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Mateuš Conrad Aug 2018
i've moved past my belief
in the Christian trinity...

for me...
the meditation stands
on the pivot of
the following translation

the hexagon,
start of david -
which translates
as the Holy Ghost -
which denotes
a congregation...

the pentagon?
of the befitting analogy
to the five senses...
the "son of man" -
or simply...
the myopia of man
having to excavate
the sixth sense
using telescopes,
microscopes, the like...

and, finally?
on a hand of five extensions,
there are four...

the square...

  Y                    H

            ⠁⠑              ­       read clockwise
                                      like English traffic
H                     W            on a roundabout.

which? denotes the father...
    if the Hebrews "think" they
can hide their vowels?
   the Latin answer is...
   to interpolate Braille into
their language...
    
  and Emperor Nero would have
appreciated it...
whether with, or without
the Byzantine propaganda machinery
of the nevus testamentum...

and it wasn't a propagandist
piece?
    how much longer did the eastern
Empire, outlive the Western
empire, when the onslaught
by the Ottoman's reached
                  Constantinople?!

the Greek were craving
a cultural revival!
        they believed the Romans
to have origins in Troy!
they plaid the weakest cultural
card of Judaism,
revamping it into Christianity...
hell... that's what i believe...
and i'm not about to meet
a Jehovah's Witness propagandist,
or some aged Pakistani
citing the Quran on a park
bench...
  or some Scientologist
on Oxford St. with his wacky
machine...
  or some pseudo Hare Krishna
monk with a book about
some guru, pushing it like
marijuana...
   to change my mind on what
i'm digesting!

plus?

  ⠽                   ⠓

              Æ                   ( read anti-clockwise)     
                                      
⠓                    ⠺

fits in perfectly into the Adam
and Eve narrative -
as with all mythology -
given the extent of time...
    nuance, metaphor...
abbreviation...
                   ars poetica!
Mateuš Conrad Apr 2016
perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ
:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -
Ethan Grothues Jan 2013
The Elder Supremes are staggering
Under the Pillar of Superposition—

They who stream emotionless minds, streaming
    Scripture as alcohol to tea-head Kneelers, praying
        The elixir of Olympus isn’t turpentine; tarnishing
            The great, drear light of child-minds like onions in the Sun
Molding through its layers; the taste extinguished—No poetry Survives!
    They who crackle doom over whitened rooms
        Filled with the white coats of Nature’s secret Heroes—
            The best minds, sagging like iced-over limbs—
Made dim by a false Heavenly connection.
    Oh! They deprived the gears of Grandfather Night,
        And deemed Him wicked in his flickering sight.
            They who are Hollow, yet still colossal; these spinning Hellions,
This Machinery of Older Skeletons;
    That steams and heats and comes to life for an innocent
        Bottom, with the name that lies in Sin of Archaic Text,
            Vexed, hexed and expressed in all Prisons and War—
Prisons and War reverberate like bad music in the name of a doG;
    A name the Sun once owned and cast below to a dimmer Star,
        It billowed and screamed:  Keep it in the ******* Church!

Now it comes to Damning the Beast:
“Get thee behind me Savior, for the Microscope is over Prayer.”
Madisen Kuhn Aug 2018
if you look up, you will see
the bright-eyed and
the wide-mouthed—
the interesting, the casual, the adored
glistening in the warm night
peered at through microscopes and
telescopes and stethoscopes
far and far away

we are so desperate to be close
close and close and
close enough to see the blemishes
the scarring and the peeling
effaced by obvious and biased inner-commentary
they’re just not as red or sore as mine
perhaps they were formed under
a different kind of sun

what does the unfamiliar heart say?
does it sound at all like mine?
will i ever escape the sloppy grasp of dullness?
will the world swallow me whole?
if i count the days on both hands
on toes, on eyelashes—
if i only eat green things and
read tattered books and
pretend that i don’t mind—will i ever
break the mirror?
will i find seven years of good luck
between the jagged edges?

to exist as a reflection
is to not exist at all
there are lonely, dark purple heavens
waiting for you to sever your longing gaze
to stop lying to yourself
to hop onto the back of the cow
and begin living somewhere beyond the moon—
to realize, with closed eyes
you belong to the sky
Àŧùl Dec 2016
Preventing contamination,
A constant challenge in cell culture.
Contamination not only affects,
The culture in question and,
Costs time and money,
But also endangers the reproducibility of results.

No cell culture problem,
Is as universal as that of culture loss
Due to contamination.

Generally, contamination may be separated,
Into categories of microbial,
And eukaryotic contamination.

Examples of microbial contamination include:
Bacteria (including Mycoplasma),
Fungi and yeast;
Eukaryotic contamination includes:
Cross-contamination with other cell lines.

Bacteria, yeast and fungi,
The three more common types of contamination,
But luckily these forms are often detectable,
Under the microscope and,
By visual cues,
Like colour or turbidity changes in the medium.

Mycoplasma is a small genus of bacteria,
That lack a cell wall and for this reason,
They remain unaffected by common antibiotics.
They are also difficult to detect,
With standard microscopes,
Due to their size, about 0.1 μm in diameter,
And the fact that they often attach to host cells.


To prevent contamination,
Use 70% ethanol for disinfecting,
Equipment & surfaces,
Related to cell culture.
Sterile filter the media first,
Before bringing to the lab.

Fetal Bovine Serum,
A potential source of contamination,
Contains mycoplasma.
Filter it at 0.1 μm, or,
Gamma irradiate it.
Aseptic technique,
Necessary.

The laboratory workers be the last,
But not the least source of contamination.
Teach them the ideal laboratory practices,
To ensure asepticity in a laboratory.
Source: American Laboratory

For revising an important topic from Animal Cell Culture.

HP Poem #1299
©Atul Kaushal
Robert Ronnow Aug 2015
Herpetologist meets actress (Cameron Diaz).
If he's funny he's me.
South America or Africa (on location).
In a diamond mind.
The protagonists (lovers), the diamonds, the miners and the minders.
By minders we mean watchers, organizers, supervisors.
As all art must: choose a focus.
The personal is political said Cameron on the night bus to Quebec.
I had never met a girl so willing to make love in public.

To what extent is violence necessary? And
is that the essential question or
should violence be accepted as man's state, fate
a more essential question existing beyond or below
peace or war. Perhaps
the religious and (for the irreligious) sacred injunction
against egregious violence exists
to still ourselves
to open ourselves
to the deeper question. That Cameron Diaz is funny and beautiful
is hopeful. And the telescope and microscope have extended
the eye's appreciation. Under the microscope
Cameron becomes a collection of foreign, alien, uncompassionate,
      selfish, self-organizing
organisms. Frightening, inexorable, fascinating
to the scientist in you!

