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When you plunged
The light of Tuscany wavered
And swung through the pool
From top to bottom.

I loved your wet head and smashing crawl,
Your fine swimmer's back and shoulders
Surfacing and surfacing again
This year and every year since.

I sat dry-throated on the warm stones.
You were beyond me.
The mellowed clarities, the grape-deep air
Thinned and disappointed.

Thank God for the slow loadening,
When I hold you now
We are close and deep
As the atmosphere on water.

My two hands are plumbed water.
You are my palpable, lithe
Otter of memory
In the pool of the moment,

Turning to swim on your back,
Each silent, thigh-shaking kick
Re-tilting the light,
Heaving the cool at your neck.

And suddenly you're out,
Back again, intent as ever,
Heavy and frisky in your freshened pelt,
Printing the stones.
‘Nam Sibyllam quidem Cumis ego ipse oculis meis
vidi in ampulla pendere, et *** illi pueri dicerent:
Sibylla ti theleis; respondebat illa: apothanein thelo.’

                For Ezra Pound
                il miglior fabbro


I. The Burial of the Dead

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten,
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm’ aus Litauen, echt deutsch.
And when we were children, staying at the archduke’s,
My cousin’s, he took me out on a sled,
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.

What are the roots that clutch, what branches grow
Out of this stony *******? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.
            Frisch weht der Wind
            Der Heimat zu
            Mein Irisch Kind,
            Wo weilest du?
‘You gave me hyacinths first a year ago;
‘They called me the hyacinth girl.’
—Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing,
Looking into the heart of light, the silence.
Oed’ und leer das Meer.

Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations.
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.

Unreal City,
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
And each man fixed his eyes before his feet.
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.
There I saw one I knew, and stopped him, crying ‘Stetson!
‘You who were with me in the ships at Mylae!
‘That corpse you planted last year in your garden,
‘Has it begun to sprout? Will it bloom this year?
‘Or has the sudden frost disturbed its bed?
‘Oh keep the Dog far hence, that’s friend to men,
‘Or with his nails he’ll dig it up again!
‘You! hypocrite lecteur!—mon semblable,—mon frère!’

II. A Game of Chess

The Chair she sat in, like a burnished throne,
Glowed on the marble, where the glass
Held up by standards wrought with fruited vines
From which a golden Cupidon peeped out
(Another hid his eyes behind his wing)
Doubled the flames of sevenbranched candelabra
Reflecting light upon the table as
The glitter of her jewels rose to meet it,
From satin cases poured in rich profusion;
In vials of ivory and coloured glass
Unstoppered, lurked her strange synthetic perfumes,
Unguent, powdered, or liquid—troubled, confused
And drowned the sense in odours; stirred by the air
That freshened from the window, these ascended
In fattening the prolonged candle-flames,
Flung their smoke into the laquearia,
Stirring the pattern on the coffered ceiling.
Huge sea-wood fed with copper
Burned green and orange, framed by the coloured stone,
In which sad light a carved dolphin swam.
Above the antique mantel was displayed
As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
‘Jug Jug’ to ***** ears.
And other withered stumps of time
Were told upon the walls; staring forms
Leaned out, leaning, hushing the room enclosed.
Footsteps shuffled on the stair.
Under the firelight, under the brush, her hair
Spread out in fiery points
Glowed into words, then would be savagely still.

‘My nerves are bad to-night. Yes, bad. Stay with me.
‘Speak to me. Why do you never speak. Speak.
‘What are you thinking of? What thinking? What?
‘I never know what you are thinking. Think.’

I think we are in rats’ alley
Where the dead men lost their bones.

‘What is that noise?
                          The wind under the door.
‘What is that noise now? What is the wind doing?’
                    Nothing again nothing.
                                                    ‘Do
‘You know nothing? Do you see nothing? Do you remember
‘Nothing?’

    I remember
Those are pearls that were his eyes.
‘Are you alive, or not? Is there nothing in your head?’
                                                     But
O O O O that Shakespeherian Rag—
It’s so elegant
So intelligent
‘What shall I do now? What shall I do?’
I shall rush out as I am, and walk the street
‘With my hair down, so. What shall we do to-morrow?
‘What shall we ever do?’
                             The hot water at ten.
And if it rains, a closed car at four.
And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.

When Lil’s husband got demobbed, I said—
I didn’t mince my words, I said to her myself,
hurry up please its time
Now Albert’s coming back, make yourself a bit smart.
He’ll want to know what you done with that money he gave you
To get yourself some teeth. He did, I was there.
You have them all out, Lil, and get a nice set,
He said, I swear, I can’t bear to look at you.
And no more can’t I, I said, and think of poor Albert,
He’s been in the army four years, he wants a good time,
And if you don’t give it him, there’s others will, I said.
Oh is there, she said. Something o’ that, I said.
Then I’ll know who to thank, she said, and give me a straight look.
hurry up please its time
If you don’t like it you can get on with it, I said.
Others can pick and choose if you can’t.
But if Albert makes off, it won’t be for lack of telling.
You ought to be ashamed, I said, to look so antique.
(And her only thirty-one.)
I can’t help it, she said, pulling a long face,
It’s them pills I took, to bring it off, she said.
(She’s had five already, and nearly died of young George.)
The chemist said it would be alright, but I’ve never been the same.
You are a proper fool, I said.
Well, if Albert won’t leave you alone, there it is, I said,
What you get married for if you don’t want children?
hurry up please its time
Well, that Sunday Albert was home, they had a hot gammon,
And they asked me in to dinner, to get the beauty of it hot—
hurry up please its time
hurry up please its time
Goonight Bill. Goonight Lou. Goonight May. Goonight.
Ta ta. Goonight. Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.

III. The Fire Sermon

The river’s tent is broken: the last fingers of leaf
Clutch and sink into the wet bank. The wind
Crosses the brown land, unheard. The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights. The nymphs are departed.
And their friends, the loitering heirs of city directors;
Departed, have left no addresses.
By the waters of Leman I sat down and wept . . .
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear.

A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse
Musing upon the king my brother’s wreck
And on the king my father’s death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat’s foot only, year to year.
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs. Porter in the spring.
O the moon shone bright on Mrs. Porter
And on her daughter
They wash their feet in soda water
Et O ces voix d’enfants, chantant dans la coupole!

