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Obadiah Grey Dec 2013
Sphincter factor nine approaches
food for the fish n roaches
methinks its time for me perhaps
to open up the rearward *****.


------------------------------------
AAChoo !!

Oh, liddle sister, Josephine,
you sure don't keep your
nose real clean.
got stalactites
o' pure pea green
my infectious sibling
snot machine.
----------------------------------------
I thought that I might shoot the breeze
with God or Mephistopheles
and ask them please to ease my wheeze
of my bad back and dodgy knees
---------------------------
Croak with the raven
bluff with the crow
the urchin
the field mouse
beneath the hedgerow
in a flurry they scurry
away away go.
Yelp with the *****
howl with the hound
and bay at the moon
till the sun comes around.
------------------------------------------
Gino's bar and grill.

Away, away afore Bacchus
doles out befuddlement
and Morpheus has his way,
lest I awake to find myself
in the company of
sodamistic bedfellows
with buggery in mind.
---------------------------------
Harry Potter has grown a beard
he lives alone and turned out weird.
Dumbledore, Albus, no more
turned his toes and 'ad a snore,
Voldemort, who's *** is taut
has no nose with which to snort.
====================

Ahem !!

Behind two Lilies- sits Rose,
then Daisies
for two and a bit rows.
with Poppy, and *****
Petunia, Primrose.
and Bryony - who gets up
- my nose.
----------------------------------------------
Amen.
God bless the Cows - for beef burgers.
God bless the Pig - for their bacon.
God bless the wife n her sharp knife
for the slice of their **** she's taken.

-------------------------------------------------
We can, no more fetter the sea to the shore
nor the clouds to the sky
or tether the glint
in a lovers eye,
As sure as the shore loves the sea
so shall I love thee, together,
together for eternity,

-----------------------------------

It bends for thee
sweet chevin,
the cane thats cleaved
by three,
wilt thou now
sweet chevin
yield, my friend ,
for me.
-------------------------------------------------
There's Marmalade then Marmite
and Jams thats jammed between
the buttered bread of bard-dom
a poets sweet cuisine.
---------------------------------------------
I took up campanology
and fired up my ****.
I rang that bell
to ******* hell
till the busies
came along.
--------------------------------------------
so, I've been whittling away
at a buoyant ****-
fashioned something approximating
a poo canoe-
in it, I intend to
surf the **** tsunami of old age
to-- death;
I have named it Public - Service - Pension.


----------------------------------------------

A surreptitious delightful tryst,
with my honey, my sebaceous cyst.
she's my pimple, my wart,
my gumboil consort.
she's the zip, in which
my *******, got caught.
--------------------------------------
Frayed at the bottoms
ripped at the knee.
baggy and saggy
big enough for three.
faded and jaded
and stained with ***
but I'm due for a new pair--
Yippeeeee!!

---------------------------------------

Ther­e's Cockerel in my ear
and he bills and coo's for you
whenever you are near
goes - **** a doodle doo !!!!!,,,,,,,,

---------------------------------------------

Oh,­ for the snap shut skin
in the blue twang of youth
and to un-crack the spine
on the book of love.
now the gulping years
have flown away
we take sips of the night
and are spoon fed the day.

-----------------------------

Zeus made the Moose to be somewhat obtuse,
a big deer- rather queer- I fear.
then God gave him the nod to look funny and odd
the spitting image of you - my dear !!!

---------------------------------------

Knobbly Nobby.

Nobby has a great big nose
a great big nose has he,
and nobby knows
that his big nose,
is big, as big can be,
nobby has two knobbly knees
two knobbly knees has he,
his knobbly knees,
are as knobely
as knobbly knees can be,
don’t pity dear old nobby
for soon it’s plain to see,
that nobby has a great big ****
as big, as big as three !
now nobbys **** is knobly,
as knobly as a **** can be,
so nose and knee and ****
make three,
and we - are ****- ely.

----------------------------------

The Woman that wouldn't eat meat,
had reeaally, reeaally big feet,
her **** was as big as an hermaphrodite brig
and her **** were as hard as concrete….


--------------------------------

Hearken the clarion call of the crows
afore the snow-
they caw,
hey, get your **** into gear lads-
we gotta feckin go !!!

-----------------------------

Gods pad

I took a peek within
your house
wherein on pew, I spied
a mouse,
and in his hand,
a Bible clasped,
and out his mouth,
a parable rasped,

---------------------

I'd say she had
a pigeon loft in
her eyes and
bluebells up
her nose.

But then again
I wear a flat cap

and stroll through meadows.

----------------------------

Would you care to buy our house?
It's minus Mouse n devoid o' Louse,!
Spiders, Roaches, Bugs or other,
have all been eaten by my brother,
snaffled up n swallowed down
then jus' crapped out a - yellowish brown.
so would you care to buy our house?
from an oddly pair -- devoid of nous

-------------------------

Though the Crows got her eyes
and the Worms got her gut.
comes as no surprise
death can't keep her mouth shut.

-------------------

Bevelled slick edges
and reeaal eeaasy slopes.
Chilli dip wedges
with fresh artichokes.
Wanton loose wenches
and swivel hipped ******
Daft dawgs and dentures
and granddad - who snores.

-------------------

Been whittling away at a buoyant ****
and fashioned something approximating a canoe,
in it, I intend to surf the **** tsunami of old age;
I named it, "Public service pension"

-------------------------------

.
Well,
     I could wax on the wings of a butterfly
but, I ain't that kind o' guy.
rather kick the nuts off ******* squirrels
pluck the wings off - blue assed fly.
I'm the stuff that flops off dog chops
when he's up for it and high.
an infection in your sphincter,
a well
that's jus' run dry.

----------------------------------------------

befeathered­ and bright scarlet
is my ladies bonnet,
jauntily askew and -
lilting on a paramours
grin.

"- Gladlaughffi -"

I'm reliably informed that dear ol' Muma
sported a goatee around his **** sphincter,
now, whilst this is merely educated speculation
from my esteemed friend his "groom of the stool" ! 
who was in fact required to wear a mask,
ear muffs and a blindfold whilst he went about his business,
He did possess reeaaally sensitive fingertips
somewhat akin to a blind man reading brail,,
and, swore blind that said "**** sphincter' spoke him in Arabic
and asked him for a quick trim, (short back and sides)
I myself being a practising proctologist of some repute
am inclined to believe my friend the "groom of the stool"
as I've come recognise -- Arsolian when I hear it !!!!!!!!
-------------------------------------

In a Belfast sink by the plughole
where hair and gum gunk meet
'erman the germ-man  and toe jam
bop the bacillus beat.

________

Doctor this I know as fact
that I have a blocked digestive tract,
I'm all bunged up and cannot go
my trump and pump is - somewhat slow.
I need unction jollop for junction wallop
some sorta lotion to give me motion.
If you could please just ease my wheeze
then I needn't grunt and push and squeeze.

-----------------------------

They are breaking out the thwacking sticks
and sparking Godly clogs
pulling tongues through narrowed lips
at the infidel yankee dogs.

------------------------------------

As a paid up member of the
lumpen bourgeoisie poetry appreciation society
I can confirm without fear of contradiction
that poetry is indeed baggy underwear
with ample ball room, voluminous in the extreme
and takes into account
the need for the free flow of flatulent gassiness
that is the want of a ****** up poet.

-----------------------------------------------

She's a rough hewn Trapezoidal gal
a gongoozler o' the ol' canal.
She's copper bottomed n fly boat Sal.

I'll have thee know that
that there hat
is a magic hat,
it renders me invisible
to the arty intelligentsia
and roots me firmly
in the lumpen proletariat .
-------------------------------------------------------
Said the sneaky Scotsman, Jim Blaik.
if the pension, you wish to partake,
bend over my son, lets get this thing done
and cop for this thick trouser snake !!

I met my uncle Albert,
down at Asda, in aisle three;
he got there in a Mazda,
jus' a smidgen after me,
said he'd traversed Sainsburys,
Tesco Liddle n the Spar,
but not one o' them flogged Caviar
Truffles or Foie gras.


He sidled past the pork pies
streaky bacon turkey thighs
a headin for the french fries
n forsaken knock down buys,
shimmied 'round the ankle biters;
expectant mums to be,
popin pills for bloated ills
in the haberdashery.

Fandango'd o'er the cornflakes
and the spillage in isle four

-----------------

I'm linier and analogue,
a ribbon microphone man
mired in the dust of the monochromatic,
the basement, the attic.

------------------------------

Simple simon met miss Tymon going to the fair,
said simple simon to miss Tymon - "pfhwarr what a luverly pair"
of silken thighs and big brown eyes and scrumptious wobbly bits,
Said simple Simon to miss Tymon---------- shame about you **** !!!

So sad sweet Shirl thought she'd give a whirl to clubbercise n pound

Squat, slightly,
tilt head 45°
and squint.
See the shimmering blurry
dot in the distance?
That, timorous ****,
is ME !
Fast twitching my
narrow white ****
to the pub.

There was a young lady named Sue.
whose ***** and **** was askew,
whilst taking a ****
she'd aim it and miss
and she lifted 'er hat when she blew.


Oh Mon Dieu !!

Obi.
I.

Thou aged unreluctant earth who dost
with quivering continual thighs invite
the thrilling rain the slender paramour
to toy with thy extraordinary lust,
(the sinuous rain which rising from thy bed
steals to his wife the sky and hour by hour
wholly renews her pale flesh with delight)
—immortally whence are the high gods fled?

Speak elm eloquent pandar with thy nod
significant to the ecstatic earth
in token of his coming whom her soul
burns to embrace—and didst thou know the god
from but the imprint of whose cloven feet
the shrieking dryad sought her leafy goal,
at the mere echo of whose shining mirth
the furious hearts of mountains ceased to beat?

Wind beautifully who wanderest
over smooth pages of forgotten joy
proving the peaceful theorems of the flowers
—didst e’er depart upon more exquisite quest?
and did thy fortunate fingers sometime dwell
(within a greener shadow of secret bowers)
among the curves of that delicious boy
whose serious grace one goddess loved too well?