To the telescope
vanishingly small, infinitesimal as the farthest sun
only smaller
smaller by magnitudes of magnitudes of ten
and incinerated in a nanosecond. Gone
from the movie (photographs the contents of which move
for the naked eye).
I cannot help what I do or hope.

Anyway, it's a love story
or science project, socio-political documentary. An essay.
An essay about how it is actually impossible to say what you mean
but it is possible with a lifetime of meditation and study to shut up
and know what you meant.

Now I'm deaf.
I can see Cameron Diaz but not hear her.
The guy, the herpetologist, at first colorless turns out to be
colorful as a bird or snake!
He knows a lot about snakes, and birds! Not only how they mate
but what they eat
(amateur botanist)
where they rest
what they do with their pain. Do they get depressed?
Can they have guests?
How do they judiciously employ violence to organize and defend
the nest.

The international collective remains insufficiently organized
resulting in violence and threats of violence that interrupt
commerce, procreation (love) and the pursuit of happiness (Cameron
      Diaz)
at least for certain populations, sometimes.
Otherwise, most men, most times, live in peace excepting
flood or fire God or man may
choose to impose.
I lay in my bed and listen naked.
Have a good day (Diaz).
The goddess does not exist, except as bone.

Around this time (July)
the queen yellow jacket (redcoat) searches
blind and deaf
for a ledge or cavity to build a city of her descendants
safe, that they can defend.
Most cities
prosper, undisturbed
and sleeping peacefully, overwinter. We, however,
remain active, Cameron Diaz makes winter movies or
love stories in South America, and I
delight to imagine her herpetologist. Or one who
discovers the sun
around which a habitable, understandable, compatible
orb orbs. Or
maybe the movie's about the revolution, soldiers dying defending
this dictator or that dreamer
and the movie completely failing, not even trying, to explain how
the sons and daughters of the dying soldiers (miners) feel
fishing alone, hunting for wisdom, thereafter.
Sure, these men chose violence, not Cameron Diaz, and were not
farmers, botanists or herpetologists
their tools could have been and should have been the telescope or
      microscope
but are there enough microscopes and telescopes to go around
and did we not (taxpayers, moviegoers) encourage them to
defend Cameron Diaz?

Man's world is insufficiently organized to preclude violence
in allocating resources (Cameron Diaz).
When we invade Iraq
to defend our allies and interests
with rockets and rocket throwers, Rockettes and Cameron Diaz
each man (each Diaz) must make his
own individual choice
whether this war
is worth fighting for or the next or the worst.
Go to jail, go directly to waterboard, at the hands of
your local police, chamber of commerce.
Learn how to walk the desert and the universe.
The names of rocks and planets,
that being the only answer to the hyperorganization that is a cancer on
      our insufficient organization.

I was reading Foreign Affairs
The Case Against the West by Kishore Mabubami (Cameron Diaz).
How can I relinquish my privileged position
sit still, lie naked
until what constitutes consent of the governed and non-violent change,
      Cameron Diaz,
to her herpetologist
is known.
www.ronnowpoetry.com
Kinsey Williams Jul 2017
When I looked at you I felt everything. All of the colors and feelings that I didn't know I had. Four shades of sadness, two shades of anger, but an abundance of happiness. No, not happiness. Adventure. In you there was everything that excited me, yet nothing of what I needed. Just a wide array of shapes that were never actually defined, that never actually fit together. There was never a clear picture with you, never certainty. And maybe that's what made the painting of you so beautiful, nothing was set in place, always moving , always changing. Always fluid; never solid. By that I mean thrilling. You were a kaleidoscope and every time I looked through you, you changed. Quickly and suddenly. I knew trusting you was like trusting in a optical instrument, but I did it anyways. At the end of us when the colors became dull and the shapes changed slowly, you gave me a look I will never forget. It was the same look a boy gave me in 9th grade biology. We had been looking through a microscope at slides of different organisms the whole class period. We were describing them and drawing them and after a while he looked at me and said "you know, I really don't care to look through this thing anymore. I'm really bored with it". He looked at me disappointed. It's a microscope's job to zoom in on the big picture, to look closer and define; to shape. When I looked at you, I felt everything. But when you looked at me, you felt bored. I remember once you told me I make a really big thing out of small things. I remember once I called you a kaleidoscope and in response you called me a microscope.
antxthesis Dec 2014
I got out of bed with a bit of uneasiness,
I decided that it's been too long since I've written.. I think the last time I did was last week
...or the week before ?
I looked at the date, and make me twitch,
Made a tear, or two fall
Made my heart break in a few more pieces.
DID YOU KNOW THAT IT'S BEEN A MONTH SINCE WE MET ? Figuratively that is ..
DID YOU KNOW, that you've broken me into minute pieces ??
Pieces unable to be detected by microscopes ??
Pieces that can't be felt or touched with your naked hand?
DID YOU KNOW ?
No you don't.
You've been too busy missing her every second, like you did with me.
Been too busy upset with her, like you were with me.
Been too busy telling her how much you like her like you did with me.
HECK, YOU'VE BEEN TOO BUSY WORSHIPPING HER ANGELIC FACE, LIKE YOU DID WITH ME !
YOU'VE BEEN TOO BUSY BEGGING HER, TO SEE HER FULL BODY, LIKE YOU DID WITH ME !
YOU'VE BEEN TOO BUSY telling her of your childhood, and how you missed your dad
..too busy telling her how suicidal you were, and how placed a gun to your head.
And you're probably too busy, telling her of me.
YOU'VE BEEN TOO BUSY, SITTING, FORMULATING THE LIES YOU'LL TELL ME NEXT, AS TO WHY YOU'VE HAD NO TIME FOR ME : "I was helping my mom with the Christmas tree" "Someone was using my phone" "Sorry I was sleeping" - (WAIT DIDN'T YOU SPEND NIGHTS UP WITH ME TELLING ME YOU HAVE INSOMNIA ? ) "Sorry I was out" "Sorry I was on a call" . AND I DON'T CARE IF THEY'RE TRUE, I DON'T CARE IF I'M EMOTIONAL BUT THAT'S TOO MUCH 'I'M SORRYS' . TOO MUCH EXCUSES, TOO MUCH LIES.
And I'm sorry that I made a mistake and liked you so much. I'm sorry for letting you taking up my phone space,
With pictures of you that an artist would find hard to formulate.
Sorry you were my screensaver.
Sorry I told my sister about you ..yeah I told her how adorable you were
And I told her you were my ''soon to be boyfriend" ...
And I'm sorry that I pushed another into the fire because of you
Yeah I'm sorry I pushed him aside.
But karma's a ***** and I knew it would get me, I told you it would AND I TOLD YOU IN THE END I'D BE HURT, and you told me no, and I would be.
Darling being replaced doesn't bother me, it doesn't make my bones crack,
It doesn't make my heart cry ..
It's the mixed signals.
Today you're all flirty with me, tomorrow you're calling me names.
WHY DON'T YOU MAKE UP YOUR MIND ?!
I know you no longer need be, and to be honest you never did,
So be honest with me and let me leave you alone ??

