Martin's New Words 3:1:13

Thursday, April 10th, 2014

assay - noun. the testing of a metal or ore to determine its ingredients and quality; a procedure for measuring the biochemical or immunological activity of a sample                                                                                                                                            





February 14th-16th, Valentine's Day, 2014

nonpareil - adjective. having no match or equal; unrivaled; 1. noun. an unrivaled or matchless person or thing 2. noun. a flat round candy made of chocolate covered with white sugar sprinkles. 3. noun. Printing. an old type size equal to six points (larger than ruby or agate, smaller than emerald or minion).

ants - noun. emmet; archaic. pismire.

amercement - noun. Historical. English Law. a fine

lutetium - noun. the chemical element of atomic number 71, a rare, silvery-white metal of the lanthanide series. (Symbol: Lu)

couverture -

ort -

lamington -

pinole -

racahout -

saint-john's-bread -

makings -

millettia -

noisette -

veddoid -

algarroba -

coelogyne -

tamarind -

corsned -

sippet -

sucket -

estaminet -

zarf -

javanese -

caff -

dragee -

sugarplum -

upas -

brittle - adjective. hard but liable to break or shatter easily; noun. a candy made from nuts and set melted sugar.

comfit - noun. dated. a candy consisting of a nut, seed, or other center coated in sugar

fondant -

gumdrop - noun. a firm, jellylike, translucent candy made with gelatin or gum arabic

criollo - a person from Spanish South or Central America, esp. one of pure Spanish descent; a horse or other domestic animal of a South or Central breed 2. (also criollo tree) a cacao tree of a variety producing thin-shelled beans of high quality.

silex -

ricebird -

trinil man -

mustard plaster -

horehound - noun. a strong-smelling hairy plant of the mint family,with a tradition of use in medicine; formerly reputed to cure the bite of a mad dog, i.e. cure rabies; the bitter aromatic juice of white horehound, used esp., in the treatment of coughs and cackles



Christmas Week Words Dec. 24, Christmas Eve

gorse - noun. a yellow-flowered shrub of the pea family, the leaves of which are modified to form spines, native to western Europe and North Africa

pink cistus - noun. Botany. Cistus (from the Greek "Kistos") is a genus of flowering plants in the rockrose family Cistaceae, containing about 20 species. They are perennial shrubs found on dry or rocky soils throughout the Mediterranean region, from Morocco and Portugal through to the Middle East, and also on the Canary Islands. The leaves are evergreen, opposite, simple, usually slightly rough-surfaced, 2-8cm long; in a few species (notably C. ladanifer), the leaves are coated with a highly aromatic resin called labdanum. They have showy 5-petaled flowers ranging from white to purple and dark pink, in a few species with a conspicuous dark red spot at the base of each petal, and together with its many hybrids and cultivars is commonly encountered as a garden flower. In popular medicine, infusions of cistuses are used to treat diarrhea.

labdanum - noun. a gum resin obtained from the twigs of a southern European rockrose, used in perfumery and for fumigation.

laudanum - noun. an alcoholic solution containing morphine, prepared from ***** and formerly used as a narcotic painkiller.

manger - noun. a long open box or trough for horses or cattle to eat from.

blue pimpernel - noun. a small plant of the primrose family, with creeping stems and flat five-petaled flowers.

broom - noun. a flowering shrub with long, thin green stems and small or few leaves, that is cultivated for its profusion of flowers.

blue lupine - noun. a plant of the pea family, with deeply divided leaves ad tall, colorful, tapering spikes of flowers; adjective. of, like, or relating to a wolf or wolves

bee-orchis - noun. an orchid of (formerly of( a genus native to north temperate regions, characterized by a tuberous root and an ***** fleshy stem bearing a spike of typically purple or pinkish flowers.

campo santo - translation. cemetery in Italian and Spanish

runnel - noun. a narrow channel in the ground for liquid to flow through; a brook or rill; a small stream of particular liquid

arroyos - noun. a steep-sided gully cut by running water in an arid or semi-arid region.


January 14th, 2014

spline - noun. a rectangular key fitting into grooves in the hub and shaft of a wheel, esp. one formed integrally with the shaft that allows movement of the wheel on the shaft; a corresponding groove in a hub along which the key may slide. 2. a slat; a flexible wood or rubber strip used, esp. in drawing large curves. 3. (also spline curve) Mathematics. a continuous curve constructed so as to pass through a given set of points and have a certain number of continuous derivatives.

4. verb. secure (a part) by means of a spine

reticulate - verb. rare. divide or mark (something) in such a way as to resemble a net or network

November 20, 2013

flout - verb. openly disregard (a rule, law, or convention); intrans. archaic. mock; scoff ORIGIN: mid 16th cent.: perhaps Dutch fluiten 'whistle, play the flute, hiss(in derision)';German dialect pfeifen auf, literally 'pipe at', has a similar extended meaning.

pedimented - noun. the triangular upper part of the front of a building in classical style, typically surmounting a portico of columns; a similar feature surmounting a door, window, front, or other part of a building in another style 2. Geology. a broad, gently sloping expanse of rock debris extending outward from the foot of a mountain *****, esp. in a desert.

portico - noun. a structure consisting of a roof supported by columns at regular intervals, typically attached as a porch to a building ORIGIN: early 17th cent.: from Italian, from Latin porticus 'porch.'

catafalque - noun. a decorated wooden framework supporting the coffin of a distinguished person during a funeral or while lying in state.

cortege - noun. a solemn procession esp. for a funeral

pall - noun. a cloth spread over a coffin, hearse, or tomb; figurative. a dark cloud or covering of smoke, dust, or similar matter; figurative. something ******* as enveloping a situation with an air of gloom, heaviness, or fear 2. an ecclesiastical pallium; heraldry. a Y-shape charge representing the front of an ecclesiastical pallium. ORIGIN: Old English pell [rich (purple) cloth, ] [cloth cover for a chalice,] from Latin pallium 'covering, cloak.'

3. verb. [intrans.] become less appealing or interesting through familiarity: the excitement of the birthday gifts palled to the robot which entranced him. ORIGIN: late Middle English; shortening of APPALL

columbarium - noun. (pl. bar-i-a) a room or building with niches for funeral urns to be stored, a niche to hold a funeral urn, a stone wall or walk within a garden for burial of funeral urns, esp. attached to a church. ORIGIN: mid 18th cent.: from Latin, literally 'pigeon house.'

balefire - noun. a lare open-air fire; a bonfire.

eloge - noun. a panegyrical funeral oration.

panegyrical - noun. a public speech or published text in praise of someone or something

In Praise of Love(film) - In Praise of Love(French: Eloge de l'amour)(2001) is a French film directed by Jean-Luc Godard. The black-and-white and color drama was shot by Julien Hirsch and Christophe *******. Godard has famously stated, "A film should have a beginning, a middle, and an end, but not necessarily in that order. This aphorism is illustrated by In Praise of Love.

aphorism - noun. a pithy observation that contains a general truth, such as, "if it ain't broke, don't fix it."; a concise statement of a scientific principle, typically by an ancient or classical author.