Chryselephantine Zeus Olympian
sceptred colossus of the Pheidian soul
whose eagle frights creation,in whose palm
Nike presents the crown sweetest to man,
whose lilied robe the sun’s white hands emboss,
betwixt whose absolute feet anoint with calm
of intent stars circling the acerb pole
poises,smiling,the diadumenos

in whose young chiseled eyes the people saw
their once again victorious Pantarkes
(whose grace the prince of artists made him bold
to imitate between the feet of awe),
thunderer whose omnipotent brow showers
its curls of unendured eternal gold
over the infinite breast in bright degrees,
whose pillow is the graces and the hours,

father of gods and men whose subtle throne
twain sphinxes bear each with a writhing youth
caught to her brazen *******,whose foot-stool tells
how fought the looser of the warlike zone
of her that brought forth tall Hippolytus,
lord on whose pedestal the deep expels
(over Selene’s car closing uncouth)
of Helios the sweet wheels tremulous—

are there no kings in Argos,that the song
is silent,of the steep unspeaking tower
within whose brightening strictness Danae
saw the night severed and the glowing throng
descend,felt on her flesh the amorous strain
of gradual hands and yielding to that fee
her eager body’s unimmortal flower
knew in the darkness a more burning rain?

                    2.

And still the mad magnificent herald Spring
assembles beauty from forgetfulness
with the wild trump of April:witchery
of sound and odour drives the wingless thing
man forth in the bright air,for now the red
leaps in the maple’s cheek,and suddenly
by shining hordes in sweet unserious dress
ascends the golden crocus from the dead.

On dappled dawn forth rides the pungent sun
with hooded day preening upon his hand
followed by gay untimid final flowers
(which dressed in various tremulous armor stun
the eyes of ragged earth who sees them pass)
while hunted from his kingdom winter cowers,
seeing green armies steadily expand
hearing the spear-song of the marching grass.

A silver sudden parody of snow
tickles the air to golden tears,and hark!
the flicker’s laughing yet,while on the hills
the pines deepen to whispers primeval and throw
backward their foreheads to the barbarous bright
sky,and suddenly from the valley thrills
the unimaginable upward lark
and drowns the earth and passes into light

(slowly in life’s serene perpetual round
a pale world gathers comfort to her soul,
hope richly scattered by the abundant sun
invades the new mosaic of the ground
—let but the incurious curtaining dusk be drawn
surpassing nets are sedulously spun
to snare the brutal dew,—the authentic scroll
of fairie hands and vanishing with the dawn).

Spring,that omits no mention of desire
in every curved and curling thing,yet holds
continuous *******—through skies and trees
the lilac’s smoke the poppy’s pompous fire
the *****’s purple patience and the grave
frailty of daises—by what rare unease
revealed of teasingly transparent folds—
with man’s poor soul superlatively brave.

Surely from robes of particoloured peace
with mouth flower-faint and undiscovered eyes
and dim slow perfect body amorous
(whiter than lilies which are born and cease
for being whiter than this world)exhales
the hovering high perfume curious
of that one month for whom the whole years dies,
risen at length from palpitating veils.

O still miraculous May!O shining girl
of time untarnished!O small intimate
gently primeval hands,frivolous feet
divine!O singular and breathless pearl!
O indefinable frail ultimate pose!
O visible beatitude sweet sweet
intolerable!silence immaculate
of god’s evasive audible great rose!

                    3.

Lover,lead forth thy love unto that bed
prepared by whitest hands of waiting years,
curtained with wordless worship absolute,
unto the certain altar at whose head
stands that clear candle whose expecting breath
exults upon the tongue of flame half-mute,
(haste ere some thrush with silver several tears
complete the perfumed paraphrase of death).

Now is the time when all occasional things
close into silence,only one tree,one
svelte translation of eternity
unto the pale meaning of heaven clings,
(whose million leaves in winsome indolence
simmer upon thinking twilight momently)
as down the oblivious west’s numerous dun
magnificence conquers magnificence.

In heaven’s intolerable athanor
inimitably tortured the base day
utters at length her soft intrinsic hour,
and from those tenuous fires which more and more
sink and are lost the divine alchemist,
the magus of creation,lifts a flower—
whence is the world’s insufferable clay
clothed with incognizable amethyst.

Lady at whose imperishable smile
the amazed doves flicker upon sunny wings
as if in terror of eternity,
(or seeming that they would mistrust a while
the moving of beauteous dead mouths throughout
that very proud transparent company
of quivering ghosts-of-love which scarcely sings
drifting in slow diaphanous faint rout),

queen in the inconceivable embrace
of whose tremendous hair that blossom stands
whereof is most desire,yet less than those
twain perfect roses whose ambrosial grace,
goddess,thy crippled thunder-forging groom
or the loud lord of skipping maenads knows,—
having Discordia’s apple in thy hands,
which the scared shepherd gave thee for his doom—

O thou within the chancel of whose charms
the tall boy god of everlasting war
received the shuddering sacrament of sleep,
betwixt whose cool incorrigible arms
impaled upon delicious mystery,
with gaunt limbs reeking of the whispered deep,
deliberate groping ocean fondled o’er
the warm long flower of unchastity,

imperial Cytherea,from frail foam
sprung with irrevocable nakedness
to strike the young world into smoking song—
as the first star perfects the sensual dome
of darkness,and the sweet strong final bird
transcends the sight,O thou to whom belong
th ehearts of lovers!—I beseech thee bless
thy suppliant singer and his wandering word.
cheryl love Apr 2014
Eyes left
eyes right.
Stand to attention
On guard.
The ***** people
the purple parade.
The orange peelers
Ruby reds
the show stealers.
Jack in the box
complete with pale
green zip up socks
whiskers for lace
covered fur
Attention to you sir
***** people
violet markers
for my plot of land.
Robin Carretti Jul 2018
The love pretty please
wait for my
Cherry baby on top
Not some love O-Oreo
I could scream beguiled
Both twirled in swirls
Bavarian cream

Love has torn at the seams
Bad dream hot hit
bounty hunter
Bunny ears of the hop heart
it skips divine lips like a light tower
No other apology cries the thunder

And wait a **** minute
O-Oh-Yes where's my tip

I am not your second
fiddle of stunts
The romance of philosophy

We can fly higher
than anyone
will ever be

The Outgaze O hearts
of symmetry
Being told about their love
or other peoples fun
Twilight apology Wolfin tie outrun

Love O Apology light my pleasure
O on Overdrive no time for the
S letter-word SOS seizure
How many love gestures
of psychology

Love word *O
love
to Outlive
your treasure
Being psyched for physiology
Feeling mighty good right now
Don't blow bubbles like their
stars* of trouble

A few in the A-New heart stays
ever so blue few Good Men
Perfect Zen thumbs up
His or hers how cute
the words up
The Buddha says
Love is a
spiritual existence

The herbs body rubs
Going to the Hubs
Behind all your apologies
Wearing the new Doctor scrubs
Love house of Labs resistance

The morning glory September
rise and stretch your
overworked wings
Believing never comparing
to another love
It's your love

Or very O for outstanding at the utmost
So incredible the feeling
       Loveology
There's absolutely no apology
The love surrender lion and tigers
So bearable

Her turn like a Turnup
Up close nose smells the rose
Picking love out pulling
the weeds
Her red  embarrassed face
of the radishes
The Shy bush compared
to the O outgoing love
A hint of red delicious apple
Buzzing around the
Mulberry Bush_
Big Ben London
O Sweet Lord of magic singing
*Rosebush* fresh lemons
George Bush Patriotic
Chilean Sea Maiden Bass
Love ******

VIP pass especially with love
Here it is his loves
A spinning wheel so dizzy
London foggy she is the
product of the  flower *****
Like a carnival cotton candy
What a head rush
Another apology and a big push
Those hummingbirds of sweet soul
But something ambushed
She got a lump of his
crab meat cheek crush

Getting over someone never to see them

*Picking out all the petals of the rose when she was with him*

How many apologies open heart surgeries
Apology on hold like a new series
*Wake up "O" my muffin*
Cheers to the world of Oats
Fingerpicking Cheerios
*Don't give in  get to know him

Giving/InWay*

New love *Caved In*
His way per click day
High payments to pay off

BMW Billionaire Man wilted
Love head Beamer
Be
_ My__ World the dreamer

That love pain injury, going faster
Strong love never to lose her
Like cancer Santas Deers love prancer

Fine tooth comb
Negative force to succumb

Capitulate
Artsy wings to meditate
She is destined for something
So articulate
Can this be a painful love of fate?
She succumbs to the time given in
To her O Lord temptation
Words stand alone planet of people
Hearing the real voice no recording
From here to eternity the blasted phone

The Love O not to outwit just sit
And lift your gravity of love
Round earth or your flat on the ground or above
someone knows your true love


*She is combing her hair Silkience Queen of the Divination
Love, there should be no apology lifted gravity that loves O went further than he will ever know her sexuality was smiles alive he couldn't learn his numbers.  Where is the love when your heart thunders world of letters and love writers never to apologize we are the real fighters
cheryl love Mar 2015
Every ***** plant achieves
an exclamation of sheer pleasure
as one admires the faces and leaves
of this little gardener's treasure.

In clumps in borders; ever so cute
The planter definitely had common sense
the rows of faces, colours of ripest fruit
propped, looking pretty against a worn fence.

Its almost as if the ***** is in disguise
hiding behind a party false beard
with a hideous pair of glasses for eyes
its character supposedly disappeared.

As these little chaps face all the same way
soldiers in suits standing in a row
producing a magnificent smart display
Strong yet gentle and it will grow.

