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"gibson" poems
“You just need to know this is the first time I’ve ever done this without looking for an exit row. And I’m pretty sure my seat can’t float but I’ve already fallen from the sky for you, Already said no to the parachute, Already told my mother you curse like a sailor and you love like the war is finally over and you have just come home and you are running down the dock in the harbor and you’re screaming my name. You’re screaming “honey” and I’m screaming “don’t trip” and you’re screaming “honey honey” and I’m screaming “baby don’t fall down” I am running for your red lips I am running for your red heart With my red heart Red as a Mississippi sunset Honey”
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Apr 27, 2015
Apr 27, 2015 at 4:24 PM UTC
"Honey" by Andrea Gibson
Swept into a space too small to hold me. His eyes put me there at first glance. The containment welcome as I had to catch my breath. Mesmerized by the shape of his features! Oh what a beautiful man he is. Everything about him screams alive. Swept into his land of him and the pleasure he gives. Held close by his attention and sweet words. His allure carefully crafted with his heartless soul. Mesmerized by his amazing mouth and touch. Oh what a beautiful man he is. Everything about him screams desire. Swept into his land of lies and deception. Confusion is abound as I hit the ground. No longer blind to his games and fake love. Mesmerized by my inability to make truth real. Oh what a beautiful man he is. Everything about him screams need. Swept into his land of pain and sorrow. Reality is so hard to maintain in my mind. His web woven in captivating moments. Mesmerized by the memories of us in love. Oh what a beautiful man he is. Everything about him screams mine. Swept into his land of closure. My feelings slowly matching the reality I despise. The need for him fills every inch of me. Mesmerized by how weak I've become. Oh what a beautiful man he is. Everything about him screams player. Swept into his land of done. He won't give any part of him to sooth me. Nothing he has is for me as he is over it. Mesmerized by my lack of composure. Oh what a beautiful man he is. Everything about him screams deception. Swept into my land of reality. He is gone and I am so alone. Cut off from the ability to find new love. Mesmerized by my denial of his lack. Oh what a beautiful man he is. Everything about him screams ouch. Becky Jo Gibson 2-26-16
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Aug 24, 2016
Aug 24, 2016 at 3:32 PM UTC
Oh What A Beautiful Man He Is
Swept into a space too small to hold me. His eyes put me there at first glance. The containment welcome as I had to catch my breath. Mesmerized by the shape of his features! Oh what a beautiful man he is. Everything about him screams alive. Swept into his land of him and the pleasure he gives. Held close by his attention and sweet words. His allure carefully crafted with his heartless soul. Mesmerized by his amazing mouth and touch. Oh what a beautiful man he is. Everything about him screams desire. Swept into his land of lies and deception. Confusion is abound as I hit the ground. No longer blind to his games and fake love. Mesmerized by my inability to make truth real. Oh what a beautiful man he is. Everything about him screams need. Swept into his land of pain and sorrow. Reality is so hard to maintain in my mind. His web woven in captivating moments. Mesmerized by the memories of us in love. Oh what a beautiful man he is. Everything about him screams mine. Swept into his land of closure. My feelings slowly matching the reality I despise. The need for him fills every inch of me. Mesmerized by how weak I've become. Oh what a beautiful man he is. Everything about him screams player. Swept into his land of done. He won't give any part of him to sooth me. Nothing he has is for me as he is over it. Mesmerized by my lack of composure. Oh what a beautiful man he is. Everything about him screams deception. Swept into my land of reality. He is gone and I am so alone. Cut off from the ability to find new love. Mesmerized by my denial of his lack. Oh what a beautiful man he is. Everything about him screams ouch. Becky Jo Gibson 2-26-16
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43
High Anxiety takes another look at the sprawling quilt of life weighed down by pounds of gear and wonders if leaping from the plane is worth the ride
0
Nov 13, 2012
Nov 13, 2012 at 2:19 AM UTC
High Anxiety (not based off the Mel Gibson film)
—for Mariel She sells 2 sole paltas beside street vendors who whistle at crop-top-clad girls, spewing profanities complete with broken English. She has four girls hungry at home. They dream of science, stars, constellations that spiral and sparr with particles that make us what we are — interrupted by howling dogs, the 5 AM tamale man, and stray **** crows. Amid dust-clouds of Zona D, the sun arrives over the peak Luis claims once exposed his innocent eyes to an angel: one tale of faith raised on culture come undone presently. Poet Andrea Gibson writes, “I said to the sun, ‘Tell me about the Big Bang.’ And the sun said, ‘it hurts to become.’” At dusk, Mariel takes a Combi out sixteen stops from Quince, up 302 steps to a turquoise shack and a red rose garden, and plants avocado seeds at her toes. Poco a poco, se anda lejos.
0
Apr 4, 2015
Apr 4, 2015 at 10:59 PM UTC
"Little by Little, One Walks Far"
Last week, among friends black and white, among some discussion of protests in Ferguson and the related looting of stores, I invoked the word. It was an admission, in a round of confessions, of something about myself that I didn't like: that I had perceived Michael Brown in that way based on his possible participation in a strong-armed robbery. When Travon Martin was in the news, I was inflamed like many others who wanted George Zimmerman in jail for ****** The outcome of that trial was an injustice, I was utterly certain. Why does this case in Missouri feel different? More importantly, Who is inside me that still wants to rise in defiance of 48 years of learning how to be a better person, a person without prejudices, stereotyping, labeling of others, hurtful language? Where is the hippie girl now? How does she live with this other person? Am I Sterling, Gibson, a hater and spewer of viciousness, a lover of separation and separateness, that I should invite damage to my own relationships with those I love and cherish and respect? What is a **** but a bully, and what is a bully but someone who pushes words around like weapons, spits them out indiscriminately, so that they land on the already bruised heart and set it on fire. Whose heart, besides mine, now sits in smoke and ash, with that word like a brand still sore and permanent, having been spoken aloud?