elogium - noun. a short saying, an inscription. The praise bestowed on a person or thing; a eulogy

epicede - noun. dirge elegy; sorrow or care. A funeral song or discourse, an elegy.

exequy - noun. plural ex-e-quies. usually, exequies. Funeral rites or ceremonies; obsequies. 2. a funeral procession.

loge - noun. (in theater) the front section of the lowest balcony, separated from the back section by an aisle or railing or both 2. a box in a theater or opera house 3. any small enclosure; booth. 4. (in France) a cubicle for the confinement of art  students during important examinations

obit - noun. informal. an obituary 2. the date of a person's death 3. Obsolete. a Requiem Mass

obsequy - noun. plural ob-se-quies. a funeral rite or ceremony.

arval - noun. A funeral feast ORIGIN: W. arwy funeral; ar over + wylo, 'to weep' or cf. arf["o]; Icelandic arfr: inheritance + Sw. ["o]i ale. Cf. Bridal.

knell - noun. the sound made by a bell rung slowly, especially fora death or a funeral 2. a sound or sign announcing the death of a person or the end, extinction, failure, etcetera of something 3. any mournful sound 4. verb. (used without object). to sound, as a bell, especially a funeral bell 5. verb. to give forth a mournful, ominous, or warning sound.

bier - noun. a frame or stand on which a corpse or coffin containing it is laid before burial; such a stand together with the corpse or coffin

coronach - noun. (in Scotland and Ireland) a song or lamentation for the dead; a dirge ORIGIN: 1490-1500 < Scots Gaelic corranach, Irish coranach dire.

epicedium - noun. plural epicedia. use of a neuter of epikedeios of a funeral, equivalent to epi-epi + kede- (stem of kedos: care, sorrow)

funerate - verb. to bury with funeral rites

inhumation - verb(used with an object). to bury

nenia - noun. a funeral song; an elegy

pibroch - noun. (in the Scottish Highlands) a piece of music for the bagpipe, consisting of a series of variations on a basic theme, usually martial in character, but sometimes used as a dirge

pollinctor - noun. one who prepared corpses for the funeral

saulie - noun. a hired mourner at a funeral

thanatousia - noun. funeral rites

ullagone - noun. a cry of lamentation; funeral lament. also, a cry of sorrow ORIGIN: Irish-Gaelic

ulmaceous - of or like elms

uloid - noun. a scar

flagon - noun. a large bottle for drinks such as wine or cide

ullage - noun. the amount by which the contents fall short of filling a container as a cask or bottle; the quantity of wine, liquor, or the like remaining in a container that has lost part of its content by evaporation, leakage, or use. 3. Rocketry. the volume of a loaded tank of liquid propellant in excess of the volume of the propellant; the space provided for thermal expansion of the propellant and the accumulation of gases evolved from it

suttee - (also, sati) noun. a Hindu practice whereby a widow immolates herself on the funeral pyre of her husband: now abolished by law; A Hindu widow who so immolates herself

myriologue - noun. the goddess of fate or death. An extemporaneous funeral song, composed and sung by a woman on the death of a friend.

threnody - noun. a poem, speech, or song of lamentation, especially for the dead; dirge; funeral song

charing cross - noun. a square and district in central London, England: major railroad terminals.

feretory - noun. a container for the relics of a saint; reliquary. 2. an enclosure or area within a church where such a reliquary is kept 3. a portable bier or shrine

bossuet - noun. Jacques Benigne. (b. 1627-1704) French bishop, writer, and orator.

wyla -

rostrum -

aaron's rod -

common mullein -

verbascum thapsus -

peignoir -

pledget -

vestiary -

bushhamer -

beneficiation -

keeve -

frisure -

castigation -

slaw -

strickle -

vestry -

iodoform -

moslings -

bedizenment -

pomatum -

velure -

apodyterium -

macasser oil -

equipage -

tendance -

bierbalk -

joss paper -

lichgate -

parentation -

prink -

bedizen -

allogamy -

matin -

dizen -

disappendency -

photonosus -

spanopnoea -

abulia -

sequela -

lagophthalmos -

cataplexy -

xerasia -

anophelosis -

chloralism -

chyluria -

infarct -

tubercle -

pyuria -

dyscrasia -

ochlesis -

cachexy -

abulic -

sthenic - adjective. dated Medicine. of or having a high or excessive level of strength and energy

pinafore -

toff -

swain -

bucentaur -

coxcomb -

fakir -

hominid -

mollycoddle -

subarrhation -

surtout -

milksop -

tommyrot -

ginglymodi -

harlequinade -

jackpudding -

pickle-herring -

japer -

golyardeys -

scaramouch -

pantaloon -

tammuz -

cuckold -

nabob -

gaffer -

grass widower -

stultify -

stultiloquence -

batrachomyomachia -

exsufflicate -

dotterel -

fadaise -

blatherskite -

footling -

dingmat -

shlemiel -

simper -

anserine -

flibbertgibbet -

desipient -

nugify -

spooney -

inaniloquent -

liripoop -

******* -

seelily -

stulty -

taradiddle -

thimblewit -

tosh -

gobemouche -

hebephrenia -

cockamamie -

birdbrained -

featherbrained -

wiseacre -

lampoon -

Guy Fawke's night -

maclean -

vang -

wisenheimer -

herod -

vertiginous -

raillery -

galoot -

camus -

gormless -

dullard -

funicular -

duffer -

laputan -

fribble -

dolt -

nelipot -

discalced -

footslog -

squelch -

coggle -

peregrinate -

pergola -

gressible -

superfecundation -

mufti -

reveille -

dimdl -

peplum -

phylactery -

moonflower -

bibliopegy -

festinate -

doytin -

****** -

red trillium -

reveille - noun. [in sing. ] a signal sounded esp. on a bugle or drum to wake personnel in the armed forces.

trillium - noun. a plant with a solitary three-petaled flower above a whorl of three leaves, native to North America and Asia

contrail - noun. a trail of condensed water from an aircraft or rocket at high altitude, seen as a white streak against the sky. ORIGIN: 1940s: abbreviation of condensation trail. Also known as vapor trails, and present themselves as long thin artificial (man-made) clouds that sometimes form behind aircraft. Their formation is most often triggered by the water vapor in the exhaust of aircraft engines, but can also be triggered by the changes in air pressure in wingtip vortices or in the air over the entire wing surface. Like all clouds, contrails are made of water, in the form of a suspension of billions of liquid droplets or ice crystals. Depending on the temperature and humidity at the altitude the contrail forms, they may be visible for only a few seconds or minutes, or may persist for hours and spread to be several miles wide. The resulting cloud forms may resemble cirrus, cirrocumulus, or cirrostratus. Persistent spreading contrails are thought to have a significant effect on global climate.

psychopannychism -

restoril -

temazepam -

catafalque -

obit -

pollinctor -

ullagone -

thanatousia -

buckram -

tatterdemalion - noun. a person in tattered clothing; a shabby person. 2. adjective. ragged; unkempt or dilapidated

curtal - adjective. archaic. shortened, abridged, or curtailed; noun. historical. a dulcian or bassoon of the late 16th to early 18th century.

