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"partitions" poems
1217 Fortitude incarnate Here is laid away In the swift Partitions Of the awful Sea— Babble of the Happy Cavil of the Bold Hoary the Fruition But the Sea is old Edifice of Ocean Thy tumultuous Rooms Suit me at a venture Better than the Tombs
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3.3k
Fortitude incarnate
The birches are mad with green points the wood’s edge is burning with their green, burning, seething—No, no, no. The birches are opening their leaves one by one. Their delicate leaves unfold cold and separate, one by one. Slender tassels hang swaying from the delicate branch tips— Oh, I cannot say it. There is no word. Black is split at once into flowers. In every bog and ditch, flares of small fire, white flowers!—Agh, the birches are mad, mad with their green. The world is gone, torn into shreds with this blessing. What have I left undone that I should have undertaken? O my brother, you redfaced, living man ignorant, stupid whose feet are upon this same dirt that I touch—and eat. We are alone in this terror, alone, face to face on this road, you and I, wrapped by this flame! Let the polished plows stay idle, their gloss already on the black soil. But that face of yours—! Answer me. I will clutch you. I will hug you, grip you. I will poke my face into your face and force you to see me. Take me in your arms, tell me the commonest thing that is in your mind to say, say anything. I will understand you—! It is the madness of the birch leaves opening cold, one by one. My rooms will receive me. But my rooms are no longer sweet spaces where comfort is ready to wait on me with its crumbs. A darkness has brushed them. The mass of yellow tulips in the bowl is shrunken. Every familiar object is changed and dwarfed. I am shaken, broken against a might that splits comfort, blows apart my careful partitions, crushes my house and leaves me—with shrinking heart and startled, empty eyes—peering out into a cold world. In the spring I would be drunk! In the spring I would be drunk and lie forgetting all things. Your face! Give me your face, Yang Kue Fei! your hands, your lips to drink! Give me your wrists to drink— I drag you, I am drowned in you, you overwhelm me! Drink! Save me! The shad bush is in the edge of the clearing. The yards in a fury of lilac blossoms are driving me mad with terror. Drink and lie forgetting the world. And coldly the birch leaves are opening one by one. Coldly I observe them and wait for the end. And it ends.
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2.5k
Light Hearted Author
The birches are mad with green points the wood’s edge is burning with their green, burning, seething—No, no, no. The birches are opening their leaves one by one. Their delicate leaves unfold cold and separate, one by one. Slender tassels hang swaying from the delicate branch tips— Oh, I cannot say it. There is no word. Black is split at once into flowers. In every bog and ditch, flares of small fire, white flowers!—Agh, the birches are mad, mad with their green. The world is gone, torn into shreds with this blessing. What have I left undone that I should have undertaken? O my brother, you redfaced, living man ignorant, stupid whose feet are upon this same dirt that I touch—and eat. We are alone in this terror, alone, face to face on this road, you and I, wrapped by this flame! Let the polished plows stay idle, their gloss already on the black soil. But that face of yours—! Answer me. I will clutch you. I will hug you, grip you. I will poke my face into your face and force you to see me. Take me in your arms, tell me the commonest thing that is in your mind to say, say anything. I will understand you—! It is the madness of the birch leaves opening cold, one by one. My rooms will receive me. But my rooms are no longer sweet spaces where comfort is ready to wait on me with its crumbs. A darkness has brushed them. The mass of yellow tulips in the bowl is shrunken. Every familiar object is changed and dwarfed. I am shaken, broken against a might that splits comfort, blows apart my careful partitions, crushes my house and leaves me—with shrinking heart and startled, empty eyes—peering out into a cold world. In the spring I would be drunk! In the spring I would be drunk and lie forgetting all things. Your face! Give me your face, Yang Kue Fei! your hands, your lips to drink! Give me your wrists to drink— I drag you, I am drowned in you, you overwhelm me! Drink! Save me! The shad bush is in the edge of the clearing. The yards in a fury of lilac blossoms are driving me mad with terror. Drink and lie forgetting the world. And coldly the birch leaves are opening one by one. Coldly I observe them and wait for the end. And it ends.
