But sit and trust firmly in its wakeful sleep, grasping thee,
Grasping thee, my love, 'till exhaust allows me no more words,
'Till my own poetry disobeys me like a cloud of putrefied shadows,
Ah, but still, remaining a gross soulless apparition I may be,
With no apparatus trembling 'round beside me,
Wouldst I still saunter myself forwards,
And greet thee in t'at peaceful vineyard;
Play to thee a lullaby and witness thy dreams,
Rocking thee softly against thy own stardoms,
'Till rivers are awake again and alert t'eir inane streams.
O Immortal, it is for better and fairness t'at I love thee,
Ah, but which love is sweeter than mine, or stronger than ours?

For I trust t'at my love is hungrier t'an that of her yonder,
Ah, and t'an t'at loyalty and patriarchy of our sullen armies,
More striking than a ****** dame's pictorial tyrannies,
One too sweet-scented for a hidden mercenary,
I have heard, I know not whence, t'at it but happened to thee;
Thou wert away, thou wert not under my umbrella, beneath me!
Where is Immortal now, for I need to save him again;
My husband in nature, my lover and immortal darling and best friend!

For t'is world is but a holocaust for the believing;
T'ere is, within which, not one pyramid of truth,
For 'tis a place of happy misery, and too miserable happiness.
T'ere is no place like our little Sofia, t'at once we dreamed of;
Filled with rainwater by its armed forces of Bul-ga-ri-ya;
I shall wait for thee there, by the triple roundabouts,
I shall wait for thee before I pray, and seek help from Our Lord;
I hath written for Him warm praises and delicate triplets of words.
Immortal the delight of my life, the dignity of my love;
Immortal the ringing joy of my ears, the gallant sight of my eyes;
Immortal my darling, of whom I write and for whom I sing.
Immortal like the leaves of the suburbs, t'at turn red and shyly bloom,
One that smells like mangoes and two pieces of orange blossoms.
Ah, Immortal, with his sweet red-mouth when eating dangled grapes,
Immortal the beloved of my father, the moon-faced, merriest son of all!

Where is he now? My dreams are bad. He may bring me a curse.
No, there is a fatter game on the moors, perhaps I ought to look for 'im t'ere.
The devil, I am afraid, hath stolen him again away,
I hath seen him not for a time as long as this day's.
Immortal, I want thy bountiful smile, and see thee not ill;
Immortal, tell me t'at thou long for and love me still.

Ah, along those happy days, and fabulous morning thrills,
My heart leapt whenever it caught thy voice,
And thy sanguine embrace when such came near;
Days were but too advanced, I know, and men were tied to t'eir own minds;
But thou kept me calm, with such majestic love and lil' poems in thy hands,
For t'is world is yet too adamant in t'eir pursuit,
Yet I needed thee, and thou came along.
Long had I sighed for a calm: God may grant it to me at last!
Ah, Immortal, a naughty lil' breach of t'is world, and its affairs;
A lil' cuddle t'at laughed and darted merrily all through the night.
Would t'ere be sorrow for me, for what I was feeling?
I thought I sensed only love and none like hate,
For it all tasted sweet and fierce like neverending fate,
A fate t'at we both accepted in one force,
A fate too astounding from our courageous Lord.
I thought thou wert mine, and thou shalt always be mine!
And t'is swirling sensation, when I looked at thee,
Full of teary happiness and chaotic delights,
I did want not t' think of its possible ends,
Ah, violent as Shakespeare might've assumed,
But I wanted to relish and bury myself in it
For such memories of thou had desired.
Immortal, Immortal, and now thou art gone;
But when all t'is world does is to go flexibly round,
Where'th thou think our missing beats can be found?

Warm and clear-cut face, why thou came so cruelly meek;
A cute lil' wonder to my sight—and for my lungs
To breathe stupidly for now and again.
Thou, handsome lad, hath broken all slumbers
In which all is but vague and foul and folly,
Pale with the golden beam with one dead eyelash
Knifed by the contours on one's cheeks.
And t'ere is also, about, the remnants of one's blood,
Dried and unmoving in t'eir death, but too lifelike at the same time,
Smelling ***** like the air rifles t'at just brought 'em all to death.
Death, ah, living t'is life without thee is like death;
All is clueless, breathless and sightless,
All is burning me strangely and from within,
Luminous, gemlike, dreamlike, deathlike, half the night long,
Growing and fading and growing and fading like an edgeless song,
But all too disobeys me, and disappears again as morning arrives,
Mocking me again while showing off its cloud wives.
I am trapped again now, in t'is wonderless dream of thee;
Which is more buoyant and febrile, unfortunately, than death itself,
One darker than even a tragic tear of one thousand years;
Like a heartbreaking scream or shipwrecking roar,
I am walking in a wintry stream all by myself,
And where is my Immortal—for he is not by my side,
He doth not witness the emerging of such sunshine—ah! It is t'ere today, quite early,
One t'at sets t'is darkening gloom all away, and thus we are all born free,
Free, virtually, both our hands and slithering eyes,
But still thou art not 'ere with me to witness t'is joy,
Thou who hath gone and withered like a pale blow of smoke.
Ah, Immortal, but may I hold t'ese rainy memories of thee still;
For t'ey all scorn and spurn as though I am ill;
I who loveth thee sincerely 'till the very end of time,
I who loveth thee with all the clear and vague powers
with which my very soul hath been endowed,
I who loveth thee like mad, I who loveth thee purely without hate;
I who virginly loveth thee like I doth my own fascinated fate.

Lay again, my love, on my longing lap,
I'll sing to thee one favourite lullaby,
And a basket of cherries t'at we picked nearby,
We shall enjoy t'is merriment before I let you sleep.
I shall let you sleep on my lap—a pair of skins t'at love you,
Love you as much as my other skin doth,
A heartbeat and pulse t'at breathe together
And want thee t'at madly, now and forever.

I found thee perfectly beautiful, my Immortal;
Sometimes thy eyes were downcast,
Spiritual in some ways,
And 'twas like thou wert thinking, my love;
Thinking of the upsurging stars above—and t'eir ******* secrets, beneath.
Ah, Immortal, even the vilest idleness cannot be against my love for thee;
My sparkling stars, and the affirmation traced along my heart is about thee;
All about thee, until t'ere is but none left of me,
Thou art the juice of my soul—far too ripe for someone else's heart!
And one, thou art more delicate than the crescent moon we hath tonight;
More shimmery than its ***** and rays of twilight,
Ah, Immortal, how the heavens hath descended thee onto me;
Thou, my love, art the last life and love of my thorough entity.

And t'is poetry shall be thy last enchanting lullaby,
I hope thou'lt sing it when midnight's swollen and sore,
Hurting thee to the pipes of thy very core,
But let's forget not t'at we once knitted awesome stories,
A chain of moments t'at lasts forever, ever, and ever again.
Ah, Immortal, we are back in the afternoon now,
We must though 'tis bluntly hard to say goodbye,
Of which hearts are unsure, but yet must lie,
I shall cry out my last beating love for thee,
But thou dwelleth in what I see, and thus ne'er leave me,
Like a fallen star t'at wants to rise but ne'er doth,
Thou art still the leaf my autumn tree hath sought;
And thou art the shine to my balmy rootless night;
Thou art the apparition t'at appeareth and teasest me after nightfall.