I'm also sorry for listening to your lies.
I should've known though, by the signs you gave,
"Let's be friends with benefits?"
FRIENDS WITH BENEFITS WHEN I WAS HOPING WE'D GO SOMEWHERE ?? F.W.B, WHEN I WAS HOPING WE'D BE TOGETHER ONE DAY ? F.W.B, WHEN YOU SAID YOU LIKED ME MORE THAN YOU SHOULD'VE ??
Special to be used then thrown aside ?
What did you want ? A piece of me ?
I should've have know when you said I was special, after I said you were my "soon to be boyfriend "
And I'm sorry you'll never get to see this.
But I hope you suffer from your mistakes
And rot in the arms of any other you come across,
Because no one will EVER adore you like I DID.
185

“Faith” is a fine invention
When Gentlemen can see—
But Microscopes are prudent
In an Emergency.
Write lyrics like spreadsheets with number crunching
Calculate the isotopes
numerical accuracy in the vein of vain attempts to overcome
the show off tendencies of artist who exhibit flow to illicit
concern about existence beyond what they can see of pedagogical poetry
more concerned with numbers and patterns
who gives a **** what the stress is on the vowel in the third stanza  
lyrically despondent personal correspondents for a publication that says
more about what you know than what you feel
and who you are
computer says no, statistically impossible, synaptic haiku
five seven five
musical ronin
go go gadget of talent
extend-o-pole and flying nimbus as you train like son-goku
hyperbolic chamber where time is an illusion only to collapse
true Saiyans are warriors from the womb until death and after
over nine thousand and the scanner short circuits
write on the clouds with light so hot that it burns on thought
not contact
no constants, just variables, electron microscopes to try and hear the angels sing.
Large Hadrons small dreams, no love, just roman numerals
XIV, ***, Blood transfusions in the realm of “O Positive” and you're just a pessimist, negative Nancy at the end of evolution
Flesh and bone as a tent in your double helix of a genome,
flesh like clay in the hands of some master
but you know no master
no nations, under no gods but Darwin
all 23 chromosome pairs making 46 parts of your brain
screaming neurons fire
WRITE
WHAT
YOU
ARE
If you should so choose as to end not with a bang but a whimper
then your memory is forfeit
contribute in some meaningful semblance of sarcasm and sinsethesia with anesthetic medications of pop remedies and voided memories
of sinthesisia
Smell the colours and taste the sounds of pen on paper
when you never own a pen or a pad
just a bright white rectangle you stare at for hours on end
No thoughts just Digg and Reddit
your only contributions a thumbs up or a red thumbs down
like buttons
but no dislike, because if you've got nothing nice to say
then say nothing
unless you're outrage and full of spite
and morose
at the state of human nature
beauty and song thrown out in an effort to leave nobody behind
and so we have a generation coming in
at the age of 5, who are told new math
new science
wrote memorization of equations
no thought process, no argument about relation
theory of relativity, the genious mind just numbers and letters on a page with squiggles and lines that don't have to mean anything more than they mean on the book
we have a generation with no lust, no hope
Do they dream in black and white?
do they dream at all?
is the consequence of IQ tests and graded paper intelligence
the thirst for knowledge and creativity?
WE HAVE TO SCREAM
at the injustice
Burn it to the bricks and ashes
we hurl through the windows
in the streets and in the parks
car radios and clock towers sold
for cheap homemade *****
dance around the fire like the wild things are
LET THE WILD RUMPUS BEGIN
but then we're still hollow
no happy medium, just excess
in the pursuit of Dionysus, trepination,
demon possession is illegal in the eyes of the police and federal law
spread your legs and lean against the car
as they frisk you and plant the seed
of doubt
in the cuffs of your jeans
You have the right to remain silent
but I hope you don't
refuse
question
resist
work in progress.
MdAsadullah Dec 2014
You want to judge the book;
Or you are curious and keen.
Gibingly you ask about microbes.
With Naked eyes unseen.

Fourteen hundred is the age.
Yet you can scratch your head.
I know it is not going to help.
Because you're alive yet dead.

You think you're very literate.
Yes it speaks about microbes. *
But are you literate enough?
Then there were no microscopes.

They discover and boastfully talk.
As if they've created, never they stop.
Compare themselves with God.
But their origins are in ***** drop.
***

Glory be to Him Who created all the pairs: from what the earth
produces and from themselves and FROM THINGS UNKNOWN TO THEM. (Qur'an,36: 36)

… And He creates OTHER THINGS YOU DO NOT KNOW (Qur'an,16: 8)

*******************************************************
The above verses indicate the existence of life forms unknown to people at the time of the revelation of the Qur'an. Indeed, with the discovery of the microscope, new living things too small to be seen with the naked eye have also been discovered by man. People have therefore begun to learn about the existence of these life forms, indicated in the Qur'an. Other verses which point to the existence of micro-organisms, which are invisible to the naked eye and generally consist of a single cell, read:
*********************************************************
… He is the Knower of the Unseen, Whom not even the weight of the smallest particle eludes, either in the heavens or in the earth; nor is there anything smaller or larger than that which is not in a Clear Book. (Qur'an,34: 3)

Not even the smallest speck eludes your Lord, either on earth or in heaven. Nor is there anything smaller than that, or larger, which is not in a Clear Book. (Qur'an,10: 61)

***********************************************************
There are 20 times more members of this secret world, which is spread all over the planet, micro-organisms in other words, than there are animals on Earth. These micro-organisms, invisible to the naked eye, comprise bacteria, viruses, fungi, algae and Acarina (mites and ticks) . They also constitute an important element in the balance of life on Earth. For example, the nitrogen cycle, one of the fundamental components of the formation of life on Earth, is made possible by bacteria. Root fungi are the most important element in plants being able to take up minerals from the soil. The bacteria on our tongues prevent us being poisoned by food containing nitrates, such as salad stuffs and meat. At the same time, certain bacteria and algae possess the ability to make photosynthesis, the fundamental element in life on Earth, and share that task with plants. Some members of the Acarina family decompose organic substances and turn them into foodstuffs suitable for plants. As we have seen, these tiny life forms, about which we have only learned with modern technological equipment, are essential to human life.