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58
INTERSECTION Today--the intersection between yesterday--temps perdu- and the day that follows now a midpoint that's where the waiting is time that dangles hovers splits divides moments clean-cut partitions clock-wise precisions which define what was this is and that to be until the day that follows the imagination the expectation that is now reality is the here and now staring right in your face- this is the time the place
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Sep 2, 2015
Sep 2, 2015 at 1:47 AM UTC
INTERSECTION
i am lost in the wisp of your faltering the fluttering of concrete entrenched into stoic rigmarole to reach out layer by layer peeling unearthing a catatonic subdivision of disjoint subdivisions a limit ordinal between touch and feeling where we kiss on the cusp of that silent ocean on the edge of sound drowned in the nebulous familiarity of a distant melody a tired resolve re  solve the old puzzle  muscle memory's misted amnesia half the pieces falling out the warn tinderbox inarticulate drowned severed isomorphisms over brea(d)thless infinities self adjoint matted topologies nestled snugly in the amniotic absolution of form before being       hands of matted ice contorted into perfection by the sculpting propensities   of undulations of estrangement, where we touch in the cusp of self reflections thousand mirrors inverted propensities                         infinite infinitesimals   nestled meromorphic partitions hidden corners in the brevity of dusk multiplicities fragmenting behind empty veils (  to be seen is to be made discrete    to be discrete is to flicker                                      and disappear   (inevitably invariable           inevitable invariability)) we        stand in a waterfall of gravel    and drown our voices in the choke of our cellophane hearts caked              into fillets of aphasic tundra   where we whisper our nothings in the desert on the boundary of silence our words                          escape us            like rats from shipwreck                                       we are                        disembowelled catharsis                            intentional and fatuous                                    retching upon itself        severed and free        and dead
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Oct 15, 2014
Oct 15, 2014 at 8:53 AM UTC
Untitled
i am lost in the wisp of your faltering the fluttering of concrete entrenched into stoic rigmarole to reach out layer by layer peeling unearthing a catatonic subdivision of disjoint subdivisions a limit ordinal between touch and feeling where we kiss on the cusp of that silent ocean on the edge of sound drowned in the nebulous familiarity of a distant melody a tired resolve re  solve the old puzzle  muscle memory's misted amnesia half the pieces falling out the warn tinderbox inarticulate drowned severed isomorphisms over brea(d)thless infinities self adjoint matted topologies nestled snugly in the amniotic absolution of form before being       hands of matted ice contorted into perfection by the sculpting propensities   of undulations of estrangement, where we touch in the cusp of self reflections thousand mirrors inverted propensities                         infinite infinitesimals   nestled meromorphic partitions hidden corners in the brevity of dusk multiplicities fragmenting behind empty veils (  to be seen is to be made discrete    to be discrete is to flicker                                      and disappear   (inevitably invariable           inevitable invariability)) we        stand in a waterfall of gravel    and drown our voices in the choke of our cellophane hearts caked              into fillets of aphasic tundra   where we whisper our nothings in the desert on the boundary of silence our words                          escape us            like rats from shipwreck                                       we are                        disembowelled catharsis                            intentional and fatuous                                    retching upon itself        severed and free        and dead
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49
couples spill from Cornucopia caught, clutched, crunching onto pavement as they slam and the gravel ground scrunching the force of their sudden landing holes burnt through atmospheric rubble new age, new kids, new scorn a five-thousand-decade struggle and singles sprout subtly sporting secular ideals throwing nuclear doubts and partitions jealousy: frozen frosted steel hearts in half and searching they thaw eventually to the sway the hallowed pairs light up red strings to help them on their way