I'll wait for thee again in slippery Sofia,
And my love shall re-unite again with its winds;
Its walls, its havens, its barns like a spellbound purgatory;
For if I am bound to thee, in love and hate and rage and agony;
I'll write thee poems 'till even the universe is asleep.
I'll be cold like thy saluted Bul-ga-ri-ya;
I'll hold thee with 'till the last drops of my sanity;
Ah, Immortal, and in yon high-walled garden I still watch thee
pass like an authorial star;
Thou art as graceful as my own kind-hearted light;
For sorrow cannot even seize thee, my leading star!

Say love not when I meet thee again one day;
For t'ere is no more a desire to learn or admire,
I shall carry my knigh

theres a place where animals play
in animal park they play all day
there are lots of animals there
lions and tigers and even a bear
theres giraffes and monkeys too
these are only just a few
there are swings and a slide
where the monkeys love to glide
roundabouts and a climbing frame
where everything is just a game
they just to love to play away
in animal park they play all day

"Put a feather on it!" someone whispered.
"Roundabouts!"
The tank was full of fuel by now.
"Well, that's pretty strange!" he thought.
"If you think you can manage, it's fine with me!"
He appreciated her.
"Here's something for you!"
"Rushing sounds."
He ate an apple.
No flowers in the sun.
Woodlands as far as the eye could see, but what lay behind them was just out of view.
"Hoy!"
Magnificent, they were, but they barely would compare to a field of steel watchmen riding the mists of time.
"Cheeky!"
Here were monsters.
Cheeky.
Trust is oftend tried at the most inconvenient of times.
"Friday is a great day to go out, everyone does it!" seemed the only reasonable reply.
"Crisp fries on a platter!"
The people gathered in the streets.
She had a couple of drinks.
Monica likes Waltzes.
He appreciated the night sky for a moment.
A rough bundle of ropes lay scattered around on the floor of the empty appartment.
Rifles were loaded, hats were donned, it was a chaotic display of things.
Heavy traffic slithered trough the steamy morning.
Water rushed into the bathroom, a fish drowned.
Monica was made of different pieces of wood.
Tumbling bumblebees were far from here.
Water.
A gothic arch reaching high and wide.
Howitzers blazed loudly.
Effectively, he got kind of good at it.
Water rushed.
What he was waiting for, he couldn't say, but he was definitely waiting.
Jerry sells plaster.
Commercialising industries seemed like a good plan back then.
Jerry spoke to his female friend, who was unnamed for no specific reason.
Hounds.
Crisp fries on platter.
Radiant mushrooms spoiled the darkness.
Towering high above the the misty clouds, the collection of Eiffel towers spend their time bending to the wind.
I am a narrative voice.
"I am fishing here!"
"Howdy, clowns!"
Maybe it wasn't such a good idea to go all the way.
"Hey now, don't watch that, that's a terrible show!" she said.
Pianos were thrown.
"He shook his head." she said.
What they were looking at, no one could tell.
Very chaotic indeed.

My hands have a mind of their own
Melt down all my doubts to fill molds of jail cell bars
Of locks with no keys
I’ve built a cage around my heart made of all the things you hate about me and the things I hate about myself
I know the weight of living is heavy love
Place it on my chest until my lungs cave in
I’ll find air in the spaces between our fingers and in the distance I’ve put between us

My minds become a road map full of roundabouts
From an aerial view you can see the loops of my neural pathways
They look a lot like “I’m sorry”
Made of dead ends and clovers and things my therapist says are out of my control
It goes around and around and around on repeat
But I’ll apologize again anyway even if it keeps you here longer than you wanted
In the maze
In the cage

Ive met people with keys
I don’t know how to ask for them
Even just for a second

There's roundabouts
and bumper-cars
and a big wheel
and a coconut stall
Ingrid said

and a rifle range
I said
I won a goldfish
in a plastic bag
here once
on the rifle range

we were at the fairground
on the bomb site
by Meadow Row

bright lights
and noise
and laughter
and people shouting
and girls screaming
and music blaring
out of speakers

she was excited
to be there
her brown eyes
lit up
like fireworks
her brown hair
pinned back
at the sides
with hair grips

got to have a go
on the big wheel
she said

I want to go on
the coconut stall
I said
have you money?

yes
she said
2/-

your old man
give it to you?

no my uncle
gave it me

why's that?
I asked
as we gazed
around the fair

I do things for him
she said
as we approached
the big wheel
can't say what
it's out secret
my uncle said

I nodded grimly
and we climbed
on board
the big wheel together

and off it went
up in the evening sky
the Elephant and Castle
beneath us

our flats visible
because the Square lights
were on

the area was like
it had been bombed
over night
rather than
about 15 years
before

look at that
she said
pointing

and I followed her finger
and saw the horizon
of lights
and it was like
an explosion
of brightness
which brightened up
this best of all nights.

Winter and Spring have long since passed,
cold wind, rain and frost belong in the past,
darkness thankfully no longer descends as fast,
long hot summer days arrive at long last!
Colourful flowers and plants, trees and shrubs
burst forth from hanging baskets, gardens and tubs
outside homes and shops, hotels and pubs;
brightening roadsides, roundabouts, parks and golf clubs.
Exams are over and school is finally done,
children everywhere mad to get out in the sun,
playing outside all day, having such great fun,
warm summer days being enjoyed by almost everyone.
People everywhere outside busy doing something;
weeding, mowing, watering, general gardening;
cleaning cars, washing windows, mending or painting,
or simply sitting out with the neighbours, gossiping!
Time for sunglasses, sun cream, getting a tan,
Wimbeldon, music festivals, holidays to plan,
ice lollies, ninety nines from the ice cream van,
water shortages of course and the annual hose pipe ban!
Time for day trips, sports, to picnic or sunbathe,
for the park or the beach, to swim or just wade,
to get burnt to a crisp or just relax in the shade,
for beer gardens, barbeques as the sun starts to fade!
People making the most of each sunny summer day,
determined to enjoy the sun, lap up every last ray,
each enjoying the summer in their own particular way,
“Long may it last”, people around the country pray!
For not getting a summer seems to be our worst fear,
but thankfully the summer seems to be finally here.
All around the country there is a party atmosphere
such a shame it cannot be like this all through the year!

theres a place where animals play
in animal park they play all day
there are lots of animals there
lions and tigers and even a bear.

theres giraffes and monkeys too
these are only just a few
there are swings and a slide
where the monkeys love to glide.

roundabouts and a climbing frame
where everything is just a game
they just to love to play away
in animal park they play all day.

Repeating
the same mistakes.

Everyday
feels I'm speeding
on a roundabout

Physics might disagree,
but I think if I speed enough,
I can crash into my past self;
stop her from ever starting
this vicious cycle.