Fourteen centuries ago, the Qur'an indicated the existence of living things beyond those which can be seen with the naked eye. This is another spectacular miracle contained within the verses of the
Qur'an.
Louis Brown Sep 2013
I've looked at star filled skies
At life in microscopes
I've stared at hills and oceans
To find connectivity
But I have found
I see You clearest
Not looking past this skin
For You're the best in me
When I see gentleness
Like giving of myself
Being kind to others
Helping weaker ones I see
Caring for older beings
Showing youth the paths
And scorning selfishness
I see that love must be
His modus operandi
That is what I recognize
When everything is said and done
He is the grains on sandy beaches
He is the fish beneath the sea
He is the galaxy afar
The very tiny microbe
Everything I see
And finally
Whatever else
God is love in me
PrttyBrd May 2010
Superhero heavyweights
Alter ego misfits
Scandalous fall from grace
Public pain and private parties
Golden idol ego trips
Wrath of God
Not wrath of Kahn
Read a book
Take a look around
Stop flying high
Indestructible
Too messed up to see
The damage done
Idolaters be dammed
First commandment
Godless society
Superhero wannabes
Glory and the fame
Microscopes
Expand the putrid that make-up cannot mask
Everybody’s business
Do as you say not as you do
Becomes, monkey see monkey do
Flying high without a net
Newbies falling from the sky
That is not empowerment
Luck is not strategy
And life is not a game
Find importance
Both within and without
Then dawn your cape
And fly away
To help your fellow man
Not just your selfish greed
copyright©PrttyBrd May 2010
Keloquial Nov 2012
momentary tangibility, momentously touchable.
voluptuous experience, an explosion of love
or *****.
no rhyme nor reason.
stuck behind glass doors,eternally hoping for
more more more.
locked in and passed around.
visible from hot air balloons, indecipherable under microscopes.
morse code, even to myself.
im on this red painted shelf.
of course, red, but still unread.
Louise Leger Feb 2014
The children all had boxes

With all the things they’d learn to do

When they heard the bell, away with one

And out another for something new



Each box had printed fabrics:

One with numbers, one with notes,

One with maps and little flags,

One with microscopes…



One day, just by accident

Someone knocked the boxes on the floor

The fabrics scattered everywhere

What piece went where, we weren’t sure



But it didn’t take to long to see

What needed to be done

We grabbed some scissors, cut them up

And weaved them into one



Turns out we didn’t need the boxes

They took up too much space

Now we had a lovely quilt

With all the fabrics we had laced



Our quilt now hangs upon the wall

Its much more pleasing to the eye

Instead of hiding in those boxes

We can see them all the time
Fah Jul 2013
What?

What is that you say?

All the roads are one now?

Old children? Paradox?

I think so but then   those are the most fun of all

The spaced out interplay inside of intersections

That wind to the mountain floor and up again to volcanic shores

Cloud forests , cloud atlas , clouds messengers of the dawns ,

I hear a storm is coming , didn’t we say this before?

The dawn is already upon us , we think we’re waiting , we’ve been playing for months

Well hidden , well hidden , we don’t got no tracking devices but the markers of time that are the rising of the sun and the falling of the stars from space swirls near and far

Closer than the nearest galaxy but not as far as Sirius B

With wings that fly by night , the tips burn orange , the shades turn a musky blue , dipping into the silver water the enclosed shoulders

Harbor secrets yet,

Until we meet again my fair friend , again is right now

The full stop is redundant as there never is a full stop , you don’t have to try to decipher what I’m insinuating with my punctuation , there is no deeper meaning to it apart from my keyboard broke

But, then I decided that it could mean something more , that is the core

Nothing ever starts with a meaning we just add more! There is no meaning to this life , but there is a quest, no not a test but a quest



Mine I figured is in my smile  , my ability to weave together the nonsense into sense by calling the sense nonsense and serving the ball back over the net to sense who bats it back with a sharp backhand to nonsense who hits way out to the field beyond, hitting meaning on the head, poor meaning , meaning to have a quiet  nap under the plum tree , sorry! Screams nonsense or was it sense?



Either way , the quest has lead me here , the ultimate quest to make sense out of the nonsense that is my self

Hmmm self , hmmm self, hmm; well it was always going to be self on the highest  shelf  next to the cookie jar,

Oops can’t keep my hands out of the mess that we call blessed or taboo



Lets meander down that avenue for a while and taste the delights of forbidden fruit

Not a melon or a dragon fruit , nor is it a kiwi , infact I shouldn’t think it’s a fruit at all

Far too litteral although they are good for your body

How about for the mind , I feel like my body functions better without the excessive consumption of meat and milk does make me ****

Oops toilet talk , is that rude? I never got that, we all burp and **** and belch and **** and **** and flake off dead skin cells all day long but you never hear anyone complian “ excuse me Jones, but I did just inhale your dead skin cell” well silly moo , you’ve just inhaled jones’s and about everything you can’t see with your very eyes in that last lungfull



So you see, to me why waste time on silly buggers like swear words, change the meaning of them if it offends you so , who said that all the words have to stay the same? Really are we that stagnant ? didn’t some dude shakespere invent a ton of new sayings and no one questioned him! In fact we still use his words now, I’m sure they all thought he was bonkers, but then I guess the queen said it was cool



Hmm , queen bee , not unlike the popular kids at an out lawed place called school , dictating her orders through her minions – my definition of minions : cute slaves



The same story played out over and over well I wonder why , if we only see what others like and refuse to explore the unknown in our own right? Perhaps we just didn’t realize there was an option not on the tick list



Can I write like this

wItH aLl mY lEtTeRs FuNkY , is that not still writing ?

what?

What is that you say? What am I talking about? Am I rambling again?

Right

Back to my main point



I really like tea and I really like smiling and I really like laughing until I cry do you?

Here is a funny story:



The 3rd most watched video on a very highly esteemed newspapers website was a  low quality video of a monkey swimming in a pool , this ranked higher than a man being force fed through the nose – this is the kind of thing us humans are apparently really good at

No, not swmming silly,

Torture,

But that’s not the funny part , the funny thing is that one time my friend Paul went bowling and he saw a woman wearing a shell suit, she had a monkey polishing her bowling ***** and when she hit a strike he would clap, he also wore a matching shell suit , safe to say , it was an odd sight



Well maybe you just had to be there



But I like that , I like the ridiculousness we have created

Bowling allies and chicken and chip shops , buses , gallaries , houses , shoes , ice cream , microscopes , bath mats ,  fake ***** for children to **** their fake formula while we steal all the milk from a very much alive conscious mammal who proberbly wanted to give that milk to her baby



Ya’know stuff like that



I like it because it reminds me of what we can create , and the true power each one of us holds, because somebody came up with the idea to make high heels that **** up your back and someone came up with idea of cars that are nice to take drives in with music , someone came up with a portable music player , someone came up with the idea for a train! And then someone else built it !!!!!