0
Aug 25, 2014
Aug 25, 2014 at 11:44 AM UTC
****
To know just where your're going You must know where you've been You must respect the history The things others have seen It's true in all things relative Be it music, sports or life If you don't know where you came from You're just dancing on a knife Gherig, Ruth and Robinson May, and Mantle, Seaver too Respect their contributions And don't just say Ruth who? Respect where things have come from And the players of the past Because you learn and make things better It's what makes the **** game last Jimmy Foxx, Bob Gibson, Kaline Nestor Chylak and The Goose They made baseball special They gave the game a little juice Orr, Richard and Gretzky Gordie Howe and Howie Morenz You have to know about them You need the beginning to your ends Bob Baun and Bill Barilko Connie Smythe and yeah...the Chief You have to know their history They're what it is to be a Leaf The game has changed immensely Things can not go back in time But to me...the old alumni Made the game I know as mine Respect the ones before you The ones who laid the groundwork down The ones who made it special The non-pretenders to the crown Elvis, Buddy, Harrison Played the songs inside their heart Lennon, Wilson and the rest They all played a real big part Every single generation should learn from the one before For if they don't know where they've come from Then what has it all been for? Nicklaus, Palmer, Bobby Jones Sarazen and Hogan too They pushed the gameright to it's limits Now the pressure's upon you The new breed are the teachers now They're the ones to lead the way When twenty or so years from now You'll hear somebody say "Respect who came before you The ones who made us so **** proud LIke  Nash and , Perry and  Taylor Hall They played the game so loud Pudge, Jeter, and Verlander they brought it up a notch They were there to stretch the limits Not to just sit by and watch Rory, Justin Rose and Mahan Bubba, Dustin and the rest They are the players of the future They all respected the games best So, to know where you are going You must know where you have been Respect, past through the future And all that's happened in between.
0
May 4, 2012
May 4, 2012 at 4:49 PM UTC
Respect The Game
To know just where your're going You must know where you've been You must respect the history The things others have seen It's true in all things relative Be it music, sports or life If you don't know where you came from You're just dancing on a knife Gherig, Ruth and Robinson May, and Mantle, Seaver too Respect their contributions And don't just say Ruth who? Respect where things have come from And the players of the past Because you learn and make things better It's what makes the **** game last Jimmy Foxx, Bob Gibson, Kaline Nestor Chylak and The Goose They made baseball special They gave the game a little juice Orr, Richard and Gretzky Gordie Howe and Howie Morenz You have to know about them You need the beginning to your ends Bob Baun and Bill Barilko Connie Smythe and yeah...the Chief You have to know their history They're what it is to be a Leaf The game has changed immensely Things can not go back in time But to me...the old alumni Made the game I know as mine Respect the ones before you The ones who laid the groundwork down The ones who made it special The non-pretenders to the crown Elvis, Buddy, Harrison Played the songs inside their heart Lennon, Wilson and the rest They all played a real big part Every single generation should learn from the one before For if they don't know where they've come from Then what has it all been for? Nicklaus, Palmer, Bobby Jones Sarazen and Hogan too They pushed the gameright to it's limits Now the pressure's upon you The new breed are the teachers now They're the ones to lead the way When twenty or so years from now You'll hear somebody say "Respect who came before you The ones who made us so **** proud LIke  Nash and , Perry and  Taylor Hall They played the game so loud Pudge, Jeter, and Verlander they brought it up a notch They were there to stretch the limits Not to just sit by and watch Rory, Justin Rose and Mahan Bubba, Dustin and the rest They are the players of the future They all respected the games best So, to know where you are going You must know where you have been Respect, past through the future And all that's happened in between.
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68
I look at you In the photograph I keep in the corner of my room. I kiss your eye As I remember the way you smile And caress your cheeks And imagine your heavy breathing. I look at you In the photograph I kept in my back pocket Like a map a navigator should have To find himself Every time he’s lost at sea Knowing that there’s a “You” that lies ahead Knowing that there’s a “We” to share a bed. But circumstances aren’t like photographs. They change. And they will never be the same. This photograph In my hand Our memories use to fade Forgotten and unmoved The world walks faster than me Fear will sooner or later Eat me. Gulp me. And as I ran ahead Just to keep in line I just can’t stay Where you are all the time The photograph May fade But not your smile The photograph may fade But I’m still wearing the same smile
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Apr 8, 2013
Apr 8, 2013 at 10:48 AM UTC
Photograph (Inspired by Andrea Gibson)
I I stole my brother’s car and drove to Phoenix in the dark. The blue-green glow of dashboard gauges, the biting scent of roadkill and desert marigolds. Tap. Tap. Tap. Insects slapping the windshield, incipient rain. Keep driving. Drive until the sun blooms. II Some days were more dire than others. CCTV footage confirms I pawned a shotgun, a Gibson guitar, and my wife’s engagement ring at the pawnshop next to Fatty’s Tattoo parlor on MLK Boulevard. The typographically accurate Declaration of Independence inscribed on my back also confirms this. III I ran the tilt-a-whirl at the Ashtabula county fair, fattening up on fried Oreos and elephant ears, twisting behind tent ***** with a one-armed contortionist with strawberry-blonde hair. IV I derailed in a dive bar. V I disappeared in a city lit by lavender streetlights, where buildings blotted out the stars and the traffic signals kept perfect time. I picked through trash bins. I paid for love with drugstore wine. VI I closed my eyes on a mountain road. The sheriff extracted me from a ****** snowbank. VII I holed up for weeks in an oceanfront motel, dazed by the roar of the breakers. Each morning I drew back the curtains and lost myself in the crisscrossing patterns of whitecaps, the synchronous flight of sanderlings above the dunes. I dreamed of dead horseshoe ***** rolling in with the tide. VIII The moon over my shoulder tightened into focus like a spotlight. One night the barking dogs undid me. I caved in to the candor of a naked mattress. I grew my beard, an insomniac in a jail cell, clinging to bars the color of a morning dove. IX I coveted the house keys of strangers. X I opened and closed many doors. I sang into the mouths of storm drains. I stepped out of many rooms only to find myself in the room I just left. Despite all my leaving, I remained.