I wonder
why it all started

what made me ride a ferris wheel
when I was afraid of heights?

was it the idea
of a view?
missing out on something I never knew?

The first time,
height was just a dimension
I felt limitless;
I discovered a new invention.

The view wasn't green grass,
or blue skies
it was a dark beard
and blue eyes

I thought to myself
"I never want this to stop"
so I got into my car
and tied my hands
to the wheel

he sat in the passenger's seat,
smirking at my addiction.
I thought his smiling,
was a happiness depiction.

with time
it started feeling consuming,
the fear of crashing;

I wasn't afraid of dying,
I was afraid of killing
the only person
who made me feel alive

.
.
.

Today,
I'm in a speeding car
driving in circles

In the passenger's seat,
is a bag of *****
and he's nowhere to be seen

I am still not afraid of dying,
but I choose to live

If a parkkeeper
keeps parks
I
wonder where he keeps them,
perhaps in a park?

does the park then become
the park keeper?

if so
what does the parkkeeper do?

I walked in a sea of zombies,
circled a million roundabouts,
wandered
the streets in the reverse.
Nobody noticed me
with my two-week stubble,
my body odor emanated
as I cruised through the rubble,
waiting for twilight.

Dried baby llamas grimaced
while children played jacks
& men sold coca,
green bag mountains of it
stacked high like the cordillera
with chicken bones
lying around,
configured
in all directions,
it smelt magical.

And when
the sun finally fell,
I witnessed
the poverty stricken elite,
totally lost on their own
two feet.
I wanted to relate,
to feel human,
so I joined the winos
on a dark unknown corner,
sniffed the cool air
& could finally relate
to a time in space.

like my vehicle's exterior
i keep chipping away
and my cuticles won't heal
and my sick beak won't let them be
and they seep the color of my machine
but the burgundy never hinders me
i'm distant, it's why

i'm so driven.

i get no brakes
my right sole estranged me
it's not just the outside
decaying slowly
it stopped stopping
at my ****** bedsheets
it's festering.
i'm still peeling
desperately
all because

i'm so driven.

i'm still trying
to get to a place
where i feel content
but i just learned,
it's nonexistent.
why the ****
didn't they tell me
why did no one spoil me
by ruining my hope eternally
when they reveal that
it lives exclusively
in tables of content
and children's fantasies?
nonetheless,

i'm so driven.

my grip on my path
and this steering wheel
in my hand
face insanity.
there's no stopping me.
we'll stand divided
when together we give up
using the weak, pressing
their skulls with our feet
giving audiences that all
resemble one another
the illusion of highness,
of mightiness,
and stature,
and elevation.
but the ones with the
goodness and pure intent
end up broken
incapacitated
decapitated
aphasic
like history X—
—sure, they've submitted
but it's long past due dates.
they'll give up inevitably
like their blinkers, for me
they'll burn out in solidarity
and i'll feel better,
i know

i'm so driven

we’re incapable of looking up
or seeing the sun
when united we're falling
we'll always be too busy
competing with others' grips on rocks
incapable of epiphanies like the fact
that facing catastrophes in unison
doesn't change the ultimate reality
that we face impending doom alone but

i’m
so
*******
driven

to drive others to the ground
to make us history
to draw x’s
and plant pennies on eyelids
we've let it blind us
social desirability
is a one-way street
to three times two feet
beneath roads unpaved

to catalyze the torturous process
and injustice and cruelty
i drop more of my pieces'
readers off in the same spot
as i find myself,
more
lost

maybe then they'll be
indifferent like me,
in denial, too,
certainly, then,
they'll attempt
speaking to skies
chanting hymns and psalms
and similar reaffirmations
any maybe then, they'll look to me
then we'll all sing in harmony
and

"i'm so driven”

will be music to my ears

and before i gasp
to fill my pink air sacs
with more gas,
i will let it be known
that i am to credit for
the eternal peace
the mortality
of the cancer
that is humanity
and united
and divided
we'll all stampede
and get tangled in our minds
in webs too thick
to pass for silk roads
and the only thing we'll know
is that we won’t be abandoned
once we tailgate our neighbors
that find themselves stuck
between rocks and hard places
and the only direction in sight
is the former, so they pray
take a leap of faith
and
off
  cli
    ff-
     ha
       ng
         e
          r
          s
          .
        . ¨. .

by the time malachi wrote of elijah's half, god split too, and then the embodiment happened on two roundabouts worth of twirl: god was a third's worth of christ's trinity talked about, recognising india in a symmetrical summery of applause for anglia's capital norwich - exchanged in overcoming autumn into similar wobbly within grasp - stornoway - to pinpoint an x for some lapsed tongue twirling less hollywood and more of the towing dimensional twins: diaper dipped innocent and sunk into welly fudge wet sludge slurps of onomatopoeias, exchanged to boot pivots for the weatherman handling insignia of coordination with a queen's lazed approach to care for the public's handy utility: shaken the plumber shaken the electrician, but gloved the hand ordinating trickles of tubular artery and sparks of the veiny rarity skidding into pressurised suicides named.*

as i said it once: by the time of malachi elijah was half of what jesus became,
a trinity of thirds; but by a polytheistic nitro of interests reincarnation
was not much for the oneness: with malachi in oath
to claim elijah in half, while jesus stole a prophet's book,
which endowed a testimony, such that much of the greek "god said"
was roman "let me ease into it and regurgitate."
so while malachi wrote of elijah's re-incarnation and spoke heresy on
the pulpit of polytheism for a crowd of monotheists
not allowing a seventh of the same pool draw
of sunken chlorine breathed as a matchstick sparked,
it was malachi so many years prior
anticipating the many gods ridiculed by a singled out earth,
while jesus stole isaiah's book and hiding it near the dead sea,
and having his own testimony
of being integrated into egyptian alimony
sold and paired revealing the sorrowful desert winds that the desert
in toadish engulfed the nearby architecture. so i tell you: jesus stole isaiah's testimony,
was crucified for it, because within the penta- framework moses wrote
like a true outsider - and we prefer narcissists holding a mirror rather
than gripping a nail to a placard of steadied wood of ennobling statues
of geometrics. why then the many narcissist messiahs empowered by posing
into a polaroid fake and the lost oedipus plural theorised?
once malachi came with the heresy elijah was halved with god,
and once jesus came and the people began deciphering babylonian madness
so that the hanging gardens were architecturally sound
and the pyramids were proven higher than the eiffel:
without a sweaty wrinkles' river taken aqua vivo, we thus conversed.
elijah was a third in the form of jesus who begat one as a trinity
to further the heresy of malachi.

DEAR PENPAL PEOPLE, are we really alive-or on hope for?:>

I feel like the lunatics must be
the superiors in life from you and me

all of these roundabouts on the way
seems like a price for not being ones that we pay

how in the planets do them know that we are the sane?
how in the universe do them define what absurd to them as insane?