I mean , come on! But the best thing I like to marvel at is nature, because no one really came up with nature , nature just kinda happened

That’s the best mystery of them all  an open ended mystery is like a really good open ended question
brea Mar 2013
Dream/wake
dr
  e
   a
    m
wake
suddenly
there's no difference
stand in front of a mirror
stare at your reflection
until nothing
means a thing
repeat your name
are you real?
is this real or
are you
s
  l
   e
    e
     p
       ing
sleeping?
ocean waves of oblivion
crash wash away
coherency
hollow chocolate bunny
mechanical robot toy
"big brother is watching"
Big brother
evil eyes
of microscopes
and lasers
wrap barbed wire around your chest
douse your eyes in chilli sauce
in desperation
to feel something
or anything
failed
sadly
you are
awake.
Nathan Millard Apr 2013
Have you ever seen a bright eyed
Glowing person
Sober three years
Pull a dime bag out of her purse

It may have been three years
But the person reflected back up at her
From that small mirror
Is not the person in front of you;
It’ll be the same person she was three years ago
It’ll reflects her long forgotten face, but also will be a window into her own personal rock bottom
It is a hotel room key to a tailor made suite in a town she never should have visited
This is not the face she dreamed of growing up to see reflected in her astronaut helmet
Her self-image disappointingly is only eclipsed by passing streetlights
And not the skylines of glitter scattered on the earth’s outline
It would have been a beautiful circumspective background
But she can’t look from aircraft window microscopes now
Now she sits viewing the world through city bus window magnifying glasses
And she worked hard to get here
She earned her urban lab coat and degree from the harsh alleyway lessons
And a life path of two steps forwards one step back
And three here forwards
And a few more back
And really
It’d be a shame to wear out a perfectly good pair of shoes to make this journey all for not
Joshua Martin Jun 2013
Believe it or not,
there are men who shriek like
banshees at the deathbed of a sickly dog,
and women that remain impenetrable
like the broadsides of an iron ship
at the prospect of loss. Not all
executives wear the silk tie
of haughtiness, but bump shoulders
with the rounded backs of street beggars.
And just as the moon waxes and wanes, organizing
the stars into a symphony of light, so too
do the clouds occasionally close the curtains
on the whole performance.
I am a poet but I do not cry.
I am a man but I do not push nor pull,
throwing around wantonly the weight of the cosmos.
I like to think that each of my billions upon billions
of atoms move as gracefully as swans
under their own microscopes,
forcing each and every onlooker to stare
and pick at their own skin
in a search for uniqueness.
Paige Miller Feb 2013
Sitting at a tiny plastic table, between microscopes
and glass bottles of corrosives,
his son lets a mouse he named Ralph crawl up his arms.
Sliding on a lab coat, the father faces his back
toward his son and pulls out subject 402.
It’s his weekend. A quick shot to the heart
is all it takes. He puts it back in the cage.
Watches it expire. Takes it out, again.
A slice of time exposes internal
organs, projecting them to the world.
Look at the heart, swollen red,
those tiny lungs unable to exchange oxygen.
His son spills crackers across the table, sharing with Ralph.
Tissue samples are cut, placed in fragile vials,
labeled and set aside.
Disposes the hollowed corpse.
The boy is hungry, clutching his stomach dramatically.
Eat your crackers.
The boy squeezes the mouse. The mouse
clamps his teeth on him until he is flung from the hand.
Ralph slinks into the background
while the boy cries fat tears, his wound extended.
He is like a man dying of a thousand terrible things.
The man grabs subject 403.
Twisting his uninjured arm around his father’s left leg,
he stains the lab coat with mucus.
Go sit down.
He sniffles, pushes over a stool and climbs to its apex.
Go sit at the table.
He leans into his father’s light.
The broken body with its skin pulled back, pieces of metal
protruding.
It’s Ralph! It’s Ralph!
No it’s not. Go sit down.
It’s Ralph!
He throws himself into the table. Swings his arms.
The vials smash. The microscope crashes.
A scalpel makes contact with the wall.
Subject 403 is catapulted.
To the boy, the body seems to come alive in the air.
But it is motionless on the ground,
Trapped by broken glass.
Robert Ronnow Aug 2015
Next to my son's anger
plate tectonics are nothing
to me. His unhappiness
was caused by me.
His purpose and mine
is to catch photons and
store them in our bones.
Time measures change
which continues without self-doubt.
There is no self there.
Therefore, why care about
my son's anger
or my guilt?

Is it possible as Deutsch
suggests that the changes
a self-aware organism can
applying the scientific method
instantiate are innumerable
compared to those of the sun
or any big bang?
Therefore, one must care
about the harm you've done
or the good you'd do.
As Stevens proved
the essential activity's
to imagine the world
then test it against the breeze.

What good is philosophy
without a confession
I sometimes hit
whenever angry
and can **** given
opportunity and permission.
My knowledge of enduring
seeds and periodic
elements is limited
by my impatience.
If I could stop
circle with a dot
breathing
perhaps then I would
understand myself. But
what is there to know about the self?

Long ago, according to Borges,
Shakespeare imposed
a self-imposed silence
on himself. He knew
what, that perfect acts,
accurate and factual,
actually requiring
microscopes and telescopes
for growing small and going far
take you to the very space a
gentle breeze and ridiculous bird
occupy at the end of the mind
at the end of your life.
As Arpad Vass writes:
"Death initiates a complex process by which the human body
      gradually reverts to dust
but minerals may fill the cracks and voids, bonding the
      hydroxyapatite and allowing the bones to join . . ."
in the happy tectonics
of the earth's plates.
--Vass, Arpad A., "Dust to Dust: The Brief, Eventful Afterlife of a Human Corpse," Scientific American, August, 2010