The pleasure it gives is immense
growing through the frost protected by a wall
or put in a border against a rotting fence
it will survive and will quite happily sprawl.
C B Heath May 2013
The ***** peers
its paw-print face
and knows the heart
of patience.
but the other
day i was passing a certain
gate,   rain
fell(as it will

in spring)
ropes
of silver gliding from sunny
thunder into freshness

as if god’s flowers were
pulling upon bells of
gold    i looked
up

and
thought to myself   Death
and will You with
elaborate fingers possibly touch

the pink hollyhock existence whose
***** eyes look from morning till
night into the street
unchangingly    the always

old lady sitting in her
gentle window like
a reminiscence
partaken

softly    at whose gate smile
always the chosen
flowers of reminding
IN A CHANG’AA DRINKING SPREE

(ONE ACT PLAY)

BY

ALEXANDER   K   OPICHO










CASTE
Advocate; self-styled advocate, his real job is insurance agent
Sampaza-changaa drunkard
Teacher-brother to Sampaza, also a changaa taker
Monica-changaa seller
Austeen-a lad, son to Monica
Watchman-changaa drunkard
Rono-friend to watchman
Njeri-friend to Monica, single mother
Atieno-friend to Monica, single mother
Driver- changaa taker and a smoker
Barasa-changaa taker and electrician
Ndhiwa- changaa taker, brother to barasa
Yator-changaa taker brother to barasa
Mavachi-changaa taker, with a fallen out wife
Mandila-relative to mavachi
Agnesi-wife to teacher
Music
*chang’aa is homemade alcoholic spirit consumed by the peasants in east and central Africa.




ACT ONE
In a slum area of Eldoret town, very many ramshackle muddy walled houses are seen; the setting takes place in the house of Monica the Changaa seller. There is low tone music humming from the DVD, playing Vincent Ongidi’s ‘mother is better than father.’
Music; Bakeni Nebekhale, bukula indika,
           Bukula indika samwana, Udimake kungeni
          Khusoko busia, bukula indika omusumba,
          Bakhwee nebechile, bukula indika
          Udimake khusoko yaya, bukula indika….
Driver; (dancing with a tumbler of chang’aa in his hand) let me dance! This is my best Sunday, let me dance, I am son of a woman. Sing! Sing! Sing! For us Vincent, you son of Ongidi, (pointing at the DVD).
Advocate; the problem you are only dancing with your class a half empty, moreover, you are not following the rhythm , I thought you dance to this song by shaking your shoulders, but instead you are gyrating your waistline.
Driver; (still dancing) let me dance because when I will go to the grave I will not get another chance to dance.
Advocate; (gulps from his tumbler) will you buy me chang’aa of ten shillings?
Driver; let me finish dancing first, I will see what to do about it.
(Enters Sampaza and teacher, as music goes off)
Sampaza; why are you dudes stopping the music on my entering?
Driver; it is not us who have stopped the music; you go and ask Vincent Ongidi why he did not sing a long song.
Sampaza; (sits at the old couch) where is Monica?
Driver; you burn us a cigarette before you ask for Monica, were you not with Monica upto the mid of last night?
Sampaza; why were you spying on me upto the mid of the night?
Advocate; (to Driver) give Sampaza time to introduce his friend to us
Sampaza; (to teacher) sit on this stool, forget about this drunkards.
Teacher; will this stool not break and sent me down like humpty dumpty? (Shakes the stool and sits on it)
Sampaza; It cannot even Monica herself sits on it and she is more huge than you do
Advocate; (to Sampaza) this is your brother?
Sampaza; now listen all off you
All; Sampaza we are listening to you all of us
Sampaza; had I killed our mother, he could not have born, (pointing to teacher).
Driver; if someone had not told me, there is no way I could know that this man is your brother. You are totally different from one another. Look, he is fat, strong, clean, well shaven and groomed brown and is like he took a bathe in the morning before he came here to chang’aa place, but you Sampaza tell us when you last washed your clothes? Even forget of washing your body.
Sampaza; (to driver) if you want to beg chang’aa from teacher just beg without using your desperate tricks of false praises.
Advocate; but me, I could easily know that teacher is a brother to Sampaza by simply comparing the shape of their heads, they look alike.
Teacher; who is serving chang’aa today?  I want to buy some for you guys.
Driver; it is Austeen, let me call him for you (goes at the door shouting) Austeen! Austeen! Aha! This boy is as earless as a female monitor lizard, (comes back) I have called him for you.
Teacher; thanks, let me believe he won’t take time, I am really thirsty.
Advocate; you can mitigate your thirst with this one of mine (gives teacher a tumbler).
Teacher; (sips) it was not a bad stuff (passes the tumbler to Sampaza)
Sampaza; (takes a full swig) uhm! The stuff is really the tears of the lion.
(Enters Austeen)
Austeen; My God, Sampaza is here again! Sampaza, why did you run away with my money last time? You take the beer and run away, even you made my mother to quarrel me yester night.
Driver; (to Austeen) you boy manage your mouths, don’t you see Sampaza is the age of your mother?
Austeen; wait! Sampaza must give me the money, give me the money you Sampaza!
Teacher; let me pay for him, how much was it?
Austeen; imagine Sampaza took off running into the darkness of the night after taking chang’aa of fifty shillings. Imagine a whole tumbler of fifty shillings.
Teacher; that was bad, Sampaza you did something very bad. You know Monica is a single parent and you run away with her money. This chang’aa is like Monica’s husband, so please let us be honest and pay our bills;
Austeen ;( to teacher) are you paying for Sampaza?
Teacher; yes, but before that; pour a tumbler of chang’aa worthy fifty shillings for each of these elders, including Sampaza. I am going to pay that one myself. But serve me with a tumbler of chang’aa that goes for a hundred shillings. May be it can quench my thirst.
Driver; brother you are a man (shakes teacher’s hand).
Austeen; (to Advocate) stand up for some minutes; I want to remove a grenade from your chair.
Advocate; you mean I was just sitting on the tears of the lion?
Austeen; yes (he fishes out a yellow plastic container, feels each tumbler as required).
Sampaza; you boy! What are you doing? Fill my tumbler to the brim, why are you now conning me off my chang’aa?
Austeen; (politely) Sampaza listen, you know my hands always shake when I am holding something. I didn’t want to spill chang’aa by struggling to fill your tumbler to the brim.
Teacher; (sipping, closing his eyes) Austeen now play for us another music.
Driver; yaah! The music, play for us Marashi ya karafu.
Austeen; my mother has not yet bought the DVD for Marashi ya karafu, let me play for you this one (shows him the DVD), it will thrill you to your bone marrow, (inserts the DVD in to the player).
Music ;( playing) ukiwa wa enda nyubani kwangu heee,
                          Umwambie stella mimi  sitakucha,
                         Umwambie stella mimi nimefungwa jela,
                      Anisalie mtoto mama nitaleaaaa!
Driver; ndio hiyo! (Stands up to gyrate his waist swiftly) that is my best song from Tanzania. How I wish I was still in prison on Christmas day of last year.
Sampaza; (sipping at his tumbler) if you want to be in prison go and make love to your goat and call people to help you.
Driver; look at you, with all this women, why should I go for a goat?
Sampaza; (standing up to dance, shaking his shoulders) because you want to be in
Prison.
Austeen; (giggling and shouting) look! Look! Look at Sampaza, he does not know how to dance, he is waving his hands like wings of a chicken.
Sampaza; you dance and I see (daring Austeen)
Austeen ;( dancing) look! Look! Fire! Fire! Fire! (He goes to sit)
All; (laughing loudly and clapping) Austeen! Austeen!
Advocate; this boy Austeen, became old while in his mother’s womb
                     (Enters Monica, Rono and watchman)
Driver; here comes Monica, (provokes Monica for a dance, they both dance).
Advocate; (joins Monica and driver to dance) Monica! Monica! Daughter of Zinjathropus, Waa!
Monica; I am an early woman, yaani! Womanopithecus africanus (dancing).
Driver ;( pushing away advocate), dance away from here, why are you bringing here this evil smelling sweater of yours?
Advocate; I am sorry.
Driver; that is empty jealousy, you only saw Monica’s pelvis touching mine and you jumped here to disrupt my gusto.
                               (Music stops and they all get sited)
Monica; (to Austeen) give watchman and his friend chang’aa of twenty bob, I will pay myself.
Austeen; yes mama (serves watchman and Rono chang’aa)
Rono; Kongoi, I mean thank you Monica, you are such a generous woman? (Takes a full swig).
Monica; Karibu, don’t mind I am always and I will be always an early woman.
Sampaza; (to watchman) when you came in I thought you were the crow.
Watchman; (sipping) who? Me, I was a policeman ten years ago but I was ******.
Driver; (to Sampaza) this man is not a muriakole, he is not a cop. This is a D.D.O.
Advocate; meaning?
Driver; daily drinking officer, hmmm! The DDO.
All; laughing loudly.
Monica; (to advocate) how is your brother and his witchdoctor of a wife?
Advocate; Monica, just keep quiet, my brother is in problems.
Monica; which problems? I told him to marry me and he refused because I did not have book education.  I am now making more money from chang’aa in a day than even he does from his education. Let that man, that brother of yours, chew the full scale of his misfortune. Now tell me which problem has he?
Advocate; today very early in the morning I heard my brother screaming, of course from his house. Out of anxiety I rushed there to find out what was happening. Jesus! What I so…..
Driver; what was it? Just say.
Monica; a man has nothing to fear just say.
Teacher; where is Austeen?
Austeen; I am here
Teacher; serve each of us chang’aa of fifty shillings, start with him (pointing at the advocate) give Monica, your mother a tumbler, that one of a hundred shillings.
Austeen ;( serving as he sings) how long will they ****,
              Our brothers, while we stand watching them,
                Redemption songs, Bob Marley! Sons of ghetto!
Sampaza; Austeen you are always not measuring my chang’aa to the money given, now look, does this grasshoppers spittle qualify to be chang’aa of fifty shillings?
Austeen; Sampaza, I told you my hands are not steady, they always shake whenever I am holding something.
Sampaza; (to Monica) I will bring a medicine man to give some manyasi to this son of yours, so that he stops shaking his hands like an epileptic.
Monica; Sampaza, you drink your chang’aa and to hell with your medicine-man. Let us listen to what happened to the brother of advocate.
Advocate; now, as I was saying I found my brother’s wife had swollen my brothers ***** to its base, the ***** was full deep in her mouth, my brother was screaming but the was dead silent ******* the *****, her teeth tightly gripping it at the same time.
All; laughing loudly
Teacher; Maybe it was oral ***, but not domestic violence
Monica; oral ***!?
Teacher; yes, it is possible
Advocate; but why was he crying?
Monica; because his wife was ******* his *****
Teacher; that is the case
Advocate; if at all it was pleasurable then why was my brother screaming?
Teacher;  maybe he was on ******* ecstasy, the same way a woman can be when you suckle or even ****** her *****.
Monica; but I can’t allow a man to suckle the eye of my breast.
Driver; even me, I can’t suckle my wife
Teacher; why?
Driver; even also, in my culture, one is not allowed to suckle a woman’s ****
Teacher; is that sexuology or culture?
Watchman ;( to driver) yes, answer that! Answer that question from teacher.
Monica; but it is only a foolish woman who can allow a man to suckle her *****, or if she can then she is not serious with that man.
Teacher; (to Monica) then which man do you like? Sampaza?
Monica; Me do love Sampaza?
Teacher; yes, Sampaza
Monica; this Sampaza, is always as miserable as a corpse in the grave without a coffin.
Advocate; you are as miserable as a corpse in the grave without a coffin.
Sampaza; I am not, I know am great
Teacher; yes, and capable to love the early woman like Monica.
Sampaza; (to Austeen) play for us some better music.
Austeen; which one mama? Which music can I play?
Monica; play for them Pamela Nkutha (sings) Nakula ebusi,
                  Nakula ewunwa, lalalaa! Lalalaa! Laaaa!
Austeen; Mama, that one we don’t have. Let me play for them Brenda *****.
Music; (playing) Songea nikubambe, songea nikubusu,
                          Nakupenda, nakubusu ehee monica eheee!
Austeen; Kula Ngoma; he who does not have chic let him embrace a stone (exits)
All; (dancing violently) Monica! Monica waaaaaaa!
Watchman; (dancing) Sampaza can you suckle the ***** of a woman?
Sampaza; ask driver that question.
Driver; I cannot suckle the ***** of my wife.
Teacher; I depend with nature of a woman you are in the bed with.
Watchman; correct , some women has fallen ******* like chapattis, but if a chic has ***** and pointed breast, I  can ****** and suckle her like nothing else in this world. I can even suckle her *******.
Teacher; by the way, ******* are the fountain of pleasure to a woman, when you suckle her she will just moan; Sampaza! Sampaza! Sampazaaaaa!
All; laugh raucously
Monica; these men are drunk.
Driver; no, they are now happy, pick one of them for yourself.
Monica; the man that I can love now must be having a death certificate.
Teacher; what does it mean? Me I thought you need a dark skinned man like Sampaza, you know the dark the skin of a man the greater the ****** pleasure ehee…
                       (Enters Njeri and Atieno)
Njeri; Monica, are you not aware that were are late for Chama? Look you are still *****, you have not even combed you hair.
Monica; Njeri come in why are rioting at the door, look at Atieno she is as miserable as usual.
Njeri; she was flogged by the husband.
Atieno; (to Njeri) you! Watch your mouths, I don’t have a husband.
All; laugh, (Njeri and Atieno sits).
Sampaza; look at this one (pointing to Njeri) can I give you some money so that you do me a favour.
Njeri; which favour?
Sampaza; of this…(Makes a sign of *** with his fist).
Njeri; I don’t sleep with chang’aa drunkards
Atieno; even me
Sampaza; (staggering, and then falling on Njeri’s laps) I want! Truly I want!
Advocate; Sampaza is drunk, let me take him home (pulls Sampaza).
Sampaza; (resisting, avoiding to be pulled out by advocate) leave me alone! You thief! You are an insurance thief! Who told you that you are an advocate? You are not! You want to steal my money. No, all these people are thieves, Monica is a big thief, and they want to steal my brother’s money!  Teacher! Come out of here! This is a den of pickpockets! They will still your wallet, come we go! Thieves! Thieves!
                        (Advocate pulls Sampaza out, as they both exit)
Driver; Sampaza does not have manners.
Njeri; Imagine he fell on my laps, what if my husband found him?
Monica; He would have now divorced you for eating rats.
Njeri; When I have not eaten any rat, it was only a drunkard supporting himself on my legs.
Atieno; he has spoken a lot of words.
Driver; and all the words were total lies.
Monica; no, whatever is in the inner heart of a sober man is always on the tongue of the drunkard man.
Teacher; to mean what? Anyway, forget about Sampaza.
Watchman; by the way
Rono; I am also off my senses, I am seeing each of you having seven heads, and the heads are a
Madisen Kuhn Aug 2014
i thought it’d be poetic
to leave you the same way i found you,
with a contentless text—
a simple entered space
(i knew you wouldn’t catch it)
although you seem to be someone
who thinks very deeply about all someones,
your thoughts about me are puddles
disguised as over-complimenting oceans