I'm not ought in this humanity to believe in vain
that what we lack is a disgrace to the hearts in pain

violins know how to play to me a menace
like for the haters who disrespect on block of distaste they penance


------ravenfeels

.ich gerande kam, von unter die eisenvorhang.... (i just came, from under the iron-curtain): mir, sein geworfen unter eine siliziumvorhang... wann werden sie halt, in berufung es ein tal?! i just came from under the iron curtain... i'm under a silicon curtain, valley? what valley?! your western communists are worse than the originary eastern europeans: Edvard Gierek... coal miners... sick of socks you ******* mocassin trannies... i coined the term, first siliziumvorhang! dead-end eisenvorhang... what valley, what curtain?! this curtain! this valley! cultural-marxism coupled with cultural-darwinism... the perfect storm... i just wanted my jukebox back, man, did i really require independented politco commentators? not really, no, i really didn't... i just wanted my music algorithm back... like: ******* will you ever get it back... thank you... *******... both sides are to blame... both the independent creators and the multi-billionaire hog feeders... trebble up! the number of homeless people, via youtube...  "creator" these days, also implies: vulture regurgitation of news content, elevated comment section... what a prize to be envious of! i quiet simply tire of h'american commentary... hiroshima ego tripping is about done it for me... i have come from under the iron curtain...
now i'm sieving ******* from under the silicon curtain... because and also: as if: the scot blonde comb-over golfer nominee really matters... point being: i have no where else to go... if i'm escaping the iron curtain, while being forced under the silicon curtain... i'm going nowhere... i'm like a cancer: hell, if there's no place for me to go... hit the brain, give it a malignant tumour... h'america was once the: only escape financial back-up plan... now? i'm not so sure... i don't believe in h'america... i'll buy theit ****... but that's about it... thank god i never visisted h'america, thank god i visisted russia... i'd visit h'america: if only i had the ego compass of a worth of ebola... i don't want to visit h'america, too much of it is already exported... i see too many englishmen ******* off the export manifesto... it's already gauging at my eyes... thank god i visisted russia rather than h'america... i pray to god to never visit that godforsaken place of the forgery of worships.

a police van almost sounds japanese in polish: sūka; i rode one once, being picked up unconscious on the pave after being given a ******* drug... i can usually walk the double yellow of the highway code straight... after a bottle of whiskey... reasoning from that... my drink must have been spiked; and yes, sūka is also a derivative of a female dog: you know that lying in terms of writing is also called structure and planning? look here... haphazard composition in the vein of mahler.

i never write more than i read:
i have to keep the libra balance;
and i never write
with the intention of spontaneity;
as before precision syllables
only craft synonymity of:
i / aye / why / lie / fly / cry...
the one vowel in each that’s stressed superior
to the other letters used...
obviously we can claim a bargain: 2 4 1 (two for one!)
bunch of bananas 2 quid spare,
get yer bananas!
that market selling call resounds in a crescendo of echoes
among the walruses and 1960s risqué pop:
what? it's romford, the river rom acts as a sewer
on the sly... and it's a market town after all;
that's hardly a reason to call romford hull & larkin:
did you know that geography poster next to
the library changes colour? yeah,
it changes from avocado green to dark moss green,
and you can spot romford, gidea park, hornchurch
and upminster and rainham on the map?
i noticed the change in neon hue just last
night, having a beer and a cigarette: policespotting
the 'outside the five roundabouts' rule of
public drinking allowance.

theres a place where animals play
in animal park they play all day
there are lots of animals there
lions and tigers and even a bear.

theres giraffes and monkeys too
these are only just a few
there are swings and a slide
where the monkeys love to glide.

roundabouts and a climbing frame
where everything is just a game
they just to love to play away
in animal park they play all day

I begin to spiral downward with no
Safety net in sight or parachute on
My back. I look up and I see familiar
Faces of people who support me.

My family and friends become my
Ears and eyes, and guide me through
All the ups and downs and roundabouts.
They are my safety net and parachute.

“You can do it!”
“You’re amazing!”
That’s what they tell me every day
As my demons begin to slowly fade.

My demons fight harder and harder;
It’s David versus Goliath, an epic battle.
Good versus Evil, Heaven versus Hell.
My life is chaos and only time will tell.

“Don’t listen to them!”
“We control your life!”
My demons try to control my life and
They push me further into the dark abyss.

I’m free-falling, not the Tom Petty type,
Being ****** in like a black hole in my mind.
Welcome to the Twilight Zone as the light
Begins to fade in and out of my mind.

“Your life is precious!”
“You have so much potential!”
My life and my mind are not my demons’.
They will not control me, not if I can help it.

I realize that everything starts in my head.
I need to stop making excuses and listening to
My demons; they do not determine who I am,
Nor determine the person I will become.

“You can do it!”
“We have faith in you!”
“We believe in you!”
My family and friends break the darkness.

I see a hand as I fall deeper into the darkness.
Outstretched and Heavenly, I reach out for it.
Failing every time, I doubt myself and I begin to
Make excuses telling myself that I can’t do it.

I close my eyes and I tell myself,
“Stop making excuses!”
“You can do it!”
*“Just do it!”

Build me a mountain way up to the sky and
throw in a river with boats sailing by,
I
have movies that float in my head and my eyes see them all when I'm home in the dark, in my bed there's a shark that plays music to me, ghosts and chameleons they're all running free so build me a mountain and allow me to climb, bring me buckets and spades and some cool Rayban shades, I want Sun, I want some, some fun, wholesome, some funsome and frolic, a nice alcoholic drink in a cup with a straw, see-saws and dodgems, amusements and candy, men on stilts, girls in kilts, ducks with hooks, story books, slides and rides galore, give me more, more me, running free with the chameleons and ghosts, trains to the coast can call then, see the mountain and when the can falls hit by three wooden ***** hear the shouts, glee on the roundabouts, goldfish in a bowl, hole in one for a prize, crazy golf, crazy eyes.

Build me a mountain way up to the sky and I'll show you how and I'll tell you why it's importantly me, importing some glee, running crazy mad free,
with boats sailing by.

So,
What is precious friendship in the real world about.
A man who makes his woman wail and shout.
Discarded in the dustbin of life's wanton destruction.
A man who made her eyes erupt.
Lives in a world somewhat corrupt.
Swims in buckets of tears.
He always cries.

He got her.
Ripped her limb from limb.
To feed his sorry insecurities.
He's the precious one.
Not the woman kind.
He sank his teeth into her soul.
Tore her heart to strings.
The woman he left behind is virtually dead.
Her head ripped off.
Her body bled.

He was a bright man an inspiration.
Now has become monotony.
He is black and white.
Not an ounce of purity.
Maybe pure insanity.
Is he the the north pole.
The south pole.
Or perhaps bi-polar.
Nobody knows.
Let alone him.

The swings beat the roundabouts.
And the Ferris wheel flies in chaos.
A conundrum of confusion.
An enigma with rotten teeth.
And dragons breath.
That tastes of death!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)

We drove down the drunken arrow
with slack on the pedal during the steep
inclines. Roundabouts rounded out my
view of those pullman pine peaks
from what I’ve read in geography.
But what I didn’t read was the sightseer
schemes: there’s a price fix on the peaks,
there’s a price fix on air,
Mother Nature is selling
her body to the public.
If we want to pay any kind
of mind to her we need pay
up before we spend time with her.
But this isn’t how it should be,
we should be able to see her
without a cost per hour.