0
Sep 21, 2018
Sep 21, 2018 at 1:45 PM UTC
Escape Artist Sketches
I I stole my brother’s car and drove to Phoenix in the dark. The blue-green glow of dashboard gauges, the biting scent of roadkill and desert marigolds. Tap. Tap. Tap. Insects slapping the windshield, incipient rain. Keep driving. Drive until the sun blooms. II Some days were more dire than others. CCTV footage confirms I pawned a shotgun, a Gibson guitar, and my wife’s engagement ring at the pawnshop next to Fatty’s Tattoo parlor on MLK Boulevard. The typographically accurate Declaration of Independence inscribed on my back also confirms this. III I ran the tilt-a-whirl at the Ashtabula county fair, fattening up on fried Oreos and elephant ears, twisting behind tent ***** with a one-armed contortionist with strawberry-blonde hair. IV I derailed in a dive bar. V I disappeared in a city lit by lavender streetlights, where buildings blotted out the stars and the traffic signals kept perfect time. I picked through trash bins. I paid for love with drugstore wine. VI I closed my eyes on a mountain road. The sheriff extracted me from a ****** snowbank. VII I holed up for weeks in an oceanfront motel, dazed by the roar of the breakers. Each morning I drew back the curtains and lost myself in the crisscrossing patterns of whitecaps, the synchronous flight of sanderlings above the dunes. I dreamed of dead horseshoe ***** rolling in with the tide. VIII The moon over my shoulder tightened into focus like a spotlight. One night the barking dogs undid me. I caved in to the candor of a naked mattress. I grew my beard, an insomniac in a jail cell, clinging to bars the color of a morning dove. IX I coveted the house keys of strangers. X I opened and closed many doors. I sang into the mouths of storm drains. I stepped out of many rooms only to find myself in the room I just left. Despite all my leaving, I remained.
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49
Hey Harvey Wallbanger I’d like you to tie me to the bedpost, baby And press your fuzzy navel to my *slippery ****** Give me your white angel kiss and I’ll lie down like a brown cow While between the sheets you play the Italian stallion. Like a kamikaze pilot head for my pink squirrel Then give me your ol’ Alabama slammer And pack a *** punch* into that screwdriver of yours. I want a *screaming ****** That’ll send me to blue heaven. Wu Wu! So, don’t mention that ****** Mary* With her devil’s kiss, Or you’ll find I can give a snake bite that’s as deadly as a B-52. Instead let’s ride into the tequila sunset in our golden Cadillac For *** on the beach* And on the sea breeze we'll hear an old love song sung by a ‘salty dog’ with a Gibson And watch a tropical storm over Manhattan We'll go to Peppermint Patti’s café And order an Irish coffee and a large slice of cherry pie. Happy, after dark let’s drive home for a *sloe comfortable ***** with satin pillows* And fall into the sweet surrender of a summer dream.
0
Mar 6, 2010
Mar 6, 2010 at 7:58 AM UTC
Cocktail Order
Our bare, brief escape begins at the dance. Steaming, smoking animals moving chance that this ***** dancehall can yield loving. Drug crazed pickers rev up their machined Six string-ed orchestral Gibson guitars; Yow! All the hipsters are making the scene just now arrived in their late models cars. Adults aping adolescents boldy down drinks, belch bad beer and sweetly perspire while you seething, hot and so sensuous put my hand to your breast showing your fire. Baby let's dance! Let's have our fun!! Our brief escape has just begun.
0
Apr 25, 2015
Apr 25, 2015 at 2:19 PM UTC
Our Brief Escape
‘Apocalypto’ is a film set in a Maya civilisation and consists of a story that takes place in one tribe and how a passing tribe affects them to a degree of destruction. The story unfolds in a linear way of storytelling which is basic but still effective. From director Mel Gibson, the director of ‘Braveheart’ and ‘Passion of the Christ’. An underrated director of sorts but a great one nonetheless. Overlooked due to his acting career, he has been holding back on us as a director. The characters are set to be living a Mayan life and go about their days behaving as such but are rather generous and civilized for such an old race of people. They live peacefully and secluded until they interact with another tribe which brings about their downfall. And the way in which a Mayan civilization might go about solving problem as common as a natural disaster. Through sacrifices to the God's as a way to solve problems and mass results. Very accurate to the Mayan culture as well as the entire movie taking place without one word of English, all dialogue being said in the Mayan language. Another credit to the film. The directing style for this film is beautiful and flawless to say the least. No shaky cam used or hand held cam either. All fluent movement of the camera to create a great story, one that flows naturally. The use of camera angles is creative and different, using tilted angles to convey a certain mood and straight framed shots to convey another mood. The performances stand out as a huge positive, the actors who I have honestly never heard of give Oscar worthy performances. Mel Gibson uses unknown actors as not to compromise the film by the status of the actors. These actors and actresses give a hard performance based on body language and quiet moments, the enduring task of learning to be emotional through a foreign language. Which is why I would guess Mel Gibson used local actors who are more aware of the Mayan language than American actors. The set design is truly Oscar worthy in this film. The Mayan temples and tribe lands are captured perfectly in the sets for this film. Well build and suited towards the amazon environment. As well as good filming locations, using the wonders of the amazon rainforest as an advantage. In final thoughts, I believe that Mel Gibson is a stunning director with an eye for detail and a beautiful visual director. A director that can produce great work. ‘Apocalypto’ to me in the near future will become a period piece masterpiece. A tale of survival and dedication that will live on through the ages. Rating: Film - 8.4 Personal - 8.9
0
Sep 29, 2016
Sep 29, 2016 at 12:02 PM UTC
'Apocalypto' Review