www.ronnowpoetry.com
I’m throwing my voice throughout a corridor
With no one on the other end
A space empty and dark filled with my radiance and purpose
I’m here to entertain, my friends
I’m here to guide the tour
Each doorway leads to a lecture hall, a subject to purvey
Each window out is bricked and barred
With damaged curtains, worn by air
Dusty books and creaking floors
No sign you were here
Hourglass and broken microscopes
Scattered all around
Competition from the past
Tests the finest pupil’s skill
Unclear who will succeed
Mateuš Conrad Jan 2016
between the hours of 10pm and 1am you can see the other london "smog," which isn't really a smog, you see it on the outskirts of suburbia in these hours, during winter, when the earth opens and water vaporises into a thick splodge of thickness that's like burnt coal... it's frost temperatures, you walk the distance, you breathe as if smoking a cigarette, the aura is still there, your hands are turning into skeletal keys with the sight a lock, you reiterate the skeletal hands next to your eyes and liver, you become a locksmith, you put the key in, the lock clicks like virginity... you enter... you become a singularity of life expressed; it's outer-suburbia, and you know it's a walking distance from a village, a forest, pasture lands among cows, slaughter bulls, horses, badgers, deer and hedgehogs; the earth opens in winter and shows you lungs, in summer the desolation of aero, dry moth larvae, clear vision, but only in winter the warmed ****** of smog from cigarette-free cemented in roads is re-fathomed in the outer suburbia, here i touch the pinnacle, here i dress like a pineapple... still in my short sleeve shirt and hooded garment i ache for my fingers to feel less flesh for summer and skin's auburn, and rekindle winter with bone and the arithmetic of drummed clicks of joints of fingers plucked from a quill's silence, cracking from the kraken weight of comparison that was never the ring finger entangled with the index finger like the index with the *******, to the surprise of italians a gesticulation of good luck.*

i never got the hang of it, i liked it,
i was young enough after all,
cartoon network still preserved scubidoo,
and he-man, then cow & chicken came
along and i lost it...
i didn't relate to the a.d.h.d. of the cartoons,
it was still sugar coloured, but just
too much rush, so i left it...
my favourite game on that old grey man
of consoles that was playstation 1 like a v.c.r.
for compact disks was tenchu: stealth assassin,
the fifth mission sexism, a merchant
is being ignoble, you're sent to assassinate him,
play as man, you get an automation
for hara kiri video sequence,
play as girl, he's too noble, you have to **** him
manually with his bow & arrow...
lovely snow flakes against nearing spring blossom...
finished it, oh yeah, it was a great game...
i played sim city 3000 because of the cool
jazz music...
the sims though? i freaked out when i moved my pawn
avatar to play computer games rather than
encapsulate a need for medieval armoury to stand
on my mahogany flooring altars of pixel fakes...
played the sim. into playing computer games
all the time and found the wormhole into reality
and thus freaked... stopped playing the game...
fun for a bit, but in terms of mozart & backstreet boys
chess still remains the game equivalent to music
compared classical: very abstract, very much no representative
of reality.
then i completed final fantasy vii with a guide book:
homework was more important, i craved the spoilers,
although i loved the aesthetics...
a three dimensional body walking about in a lavish
two dimensional canvas...
but tonight i remembered the pythagorean *******
of lara croft, all triangular...
years later i heard tomb raider 1 had a dinosaur in it...
never reached that bit...
i got to the part where i killed the pack of foxes
at the beginning and started to look at a two dimensional
fern in a three dimensional landscape...
the ****** fern rotated when i started eyeing it!
weird...
weirder still when i took the game from the computer
and put it against the night sky...
the night sky is like a fern, two dimensional,
but since i'm in an atmosphere of a three dimensional object
i simply can't see 2d;
even while i did a dervish drinking beer
at a memorial of those befallen in world wars, 1 and 2,
i couldn't prove that what day is said to be:
light refracted into blue from oceans...
the night didn't enforce: street lamps give out
such light pollution as to populate the void with stars...
so why the constellations of zodiac disappearing?
how many volts in the sun that you started to care about
energy-saving non-fluorescent piccadilly dead end of neon?
the way i see it, it madonna ice-cream cone bras...
is that the night sky is as 2d as the night sky...
it's so ******* big and wide you might think
an elephant stuck its truck into the **** duct of either ***
and trumpeted a sneeze for an extra expansion...
it's 2d to me... i in dervish couldn't prove i was 2d...
the universe couldn't prove my theory either,
for then i would see it rotate... but i did...
and i did see the background rotate, canvas was big enough
(after all), to allow a 3d stability, but given the 3d stability
also rotated on a ***** (winter in australia, summer in england)
if was all a bit like saying:
you shall not eat from the tree of knowledge -
but we did, and if we didn't,
there would be no excavation of potential,
no evolutionary ingenuity,
we would be beaks and wigs and tails rest assured
unexploited, not ready to delve into a depth that
assured us forks, knives, bridges, microscopes,
we'd be left with a consciousness for the likes of caves...
goo and veil have nothing to do with the case
proposed, god made man in satan's imagine,
and since satan warred with himself, man warred
with man serving a superiority over all things deemed lesser
by him.
which said says as much as:
the exponential evolution of technology
makes 30 year olds seem like grandparents
to the teenagers... which is odd and frankly, a bit funny.
Trevon Haywood Oct 2015
"Faith" us a fine invention
When Gentleman can see-
But Microscopes are prudent
In an Emergency.

Emily Dickinson.
Cadence Musick Aug 2013
what is it like to
sit
on laundromat tiles
with fish eyes blank
slack jaw
words coming out
"you're too young"
my porcelain skin
isn't china doll thin;
i've felt things inside that rupture
stitching
that morph into a blazing
hot sun because i feel
it's burn in every molecule
thrown under microscopes and watching
the chemical reaction of knowing
you're in love and being in love and always wanting love
with the one person who gives you love
as amebas you can't
measure the age
"oh yes it's love, no
doubt about that"
scientifically proven.
but when you add a
slight skeleton
skin with cuts and scars
from off balanced racing on concrete
with feet that feel every
material of every terrain
and wide eyes that smile
because
life can truly be beautiful.
when you add all that-
love somehow becomes less potent
as if the inner
bonds of feeling
are taken less
seriously.
tell me this;
my lips curve around his name
and my voice box softens
and slows,
dragging out letters
like they hold a story in each one
and to me they always will
should that change with age, should it lessen?
my heart pumps in the same rhythm that
it will 20 years from now.
love has no age
it exists in timeless capacities
and does not know numbers,
it will not see them
it sees two hands
holding one another
gently like
sacred white doves
alighting on aspen
branches
with roots that bury in deep-
but bark as tender
as newborn babies
Pardon me in my own symphony of madness
A tool of my own sadness, oh boy what a feeling that is
It’s not poor nor is it ****, so I suggest you sit right back and enjoy
For humorous attempts are only to take joy, creating pure fun
So here I got the run of the bun, Yeah it surely is nice to live
Lessons of the positive, dropping on the mind like intellect
I hear ye, dearly elect….Without any rhyme or reason
The one who may create the least treason…Holding onto your seats
Cashing in on all your receipts, Tickets of winning numbers
No longer living by the warm timbers, Refreshing to say the least
Some may call it very beast…Of me to rummage through moods
Many have given their perfect attitudes, Learn then let live…Breathe
A jewel encrusted knife kept within its sheathe, I promise you’ll never go cold
The tale can be told, in many ways
Spread out over many days, although why tend to boredom
Leading us not into whoredom, deliver us our daily bread
Thy concrete kingdom come along with street cred, as heaven’s mouth is open
At last it becomes very Zen, Living to learn
Rights under a government mule are hard to earn, no sense taking them for granted
Always being doubted, keeping a watchful eye
The lurker leans toward using the skills of a spy
Soon our story will be drawn to an end
Appending my wrongs as my rights come to a bend
Rendering my sins under microscopes as they unbend
Entering the light, being dunked in pools as I ascend
copyrighted by Aiden L K Riverstone
Samuel Oct 2012
All choked up inside because
                             there is so much I never say, wanting
                                                    to share everything and grow up
           way too fast, that's not how
                           things work around here, not
               now under microscopes