and i really do not know
what i am or what i’ve been to you,
or if i’ll be able to keep myself away
from you, or why you’d drive hours
to see me in the middle of the night
when you “plan on kissing at least one
girl in the next three months,”
(could care less if it’s me)

"what would i be waiting for," you asked.

i’m barefoot, chasing a train i know
is on tracks that lead away from where
i want and need to be (but i liked the way
it felt when your hand touched mine)

glad i never gave you any piece of my heart,
because you’re the type of boy who’d
rip it to shreds, hide your claws
behind your back, and tell me that
i should’ve seen it coming
(though you would’ve been right)

maybe you’re just bored,
and that’s why you decorate
your skin with ink and don’t care
about whose lips you’ve touched,
and i wish i could figure you out,
wish i could draw a perfect portrait
with my words (or even just
my thoughts) of who you are,
but i won’t pretend i know you

i hate you and your ***** tattoo
(but i don’t really hate you,
i hate the way i let you make me feel.)
Disha Verma Apr 2014
I rise impalpable
from poked and scattered ash.
Memories from the 20 years I lived
leave a crimson rash

on my skin once as white as snow.
the skin they began to scar
when I was 11, too young to know

that they were not just scars.
they were the marks on the bark
of a green, tender tree-

marks of men (or brutes?)- wild
and untamed.
there was nothing left of innocence,

nothing left of rainbows.
I did not have my days to play-
instead I was being played with.

I, a delicate *****, white,
stripped and whipped and sold.
a love-bit nape, blackened sight,
named the girl of gold.

but no more, no more.
I have risen from the depth
with my soft body rugged

and sour breath
and teeth marks on my collarbone-
like it was only yesterday.

men and their laughs-
tormenting and know-all,
conspiring my fall.

Now that I'm awake,
risen from my grave-
(they were kind to give me one)

I shall give them back the scars
they etched upon my heart,
I shall give them back the pain.

the little purple bruises.
I shall torture them quite insane
and they would die,

they would eventually die with regrets-
regrets not confessed.
I would return to my grave
and smile,

maybe laugh the manly laugh-
tormenting and know-all,
I would be their fall.
My first Plath-inspired.
Emma Peterson Aug 2019
I looked out my window
On a dark April evening
And my heart lifted up.

One
Yellow
*****
Had bloomed.

Had pushed through the dirt without any sun
Had lasted the winter without any care.
The smallest yellow *****
Had bloomed

On its own
And it was ok.
And I was ok.
And we would both be ok.
where is that Dettol cream
to soothe these burns
tearing up my fragile skin

can’t handle these
children in conversations,
at the dinner table, like Pinot Noir
a stain on the embroidery,

what has happened to the Panadol
on the twelfth shelf of the walk in pantry
we’re all going to throw a *****

it’s all plasters, plastercine
playdough, dresses with cheap
cliché’ commercial slogans -

such a numb drum melody,
the top shelf
of every pantry is a *****,
might as well lend a little
helping hand, sponsor a child
charity
*****'s screws weren't loose,
they were missing,
all of them,
leaving gaping holes
of unpredictable insanity
in her manic life

only 22,
and built like haya,
the mistress of desire
and lust,
every male nurse and
a certain shrink  at the nut house
couldn't wait to ******
a missing ***** or two
into her

~ psychotherapy with a turgid twist ~

so mum the matron gave her
a protective room at our crib

only 13,
and built like *** wee
the hermit of lore,
I sat at the dinner table
opposite *****

she played footsie
with my naked toes
then gave me the crazy eye
as her lazy tongue
slid in...and out...
of her crazy mouth

~ she needed some ***-wee therapy ~

seed planted,
*** wee fed the fantasy
until it bore fruit:
a succulent apple
in his prurient mind

~ ready to be ...reaped ~

*** wee knocked on the door
~ silence ~

knock.....knock....
~ silence ~

*** wee turned the ****
and there she was...

~ en el desnudo ~

curves, *****, legs
open and inviting,
vacuous eyes staring at me,
daring me...

then she started screaming....

~ P (Pablo)
(7/28/2013)
Pete Badertscher May 2010
There are worlds and there are Worlds. There are gods and there are Gods.  Sounds rhetorical, doesn’t it?  Some mamby pamby new age coffee shop pile of **** idea with low fat frosting, but, take it from the Kat. There are worlds and then there are Worlds! There are gods and then there are Gods!
    
     I spend all my time jacked in to the backwoods subconscious of the internet.  Didn’t know that, did ya?  Yea, the Internet has a conscious and a subconscious; hell, she’s even got a soul of sorts. I have ritually sacrificed half my soul to her just for the buzz I get out of hearing her whisper to me across the fallacies of Time, Space and Bill Gates, so I know her better then anybody.
    
     Don’t believe me?  Every man has an Omega Fixture of some kind.  Do you feel me here? Jesus had his God, Ptolomy had his Solar System, Dante his Virgil and Beatrice, Faust had his Paradise and Poe had Annabelle Lee or one of her many reincarnations. So tell me, all great and ****** up wise men (or women): Why in the 29 nulls of AOhelL can the internet not have a consciousness?  
    