‘Apocalypto’ is a film set in a Maya civilisation and consists of a story that takes place in one tribe and how a passing tribe affects them to a degree of destruction. The story unfolds in a linear way of storytelling which is basic but still effective. From director Mel Gibson, the director of ‘Braveheart’ and ‘Passion of the Christ’. An underrated director of sorts but a great one nonetheless. Overlooked due to his acting career, he has been holding back on us as a director. The characters are set to be living a Mayan life and go about their days behaving as such but are rather generous and civilized for such an old race of people. They live peacefully and secluded until they interact with another tribe which brings about their downfall. And the way in which a Mayan civilization might go about solving problem as common as a natural disaster. Through sacrifices to the God's as a way to solve problems and mass results. Very accurate to the Mayan culture as well as the entire movie taking place without one word of English, all dialogue being said in the Mayan language. Another credit to the film. The directing style for this film is beautiful and flawless to say the least. No shaky cam used or hand held cam either. All fluent movement of the camera to create a great story, one that flows naturally. The use of camera angles is creative and different, using tilted angles to convey a certain mood and straight framed shots to convey another mood. The performances stand out as a huge positive, the actors who I have honestly never heard of give Oscar worthy performances. Mel Gibson uses unknown actors as not to compromise the film by the status of the actors. These actors and actresses give a hard performance based on body language and quiet moments, the enduring task of learning to be emotional through a foreign language. Which is why I would guess Mel Gibson used local actors who are more aware of the Mayan language than American actors. The set design is truly Oscar worthy in this film. The Mayan temples and tribe lands are captured perfectly in the sets for this film. Well build and suited towards the amazon environment. As well as good filming locations, using the wonders of the amazon rainforest as an advantage. In final thoughts, I believe that Mel Gibson is a stunning director with an eye for detail and a beautiful visual director. A director that can produce great work. ‘Apocalypto’ to me in the near future will become a period piece masterpiece. A tale of survival and dedication that will live on through the ages. Rating: Film - 8.4 Personal - 8.9
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8
Some say, we don't need black history month. When in truth we do. Would the contribution of African American be taught truthfully. If we had to depend on you know who? Obviously, they very unaware of several successful black that contributed to America's greatness. We, very well aware they edited down facts to be turn into fiction. Like that president that chopped down that cherry tree. Many doesn't know the plight of Washington, Dubois, Carver. Let alone know their first name. It's hardly taught, if it's about us. George Franklin, Grant-dentist Ernest Everett, Just.-Scientist Josh Gibson, one of the greatest baseball player. We know very well about George, Thomas and James and John Q. Some say, we all Americans And in truth, they completely right. But for reasons very well known. We are not all equal in sights of others. When needed, they call upon us to join in. Some still, say-why do Black history month exist? But all cultures knows none was eliminated through times. Than those captured to come here and renamed after their masters. And facts be told, this cultures lives to embrace into their children's if nothing is ever mention by certain teachers about their cultures. Than they will keep it before them. Matthew Alexander, Henson-Explorer Billie Holiday-singer Duke Ellington and Count Basie and Cab Calloway. Greatness, we can't let fade. Vernon Jordan Shirley Chilsom And hosts of present days teachers that push the issues to educate. Those that say, we don't need Black History months. Be crying , if we try to eliminate theirs. Cause that's all they ever known. Howard University. Tennessee State and Fisk and various others came to be because of discrimination. And has turned out some brilliant African Americans. So our history is needed. Cause it's about us. Like Latin History and various others is about other cultures.
0
Feb 7, 2016
Feb 7, 2016 at 10:12 AM UTC
Some Say, We Don't Need Black History
Some say, we don't need black history month. When in truth we do. Would the contribution of African American be taught truthfully. If we had to depend on you know who? Obviously, they very unaware of several successful black that contributed to America's greatness. We, very well aware they edited down facts to be turn into fiction. Like that president that chopped down that cherry tree. Many doesn't know the plight of Washington, Dubois, Carver. Let alone know their first name. It's hardly taught, if it's about us. George Franklin, Grant-dentist Ernest Everett, Just.-Scientist Josh Gibson, one of the greatest baseball player. We know very well about George, Thomas and James and John Q. Some say, we all Americans And in truth, they completely right. But for reasons very well known. We are not all equal in sights of others. When needed, they call upon us to join in. Some still, say-why do Black history month exist? But all cultures knows none was eliminated through times. Than those captured to come here and renamed after their masters. And facts be told, this cultures lives to embrace into their children's if nothing is ever mention by certain teachers about their cultures. Than they will keep it before them. Matthew Alexander, Henson-Explorer Billie Holiday-singer Duke Ellington and Count Basie and Cab Calloway. Greatness, we can't let fade. Vernon Jordan Shirley Chilsom And hosts of present days teachers that push the issues to educate. Those that say, we don't need Black History months. Be crying , if we try to eliminate theirs. Cause that's all they ever known. Howard University. Tennessee State and Fisk and various others came to be because of discrimination. And has turned out some brilliant African Americans. So our history is needed. Cause it's about us. Like Latin History and various others is about other cultures.