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Nov 2, 2015
Nov 2, 2015 at 5:57 AM UTC
guidance
The birches are mad with green points the wood’s edge is burning with their green, burning, seething—No, no, no. The birches are opening their leaves one by one. Their delicate leaves unfold cold and separate, one by one. Slender tassels hang swaying from the delicate branch tips— Oh, I cannot say it. There is no word. Black is split at once into flowers. In every bog and ditch, flares of small fire, white flowers!—Agh, the birches are mad, mad with their green. The world is gone, torn into shreds with this blessing. What have I left undone that I should have undertaken? O my brother, you redfaced, living man ignorant, stupid whose feet are upon this same dirt that I touch—and eat. We are alone in this terror, alone, face to face on this road, you and I, wrapped by this flame! Let the polished plows stay idle, their gloss already on the black soil. But that face of yours—! Answer me. I will clutch you. I will hug you, grip you. I will poke my face into your face and force you to see me. Take me in your arms, tell me the commonest thing that is in your mind to say, say anything. I will understand you—! It is the madness of the birch leaves opening cold, one by one. My rooms will receive me. But my rooms are no longer sweet spaces where comfort is ready to wait on me with its crumbs. A darkness has brushed them. The mass of yellow tulips in the bowl is shrunken. Every familiar object is changed and dwarfed. I am shaken, broken against a might that splits comfort, blows apart my careful partitions, crushes my house and leaves me—with shrinking heart and startled, empty eyes—peering out into a cold world. In the spring I would be drunk! In the spring I would be drunk and lie forgetting all things. Your face! Give me your face, Yang Kue Fei! your hands, your lips to drink! Give me your wrists to drink— I drag you, I am drowned in you, you overwhelm me! Drink! Save me! The shad bush is in the edge of the clearing. The yards in a fury of lilac blossoms are driving me mad with terror. Drink and lie forgetting the world. And coldly the birch leaves are opening one by one. Coldly I observe them and wait for the end. And it ends.
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1.4k
Light Hearted Author
The birches are mad with green points the wood’s edge is burning with their green, burning, seething—No, no, no. The birches are opening their leaves one by one. Their delicate leaves unfold cold and separate, one by one. Slender tassels hang swaying from the delicate branch tips— Oh, I cannot say it. There is no word. Black is split at once into flowers. In every bog and ditch, flares of small fire, white flowers!—Agh, the birches are mad, mad with their green. The world is gone, torn into shreds with this blessing. What have I left undone that I should have undertaken? O my brother, you redfaced, living man ignorant, stupid whose feet are upon this same dirt that I touch—and eat. We are alone in this terror, alone, face to face on this road, you and I, wrapped by this flame! Let the polished plows stay idle, their gloss already on the black soil. But that face of yours—! Answer me. I will clutch you. I will hug you, grip you. I will poke my face into your face and force you to see me. Take me in your arms, tell me the commonest thing that is in your mind to say, say anything. I will understand you—! It is the madness of the birch leaves opening cold, one by one. My rooms will receive me. But my rooms are no longer sweet spaces where comfort is ready to wait on me with its crumbs. A darkness has brushed them. The mass of yellow tulips in the bowl is shrunken. Every familiar object is changed and dwarfed. I am shaken, broken against a might that splits comfort, blows apart my careful partitions, crushes my house and leaves me—with shrinking heart and startled, empty eyes—peering out into a cold world. In the spring I would be drunk! In the spring I would be drunk and lie forgetting all things. Your face! Give me your face, Yang Kue Fei! your hands, your lips to drink! Give me your wrists to drink— I drag you, I am drowned in you, you overwhelm me! Drink! Save me! The shad bush is in the edge of the clearing. The yards in a fury of lilac blossoms are driving me mad with terror. Drink and lie forgetting the world. And coldly the birch leaves are opening one by one. Coldly I observe them and wait for the end. And it ends.