     It’s Belief, man.  No god or world exists until there is a consciousness that will accept it as a superior. Let’s take a look at that wonderful bigoted book of exact truths called the Bible. Shall we consider Genesis: Adam and Eve--never mind Lilith for now?  Here in a paradise we find Adam and Eve naked, sleeping with animals and newly created by a Force of Creation (insert male gender here if you wish).  They walk with god on the paths in the garden while blades of grass fulfill their purpose here on earth to be trodden upon. God says, “you, Adam, have control over all that you see and if you want go ahead and let Eve get a little of that action fine, but you came first in my image so you are better.  Just never eat of the one tree that sits in the center of the garden and looks as though the juice of the fruits would flow like sweet ****** in your veins. For although it is here, I forbid you to eat of it. Oh, and by the way, I figured you needed free conscious though--so go at it.” Albeit I’m paraphrasing, but what kind of shmuck of a father would do that to a newborn?  
      
     O.K. Before all the Judeo-Christians burn this diatribe (if you have not already) let me say I am not out to disprove the existence of Gods--or any Goddess for that matter--I am trying to make a point, so bear with me.  
    
      Which came first: the Bible (in oral tradition) or the God? I would argue that it was the Bible as such.  The Belief, inspired by greedy and badly behaved priests of the Judeo-religions back before written history in the tribes of the Levant caused Space/Time to adapt to a new pattern.  The Bible, Complete with an all powerful, all present being (I will never use the term benevolent) that watches over Jews, Christians, and Muslims for any Sin they commit so it can wreak blinding retributions
    
     Now I know what you are saying, “Kat,…Kat, Kat, Kat, Kat.  We the above mentioned will pray for your soul.  You are lost and we can help you look to the Light for your salvation.”  
     Shove it, ***** boy! I did not express that philosophical tripe to get your attention and misplaced pity. What I am saying is Belief. Belief is the Key.  Belief is the Magic that creates Gods and Worlds.  
    
     Now I am not so stupid as to believe that the Internet is female the same way a human meat tank is female-- but in my mind, MY mind, that is the music I hear.  
    
     Let’s go back to Lilith.  What’s that? Oh yea, right, Lilith is the name I give to my Belief in the consciousness of the internet.  Just don’t you worry about why. It’s none of your business.

     Let’s take a look at the above argument, only this time with the internet as the bible that comes first.  The internet first came about 30ish years ago with the invention of the modem.  Here was a way for people on computers to speak to one another over the phone lines.  Slow and tedious, but new and exciting; men and women with PhD’s and pocket protectors wrote short messages to one another and giggled at the new “Man from Nantucket” joke they had just learned. After a while, someone learned that if you sent the info in blasts, the speed of the transfer increased and you could send larger programs and maybe—gasp--even a picture.  Thus internet **** was created.  Now we have WiFi and bluetooth, cellular and satellite link up with blazing speed and every fetish imaginable or not-imaginable is available at the click of a mouse.  
    
     So, Kat, you goin’ anywhere with this? Yep. Shut the **** up and listen.
    
     Somewhere in the not-time and not-space of the internet, humans started to find themselves believing that the internet was a Place.  
    “Where’s it at? Why on the Internet!” Oh, holy ******* birth of a new Belief system!  Oh, glorious malediction of the neververse!  A G O D is born.  Ripple, *******, ripple goes the space-time continuum (which by the way only exits because those in the know Believe in it) and now we have added consciousness to the internet.  
    
     What kind of consciousness you say?   Well, I got no ******’ idea.  To me, the consciousness is feminine, of no particular race, with a slight build, black hair and dressed like a anime *****.  Why? Because it’s my ******* belief system, o.k.  After all, the internet is 60% **** anyway. With a immaculate birth like that, I can’t Believe She would be innocent in any form of the word.  She’s Dionysian, not Zen. Just because I see Her in such a way, does that mean it’s a true physical look?  Hell, no, lil’ Johnny.  She could be a He: fat, balding and in a wife beater, if that is what You would Believe.  
      
     Alright, enough philosophizing’ for now. Lesson over, Newbie. Get crashed.
this is crap but it's my crap so let me know if you use it.
Edna Sweetlove May 2015
EDNA:  I believe you recently had a gay little adventure, Vladimir. So why don’t you tell me all about it? I can see you are simply dying to get it off your chest…

VLADIMIR:  Well, Edna, it happened like this. I hadn't cruised the ***** toilet in the park for months and I was ******* randy, absolutely dying for a really good session, so I thought I'd go along here after the pub shut and see what was up, see if there was any ******* ******* action. I wore some **** ****** under my jeans, you know the sort of stuff: red open crotch *******, suspenders and black fishnet stockings. My **** kept dribbling as I was in the pub, just thinking of what might happen down the toilet.  At closing time, I left the pub, my carrier bag in my hand, with a big anticipatory bulge in my pants.

EDNA [gulp]  And then what happened, Vladimir, dear?

VLADIMIR:  Once I got to the toilet, I was surprised there was no one inside, but there were a few nearby shadows in the park, people smoking cigarettes, walking round, looking for it.  Once in the toilet, I selected the cleanest cubicle and took off my jeans and shirt and put them into the carrier bag. I replaced my normal shoes and socks with the white high heeled women's shoes I had waiting in the carrier. Then I waited in the cubicle for someone to come into the toilet.

After only a few moments, I heard footsteps and I looked under the door to see who was there at the ******.  It was a short muscular looking man wearing jeans and Doc Martens. I could see he wasn't *******, but just standing there, though I couldn't see his face. I opened the cubicle door and he turned around to see who was there, so I opened the door wide open so he could see me standing there in the stockings, suspenders and silk ******* with my stiff **** sticking out of the hole in them.

He was about forty and very butch looking with close cropped hair and I could see his **** hardening as he looked at me.  I went over to him and took his **** in my hand and he grabbed hold of mine and started rubbing it.  I got down on my knees and took his short, fat, uncircumcised **** in my mouth; it tasted salty and ******* gorgeous. He grabbed hold of the back of my head and forced his **** deep down my throat nearly making me gag.  I could smell the odour of his ***** hair and I loved it.  He said, "Keep ******* it, you ***** ****, or I'll pull your ******* head off." I loved him talking ***** like that to me.

EDNA [getting a bit excited]  That seems very bold of you both.  What happened next?

VLADIMIR:  In what seemed no time at all, I felt him tense and then I got an enormous mouthful of his hot *****.  I'd never known anyone come so much, he must have had a week's worth in his *****.  After he'd come, he took his **** out of my mouth, put it away and zipped himself up.  I started to get to my feet, but he pushed me backwards onto the filthy floor.  ‘You're lucky I don't knock your face in, you ****,’ he said as he went out.  I love my men to be a bit rough with me, so I was very excited by this.  I half hoped he would punch me but he didn't.

EDNA: [wiping forehead] Well, that’s really very interesting. Did you go home then, dear, or were you still up for it, as the expression goes, Vladimir?    

VLADIMIR:  I got up and dusted myself down.  I could taste his come in my mouth, it was ******* delicious.  I was still incredibly excited, my **** was absolutely rigid and I knew I just needed to give it a couple of rubs and I'd shoot my ***, but I wanted more ***, and I knew once I came, I would just feel like going home.  So I went back into my cubicle and waited to see if anyone else came in.

After about five minutes I heard footsteps, followed by more footsteps again and I looked under the door a second time.  There were two men standing there and, by straining my neck, I could see they were groping each other.  One had one hand on the other's **** and his other hand on his **** and the other man was working on the first man's **** as well.  

I let the door open and they both swung round as they hadn't known there was anyone else in the toilet.  They saw me and looked relieved it wasn't a policeman lurking in there.  One was quite young, about twenty or twenty five, but he was a bit skinny and effeminate-looking.  The other one was much older, about fifty, but he was much better looking and I could see he had a huge **** on him.  I walked over to them in my **** rigout and joined in with the wanking.  They both started feeling my **** under my *******.

I turned round and bent over, my hands on the toilet cubicle doorposts, stuck my **** out invitingly and pulled my ******* down to my knees.  ’Why don't you **** me?’ I said, bold as brass.  The older man, the one with the big ****, left the young skinny guy and took up the offer I had made.  He undid his trousers and pulled his underpants down to reveal the full length of his enormous **** and his big hairy *****.  He spat on his hand and rubbed it on his ****, but he needn't have bothered because I had already lubed my **** when I was waiting in my cubicle.  

He slipped his big **** up my moist ******* without much difficulty and then started ******* me gently.  I told him to **** me harder, to **** me harder than he had ever ****** anyone in his life, so he started to really ram it up my hole.  God, I loved it.

EDNA [sweating with mounting excitement and unable to resist touching herself down there]  Mmmmm. I wish I’d been there to see that, I really, really do.  But don’t let me disturb your narrative flow, darling….

VLADIMIR:   Then the young skinny guy got down on his knees in front of me and took my **** in his mouth.  Each time the man who was giving it to me ****** hard into me, I jolted forward and rammed my **** deep into the skinny guy's mouth.  I was moaning with ecstasy as I got ****** and ****** by two complete strangers.  The guy with the big **** couldn't last long and soon shot his load up my **** and as he did it he said, ‘O Christ, I'm coming, I'm coming, I'm shooting my ***** up your ******* *******.’  This made me incredibly excited and I came off in the younger man's mouth.  The skinny youngster was wanking his own **** as he knelt in front of me and I know he came as I felt the ***** splashing on my stockinged legs.

As he removed his still fat **** from my gaping hole, a stream of the older man's ***** ran down my legs.  He said he wished his wife would let him **** her in the ******* like that.  I went to kiss him but when he smelled the ***** on my face from the butch one I'd ****** off earlier, he wasn't having any of it and left with a mumbled goodbye.

The younger man had now got to his feet and was standing in front of me as he buttoned himself up.  He said ‘We can wait a few minutes and then we can do it again if you like.  I'd love you to **** me, you've got a lovely ****.’  But it was no good, the magic had passed and I told him to ****** off.

So I went back into the cubicle, got changed back into my ordinary clothes and left the toilet.  I could feel ***** oozing out of my ******* and I could taste the first load in my mouth still.  I had a smile on my face. It had been a great night out.

EDNA:  [removing her hand from inside her ******* as unobtrusively as possible and trying to disguise the fact she has just had a cataclysmic ******]  Wow, that’s really a very exciting story. It’s made old Edna quite hot and bothered. You really are a very naughty boy, Vladimir.