Twit twit twit
Jug jug jug jug jug jug
So rudely forc’d.
Tereu

Unreal City
Under the brown fog of a winter noon
Mr. Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants
C.i.f. London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.

At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female *******, can see
At the violet hour, the evening hour that strives
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun’s last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest—
I too awaited the expected guest.
He, the young man carbuncular, arrives,
A small house agent’s clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence;
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit . . .

She turns and looks a moment in the glass,
Hardly aware of her departed lover;
Her brain allows one half-formed thought to pass:
‘Well now that’s done: and I’m glad it’s over.’
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.

‘This music crept by me upon the waters’
And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear
Beside a public bar in Lower Thames Street,
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.

      The river sweats
      Oil and tar
      The barges drift
      With the turning tide
      Red sails
      Wide
      To leeward, swing on the heavy spar.
      The barges wash
      Drifting logs
      Down Greenwich reach
      Past the Isle of Dogs.
                  Weialala leia
                  Wallala leialala

      Elizabeth and Leicester
      Beating oars
      The stern was formed
      A gilded shell
      Red and gold
      The brisk swell
      Rippled both shores
      Southwest wind
      Carried down stream
      The peal of bells
      White towers
                  Weialala leia
                  Wallala leialala

‘Trams and dusty trees.
Highbury bore me. Richmond and Kew
Undid me. By Richmond I raised my knees
Supine on the floor of a narrow canoe.’
‘My feet are at Moorgate, and my heart
Under my feet. After the event
He wept. He promised ‘a new start’.
I made no comment. What should I resent?’
‘On Margate Sands.
I can connect
Nothing with nothing.
The broken fingernails of ***** hands.
My people humble people who expect
Nothing.’
              la la

To Carthage then I came

Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest

burning

IV. Death by Water

Phlebas the Phoenician, a fortnight dead,
Forgot the cry of gulls, and the deep sea swell
And the profit and loss.
                                A current under sea
Picked his bones in whispers. As he rose and fell
He passed the stages of his age and youth
Entering the whirlpool.
                               Gentile or Jew
O you who turn the wheel and look to windward,
Consider Phlebas, who was once handsome and tall as you.

V. What the Thunder Said

After the torchlight red on sweaty faces
After the frosty silence in the gardens
After the agony in stony places
The shouting and the crying
Prison and palace and reverberation
Of thunder of spring over distant mountains
He who was living is now dead
We who were living are now dying
With a little patience

Here is no water but only rock
Rock and no water and the sandy road
The road winding above among the mountains
Which are mountains of rock wi
The Terry Tree Dec 2014
Initiate our souls into the light
Flamingo yes your hue is burning bright
Your colors lighting up the night
We migrate out of darkness within you

Enlighten us to heal our weary hearts
To be with love and never to depart
Appreciating brand new starts
Your beauty resonates us deep within

We want nothing more than with you to be free
To fly away from stress along with thee
Our wings could only hope to grow
As beautiful as yours unfold
You are the breath of freshened air
Our spirits call to breathe repair

In my memory of you I see poise
Noticing your stance without a noise
Perfectly still you are seen
Tranquil in life's pond so serene

As we pass through to become in ourselves
Teach us how to become nothing else
Than the magnetic beautiful creatures
Spirit designed with every feature

We are a gift to the flowing
Always coming always going
There never seems to be enough
Time in the universe thereof
To take a moment to enjoy
And therefore we destroy

This is an ode to your sweet nature
A song of love and light not danger
A memory we are creating
A vibrant show of figure skating

In the circle of acceptance now
Our wings are rising up to bow
Take in the scenery with deepened breath
Never afraid of shaking hands with death

For we are peaceful and at rest
Knowing we always do our best
A true beginning has no end
Drinking from life as we befriend
The journey of our soul path
In a spiritual rose bath

Amen

© tHE tERRY tREE
petalsofhope Nov 2013
skies darker than midnight
eyes wider than owl
freshened grasses beneath us
splattered stars above us
let's gaze up
help them find their way to each other
link those twinkles into constellations
our fingers intertwined
as thoughts wander about
green pupils unseen

we're no longer nocturnal
feeling productive at 4am
st64 Jun 2013
how he loved his sweetheart queen
she always wore the silver bracelet
he gave when she turned sixteen
now their kids are growing; how time has flit



10 a.m.

Eyes opening, sun comes streaming through the windows. It's so late!

I rise, feel so groggy....what's this weighty load on me...?
I've been sleeping, yet feel profoundly *weary
.
Where is everyone?
"Muriel...?"
I get to the bathroom to wash and shave.

My wife appears at the door, "Honey, where have you been? Oh, we haven't seen you in so long... Welcome back! Come down for tea, dahling."
She pours a glittering smile and reaches up to touch my cheek with the back of her left hand, fingernails painted deep red...her nuptial rings still a dazzle after so many years...but she....
"Alright, dahling?"
"Y-yes, dear."

She had never called me darling...or even dahling....before...!
Huh?
And off she goes, to the kitchen.
Welcome back?? did she say?? And her eyes were shining so bright...
Wait a minute....just  hold on ....what....??
I shake my head, unable to toss some heavy feeling....a dense cloud in my head.



10:30 a.m.

Now I'm dressed and freshened up, I head down.

Feeling better, I see my warmhearted and humorous son at the pine dinette table.
I smile warmly as he turns to look up...I remember the promise that we'd go fishing this weekend.
"Hey, budd....."
I reach over to touch his hair, but he flinches away..!

"Who's this, Mom?" Kyle demands hotly.
My wife gives a bright smile which doesn't quite reach her eyes and says: "Now, Kyle....behave. It's Daddy.."
"Oh, he's just .....tired, ok."

She waltzes over and politely hands me a steaming mug.
What in the name of....???
Over the cloud of coffee, I watch them all.
Little Jenny, but my jolly toddler...now on her mother's hip...watches with wary eyes and reaches out to scratch me, her pacifier hanging from a blue ribbon, like a noose from her 'happy-smiles' bib.

"But Mom, he's been away so long...for years and..."
I hear him whispering sullen and lizard-like, to his mother....but he's hissed into silence.