                                  I love you to the point of
  not breathing, a precaution to
     ensure such radical notions remain where they
       are, but today you

                                           told me the greatest thing you could
                                               ever have brought to my ears, that you
                                                             ­          recognize
                                                        the simple truth, the difference, this
                                                wonderful knowledge you and I have of each
                                                 other, something others chase for so much
                                                            time­, and yes we have some of
that loosely-defined handhold on
reality, the ticking, but
                                           I need you to know, I
                                                               ­         
still cannot find words.
Maybe tomorrow?
Mateuš Conrad Mar 2017
so merlin... sorry... gandalf comes along
and says: leave your books! the real world awaits!
out there! beyond the door!
     ******* wizards, all they want to do is
send me on holiday...
  what the **** would i do in tunisia if
not think about islamic carthage?
       nope, i rather spend my time as a tapeworm
bound to an organism known as a personal
library; sorry, that's what farmers always said
when harvesting crops: i see what william
blake saw in a grain of sand...
       potential for glass... i know there isn't
any adventure in the world, there's only tourism...
and tourists really do only see the ****** parts of
capital cities... venice as generic as amsterdam...
tourists: just a load of bothersome flies.
    
i say take an adventure into someone else's psyche,
you're bound to some weird and wonderful
things in there...
  
roman numerals, right? so ugly... or rather: so difficult,
when life was... and when people needed
to state something beautiful...
like this mathematic teacher i once had who
simply said:
                     try calculus with roman numerals...
sure, try (e)x squared...
                      as in: why did we even keep them?
numerals i mean, they're not numbers as such,
they're numerals because we keep them to entrench
spelling, or that's how i see it,
   0 - 9 exist for fun, for sudokus, giving us absolutely
no clues...
but as ezra pound pointed: the beautiful is hard,
and he borrowed it from someone else,
    what we have reached is too simple,
we're stuck in this limit of microscopes and sub-atomic
particles and then the stars!
     it could just be a way to unlearn these holes
that we fall through, but of course: precipitating into
greater numbers, and even greater obscurity and
a need for herr anonymous...
             but you can't exactly build a Colosseum
using 0 - 9... back then... we had curves!
       real passionate curves! on pillars!
                               we didn't even have 0...
we had oh... omicron and omega...
                      the d'uh part, as part of project
nostalgia...
                             we didn't have 0 - 9 to fry
our brains and live live in the fast lane equipped with
amphetamines... we have I - X...
               and the XI...
                          imagine mathematics so complex
that the selection process to process it along with
language broke but certainly made a few mean
*******... now everyone can do it...
   it's what the greeks didn't comprehend...
                i'd love to see the original script from
pythagoras, oddly enough we don't possess the original
concept of numbers... we hear the arabs had this
and the indus had that, but what the greeks had?
no mention... nothing, just words...
   but imagine why the romans were as strong as
they were...     rex... what's that? revise ten,
ten ten over and over and again?
         to have to deal with I, II, III, IV, V, VI, VII, VIII, IX, X -
that's hard, but almost too amazing that they
managed to provide a Colosseum to be the blueprint
and plagiarism for modern stadiums...
   they even have this cliche of calling latin a dead
language... sure, and i'm still using their ******
φoνoς encoding... god i'm so tempted to make that
sigma acute... but the internet doesn't have something:
for once!
                     nos (nose)           noś (indicative verb:
to carry by command, of a self-serving argument) -
     it really turned out to be a real
greek prefix and roman suffix game (nasal)...
      but still the reason why we inherited
the roman rule of thumb, or said number that's one,
we have no firm belief in the greek concept of numbers,
well, apart from the only relevant number
that's 666 in the new testament... but i haven't
come across the greek concept of number...
   for all i know 0 through to 9 is either arabic or
indu -
               or why, for a better reason than none
I, II, III, IV etc. has been kept,
   and becomes imposing on your television
screen when a show ends...
    dated e.g. MMXVII (2017)...
now go back and use those numerals and give
me a theory of gravity... impossible!
    you couldn't have even the vaguest sense
to even begin to want to imagine such an
endeavour...
                    what i will say is that the latin
grapheme æ and that other one œ
are a source for many spelling mistakes,
as well as many uncouplings of the siamese
into diacritical distinctions... should i have
spelling the word endeavour wrong...
  
        and to think this "poem" was prompted by
having finished heidegger's ponderings no. II...
and having to only initiate this
  by having a problem figuring the no. 234 aphorism
in roman numerals (which are called mathematical letters)...
so yes, i imagine beauty as that which wasn't
exactly greek... more roman, as in counting
using a "monotheism" of language being
used for both talk and calculation -
                  to achieve what was achieved, and later
squandered, as of now, which it has been...

that i did laugh at aphorism no. 236 (CCXXXVI)
   already it feels like spelling, i wonder if there was
an orthography concerning numbers back then,
i mean, something without a prior to 236 encoding,
      i'm pretty **** sure the jewish "mystics"
started talking a lot of ******* when they invented
    gematria...
                               it's absolutely horrid
having, say aleph = 1...
                                but then that's just a spontaneous
critique that will eventually fizzle out of my head
and die a sudden death and i won't bother it ever again...

yet you can't say that with roman numerals you
couldn't extract more beauty,
   to state something in a single, and now the more
literal attempt at a concept of monotheism: tongue...
     how the hell did they extract the architecture
and the will to craft an empire like that,
      where encoding sound also included the same language
to encode abstracts, primarily with the basis of
measurement, and scale the skies!
     (it's not even my *** i'm talking about).

but in summary, aphorism 236 made me laugh,
   and that "thing" i invented that's res vanus
to counter Hegel's cogito - me cogitare
                                   is bound to aphorism 234...

in yesterday's newspaper there's a supplement
article about how exercising increases your chance
of a decreased libido...

     also, to unravel the stated "thing", you can simply
look to Kant for a list of faculties of the psyche,
         and how they interpolate / interact...
as anyone with half a can of worms might state:
  me go fishing, me catch shark...
                because to me, modern psychology is
a quasi-science... and philosophy is something you learn
outside of "respectable" institutions like universities,
at your own peril, kinda like rousseau...
   so yeah, kant's great with describing the interaction
of the faculties and how you can expose the "thing";
   i gave up on the res cogitans concept,
                i wanted to word nietzsche's bewilderment
about where thought comes from, and that abyss quote...
    it naturally had to come from that vein,
what would make a buddha laugh: res vanus.
SDC Nov 2014
I am young,
but I must move slowly.
Wind rushes through me, stirs up
my little cells like waking monsters.
They crank and churn like broken clockwork.
Buried somewhere is the infinite teenager, floating in ecstasy.
She is God.
She is omnipresent and whole.
She is endless abundance.