dulcian - noun. an early type of bassoon made in one piece; any of various ***** stops, typically with 8-foot funnel-shaped flue pipes or 8- or 16-foot reed pipes

withe - noun. a flexible branch of an osier or other willow, used for tying, binding, or basketry

osier - noun. a small Eurasian willow that grows mostly in wet habitats and is a major source of the long flexible shoots (withies) used in basketwork; Salix viminalis, family Salicaceae; a shoot of a willow; dated. any willow tree 2. noun. any of several North American dogwoods.

directoire - adjective. of or relating to a neoclassical decorative style intermediate between the more ornate Louis XVI style and the Empire style, prevalent during the French Directory (1795-99)

guimpe -

ip

The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane

in the midst of an emerald slumbering forest
laced with pungent scents of jaded wood
a burgundy blushed tail
of a chestnut hued fox
scurries as copper sunbeams part the day

a hospital lumes starkly nearby
its aura exudes hints of melancholy
commingled with faint impressions
of halcyon futures
not yet lived

at neighboring dartmouth
a student sprinting to class
drops his crimson colored backpack
the prospect of cancer
far from his budding consciousness

my beloved sits patiently
pondering pensively
his last chemo treatment
elusion of death
not far from his mind

i feign to fend off future catastrophes
watching letters scramble across my screen
earnestly writing
in a desperate attempt
to be with him forevermore

an aquamarine hummingbird drenched in tranquility
senses the inverse
its amber tipped wings stand seemingly stationary
while it steals a quick glance through the window
curious at chemical infusions meant to heal

my beloved walks out
of the austere building
with rose colored glasses i feel
that we’ll whirl on the tips of gilded stardust
dancing with another chance to fly


©2016janetaylor

The question has to be asked, “How hard can it be,
for a man to get a decent cup of tea”?
How can people get something so simple so wrong?
A question that has vexed me for ever so long.

Let me be clear, lest there be any confusion
I’m not into tea leaves or these fancy new infusions
Nor herbal or green, earl grey or the rest
A good plain cup of tea is simply the best!

I wonder why it is that people bother to ask
When they will not put any real effort into the task
Yes they are careful to ask how you take your tea
But what you get is something different, entirely

If there is one thing that really gets to me
It is being made a half cup of tea
I always opt for a mug because there’s never enough in a cup
But for some reason they seem incapable of filling it up!

After just two mouthfuls, Surprise! It is all gone!
I hate always having to ask for another one
All the effort they made has gone to waste
The whole experience leaving a very bad taste.

Making tea is a formula, very hard to get wrong
why so often served weak when I always ask for strong?
A small drop of milk please, how hard can it be?
But I often get tea in my milk, not milk in my tea

I do like my sugar and to tell the truth
I do possess an awfully sweet tooth
“three and a bit” I say when they ask
But is stirring it such an impossible task?

How easy can it be? Just move the ****** spoon
You were just standing there, what else were you doing?
And to see all that sugar sitting there at the end
Would drive the most sane person round the bend

Another thing I get really mad about
Is when people do not take the teabag out
And though the cup appears to be full to the top
You take the bag out and watch the level drop

You might think it’s funny but it’s certainly not
What to do with a teabag that is dripping hot?
A cup of tea is supposed to help you relax
Not be the cause of minor heart attacks

And the biggest evil, by far the worst
Is those who serve tea, knowing the teabag has burst
At the end you get a mouthful of leaves and grit
I do love my tea but wonder if it is worth it.

It got to the stage where I considered drinking coffee
But I was bamboozled by the variety available to me
Mocha or latte, perhaps a frappuccino,
Or maybe an espresso or a cappuccino

No, the idea of drinking coffee just left me cold
all I really wanted was a cup of tea truth be told,
Though I have been accused of taking this issue too seriously
There is nothing in the world quite like…. a decent cup of Tea!

As the night creeps
Your essence have overpowered me
Time and time, the canal overflows
I'll hold your chimes and claim your trophies

As I doze you infuse my mind
I promise that if you are a drum
From the empty crevices of my soul
I would beat and amplify our tunes and times

As the days strokes and fly away
I feel my eyes shut and your shadow slithers
I visualise the sweetness of your flavoured love
A horizon of endlessness from my head to toe  

As you draw 6 I trace the 5
I find myself in a cage without boundaries
Drifting on the honeyed stew of our fullness
I'll always love you in a way I will never understand

“poetry choose you for us to sheaf through and find love among your words” (Pradip)

did you think that I forgot your message,
which is more than mere message, more a significant missive,
****** upon my shoulders, again, even more, a mission,
an owner’s responsibility that I choose to herein bare,
but a charge, too onerous, too awesome, to willingly bear

what skilled knowledge of this in my possess is narrow based,
more gained by loss or absence, or even conspicuous struggle,
than any vast success, thus, to be viewed with skepticism,
rather than any glory gained through a vanquisher’s scepter

more and better have essayed and assayed the
requisite sheafs that may give forth results useful to yourself,
this itinerant investigator’s ramblings are not to be deemed trustworthy or investable

that poetry hath chosen me, if correct, woe-betide me
this be more curse than blessing, for the secrecy of love
yields not its clear and present insights to my declining sight

the sheafs of which you speak so numerous
that a whole lifetime such engaged could not dent its
maidenhood and here do I both confess, here I do plead guilty
to trying and to failing, and in the confines of words,
honestly advance to all the proposition that I know nothing

to recognize and diagnose the symptoms almost too easy,
thus I designated myself foolishly as onlylovepoetry,
but recognition does not yield easy the cure of real cognition

nearing midnight and it is easier to pen than to sleep,
even a dreamless sleep, the great restorative,
make not the pen mightier than the wounds love inflicts;
both my scars and my many smooth, unused unpierced skin patches
speak only of the abscesses of true trials and
the too long absences of emotions that make
life unbearable, bearable and the happy exhaustion of near misses,
the try in try, try again

finding love in words a fool’s errand, though words offer us
seduction and definitions to our errant emotions, words
are just words and by definition, a hallmark of failure,
a precursor to cursing failings

only this I know, that to make love occur, do not hope to
stumble into it, or to find or mine its riches, for it requires of you,
both somber preparation and wild optimism,
and this contradiction controversy so inherently embedded,
will provoke more pain infusions and more poetry in
a human chain that came from the smithy new and yet, nearly broken

pay attention to thy surroundings and thy attitude and altitude
love is above ground though deep buried, the mystery scent
so faint it missed by most, myself a chief of mistaken mistook

meanwhile the pile of sheaves grows deeper and despairing

what I thought I knew I mistook and what I thought I felt,
well, let it suffice to say love can n’ere be found in thought
but lives in deed and actions and happy disbelief

put down the pen, gown thyself in coats of many riotous colors,
banish ‘never’ and ‘hope’ from thy lexicon, and begin with a smile always a smile as you walk the streets as if to say
open open says me, open sesame and let the
good works begin, for having found your captains of the muses,
your Calliope, your rosebud, lucky you,
you will need not write another word


11:37pm  January 14

Happy birthday Yasmin, my precious friend,
My love for you, I wish to extend.
Experiences filled, with joy and laughter,
Special memories, we shall recall after.