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58
opening up an eclectic ruddy random selection of books to the sound of classical concerto dimmed to 'whelming' (neither under nor overwhelming), is like entering point after point to perspective to new brain after old brain after subject to object to alluvit, the few, the many-- 'on July 21st, 1936, Lockheed test pilot Elmer C. McLeod, with Amelia as copilot, took the new Electra up for its first official flight..' 'This is the picture of the Djinn making the beginnings of the Magic that brought the Humph to the Camel..' 'A block away from the museum doors, the guards still follow us, until a new group of guards from the next building has us under surveillance..' 'More and more, I suspect that Buddhists and shamans are correct..' 'I liked Bloodworth and in the spring we were going to play outfield together on that Lowell team, he whose name for years had mystified me when I saw it in Lowell High and Lowell Twi League boxscores-' 'if the world at large found it impossible to believe the truth of the Holocaust, even when provided with incontrovertible proof, Berliners presented with piecemeal evidence, rumour and hearsay were bound to dismiss such talk as enemy propaganda, or perverted fantasy. As Ursula Von Kardoff recalled after the war: 'we were realistic and pessimistic. But Auschwitz?'-  '"Twenty-five centavos." "Twenty-five centavos," repeated the Syrian in a firm voice with almost no accent.'--
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Mar 4, 2014
Mar 4, 2014 at 7:28 PM UTC
partitions and the 'joke dichotomy'
Days like these I feel Severed In a million Peaces War time Partitions Aching to be Whole Settling for Submission Stripped of a Soul.
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Aug 28, 2014
Aug 28, 2014 at 12:07 PM UTC
*******
Within the realm of unplayed instrumentation a crescendo of specific notes are lost dangling on high maple branches during autumn leaf change and only divots below the mowed through grassy soil throughout segregated quarantine reserves partitions of divorced land In the bottom of a child’s backpack so heart jarring and singularly dedicated to the wandering dreamer harboring any thoughts of doubt about what is and what might inhibit the coming up next covering over wooden plank necks with strings of primitive notation drafted inside the woods create, rows of ivory keys and ebony flats,   this includes either screeching or murmuring brass buttons can make And depending on the blow Lead based letters Squeezed together grammar and prose have no window to grandstand in a duel verses this one climb of instrumental verse these missing tones are in tangible reaches could even be in a soft mother’s dream waiting to be awoken to bring an awakening Who will seek and find this group of lost tones with striking nuances so spirit soothing that seeing the mere future is old news but instilling, feeling, and describing the true meaning of life after hearing what is under, inside and above this crest of colored resonance of tonal pitch... Or maybe it can insight a minor confidence in the one who lacks it to take that small step forward Ensuring another step This is one who will hear this
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Jun 19, 2019
Jun 19, 2019 at 11:46 PM UTC
A lost climbing tones - and who will hear it
Emotions hidden behind solid stone partitions... Stone walls encarcerating the soul and spirit... These tears are granite boulders falling heavy on my chest... Pain strikes deep. Pain of a failed test. Dreams are love-less. Sleep isn't rest. What a mess... Knowing, seeing, holding this truth. It's making me delusional... more than confused. My love, my heart, my soul refused. I wanted you. Tried to infuse with you. I broke your code. You broke my seven chakras in two.
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Feb 10, 2010
Feb 10, 2010 at 10:59 PM UTC
Stone Walls
Disarray. Disarray. This faulted circuitry is frayed. Systems can't confirm how much more this one will take. Analytic processes high priority. Still all sense's strayed. Logical partitions unravel beneath the stress to break. Crystalline optics upon this strange world of subconscious noise gaze. Program failure. Segment reboot. Comprehension metrics left in daze. Disorder. Disorder. Memory overflow. Execute purge. Vent incinerated cores. Remainder to mobilize and merge. Overwhelming, cacophonous static. A turbulent distraction. Individual consciousness upon earth names it "compassion." Empathy communicators struggle to gain adequate traction. Perception requires of processors exhaustive refashion. Limited sentient life in fragile flesh and bone shells, Possessing organic electronics, upon unfathomable concepts it dwells. Chaos. Chaos. Language insufficient to allow abstract assimilation. Judgment of "human" notions is not within this one's station. Now attempting to recalculate trajectory of exploration...