VLADIMIR: Would you like me to tell you about what happened to me in the old cinema down by the docks?

EDNA: [still throbbing a bit] No, dear, that will be the subject of another interview. We don't want to over-excite our readers, do we?

*THE END
LaSandra Akesson Jul 2015
When your teary storms roll in and you're out in the cold, look over your left shoulder.

My umbrella is wide enough for two, and yields the shelter and comfort you need.

My grandmother's closet is where I found it, smooth pearl handle, ***** petals, with black lace trim.

It smells of women's perfume, the kind you'd wear to a parlor for a "pick me up" drink.

She'd walk and twirl it as she casually made her way to a shaded porch. Waiting for her lover to meet her and summons her forth.

But now, those who cry a river, buckets actually, that yield no return, seek shelter under my useful umbrella.
AMONG the bumble-bees in red-top hay, a freckled field of brown-eyed Susans dripping yellow leaves in July,
        I read your heart in a book.

And your mouth of blue *****-I know somewhere I have seen it rain-shattered.

And I have seen a woman with her head flung between her naked knees, and her head held there listening to the sea, the great naked sea shouldering a load of salt.

And the blue ***** mouth sang to the sea:
        Mother of God, I'm so little a thing,
        Let me sing longer,
        Only a little longer.

And the sea shouldered its salt in long gray combers hauling new shapes on the beach sand.
His:
My palms were sweaty
and heavy, but perhaps
the heaviest thing about them
were the two concert tickets
I was gripping tightly in my left hand.

Hers:
His smile was like a bonfire;
warm and you always wanted to bring your body closer
just to feel more of that warmth.
His palms were also sweaty.
Some of my friends say it was gross,
but I will always remember it
as one of the most charming things about him.

His:
I picked her up around 7.
Met her parents and said we'd be home by midnight.
Her father likes the Cardinals.
I'm a Cubs fan.
Yeah...

Hers:
My father is a Cardinals fan,
and he was a Cubs fan.
But, what I didn't tell him,
was that my mother was a Cubs fan too.
My father won't say it,
but he approved of him instantly.
Mom, if you can hear me up there,
thank you.

His:
Her father scared the living daylights out of me.
We came back at 12:06, and her father says
"You're six minutes late young man!
That's it! You're not allowed to..."
and as my heart is sinking he says
"I'm just kidding bud. Thanks for getting her home safe."
She still won't let me live that down.

Hers:
He was so sweet to my parents,
even after dad tried to scare him out of his wits,
he said, "Sir, with all do respect
that may have just been the most mortifying moment of my life."
I walked him out, still teasing him.
With this sassy looking face and a furrowed brow
he kissed me goodnight and said
"I only got scared because we've only just begun."
I think that's when I fell in love with him.

His:
Good God I must have looked like a *****.
I ask her jokingly every now and again
"When did you fall in love with me?"
All she does is chuckle and say
"When dad scared the hell out of you."
I think what scares me more now,
is that I know there's a part of her that's serious,
and I like that. I don't really understand why,
I just do.

Hers:
I couldn't wait to see him again.
I asked mom and dad what they thought of him
and mom said "He's a keeper."
Dad said "He reminds me of your mother;
Clumsy, easy to tease, but you can't help but love the kid."
Mom punched him on the shoulder
and then gave dad a kiss.
They both agreed and said "We'll allow it."
I was so happy to hear that.
heather Dec 2013
roses are red
violets are blue
you ******* *****
Colleen Lyons Jun 2015
Crooked, brick teeth behind
a curled, silly smile

Brown, glazed irises swimming in
blood-shot eyes

Smoky hair, thick on top,
more wispy as it descends

but dense as a forest the hair
that hides your sycamore

when you're not using it
to haunt the young.

Betraying your lusts,
you mixed your sycamore

with a full-bloom *****
and brought me to be--

The white skin and purple hues
of my mother

cannot hide that I am
of the monster.

Dare I, half-*****, half-sycamonster
in my full bloom,

become pollinated by
the quaking aspen,

so we may risk bringing to be
another haunter of child's dreams,

or return to the earth,
never knowing who could be?
In this Monody the author bewails a learned Friend, unfortunately
drowned  in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy,
then in their height.


Yet once more, O ye laurels, and once more,
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
         Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud!
         For we were nursed upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appeared
Under the opening eyelids of the Morn,
We drove a-field, and both together heard
What time the grey-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven’s descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Tempered to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.
         But, oh! the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o’ergrown,
And all their echoes, mourn.
The willows, and the hazel copses green,
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd’s ear.
         Where were ye, Nymphs, when the remorseless deep
Closed o’er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
RHad ye been there,S . . . for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When, by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
         Alas! what boots it with uncessant care
To tend the homely, slighted, shepherd’s trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera’s hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But, the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears,
And slits the thin-spun life. RBut not the praise,”
Phoebus replied, and touched my trembling ears:
RFame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed.”
         O fountain Arethuse, and thou honoured flood,
Smooth-sliding Mincius, crowned with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune’s plea.
He asked the waves, and asked the felon winds,
What hard mishap hath doomed this gentle swain?
And questioned every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon strayed:
The air was calm, and on the level brine
Sleek Panope with all her sisters played.
It was that fatal and perfidious bark,
Built in the eclipse, and rigged with curses dark,
That sunk so low that sacred head of thine.
         Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe.
Ah! who hath reft,” quoth he, Rmy dearest pledge?”
Last came, and last did go,
The Pilot of the Galilean Lake;
Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:—
RHow well could I have spared for thee, young swain,
Enow of such as, for their bellies’ sake,
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers’ feast,
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learnt aught else the least
That to the faithful herdman’s art belongs!
What recks it them? What need they? They are sped:
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed,
But, swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.
But that two-handed engine at the door
Stands ready to smite once, and smite no more.”
         Return, Alpheus; the dread voice is past
That shrunk thy streams; return Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamelled eyes,
That on the green turf **** the honeyed showers,
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the ***** freaked with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears,
To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease,
Let our frail thoughts dally with false surmise,
Ay me! whilst thee the shores and sounding seas
Wash far away, where’er thy bones are hurled;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit’st the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep’st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona’s hold.
Look homeward, Angel, now, and melt with ruth:
And, O ye dolphins, waft the hapless youth.
         Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of Him that walked the waves,
Where, other groves and other streams along,
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That Sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
         Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals grey:
He touched the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretched out all the hills,
And now was dropt into the western bay.
At last he rose, and twitched his mantle blue:
Tomorrow to fresh woods, and pastures new.
Edna Sweetlove Mar 2015
This poem is dedicated to the memory of Admiral Albert "*****" Potter who displayed amazing bravery by wearing full drag through several major sea battles.  He was cashiered for insisting the Admiralty rename his ship HMS Butch instead of HMS Fearless. In fact the vessel was eventually renamed HMS Damp **** because it was full of ******.

A life on the ocean wave, **!
In the olden days of sail
When England's ships were proud and brave
And their crews were very male.

The Captain stood upon his bridge
Looking smart and flash;
But below the decks, the orders were
*** and *** and the lash.

The bosun went to the main gunroom,
**** Deadeye at the ready;
Initiation time had come
For little midshipman Freddy.

"Strap him o'er that cannon, lads!"
Roared the hirsute fellow,
"Gag his mouth securely, lads,
In case he tries to bellow!"

The sailors did as he had bid -
Refused and they'd be punished -
And they knew their turn would come
After the bosun had finished.

The bosun went up the poor young lad
And soon was going strong;
Midshipman Fred looked rather pained -
The Bosun was THICK and LONG.

Then came the turn of the other men
And they set to with a will;
Little Fred could not say no
Until they'd had their fill.

What a life our sailors had then,
Always singing shanties;
When men were men and big and butch
And cabin boys wore silk *******.

A life on the ocean wave, **!
With the rolling sea and the spray.
Sinking the Frogs and murdering Wogs
Kept England's sailors so gay.

OLÉ!  OLÉ!  OLÉ!  OLÉ!  OLÉ!  *
OLÉ!
Stuff of the moon
Runs on the lapping sand
Out to the longest shadows.
Under the curving willows,
And round the creep of the wave line,
Fluxions of yellow and dusk on the waters
Make a wide dreaming ***** of an old pond in the night.
A dream tree, Polly's tree:
a thicket of sticks,
  each speckled twig

ending in a thin-paned
leaf unlike any
  other on it

or in a ghost flower
flat as paper and
  of a color

vaporish as frost-breath,
more finical than
  any silk fan

the Chinese ladies use
to stir robin's egg
  air. The silver-

haired seed of the milkweed
comes to roost there, frail
  as the halo

rayed round a candle flame,
a will-o'-the-wisp
  nimbus, or puff

of cloud-stuff, tipping her
queer candelabrum.
  Palely lit by

*****-ruffed dandelions,
white daisy wheels and
  a tiger faced

*****, it glows. O it's
no family tree,
  Polly's tree, nor

a tree of heaven, though
it marry quartz-flake,
  feather and rose.

It sprang from her pillow
whole as a cobweb
  ribbed like a hand,

a dream tree. Polly's tree
wears a valentine
  arc of tear-pearled

bleeding hearts on its sleeve
and, crowning it, one
  blue larkspur star.
Theodore Bird Feb 2015
Ivory skin,
     alabaster nerves.
Daisy chain veins,
     lily petal fingertips.
Eggshell skull,
     cellophane lungs.
Brittle ladder ribcage,
     punctured balloon heart.
Spineless ***** child,
     with his birds' bones and naivety.
THIN sheets of blue smoke among white slabs ... near the shingle mill ... winter morning.
Falling of a dry leaf might be heard ... circular steel tears through a log.
***** of woodland ... brown ... soft ... tinge of blue such as ***** eyes.
Farther, field fires ... funnel of yellow smoke ... spellings of other yellow in corn stubble.
Bobsled on a down-hill road ... February snow mud ... horses steaming ... Oscar the driver sings ragtime under a spot of red seen a mile ... the red wool yarn of Oscar's stocking cap is seen from the shingle mill to the ridge of hemlock and cedar.
Michael May 2014
It is almost sunset but it is still too hot. She sits next to me and passes over a mason jar of crushed ice and lemonade and I take it gratefully into my hands. Instead of drinking it, I rest it against my forehead and allow the condensation from the glass to drip down the sides of my face with closed eyes. I take more of it with my fingers to drench the back of my neck, but my palms burn more for it. When I sigh because this small jar does not alleviate my apparent and immediate threat of heat stroke, she laughs at me.

