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Now Morn, her rosy steps in the eastern clime
Advancing, sowed the earth with orient pearl,
When Adam waked, so customed; for his sleep
Was aery-light, from pure digestion bred,
And temperate vapours bland, which the only sound
Of leaves and fuming rills, Aurora’s fan,
Lightly dispersed, and the shrill matin song
Of birds on every bough; so much the more
His wonder was to find unwakened Eve
With tresses discomposed, and glowing cheek,
As through unquiet rest:  He, on his side
Leaning half raised, with looks of cordial love
Hung over her enamoured, and beheld
Beauty, which, whether waking or asleep,
Shot forth peculiar graces; then with voice
Mild, as when Zephyrus on Flora breathes,
Her hand soft touching, whispered thus.  Awake,
My fairest, my espoused, my latest found,
Heaven’s last best gift, my ever new delight!
Awake:  The morning shines, and the fresh field
Calls us; we lose the prime, to mark how spring
Our tender plants, how blows the citron grove,
What drops the myrrh, and what the balmy reed,
How nature paints her colours, how the bee
Sits on the bloom extracting liquid sweet.
Such whispering waked her, but with startled eye
On Adam, whom embracing, thus she spake.
O sole in whom my thoughts find all repose,
My glory, my perfection! glad I see
Thy face, and morn returned; for I this night
(Such night till this I never passed) have dreamed,
If dreamed, not, as I oft am wont, of thee,
Works of day past, or morrow’s next design,
But of offence and trouble, which my mind
Knew never till this irksome night:  Methought,
Close at mine ear one called me forth to walk
With gentle voice;  I thought it thine: It said,
‘Why sleepest thou, Eve? now is the pleasant time,
‘The cool, the silent, save where silence yields
‘To the night-warbling bird, that now awake
‘Tunes sweetest his love-laboured song; now reigns
‘Full-orbed the moon, and with more pleasing light
‘Shadowy sets off the face of things; in vain,
‘If none regard; Heaven wakes with all his eyes,
‘Whom to behold but thee, Nature’s desire?
‘In whose sight all things joy, with ravishment
‘Attracted by thy beauty still to gaze.’
I rose as at thy call, but found thee not;
To find thee I directed then my walk;
And on, methought, alone I passed through ways
That brought me on a sudden to the tree
Of interdicted knowledge: fair it seemed,
Much fairer to my fancy than by day:
And, as I wondering looked, beside it stood
One shaped and winged like one of those from Heaven
By us oft seen; his dewy locks distilled
Ambrosia; on that tree he also gazed;
And ‘O fair plant,’ said he, ‘with fruit surcharged,
‘Deigns none to ease thy load, and taste thy sweet,
‘Nor God, nor Man?  Is knowledge so despised?
‘Or envy, or what reserve forbids to taste?
‘Forbid who will, none shall from me withhold
‘Longer thy offered good; why else set here?
This said, he paused not, but with venturous arm
He plucked, he tasted; me damp horrour chilled
At such bold words vouched with a deed so bold:
But he thus, overjoyed; ‘O fruit divine,
‘Sweet of thyself, but much more sweet thus cropt,
‘Forbidden here, it seems, as only fit
‘For Gods, yet able to make Gods of Men:
‘And why not Gods of Men; since good, the more
‘Communicated, more abundant grows,
‘The author not impaired, but honoured more?
‘Here, happy creature, fair angelick Eve!
‘Partake thou also; happy though thou art,
‘Happier thou mayest be, worthier canst not be:
‘Taste this, and be henceforth among the Gods
‘Thyself a Goddess, not to earth confined,
‘But sometimes in the air, as we, sometimes
‘Ascend to Heaven, by merit thine, and see
‘What life the Gods live there, and such live thou!’
So saying, he drew nigh, and to me held,
Even to my mouth of that same fruit held part
Which he had plucked; the pleasant savoury smell
So quickened appetite, that I, methought,
Could not but taste.  Forthwith up to the clouds
With him I flew, and underneath beheld
The earth outstretched immense, a prospect wide
And various:  Wondering at my flight and change
To this high exaltation; suddenly
My guide was gone, and I, methought, sunk down,
And fell asleep; but O, how glad I waked
To find this but a dream!  Thus Eve her night
Related, and thus Adam answered sad.
Best image of myself, and dearer half,
The trouble of thy thoughts this night in sleep
Affects me equally; nor can I like
This uncouth dream, of evil sprung, I fear;
Yet evil whence? in thee can harbour none,
Created pure.  But know that in the soul
Are many lesser faculties, that serve
Reason as chief; among these Fancy next
Her office holds; of all external things
Which the five watchful senses represent,
She forms imaginations, aery shapes,
Which Reason, joining or disjoining, frames
All what we affirm or what deny, and call
Our knowledge or opinion; then retires
Into her private cell, when nature rests.
Oft in her absence mimick Fancy wakes
To imitate her; but, misjoining shapes,
Wild work produces oft, and most in dreams;
Ill matching words and deeds long past or late.
Some such resemblances, methinks, I find
Of our last evening’s talk, in this thy dream,
But with addition strange; yet be not sad.
Evil into the mind of God or Man
May come and go, so unreproved, and leave
No spot or blame behind:  Which gives me hope
That what in sleep thou didst abhor to dream,
Waking thou never will consent to do.
Be not disheartened then, nor cloud those looks,
That wont to be more cheerful and serene,
Than when fair morning first smiles on the world;
And let us to our fresh employments rise
Among the groves, the fountains, and the flowers
That open now their choisest bosomed smells,
Reserved from night, and kept for thee in store.
So cheered he his fair spouse, and she was cheered;
But silently a gentle tear let fall
From either eye, and wiped them with her hair;
Two other precious drops that ready stood,
Each in their crystal sluice, he ere they fell
Kissed, as the gracious signs of sweet remorse
And pious awe, that feared to have offended.
So all was cleared, and to the field they haste.
But first, from under shady arborous roof
Soon as they forth were come to open sight
Of day-spring, and the sun, who, scarce up-risen,
With wheels yet hovering o’er the ocean-brim,
Shot parallel to the earth his dewy ray,
Discovering in wide landskip all the east
Of Paradise and Eden’s happy plains,
Lowly they bowed adoring, and began
Their orisons, each morning duly paid
In various style; for neither various style
Nor holy rapture wanted they to praise
Their Maker, in fit strains pronounced, or sung
Unmeditated; such prompt eloquence
Flowed from their lips, in prose or numerous verse,
More tuneable than needed lute or harp
To add more sweetness; and they thus began.
These are thy glorious works, Parent of good,
Almighty!  Thine this universal frame,
Thus wonderous fair;  Thyself how wonderous then!
Unspeakable, who sitst above these heavens
To us invisible, or dimly seen
In these thy lowest works; yet these declare
Thy goodness beyond thought, and power divine.
Speak, ye who best can tell, ye sons of light,
Angels; for ye behold him, and with songs
And choral symphonies, day without night,
Circle his throne rejoicing; ye in Heaven
On Earth join all ye Creatures to extol
Him first, him last, him midst, and without end.
Fairest of stars, last in the train of night,
If better thou belong not to the dawn,
Sure pledge of day, that crownest the smiling morn
With thy bright circlet, praise him in thy sphere,
While day arises, that sweet hour of prime.
Thou Sun, of this great world both eye and soul,
Acknowledge him thy greater; sound his praise
In thy eternal course, both when thou climbest,
And when high noon hast gained, and when thou fallest.
Moon, that now meetest the orient sun, now flyest,
With the fixed Stars, fixed in their orb that flies;
And ye five other wandering Fires, that move
In mystick dance not without song, resound
His praise, who out of darkness called up light.
Air, and ye Elements, the eldest birth
Of Nature’s womb, that in quaternion run
Perpetual circle, multiform; and mix
And nourish all things; let your ceaseless change
Vary to our great Maker still new praise.
Ye Mists and Exhalations, that now rise
From hill or steaming lake, dusky or gray,
Till the sun paint your fleecy skirts with gold,
In honour to the world’s great Author rise;
Whether to deck with clouds the uncoloured sky,
Or wet the thirsty earth with falling showers,
Rising or falling still advance his praise.
His praise, ye Winds, that from four quarters blow,
Breathe soft or loud; and, wave your tops, ye Pines,
With every plant, in sign of worship wave.
Fountains, and ye that warble, as ye flow,
Melodious murmurs, warbling tune his praise.
Join voices, all ye living Souls:  Ye Birds,
That singing up to Heaven-gate ascend,
Bear on your wings and in your notes his praise.
Ye that in waters glide, and ye that walk
The earth, and stately tread, or lowly creep;
Witness if I be silent, morn or even,
To hill, or valley, fountain, or fresh shade,
Made vocal by my song, and taught his praise.
Hail, universal Lord, be bounteous still
To give us only good; and if the night
Have gathered aught of evil, or concealed,
Disperse it, as now light dispels the dark!
So prayed they innocent, and to their thoughts
Firm peace recovered soon, and wonted calm.
On to their morning’s rural work they haste,
Among sweet dews and flowers; where any row
Of fruit-trees over-woody reached too far
Their pampered boughs, and needed hands to check
Fruitless embraces: or they led the vine
To wed her elm; she, spoused, about him twines
Her marriageable arms, and with him brings
Her dower, the adopted clusters, to adorn
His barren leaves.  Them thus employed beheld
With pity Heaven’s high King, and to him called
Raphael, the sociable Spirit, that deigned
To travel with Tobias, and secured
His marriage with the seventimes-wedded maid.
Raphael, said he, thou hearest what stir on Earth
Satan, from Hell ’scaped through the darksome gulf,
Hath raised in Paradise; and how disturbed
This night the human pair; how he designs
In them at once to ruin all mankind.
Go therefore, half this day as friend with friend
Converse with Adam, in what bower or shade
Thou findest him from the heat of noon retired,
To respite his day-labour with repast,
Or with repose; and such discourse bring on,
As may advise him of his happy state,
Happiness in his power left free to will,
Left to his own free will, his will though free,
Yet mutable; whence warn him to beware
He swerve not, too secure:  Tell him withal
His danger, and from whom; what enemy,
Late fallen himself from Heaven, is plotting now
The fall of others from like state of bliss;
By violence? no, for that shall be withstood;
But by deceit and lies:  This let him know,
Lest, wilfully transgressing, he pretend
Surprisal, unadmonished, unforewarned.
So spake the Eternal Father, and fulfilled
All justice:  Nor delayed the winged Saint
After his charge received; but from among
Thousand celestial Ardours, where he stood
Veiled with his gorgeous wings, up springing light,
Flew through the midst of Heaven; the angelick quires,
On each hand parting, to his speed gave way
Through all the empyreal road; till, at the gate
Of Heaven arrived, the gate self-opened wide
On golden hinges turning, as by work
Divine the sovran Architect had framed.
From hence no cloud, or, to obstruct his sight,
Star interposed, however small he sees,
Not unconformed to other shining globes,
Earth, and the garden of God, with cedars crowned
Above all hills.  As when by night the glass
Of Galileo, less assured, observes
Imagined lands and regions in the moon:
Or pilot, from amidst the Cyclades
Delos or Samos first appearing, kens
A cloudy spot.  Down thither prone in flight
He speeds, and through the vast ethereal sky
Sails between worlds and worlds, with steady wing
Now on the polar winds, then with quick fan
Winnows the buxom air; till, within soar
Of towering eagles, to all the fowls he seems
A phoenix, gazed by all as that sole bird,
When, to enshrine his reliques in the Sun’s
Bright temple, to Egyptian Thebes he flies.
At once on the eastern cliff of Paradise
He lights, and to his proper shape returns
A Seraph winged:  Six wings he wore, to shade
His lineaments divine; the pair that clad
Each shoulder broad, came mantling o’er his breast
With regal ornament; the middle pair
Girt like a starry zone his waist, and round
Skirted his ***** and thighs with downy gold
And colours dipt in Heaven; the third his feet
Shadowed from either heel with feathered mail,
Sky-tinctured grain.  Like Maia’s son he stood,
And shook his plumes, that heavenly fragrance filled
The circuit wide.  Straight knew him all the bands
Of Angels under watch; and to his state,
And to his message high, in honour rise;
For on some message high they guessed him bound.
Their glittering tents he passed, and now is come
Into the blissful field, through groves of myrrh,
And flowering odours, cassia, nard, and balm;
A wilderness of sweets; for Nature here
Wantoned as in her prime, and played at will
Her ****** fancies pouring forth more sweet,
Wild above rule or art, enormous bliss.
Him through the spicy forest onward come
Adam discerned, as in the door he sat
Of his cool bower, while now the mounted sun
Shot down direct his fervid rays to warm
Earth’s inmost womb, more warmth than Adam needs:
And Eve within, due at her hour prepared
For dinner savoury fruits, of taste to please
True appetite, and not disrelish thirst
Of nectarous draughts between, from milky stream,
Berry or grape:  To whom thus Adam called.
Haste hither, Eve, and worth thy sight behold
Eastward among those trees, what glorious shape
Comes this way moving; seems another morn
Risen on mid-noon; some great behest from Heaven
To us perhaps he brings, and will vouchsafe
This day to be our guest.  But go with speed,
And, what thy stores contain, bring forth, and pour
Abundance, fit to honour and receive
Our heavenly stranger:  Well we may afford
Our givers their own gifts, and large bestow
From large bestowed, where Nature multiplies
Her fertile growth, and by disburthening grows
More fruitful, which instructs us not to spare.
To whom thus Eve.  Adam, earth’s hallowed mould,
Of God inspired! small store will serve, where store,
All seasons, ripe for use hangs on the stalk;
Save what by frugal storing firmness gains
To nourish, and superfluous moist consumes:
But I will haste, and from each bough and brake,
Each plant and juciest gourd, will pluck such choice
To entertain our Angel-guest, as he
Beholding shall confess, that here on Earth
God hath dispensed his bounties as in Heaven.
So saying, with dispatchful looks in haste
She turns, on hospitable thoughts intent
What choice to choose for delicacy best,
What order, so contrived as not to mix
Tastes, not well joined, inelegant, but bring
Taste after taste upheld with kindliest change;
Bestirs her then, and from each tender stalk
Whatever Earth, all-bearing mother, yields
In India East or West, or middle shore
In Pontus or the Punick coast, or where
Alcinous reigned, fruit of all kinds, in coat
Rough, or smooth rind, or bearded husk, or shell,
She gathers, tribute large, and on the board
Heaps with unsparing hand; for drink the grape
She crushes, inoffensive must, and meaths
From many a berry, and from sweet kernels pressed
She tempers dulcet creams; nor these to hold
Wants her fit vessels pure; then strows the ground
With rose and odours from the shrub unfumed.
Mean while our primitive great sire, to meet
His God-like guest, walks forth, without more train
Accompanied than with his own complete
Perfections; in himself was all his state,
More solemn than the tedious pomp that waits
On princes, when their rich retinue long
Of horses led, and gro
CharlesC Nov 2012
It is reported
that all reality
is composed of
innumerable patterns of
similarity and difference
all streaming from
a common source
a Formula most simple..