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40
#    *The killer came crashing down smashing,  thrashing through. What is tender's  tender        so  for itself,   to do?         --As it runs         right over the top of her..        This taker.        This killer. In the black,   now in between; so lightless and thick..         blotting out  all screams. There is an annihilation  here. A void. A terror. To stay, means certain death       but to leave         also means certain death       So the  d is m e m b e r men t   begins       as she is ripped, completely into half And those halves,  into half.. .. into half --into half..         into half.      And still it tears.. rips..  shreds-- Until all,  in between is nothing  but black. A black it can now  pretend to fill with all of its empty promises.. and all of its counterfeit, everything. ..And then--  just up and leaves once it is fully satiated.*      ***And for a while..      the black had something.*** *Clinging to the rocky crags on either side of the unlit valley are now  the pieces of her-- war-torn and shuddering. Terrified Of the black, black   empty. Of what is now  fully      and  completely   dark.       ~       ~      ~       ~ Timmy  ain't real tall but look at his stature, as his majestic strings   dialogue the introduction. And Warren's gotten so fat See him now, looking so dearly,  back at his half-pint of Chunky Monkey-- picking it back up,  for the fourth time.. scraping... scraping.. scraping.. But watch his eyes  light up as Timmy looks up--   over the top of those wild-man RayBans And with a gentle nod,  it all begins.. -- as our Warren  now digs  deep into his Gibson's beautifully-wanton  ways..     identifying.     clarifying.     Rectifying. Clarence, the Magician.. Stephan--  Humble, Unparalleled And Dave's  so chill he's part Creole.. I just know it. So great a cloud of witness: surrounding you, my beautiful.. coaxing  you.     Identifying it all for you.* #
0
Mar 10, 2022
Mar 10, 2022 at 12:01 AM UTC
the C-word
#    *The killer came crashing down smashing,  thrashing through. What is tender's  tender        so  for itself,   to do?         --As it runs         right over the top of her..        This taker.        This killer. In the black,   now in between; so lightless and thick..         blotting out  all screams. There is an annihilation  here. A void. A terror. To stay, means certain death       but to leave         also means certain death       So the  d is m e m b e r men t   begins       as she is ripped, completely into half And those halves,  into half.. .. into half --into half..         into half.      And still it tears.. rips..  shreds-- Until all,  in between is nothing  but black. A black it can now  pretend to fill with all of its empty promises.. and all of its counterfeit, everything. ..And then--  just up and leaves once it is fully satiated.*      ***And for a while..      the black had something.*** *Clinging to the rocky crags on either side of the unlit valley are now  the pieces of her-- war-torn and shuddering. Terrified Of the black, black   empty. Of what is now  fully      and  completely   dark.       ~       ~      ~       ~ Timmy  ain't real tall but look at his stature, as his majestic strings   dialogue the introduction. And Warren's gotten so fat See him now, looking so dearly,  back at his half-pint of Chunky Monkey-- picking it back up,  for the fourth time.. scraping... scraping.. scraping.. But watch his eyes  light up as Timmy looks up--   over the top of those wild-man RayBans And with a gentle nod,  it all begins.. -- as our Warren  now digs  deep into his Gibson's beautifully-wanton  ways..     identifying.     clarifying.     Rectifying. Clarence, the Magician.. Stephan--  Humble, Unparalleled And Dave's  so chill he's part Creole.. I just know it. So great a cloud of witness: surrounding you, my beautiful.. coaxing  you.     Identifying it all for you.* #
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73
To write a sonnet doth Juana press me, I've never found me in such stress or pain; A sonnet numbers fourteen lines, 'tis plain, And three are gone, ere I can say, God bless me! I thought that spinning rhymes might sore oppress me, Yet here I'm midway in the last quatrain; And if the foremost tercet I can gain, The quatrains need not any more distress me. To the first tercet I have got at last, And travel through it with such right good will, That with this line I've finished it, I ween; I'm in the second now, and see how fast The thirteenth line runs tripping from my quill; Hurrah, 'tis done! Count if there be fourteen!
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May 10, 2017
May 10, 2017 at 2:15 PM UTC
Sonnet on The Sonnet by Lope de Vega (1562-1635) Translated by James Y. Gibson
Journal Entry #11 People in my life always ask me why I don't date, my mother included. And we can now add my therapist to that list as well. I told my therapist I find dating humorous and annoying currently. I think my answer caught her by surprise as she smiled at me and then asked why? So I decided throwing out actual scenarios would be my best course of action. I told her for starters I'm completely oblivious when a guy is interested. For instance: My Mother: "Honey, why didn't you end up going out with that nice boy, he seemed like a good person for you? My Response: "Mom, I planned on going out with him. But then I started watching that movie What Woman Want with Mel Gibson, and I came to the conclusion that I'd rather not wear pants. So I never left my apartment." ~~~~~~~~~~ My best friend: "Hey, that guy over there keeps looking at you. He's totally checking you out!" My Response: "Naw, he probably has something in his eye and just so happens to be looking in my general direction. He was probably eating something spicy and touched his face. You don't know!" ~~~~~~~~~~~~~ My Sister: "Umm, that man was clearly hitting on you. He was just just taken by you, it was so obvious! He was smiling at you the entire time." My Response: "Naw, he was just really interested in what my preferences on vacuums were." ~~~~~~~~~~~ My therapist laughed at my awkward interactions with men and then went on to say, "Clearly men are interested in you, but maybe you're just not ready to even be open to the idea of dating again, and that's why you really don't see when men are actually interested in you. How do you feel about that?" My Response: "I think in part that's very true. But I also think that the idea of actually having to put on pants and talk to men is just a huge no thanks. I think the day I even humor another mans existence will be the day a man makes me happier than eating bread in a pile of freshly washed laundry. A girls gotta have her standards."
0
Apr 8, 2018
Apr 8, 2018 at 4:37 PM UTC
Dating...