What in the heck....?
"Now, children," Muriel says patiently, "go play out in the yard..."

Oh, I'm feeling so frazzled!



11:00 a.m.

I decide I've had enough.

My wife is at the sink, thickly busy rinsing cups and plates; she smiles sweetly, humming.
She never did like doing dishes....
Now there she stands, looking all coiffed and made-up, hopelessly incongruous...

I shake my head; thoughts roll and collide, like mysterious marbles across my mind-floor...
Kyle watches me hostile, from the garden...arms folded defiantly across his chest.
Jenny's on her tricycle, red as a fire-engine.....eyes blankly staring, bent on crisscrossing her scalene triangle trip.

I turn to ask: "Muriel, where's your bracelet, dear? You always have it on."
"Oh, dahling...don't you worry. It's upstairs on the dresser."

And yet.....I was there earlier whilst dressing, and I didn't see it!

Baffled, I step out to the kids.
I prune the bougainvillea and then rake some leaves. Hairs stand up on the back of my neck....
It feels as if I'm being watched...when I look up to see, they are all quickly resume their activities.
Muriel just keeps on that shiny smile for me.


11:30 a.m.

This is it.

As I rake, some leaves make way for a clearing in the yard.
Bending down to scoop some up, a shiny reflection catches my eye...there's the silver bracelet with that beautiful twist of blue as gemstones.
What was it doing here...?

Still pondering, I see my wife's head **** up from the kitchen window...lips curling back...oh, no smile this time...body looking too *****...eyes like saucers, way, way too interested.....

I look down again...move some more leaves.....a curled hand....But it looks like ......

I recognise my Muriel's hand, her clear and pushed-backed-cuticle fingernails....her arm..her face....but.....
she's here.....!!

What the.....??

I turn round slowly to look.....only..... too slowly.....







how I loved my sweetheart Muriel
who always wore her silver bracelet
with that beautiful
twist of blue




S T, 11 June 2013
Partly inspired by movie 'Haunting in Salem'...just some ****** film I couldn't finish....lol
Dozed off and wrote this thing, instead :)


sub-entry: none
All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line
Of the horizon, thin and fine,
Straight around till I was come
Back to where I’d started from;
And all I saw from where I stood
Was three long mountains and a wood.
Over these things I could not see;
These were the things that bounded me;
And I could touch them with my hand,
Almost, I thought, from where I stand.
And all at once things seemed so small
My breath came short, and scarce at all.
But, sure, the sky is big, I said;
Miles and miles above my head;
So here upon my back I’ll lie
And look my fill into the sky.
And so I looked, and, after all,
The sky was not so very tall.
The sky, I said, must somewhere stop,
And—sure enough!—I see the top!
The sky, I thought, is not so grand;
I ‘most could touch it with my hand!
And reaching up my hand to try,
I screamed to feel it touch the sky.
I screamed, and—lo!—Infinity
Came down and settled over me;
Forced back my scream into my chest,
Bent back my arm upon my breast,
And, pressing of the Undefined
The definition on my mind,
Held up before my eyes a glass
Through which my shrinking sight did pass
Until it seemed I must behold
Immensity made manifold;
Whispered to me a word whose sound
Deafened the air for worlds around,
And brought unmuffled to my ears
The gossiping of friendly spheres,
The creaking of the tented sky,
The ticking of Eternity.
I saw and heard, and knew at last
The How and Why of all things, past,
And present, and forevermore.
The Universe, cleft to the core,
Lay open to my probing sense
That, sick’ning, I would fain pluck thence
But could not,—nay! But needs must ****
At the great wound, and could not pluck
My lips away till I had drawn
All venom out.—Ah, fearful pawn!
For my omniscience paid I toll
In infinite remorse of soul.
All sin was of my sinning, all
Atoning mine, and mine the gall
Of all regret. Mine was the weight
Of every brooded wrong, the hate
That stood behind each envious ******,
Mine every greed, mine every lust.
And all the while for every grief,
Each suffering, I craved relief
With individual desire,—
Craved all in vain!  And felt fierce fire
About a thousand people crawl;
Perished with each,—then mourned for all!
A man was starving in Capri;
He moved his eyes and looked at me;
I felt his gaze, I heard his moan,
And knew his hunger as my own.
I saw at sea a great fog bank
Between two ships that struck and sank;
A thousand screams the heavens smote;
And every scream tore through my throat.
No hurt I did not feel, no death
That was not mine; mine each last breath
That, crying, met an answering cry
From the compassion that was I.
All suffering mine, and mine its rod;
Mine, pity like the pity of God.
Ah, awful weight!  Infinity
Pressed down upon the finite Me!
My anguished spirit, like a bird,
Beating against my lips I heard;
Yet lay the weight so close about
There was no room for it without.
And so beneath the weight lay I
And suffered death, but could not die.

Long had I lain thus, craving death,
When quietly the earth beneath
Gave way, and inch by inch, so great
At last had grown the crushing weight,
Into the earth I sank till I
Full six feet under ground did lie,
And sank no more,—there is no weight
Can follow here, however great.
From off my breast I felt it roll,
And as it went my tortured soul
Burst forth and fled in such a gust
That all about me swirled the dust.

Deep in the earth I rested now;
Cool is its hand upon the brow
And soft its breast beneath the head
Of one who is so gladly dead.
And all at once, and over all
The pitying rain began to fall;
I lay and heard each pattering hoof
Upon my lowly, thatched roof,
And seemed to love the sound far more
Than ever I had done before.
For rain it hath a friendly sound
To one who’s six feet underground;
And scarce the friendly voice or face:
A grave is such a quiet place.

The rain, I said, is kind to come
And speak to me in my new home.
I would I were alive again
To kiss the fingers of the rain,
To drink into my eyes the shine
Of every slanting silver line,
To catch the freshened, fragrant breeze
From drenched and dripping apple-trees.
For soon the shower will be done,
And then the broad face of the sun
Will laugh above the rain-soaked earth
Until the world with answering mirth
Shakes joyously, and each round drop
Rolls, twinkling, from its grass-blade top.
How can I bear it; buried here,
While overhead the sky grows clear
And blue again after the storm?
O, multi-colored, multiform,
Beloved beauty over me,
That I shall never, never see
Again!  Spring-silver, autumn-gold,
That I shall never more behold!
Sleeping your myriad magics through,
Close-sepulchred away from you!
O God, I cried, give me new birth,
And put me back upon the earth!
Upset each cloud’s gigantic gourd
And let the heavy rain, down-poured
In one big torrent, set me free,
Washing my grave away from me!