is our modern role
one of discovery..?
the patterns we seek
lying in wait..
our need now
to find a new eye
new vessels..
building up
our inner
resemblances...?
Michael R Burch Feb 2020
First they came for the Muslims
by Michael R. Burch

after Martin Niemoller

First they came for the Muslims
and I did not speak out
because I was not a Muslim.

Then they came for the homosexuals
and I did not speak out
because I was not a homosexual.

Then they came for the feminists
and I did not speak out
because I was not a feminist.

Now when will they come for me
because I was too busy and too apathetic
to defend my sisters and brothers?

"First they came for the Muslims" was published in Amnesty International’s "Words That Burn" anthology and is now being used as training material for budding human rights activists. My poem was inspired by and patterned after Martin Niemoller’s famous Holocaust poem. Niemoller, a German pastor, supported Adolph ****** in the early going, but ended up in a **** concentration camp and nearly lost his life. So his was a true poem based on his actual life experience. Keywords/Tags: Holocaust, genocide, apartheid, racism, intolerance, Jew, Jews, Muslim, Muslims, homosexuals, feminists, apathy, sisters, brothers, Islam, Islamic, God, religion, intolerance, race, racism, racist, discrimination, feminist, feminists, feminism, sexuality, gay, homosexual, homosexuals, LGBT, mrbmuslim, mrbpal, mrbnakba



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



I Pray Tonight
by Michael R. Burch

for the mothers and children of Gaza

I pray tonight
the starry light
might
surround you.

I pray
each day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels’ white chorales
sing, and astound you.



Such Tenderness
by Michael R. Burch

for the mothers of Gaza

There was, in your touch, such tenderness―as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now―
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness―time, oh, and love.
But love in the end is seldom enough ...
and time?―insufficient to life’s brief task.
I can only admire, unable to ask―

what is the source, whence comes the desire
of a woman to love as no God may require?



I, too, have a Dream ...
written by Michael R. Burch for the children of Gaza

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.



My Nightmare ...
written by Michael R. Burch for the children of Gaza

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go ...
when lightning rails ...
when thunder howls ...
when hailstones scream ...
when winter scowls ...
when nights compound dark frosts with snow ...
where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill,
beyond the capacity of moonlight to fill?
When the only relief’s a banked fire’s glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times and Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...

Published by The Lyric, Promosaik (Germany), Setu (India) and Poetry Life & Times; translated into Arabic by Nizar Sartawi and into Italian by Mario Rigli

Note: The phrase "frail envelope of flesh" was one of my first encounters with the power of poetry, although I read it in a superhero comic book as a young boy (I forget which one). More than thirty years later, the line kept popping into my head, so I wrote this poem. I have dedicated it to the mothers and children of Gaza, who know all too well how fragile life and human happiness can be. What can I say, but that I hope, dream, wish and pray that one day ruthless men will no longer have power over the lives and happiness of innocents? Women, children and babies are not “terrorists” so why are they being punished collectively for the “crime” of having been born “wrong”? How can the government of Israel practice systematic racism and apartheid, and how can the government of the United States fund and support such a barbaric system?



who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same―
the slouching Beast mauls them
and WE have no shame:

“who’s to blame?”

(In the poem "US" means both the United States and "us" the people of the world, wherever we live. The name "jesus" is uncapitalized while "Room" is capitalized because it seems evangelical Christians are more concerned about land and not sharing it with the less fortunate, than the teachings of Jesus Christ. Also, Jesus and his parents were refugees for whom there was "no Room" to be found. What would Jesus think of Christian scorn for the less fortunate, one wonders? What would he think of people adopting his name for their religion, then voting for someone like Trump, as four out of five evangelical Christians did, according to exit polls?)



Excerpts from “Travels with Einstein”
by Michael R. Burch

I went to Berlin to learn wisdom
from Adolph. The wild spittle flew
as he screamed at me, with great conviction:
“Please despise me! I look like a Jew!”

So I flew off to ’Nam to learn wisdom
from tall Yankees who cursed “yellow” foes.
“If we lose this small square,” they informed me,
earth’s nations will fall, dominoes!”

I then sat at Christ’s feet to learn wisdom,
but his Book, from its genesis to close,
said: “Men can enslave their own brothers!”
(I soon noticed he lacked any clothes.)

So I traveled to bright Tel Aviv
where great scholars with lofty IQs
informed me that (since I’m an Arab)
I’m unfit to lick dirt from their shoes.  