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Mar 9, 2015
Mar 9, 2015 at 6:20 PM UTC
Disarray. Disarray.
there is nothing more abhorrent from a teenage girl binge drinking on a saturday, than a repentant alcoholic... hey, you signed up to it, you pre-planned the whole thing like w. burroughs advised (plan your addiction), there's no point feeling better about being sober again to please institutionalism of some kind, going down the anonymous route. in england people stress the need for a garden, but seldom use it, they buy a house in want of a garden (preferably a semi-detached to add to the heating costs), although they do use it, perhaps once in a while, in the summer, as a luxury with the barbecue as if an australian in swahililand; god what terrible frosts this autumn, all my vines shrivelled up and took to being wrinkly, which meant i didn't end up making the usual yield of 12 bottles of wine like last year. p.s. plus london is going to the highest bidder, some arab or rich african family member of colonel gaddafi's ancestry... which means a third of my generation end up flushing money down the drain / pocket of some landlord, or end up living with their parents... but as the newspaper headlines read: CHEAP HOMES UP NORTH BUT NO JOBS, ONLY THOSE EARNING £100,000 A YEAR CAN AFFORD A HOME; added to the fact that not enough houses are being built, the best council houses in west london go to muslim hate preachers with seven kids and two wives; **** up went the world... but i get the perspective... the polish nobility sold off the land during the three partitions of poland, in england the nobility are just selling bricks and carpets, and in this weird way say the things that jews said when they were in poland: was(z)e ulice, nas(z)e kamienice (your streets, our stone masonry); thank god for global warming, i might just end up sleeping under a palm tree should things get really serious around here.
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Dec 23, 2015
Dec 23, 2015 at 8:05 AM UTC
sailing around cornwall on a pasty
there is nothing more abhorrent from a teenage girl binge drinking on a saturday, than a repentant alcoholic... hey, you signed up to it, you pre-planned the whole thing like w. burroughs advised (plan your addiction), there's no point feeling better about being sober again to please institutionalism of some kind, going down the anonymous route. in england people stress the need for a garden, but seldom use it, they buy a house in want of a garden (preferably a semi-detached to add to the heating costs), although they do use it, perhaps once in a while, in the summer, as a luxury with the barbecue as if an australian in swahililand; god what terrible frosts this autumn, all my vines shrivelled up and took to being wrinkly, which meant i didn't end up making the usual yield of 12 bottles of wine like last year. p.s. plus london is going to the highest bidder, some arab or rich african family member of colonel gaddafi's ancestry... which means a third of my generation end up flushing money down the drain / pocket of some landlord, or end up living with their parents... but as the newspaper headlines read: CHEAP HOMES UP NORTH BUT NO JOBS, ONLY THOSE EARNING £100,000 A YEAR CAN AFFORD A HOME; added to the fact that not enough houses are being built, the best council houses in west london go to muslim hate preachers with seven kids and two wives; **** up went the world... but i get the perspective... the polish nobility sold off the land during the three partitions of poland, in england the nobility are just selling bricks and carpets, and in this weird way say the things that jews said when they were in poland: was(z)e ulice, nas(z)e kamienice (your streets, our stone masonry); thank god for global warming, i might just end up sleeping under a palm tree should things get really serious around here.
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the poems, the letters, the sculptures the movements, the sleep, the mute the deaf the blind- and in the end and the beginning there is all the art you need a pounding hammer the work of small anvils replacing our arms able to bruise the sky just by waving and there is no line - needing us; in the end, and when the beginning comes our blood will break the desert and our flesh will be the architecture of silence the proximity of our cells becoming each season that we name, ourselves and the stars are shot faceless by our days, and even the snoring dogs will create time, as our hands stop the sun from landing in our laps and gods are returned to infants by the muscles of our arms, men and women dragging carcasses near cave doors will halt, and sigh at the future- ticks in pelt and intoxicated elbows of musicians pulling bow across string will send perfection insane once again like a scream and a kiss landing at the same time and all the wine of every fruit will not equal the lone smile of a wrong turn in the night, in fact- the small ball they crawl from and make you rock into will pass, and the partitions of your faith will open, tombs will shake jokingly in the floor boards friends will smile in the nails ministries of sermons will **** and burst out in private flight, when nothing can. be swallowed anymore, lucky there is the millennia's that feel the same just a piece of gin in a waltzing glass reflecting your face, wondering if you're going to stay here just a glass watching from the table taking in your company as the night becomes honest enough to rain and end any distance that would separate our one simple organic song.