I ceased; and through the breathless hush
That answered me, the far-off rush
Of herald wings came whispering
Like music down the vibrant string
Of my ascending prayer, and—crash!
Before the wild wind’s whistling lash
The startled storm-clouds reared on high
And plunged in terror down the sky,
And the big rain in one black wave
Fell from the sky and struck my grave.
I know not how such things can be;
I only know there came to me
A fragrance such as never clings
To aught save happy living things;
A sound as of some joyous elf
Singing sweet songs to please himself,
And, through and over everything,
A sense of glad awakening.
The grass, a-tiptoe at my ear,
Whispering to me I could hear;
I felt the rain’s cool finger-tips
Brushed tenderly across my lips,
Laid gently on my sealed sight,
And all at once the heavy night
Fell from my eyes and I could see,—
A drenched and dripping apple-tree,
A last long line of silver rain,
A sky grown clear and blue again.
And as I looked a quickening gust
Of wind blew up to me and ******
Into my face a miracle
Of orchard-breath, and with the smell,—
I know not how such things can be!—
I breathed my soul back into me.
Ah!  Up then from the ground sprang I
And hailed the earth with such a cry
As is not heard save from a man
Who has been dead, and lives again.
About the trees my arms I wound;
Like one gone mad I hugged the ground;
I raised my quivering arms on high;
I laughed and laughed into the sky,
Till at my throat a strangling sob
Caught fiercely, and a great heart-throb
Sent instant tears into my eyes;
O God, I cried, no dark disguise
Can e’er hereafter hide from me
Thy radiant identity!
Thou canst not move across the grass
But my quick eyes will see Thee pass,
Nor speak, however silently,
But my hushed voice will answer Thee.
I know the path that tells Thy way
Through the cool eve of every day;
God, I can push the grass apart
And lay my finger on Thy heart!

The world stands out on either side
No wider than the heart is wide;
Above the world is stretched the sky,—
No higher than the soul is high.
The heart can push the sea and land
Farther away on either hand;
The soul can split the sky in two,
And let the face of God shine through.
But East and West will pinch the heart
That can not keep them pushed apart;
And he whose soul is flat—the sky
Will cave in on him by and by.
I
Go on, high ship, since now, upon the shore,
The snake has left its skin upon the floor.
Key West sank downward under massive clouds
And silvers and greens spread over the sea. The moon
Is at the mast-head and the past is dead.
Her mind will never speak to me again.
I am free. High above the mast the moon
Rides clear of her mind and the waves make a refrain
Of this: that the snake has shed its skin upon
The floor. Go on through the darkness. The waves. fly back

II
Her mind had bound me round. The palms were hot
As if I lived in ashen ground, as if
The leaves in which the wind kept up its sound
From my North of cold whistled in a sepulchral South,
Her South of pine and coral and coraline sea,
Her home, not mine, in the ever-freshened Keys,
Her days, her oceanic nights, calling
For music, for whisperings from the reefs.
How content I shall be in the North to which I sail
And to feel sure and to forget the bleaching sand ...

III
I hated the weathery yawl from which the pools
Disclosed the sea floor and the wilderness
Of waving weeds. I hated the vivid blooms
Curled over the shadowless hut, the rust and bones,
The trees likes bones and the leaves half sand, half sun.
To stand here on the deck in the dark and say
Farewell and to know that that land is forever gone
And that she will not follow in any word
Or look, nor ever again in thought, except
That I loved her once ... Farewell. Go on, high ship.

IV
My North is leafless and lies in a wintry slime
Both of men and clouds, a slime of men in crowds.
The men are moving as the water moves,
This darkened water cloven by sullen swells
Against your sides, then shoving and slithering,
The darkness shattered, turbulent with foam.
To be free again, to return to the violent mind
That is their mind, these men, and that will bind
Me round, carry me, misty deck, carry me
To the cold, go on, high ship, go on, plunge on.
Decolor, obscuris, vilis, non ille repexam
  Cesariem regum, non candida virginis ornat
  Colla, nec insigni splendet per cingula morsu.
  Sed nova si nigri videas miracula saxi,
  Tunc superat pulchros cultus et quicquid Eois
  Indus litoribus rubra scrutatur in alga.
  CLAUDIAN.


I sat beside the glowing grate, fresh heaped
  With Newport coal, and as the flame grew bright
--The many-coloured flame--and played and leaped,
  I thought of rainbows and the northern light,
Moore's Lalla Rookh, the Treasury Report,
And other brilliant matters of the sort.

And last I thought of that fair isle which sent
  The mineral fuel; on a summer day
I saw it once, with heat and travel spent,
  And scratched by dwarf-oaks in the hollow way;
Now dragged through sand, now jolted over stone--
A rugged road through rugged Tiverton.

And hotter grew the air, and hollower grew
  The deep-worn path, and horror-struck, I thought,
Where will this dreary passage lead me to?
  This long dull road, so narrow, deep, and hot?
I looked to see it dive in earth outright;
I looked--but saw a far more welcome sight.

Like a soft mist upon the evening shore,
  At once a lovely isle before me lay,
Smooth and with tender verdure covered o'er,
  As if just risen from its calm inland bay;
Sloped each way gently to the grassy edge,
And the small waves that dallied with the sedge.

The barley was just reaped--its heavy sheaves
  Lay on the stubble field--the tall maize stood
Dark in its summer growth, and shook its leaves--
  And bright the sunlight played on the young wood--
For fifty years ago, the old men say,
The Briton hewed their ancient groves away.

I saw where fountains freshened the green land,
  And where the pleasant road, from door to door,
With rows of cherry-trees on either hand,
  Went wandering all that fertile region o'er--
Rogue's Island once--but when the rogues were dead,
Rhode Island was the name it took instead.