Journal Entry #11 People in my life always ask me why I don't date, my mother included. And we can now add my therapist to that list as well. I told my therapist I find dating humorous and annoying currently. I think my answer caught her by surprise as she smiled at me and then asked why? So I decided throwing out actual scenarios would be my best course of action. I told her for starters I'm completely oblivious when a guy is interested. For instance: My Mother: "Honey, why didn't you end up going out with that nice boy, he seemed like a good person for you? My Response: "Mom, I planned on going out with him. But then I started watching that movie What Woman Want with Mel Gibson, and I came to the conclusion that I'd rather not wear pants. So I never left my apartment." ~~~~~~~~~~ My best friend: "Hey, that guy over there keeps looking at you. He's totally checking you out!" My Response: "Naw, he probably has something in his eye and just so happens to be looking in my general direction. He was probably eating something spicy and touched his face. You don't know!" ~~~~~~~~~~~~~ My Sister: "Umm, that man was clearly hitting on you. He was just just taken by you, it was so obvious! He was smiling at you the entire time." My Response: "Naw, he was just really interested in what my preferences on vacuums were." ~~~~~~~~~~~ My therapist laughed at my awkward interactions with men and then went on to say, "Clearly men are interested in you, but maybe you're just not ready to even be open to the idea of dating again, and that's why you really don't see when men are actually interested in you. How do you feel about that?" My Response: "I think in part that's very true. But I also think that the idea of actually having to put on pants and talk to men is just a huge no thanks. I think the day I even humor another mans existence will be the day a man makes me happier than eating bread in a pile of freshly washed laundry. A girls gotta have her standards."
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21
In my office me and Gonzo waited speaking on deep issues with no true meaning as usual. Bastardo's heart had been broken for Drew had left him a beaten and love bitten luchador slash attorney. Senior Gonzo speaking endlessly to the hat rack had reminded me why I never dropped acid anymore. Poor gonzo had just been served with divorce papers to which his only response was ****** amigo i never knew i was married. As his attorney i belived a trip to mexico was outta the question for i had just got back do to some well a misunderstanding its legal jargin you couldnt possibly understand. His deadline was near and without my solid advise this man wouldnt be able to pull it off so being we had been in the bar for more than eight hours we decided to make a exit through the mens room window. Front doors are over rated. In my legal office slash camper hey eveyone starts somewhere okay. I was reminded of my loved hellcat Drew she had left many items here a satanic bible her boil cream. how I did mis rubbing her webbed toes. How was i to work Gonzo was a mess hidding under the table so the ginger bread people couldnt find him and return him to there bitter talentless leader Kate Perry i swear if you stab me one more time senior gonzo with that fork in my maracas im going to get medevile on your *** Oh how i missed my tag team partner drew. i should never have introduced her el man donkey who resist such a uhh personallity. But now here I sit with a madman under my table tripping his ***** off insisting I contact Simon Cowell to inform him man tities are so yesterday. If only I had gotten the Lindsy Lohan case I would finally have gotten my brake or maybe just a std. Oh well theres always hope Mel Gibson will need me. The road warrior was a true classico and he seemed so well balanced compared to my reallity challenged cilent. Remember kids if ever you have a chance to trip with senior Gonzo its probaly best you hide all sharp objects. adios Bastardo
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Jul 15, 2010
Jul 15, 2010 at 8:10 AM UTC
Viva La ********
In my office me and Gonzo waited speaking on deep issues with no true meaning as usual. Bastardo's heart had been broken for Drew had left him a beaten and love bitten luchador slash attorney. Senior Gonzo speaking endlessly to the hat rack had reminded me why I never dropped acid anymore. Poor gonzo had just been served with divorce papers to which his only response was ****** amigo i never knew i was married. As his attorney i belived a trip to mexico was outta the question for i had just got back do to some well a misunderstanding its legal jargin you couldnt possibly understand. His deadline was near and without my solid advise this man wouldnt be able to pull it off so being we had been in the bar for more than eight hours we decided to make a exit through the mens room window. Front doors are over rated. In my legal office slash camper hey eveyone starts somewhere okay. I was reminded of my loved hellcat Drew she had left many items here a satanic bible her boil cream. how I did mis rubbing her webbed toes. How was i to work Gonzo was a mess hidding under the table so the ginger bread people couldnt find him and return him to there bitter talentless leader Kate Perry i swear if you stab me one more time senior gonzo with that fork in my maracas im going to get medevile on your *** Oh how i missed my tag team partner drew. i should never have introduced her el man donkey who resist such a uhh personallity. But now here I sit with a madman under my table tripping his ***** off insisting I contact Simon Cowell to inform him man tities are so yesterday. If only I had gotten the Lindsy Lohan case I would finally have gotten my brake or maybe just a std. Oh well theres always hope Mel Gibson will need me. The road warrior was a true classico and he seemed so well balanced compared to my reallity challenged cilent. Remember kids if ever you have a chance to trip with senior Gonzo its probaly best you hide all sharp objects. adios Bastardo
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36
Went for a cruise on the maiden ship Titanic, A wonderful ship everyone said would be epic I was not scared because it was unsinkable To be in fear would for me be unthinkable Wanted to sail far away to another land Where my life, I think could be quite grand Unpacking my suitcase in a luxurious liner This is the one yacht that could not be finer.   Passengers enjoyed dinner, dancing, and other entertainments. All the days of the trip they would enjoy the embellishments I heard that people like Astor, Guggenheim Straus, Thayer and Gordon Would be on this ship including Stead, Fulrelle, Gibson and Morgan On April 14, 1912 I was that evening returning to my room Walking down the corridor I heard a deafening boom Went to find an RMS crew member When I was told on deck to assemble He handed me a life jacket just in case And to get in the lifeboat because there was space Passengers were lowered down by the crew The first little boat had just a few A man started quickly paddling our tiny boat Once far away he stopped and we would just float Everyone watched as we heard screaming, crying and yelling Amongst the chaos we heard music and saw the flares flying   In the early hours of April 15, the ship’s lights flickered out and then went straight up vertical We all heard the moans of the iron and watched it break in half and it sank uncontrollable From quite a distance I saw an ocean of people Out in the middle of the sea, no one felt hopeful Soon there was no sound As we all looked around Shivering crying and wondering If we are going to live or die pondering published in the Crawfordsville, Indiana newspaper Copyright 2013 All Rights Reserved