© Matthew Harlovic

Lay the Sun, love.
Roundabouts.
By Self, you mire the time.

In low repose,
And tickle tones,
You disregard my rhymes.

In mystic sweeps,
And Jungian leaps,
You distance my sight for love.

But ever patient,
I'll bear my heart.
As butterfly eats the dove.

< So how far back can you go then ?
How far down the Rope of Songs can you go ?
You were a Rocker weren't you, you liked Rock n' Roll
In the 80's you had a Walkman, you'd be listening to tapes and songs on the radio
You also wanted to be a drummer once, you loved the power and energy there
But what about the early days though, I'm interested particularly in the early days
How far back can you go I wonder
Yea! How far back and what memories do they bring up ? >

Back in the 70's watching Top of the Pops every Thursday evening on the BBC, essential viewing
With its exciting Whole Lotta Love intro
It was something exciting, thrilling
Waiting to see your favourite Band
And to see the Charts, how they were doing
In the Seventies there was Glam Rock, my eldest brother and me we were always arguing and fighting with one another, sibling rivalry I suppose
If he supported United then I'd have to support City...silly stuff
He liked the band Slade whereas I liked...I supported Marc Bolan and T-Rex
Solid Gold East Action I really liked that song
It was very fast, he rarely did fast songs Marc
Telegram Sam..."you're my main man"
Metal Guru..."is it true"
Twentieth Century Boy..."I wanna be your toy"
The hair on your neck would stand up when he'd come on...
Slade were good though, secretly I liked Slade too, they had great songs
*** on feel the Noise/ Girls grab the boys..
Coz I luv you...Mama we'er all crazy now...
Skweeze me Pleeze me "You know how to squeeze me..."
But there were lots of other good bands and so many great songs
We used to play cards for small money...pennies, a series of different card games, and we'd put on records while we played
We even learned to play Chess and we started a Chess League between us,
We'd always listen to the music as we played.

The Sweet's "Blockbuster" with its intro of police sirens, it spent about 5 weeks at No.1 in the UK Charts...
It reminds me of...of Fish that song...Fish on Fridays, we used to have fish every Friday, I didn't like fish there was bones in it
I wouldn't eat it then Mam would get angry
One time she took a mouthful of my fish trying to prove there were no bones in it
Then suddenly she started to cough and splutter and choke
A Bone had actually got caught in her throat
I thought it was my fault, I thought I'd killed her
She had to go to hospital to get it out
I was going to tell her "I told you the fish was dangerous"
That memory just came back to me when I thought of that song and that time

Yea! I liked Marc Bolan and T-Rex, songs like Metal Guru, Twentieth Century Boy
I remember I didn't like the lyric "Twentieth Century Boy/ I wanna be your toy"
It sounded silly to me that lyric, I suppose I wanted things to make sense
And when he did that song "New York City" with the lyric
"Did you ever see a woman coming out of New York City with a frog in her hand"
I thought then he was maybe losing it a bit
< You...you were a very serious child then weren't you ? >
I suppose I was...like a lot of children are...maybe I just wanted things to make sense.

< I'm interested in the early days, even the very early days and the memories you have
How far back can you go ? What about the funny novelty songs ? >
Chuck Berry had a No. 1 with "My Ding a Ling" playing with his Ding a Ling, we all thought it was very funny
Stayed at No. 1 for several weeks
"Gimme that thing, gimme gimme that thing (or Ding)" was another funny song
"Mouldy Old Dough" by Lieutenant Pigeon a keyboard song with the constant refrain of just "Mouldy Old Dough"
Cat Stevens had a song "I can't keep it in/ I gotta let it out/ gotta show the world..."
Novelty songs were important, they'd interest even your parents
They'd pass a comment "Ha! Ha! That's a funny song"
< And there were sad songs too, weren't there, really sad songs ? >
"Billy don't be a hero don't be a fool with your life" by Paper Lace about a young bride trying to talk her young fiancee out of going off to war, he doesn't listen and never comes back, he gets killed
The Government sends her a letter, she throws it away...
"Seasons in the Sun" by Terry Jacks, 'Goodbye Michelle my little one/
We've known each other since we were nine or ten/ We climbed hills and trees skinned our knees...ABC's / O! Michelle it's hard to die when all the birds are singing in the sky..."
You'd nearly be in tears listening to it.
We used to buy Top of the Pops compilation records with lots of hits on them
Sometimes Mom would like a song, 'Stay with me' by the band Blue Mink
"Stay with me, lay with me/ Love me for longer..."
Always reminds me of my Mom that song
'Killing me softly with your song' Roberta Flack was another
'Tie a yellow ribbon round the old oak tree..."
At school every Friday the teacher would have a spelling test, I used win it a lot, I was good at spelling
The teacher used to give some sweets as a prize, I used bring them home to my Mum.

The Eurovision Song contest (all the European countries would put forward a song), I remember being let stay up to watch Abba win in 1974 with 'Waterloo'
In their fabulous outfits...they looked like Stars, Giants to us, Norse legends from Sweden.  They were amazing!
And what about our own Dana, the young Irish girl from Derry who won the Eurovision for Ireland for the first time with 'All kinds of everything...remind me of you"
I was too young to be allowed to stay up to watch that one
But you could probably hear the adults shouting for Joy from the room below
Happy Nay amazed to see one of our own having done so well, being recognised, flying the flag for Ireland
And then there was seeing Thin Lizzy playing 'Whiskey in the Jar' on Top of the Pops, the first Irish Rock band ever to appear on the show
It was so exciting watching them on our old Black and white TV...an Irish Band one of your very own up there on the World stage
And what about Gilbert O'Sullivan from Waterford I think reaching No. 1 in the Charts with his lovely song 'Clair'
We thought it was a love song but at the end it was revealed it was in fact about a little girl he used babysit for...so sweet.
We used to get comics and magazines secondhand, bought at jumble sales (remember jumble sales)
There was a music magazine for young kids, mainly for girls I think
It was called 'Jackie', there'd be a few in our bundle
They'd have big pictures of all the current hearthrobs
Donny Osmond, David Cassidy, the Bay City Rollers
The young fans would go crazy for their idols
I remember Donny Osmond singing Puppy Love and his version of The Twelfth of Never...
"I'll love you till the bluebells forget to bloom
I'll love you till the clover has lost its perfume
I'll love you till the poets run out of rhyme
Until the Twelfth of Never/ And that's a long long time"...
They were beautiful words about loving, a forever love
And Baby I love you by The Ronettes "Baby I love you/ I love everything about you...
All singing about this wonderful mysterious thing called...called Love.