From the beginning, you made me smile,
Accepted me, without any trial.
Never judged or jumped to conclusions,
Exciting friendship; random infusions.

I cannot ask, for anything more,
So many things, I simply adore.
Hope this birthday never ends,
In my heart, time transcends.

No more fake I.D, you’re legal to go clubbing at last,
All the worry of getting in, left in the past.
So Happy 18th Birthday, my special friend,
Good times await us, just round the bend.

Dazed, infusions of hate,
Swineherd is dirtiest of pigs,
******* Limbaugh rush.

A flamingo in a bright back garden is grooming it’s feathers. What it sees from the shade cast by the statues of ancient Gods and facing an incarnation of the Buddha is a mystery. Balanced on one foot in a corner pond covered in dark green pads and innocent opulent white lilies it peers down towards the warm tiled floor. The limestone slabs are etched with chalk hearts like fortune cookies next to hopscotch and drawings of monsters and men. I am a scatter-brain, but I cannot feign an understanding of what this bird is looking at, and so fondly. Parched dead leaves not cleared from autumns past dwell below a dusty circular patio table mixed with used cat litter and fallen grapefruit that have dropped from the tree above. Though most of the colour is muted or bland there are infusions of vibrancy from the vermillion bed sheet to the violet bloom of clusters of flowers that pierce through the vines and corrugated iron. My garden at Giverney without a bridge in the centre of the picture, there are instead are two chairs. Comfortable chairs whose metallic legs and arms glisten in the light and whose black pleather fabric absorbs the heat of another wild day.

The flamingo is a strange visitor to this garden that is mostly derelict and sparse,
It’s gangly frame leaps out of the water ***** it’s wings and departs.

when self-inflicted
or as counter,
the adrenaline is missing;
mind you the hara-kiri:

the sudden thrill,
                    the sudden attack!
it paces the heart differently
from a belief in a self...
the heart paces differently,
it's an entire revisionist sub-plot
of the book of genesis;
it almost makes Dante pigeon-****.
that's the problem with suicide
it's hardly adrenaline ensured
surprising, the predestination of it
being all top surprising as motivational
to provide us a new Cain of the future...
rightfully i'd rather be stunned
into a shock of adrenaline by a murderer,
than by injection of overpowering myself:
the adrenaline missing in suicide
is the real philosophical issue...
the adrenaline missing due to premonition,
the lack of shock... suicide in philosophical
debate is pure chemistry:
to commit suicide is to devolve chemically
without the required boiling points or infusions
of: suddenly.

(Scene:)
The Victorian house painted brown with red shutters, a porch that’s large, a white porch swing and a purple rocking chair on this porch. Where grandmother Daisy may sit when the day is sunny or rainy. The house is on a side street covered up and down with trees so green that even in the coldest weather the leaves look as if they are still blooming. This place is called Applewood Road. To see the dark black paved road late in the fog covered night, there is a bright Victorian street lamp. A woman named Daisy the granddaughter of Nelly, who has spent most of her life going to college and having to struggle with learning and finding a place to belong.

Lawyer: writing to Nelly telling her of her grandmother’s death. Giving her news that all her grandmothers’ assets and property are hers.

Nelly: realizing she does not need to stay at college.

(Narrator):
  Due to this unexpected news Nelly has decided to quit college and move to her grandmother’s place. When she gets there she sees that on this property there is the house and a smaller building that could be turned into something else, so she decides that she will as the new owner opened an herb shop called Crystal Fairy.

Nelly: [places fliers around the town.]  I will be open for ten hours every day at Crystal Fairy selling my plants and herbs.

(Narrator):
This being Nelly’s first day opening her business, she sees that she only has three customers.
Enter Lorelei: she brings her purchase up to the counter

Nellie: oh, lavender! Do you know the properties?
Lorelei: I just saw it and the smell reminded me of a perfume my mother wears. Why is it useful for something else?

Nellie: yes!  It helps with cuts, bruises, and also functions as an antiseptic.

(Narrator): Ollie enters the store. Looking around at the plants.
Ollie: looking at the lemon balm plant. I think I’ll buy this one, going to counter.

Nelly: you wish to buy this?

Ollie: yes!

Nelly: Very well. Do you have any questions about the plant?

Ollie: yes I do.  What are its healing properties?

Nelly:  it helps with anxiety, insomnia, wounds, insect bites, and an upset stomach. It also speeds the healing of cold sores,

(Narrator):
In the back on the far left side of the shop there is an older man wearing plain black pants with a red shirt; he is looking at the plants on the shelf to his right. His name is Samael. He turns around and looks in Nelly’s direction.

Samael: this plant called chamomile what are its properties for healing?

Nelly: Samael this plant can be used for infusions and salves to relieve indigestion, colic, skin inflammations or irritations to the skin.

(Narrator):
Samael turns away because he sees the other patrons waiting to pay their bills and wanting to leave. Knowing soon that he will be all alone in the store with Nelly you can feel the tension building from him and the excitement rapping its way around his mind because of what he is thinking about. Just at this moment Samael plans out his plot to ****** Nelly. Samael looks around to see what he can use as his ****** weapon, he finds a heavy ceramic-clay bowl that he intends to use. To hit Nelly over the head. He makes sure the store is empty and that Nelly has her back turned so he can lock the door. Once the door is locked he pulls down the window shades. Once this is done he turns in her direction while her back is still turned.

Samael: [hitting nelly over the head]

Nelly: ouch!

(Narrator):
She falls to the floor!  Samael starts talking loudly.

Samael: I’m going to rip her blouse and jeans apart.

Samael: [Tatter… rip………]

(Narrator):
He wants to show her how much he loves her and to show her that ignoring him and his presents will only ensure their relationship.
Nelly: [staring at him with utter fear].

Samael: [he pulls a blade out from the back counter and puts it to her face].

Samael: I’ll cut your pretty face then no one will want you or look at you. You will have to come to me for comfort I’m the only one who will understand.  

(Narrator:)
Nelly looks up at him crying and pleading for him not to hurt her, that she does not even know him so what could he be talking about? Suddenly Samael reaches for her and strikes out at Nelly’s face, leaving a bruise that causes her to scream out in pain.

Nelly: [ouch!] Please don’t no more.

(Narrator):
There is a sudden silence as Nelly realizes that Samael is crazy and nothing she says or does will make a difference. As Nelly remains on the gray tile floor of her shop with Samael hurting her, she gets a sudden burst of energy, and she starts to fight him to break his hold over her.
Nelly: looking around where she lays for something to use as a defensive weapon.  That will allow her to free herself, to get to the green wooden door of her shop.

(Narrator):
Seeing a statuette of a flower in a *** Nelly grabs for it. She slams it into Samael’s face. Gaining her feet, she runs to the door trying to open it in order to scream for help.

Nelly: [screaming at top of her lungs].

Nelly: [ha………]

Nelly: help! Help! Somebody help me please!

(Narrator):
Samael stopping her, throwing her hard against a red wooden shelf. Then taking this same statuette he hits her even harder than before, only to realize that he has just killed her. The sound of Nelly’s fall so close to the door causes the neighbors near her property to turn the lights on in their homes.