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Nov 20, 2013
Nov 20, 2013 at 3:55 PM UTC
Titanic Unsinkable Unthinkable
Went for a cruise on the maiden ship Titanic, A wonderful ship everyone said would be epic I was not scared because it was unsinkable To be in fear would for me be unthinkable Wanted to sail far away to another land Where my life, I think could be quite grand Unpacking my suitcase in a luxurious liner This is the one yacht that could not be finer.   Passengers enjoyed dinner, dancing, and other entertainments. All the days of the trip they would enjoy the embellishments I heard that people like Astor, Guggenheim Straus, Thayer and Gordon Would be on this ship including Stead, Fulrelle, Gibson and Morgan On April 14, 1912 I was that evening returning to my room Walking down the corridor I heard a deafening boom Went to find an RMS crew member When I was told on deck to assemble He handed me a life jacket just in case And to get in the lifeboat because there was space Passengers were lowered down by the crew The first little boat had just a few A man started quickly paddling our tiny boat Once far away he stopped and we would just float Everyone watched as we heard screaming, crying and yelling Amongst the chaos we heard music and saw the flares flying   In the early hours of April 15, the ship’s lights flickered out and then went straight up vertical We all heard the moans of the iron and watched it break in half and it sank uncontrollable From quite a distance I saw an ocean of people Out in the middle of the sea, no one felt hopeful Soon there was no sound As we all looked around Shivering crying and wondering If we are going to live or die pondering published in the Crawfordsville, Indiana newspaper Copyright 2013 All Rights Reserved
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35
Your face lights up my life like stars enchanting the night. Hold me strong when it's cold and strum my heart strings like chords. When you pour your guts into the vibrating Gibson I see babies around us clapping and think, maybe it IS him. Perhaps with this one I'll let my heart beat in tandem to his vigorous pitch til all 8 chambers are done in, fingers intertwined. To invisible violin, we can go together, warm in bed on God's time, perhaps stories like this are not myth.
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Dec 25, 2014
Dec 25, 2014 at 11:01 PM UTC
Belonging
Cashing A Check by johnmac I just saw this wonderful line in a column in a motorcycle magazine*: "The mind writes checks that the body can't cash". The vision that many from the old neighborhood have of me is short and thin with a Pepsi in one hand and a cigarette in the other Others will remember me as taller and thin, hitting a jumper from the corner or throwing a "no-look pass" to a cutter. Others will picture me at the end of the bar in the Broadstone with an open pack of Pall Malls and a half-finished beer on the bar; Don Gibson's "I Can't Stop Loving You" on the jukebox. "Pat, one more when you get a chance" Age has taken the jumper Diabetes has taken the Pepsi Common Sense has taken the cigarette and ***** I am older and wiser and hopefully more tolerant I am satisfied with my life but to just be able to once more fake the man guarding me and go up with a jumper and get nothing but net To be able to, once more, "cash that check" *”Milestones” by Robert Rasor, American Motorcyclist; March 2006 Copyright 2006 John F. McMullen
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Sep 17, 2009
Sep 17, 2009 at 2:22 PM UTC
Cashing A Check
The closest thing, I've personally seen, to the truth is that I am fortunate just for the walls and the roof. Everyone in the United States loves to ********** as they all try in vain to dissuade their innate guilt. How much a better person will I become for all of this good that I have done? Corporations buy lakes to upsell life like William Gibson thought they might. Where is the sunset in flame through the eyes of a younger Ridley Scott like we saw? Let's start a fire in the heart of the woods. Everyone will ignite, equally ugly. Dance through the night with me. What's your strain? Would you care for some LSD? We could die at any time, obviously, So why not live up to the destiny Implied by the monarchy? Peasantry, peasantry. Nihilistic pleasantry. Peasantry, peasantry. I used to think I was Selesnya, Boros, or Azorius, but now I know that I'm a Jesuit-- Or something? And so belong to House Dimir Or to the Cult of Rakdos. Peasantry, peasantry. Nihilistic pleasantry.
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Jul 10, 2018
Jul 10, 2018 at 5:11 PM UTC
Match & Pitch: Cult of Rakdos/House Dimir
These streets knew feet in days gone by, bustling sidewalks, crowded storefronts, laughter, light and dancers leaking out of smoke-filled bars. Cars would wind through intersections, blood cells between neighborhoods. From The Corner came The Roar. He remembers how the Autumn sounded                        back in '84 when Alan Trammell brought The Series home, the arcing shot off Gibson's bat, the rolling wave of soaring voices.                       Old English                              "D"               tattooed on the hearts                         of a city      who's been hurting since the 50's. Bless You Boys. Ya did it-- went and Sparked up Michigan and lit a dimming town again in Corktown's widening eyes. In 20 years, though, losses pile up. 55 and starved for signs of trends reversing, luck upending, impending relief or just some kind of                   something. Sickening, cloying rapid decay        as neighborhoods die. These streets know crumbling cinderblock walls and blistered paint coats don't cover ribcages starting to show-- steel girder bones--and windows blown out, like teeth lost from a well-spoken mouth, allow the Lake Michigan wind to howl                       out the tale--             through oxidized bones--        of just what it looks like       when economic war hits home. Heartbeats still find footing in Motor City streets, beneath          the Old English "D," but mind the scoreboard smart; the Tigers lost a hundred games                     in 2003.