<Can you go back further than that?>
When we'd go up the village where the amusement arcade was
There'd be songs playing, there were dreamy songs
Albatross by Fleetwood Mac, A whiter shade of Pale by Procol Harum
There was an instrumental I remember called "Sylvia" by the Dutch band Focus
There was a lovely leggy blonde girl named Sylvia in my class at school
And yes! I think she was actually from Holland
(We had a few foreign girls in our class)
Y'know I think she fancied me...did Sylvia
She used to smile at me a lot.
I have a memory of being at the fairground in the Summer with its swing boats and bumper cars
It's roundabouts with the horses and swings, the shooting gallery, the stall for throwing rings over things and taking a prize home
I remember candy floss and ice cream cones
I remember playing the penny slot machines in the amusement arcade, all the different machines
I remember a song "California Man" by The Move... wonderful Summer days.

In the Sixties an Elvis or a Beatles film was a big deal
I remember A Hard Days Night in brilliant black and white
And then "Help" in wonderful colour
Trying to get a fabulous Ring off Ringo the drummer's finger... great songs
Watching The Banana Splits "One Banana Two Banana Three Banana Four/All Bananas going right through the door...
Remember The Monkees"Hey!Hey! We're The Monkees/You never know where we'll be found... We're the young generation and we got something to say"
Last Train to Clarksville, I'm a Believer... great songs too
Remember The Age of Aquarius "This is the age of Aquarius..."
The Sixties yeah!

<Did your Mom and Dad have a Singles collection, the old 45's. Do you remember?>
On our old Dansette record player Roy Orbison singing In Dreams and its B side Sharadoba a magical Egyptian sounding song
And also It's Over about a love affair breaking up
And its wonderful B side Indian Wedding, that was my favorite song among the 45's
It told the story of Yellow Hand and White Feather two Indians getting married
But then going off into the swirling snow never to return
Gone to the Land of the Rising Sun...
You'd listen to them over and over again those songs and that wonderful haunting voice.
<And what were you thinking about, what would be running through your mind when you'd be listening to those songs?>
I remember I wanted to be special that I'd have some special powers and be able to do great things
Something that would make me stand out and that people would be amazed
Maybe some of the girls too, would be very impressed.
My Dad he liked Jim Reeves, he had a lovely velvety smooth voice
He sang Billy Bayou 'Billy Billy Bayou watch where you go/ You're walking on quicksand/ Walk slow/ Billy Billy Bayou watch what you say/ A pretty girl is gonna get you one of these days...
He sang a lot of slow love songs "Put your sweet lips a little closer to the phone and let believe that we're together all alone...
Anna Marie... Anna Marie
Four Walls to know me...

<Tell me about Christmas, the Christmas songs?>
Christmas was a magical time in our house, we'd have the Christmas tree with all the decorations and coloured lights on it
We'd have long concertina like decorations going from wall to wall, so colourful
And lots of glittery things
The songs... Slade singing 'Happy Christmas Everybody', Wizard singing 'I wish it could be Christmas everyday', Mud singing 'It'll be lonely this Christmas (without you to hold)' sounded like Elvis
Johnny Mathis singing 'When a child is born',
'Little Drummer Boy'...
In those days because of school and family you had a strong sense of belonging, having friends, attending birthdays and sports and community events and church
I remember the Christmas party in Primary school (Kindergarten), you had to bring your own treats
I'd only have some biscuits and diluted orange juice
Most people were relatively poor in those days
I was a bit embarrassed having so little
There was one boy and all he had was a bottle of milk to bring
Some used make fun of him, kids could be cruel sometimes.

I remember the teacher brought in a tape recorder once and taped every boy and girl's voice and then he'd play them back
I used dread when my voice would come up
'Cos suddenly the whole class would erupt in laughter
For some reason my voice sounded funny when taped
Even the teacher used smile
I felt so humiliated nay destroyed with them all laughing at me...
I remember... I remember singing the Christmas Carol 'Angels we have heard on high' with its chorus
"Glo..ooria, Gloria in Excelsis Deo"
It was Latin I think but I didn't know this
I thought we were singing "Gloria in a Chelsea stable"
I thought to myself "Jesus must be a supporter of Chelsea football/soccer club" heh!
We had Perry Como's Christmas album with the story of 'Frosty the Snowman' and 'The Christmas Song' ...
"chestnuts roasting on an open fire/ Jack Frost nipping at your nose/ Yuletide carols being sung by a choir/ And folks dressed up like Eskimos..."
And Bing Crosby of course, singing White Christmas
I think we all dreamed of a White Christmas
At school we'd sing 'Away in a Manger' and 'The First Nowell'
Y'know if I sing those songs even now to myself, I can... I can almost remember...

<What about the other songs you learned at school, funny songs, sad songs and the memories they bring up? >
There was a song 'Those were the days (my friend we thought they'd never end)' it was in the Charts
I think the teacher taught us it
The people in the song would be having a great time laughing and drinking and dancing in the taverns
But as they'd grow older their lives would change and they'd get lonelier and sadder...
'Puff the Magic Dragon' I remember there was a very sad bit in this song
Puff and his childhood friend would have so many great adventures together
But then one day, his friend he came no more (he'd found other toys to play with)
Poor Puff was left bereft, he slowly slunk back into his cave... this used to make me sad...
We did patriotic songs 'Roddy McCorley' (goes to die on the Bridge of Toom today)
We had a songbook at school, I still have it
It had lots of old folk songs
Oh! Susanna, Skip to my Lou, The Camptown Races
"Michael Finnegan beginagin/ He had hairs on his chinagin/ Poor old Michael Finnegan"
We used laugh at that song
"What are we going to do with the drunken sailor... early in the morning "
'Marching through Georgia' "Hurra! Hurra! We bring the Jubilee/ Hurra! Hurra! The flag that sets us free...a rousing song
The teacher would play a musical instrument, a melodica I think it was called
She'd blow into it and it had keys on top that'd she'd finger to create the notes
She divided the class into those who could sing and the others, the Crows she called us who couldn't
I was among the Crows
It made me feel bad being called a Crow.
In Primary school we used to play soccer during the breaks
It was usually the Boys from the Housing Estate versus the rest of us from the Village
There was never any tactics, the whole team en masse would just run after the ball LoL
I remember I used to get angry sometimes probably because of something someone had said to me
When I was angry I'd become like The Incredible Hulk
I'd go through the whole lot of them, beat them all
I was Unstoppable
I was the first boy in my class to ever score a goal using my head
The school would also have soccer leagues and we'd get put onto teams
But we were so small compared to the bigger older boys we'd hardly ever get a touch of the ball
But I... I managed to get a goal once which was unheard of from someone in our year
I was so happy.... delighted! My teacher even announced it to the whole class
That I'd scored... I was so chuffed
When I went home and told my parents though they didn't seem to think it was anything special....
My Dad he liked accordion music, he liked The Alexander Brothers from Scotland
They had a song 'Nobody's Child'
"I'm Nobody's Child, no one to love me/ No mother's kisses no mother's smiles/ I'm like a flower just growing wild..."