Beautiful island! then it only seemed
  A lovely stranger--it has grown a friend.
I gazed on its smooth slopes, but never dreamed
  How soon that bright magnificent isle would send
The treasures of its womb across the sea,
To warm a poet's room and boil his tea.

Dark anthracite! that reddenest on my hearth,
  Thou in those island mines didst slumber long;
But now thou art come forth to move the earth,
  And put to shame the men that mean thee wrong.
Thou shalt be coals of fire to those that hate thee,
And warm the shins of all that underrate thee.

Yea, they did wrong thee foully--they who mocked
  Thy honest face, and said thou wouldst not burn;
Of hewing thee to chimney-pieces talked,
  And grew profane--and swore, in bitter scorn,
That men might to thy inner caves retire,
And there, unsinged, abide the day of fire.

Yet is thy greatness nigh. I pause to state,
  That I too have seen greatness--even I--
Shook hands with Adams--stared at La Fayette,
  When, barehead, in the hot noon of July,
He would not let the umbrella be held o'er him,
For which three cheers burst from the mob before him.

And I have seen--not many months ago--
  An eastern Governor in chapeau bras
And military coat, a glorious show!
  Ride forth to visit the reviews, and ah!
How oft he smiled and bowed to Jonathan!
How many hands were shook and votes were won!

'Twas a great Governor--thou too shalt be
  Great in thy turn--and wide shall spread thy fame,
And swiftly; farthest Maine shall hear of thee,
  And cold New Brunswick gladden at thy name,
And, faintly through its sleets, the weeping isle
That sends the Boston folks their cod shall smile.

For thou shalt forge vast railways, and shalt heat
  The hissing rivers into steam, and drive
Huge masses from thy mines, on iron feet,
  Walking their steady way, as if alive,
Northward, till everlasting ice besets thee,
And south as far as the grim Spaniard lets thee.

Thou shalt make mighty engines swim the sea,
  Like its own monsters--boats that for a guinea
Will take a man to Havre--and shalt be
  The moving soul of many a spinning-jenny,
And ply thy shuttles, till a bard can wear
As good a suit of broadcloth as the mayor.

Then we will laugh at winter when we hear
  The grim old churl about our dwellings rave:
Thou, from that "ruler of the inverted year,"
  Shalt pluck the knotty sceptre Cowper gave,
And pull him from his sledge, and drag him in,
And melt the icicles from off his chin.
Timothy Brown Nov 2012
Four white walls adorned with posters.
Jimi Hendrix, Pink Floyd and an odd cluster
of animals and dinosaurs.
and a strange man relaxing his pores.

I could learn something from this

The wall space around Van Gogh
is lined with empty cigarette boxes.
A constant reminder of life shortening though
they encircle the skull like rabid foxes.

I've lost count of how many I've smoked

The carpet is littered with stains.
A reminder of past strains.
Even industrial shampoo
will not fade the marks scarred into.

I've been here too long

The drawers are a symbol of a cluttered mind.
Nothing is organized. but anything is an easy find.
Random thoughts make the air stale.
Only freshened by the 3pm arrival.

Its just junk and coupons

Its difficult to balance all these things out
without a feminine touch to soothe.
A soft laughter to rile the doubts.
Another pair to line with my shoes.

*I'll be with you one day Caroline
Caroline, you like I, must have an equilibrium between your mind and the world.
© November 26th, 2012 by Timothy R Brown. All rights reserved.
Sarah Pitman Jul 2014
Red.
Like parting lips,
Shushed kisses.
Like high school varsity jackets.

Orange.
Like the shirt you wore
The day we met.
Like my least favorite color.

Yellow.
Like the lemonade,
So sour we spit it out.
Like summers we spent together.

Green.
Like minty gum,
Newly freshened mouths.
Like the grass I lost my innocence on.

Blue.
Like the pen I used
To write your love letters.
Like all the times we've cried.

Indigo.
Like bruises, covered
By jeans high on hips.
Like the nights we stained with lust.

Violet.
Like every single thought
Led back to you.  
Like even the spectrum had thoughts of you.
You you you you you.
Brian Oarr Jul 2012
The hiker cannot dwell there long,
concealed on a high gull-lined cliff,
overlooking the grey of the Sound.
Framed in a solemn March day,
two curiously juxtaposed species hold her gaze.
Silent as a fawn she watches
a black wolf beneath her arboreal outpost,
hunched in the fashion of Asian street vendors,
observing the other creatures.

Great humpbacks frolic in icy waters ---
spouting volcano plumes of spray
that catch the freshened wind ---
riding white-capped waves,
till entropy dissolves their mist to atomized brine.
Whale-song, too distant for the hiker's gentle ears,
comes rolling in tsunami-like
to the aurally attuned wolf,
which ***** its head and nods
in musical agreement with the odes.

Then little lupine brother
rears back his head and howls,
so sorrowful a moan, as she has ever heard ---
answering his water-brethren,
hunters of krill upon the seas.
Giggling at the incongruity of this lone celebrant
singing pack-songs to leviathans,
she hurries on her way,
lone wolf herself returning to the pack.
untitled Aug 2015
Trampled, yanked from their roots, strewn across the dirt;
A single, beautiful rose lay, treated as lowly as the soil beneath,
Loses sight of its true worth and perfection,
Amongst the several other damaged "objects".

Used and abused in manners undeserved, yet she still perseveres.

Replanted, freshened, and dusted off, she stands *****.
Portraying beauty and elegance, others do not see the damage;
Yet it is visible to me, as clear as day are the harsh conditions endured.

And so is her strength, to bear another day.
And so is her worth, deserving of more than the world can offer,
Or that I can muster; I'll try my hardest to give her everything.
Cyril Blythe Aug 2012
Jumping over the dark mahogany railroad ties that my father laid down as a barrier, I entered my favorite place. Bare toes and rough feet of my 9 year old self burrowed with joy into the wood chips that cushioned my kingdom.

The entire area smelt of damp, rich wood, always freshened by the honeysuckles sweet scent from their lazy seats on their wooden fence in the background.

My castle was wooden as well, 6 carefully and lovingly sanded steps up onto the throne where I could watch all I reigned: my dog, the four railroad ties barricading the wood shavings from spilling into the soft green grass, I could see my family inside, my house not but a quick dash away.