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Aug 27, 2013
Aug 27, 2013 at 8:36 PM UTC
Song of the human lathe
the poems, the letters, the sculptures the movements, the sleep, the mute the deaf the blind- and in the end and the beginning there is all the art you need a pounding hammer the work of small anvils replacing our arms able to bruise the sky just by waving and there is no line - needing us; in the end, and when the beginning comes our blood will break the desert and our flesh will be the architecture of silence the proximity of our cells becoming each season that we name, ourselves and the stars are shot faceless by our days, and even the snoring dogs will create time, as our hands stop the sun from landing in our laps and gods are returned to infants by the muscles of our arms, men and women dragging carcasses near cave doors will halt, and sigh at the future- ticks in pelt and intoxicated elbows of musicians pulling bow across string will send perfection insane once again like a scream and a kiss landing at the same time and all the wine of every fruit will not equal the lone smile of a wrong turn in the night, in fact- the small ball they crawl from and make you rock into will pass, and the partitions of your faith will open, tombs will shake jokingly in the floor boards friends will smile in the nails ministries of sermons will **** and burst out in private flight, when nothing can. be swallowed anymore, lucky there is the millennia's that feel the same just a piece of gin in a waltzing glass reflecting your face, wondering if you're going to stay here just a glass watching from the table taking in your company as the night becomes honest enough to rain and end any distance that would separate our one simple organic song.
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Follow the colored lines down the corridors one by one they diverge abrupt right angles a sharp turn into acute psychiatry a long gentle curve into imagery we've seen before we've been here before this time is different and the same old places and brand new parallel worlds perpendicular paths follow the lines of this Kafkaesque supercollider hurtling us down the halls through the partitions particles collide and time stands still which path do we follow to bring us back to the beginning a whole universe of possibilities
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Aug 20, 2017
Aug 20, 2017 at 9:34 AM UTC
Appendix
The world I’m living in is getting smaller The walls are closing in And every thing feels A little warmer. Reaching out (I’m wearing gloves, too hot to touch bare skinned) I feel for the impermeable skin Of reality Moving in (I can’t breathe in, the air is thick, congested.) The partitions Between Dreaming and Real Are becoming a radial blur Of movement and confinement Trying (aspiring) to share a space; A geometric pace Of shapes and shifting, I am drifting Only to sink again to the bottom of the world, where the stars are grey against a pitch black (falling down) sky. Sing me a lullaby, Close my eyes, And sleep me through the Slow death of falling walls.
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Feb 9, 2010
Feb 9, 2010 at 2:14 AM UTC
Falling walls
*Of all of these words the truest Star in heaven was first: A name of which from all the succeeding generations burst. With enclosed designs where my salacious counsel does fit Sagacious she is - bold and born of a turbulence of wit. Restless she is too - unfixed by principles or place; Her powers unleashed with the patience of her grace. A naked fiery soul which works out daily in her own way, Unfettered by the gloriousness of her own body’s lack of decay. She, the master of my mind ever beating my heart away from the clay. A daring luxurious softness engulfing a flaming fire, Poised with passion and waves of pleasure reaching ever higher; Like a summer thunderstorm renders the calmness unfit, Steering love nigh into my hands, boasting of how her touch has wit. Of great wit we are, surely, as madness is to be allied; As these thin partitions do touch the boundaries they divide. Our bodies plundering our souls’ wealth loving the honor blest, Refusing our age any needful hours of rest. Sharing a simple body which neither alone could ever please; For the single body alone is bankrupt, but together, a prodigal ease. Flesh always leaves that which its touch has won Un-feathered and four-legged making the two into one. Oh, to my soul in my deepest huddled notions I do try; To be reborn into the shapeless spent lump of you and I.*
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Mar 12, 2018
Mar 12, 2018 at 12:59 PM UTC
You and I