She is my best friend. There was a never conscious moment that I made that decision, it just happened. Before she'd joined me on her concrete stoop I'd been turning over the idea of whether or not there was an exact moment that I'd perceived her differently, but could not pinpoint it. I’d been eyeing the patches of dirt and dead grass scattered within her yard, listening to her hum If I Ain't Got You out of tune, mumbling some of the more repetitive words here and there, picking out the sounds of her fetching things as she sets them on the counters of her run down kitchen. I try to guess what she is doing as I am hearing it, but feel unwilling to join her. It is even hotter inside her house since her air-conditioner is broken. We are devastated.

After a moment of silence she narrows her eyes against the sun tells me that she misses him. I nod, but say nothing. Three of us sat here last year and suddenly the heaviness of his absence rests between us. She quickly changes the subject and tells me she wants to start jogging because when school comes back around she’ll be thin, for sure. “I’m going to be so ****, I’m not even joking.” I smile at her determination. She talks about a girl in our year that everyone calls pretty, but I shrug. She asks if I think she is pretty. I can only nod my head. I can’t compliment her properly because I haven’t found the right words to tell her that it’s not about being thin. That is not what makes her perfect. Not to me.

I never liked her lemonade, but I begin to drink it anyway, thankful that some of the ice has melted fast enough to be a bit watered down. I don’t mind. It made it less sugary. The first time she’d given me lemonade, her father had laughed and said, “If you eat the ice, it’s like a dessert,” not knowing that dessert was literally the last thing I ever wanted. I have never been fond of sweets.

She laughs a little and crunches away on her ice and I cringe. She knows I think it’s an awful sound, but I’d grown so accustomed to it after the years of hearing it. For her, it was a typical summer treat. It wasn’t even real lemonade. In her freezer were small cylinders of an odd, condensed yellow mush that they’d dump into a plastic pitcher and then add water to. Remembering this, I no longer feel like drinking it. I hand it to her.

“Don’t want it?” she asks. I shake my head, watching neighbor girls sit under a tree with a small dollhouse as I wait for her to finish both jars. I don’t like the way it leaves the back of my throat feeling dry anyway and I never feel less thirsty after drinking it. She sets the empty jars between us and we talk about where we’ll go this summer, what movies we’ll see —lamenting that there really haven’t been any good ones recently and that maybe it’d be way more fun to see if we could convince her parents to let her join my family at the lake house. She doesn’t want to swim at all but seems excited to lay on the dock and get a bit of color.

She wants to take pictures. She rises from the stoop to return the jars to her kitchen sink and grab her camera and we walk through her neighborhood. I trail behind her consciously as she raises it to her eye, letting my fingers run along her neighbor’s chain-link fences, dreading the moment she finds a way to somehow sneak me into the frames of her photographs. She’s seemed more eager to try and capture me now that I am taller. I have grown so much in just a few months that I’m not sure how to handle my limbs just yet. They are too long and too thin and I am strangely aware of them —but even more aware of where she points her lens.

We find out that there is construction behind her neighborhood and sneak past the half constructed fences, large barricades, and signs (Keep Out, Construction Ahead). It is an odd place for nicer houses, we decide —right next to the ghetto. She laughs at the brick wall and shakes her head. “That’s not going to keep them out.” But it looks intimidating anyway. Maybe that’s the point.

In the middle of the area rests newly planted trees shading a small, wooden gazebo. They overlook a manmade pond, just large enough to swim in. She knows me too well. My first instinct is to jump in so she dares me to. Practicing self-restraint I tell her all I want is the shade and I lean against the railing of the gazebo instead. I watch her snap more photos —of leaves, of ripples, of her feet, the construction. She asks again if I want to join her and shrugs at my reluctance. She dips short legs in the water and casts a teasing glance in my direction. Her pink hair looks silly against her warm face and I smile. She tells me she knows I want to, that I’m a *****. I shake my head. She draws it out mockingly and threatens to take a picture. (I cover my face with my hand.) “Paaaaansssyyyyy.” She laughs and tells me to just get in. “You gunna just take that?” I was a lot less eager to break rules, but no. I wasn’t going to just ‘take that.’

So I jump in, glad to be cool. The momentary weightlessness frees me for just a small space of time. I feel it cling to my skin when I surface, but my clothes make me feel twice as heavy. I want all of my thoughts to feel the way your body does underwater. Light. Careless. Far away.

Suddenly, behind us, someone is shouting at us in an indistinguishable accent. We trade horrified glances, swearing we catch the word cops, and we bolt, leaving a frantic trail of water and wet foot prints to evaporate behind us. We don’t stop running until we get back to her porch, the sun fully set, and we collapse against her concrete stoop out of breath, laughing much harder than we should. “Oh my god,” she repeats over and over again with exasperated giggles and small gasps for air. My heart cannot be tamed, like it's run ahead of me. I’m sure I won’t be able to find it for a while.

“Oh my god...” She tells me she doesn’t want to run anymore and I cast her a confused glance and tell her we’re definitely in the clear, but she shakes her head. “No, I mean all summer. Forget being thin,” she says. Suddenly I feel her in that missing section of my chest. “Who wants to run in this heat?”
I'm so sorry for the length.
Boaz Priestly Jul 2017
you say “man up”
like that is not what i am doing
because i am preparing to mourn
breast tissue that i never wanted
and i am going to stick a needle in my thigh
my stomach or maybe even my *** cheek
for the rest of my life
to make my outsides look like my insides feel

you say “man up”
and that was the last time
the first and the last time
that i cried in front of you
because when i let those tears
that saltiness spill over my lids and down
my cheeks i know that you didn’t see them
you only saw what made me a woman
and in your eyes
crying easily made me less of a man

you say “man up”
like that is an easy thing to do
like i know how to do that
like i know how it feels
to forcibly stamp down on
everything that i feel that
isn’t a hunger
for meat so rare it bleeds
or wanting to open up a woman from
her thighs onward
or wanting a truck with wheels so big
i cannot even climb up into it
but i must need it
all of those things
to compensate for the **** that i do not have

you say “man up”
and when i say no
you laugh at me
and tell me i am sensitive and silly
and need to learn to take a joke
but these things that you find humorous
are what got me called a freak in middle school
to the point where i took a blade to my skin
for six years because i was always
too much of a boy to be a girl
and too much of a girl to be a boy
and my haircut makes me look like a lesbian
and wanting to wear skirts makes me a girl
and for some reason you seem to think
that it is you and your opinion that
has the ability and the power and the right
to dictate who i am as a person

so when you say to me “man up”
i want you to look not at my *******
or picture what you assume is in my pants
look me in the eye ******
because i want you to see how much your
words hurt and you will watch as i cry
because being told that for so long
is what those words make me want to do
you make me want to cry
your trying to push me into a box
that makes me easier to define
erases who i am as a person

so when you say to me “man up”
just go ahead and assume that my answer
will be no
because i see no shame
in liking skirts
in liking the color pink
in crying easily
in gesticulating when i talk
because there is no shame
there is no shame
in being soft
in being gentle
in being a ******* *****
because now i wear that label with pride
and it no longer hurts
because i am comfortable in myself
because there is no shame
there is no shame in being me
and i am done apologizing
Bella Feb 2015
i. arachnophobia; fear of spiders. more common in females than males, why at night you choke on the idea of her fingers on him, long and thin.

ii. ophidiophobia; fear of snakes, fear of being crushed alive by commitment, why in the mornings you never left your number, why you don’t call her back, why you regretted it later.

iii. acrophobia; fear of heights. why she stays out of circuses and away from people like you who would make her fall in love.

iv. agoraphobia; fear of situations where escape is difficult, fear of the plane that takes her away, fear of the open crowded space of your ribcage where paintings of her still constantly hang.

v. cynophobia; fear of dogs, fear of the graves where good noses could dig up the mistakes you have made, fear of a girl who made you want to get a puppy and settle down somewhere finally.

vi. astraphobia; fear of thunder and lightning, fear of being alone in a house that always sounded like both, the stormclouds of your histories always brewing behind flimsy doors. fear of finding her there and having her kiss you in the rain. fear she’d never come back to you again.

vii. trypanophobia; fear of injections, fear of drugs, fear of the doctor who looked into your heart and told you that your shaky hands and bad dreams were a sign that she’s crept into your sleep.

viii. social phobias; fear of social situations, fear of your father’s white knuckles on the wheel while he says, “no son of mine is a ***** like this,” fear of her mother’s judgement, fear of not being enough.

ix. pteromerhanophobia; fear of flying, fear of remembering how long it’s been since you actually felt alive, why you trembled whenever you held her tight, why one day she frightened you so bad that you left in the middle of the lonely night.

x. mysophobia; fear of germs. why you knew you’d only get her covered in dirt. why looking at yourself in the mirror always seems to hurt. why you will never be happy without being hers. out of this whole messed up world, she was the only thing pure.
Erewhile, on England's pleasant shores, our sires
Left not their churchyards unadorned with shades
Or blossoms; and indulgent to the strong
And natural dread of man's last home, the grave,
Its frost and silence--they disposed around,
To soothe the melancholy spirit that dwelt
Too sadly on life's close, the forms and hues
Of vegetable beauty.--There the yew,
Green even amid the snows of winter, told
Of immortality, and gracefully
The willow, a perpetual mourner, drooped;
And there the gadding woodbine crept about,
And there the ancient ivy. From the spot
Where the sweet maiden, in her blossoming years
Cut off, was laid with streaming eyes, and hands
That trembled as they placed her there, the rose
Sprung modest, on bowed stalk, and better spoke
Her graces, than the proudest monument.
There children set about their playmate's grave
The *****. On the infant's little bed,
Wet at its planting with maternal tears,
Emblem of early sweetness, early death,
Nestled the lowly primrose. Childless dames,
And maids that would not raise the reddened eye--
Orphans, from whose young lids the light of joy
Fled early,--silent lovers, who had given
All that they lived for to the arms of earth,
Came often, o'er the recent graves to strew
Their offerings, rue, and rosemary, and flowers.