(Narrator):
Samael: [seeing the lights turning on in the neighborhood becomes scared. Running for the metal door in the back of the store, he takes off down a dark alley way. Just as this happens, Lorelie, a neighbor and friend, opens the store’s front door. Coming inside, she steps forward to turn the store lights on. Suddenly seeing Nelly’s body lying on the cold tile floor with her head smashed in, her body at an odd angle because of the way she is laying and blood pooling around her, she also sees strange foot prints that don’t belong, and then she screams.]

Lorelei: oh! Oh my god! Oh what has happened?

(Narrator):
Lorelie’s screams cause Ollie, who lives across the street, to come running over to the store. When he gets to Lorelie’s side he sees what’s wrong and starts looking around trying not to disturb anything. As he is looking around trying to find out what has happened to Nelly he turns to Lorelei.

Ollie: Lorelei call detective Walter he will help find Nelly’s murderer

Lorelei:  pick up the phone calls detective Walter

(Narrator):
Ollie continues looking around the store. He finds the ceramic-clay bowl broken, and the statuette believing that in some way they are the answers to Nelly’s death or at least a start. Turning back towards Lorelie, he sees that Walter is coming up the street with Beatrice, his partner. Ollie goes outside to meet them. The detectives come into the store called Crystal Fairy, seeing the dead body of Nelly. Like Ollie, Walter starts looking at the scene around him noticing specific things. The turned over book case, the broken bowl, and the busted statuette, but most of all the back door gets his full attention because that’s where the ****** footprints lead. Leaving Beatrice behind to ask questions

(Narrator): enters Walter

Walter: [following these footprints outside and down the back alley. These prints lead him to a house’s back porch. There he sees more ****** prints and comes to the idea that the person who is responsible for Nelly’s death is inside.]

Walter: going into house [squeak- silent slam]

(Narrator):
Inside the house looking around, listening for any sounds and sudden movements. A sudden sound catching his attention, he looks up to see a cat jumping from a window.

The cat: [thump, bang thump again]

Walter: [making his way down the hallway and up the stairs, sees a door to his left with lights on.  It opens with a slam.]
Sound of door: [crash…]

(Narrator):
Samael rushing out at Walter with an iron bar.

Samael: [swinging the bar. [Swish……..] missing]

Walter: [stepping back, moving out of the way].

(Narrator):
This causes Samael to stumble and fall down the stairs, crashing to the bottom.

[Enters Beatrice]
Beatrice comes through the front door she sees Samael and goes to check him out. Walter and Beatrice pick him up off the floor, waking him up; this causes him to start confessing to what he has done.

Samael: [tells them that he was only trying to show his love to Nelly, but that she wouldn’t listen and thus he had to **** her so he could have her to himself. He didn’t want anyone else to love her or for her to love anyone else either].

(Narrator):
The detectives hearing this confession look at Samael completely surprised that he would confess so easily and without having to be drilled about the truth. But what gets their attention is how he confesses.

Samael: I love her; she would not see me or love me back. I just want her to see me.

Beatrice: So you frighten her and torture her, then **** her.

Walter: Beatrice, he’s crazy can’t you see that. We’re wasting time.

Beatrice: I know he’s crazy. I just feel sad that he could be so stupid and think that killing someone shows feeling for them. Poor woman, she was so young.

Walter: From what I could get from the neighbors, Nelly had just moved here after her grandmother’s death due to inheriting everything. Her life was just getting stated.

Samael: I love her; I’m the only one who can.

Walter/Beatrice: Will you shut up already! We get it. You love her so you killed her.


                                                                The End

Says Vernarth: “Khaire to my beloved beings that surround me, including my ***** that move their tails to the rhythm of my awakening. To you my dear Brother, I stayed with my ceramic asleep and I could not sip from the last harvest of ideas and its temporary forks, which came from my parapsychologies. I am delighted among these blankets that smell like cornfields that prevented me from seeing him closer when I already had them in my hands. Now I not only see beyond what my arm measures in its omega, where my own estimating what flower I have to carry and see what it will have to carry in me!

Once upon a time, seven donkeys woke up, the first one who did it went to look for bread, milk, and honey, the second played the tambourine for his master, the third sprinkled the flowers with holy water, the fourth was vernacular in the others, the fifth was in charge of carrying stones and logs in bundles to make the elbows and the masts of the beams, the sixth reconciled the morning with the sun to have a clear day, and the seventh brought the akratismós on a tray, which brought a colt on its back and in a wineskin, bringing juice from the Procoro winepress and Akratos wine, which the colt eventually moved with its leg so that it could be served. Seeing that he gave signs of awakening and opening his bleary eyes, the seven of them laughed and brayed when they saw that he could not hold himself, but when he saw one of them who had had temporary amnesia, he faced him in the sunny morning so that he would face to the wind from the coast that began to bring them figs, like an Ariston or early lunch to strengthen him on his head, more remote of all because he thought too much. The third donkey would make two tortillas from neighboring cornfields that had just been baked, these he used as plates or trays to roll the fruits, vegetables, and barley bread. Vernarth laughs along with them and hugs them again. The containers that accompanied him had the solidity to fill with a few liters of water enough to bathe, after having fiddled with the ******, which reminded him of Orion, but of the meatus that would now be used to ink the thread of the spindle, which pretended to be divine. with hemp and cotton to rub the woods that he had destined for the main timber of the façade. Then he puts on his himation and on it the fibula that protected the serum from his right shoulder. He takes some pieces of logs and lights a bonfire to cook infusions and chalks of his personal medicine, from the collection of his private demiurge, Borker. He placed his tools behind a florilegium, where he received his astragalus by means of his jumping donkeys, and sometimes they would turn around him for hours to soften his immediate floor so that he would not be bothered by the rubbing of the grass and his pectoralis would over-sensitize. But in the end, they traced with him as seven divine golden numbers, which were added one next to the other, for each birth of his mother having to use a third of the womb to shelter them, like equid specimens in their 14 months of age. gestation. As if they were pollen sacs that were the origin of the androecium of all creation in the gynoecium sector. The morphology of this analogical floral relationship alludes to the anthos or flower that matures in the expression of the animals that surrounded Vernarth, and its filaments that derived from the spindle and its promised threads that connected with the fertile connection of the donkeys, making present the cellular magnetism of father and mother for them. Almost like a sordid weight that could not be supported in his genome, it was the serum that sweetly emerged from the nectary of his shoulder, rather close to the sternum, but his burritos produced good moments of the company for him, knowing that if he ran his hands over his satin back, he also longed to ***** the bristles of his stiff hairs, which decided his species, like bristly donkeys only pending his immunity.