At last, done with learning, I stumbled
to a well where the waters seemed sweet:
the mirage of American “justice.”
There I wept a real sea, in defeat.

Originally published by Café Dissensus



Starting from Scratch with Ol’ Scratch
by Michael R. Burch

for the Religious Right

Love, with a small, fatalistic sigh
went to the ovens. Please don’t bother to cry.
You could have saved her, but you were all *******
complaining about the Jews to Reichmeister Grupp.

Scratch that. You were born after World War II.
You had something more important to do:
while the children of the Nakba were perishing in Gaza
with the complicity of your government, you had a noble cause (a
religious tract against homosexual marriage
and various things gods and evangelists disparage.)

Jesus will grok you? Ah, yes, I’m quite sure
that your intentions were good and ineluctably pure.
After all, what the hell does he care about Palestinians?
Certainly, Christians were right about serfs, slaves and Indians.
Scratch that. You’re one of the Devil’s minions.



Brother Iran
by Michael R. Burch

for the poets of Iran

Brother Iran, I feel your pain.
I feel it as when the Turk fled Spain.
As the Jew fled, too, that constricting span,
I feel your pain, Brother Iran.

Brother Iran, I know you are noble!
I too fear Hiroshima and Chernobyl.
But though my heart shudders, I have a plan,
and I know you are noble, Brother Iran.

Brother Iran, I salute your Poets!
your Mathematicians!, all your great Wits!
O, come join the earth's great Caravan.
We'll include your Poets, Brother Iran.

Brother Iran, I love your Verse!
Come take my hand now, let's rehearse
the Rubaiyat of Omar Khayyam.
For I love your Verse, Brother Iran.

Brother Iran, civilization's Flower!
How high flew your spires in man's early hours!
Let us build them yet higher, for that's my plan,
civilization's first flower, Brother Iran.



These are my translations of Holocaust poems by Ber Horvitz (also known as Ber Horowitz); his bio follows the poems. Poems about the Holocaust and Nakba often bear striking resemblances, especially when written from the perspective of a child.



Der Himmel
"The Heavens"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

These skies
are leaden, heavy, gray ...
I long for a pair
of deep blue eyes.

The birds have fled
far overseas;
"Tomorrow I’ll migrate too,"
I said ...

These gloomy autumn days
it rains and rains.
Woe to the bird
Who remains ...



Doctorn
"Doctors"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Early this morning I bandaged
the lilac tree outside my house;
I took thin branches that had broken away
and patched their wounds with clay.

My mother stood there watering
her window-level flower bed;
The morning sun, quite motherly,
kissed us both on our heads!

What a joy, my child, to heal!
Finished doctoring, or not?
The eggs are nicely poached
And the milk's a-boil in the ***.



Broit
“Bread”
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Night. Exhaustion. Heavy stillness. Why?
On the hard uncomfortable floor the exhausted people lie.

Flung everywhere, scattered over the broken theater floor,
the exhausted people sleep. Night. Late. Too tired to snore.

At midnight a little boy cries wildly into the gloom:
"Mommy, I’m afraid! Let’s go home!”

His mother, reawakened into this frightful place,
presses her frightened child even closer to her breast …

"If you cry, I’ll leave you here, all alone!
A little boy must sleep ... this, now, is our new home.”

Night. Exhaustion. Heavy stillness all around,
exhausted people sleeping on the hard ground.



"My Lament"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Nothingness enveloped me
as tender green toadstools
lie blanketed by snow
with its thick, heavy prayer shawl …
After that, nothing could hurt me …



Ber Horvitz aka Ber Horowitz (1895-1942): Born to village people in the woods of Maidan in the West Carpathians, Horowitz showed art talent early on. He went to gymnazie in Stanislavov, then served in the Austrian army during WWI, where he was a medic to Italian prisoners of war. He studied medicine in Vienna and was published in many Yiddish newspapers. Fluent in several languages, he translated Polish and Ukrainian to Yiddish. He also wrote poetry in Yiddish. A victim of the Holocaust, he was murdered in 1942 by the Nazis.


Second Sight
by Michael R. Burch

I never touched you—
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then—

eternally present
and Sovereign.



The Shrinking Season
by Michael R. Burch

With every wearying year
the weight of the winter grows
and while the schoolgirl outgrows
her clothes,
the widow disappears
in hers.

Published by Angle and Poem Today



Annual
by Michael R. Burch

Silence
steals upon a house
where one sits alone
in the shadow of the itinerant letterbox,
watching the disconnected telephone
collecting dust ...

hearing the desiccate whispers of voices’
dry flutters,—
moths’ wings
brittle as cellophane ...

Curled here,
reading the yellowing volumes of loss
by the front porch light
in the groaning swing . . .
through thin adhesive gloss
I caress your face.

Published by The HyperTexts



US Verse, after Auden
by Michael R. Burch

“Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.”

Verse has small value in our Unisphere,
nor is it fit for windy revelation.
It cannot legislate less taxing fears;
it cannot make us, several, a nation.
Enumerator of our sins and dreams,
it pens its cryptic numbers, and it sings,
a little quaintly, of the ways of love.
(It seems of little use for lesser things.)

Published by The Raintown Review, The Barefoot Muse and Poetry Life & Times

The Unisphere mentioned is a spherical stainless steel representation of the earth constructed for the 1964 New York World’s Fair. It was commissioned to celebrate the beginning of the space age and dedicated to "Man's Achievements on a Shrinking Globe in an Expanding Universe." The lines quoted in the epigraph are from W. H. Auden’s love poem “Lullaby.”



Sea Dreams
by Michael R. Burch

I.
In timeless days
I've crossed the waves
of seaways seldom seen.
By the last low light of evening
the breakers that careen
then dive back to the deep
have rocked my ship to sleep,
and so I've known the peace
of a soul at last at ease
there where Time's waters run
in concert with the sun.

With restless waves
I've watched the days’
slow movements, as they hum
their antediluvian songs.
Sometimes I've sung along,
my voice as soft and low
as the sea's, while evening slowed
to waver at the dim
mysterious moonlit rim
of dreams no man has known.

In thoughtless flight,
I've scaled the heights
and soared a scudding breeze
over endless arcing seas
of waves ten miles high.
I've sheared the sable skies
on wings as soft as sighs
and stormed the sun-pricked pitch
of sunset’s scarlet-stitched,
ebullient dark demise.

I've climbed the sun-cleft clouds
ten thousand leagues or more
above the windswept shores
of seas no man has sailed
— great seas as grand as hell's,
shores littered with the shells
of men's "immortal" souls —
and I've warred with dark sea-holes
whose open mouths implored
their depths to be explored.

And I've grown and grown and grown
till I thought myself the king
of every silver thing . . .

But sometimes late at night
when the sorrowing wavelets sing
sad songs of other times,
I taste the windborne rime
of a well-remembered day
on the whipping ocean spray,
and I bow my head to pray . . .

II.
It's been a long, hard day;
sometimes I think I work too hard.
Tonight I'd like to take a walk
down by the sea —
down by those salty waves
brined with the scent of Infinity,
down by that rocky shore,
down by those cliffs that I used to climb
when the wind was **** with a taste of lime
and every dream was a sailor's dream.

Then small waves broke light,
all frothy and white,
over the reefs in the ramblings of night,
and the pounding sea
—a mariner’s dream—
was bound to stir a boy's delight
to such a pitch
that he couldn't desist,
but was bound to splash through the surf in the light
of ten thousand stars, all shining so bright.

Christ, those nights were fine,
like a well-aged wine,
yet more scalding than fire
with the marrow’s desire.

Then desire was a fire
burning wildly within my bones,
fiercer by far than the frantic foam . . .
and every wish was a moan.
Oh, for those days to come again!
Oh, for a sea and sailing men!
Oh, for a little time!

It's almost nine
and I must be back home by ten,
and then . . . what then?

I have less than an hour to stroll this beach,
less than an hour old dreams to reach . . .
And then, what then?

Tonight I'd like to play old games—
games that I used to play
with the somber, sinking waves.
When their wraithlike fists would reach for me,
I'd dance between them gleefully,
mocking their witless craze
—their eager, unchecked craze—
to batter me to death
with spray as light as breath.

Oh, tonight I'd like to sing old songs—
songs of the haunting moon
drawing the tides away,
songs of those sultry days
when the sun beat down
till it cracked the ground
and the sea gulls screamed
in their agony
to touch the cooling clouds.
The distant cooling clouds.

Then the sun shone bright
with a different light
over different lands,
and I was always a pirate in flight.

Oh, tonight I'd like to dream old dreams,
if only for a while,
and walk perhaps a mile
along this windswept shore,
a mile, perhaps, or more,
remembering those days,
safe in the soothing spray
of the thousand sparkling streams
that rush into this sea.
I like to slumber in the caves
of a sailor's dark sea-dreams . . .
oh yes, I'd love to dream,
to dream
and dream
and dream.

“Sea Dreams” is one of my longer and more ambitious early poems, along with the full version of “Jessamyn’s Song.” To the best of my recollection, I wrote “Sea Dreams” around age 18, circa 1976-1977. For years I thought I had written “Sea Dreams” around age 19 or 20, circa 1978. But then I remembered a conversation I had with a friend about the poem in my freshman dorm, so the poem must have been started around age 18 or earlier. Dating my early poems has been a bit tricky, because I keep having little flashbacks that help me date them more accurately, but often I can only say, “I know this poem was written by about such-and-such a date, because ...”

The next poem, "Son," is a companion piece to “Sea Dreams” that was written around the same time and discussed in the same freshman dorm conversation. I remember showing this poem to a fellow student and he asked how on earth I came up with a poem about being a father who abandoned his son to live on an island! I think the meter is pretty good for the age at which it was written.