As the sun set, down the wooden slid and back onto the damp ground I would return inside. Smelling of bark, honey, and innocence.
The storm passes, winds once upliften have spent their embrace
and Nature calls anew to the ripening surges, budding grass once slumbered burst to life
while birds in willful glee dance the verge, whistling delight
to drink the freshened Air, our thundering night torn through the wastes
or swept swiftly along, kissed the Earth in glance of praise-
Our glad meeting, greeting and raucus entreating.

Here calls like clarion tones, like silver bells, attuned for an ascending climb
and scale of seeming or believing, less tightly held to vagrant wishing
but embraced in sight of sure horizons, traveling on like Osprey on the hunt
or Otter dove for the rivulet streams our minds intend, or hands direct-
a tinkling on the wire, vision, strength against the currents of our times
two matched in each, Above/Below...corresponding on.
Faleeha Hassan Apr 2016
Shortly before my father died, he whispered to me longingly: “Daughter, treasure this, because it authenticates your heritage to our kinsfolk!”  When I accepted this object, I discovered it was a stone with inscriptions I did not understand and delicate, mysterious lines.  He continued, “It is a keepsake from our great-great grandfather and can ultimately be traced back to Bilal, the Holy Prophet’s first muezzin, and his father, who was the king of Ethiopia.”  I accepted this small heirloom, which I carried everywhere with me in my handbag.  The person who shared my life under the title of “husband,” however, threw it down the drain at our house, thinking—as he told me—that it was a fetish.  From then till now I have endured successive exiles.  So I wrote this poem to explain the secret of my skin color—given that I am a native of al-Najaf, Iraq—spiritually, mournfully, and poetically!

My father said: “You were born quite unexpectedly,
Remote from Aksum, like a beauty spot for al-Najaf—‘the ******’s Cheek.’
Your one obsession has been writing, but
The sea will run dry before you arrive at the meaning of meaning.”
He affirmed: “During a pressing famine,
I devoted myself to watching over every breath you took.  
I would ****** my hand through the film of hope
To caress your spirit with bread.
You would burp, and
I would delightedly endure my hunger and fall asleep.
I could only find the strength to fib to your face and say I was happy.
I would feel devastated when you fidgeted,
Because you would always head toward me,
And I felt helpless.”
Aksum!  They say you’re far away!
“No, it’s closer to you than your exile.”
“And now?”
“Don’t talk about ‘now’ while we’re living it.”
“The future depresses me.  How can I proceed?”
How can the ear be deaf to the wailing from the streets?
Aksum, you have colored my skin.  Al-Najaf has freshened my spirit.
She knows and does the opposite.
She knows that I inter only dirt above me, and
That I deny everything except spelling out words:
M: Mother, who went walking down the alley of no return.
F: Father, who hastened after her.
B: Brother, who never earned that title.
S: Sister who buttoned her breast to a loving tear, no matter how fake.
………………….There’s no one I care about!
The trees tremble some times, and we don’t ask why.
My life surrounds me the way prison walls surround suspects;
I am the victim of a building erected by a frightened man.
With its talons time scratches its tales on me,
And I transform them into a silent song
Or, occasionally, a psalm of sobs.
Father, do you believe that--the roots have been torn asunder?
Fantasies began to carry me from al-Najaf to Afyon
And from Afyon to nonexistence,
Yellow teeth stretching all the way.
“History’s not anything you’ve made,”
One American neighbor tells another.
He’s surprised to see me.
“Who are you?” he asks when he doesn’t believe his eyes.
Would he understand the truth of my origin if I told him I was born in al-Najaf
Or that Aksum has veiled my face?
I have walked and walked and walked.
I’m exhausted, Father.
Is your child mine?
Show yourself and return me to the purity of your *****.
Allow me to occupy the seventh vertebra of fantasy!
Don’t eject me into a time I don’t fit.
I need you.
I ask you:
Has my Lord forbidden me to be happy?
Am I forbidden to preserve
What I have left
And sit some warm evening
Averting my ear from a voice that doesn’t interest me?
Answer me, Father!
Or change the face of our garden
So it changes . . . .to what they believe!
Translated by William Hutchins
http://intranslation.brooklynrail.org/arabic/black-iraqi-woman
ConnectHook Sep 2015
Seated in a window was a young man named Eutychus,
who was sinking into a deep sleep as Paul talked on and on.
When he was sound asleep, he fell to the ground from the third story
and was picked up dead.
     [Acts 20:9]


Ye Olympian poets, hearken well
while the fall of a tragic youth I tell.
My Lydian lay, unsung by Homer
in pastoral ages far and former
shall warn and chasten your Patrician ears
recalling bygone Hellenistic years.
Pardon the insufficient gravitas –
the intention here is not blasphemous…

Saul, since Damascus and the desert days
had progressed to his apostolic phase;
a minor Asian town, Trojan Troas
lent him their ears. What we came to know as
Western Judeo-Christianity
was birthed in near-comic humanity.
But Saint Paul was completely serious
feverishly focused, quite delirious.

And so the first story he narrated-
second, then a third story related,
foreshadowing from Moses’ law the Christ
and Gentile nations grafted in, or spliced
as shoots from a wild rebel olive tree;
the Eternal One who is Trinity…
and many other holy mysteries
he taught and unlocked with scriptural keys.
By his third story, some eyelids fluttered
the lamps burned low while his truths were uttered.
The allure of Aegean night was deep –
but he offered something greater than sleep.
Among them one languished, barely alert,
a young (very tired) Grecian convert.

Eutychus nodded, his frame lightly propped,
in the night-freshened window. He had stopped
heeding Saint Paul who was preaching Jesus…
and thus he surrendered to Morpheus.

Unfortunate, weary, his tired head nods;
still exegeting from beyond, Paul plods.
Finally, the liminal threshold reached
E. falls – to encounter the power Paul preached.
His toga billowing as he plummets
from peaks of Christological summits,
he descends to gather cryptic renown
and a dubious New Testament crown.