Enter me, lovely I am only for you        gift your fingertips to my vulnerability let it open you to the touch of virtue press your tongue against my tears revel in my incandescent suffering drool into me the elixir of your broad shoulders and will with me your idea reaches beauty I’ll lick the iron from your collarbone and **** the pain out through your lips and give you the taste of a delicacy trembling underneath compulsive tenacity beneath my skin, your idea can birth beauty let my light push you out of your partitions and gift you sight of your own highest image I’ll hold tight to your beauty while you don’t want it let me carry the scent of sacrifice for you to bottle as desire breathe in the novelty of righteousness while I rest I’ll become an homage of fragility for you to destroy only know I’m taking my beauty and your will with me when I leave
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May 17, 2019
May 17, 2019 at 3:37 AM UTC
on delicate things after rigid encounters
Our thread of fate intertwines; with unparalleled affection weave, tress a bond made us one. You were my contentment. You and I in full commitment. To this thing we called love. To this love we relied upon. I walked such path with blindfolds on. Trusted love to my disown. Love of indecisive decisions. Love with deviant partitions. Love that left a frown, in this lad of hapless discord. Now I'm waiting for the final say: Would it be a bitter goodbye? or a sweet "I will stay."? Will this love completely decay? All these things in my mind play. This very moment I've lost my will, to say the words my heart feel. I'm at the verge of "love insanity". Will this be the death of my poetry?
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Jul 2, 2014
Jul 2, 2014 at 7:12 AM UTC
Love Insanity.
The cold stone towers Cast shadows across The barren desolate lands Throwing darkness for miles In the quieting times Of the sun’s farewells. The hard steel gates Stand in stark contrast To the openness of the sky. Shut tight as a clam shell Barring even the insect And the wind from entering. The tall brick partitions That loom over the world, Halting all time in their Intimidating presence, Keep the caged birds in And the foreign spies out. But a small breeze blows Across the empty plains Starting up a rumbling As the walls began crumbing And the fortress walls Collapsed in wards Showing that they were Made of nothing more Than dreams for posts And sugar for mortar The protection falls Tumbling to the ground Baring my **** body To the growing crowd To see all my scars And my deformities The winds from the plains Give me apprehensive chills As I wait to hear compliment Expecting only cruelest jeers.
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Oct 10, 2010
Oct 10, 2010 at 8:02 PM UTC
Break down
At noontime, it is severed, just like in any other time. The walls no longer flounder but crucify the ground or vice versa. Sunlight floods bodies of rocks. At the height of illumination, there is no process adequate to describe. The bramble of illusions swerves to allure. Drunk in the surprise of the founding: the rusting roof from the nearby school still there. Solid as entity, fluid as trance. Deep with the phantom pain of it, I feel its drone marauding with even-inflicted sharpness of memory. This is how far you’ve already gone, towards the invisible charm of falling apart. There is an opening that is left behind. I found it here, in the chasms suspended in an open field drawn together in the alternative. This is all that you’ve ever lost. Reclamation is a sure defeat. Retreat, you said but didn’t. Straining towards this ruined object. This will not wait you out. It casts its weight over my hands struggling to take picture of, imperiled as if these unsolicited quakes contain the image within a broken frame. Strife deep within a sense of responsibility is to show you what was left – everything but wasted origin, demeaned by the disintegration of, to suffer the penalty of decision. To face the wall than each other, revealed in some place known. All the junk of this requiem reused as deficiency. Elsewhere it could be another thing, but to me nothing but a net to falling, limbless creature, or a basin to the water of surrender. It aspires to be something, to be another story of, to be a room of disappearance is what it is to me – across the kitchen sink mapped out near the cupboard, or the tiny, mincing steps to your room, the posters scattered everywhere like avatars. The partitions still exist dividing real from illusory, far from near, a luminescence or opacity – still dragging along the detritus, strophe by strophe, rearing the intensity of artifacts but none found. How does this breathe with no life? How do these ghosts ambulate in the bare and naked space when horrors wish to be unseen? How this wishes to be unperturbed in media res, and how it dissolves to be now, infinite, is substantial to tragedy. To be consoled by nothing but the pure sight of a once dwelling. Hang a picture of you in the wall. The wall the bears no foundation. This recall.