Son
by Michael R. Burch

An island is bathed in blues and greens
as a weary sun settles to rest,
and the memories singing
through the back of my mind
lull me to sleep as the tide flows in.

Here where the hours pass almost unnoticed,
my heart and my home will be till I die,
but where you are is where my thoughts go
when the tide is high.

[etc., see handwritten version, the father laments abandoning his son]

So there where the skylarks sing to the sun
as the rain sprinkles lightly around,
understand if you can
the mind of a man
whose conscience so long ago drowned.



Ode to Postmodernism, or, Bury Me at St. Edmonds!
by Michael R. Burch

"Bury St. Edmonds—Amid the squirrels, pigeons, flowers and manicured lawns of Abbey Gardens, one can plug a modem into a park bench and check e-mail, files or surf the Web, absolutely free."—Tennessean News Service. (The bench was erected free of charge by the British division of MSN, after a local bureaucrat wrote a contest-winning ode of sorts to MSN.)

Our post-modernist-equipped park bench will let
you browse the World Wide Web, the Internet,
commune with nature, interact with hackers,
design a virus, feed brown bitterns crackers.

Discretely-wired phone lines lead to plugs—
four ports we swept last night for nasty bugs,
so your privacy's assured (a *******'s fine)
while invited friends can scan the party line:

for Internet alerts on new positions,
the randier exploits of politicians,
exotic birds on web cams (DO NOT FEED!) .
The cybersex is great, it's guaranteed

to leave you breathless—flushed, free of disease
and malware viruses. Enjoy the trees,
the birds, the bench—this product of Our pen.
We won in with an ode to MSN.



Let Me Give Her Diamonds
by Michael R. Burch

for Beth

Let me give her diamonds
for my heart's
sharp edges.

Let me give her roses
for my soul's
thorn.

Let me give her solace
for my words
of treason.

Let the flowering of love
outlast a winter
season.

Let me give her books
for all my lack
of reason.

Let me give her candles
for my lack
of fire.

Let me kindle incense,
for our hearts
require

the breath-fanned
flaming perfume
of desire.


Step Into Starlight
by Michael R. Burch

Step into starlight,
lovely and wild,
lonely and longing,
a woman, a child . . .

Throw back drawn curtains,
enter the night,
dream of his kiss
as a comet ignites . . .

Then fall to your knees
in a wind-fumbled cloud
and shudder to hear
oak hocks groaning aloud.

Flee down the dark path
to where the snaking vine bends
and withers and writhes
as winter descends . . .

And learn that each season
ends one vanished day,
that each pregnant moon holds
no spent tides in its sway . . .

For, as suns seek horizons—
boys fall, men decline.
As the grape sags with its burden,
remember—the wine!

I believe I wrote the original version of this poem in my early twenties.



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.



You Never Listened
by Michael R. Burch

You never listened,
though each night the rain
wove its patterns again
and trembled and glistened . . .

You were not watching,
though each night the stars
shone, brightening the tears
in her eyes palely fetching . . .

You paid love no notice,
though she lay in my arms
as the stars rose in swarms
like a legion of poets,

as the lightning recited
its opus before us,
and the hills boomed the chorus,
all strangely delighted . . .



Through the fields of solitude
by Hermann Allmers
translation by David B. Gosselin with Michael R. Burch

Peacefully, I rest in the tall green grass
For a long time only gazing as I lie,
Caught in the endless hymn of crickets,
And encircled by a wonderful blue sky.

And the lovely white clouds floating across
The depths of the heavens are like silky lace;
I feel as though my soul has long since fled,
Softly drifting with them through eternal space.



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.

She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed
into oblivion ...



The Leveler
by Michael R. Burch

The nature of Nature
is bitter survival
from Winter’s bleak fury
till Spring’s brief revival.

The weak implore Fate;
bold men ravish, dishevel her . . .
till both are cut down
by mere ticks of the Leveler.

I believe I wrote this poem around age 20, in 1978 or thereabouts. It has since been published in The Lyric, Tucumcari Literary Review, Romantics Quarterly and The Aurorean.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky,
and the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our husks into some savage ocean
and laugh as they shatter, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze,
blown high, upward yearning,
twin spirits returning
to the world of resplendence from which we were seized.

In the whispering night, when the mockingbird calls
while denuded vines barely cling to stone walls,
as the red-rocked rivers rush on to the sea,
like a bright Goddess calling
a meteor falling
may flare like desire through skeletal trees.

If you look to the east, you will see a reminder
of days that broke warmer and nights that fell kinder;
but you and I were not meant for this life,
a life of illusions
and painful delusions:
a life without meaning—unless it is life.

So turn from the east and look to the west,
to the stars—argent fire ablaze at God's breast—
but there you'll find nothing but dreams of lost days:
days lost forever,
departed, and never,
oh never, oh never shall they be regained.

So turn from those heavens—night’s pale host of stars—
to these scarred pitted mountains, these wild grotesque tors
which—looming in darkness—obscure lustrous seas.
We are men, we must sing
till enchanted vales ring;
we are men; though we wither, our spirits soar free.



and then i was made whole
by Michael R. Burch

... and then i was made whole,
but not a thing entire,
glued to a perch
in a gilded church,
strung through with a silver wire ...

singing a little of this and of that,
warbling higher and higher:
a thing wholly dead
till I lifted my head
and spat at the Lord and his choir.



Bowery Boys
by Michael R. Burch

Male bowerbirds have learned
that much respect is earned
when optical illusions
inspire wild delusions.

And so they work for hours
to line their manly bowers
with stones arranged by size
to awe and mesmerize.

It’d take a great detective
to grok the false perspective
they use to lure in cuties
to smooch and fill with cooties.

Like human politicians,
they love impressive fictions
as they lie in their randy causes
with props like the Wizard of Oz’s.



THE KNIGHT IN THE PANTHER’S SKIN

***** Rustaveli (c. 1160-1250), often called simply Rustaveli, was a Georgian poet who is generally considered to be the preeminent poet of the Georgian Golden Age. “The Knight in the Panther's Skin” or “The Man in the Panther’s Skin” is considered to be Georgia’s national epic poem and until the 20th century it was part of every Georgian bride’s dowry. It is believed that Rustaveli served Queen Tamar as a treasurer or finance minister and that he may have traveled widely and been involved in military campaigns. Little else is known about his life except through folk tradition and legend.

The Knight in the Panther's Skin
by ***** Rustaveli
loose translation/interpretation by Michael R. Burch

excerpts from the PROLOGUE

I sing of the lion whose image adorns the lances, shields and swords
of our Queen of Queens: Tamar, the ruby-throated and ebon-haired.
How dare I not sing Her Excellency’s manifold praises
when those who attend her must bring her the sweets she craves?

My tears flow profusely like blood as I extol our Queen Tamar,
whose praises I sing in these not ill-chosen words.
For ink I have employed jet-black lakes and for a pen, a flexible reed.
Whoever hears will have his heart pierced by the sharpest spears!

She bade me laud her in stately, sweet-sounding verses,
to praise her eyebrows, her hair, her lips and her teeth:
those rubies and crystals arrayed in bright, even ranks!
A leaden anvil can shatter even the strongest stone.

Kindle my mind and tongue! Fill me with skill and eloquence!
Aid my understanding for this composition!
Thus Tariel will be tenderly remembered,
one of three star-like heroes who always remained faithful.

Come, let us mourn Tariel with undrying tears
because we are men born under similar stars.
I, Rustaveli, whose heart has been pierced through by many sorrows,
have threaded this tale like a necklace of pearls.

Keywords/Tags: ***** Rustaveli, Georgia, Georgian, epic, knight, panther, skin, queen, Tamar, praise, praises, Tariel, Avtandil, Nestan-Darejan



Final Lullaby
by Michael R. Burch

for my mother, Christine Ena Burch

Sleep peacefully—for now your suffering’s over.

Sleep peacefully—immune to all distress,
like pebbles unaware of raging waves.

Sleep peacefully—like fields of fragrant clover
unmoved by any motion of the wind.

Sleep peacefully—like clouds untouched by earthquakes.

Sleep peacefully—like stars that never blink
and have no thoughts at all, nor need to think.

Sleep peacefully—in your eternal vault,
immaculate, past perfect, without fault.



don’t forget ...
by Michael R. Burch

for Beth

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.

I dedicated this poem to the love of my life, but you are welcome to dedicate it to the love of yours, if you like it. The opening lines were inspired by a famous love poem by e. e. cummings. I went through a "cummings phase" around age 15 and wrote a number of poems "under the influence."



Options Underwater: The Song of the First Amphibian
by Michael R. Burch

“Evolution’s a Fishy Business!”

1.
Breathing underwater through antiquated gills,
I’m running out of options. I need to find fresh Air,
to seek some higher Purpose. No porpoise, I despair
to swim among anemones’ pink frills.

2.
My fins will make fine flippers, if only I can walk,
a little out of kilter, safe to the nearest rock’s
sweet, unmolested shelter. Each eye must grow a stalk,
to take in this green land on which it gawks.

3.
No predators have made it here, so I need not adapt.
Sun-sluggish, full, lethargic―I’ll take such nice long naps!

The highest form of life, that’s me! (Quite apt
to lie here chortling, calling fishes saps.)

4.
I woke to find life teeming all around―
mammals, insects, reptiles, loathsome birds.
And now I cringe at every sight and sound.
The water’s looking good! I look Absurd.

5.
The moral of my story’s this: don’t leap
wherever grass is greener. Backwards creep.
And never burn your bridges, till you’re sure
leapfrogging friends secures your Sinecure.

Originally published by Lighten Up Online

Keywords/Tags: amphibian, amphibians, evolution, gills, water, air, lungs, fins, flippers, fish, fishy business


These are my modern English translations of poems by Dante Alighieri.