Was E. bored to death by St. Paul’s discourse?
Descending from grace – did he stay the course?
Was his revival a first holy fruit –
or an arrival by alternate route?
One wonders, in retrospect- was he saved?
or is this a picture of mankind, depraved
fallen in slumber, oblivious, dead
until Truth’s unkindness touches our head…
Like Lazarus, this one had to die twice
We ask: how many more deaths would suffice?
Did he talk to the Lord while departed?
Could he fathom what Jesus had started?
Like Luke’s blind man, the sin was not his own,
but that God’s power be openly shown.
For his pains: a two-fold resurrection
rebirth through Paul and divine election.
(Unless the whole thing was allegory –
mere Jewish fable or pagan story…)
Don’t censure my Lydian levity
nor discount apostolic gravity
lamenting the youth bored to death by Paul;
we discern, in Eutychus, our own fall.
Revived, he learned, before the rest of us,
the difference between Christ and Morpheus.

If there be details still to verify
or vague scenarios to modify,
we shall, in heaven, request to hear it
from the lips of Eutychus’ own spirit.
(And then we can corroborate with Paul
The how and the who and the wherewithal.)
Read all about it in Acts, chapter 20
Brian Oarr Mar 2015
that I ran into my friend Vic was a good thing
because we leaned on the shadowy cars and he gave me
some new words:  Faith,  Reconciliation,  Continuance.
But driving home, they began to fill me up with grief
so I tossed them out the window like a finished cigarette.

And I went down to talk to the creek, who was filled with a grief
of her own, a grief of too much water having fallen
in too few days.  And she had me dash my empty beer bottles
against her tortured stones that night, had me make
the shrill cry of a hawk as I let each one fly.
And with each crash she gave me back my former words,
my old & tarnished words, the fs and ts
honed sharp enough to really hurt somebody bad.   And sharp
enough to hack a trench into my chest, so the water could roll in
like freshened blood, roaring the way it roars against
the creekstones:  girl you're alive, alive, alive . . .

I call the creek a woman because she had a woman's wisdom,
a woman's bitter tears, even had the housewife's old cliché
about how all love ends in either death, or separation
from those we love.  And the creek made me remember
how they want you to believe the only way off the meathook
is by dying first.
She said: *whatever you do, whatever you do
don't let yourself be the one who dies first.
Taken from Lucia Perillo's first collection of poems, "Dangerous Life"

Northeastern University Press --- copywright 1989
Mitchell Aug 2013
Ten hours past the seven hand
She says she wants heaven man
And I let her go
Through the fog
Through the mist
Through whatever way she must

Lies layer their own bent betrayal
A fair maiden enters brazen through the double doors
Shouting out, "She wanted more!"
The young are promising
Fallacies hot and empty like a dried river bed
Later unable to recall
That anything was ever said

To breathe onto your neck
To kiss between the specks
Of the echo chambers of nubile love
Experiencing adolescence in its pitter patter
We are the doxies of death
And the ministers of shifting frames

Telling typewriter you are the only
One that does not ask for forgiveness
Only begging for the serene and true
When the light shines brightest
The darkest doth flee

I roll my shoulders forward
So all can be pushed toward
A name to recognize
Yet with a face to terrorize
Each character in this play
Is a prize yet unpaid
In death we are the ones
That have not yet won the prize

Taste the florescent blast
Of a mercury cast
She prays to the song
Of a nymph born in the past

I hear you old one
You wheeze with your creased' delight
When you made your way
To the elderly street
The only one there
Who was wishing to meet
A soul who knew you
Before they saw you

And so you stood there
Underneath the birch of the born
And all mystery wavered within the song of the old
I saw it once within the eyes of the river
They asked for rhyme
And I gave them freshened time
All then grew quiet
Before I could dare to forfeit the next song

Near the mountains
Frost pressed against the rock and
We talked of the liquidity of love
While the tiger stalked the flighty dove
While whatever we were caring for
Was a rifle cocked in an aim forlorn
To the core of what we were wanting so
Was something other then satisfactions caress

Every secret that she met
From her mind past the teller store
What was more the can colored green
Was trying to see what the other had seen
Running along the other side of the conversation
As she dances and ridicules within
Her own forbidden and accepted restraints
To tell the difference between fear a la' hope
Is to kiss the devil amidst the gentile pope

Candle light glides across her freckled eye
The sigh of the angels is the same as the
Howl of the dogged' wolves of the afternoon
The soon to be forgotten sons inside Egyptian caskets
Make all the baskets made of wicker wrapped in plastic
Nothing more than a lie within the panoramic frame
Of hallow enthusiasm shrouded in rubber crassness

Can't you see my friend?
Can't you see you're made to believe?
There's nothing left to tease you with
Other then what is told to you
Venture out
Past the cities
The orchards
The towns, valleys, and the streams

She's a notch on your belt and
And a smell you've never smelt
Making you believe she's the only for you
Though inside
You know she's only going to make you blue

Tear the blinds from your eyes
The whispers are only quieter cries

A knotted wind surges through the waves
Outside a window shutters in a craze

There we sleep amongst the fray
Waiting for the morning
The only one we wish to obey
There is no other place that we can stay

For this is our home
And we will fight
And we will die
And we will live
So in the end one of us

Can see another day
RW Dennen Sep 2014
What desirous riches we crave
to return our destinies
for paradise
sights and nights,
filled with glittering starry portals
And to feel the air of day and night
abound with blissful
restfulness and sleep
Ooh how we
dream
note that dreaded dream
but dreams of peace at rest

Aaaah to
return only within a second
and relearn what nature has to give
and only what we're allowed to take

And to listen to the shakers of the earth
growl their pristine craves
And to feel that solemn rest once more
the return to freshened softened earth around our barefoot
toes
and to regain freedom spatial
b o u n d l e s s n e s s  LOST but only
regained at last in dreams reposed...
The moody greys;
The rain that stings;
A thousand random,
Happy things,
That makes me want
To leap and play;
To take in the splendor
Of this cold, wet day,
And revel in it's quiet gloom-
To watch it weave
On it's dampened loom-
For daylight does not at all compare
With this misty, freshened,
Dripping air.
Though all and sundry
Are brought down low
By the gift the heavens
So kindly bestow,
I feel instead Nature's kiss
In this, the weather
I always miss.
So while others may think to complain,
And shake their fists at the falling rain,
The soothing wind doth caress my cheek;
And so, inspired,
I thought to speak-
Of the drought of sun,
And it's absent rays;
And this,
The perfect, rainy day.
But an exaltation,
a prayer to none:
I do not wish this day be done;
Rather I would plead,
Sincere,
To leave this solemn weather here.
Marian Jun 2013
There's a gentleness so tender,
In her heart's Hearthstone fender,
Coming from my Mother's heart alone;
It doesn't matter the occasion,
That a spark of love invasion;
Never pausing, so tenderly has shone.