I used to sleep alone in my room
You'd be afraid there in the Dark on your own
There'd be a nightlight on the wall all lit up
A religious picture, the ****** Mary holding the child Jesus
I'd get Mom to leave the door open so I could faintly hear the voices downstairs
Sometimes I couldn't hear anything and I'd be afraid everybody had gone and left me
So I'd get up and sit on the landing listening
There was a few times when I'd actually go down the stairs
I'd be so relieved to see them all still there
I used sing songs in the dark to keep the fear away, songs we learned at school
"We're going to the Zoo Zoo Zoo/ How about You You You/ You can come too too too..."
Old MacDonald had a farm E-I-E-I O! and on that farm he had some...
"10 green bottles standing on a wall/ And if one green bottle should accidentally fall/ There'd be nine green bottles standing on the wall...
Sometimes I used recite poems we'd learned
"Two little blackbirds singing in the sun/ One flew away and then there was one... One little brick wall lonely in the sun/ Waiting for the blackbirds to come and sing again "
I also remember trying to recite to myself the multiplication tables...

<There were funny rhymes and nursery rhymes wasn't there? >
Christmas is coming/ The Goose is getting fat/ Please put a penny in the old Man's hat/ If you haven't got a penny a halfpenny will do/ If you haven't got a halfpenny God bless you...
Hickory Dickery dock/ The mouse ran up the clock...
They could be strangely violent sounding
Jack and Jill went up the hill/To fetch a pail of water/ Jack fell down and broke his crown/ And Jill came tumbling after...
Humpty Dumpty sat on a wall/ Humpty Dumpty had a great fall...
Three blind mice/ See how they run/ They all run after the farmer's wife/ She cuts off their tails with a carving knife...
Girls are made of all things nice... sugar and spice/What are little boys made of/ Frogs and snails and puppy dogs tails...
Adam and Eve went up my sleeve and never came down till Christmas Eve...
I remember the early games we played, Snakes and Ladders, Ludo, Tiddlywinks trying to flick little plastic counters into a tiny plastic bucket, also playing draughts and marbles...

<Can you go back any further ? >
My Mom singing in the kitchen doing her daily chores singing some song off the radio
Dickie Rock an Irish showband singer singing
"Come back to stay/ And promise me you'll never stray/ I promise that I'll be true...
Sean Dunphy another Irish singer singing "If I could choose" (came second in the Eurovision Song contest)
Tom Jones 'The Green green grass of Home '
There was a lot of easy listening type songs on the radio Burt Bacharach type songs
Andy Williams, Englebert Huberdinck (Please release me let me go/ I don't love you anymore), Doris Day maybe
There's a lot I can't remember now
Val Doonican another Irish singer who'd made it big in the UK
(Had his own TV program for many years on the BBC)
He had a big hit with the song "Walk Tall"
"Walk tall and look the world right in the eye/That's what my mother told me when I was about knee high...
I remember one magical Christmas we got a present of a plastic projector
It came with several slides, they had wonderfully colourful cartoony pictures on them that told a story
We'd turn off all the lights and project it onto the wall
I remember it was like magic, the colours they were so vivid, they were like the colors off stained Glass windows...
The colour of things was very important when you were a kid, they'd almost create feelings inside of you
Colours came first... before words ever did
We often didn't understand the grown ups with their big words...
I remember getting collections of different kinds of toy soldiers and then staging battles
I remember collecting little toy Dinky cars they were called, that was their brand
And Matchbox cars (another brand) ... even today when I see certain colours of cars I am reminded of those old toy cars I used to play with... strange

<What are your earliest memories then? >
There was a question I always wanted to ask the adults but I never did, I thought it kind of funny and didn't want them to laugh at me
The question was "Why does Life always show me ?" An existentialist question even then.

We lived by the sea so you'd be lulled to sleep every night by the flowing up and flowing back of the sea... the tide... its gentle swaying back and forth motion
We had a black cloth picture/painting on the wall, a night scene with swans on a lake and an exotic house in the background with the Moon shining
It was so quiet and peaceful to look at...
My bedroom wallpaper had lovely red or pinkish roses
There was a colourful flower design sewn onto my pillowcase
It used to be lovely getting into bed with fresh linen...
I remember I used to get funny dreams even then, sometimes scary dreams
But I remember you were always safe 'cos in the dream you had a special ring you could put on and then the scary dream would go away (I've often wondered after was that maybe where Tolkien got his inspiration for The Lord of the Rings and Wagner the music composer for his music opera "The Ring")

<Can you go back...any further ? >
Going back further, you're almost falling off the edge of the world there
To a time... to a time when there were no words
When a child comes into the world they have no words
There's only... only The Silence... The Great Silence,
Silence is a strange thing, you can hear Silence
The fact that you can hear it means it must be changing from moment to moment
It too is just like a music, it's probably the first music
Without it there could be no other
The Music of the Spheres someone once called it
It just stays there in the background... glistening... your constant companion
Probably the first sound you ever heard, and probably the last you'll ever hear
It can grow very loud
It wasn't threatening, there were no monsters in it
Not until you went to school and learned words and heard scary stories
Did the monsters come
Words they can cast shadows... sometimes very long shadows...
There was a cot with wooden bars, I remember having a blanket with lovely warm colors on it, soft light blues and yellows, wooly sheep, Bo Peep or Bears or something
We had a golden coloured curtain with lots of designs on it in the bedroom
I remember if you looked hard enough you'd start to see faces in the curtain
Sometimes they would frighten me, they'd look very sharp and angry looking or maybe very sad unhappy looking...
I suppose today I still see faces, in my mind, in the great curtain of all my memories, all those I ever met and knew...

I remember looking at my Mom's face and not knowing what she was
Babies their a complete clean slate, have no words, they know nothing of this world
Gradually they warm to their Mom's affections and come to trust her and bond with her.
Because you had no words when very young there'd be huge gaps in your consciousness
When your consciousness would be completely clear and still
The silence and stillness would envelop you
... and there was something else... something else there... something deep in the silence
Out of it would come something very strange and quite wonderful
It'd come upon you suddenly...it was like your consciousness was changing, opening up
It was like you were descending into some great... some great complex
Your eyes would be closed but still you could see it and feel it... you were part of it
And it was so natural and so familiar...it was where you came from...it was Home
There was a first part that would lead into another part... and then another, all different
Yea, it had several stages and you'd pass through each stage from the outside going inward right to the very last stage... the very Source of Life itself
And you'd be completely at ease with yourself, you'd be completely at Home there
It'd come every night... that Special thing.,. that Special Place
Y'know sometimes when I see a little baby asleep in its pram, I know... I know where they are
Their away now, away in that Special Place
Far faraway from this world of care, so peaceful and so quiet there
Guarded by unknowingness and the Great Silence
With no fear or confusion there to bedevil it
Knowing only a relaxation so deep and a great Stillness within...