Little sparks may ignite great Infernos.
―Dante, loose translation/interpretation by Michael R. Burch

In Beatrice I beheld the outer boundaries of blessedness.
―Dante, loose translation/interpretation by Michael R. Burch

She made my veins and even the pulses within them tremble.
―Dante, loose translation/interpretation by Michael R. Burch

Her sweetness left me intoxicated.
―Dante, loose translation/interpretation by Michael R. Burch

Love commands me by dictating my desires.
―Dante, loose translation/interpretation by Michael R. Burch

Follow your own path and let bystanders gossip.
―Dante, loose translation/interpretation by Michael R. Burch

The devil is not as dark as depicted.
―Dante, loose translation/interpretation by Michael R. Burch

There is no greater sorrow than to recall how we delighted in our own wretchedness.
―Dante, loose translation/interpretation by Michael R. Burch

As he, who with heaving lungs escaped the suffocating sea, turns to regard its perilous waters.
―Dante, loose translation/interpretation by Michael R. Burch

O human race, born to soar heavenward, why do you nosedive in the mildest breeze?
―Dante, loose translation/interpretation by Michael R. Burch

O human race, born to soar heavenward, why do you quail at the least breath of wind?
―Dante, loose translation/interpretation by Michael R. Burch

Midway through my life’s journey
I awoke to find myself lost in a trackless wood,
for I had strayed far from the straight path.
―Dante, loose translation/interpretation by Michael R. Burch

INSCRIPTION ON THE GATE OF HELL
Before me nothing created existed, to fear.
Eternal I am, eternal I endure.
Abandon all hope, ye who enter here.
―Dante, loose translation/interpretation by Michael R. Burch



Sonnet: “Ladies of Modest Countenance” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

You, who wear a modest countenance,
With eyelids weighed down by such heaviness,
How is it, that among you every face
Is haunted by the same pale troubled glance?

Have you seen in my lady's face, perchance,
the grief that Love provokes despite her grace?
Confirm this thing is so, then in her place,
Complete your grave and sorrowful advance.

And if, indeed, you match her heartfelt sighs
And mourn, as she does, for the heart's relief,
Then tell Love how it fares with her, to him.

Love knows how you have wept, seeing your eyes,
And is so grieved by gazing on your grief
His courage falters and his sight grows dim.



Paradiso, Canto III:1-33, The Revelation of Love and Truth
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

That sun, which had inflamed my breast with love,
Had now revealed to me―as visions move―
The gentle and confounding face of Truth.

Thus I, by her sweet grace and love reproved,
Corrected, and to true confession moved,
Raised my bowed head and found myself behooved

To speak, as true admonishment required,
And thus to bless the One I so desired,
When I was awed to silence! This transpired:

As the outlines of men’s faces may amass
In mirrors of transparent, polished glass,
Or in shallow waters through which light beams pass

(Even so our eyes may easily be fooled
By pearls, or our own images, thus pooled):
I saw a host of faces, pale and lewd,

All poised to speak; but when I glanced around
There suddenly was no one to be found.
A pool, with no Narcissus to astound?

But then I turned my eyes to my sweet Guide.
With holy eyes aglow and smiling wide,
She said, “They are not here because they lied.”



Sonnet: A Vision of Love from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

To every gentle heart which Love may move,
And unto which my words must now be brought
For true interpretation’s tender thought―
I greet you in our Lord's name, which is Love.

Through night’s last watch, as winking stars, above,
Kept their high vigil over us, distraught,
Love came to me, with such dark terrors fraught
As mortals may not casually absolve.
Love seemed a being of pure joy, and had
My heart held in his hand, while on his arm
My lady, wrapped in her fine mantle, slept.
He, having roused her from her sleep, then made
Her eat my heart; she did, in deep alarm.
He then departed; as he left, he wept.


Excerpts from LA VITA NUOVA
by Dante Alighieri

Ecce deus fortior me, qui veniens dominabitur mihi.
Here is a Deity, stronger than myself, who comes to dominate me.
―Dante, loose translation/interpretation by Michael R. Burch

Apparuit iam beatitudo vestra.
Your blessedness has now been manifested unto you.
―Dante, loose translation/interpretation by Michael R. Burch

Heu miser! quia frequenter impeditus ero deinceps.
Alas, how often I will be restricted now!
―Dante, loose translation/interpretation by Michael R. Burch

Fili mi, tempus est ut prætermittantur simulata nostra.
My son, it is time to cease counterfeiting.
―Dante, loose translation/interpretation by Michael R. Burch

Ego tanquam centrum circuli, cui simili modo se habent circumferentiæ partes: tu autem non sic.
Love said: “I am as the center of a harmonious circle; everything is equally near me. No so with you.”
―Dante, loose translation/interpretation by Michael R. Burch



Sonnet: “Love’s Thoroughfare” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

“O voi che par la via”

All those who travel Love's worn tracks,
Pause here, awhile, and ask
Has there ever been a grief like mine?

Pause here, from that mad race;
Patiently hear my case:
Is it not a piteous marvel and a sign?

Love, not because I played a part,
But only due to his great heart,
Afforded me a provenance so sweet

That often others, as I went,
Asked what such unfair gladness meant:
They whispered things behind me in the street.

But now that easy gait is gone
Along with the wealth Love afforded me;
And so in time I’ve come to be

So poor that I dread to ponder thereon.
And thus I have become as one
Who hides his shame of his poverty

By pretending happiness outwardly,
While within I travail and moan.



Sonnet: “Cry for Pity” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

These thoughts lie shattered in my memory:
When through the past I see your lovely face.
When you are near me, thus, Love fills all Space,
And often whispers, “Is death better? Flee!”

My face reflects my heart's blood-red dammed tide,
Which, fainting, seeks some shallow resting place;
Till, in the blushing shame of such disgrace,
The very earth seems to be shrieking, “Die!”

’Twould be a grievous sin, if one should not
Relay some comfort to my harried mind,
If only with some simple pitying
For this great anguish which fierce scorn has wrought
Through faltering sights of eyes grown nearly blind,
Which search for death now, like a blessed thing.



Excerpt from Paradiso
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

****** Mother, daughter of your Son,
Humble, yet exalted above creation,
And the eternal counsel’s apex shown,

You are the Pinnacle of human nature,
Your nobility instilled by its Creator,
Who did not, having you, disdain his creature.

Love was rekindled in your perfect womb
Where warmth and holy peace were given room
For this, Perfection’s Rose, once sown, to bloom.

Now unto us you are a Torch held high
Our noonday sun―the light of Charity,
Our wellspring of all Hope, a living sea.

Madonna, so pure, high and all-availing,
The man who desires grace of you, though failing,
Despite his grounded state, is given wing!

Your mercy does not fail, but, Ever-Blessed,
The one who asks finds oftentimes his quest
Unneeded: you foresaw his first request!

You are our Mercy; you are our Compassion;
you are Magnificence; in you creation
Unites whatever Goodness deems Salvation.



THE MUSE

by Anna Akhmatova
loose translation/interpretation by Michael R. Burch

My being hangs by a thread tonight
as I await a Muse no human pen can command.
The desires of my heart ― youth, liberty, glory ―
now depend on the Maid with the flute in her hand.

Look! Now she arrives; she flings back her veil;
I meet her grave eyes ― calm, implacable, pitiless.
“Temptress, confess!
Are you the one who gave Dante hell?”

She answers, “Yes.”



I have also translated this poem written by Marina Tsvetaeva for Anna Akhmatova:

Excerpt from “Poems for Akhmatova”
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

You outshine everything, even the sun
at its zenith. The stars are yours!
If only I could sweep like the wind
through some unbarred door,
gratefully, to where you are ...
to hesitantly stammer, suddenly shy,
lowering my eyes before you, my lovely mistress,
petulant, chastened, overcome by tears,
as a child sobs to receive forgiveness ...


Dante Criticism by Michael R. Burch

Dante’s was a defensive reflex
against religion’s hex.
―Michael R. Burch


Dante, you Dunce!
by Michael R. Burch

The earth is hell, Dante, you Dunce!
Which you should have perceived―since you lived here once.

God is no Beatrice, gentle and clever.
Judas and Satan were wise to dissever
from false “messiahs” who cannot save.
Why flit like a bat through Plato’s cave
believing such shadowy illusions are real?
There is no "hell" but to live and feel!



How Dante Forgot Christ
by Michael R. Burch

Dante ****** the brightest and the fairest
for having loved―pale Helen, wild Achilles―
agreed with his Accuser in the spell
of hellish visions and eternal torments.
His only savior, Beatrice, was Love.

His only savior, Beatrice, was Love,
the fulcrum of his body’s, heart’s and mind’s
sole triumph, and their altogether conquest.
She led him to those heights where Love, enshrined,
blazed like a star beyond religion’s hells.

Once freed from Yahweh, in the arms of Love,
like Blake and Milton, Dante forgot Christ.

The Christian gospel is strangely lacking in Milton’s and Dante’s epics. Milton gave the “atonement” one embarrassed enjambed line. Dante ****** the Earth’s star-crossed lovers to his grotesque hell, while doing exactly what they did: pursing at all costs his vision of love, Beatrice. Blake made more sense to me, since he called the biblical god Nobodaddy and denied any need to be “saved” by third parties.



Dante’s Antes
by Michael R. Burch

There’s something glorious about man,
who lives because he can,
who dies because he must,
and in between’s a bust.

No god can reign him in:
he’s quite intent on sin
and likes it rather, really.
He likes *** touchy-feely.

He likes to eat too much.
He has the Midas touch
and paves hell’s ways with gold.
The things he’s bought and sold!

He’s sold his soul to Mammon
and also plays backgammon
and poker, with such antes
as still befuddle Dantes.

I wonder―can hell hold him?
His chances seem quite dim
because he’s rather puny
and also loopy-******.