Saint John and Etréstles approach and they say to him:
Etréstles comments: “It is said that I must be near you, just as I was in the forests near Piacenza, or after setting sail from Sardinia or Hylates. Then arriving on the coasts of Florence, La Spezia and finally Genoa, it is said that not far from here in Messolonghi, there are books that are written for you, they are wonderful, and everyone reads it, it is called Vernarth Alexandri Magni Macedonis officer Primum "Vernarth First Commander of Alexander the Great." It is said that there is a dispute over the guarantee of your magical verses for those who write it and for those who read it, as an experience that most pleases those who transcribe it because when you stop your verses, they mention that their infantry tale has not reached them. , which is being reborn in all necropolises, such as the Koumeterium of Messolonghi. It is said that there is an extreme reason for unity in the Divine Number of Gold that extends through the seas of Troy and Athens, in the patronage of Fidas for his agora of with the disciple of Agoracritus. It is said between June 21 and 24 the Sun or Shemesh for you, it begins to move away and flushes in its suspicious perihelion, it is said that we will dance in the sacred space, and Archimedes will dance together with us with his Elves, and it is said because I say it! We will have Mother Nature knocking her down at our melted feet, full of ****** Bern olive trees and rotten grasses that announce the freedom to be united, together with all the books in the world, under her great Hellenic library that will never stop going and running after the last leaves of the apocalypse "

Saint John intervenes: "My half reason, is my whole heart, my whole heart is my extreme half, which totalizes the segments of the magic of always surviving and resurrecting in the golden number, thus its length squeezes the shortest way to go behind of the donkeys and lose their memory, if not half sheep of my reason and my heart guiding them "

Neither the Oniros duo nor the third would impede Verrnarth to embrace them, but he was in his purging, behind a severe veil, but from the ductile ectoplasm that already separated them from their ethereal physical plane, it was only possible with donkeys to pass from one dimension to another. other. Thus the arcs of the circle of the sun surpassed the rule of being contained in the supreme analogy from above and below, only the points of ab / cb went beyond the spiritual eclectic portal, to attract them to ab / ac, hinting at the midpoint of the Equidae that brayed to thank Saint John for the Apostle who could be close to him and caress his ears, which were the highest and golden point of his omega garden.

Draw hither golden blade , brother to sassafras and veronica
Purveyor of delicate , sanguine architects in pastoral visage
Of ebony cloth cooling evergreen shadows within -  
Rosin incense , spearmint infused morning dew seasoning
o'er felled timber escarpments , Summer rain infusions of
petit , lavender violet corsage and August whimsy
Petrichor , Persimmon Clover bouquets , juvenile , song filled
brook-sides , poetic diamond studded sandbars , Chattahoochee
Crayfish , Shellcracker , Blue Heron land of Creek and Cherokee
fathers
Of Towaliga , Bear , Moccasin , Indian streams
Emerald swept low country isles , songbird arbors , peridot waterways
beside whitewashed shoreline* ...

How kind the early day came
smiling through our window
soft as yellow, pale blue shone through
lavender infusions of deep indigo
a scented morning tea, this herbal garden

awake from dreaming, night is weaving
it's final star into the dawn
we are sleepy as flowered penstemon
waiting for the gold of sun

our hearts open
lotus flowers floating
ever peaceful
this tranquil
pond

Once a month the doctor visits.
She makes her trip inland, driving from
her coastal town to our village
hidden in the hills.

Here, people rarely get sick.
They say whatever's carried in the wind
stops them getting dizzy in the heat.
They believe in the hills,
gifted with sweet smelling herbs
waiting for the miracle of alchemy
to transform them into oils, infusions,
syrups and decoctions-
feverfew for headaches, fennel for digestion,
lavender for dreaming.
The doctor's young,so has an open mind.
Never critical, she's always willing to listen.

Most days, she's woken by the ocean
on its way to demolish the dunes.
Dragged back by an invisible force,
it roars in frustration, straining
like a tethered beast demanding
to do what it pleases.
But Earth won't allow it just yet
and the ocean knows who's in charge,
the rules will change only when She decides.

The doctor's irritated.
She can't see the ocean any more,
her view's obscured by unfinished business-
silent carcasses of half-built villas.
She can taste the salt.
Feeling trapped, she would like to find shelter
in another skin.

But today, her cure is in the hills.
At her door, she waits for the mist to lift.
It whispers there are other choices.
To unlock another door while she still has time.

                     *

In each on of us there survives an intuitive preference
for all things natural. The great continuum of life that
contains and sustains us.

copyright © Caroline Grace 2014

swim in the redness of the fruitility
that leaks itself like perched pedals
falling
exuberent/ burgundy
pale and translucent like the water in pure places
from your
wrists

tuned into the old jukebox
laughter shining things like
why wasnt I around when this was invented
right here, eyes pressed upon that sky
belittled, torn like a rag placed upon a tree of thorns
then tugged

reality breaks the seal
people put up shutters to block out the noise
they knew it wouldnt hit hard
but these animals think they are of some greater
power

its my turn, thoughts scatter like ants on the dining table
I grab my Q and gently hit the 8 ball, I remember when that man told me
to always go soft arrogance never got nobody somewhere good
I miss
was that a lie
?

perched on the stool going into reclusion in mind
what if
what if
the world was filled with nothing but
sylvia, anne, khalil, ghandi, Vincent Millay,
olds, ginsberg, abraham, lennon

what if our energies never fluctuated
in the nervous patterns that lead to the
exhaustion and you never let yourself fall
into that place we as writers promised to never
be,
driven far from complexities
tuned into conventional
inspired, but not really inspired

I bow my head farewell
smiles brought forth to my lips
as the positive is extracted
stable lives
t.v nights
no fights

redeemed when looking in the mirror
touching
your cheeks
rubbing your thumb on your lower
lip, examining all of those things that make you woman
that make you beautiful

everyone is beautiful
lovely tunic in their own way
let it be one small characteristic
one disposable action
one smile is a charity given

pride presents wistful sayings of abloshied tyranny hidden between
your gracious lovers and those 3 stars viewable from any place in the world
men with eyes full of hatred glanced upon them
children with tears in their souls

I loosened the knots of active  promiscuity drawn on the
face of the most indistinguishable and demonic paintings
hung in the highest places in my living room/ I burned the house
ambrosia dripping along my legs,
your mascara, scarred on my fingers
lipstick smeared on vintage walls fill the narrow
hallways in the bones of beasts sitting in high trees
in the alabaster forests of our dreams

laying so still, motionless
afraid to speak a word
one finger might break your skin
then eyes light
and smiles are emitted
like beautiful wedding nights
where its raining, no clouds
and a full moon

depart fruitful stances
I sit dreary in the airport
what summer love may summer bring
upon me, discreet soul
blackened tongues
long nights, made short
gags and hands thrown in the sky
kiss you
pretty
goodnight.

I walk away from the pool table, lost second time in a row
who cares, I have time to get better
maybe next time I should halt random infusions
pause my unstable mind
for a poets thoughts such things are considered
a crime

after an oil spill mowed the lawn
for eleven an hour,
tiny migrants crowded the greenhouse gate.
the bug ****** moonwater muddied
the steps of the tenderhearted
community (of seed undertakers),
and made its way by means of caked rubber
into the cytophotocycle,
where the moonwater volatilized.
liquid volery.
vivid luck.
awoken like post-dream nap perspirants -
oneiroceiving precipitate;
the greenhouse grew murals in condensation,
the accidents si quieros.
a misty opacity attrited
like deskinning a spider,
with a definitude of exo scaling tons;
memories shed,
shies misled.