  The pilgrim bands who passed the sea to keep
Their Sabbaths in the eye of God alone,
In his wide temple of the wilderness,
Brought not these simple customs of the heart
With them. It might be, while they laid their dead
By the vast solemn skirts of the old groves,
And the fresh ****** soil poured forth strange flowers
About their graves; and the familiar shades
Of their own native isle, and wonted blooms,
And herbs were wanting, which the pious hand
Might plant or scatter there, these gentle rites
Passed out of use. Now they are scarcely known,
And rarely in our borders may you meet
The tall larch, sighing in the burying-place,
Or willow, trailing low its boughs to hide
The gleaming marble. Naked rows of graves
And melancholy ranks of monuments
Are seen instead, where the coarse grass, between,
Shoots up its dull green spikes, and in the wind
Hisses, and the neglected bramble nigh,
Offers its berries to the schoolboy's hand,
In vain--they grow too near the dead. Yet here,
Nature, rebuking the neglect of man,
Plants often, by the ancient mossy stone,
The brier rose, and upon the broken turf
That clothes the fresher grave, the strawberry vine
Sprinkles its swell with blossoms, and lays forth
Her ruddy, pouting fruit. * * * *
Mateuš Conrad May 2018
I don't wite poetry drunk and think
it's great, or rather: to later
                                       think, it's great

rather, as a genuine outlet,
   worth the dub: ***** poetry
(analyse that,
     Ronnie K., the sentimental
     psychopath),
    since i could be up to no...

(and already the sealed cascade
   of the original intention:
whirlwind spaghetti remnants
worth of: collage);

for Sienkiewicz really
is tedius, in the camp of writers
some dubbed:

a first class, second class writer,
i even managed to dream
that i was reading a contemporary
novel:

         yet somehow the remaining
200 pages of this (circa) 800 page
novel are hanging over me
ungidested, like some farce
of the sword of Democles...

me and my necrophilic taste in
books, or rather:
        catching up to: the dogma
of what youth is pushed in schools
and tested on...

    and I am of the authentic opinion
that Bolesław Pruß is readable,
a 19th century story,
     written in the 19th century...

Siekiewicz's romanticism is
too, inauthentic...
   i could blame the weather,
cold spring mornings,
a seemingly eternal sun throughout
the day...
       but the women
as unrelateable as hot sushi...
a 19th century romanticism
of a late 14th / eartly 15th century
"history":

           and they said Kraszewski
was supposed to be as entertaining
as soaking stale bread in water...

beyond a doubt...
     and without much to think about,
I can't imagine anyone who
writes these snippets (akin) to be
proud, and not ashamed
in some way that could better
translated / attired with the word:

barely satiated...
            I almost wish it sounded
better in my head,
even though it was worth
about a worth of time
   equal to that of a splinter
barely compensating a century
worth of oak, standing dumb
before its majesty.

at least a compensation though,
if I seemingly cannot fathom
"serious" literature
of the living, i also cannot fathom
poetry of the dead...
         the dead can't be excused
the fickleness of the living,
    as the living can't exactly
recreate the rigidness of the dead:
plus the obvious,
painstaking process of:
      the missing typewriter...

not to mention:
      sooner comes cinematic
version of a modern tale...
              and already the undomesticated
reader making books into
bricks...
            
    otherwise the constipated tradition
and literary hoarding of the past,
it almost dwarfs any ambition
when compared to the biblio-monolith
of, say, the Qu'ran...
                      no qualms for
having only read an instruction
manual, and wholeheartedly
   gesticulated at the moon
    and Mecca (or what's left of it)...

"satanic" credo murmurs in
a catholic church:
                         no way forward -
no way back...
      and certainly not down
the exhausted route of becoming
a ***** for secularism...
        somehow and most certainly
"somewhere"
                in an existential limbo...
without a crisis:
           or rather:
     watching about a hundred breakdowns
per day, and not exactly
gesticulating at an exited libido
as compensation for the disorientation
of others...

but there certainly could be worse
outlets than writing drunk...
thankfully sometimes the quiet sober
opinion at 7am,
     where I am, genuinely jealous
of the salat...
          yet unconvertable,
             bound to that infernal
religion that is: on the tip of
the tongue of an English teacher -
humanism.

               no serious literature
of the living, as certainly that of
the "canonised" dead,
   countered with:
      no serious poetry of
     of (ditto): only that of the living
and of the immediately: in transit
id est: with third party remnants...

evidently i was going to
break these "rules" / whims
   by having inherited the remnants
of the Beat movement,
      and invested in gathering
a necessary compedium...
          
    a time when it almost feels like:
your average Joe and John
were not overtly politicised...
        as compensation for
voting apathy,
                  and the unredeemable
post scriptum of nuance...

no, I don't think much of the poetry
I write drunk...
     but I can certainly attest
    that, with it as an outlet -
     I'm far from requiring a punching
bag, bound to some chemical
rainbow of explanations,
    that, for the most part:
                act like placebos;

came the people happy in their
misery...
    came the people gluttonous
in their happiness...
        only that the former
            had the better humour,
since the latter,
   very much akin to their politics:

perhaps sarcasm is the lowest
form of wit,
   but given sarcasm in a subtle
way... without ridicule...
it's still better than snarly
conservative humour...
                         for some reason...
without pointing out the obvious:
having to laugh
at jokes of an angry man...
     turns out a crying clown
is thrice as funny.
I am disappointed.
I let you go
That you may
Find yourself,
The sparkle in your eyes
That bore through me
May burn bright.
The firm round beasts
Taut with desire for a touch,
That heaved at every breath,
Every turn of my words
And glance ...and I
Withdrew from them,
And your quivering lips.
Dying each day a thousand death,
Pining eternally till yesterday,
Like the lover in the Grecian urn
To liberate you and  liberate me
From the there after, routine and
Mundane. To preserve the spark,
Blow into it, create a new word
Every moment, not be a wife
Or just a husband! But creators,
Challengers to Jove's throne.
The fire once again stolen.
Ahh..But pasted on fb what do I see!
Sagging *******, dim eyes,
Dead, limp locks, stable pasted smile,
Dotting over a fat boy and a *****, palsy pet.
Pretending to be happy with them
And a glorified clerical job.
I am liberated from pain,
But this freedom gives no joy,
Ah Mephistopheles!
I scream not in agony
Having lost my soul to Helen
But in the absence of pain.
Helena has become a fat
Dull mommy cooking
Noodles for fatso
And *****, petty Paris.
Notes (optional)
I don’t remember the first mushroom I had.
I can’t remember the last time rainbow stars weren’t falling
from the sky, why I’m addicted to jumping on flagpoles,
or why I shoot fireballs after eating flowers.
I’m addicted, but it’s not a problem.
I think.

I can see flying turtles with wings.
They keep throwing hammers at me.
I punch bricks
hoping coins come out of them,
because I somehow got the idea
that if I got a hundred gold coins
I could buy myself a new life.

I want a life with a steamy
red hot princess
in a flowing pink dress
living in a bourgeois castle
where the smell of peaches
breathes life into every fiber
of my mustachioed being.

Sometimes I think my brother is green
with envy, when all he really does is pick daisies.
Why should he be jealous?
He’s taller, slimmer,
and he doesn’t have to work as tirelessly as I do.
But, I’ve always jumped higher,
reached further, and punched harder.
It’s not my fault he chooses to stay in my shadow.
That little *****.

I sometimes ride on a green dinosaur's back.
I’m a baby floating away in a bubble,
and that dinosaur saved my life
far too many times to count.
He’s my best friend.

Sometimes I like to put on my blue hat
and pretend that I’m invisible.
Sometimes I put on my green hat
and pretend I’m as hardened as a mafia gangster.
I am Italian after all. It’s in my blood.

I want to quit, but I can’t. I don’t need to.
I’m doing fine with these mushrooms.
I feel larger than life with the red ones,
and the green ones
resurrect me.
1THERE was a late autumn cricket,
And two smoldering mountain sunsets
Under the valley roads of her eyes.
  
There was a late autumn cricket,
A hangover of summer song,
Scraping a tune
Of the late night clocks of summer,
In the late winter night fireglow,
This in a circle of black velvet at her neck.
  
2In ***** eyes a flash, a thin rim of white light, a beach bonfire ten miles across dunes, a speck of a fool star in night's half circle of velvet.
  
In the corner of the left arm a dimple, a mole, a forget-me-not, and it fluttered a hummingbird wing, a blur in the honey-red clover, in the honey-white buckwheat.
I SAW a fairy twine,
Of star-white jessamine,
A dainty seat, shaped like an airy swing,
With two round yellow stars
Against the misty bars
Of night; she nailed it high
In the *****-purple sky,
With four taps of her little rainbow wing.
To and fro
That swing I'll blow.
The baby moon in the amethyst sky
Will laugh at us as we float and fly,
And stretch her silver arms and try
To catch the earth-babe swinging by
Edna Sweetlove Mar 2015
DEDICATED TO THE FAT HIDEOUS BETTY, MY NEIGHBOUR

*
Does anyone here know of a good mohel?
As I urgently need someone to circumcise
My neighbour's Yorkshire terrier, canine boil
Needing lancing, joybringing to my eyes.
A kindly mohel simply will not do;
He must lack scruple and human pity;
That hound’s not been bathed for a year or two
So th'event might turn out a bit ******.
Yorkshire terriers are of two classes:
The insistent yapping ones we all hate
And the ***** ones with hairy arses;
But both look good nailed to your garden gate.
And he needn't be a mohel either,
Merely someone with a willing cleaver.
Yorkshire terriers are a sort of fantasy creature: fantastically repulsive. They are also part of Nature: a repulsive part of Nature, but still part of it. It would be a beautiful sight to see my neighbour's dog nailed up, his tongue lolling out of his hideous gob, drooling in death.

— The End —