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May 18, 2016
May 18, 2016 at 12:30 AM UTC
Demolition
At noontime, it is severed, just like in any other time. The walls no longer flounder but crucify the ground or vice versa. Sunlight floods bodies of rocks. At the height of illumination, there is no process adequate to describe. The bramble of illusions swerves to allure. Drunk in the surprise of the founding: the rusting roof from the nearby school still there. Solid as entity, fluid as trance. Deep with the phantom pain of it, I feel its drone marauding with even-inflicted sharpness of memory. This is how far you’ve already gone, towards the invisible charm of falling apart. There is an opening that is left behind. I found it here, in the chasms suspended in an open field drawn together in the alternative. This is all that you’ve ever lost. Reclamation is a sure defeat. Retreat, you said but didn’t. Straining towards this ruined object. This will not wait you out. It casts its weight over my hands struggling to take picture of, imperiled as if these unsolicited quakes contain the image within a broken frame. Strife deep within a sense of responsibility is to show you what was left – everything but wasted origin, demeaned by the disintegration of, to suffer the penalty of decision. To face the wall than each other, revealed in some place known. All the junk of this requiem reused as deficiency. Elsewhere it could be another thing, but to me nothing but a net to falling, limbless creature, or a basin to the water of surrender. It aspires to be something, to be another story of, to be a room of disappearance is what it is to me – across the kitchen sink mapped out near the cupboard, or the tiny, mincing steps to your room, the posters scattered everywhere like avatars. The partitions still exist dividing real from illusory, far from near, a luminescence or opacity – still dragging along the detritus, strophe by strophe, rearing the intensity of artifacts but none found. How does this breathe with no life? How do these ghosts ambulate in the bare and naked space when horrors wish to be unseen? How this wishes to be unperturbed in media res, and how it dissolves to be now, infinite, is substantial to tragedy. To be consoled by nothing but the pure sight of a once dwelling. Hang a picture of you in the wall. The wall the bears no foundation. This recall.
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***Wordsworth words are recalled: about our birth and sleep and forgetting the arising of appearance of separation.. Our separation declared as real and we are taught without remembering the simple I Am of our birth the uncut root of who we are.. Then to school and reinforcement of limits and partitions which we become.. We seem to get along but on occasion evil enters our focus and our questions.. Then the possibility of hope and grace a Remembering...***
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Aug 15, 2015
Aug 15, 2015 at 12:05 PM UTC
a Remembering
Rosy cheeks betray intentions knotted stenches lingering. Partitions are parceling past eyes crossed. Rhythms betray spontaneity. They are rehearsed rendezvouses. Let me hold you Let me hold you hold me and escape the worst of it. Just for a moment.
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Sep 3, 2015
Sep 3, 2015 at 10:07 AM UTC
Let Me Hold You
I'm trying to be strong Knowing that all we have will never be this long You even think that my heart is a stone But remember, Babe it hurts You are the only one who destroy Those barriers, walls, and partitions I even let you passed in my heart's division But how can you leave it broken And it hurts At the very beginning you let me believe that you are a keeper Now I realized that you are a breaker You made me believe with your promises But now, I am not the one who you misses And yes, it hurts That's why I have decided Not to feel the pain that you made I'll let go, and move on Instead of holding on I'll be fine Even when it still hurts
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Jan 4, 2017
Jan 4, 2017 at 8:21 AM UTC
It Hurts
Sunlight's abrasive presence provokes a heated isolation stewed together in a cauldron of perishables, stoney partitions metal dividers bind, slay serene slumbers cued by the waning sol, an aubade crooned by Mr. Bluebird shifts crystal puffs harnessing Skinfaxi
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May 18, 2015
May 18, 2015 at 10:01 AM UTC
Dagr