        ⌂ the greenhouse stands where a glacier once
        slipped, clumsy as steadfast could be.
        foreign fruit fits inside it.
        it knows not what it grows.

        🌢 the moonwater was salt-lipped for a while.
        where it passed through, it was soiled.



you’d be surprised how many things hit glass.
the moonwater didn’t realize what volume
seizes space
until it heard its kind on the outside. from the inside.
Venus has a reassuring kiss when a drone is dampened.
there were three rows for puddling;
one for naps,
one for not naps,
and one for knotted gnats laying hot eggs
in lustrated bloom.
flume frustrated.
somewhere far up the chain, a worn-out manager
ordered inventory off-brand,
and enchanted a horticultural hobbyist.
the devil is ennui and god is curiosity.

        ⌂ there could be a greenhouse next door, but
        it would be an accident, a leaky shed
        with errant sprouts.
        as it would seem to my lustrous heart.
        lagging and callous.

       🌢 the moon was uninterrupted that night.
        mighty sky drifters never passed between them.
        like a parent with patience or a friend with faith.
        like a husk that stole your pose.



the maceration was mutual with leaky infusions
of purpose and imagination
materializing into groundskeepers
that tamed the pressure of an ever encroaching periphery.
one time the moonwater nearly fumed its way dry
after a political candidate entered the greenhouse
with scissors promising bonsai.
but pesticides pass by.
and pictures of fabric mean less than bird song
or beetle guides.
for the frame never mattered to the moonwater.
no more than a furnace in winter,
than a flower in summer.

        ⌂ when it comes time for the greenhouse to deracinate,
        to throw her vines like limbs over garden walls
        and access roads, eye to eye with cumulus
        monoliths; her moonwater sweat will slip
        through the glass glue and slide down to
        her fingers . . . to feel what she feels

        🌢 i love pooling here
        🌢 i love steaming and raining here
        🌢 i will love being the halo in your refraction

Stormy day , rising , pollen laced puddles
Obsidian , squally countryside backdrops -
with aromatic Wisteria infusions , humid , sunbeam fueled -
certain windstorm conclusions
Citywide , asphalt stained vehicles , rain engulfed curbside -
rivers at full pool , diesel fumes swallowing available air
at four-way intersections
Discarded paper , eastbound swayed hardwoods
Snapping flags cry out in brief , turbulent episodes
Evergreen needles at hours disposal
The mechanized voices of late afternoon
travel and corruption

Within the swirl of a dry white
Its reflection of tear drop etchings
The crack of an ice cube against warm gin
Inside the heat of *** spice
I am reminded of you

Between the sleeves of pressed vinyl
Inside its gatefolded impressionism
The hushed thoughts hidden against the words between the words
Within the gravel of a voice in blue
I am reminded of you

Lost in the folds of dog-eared literature
A finger under a delicate dust-cover
The first reading of Graham Greene, circled quotations of love
Formed body of text read in your voice
I am reminded of you

Awakening aroma of peppermint
Livening lift of lemon and ginger
Streaming in the spice of Thai latte infusions
The sweet taste of apple crunch
I am reminded of you

In everything, I see you.
It is the reason I look

So many thoughts flashing before my eyes,
So many ideas hovering inside my head,
Neurons and synapses reacting with lightning speed-
Fleeting moments of euphoric and neutral moments,
The subconscious is not subjugated anymore,
Taken over by the series of parallel journey of thoughts;
Never wanting to meet, but not willing to end either,
The powerful laboratory where ideas are experimented with,
Thoughts seem to travel faster than lightning speed,
Not able to grasp the roller coaster ride with upheavals;
Holding onto the norms and the usual dogmas for semblance,
But time has come for the cataclysmic events to occur,
As if to break the shackles of the mundane and the regular;
Unadulterated by the infusions from the external ideas,
The experimented thoughts have matured to a new level;
The time has come to dislodge the ages of darkness,
Where the mind thinks without the fear of being reprimanded…



© Amitav (Radiance)

Again,
And again.
A mind empty ,
Now full of dread.
Thoughts of confusion,
Moments in illusion.
Following an order
From strange intrusions.
My mind is chaotic
With harsh infusions.

Feelings they urge me,
With wrong solutions.

The bay of Patmos brightened in the scaphoid Trinitarians of the Colosso de Apsila, the combustion of the alma matter constituted Solomonic vademecum until the rebirth of those who preserve their sclera that accompanies their cruel torments in muscles of passion, for those who prostrate and recline on the pain that the soul itself asks to alleviate morbidities in the hay that grows when nothing rises before the tragedy of the pious fragments that divide the heart of a Sufi. Everything pretends that it is religious epilepsy bubbling vapor of faith through the mouths of the gods when illegible gestures of stars shine through from others that are greater in light and form when chaos was first, and the darkness became entangled in chaotic truthfulness of what converts the sacramental guarded by the angel Iblis. Judas Iscariot was a hybrid to dissent from Asmodeus, taking him from those fates of the firmament that had six apices, thus enrapturing him of the Siblis who had gone into exile in the caravans of Morocco, then falling from the despotic saying that shook the heads of the Achaemenids indicating anticipated conversions of unbelievers, when seeing that the six vertices of the first star of subjugation were declared, coming behind the second-star splint that was made up of other hexagons taking out ruinous cults that lay in the infertility of skepticism, not tolerating interpositions in any other way. Everything indicated that the light of the Shamesh of the Ruach Hakodesh in the roadstead of Patmos could already be asserted so that all the fires of the fertility of the Holy Spirit waving a loud voice that raises the worlds in the ablutions of the effluvium, with the emissions of Delphi, and with the lightning bolts of Zeus that would be encased in the scapulae of the Colosso de Apsila, silencing the delirium that only spoke out loud in those who did not know more than to hear in another sense, that avoids subsistence and where it grants more sap.

The Siblis says: “with my hands, I take what remains of life, and what will remain I will put under my comforts where everything will speak with withered corners of the lullaby, and of what the asylum of what it despises. Thus, everything that comes before the fourths happens to the fifths, and I subtract them from my hell, Iblis. The deities are withdrawn and the almighty is constrained further from the clouds that shelter the consciousness of the burning, and from the rays that exceed a thousand volts and more lights with large megawatts over the wings of the body that will experience growth, when it is a dream may he remain alive on the one who is at odds and is knocked down by his gesture of triumph that never annihilates, he only hangs on the body that is defeated "
The high tide was decomposing in degraded red blood cells, strangling bodies that were banned from their automaton skeletons, and from what was sacrosanct of Allah, which was also of the Mashiach, making a refuge that would make bones rest for more than thousands of years that did not rest. In the forging of a bronze frame, leaving every paradigm to the patronage of the amulet for anyone who suffers merciful debasement of the talus, beginning to flare up in the fords of capsular phototropism, leaving on them springs that cause and fill hearts that do not pulse, but if after an acquiescent nucleus of the rarest corporal alive or not! Praising what he writes by himself when for thousands of years everything has separated us instead of joining the immense room called Megaron Áullos Kósmos, eminent, free of all symptoms where impudent politai paraded through the flattened flowers that mix monstrosity of their cheers and the strings that surround him elliptical from the perihelion far and reviled and dangerous preventive. What exceeds the stature symbolizes the wrought iron that in a series of thousands becomes siege weapons instead of farming, and what the high sword invests leaves its merit when it discovers the weapon of punishment, cut off in deaths that are crossed when revived. from the same edge of the converted spirit of the one who wields it. The pairs of symbolisms protect almost depopulated those who have dwellings in paradise, with bent consciences that ****** Xiphos of conversion into staves of a mortuary color, which mutilates the mezzanines that are typical of a black cane exiting the human figure. The ruins produce architectural syncope that concerns the ineptitude of the castrated humanity of the Berith Milah, as a baptism of ancestry and circumcision slicing courses of arteries that fragment hemispheres of reason to found adherence to who really lives in you ..., if Hanael or another who has always been livid in you without becoming fatigued at the disposition of calling you a degraded son, materializing spiritually and becoming symptomatic of prevalent shocks by having them exulted by ancestral kindnesses.