And yet like Evel Knievel
he dances with the Devil
and seems so **** courageous,
good-natured and outrageous

some God might show him mercy
and call religion heresy.



Of Seabound Saints and Promised Lands
by Michael R. Burch

Judas sat on a wretched rock,
his head still sore from Satan’s gnawing.
Saint Brendan’s curragh caught his eye,
wildly geeing and hawing.

I’m on parole from Hell today!
Pale Judas cried from his lonely perch.
You’ve fasted forty days, good Saint!
Let this rock by my church,
my baptismal, these icy waves.
O, plead for me now with the One who saves!

Saint Brendan, full of mercy, stood
at the lurching prow of his flimsy bark,
and mightily prayed for the mangy man
whose flesh flashed pale and stark
in the golden dawn, beneath a sun
that seemed to halo his tonsured dome.
Then Saint Brendan sailed for the Promised Land
and Saint Judas headed Home.

O, behoove yourself, if ever your can,
of the fervent prayer of a righteous man!

In Dante’s Inferno, Satan gnaws on Judas Iscariot’s head. A curragh is a boat fashioned from wood and ox hides. Saint Brendan of Ireland is the patron saint of sailors and whales. According to legend, he sailed in search of the Promised Land and discovered America centuries before Columbus.



RE: Paradiso, Canto III
by Michael R. Burch

for the most “Christian” of poets

What did Dante do,
to earn Beatrice’s grace
(grace cannot be earned!)
but cast disgrace
on the whole human race,
on his peers and his betters,
as a man who wears cheap rayon suits
might disparage men who wear sweaters?

How conventionally “Christian” ― Poet! ― to ****
your fellow man
for being merely human,
then, like a contented clam,
to grandly claim
near-infinite “grace,”
as if your salvation was God’s only aim!
What a scam!

And what of the lovely Piccarda,
whom you placed in the lowest sphere of heaven
for neglecting her vows ―
She was forced!
Were you chaste?



Intimations V
by Michael R. Burch

We had not meditated upon sound
so much as drowned
in the inhuman ocean
when we imagined it broken
open
like a conch shell
whorled like the spiraling hell
of Dante’s Inferno.

Trapped between Nature
and God,
what is man
but an inquisitive,
acquisitive
sod?

And what is Nature
but odd,
or God
but a Clod,
and both of them horribly flawed?



Endgame
by Michael R. Burch

The honey has lost all its sweetness,
the hive―its completeness.

Now ambient dust, the drones lie dead.
The workers weep, their King long fled
(who always had been ****, invisible,
his “kingdom” atomic, divisible,
and pathetically risible).

The queen has flown,
long Dis-enthroned,
who would have given all she owned
for a promised white stone.

O, Love has fled, has fled, has fled ...
Religion is dead, is dead, is dead.



The Final Revelation of a Departed God’s Divine Plan
by Michael R. Burch

Here I am, talking to myself again . . .

******* at God and bored with humanity.
These insectile mortals keep testing my sanity!

Still, I remember when . . .

planting odd notions, dark inklings of vanity,
in their peapod heads might elicit an inanity

worth a chuckle or two.

Philosophers, poets . . . how they all made me laugh!
The things they dreamed up! Sly Odysseus’s raft;

Plato’s Republic; Dante’s strange crew;

Shakespeare’s Othello, mad Hamlet, Macbeth;
Cervantes’ Quixote; fat, funny Falstaff!;

Blake’s shimmering visions. Those days, though, are through . . .

for, puling and tedious, their “poets” now seem
content to write, but not to dream,

and they fill the world with their pale derision

of things they completely fail to understand.
Now, since God has long fled, I am here, in command,

reading this crap. Earth is Hell. We’re all ******.

Keyword/Tags: Muslims, sonnet, Italian sonnet, crown of sonnets, rhyme, love, affinity and love, Rome, Italy, Florence

Published as the collection "First they came for the Muslims"
Bows N' Arrows Aug 2017
City lamps in clusters of concrete
On 18th and Sherman street
The cars pass by scanning me
Each unsound engine roaring
Darting pupils
I feel it on my externals
On my lips and phalanges
Intruding glances cascading over
my silhouette

Deja-vu-like resemblances,
strange
Sunken cheeks look bizarre
and blotchy as the socket drains
something toxic to the veins
that's permeated the future in an instant, like a comet,
encandescent and shimmering like a scale, the awareness fades

Like some dreary mirage
I remember those little band aids
Vintage carnival tickets
discarded on the scratchy ground..
Blue-violet bruises
The paradox of pleasure
A vague creature in
it's discomfort
sitting in defiance and
quivering my sentences

It reminded me of those
incandescent bugs that
smush into Chryslers
With a curled lip, bulging eyes
and ******* up tongue...
Antennaes intertwined like
Twizzlers
Making peace with all
that's stung as the
windshield wipers turn on
Some black tar-smack-oil-
******

My generation consists of
inheriting environmental
destruction and mal-parenting
Global warming. Animal extinction.
Polluting the oceans. Deforestation.
Biting shards off night-time to
suffice for the daily pangs
Shuffling the dregs of karma
to grow roots and vines all about the room

It's not Winter yet
Under this morning dew
I envision it in my mind
A crystal ball vision
contorting into smoke
I caught it in my breath
Catatonically hanging
A turtle with it's legs bending toward the sky
Searching for my tribe and a pulse
on this Earth in sentient souls
Jessica Rojan Nov 2010
I can only imagine,
That if the stars aligned in my favor,
that the moon would show me it's face,
purest and truest form of blue,

And it would remind me of you,
Shades of gray -- all of that too.

I watch the way you pull on the tide,
But I also watch the sun set every day,
And it never changes.

If the sun whispered to me,
I would probably watch the world explode,
Little drops of our oceans,
Slowly dripping and curling around my fingers,

Awe-stricken and breathless,
I lift my head from my pillow,
Only to find you life-less,
Dreaming, much deeper than I.

If there was anywhere in the world I could choose to be,
it's under your eyelids,
And I would proudly ask the Earth,
to give me that very chance.

*I want to be more than a passing glance.
Teach me how to forget thee!
Ah, 'fore this silky moon do I pray,
so t'at th' sky shalt forgive me
andth grant but forgiveness to me
for the love I've thought of today.
T'is is still the love of thee,
and 'tis but translucent little soul
t'at refuses to leave the barren crates of
my heart. What a pampered, but
captivating creature! And what a shrill doth
it send through my spines!
O my thee, I beg, I beg with thousands
of teardrops that I shalt soon be freed of this love-
and it be carried away by some seething
clouds. But never shalt it leave me-never! T'is is
also but my delirious-and conscious expectation,
as realise do I hereth-t'at I shalt never enliven
myself again, without thee.
Everyone doth t'eir own stories, as special as t'ey are-
but mine, with thine, areth united together, bound
to each ot'er like crazy, as we mutually thirst for
one another more and more!
How t'is greediness shan't liberate me, and my doings-
from t'ese thoughts of thee, never!
For I am still incapable of heaving my legs
without thee-I am but a stiff lass, and paralysed
areth my senses-and their untarnished caprices,
in the moonlight and as the sunlight arises
on the following day when I ameth without thee.
How I disdain such contraventions! As my love is now
threatened by acute ambiguity-andth I know not
whether thou shalt ever miss or not miss me. But still
I do love thee! And as long as I breath I shalt
but long for thee-I am deafened by thy charms; and
pacified only by thy presence. I am calm and weary
in thy arms! But why ought it to be so difficult
to pour my love? Why is it that I am not to be destined
to cross thy paths-especially on t'ose days of precarious solitudes-
why wert thou but away from me? And even now, why can I
only think of thee-as an untouchable apparition,
whom I can cherish only in my dreams? My
dreams, my wild dreams, areth but vain resemblances of t'ese
superfl'us thoughts. My thee, my thee, I should desirously admit t'is:
thou art still th' only one I love, and shalt always be! Thou knowst,
my love, thou knowst it impeccably-look at my delicate
hands-yes, t'ese feeble hands! T'ese loving hands, my love!
T'eir young beauty is marred by thy absence-
here and now, unripe as it was, but
abhorred by thy demure unexistence-it withered and
wasth frightfully sent into unsullied gloom. Look at 'em-
how derived from isolation t'eir frailness hath been-
hark to t'eir suffering silence, my love! T'eir palms areth
but now lined with traces
of paleness, sullenness, and ferocity. Ferocity for pleasure,
my dear. Ferocious, and wicked desires for thy love-thy
love, only! But why doth t'ese things needta happen? What isth
my mistake-so t'at I cannot caress thy real flesh-but
th' picturesque one in my imagination-ah! Thou should believe me-
my love! I would love thee fervently-and greedily, I would kiss thee
just like a ****** rose cooes at its doubtful morning-I would
cuddle thee in my arms-as I hath always longed to do!
I would sit 'fore thee under brimming candlelight, andth th'
innocuous tree next to us-andth gleefully relate thee stories
of wondrous and adventurous affection. T'at affection so dear-my love!
Hark to t'eir tale-and th' heartwarming melodies of th'
nightingale. Th' nightingale t'at shalt bring mirth into our
bogs-bogs of endearment, fragments of promises, and rainbows of
glows-all t'at marks but our very own
chained love. Our forever love! Andst our eternal union-
just as thou and I shalt shoulder together. But wherefore art thou,
my love? Swarms of gentlemen hath I seen-with feather caps
and grinning lips in morning scenes-but thou art still th' one
t'at I seek, and long to heareth; how thou shalt fast bound down
th' stairs, and blend into th' sunny morning walk-for another flood of
salubrious errands-as every day shalt we do, until old do we
grow together, as one union, and one single, generous eternity.
Thou art th' only one I love.
allison Jul 2014
Some associate a faded mint
with either the speckled mint chocolate
chip ice cream from their nearest shop
or the chipped colors on her fingernails
that were the perfect spring shade.
Personally, I recall the sign
at the café down the street
from my cramped two bedroom
apartment that the three of us shared
after they separated,
soaked with nostalgia and resentment
and appreciation for the new home
I share with our new addition
in a much nicer city
where all the houses are beige
cookie cutter resemblances,
but I can take refuge in my car
for the night and not fear
what lies outside the frosted window.