Walls in my body burst forth
with life and movement:
Vibrating atoms and sprawling bacteria.
I am human.
Thick like sludge, I wade through the day.

I mine for gold in a swamp,
Microcosms and meta-cosmos
spinning frantically in static.  
Under microscopes, life moves still
but here, everything dances.
CJ M Oct 2015
In her beauty, she doesn’t see her looks.
In her intelligence, she doesn’t see her smarts.
In her swagger, she doesn’t see her appeal.
But the fact that I do is bugging me. I barely know you, don’t know your name or any of your light skinned tendencies. But in that same aspect we are close. Where are you, Ms. Magnificent? Where is the one I want to love? Peel your shyness back like wrappings on the gift I give you: the gift of heart.
I swear, I fall in love with her every time we converse. In the moments we mingle she is always who she is meant to be. She must be an arsonist, because she’s starting a burning in my chest and an ache in my intentions. Thus her powers could very well bring me to an end.
She’s an open book by all means, but only she can translate her pages. Only she can tell her story without giving any twists that she didn’t intend. She is an affection unlike any the word has ever seen.
Her eyes- brown by all accounts, seeing through the soul as if the soul were translucent, she sees deeper than microscopes can dive.
Her hair- steady changing color, but never ceasing to amaze: red, yellow, black, brown, blue, colors in a rainbow of deep concentration.
Her smile- captivating to say the least. I find myself wishing her the best at the most random times. Her personality is one that fits mine so closely that I’m curious. We are close in soul, so why not close in attention? Let me concentrate on her like she’s an assignment, let me love her like geeks and gaming systems. Let me know her like I know passwords and let the same be said of her about me.
What is a crush?
I admit, I feel squashed to admit this, but I’m falling as if sky diving, and she is my parachute. I’m once more questioning my own comprehension, could she be the next in the line from my heart? Could she be the inspiration of many a poem to come if I play my cards right? The answer lies only with the question, and the question lies with her.
What does she think? Is it that her mind and mine are on different planes of the oblivion of existence, or is it that I’ve blinded myself from any flaw of hers enough to reject even her own objections? How could she not see it, her grip on my unaware heart? How could she not see her beauty, as obvious as it is, or her interaction with a crowd of comrades who indeed love her deeply?
Sugar sweet cream colored craving, let us parlay poetic fantasy until we both run out of things to say, let us intimate until we both forget the meaning of the word and show an infatuation that brings jealousy into the hearts of those who witness. And once we are done, let us restart again and again until the nights fade and final goodbyes are in order.
Let us speak. Let us smile.
Let us love.
~Emily.
If she sees it, don't let her freak out XD
Mike Essig Jan 2017
The mundane world
must yield to imagination.
Eyes are not microscopes,
nor lips but for drinking.
Facts do not make a life;
events alone cannot explain
a single, beating human heart.
Nothing exists so basic that
it cannot be expanded and exploded
by whimsy and effort.
A butterfly is just an insect
until the tale teller awakens its potential;
a lover is just a lump of flesh
until a story renders her beautiful.
Our fictions generate a reality
beyond the dreary limitations of mere truth,
and truth is always mere,
always waiting for the magic touch of more.
Knowing only the particulars
amounts to knowing nothing.
Lift your hand to the world
like an astonished magician
and cast your soul’s spell,
ensorcell the ordinary;
lift your brush and paint a scene
with huge, wild brush strokes;
shout your words into the chaos,
bring about a new order,
a vivid, lush world,
a world that echoes, on and on…
Erin Jade Apr 2015
Hiding from your eyes,
white rimmed microscopes
into my mind. Cranium,
musings. Searching for
that which you hope to
find. Searching for the
flicker of a flame
that was never lit.
Grasping for a flicker
that was drowned
by the heat of the flame,
that you so wish
would blow out
like the 10 candles
on the cake my sister
insisted on extinguishing
for me. You search and
hope to uncover a flame
that never felt oxygen.
Perseverance; I admire.
However, I am
saddened for the detective
who can't uncover the
mystery that keeps
him up past the stars;
Unavailable.
Brent Kincaid Jun 2017
Thermometers say you are wrong
But you believe greedy businessmen
Seismographs say you were wrong
But you believe religious charlatans
Electrocardiograms say you're wrong
But you believe the words of bigots
Encephalograms tell you you're wrong
Geiger counters tell you you're wrong
Microscopes tell you you're wrong
Yet you believe the Big Oil propaganda
Telescopes tell you you're wrong
Yet you believe the lies of Big Pharma

It is such an unforgiving task to talk
And know there is nobody in there.
Inside your head, soul or heart;
It’s pathetic to know under your hair
There is the kind of sad mentality
That rejects reality if it disagrees
With something another fool has taught
And though you ought to learn reality
You keep looking for more crazies
To say things that match your philosophy
And that perpetrates the tragedy of today
Which may take decades to go away.
It did the last time.
Bryce Aug 2018
She and me
Kick our legs over the cliff
Watching the water pound in steep
Crests of mist,
Awash the quaking stone.

Drinking through the daze
Withering and coastal
Happy with every day
that drips
And growing older
Sedimentary
Seeking the simple deaths of life.

And when we sang our songs to the flocks of gulls
And they called saline
Eating fishbones
Circling like biplanes
Above the coast
We wondered what wandrous
Raptors out ran the oilpan
And instead became this.

We eat our picnic meats
And settle down for a long daydream
Staring at the overcast blanket
Seeing streaks of Grey dispersed between
Feeling
Warm and a little bit loved by the sea.

Me and she
There was no stopping
Her questions, flying hot lead at my
Brain
Dripping gall juice inside the spleen
Infected and hungry
Waiting to engorge our final meal
A bunch of microscopes in the petri
Dished out and left to drift
Amongst the lapping waves.

Assuredly,
When those gulls flapped their lazy way
Heading down the coast
Searching for simple meals
And calling family in the sky
They wondered to god
about solitary
You and I
And just what was our deal?

— The End —