But me! I was the youngest in my house, I was always fighting with my brothers
And I was a terrible worrier just like my Mother
I'd be worried about school and the teachers, and trying to understand my (school) lessons
And there'd always be problems, arguments, confusions... humiliations and cruel harsh words spoken
At night I remember I used shake my head vigorously as if trying to rid my mind
Of words that had been spoken, words that hurt or stung...or confused me
I used bump my head gently against the wall
But no! I couldn't escape them... my peace it was broken now...it was gone
And that Special Place just like in the song Puff the Magic Dragon
It came no more...it was lost to me.

I suppose this is all I can remember, all I can recall
I guess this is where I must have come in
I suppose I must have reached the end... the End of my Rope here.

but it's not worth stealing anymore
because all that glittered was never even gold
in the first place, and if there ever was a shine
it was made lacklustre with lust
and covered with rust over times that
even history books don't touch
(history repeats itself, keep eyes down,
avoid the looks, try to keep yourself from thinking
all of the men are just crooks)
and soon what you stole you see
you didn't really want that much
and soon it's getting old and your bones ache
under eyes so cold, but it's probably fake
what you thought was snow, so go
and don't make the same mistake,
don't make it twice. Did someone forget
to mention that the roads aren't going anywhere
only roundabouts back to tension,
not paved with gold? They are made of ice.

Vanity and chasing the wind Suleiman says/
Indeed it is all a cause of no value to mankind/
Sometimes I say to myself be this or that worth anything?
If I cannot know the outcome of all my toil is it worth it?
Inspired by accomplishments made by the great names/
Dust they were dust they have returned to, a shame/
Meaningless their lives meaningless their fame/
A chasing of the wind indeed just a chasing/
Like dust blown into the skies our souls rise/
Like a stone thrown in Newtonian age our bodies fall/
Tasteless is all that was sweet senseless is all that made sense/
For what is common sense it is a repetition of the ordinary/
Accustomed to repetition and circular movement is our world/
Roundabouts everywhere that lead to the same destination/
New is nothing old is everything that is new/
Those who know now knew then and won’t know again/
A chasing of the wind a curse of mankind/
Hurry for the time doesn’t wait for the faint hearts/
Running before we learn to walk that’s what we wanted/
But we were chased and caught for the sign read WANTED/
Wanted did we to know the unknown hidden with good reason/
It was the time the season for ripening of the fruit/
It was the reason we gave up our God given gift/
Our curiosity and pride overcame our sight/
On the day we lost our divine right/
And the day was bright suddenly lost its light/
A chasing of the wind in darkness blind was the start/
Vanity and chasing the wind Suleiman says/
Vanity it is to this day it stays/
Meaningless indeed meaningless it stays/
© ISSAI

By the time you will read this, I'll be long gone.

I will not be in the land of dead, nor of alive either. I will be as I was since, well... long before my heart was crushed between lips or fingers or people's thoughts.

I will be here, in a place between your world and mine. In places where the secret code to enter is pain in the chest, days of crying and words never heard of ears that count.

In this vast land is a city with concrete blocks, all gray. The streets are one way roads that travel beyond and above. Roundabouts at every mile that gives chances to go back.

back where?! you might ask.

I do not know to answer to that, I do not know to tell you stories of those who took the route back, or to show you pictures of new places they landed.

But I can tell you about the place where I am at.

Blocks are all around but going straight down the street you'll reach a park.

People stay here day and night with pillows and blankets all spare for just in case.

In case of what?! another good question you might add.

In case that someone who was their friend some time ago will come along. Not for company. No. In this place knowing that you're not alone is enough. no need to interact. The spare pillows and blankets are for those who have the courage to take some steps towards our grieving and pain and... just to hold our hands.

Among others like me, we are not alone. If you want to came and take me back, please do it.

I will be here.

It astounds me just how ignorant I can be of the hurt i have caused those i have at whatever time counted myself closest to. I find myself thinking i understand, thinking i did well to minimize the damage, and maintain the truth, but that the truth gets minimized, and the damage gets maintained in its fullest potential. I do not often hurt on purpose. I strive to do the very opposite. I do not want  to be a vindictive man, but a man of forgiveness and mercy. I find that I , in my own strength am capable only of so much mercy and forgiveness giving, that at the ends of my strength, the mercy and forgiveness run dry, while people's need to be forgiven infinitely continues to grow.  I find that in such cases, i am in direct combat with my emotions, and with , simply put, myself. I want to forgive, but i do not want there to be no punishment or repercussion to action. And so, opting for such a thing as is called grace, i pray, and one by one, i put emotions to rest. Insecurities of my own manifest and must be killed. I fight. And i pray.These two things are synonymous. I attempt to make recompense, and where i see my own minimizing of truth, in hindsight, set it to it's full nature, bluntly, and plainly, no matter the pain it brings. I am truly sorry that it brings pain. yours, and any, and many others. I only seek as best i can to right the wrongs i become aware of in myself. And yes, sometimes i am guilty of seeking loopholes, roundabouts, or escapes. I will not shy from this fact. I will, note, however, that i often need be made aware of these. For my constructing them is done with so much cunning, and so much stupidity,as to blind myself in both knowledge and deed to their existence. On occasion i taste an inkling of an excuse, and sometimes i am strong enough in myself to face it. Other times, without being confronted, i run from it. I chalk them up to insecurities or uncertainties, over analyzations and things i cannot at all bring any help to.I would ask boldly, that if you see any in specific, you will not for your own hurt, though likely being substantial, shy from me , rather, bring them to light, and give me life in the opportunity to reconcile my own beliefs to my actions. I have found lately that i have a struggle many men have. Esse quam videri- to be rather than to appear. My seeking, my willingness, essentially arises from a quest after authenticity at all costs. If i am not real to myself, and to others, what value can I, or my relations have? I must be real with myself, and with my God, if i am to truly know him, for in knowing myself, I may understand how I relate to my savior. I am glad to finally begin to see the edges of good qualities i have only before been able to imagine myself as having - even if i have had them all along. They , in me, have always seemed imaginary, something to comfort me of my complete depravity. Some slight beginnings of love to alleviate my sufferings of self hate - whether for my actions or my form. I have found my alleviations outside myself, and clung wholly to them.I can now be aware of my complete depravity, and allow grace not only to be applied by Christ himself to me, but apply it to myself, as much or more than i have managed to apply it to others. I do not contend for the opportunity to hide, but for the opportunity, the courage, and the strength, to show myself, and to be known to myself, others, and God. I have long gone about this in ways i thought apt, a plethora of ways i have discovered to be thin veneered self medication. Whether by substance - or by using my actions, separate. By using the very chase of authenticity as an excuse to numb myself from the crime of my identity.I am no crime. Though I am bought at the price of those crimes i have perpetrated, and those crimes that i will inevitably perpetrate - the cost is the blood of the most loving and  most beloved. It is paid, and i , being bought, must not any longer appear as the essence of my crime, nor in the essence of penance. I am free to behold my identity separate from my depravity. I am free from sin that has died in me. My value has been uncovered. I am as a jewel, found smudged with dirt, in need of being formed and cut. The dirt has been washed free. I shine. Facet after facet comes into existence, while rough edge after rough edge begs to be spared and clings to being.