*April 14, 2014 8:54:27 PM
Don Bouchard Mar 2017
Dad,
Can it be that you are gone now,
Five years' comings and goings,
Five solar journeys now, around the sun?

I can still see your shape,
Thin and worn,
Overalls, too big,
Cap pulled down,
Pliers hanging at your side,
Lace-up boots, worn,
And your face, lined,
Eyes still twinkling, though
Weary after a day's work,
Fixing,
Farming,
Fencing,
Feeding.

In my mind, you're
Going off to the barn,
To hay the cows,
Like an old imam
Heading mechanically
To daily prayers,
Moved by routines
Impossible to ignore.

The man and the work,
So embedded in the other...
No more thought of leaving -
Though as a younger man,
You spoke of some day retiring -
There was no way, and no desire,
Farming was your one remaining fire.

So, five years are gone,
And yet, everything still
Standing on the farm
Bears resemblances of you.

The peeling buildings, sagging still,
The gravel paths you tended,
The panels your hands welded,
The barns and sheds you built
Still stand, and bear the evidence
Of Arthur Bouchard's hands.
Time is erasing us all, but as long as I am able, I will remember. RIP, AB.
Carly Salzberg Jan 2012
Yellow is ***** or is it? I know a lot of yellow people that think like dishwashers
spinning turning loose their causes for finding likeness compatible. I know people that like to machinify the living and talk about furniture as if it heard the rumors in the fabric already supposedly threading. I know people that lust after red draping rooms thinking it more desperate than the sun I’ve seen them click at it looking directly into the lighting of things making drama more dramatic than modern living. I’ve heard people make relationships out of these resemblances as if every eye had an ear to be heard without looking making silence appear chilling but every bit thrilling. Was it just yesterday a girl confessed she named her plants with each passing lover? There are people that attach themselves to objects so violently they fall in love with a chair a chair worth a thousand words more than it gives in its cedar vintage dress but that’s just one chair. I know people that vacation to inns retreat to estate sales to hoard stories in bracelets and oil lamps tracking floorboards with time uttering words no longer used like duvets and chesterfields and smirking into their dusty reflection from an embroidered hand mirror. I know people that would buy used postcards. Yellow. All I’m saying is I know people that avoid white at all cost.
Àŧùl Dec 2012
Note: Any resemblances to any real-life ******* are purely unintentional and deeply regretted.

*******!
How they make us dance,
It is neither artistic nor pleasing.

*******!
How they stripped us of our rights,
It is neither pretty nor artistic.

*******!
How they bungle with us,
It is neither acceptable nor honorable.

*******!
How they make us suffer,
It is both sadistic & regretful.

*******!
How they skin our pockets,
It is both spooky & scary.

*******!
How they exploit us to thrive,
It is both villainous & ugly.

*******!
How they manage to silence all mouths,
It is not unknown to any outsider.
© Atul Kaushal
Ambika Jois Nov 2015
Fragility is the membrane
As peace is the crux
Our constant search for the latter
Devotes our journey through flux

Keys do not build
Doors, signs or the floor
Keys only open doors
That we build to hide much more

Within these doors hold grounds
For scents and aromas beyond mankind
It merely is a part of our universe;
Finding resemblances is a game of our mind

Locking doors to banish our demons
From flowing, entering and ruling
Reminds us that we must unlock frequently
To invite our guardians patrolling

Without a crack or two
What light are we letting in?
The descent may be filled with darkness
But we are our torch, shining from deep within
amanda cooper Oct 2011
everything was so soft. everything was so calm.
well, except our hearts. they were racing.
and it was awkward, but it was sweet. i spent my time biting my lip so i wouldn't touch them against yours. you spent your time taking pictures, to keep your fingers busy. on the camera, off my hair. and it brought us to our knees, almost. the weight of everything.
why me? of all people, why give me her present? i asked but never got an answer. but it sat by my bedside every night.
we were desperate lovers, desperate for change. desperate for some resemblances of the past, but rewritten.
older, even. more mature.
and well, the heat of the summer lit that flame in our hearts, and the rest of us. and you may have steered that ship, but my hands were on the wheel.
but eventually my hands gripped razors instead of bedsheets. and your kisses weren't sweet anymore. instead of burying your hands in my hair, they were buried in yours - in grief. we both broke, from the weight of the world. i told you we'd never be Atlas and you begged to try anyway.
why, though? you knew i was broken, you knew you were too. with cracks in the cornerstone, why did you keep building?
you sent that canary into a coal mine and you cried when it was dead.
just bury it. you always were so good at keeping a straight face; it won your poker game every time.
just smoke another one, you know you'd want to. why didn't you?
i don't understand why you were so broken. let alone why i was.
and when i asked, you could only say,
"it just all ended so...
abruptly."
10/24/11.
My God is hungry, he stabs your God;
The people are up in arms,
Though they say your God will raise again-
No gods were really harmed.

No Gods died to further a plot;
They were not experimented on,
And resemblances to people living or dead-
Must always be frowned upon.

The Gods used to own the whole world once;
We gave them dominion over fish and fowl;
But their pedestals toppled lean centuries ago,
And now they can only nod and bow.
Nicole Whitticar Oct 2017
Something about a figure casted on the wall, an image painted black,
A poorly displayed animation of a concrete object.

I was 10 when cars passed by and projected shadows on my ceiling, the
Distorted images paired with a faded sound of night life filled my room and kept me from dreaming.
a sense of nostalgia enwrapped my body,
From that point on I realized my whole life would be dedicated to chasing
After things that have already let go of me.

Looking at year 14-
Shadows replaced parents,
Imagination turned them into
Something tangible, nothing but uncanny
Resemblances between the two.

I was 17 when I encountered love,
He was warm, gentle, and open-ended;
Letters could not form enough words to describe what he made me feel.
I saw shadows in his absence. I named them Guilt.

Present day: throughout this life I have come to find that our demons often
Take shape of shadows, unfortunately that is how they found me.
I have learned through built education that shadows often depict
What our subconscious is unwilling to tell us.
I have lived my whole life thinking these shadows
Were winning, when they were simply a figure of imagination.
A figure of temptation,
Your shadows are not who you are, they are what they want you to be.
Deep Mar 2020
'Eternal Return'? Why?
If things will keep recurring
why are we exerting so much?
Would I share a gleeful laugh and cry a passionate cry
Knowing  the same happiness and sorrows will recur
again?
It took years to reach a summit, toiling and crawling,
A slight imbalance, and again we are hurled to the beginning.
Is, Sisyphus, only a mythical figure? If yes,
then, why I see him in me?

Take a handful of men of bygone days, and contrast with
Our time, drop the embellishments of each century,
And see the emerging pattern, ask them, what are the ways
That helps In curbing the pain, answer;
"Slowly the pain is eased but increased the suffering."
Are pain and suffering different?

When was the last time you loved someone?
Do you remember the days after they were gone? Yes?
Then, why are you in love again?
And most importantly, whom are you in love with?
The person or the suffering they bring?

If Everything recurs 'ad Infinitum',
Then can we avert the things already occurred
In past, from occurring again?
Or we have lost the aptitude for resemblances?
Invention demands an offering of natural ability,
Have we gained half of we lost?
What is the tipping point for this offering, this trade?

It's good I do not have to worry much,
For me, the world ends the day I die.
Theory of ETERNAL RETURN promoted by Nietzsche that says things will keep recurring again and again.
Michael Angelo Feb 2018
I feel
Powerless
In a world that
Acknowledges
Only power.
Do I even exist?
My voicemail has too many
Unread messages.
I live in the vestiges
Of broken hearts.
I bear resemblances
To tragic arts.
I walk through
A world of slaughter-
Finding words to ease the pain
Is getting harder.
Words now,
Only spew.
Words with meaning,
Are few.
A New World,
But nothing is new
Say a word long enough
And it doesn't make sense.
Do a thing long enough and.......


Powerless
Powerless
Powerless
Powerless
Powerless
Powerless
Powerless
Powe­rless
Powerlesspowerlesspowerlesspowerlesspowerless.

My thoughts coalesce into something they shouldn't be.
Thinking of becoming someone that isn't me.
My family has such a beautiful tree.
Hang myself
As a beautiful leaf.
All we ever looked for was some sort of relief.
All we ever wanted was some sort of belief.
But how could we believe in you all,
When you
Lie instead of talking tall?
How do we believe in ourselves,
When all we know is how to fail?

Oh, cotton candy is falling from the sky.
Pink clouds on fire-
Pink matter.
This world is cold,
I can't stand her.
The heart is tattered.
We never really mattered.