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May 11, 2015
May 11, 2015 at 6:58 PM UTC
Old English "D"
These streets knew feet in days gone by, bustling sidewalks, crowded storefronts, laughter, light and dancers leaking out of smoke-filled bars. Cars would wind through intersections, blood cells between neighborhoods. From The Corner came The Roar. He remembers how the Autumn sounded                        back in '84 when Alan Trammell brought The Series home, the arcing shot off Gibson's bat, the rolling wave of soaring voices.                       Old English                              "D"               tattooed on the hearts                         of a city      who's been hurting since the 50's. Bless You Boys. Ya did it-- went and Sparked up Michigan and lit a dimming town again in Corktown's widening eyes. In 20 years, though, losses pile up. 55 and starved for signs of trends reversing, luck upending, impending relief or just some kind of                   something. Sickening, cloying rapid decay        as neighborhoods die. These streets know crumbling cinderblock walls and blistered paint coats don't cover ribcages starting to show-- steel girder bones--and windows blown out, like teeth lost from a well-spoken mouth, allow the Lake Michigan wind to howl                       out the tale--             through oxidized bones--        of just what it looks like       when economic war hits home. Heartbeats still find footing in Motor City streets, beneath          the Old English "D," but mind the scoreboard smart; the Tigers lost a hundred games                     in 2003.
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45
I remember one of my favorite moments Was laying in your bed listening to poetry. You would wait until Andrea Gibson was done speaking To announce all your favorite parts. And I wanted to let you know, That I would love to kiss you in the ocean And I would love to be your lightning As long as you promise to shake me like thunder Because the sound of your voice makes my heart race And you are such an naturally beautiful phenomenon That I'm afraid of you, but you don't scare me, no, You just make me nervous with excitement and awe And while I pick my jaw up off of the floor, I see you standing in the kitchen, Pacing and wondering what I'm thinking, And me, sitting silently, watching you, Loving every aspect of you, and you Never cleaning up the mess at your sink, But just rearranging it into new chaos. We were new chaos, And I'm sorry if that scared you, But isn't there something exciting in being so scared? No one has ever been here before, they can't tell you how it will be So let's accept the mess and brave it together. And it's times like this where I wonder If every time you were scared, you'd look for a safe bet, And if I could ever live my life like that. If I could ever treat my heart like that. I wish you wouldn't, and I just couldn't, Because all of my stumbles and falls and scrapes and scars That I wear unapologetically and brave Led me to that bed with you listening to poetry And I was lost at sea, thunder and lightning, And I was so scared, And I was so excited, Hoping we could be lost at sea forever.
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Jan 27, 2014
Jan 27, 2014 at 3:14 PM UTC
My thunder.
I remember one of my favorite moments Was laying in your bed listening to poetry. You would wait until Andrea Gibson was done speaking To announce all your favorite parts. And I wanted to let you know, That I would love to kiss you in the ocean And I would love to be your lightning As long as you promise to shake me like thunder Because the sound of your voice makes my heart race And you are such an naturally beautiful phenomenon That I'm afraid of you, but you don't scare me, no, You just make me nervous with excitement and awe And while I pick my jaw up off of the floor, I see you standing in the kitchen, Pacing and wondering what I'm thinking, And me, sitting silently, watching you, Loving every aspect of you, and you Never cleaning up the mess at your sink, But just rearranging it into new chaos. We were new chaos, And I'm sorry if that scared you, But isn't there something exciting in being so scared? No one has ever been here before, they can't tell you how it will be So let's accept the mess and brave it together. And it's times like this where I wonder If every time you were scared, you'd look for a safe bet, And if I could ever live my life like that. If I could ever treat my heart like that. I wish you wouldn't, and I just couldn't, Because all of my stumbles and falls and scrapes and scars That I wear unapologetically and brave Led me to that bed with you listening to poetry And I was lost at sea, thunder and lightning, And I was so scared, And I was so excited, Hoping we could be lost at sea forever.
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36
"That night when you kissed me, I left a poem in your mouth, and you can hear some of the lines every time you breathe out." -Yarn, Andrea Gibson
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Aug 28, 2018
Aug 28, 2018 at 2:28 AM UTC
Yarn.
Molly has a rider! Molly has a rider! All curled up and tucked inside her Oh Molly, oh Molly what will you do? With a fellow inside you, who just isn't you Molly take cover, Molly get clear Perhaps your new lover is causing your fear Perhaps gentle Molly the life that you lead Is vampire slang for the blood that you bleed My Molly, my Molly, my enemy mine Has dropped out and turned on inside of my mind Alive behind eyes that were once mine alone I have company watching from zones of its own
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Aug 10, 2012
Aug 10, 2012 at 3:30 AM UTC
THANK YOU WILLIAM GIBSON
Mr. Gibson penetrates my poem, my paining senses, "When raw grief turns into aching music" by witch, he notates my inundation (1), a summary succinct, essencing my poem to its bare ***** cri de cœur, it's comforting to be gotten, grasped, felt & taken, for ten out of nine, times, when I compose there is music aching in my muscles and in my perused words, begging to be read in a thorough, careful way, and he honors them thusly, and I am deeply touched, at our conjuring conjunction of connection, a phrase worthy of a poem in and of itself, but let someone else, perhaps him, perhaps you, write it, I am contented: *to be heard, to be believed, to be by, relieved, to being understood to be felt, given and + taken, and given a great musical measure of comforting… in summary too, here is where*, I thank you. nml 9/12/25 5:15am
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Sep 12, 2025
Sep 12, 2025 at 5:14 AM UTC
For William A Gibson: "When Raw Grief turns into aching music"