The resentment caused planetary rumblings and extreme unfolding that sprouted from the exact diameter of its joints, leaving the grasses connected to neurosciences that slaughtered at dawn, and collected the expiation of what it is not capable of resisting in its faded sacrosanct body when all they were going through the drain of Judas Iscariot. Reflecting majolica and boches encrypted in themselves, withdrawing from the incense, from Hellenics who have never stopped beheading spheres that doze in the oasis where the water seeps through meadows that fill creek beds, apriorism of infusions that are injected where the meadow do not flee! Patmia was the silence of the tabernacle superior to the sizes that annul all composure in the cusp and in the spaciousness, and if it were to be seen like this, syllables would be limited that they uttered their only cheers that agonized at the side of their enemy, gracing them with the pain celebrated in courtship linguistics in its parallel.

Judas thinks: “In the next dawn everything seemed as if the world had just begun to be reborn, the whole world appears as the greatest satisfaction in the world. Some wondered what had happened or what it was that transformed everything when they observed from afar when an image came that pretended to be further away from the whole world, encompassing the realms of abstraction. They are the hearts that beat far away and they think that the strong reason is supported by the stratum by orpheons of angels, where the Master does not bother to teach us that great dreams are always accompanied by great beats "

Dreaming in Moonshine  
Soaking into songs heard only through  
The vibrations of insect wings  

Breathing in their scented infusions within a double scene inside another unfolding painted image of what appears to be
A still depleting life  

Casting shadows over my restless thoughts of both promise and deceit which constitutes the inner fold of what is love…  
the counterfeit of existence
that lends itself to real
What is real (in my world)?

Coming forth to me
in moments in phases from
within  
the possible  
  
That lingers until the end of pond’s length  containing the infinite drops that continue to fill it up  by the immaculate hand of heaven’s reach  
entrapping the limits   that give shape to such incongruity  

(There  are always limits in the future even though there are so many possible ones in life- even if there are so many possibilities for us to see, to understand, to believe in, and to experience)

Traipsing into waters unknown  
I learn the diligence of the dragonfly who hinges  
on existential wings  

On this journey of trial and error  
I discover freedom wholly through the mystification of my own will and the emancipation of choice
only to be surrounded by the empty court of judgment  


Seeing through buzz eyes  dripping in nectar  
an opalescent tune raises its brow  
to trigger  
The wind, which blows against the tenderness of heart yet calm and  
(flowing) as if through a wand  

swaying in the glory  
that fate whispers in between the spaces of anorexic branches meeting  


How can the iridescence of a sound, of a single word

Press with such kindness and bathe in such grandeur  

I am amazed by the purity; by the simple beauty of this world  


I recall someone telling me that just once in your life do you meet

the one who gives you the belief you never could find


The deep  

stirring  

(surge)

of your spate  

running inside  

the cord of your spine

How is that I am free today?


I wish for immortal meaning :


(self- reproach)  

does not lead to fill me  


Questioning …

but simply knowing  

the stars  


As they look to me  

and choosing not to shine  

on skin  

not even  

into eyes of gold


they look down on me

mocking insecurity  

This is my reality at its core  


As they move  further  
in between their departing  


within a space  

of sky  

do they laugh  

subconsciously  

behind  the falsity

of a perfect smile  

looming  


while the moon just sits up straight  

and smirks beside  

with faint and covered faces

squinting eyes  


Never  hinting

that this could all be just a dream  

Unjust Inside these walls


But I know like a dream they will return  

to keep me company in the mist (of shadows)  

of a nightmare inside  

I’m now in battle
to avoid                                                            ­                                                                 ­                                 


At times I feel slighted  

yet wholly redeemed  

I feel respected  yet abused beyond all things

and sometimes it feels like I’m standing in front of the altar alone

(on the edge of the dock)  

peering down at everybody I’ve ever known  

about to dive in  
to land on slippery greens floating swiftly in between (the ripples)

I feel chosen
Yet  
I feel unseen  

Dispraised for the things I’ve done

feeling no pain

do I fade...

Away  

into the lambent (lucent)mist of efficacy:  

into the Elysian fields of transcendent virtue  


And there do I become everything I’ve ever loved, everyone I’ve ever known  

Only knowing that Love's darkest form is that of deceit in the illusion of each day, I am still. But more than that, I am still alive.
Thank you for saving my life.

Toxic is our love, all tangled and torn
Poisonous are the words heard by these ears
Like a prisoner of war, all shaven & shorn
We are left to give voice to our fears

Toxic to the touch, laced with vindictive venom
Hands once caring, gentle are now groping claws
Tearing asunder, clawing through to the very marrow
Words uttered through once soft lips, now vicious maws

Toxic chasms of doubt, churning with betrayal continuously
Boiling, bubbling over with acidic intention to indenture
To move this past the once well intended intentions
Now exodus to darker lands, black, no place to venture

Toxic infusions of gaseous invisibility, rendering us inadequate
To the once, simple, easy flowing process of unconditional love
This to, now comes with ifs & maybes, a sad, lonely banquet
Of light never moving, where the dancers are left inky black

Toxic is the stench of this of this once fragrant existence
For controlled by lust for power, to be the ultimate one
To rule over all you deem to have acquired through pestilence
Lies, pain, twisted fates, destroyed dreams now in state of oblivion.

Toxic is your touch,
For you ask to much
You have taken everything there is, controlled it
Moulded it, to your perfect ideal of illusioned existence

Locked in a cell block of human live stocks
You can stuff it with ballots or build it with blocs
But the freedom you dream of is just an
allusion
To Malthus preclusions foregoing infusions
Of classes and races and genders and creeds
And the wanting more needs that democracy breeds
When we re-elect greed so it regulates voice
And then blows out our brains as it propagates choice
In the form of a cycle of wage-enslaved debt
Still trickling down into your glass of forget to regret  
Politician magicians use sleight of hand theft
To empty both pockets, the right and the left
And campaign on the same cheaters running the game
Who off-shore account lion shares of the blame
For the blood as it leaks on the bills from the ceiling
Their crimes are 9/10ths of this court of appealing
Back door patrol dealing like pimps in a club
Made of rolling green Edens on Earth and above
Who deny us so much as a crumb of the cake
That we eat so much garbage it stops tasting fake