You've been gone too long now.
The tree splits the skies
Rooms filled with dyes
Of pink.
What are we left to think
Or feel
Except..... powerless.
Took inspiration from Frank Ocean's "Pink Matter" and David Bowie's "Blackstar"
Micheal Wolf Aug 2014
Broken glass and tightrope walks
Whispers in my own home
Trying to keep out of the way
Fear an explosion each and every day

The way things ended up
Have no resemblances of love
Living a lie is like being dead
Who said zombies don't exist

So if this is you and you see yourself
Living alone with someone else
Existing isn't a life
As each day you die more inside

Take the reigns and make a stand!
Cut the rope and smash the ice
Go outside and scream so loud
Let the world know your back

Find the you, you lost or hid
I promise you, you can, you will
Live and love and don't exist
Be the you that we all missed.
Absent Moniker Mar 2016
Slowly sinking
Memories of better days
Staring at the sky's reflecting
Falling down to bitter silence,
Light is slowly fading
My lungs are empty,
Pain from water filling
Up the warmer crevices of my soul,
I'm burning
Bubbles flow away from me,
Life is leaving
Tears are streaming
Silently my heart is screaming
Save me I can't find strength,
Keep on moving
My arms are searching
Thoughts of flailing
Memories of times of failing
My soul is drowning
Slowly, peacefully,
My love for her is dying
Disarray thinking
Resemblances,
days spent loving
I can't grasp the fading
days I was alone,
Days of dreaming
Nik Krutilla Feb 2013
It's a little bit
Coincidental
How you can become
Engrossed
With a new understanding of
Your Self
And start seeing the
Resemblances
Of what you have now been made
Aware
In everyday reminders.
But
Maybe it's just the obvious
Conclusion
Of an average
Idealist


*© NDHK
Julian Delia Jul 2017
A red, hot mist; a lit match
To a puddle of gasoline.
Anger is a beast, frothing at its mouth
Hungry, hateful and lean.

It is in the husband who beats his wife,
physically, and verbally;
It is in the vitriol we spew
At each other detrimentally.

It is in the xenophobe,
Who cherishes resemblances
And apprehends differences.

It is in the people,
Who segregate into a familiar tribe
Unaware of who tortures us all
Unwilling to unsubscribe
From the delusion -
'I am right, and you are wrong'.

Ire smolders beneath the surface
Until the surface is no more
And all that is left
Is a charred, blackened sore.

It is as corrosive as a vat of acid,
It will burn you to the core;
It will destroy all that is inside you,
And nothing will be left to restore.

Infuriation is a many-headed dragon;
Devalued, unjustly accused,
Hungry, hated or powerless,
Ashamed, anxious or defenceless.
Demeaned, disgruntled, upset;
These are all emotions
That lead to ire and regret.

Yet, it is also self-preservation;
In an unjust world,
It is the burden of a whole nation.
It is the sense than informs you
When you are being cheated;
Like the sensation of burning
Upon touching an object that's heated.

Yet, unknowing and uninformed
We are always at each other's throats;
The establishment is elated,
In the embers of society, it gloats.

For, in this insane, deluded world
Happiness is a rare consignment,
A moment amidst the chaos,
Not a constant incitement.

We must look beyond our petty squabbles
And realise there is more to deal with
Than each other's issues and troubles.

Anger is as addictive as ******,
And just like it, it feeds on vulnerability.
Should we unite against our common enemy
It would mean invincibility.

We should not target each other;
Instead we should aim at those
Who have brought us here.
Those who steal, lie and control;
If they cannot, they will cajole.

It is those who have turned life
Into a rat race which nobody will win.
Divided we are controlled,
Unaware of the power within.

Yet, you ask, what if we were united?
Imagine, a whole world's anger
Aimed at the right mark;
That is what I propose,
Before it is too dark
And humanity swallows itself whole.

___________
My longest work yet - enjoy.
Candy Glidden Jul 2010
As I peer into the mirror, what is it I see?
A beautiful face staring back at me.
Though the image is different than that of my own
There are a few resemblances that are clearly shown.
You are there, it is you that I see,
That beautiful face that stares back at me.
Reflections of a love so true,
The bond that was shared between me and you.
The things that you taught me, the love that you hold,
Are the reasons why I am so strong and so bold.
You gave to me wings and allowed me to soar,
You gave to me, life, and I owe you much more.
Cherish your "MOTHER"  and the love that she gives,
For a reflection of life, oh, how precious it is.
From this day forward in the mirror there will be,
Reflections of my mother staring back at me.
Copyright2007  Candy R. Glidden
To my mother, my angel, I love you, and miss you so much!
NA Feb 2018
I am reminded of you everywhere I go. I see the bustling people and I think of your busy hands. The color of the air perfectly matches your eyes. Even the sounds bring you to mind. I no longer am displeased by these resemblances; I find them oddly comforting. To see someone you love everywhere you go is a beautiful thing to shoulder.
But of this I am haunted: do you see me too? Or am I alone in my indulgence of another? Have you forgotten me?
Jack Solomon Oct 2014
I wandered along in my dreary life,
Only seeing the grey of this dismal existence.
Holding onto fleeting resemblances of happiness,
I have endured thus far by only a thin string.
I have known pain and heartache beyond my strength,
Yet I remain in the name of hope that more exists.
Then one day I was walking along feeling sad,
When I came upon a flower among the briars.
Just as broken and bleeding as my fractured heart,
I felt a connection to it and desired to keep it close...safe.
So I took it in hand and held it to my heart,
Feeling a closeness to this fragile and beautiful creation.
Two sides of the same coin in all respects,
Equal in our tragedy and in our love for the other.
I would have cared for it in all things and in all ways,
But the world envied the completeness that it gave me.
I watched as this glimpse of true happiness was torn from me,
Leaving me once again feeling incomplete and empty.
Darren Nov 2014
Haltingly plummeting
Down and downers collide
Into the walls of my brain

Glaciate the teardrop eye
Morphine expand my perspective
From syringe end-
-To the bottom of the bottle I fly

Lines on my cheeks reflex
Down in descending sorts
As I catch the winding specs

Hindrance verify the valley
Varicose gatherings sped thin
Slick my wings-
-With the kerosene that blindly gleams

Tail a lax lolling tongue
Flick the cardiac beat
I silently haven't sung

Tunnel make the flood waters dance
Demise to my landlocked yard
Leave me afloat-
-Scared to touch a tide's happenstance

Detritus rise to sight
Broken glass and liquid
Ride the current to the right

Spaces have no resemblances
Careless dive into my lids
Shake the tree-
-And out come a fruit of strange sense

Zebra stripes combining
The blur awaiting none
Sends my whiskers bestilling

Swimming to the musical tones
Forget where I was before
Taken far-
-Contentment to wake in another home
Originally written on November 1, 2014.
Deviantart page: http://monocephalized.deviantart.com
coming to consciousness is a must
yet its painful to retain all these words
sordid shards of nothingness
i am learned for i know that i've learned nothing
except what i’ve earned by remembering
plenty of ways to fake a riot
keep quiet or dry it in the sun
sheltered on the run
blasts from guns to gynecologists
solecisms and syllogisms
miasmas of the mind
time unwinds in butterfly defenses
semblances of the freedom we traded
resemblances to our mothers
and our grandfathers in helmets
filled with money left to rot in the sun’s basement
the used ones who wait for their retirement plans
to conclude their lives with guttural fluctuations
effluent and stagnant waters, frenetic daughters
portraits of amazement
the lazy masters sadly agree to replace them
sweaty fixtures grasped our hands and minds
sign language kept silent
stretched out in striated alignments
cut me some slack
for there can be no turning back from this place
she gave everything away save the furniture
which wasn’t hers anyway
once it takes a hold of you
it doesn’t like to let go of you
grab the fire by its nose
and release the hose
if you wish to control the soul
water pouring from our bones
i bow down to your ground
we are going home
arguing no more
our moist hearts becoming clearer, nearer
i am breathing louder in my own theater
and in my own studio i am making music
that makes the flowers bloom
bluevelvet Nov 2017
Let's talk about depression
And genetic resemblances

I get my unflattering resemblance from my father,
My mental illnesses from my mother
My addictions?
Well they course through both sides

I'm not on the verge of paranoia anymore
Or maybe it's just like,
If you want to **** me
Go for it
I feel completely dead and alone
And you might think it's narcissistic but
I know very few would attend my funeral

I had this strange behaver
I used to tell people all these sweet things,
And I meant them because
I wanted people to feel good for themselves
But I also just wanted people to grow feelings for me

To prove there was something
Worth seeing in me

And the absolute tragic thing is?
I know someone would hold my hands
While they shake
They won't second guess why
I can't look at their face

But I just have this nagging feeling
That they will disappear because
They won't see anything worthwhile in me
Like every boy has before
Man Mar 9
Do I speak in cryptic ways,
Vague, and detached from
The normal? Do words lash out
In resemblances of diatribes
That drown out all else meaning?
It is not on purpose,
I read too much
Or, I've read.
Pandora's box opened,
Atop Babel's tower,
Clawing my way back up
Not to shut the lid
But change direction, orientation
All is quiet as my brood all sleep
Crazy days and insane ways
The memories are mine to keep

On golden sands we merrily play
With cricket bat and bluish ball
My role of fatherhood guides my way

I watch them closely with love
Protective and loving
As the sun shines up above

We eat fish and chips close to the sea
An immense sense of pride stirs
Observing the resemblances of me

Knowing I need to steer them along
Through their up and downs
In our arms they will always belong
KorbydAngyle Dec 2020
Its difficult to find a place that the force
of twilight agrees with the body...

or did per chance his-
'esquire' not notice rot
within and the spells begin

Not myself... been wondering and solutions bought
And yellow fluids forming my thoughts

Was such so abusive as not worth the
sum of two dragons
then nither?!

Challenges, seeing double oneself in darker efforts,
reflected images, a denial... cloaked in order
yet not enough strength to choose either...

Simply that one day chains of expectations
Desire, answers,- states inside a mind flaccid

Receive promises from ***** tongue tied lies
based on snorted nuances
Held down by the resemblances
to dead that made to serve
continue belayed by the joke
of life of yourself as days movements emerge

I shall not disrespect effort then, it can be
so psychotically leading
From stances of body to mind, then property,
to rails off, to the violating

Fanned out fingers of death and motion
Forward emotions hubris that stings
All for a view of the sky speeding
Its magnetic cleaving
A gestalt across pinnacle lands peaceful and diligent
For the spectacle of its brilliance as it began

— The End —