For you're God's plan from heaven,
For your tender heart like leaven,
To hasten and mix your heart below;
For it doesn't matter where you find her,
There's always something so sweet about her,
Wonder touch, her Mother touch, that I know.

Flowing laughter sweetly sounds all the day long,
Singing the sweetest bird song,
Cheering and hugging every hour;
Then she goes to her quiet retreat,
For her hour of prayer so sweet;
A secret of her sweet nature and willful power.

Soul of my Mother, colourful like a tapestry,
The love of my Mother is as boundless as the sea,
Freshened like a flower with its dew;
For love showers will embrace her,
God smiles from Heaven above to bless her
And her life is ever shining and true!

*~Marian~
I changed a poem around a bit that I found in a book!!
I hope I changed it around enough but this is the only way I could express the way her heart is!!!
So this is for YOU, dear sweet Mother!!! :) ~<3
Upon a rock that, high and sheer,
  Rose from the mountain's breast,
A weary hunter of the deer
  Had sat him down to rest,
And bared to the soft summer air
His hot red brow and sweaty hair.

All dim in haze the mountains lay,
  With dimmer vales between;
And rivers glimmered on their way,
  By forests faintly seen;
While ever rose a murmuring sound,
From brooks below and bees around.

He listened, till he seemed to hear
  A strain, so soft and low,
That whether in the mind or ear
  The listener scarce might know.
With such a tone, so sweet and mild,
The watching mother lulls her child.

"Thou weary huntsman," thus it said,
  "Thou faint with toil and heat,
The pleasant land of rest is spread
  Before thy very feet,
And those whom thou wouldst gladly see
Are waiting there to welcome thee."

He looked, and 'twixt the earth and sky
  Amid the noontide haze,
A shadowy region met his eye,
  And grew beneath his gaze,
As if the vapours of the air
Had gathered into shapes so fair.

Groves freshened as he looked, and flowers
  Showed bright on rocky bank,
And fountains welled beneath the bowers,
  Where deer and pheasant drank.
He saw the glittering streams, he heard
The rustling bough and twittering bird.

And friends--the dead--in boyhood dear,
  There lived and walked again,
And there was one who many a year
  Within her grave had lain,
A fair young girl, the hamlet's pride--
His heart was breaking when she died:

Bounding, as was her wont, she came
  Right towards his resting-place,
And stretched her hand and called his name
  With that sweet smiling face.
Forward with fixed and eager eyes,
The hunter leaned in act to rise:

Forward he leaned, and headlong down
  Plunged from that craggy wall;
He saw the rocks, steep, stern, and brown,
  An instant, in his fall;
A frightful instant--and no more,
The dream and life at once were o'er.
Mike Hauser Apr 2013
My life it is so busy these days
I need to save time where I can
So to shave off a few minutes here and there
I've come up with a master plan

Astronaut underwear
That's just a given
How much time that's going to save
I need not even mention

I'm going to wear my glasses below my nose
That way my nose for itself can see
Whether it needs picking or not
That's going to save my finger and me a lot of grief

Soap on a rope will go around my neck
I'll bathe in sinks as I get ripe
To save on minutes and energy
I'll do one pit at a time

I'll pull out my agua blue polyester leisure suit
That I've saved from the 70's
I'll wear it all the time, even to bed at night
Those suckers stay wrinkle free

My toothbrush I'll paste up and place in my mouth
When I hop into bed for a good nights sleep
In the morning I'll be all freshened and brushed
From a night of grinding my teeth

I even got the brilliant idea
One night while watching my dog
A device on his rear so he can mop
While he scratches his **** across the floor

These are just a few good ideas
I'm sure I'll think of more
Once I have all this spare time
Sitting around bored outta my gourd
Karl Johnson Jan 2018
A Freshened Palate, Perspective, and Purpose

Ingredients:

1 potato, 1 egg, half an onion, 1 clove of garlic
salt and pepper to taste
Light frying oil, 2 slices of bacon,
A fistful of poor self image
I mean, spinach
Balsamic vinegar, applesauce,
A dash of self-hate, and left over unwanted thoughts
Note: for a healthier alternative, forget the self-hate
Also note: Can’t remove unwanted thoughts


Step-by-step instructions:
1. Trim potato of any bad areas
    No matter how badly you’d want to trim
    Yourself

    Wash and scrub away any dirt or sand
2. Grate potato,
    Not knuckles
    Squeeze gratings with an old
    T-shirt or throwaway towel
    You could use the shirt you’re wearing
    But you’d end up wearing your stains
    Which, honestly,
    You do anyway

3. Grate onion, cry
4. Finely chop garlic
    Don’t think about the bad breath
5. Put potato, onion, garlic, and 1 egg (without shell)
    Into the bowl and
    Mix
    But not like mixing drinks with anxiety med
    And bad coping mechanisms.

6. Heat oil until shimmery
    Fry potato mixture to make 2 or 3
    Golden brown, delicious latkes
7. Fry bacon while latkes are in pan
    Fry two slices so the bacon doesn’t
    Have to be
    Alone or
    Isolated

    Set aside on paper towel to soak up the grease
8. Boil water to poach eggs.
    Once boiling,
    Swirl water into a whirlpool
    Exactly like the thoughts scalding
    The insides of my skull
    For example:
    Do you know what it’s like to
    Hate yourself? To not stop the
    Unbelief that you are any
    Good at all?
    Understanding that you’re
    Unemployed
    Unskilled
    Unwanted

Gently crack two eggs into whirlpool
    Understanding that you can’t simply
    “Get over this”
    Like standing under burdens
    And whiskey bourbon hits
    Expectations - faraway dreams
    Only furthering it
    Like you’ll never be able to accomplish them
    You’ll surmount them but run
    Out of oxygen because
    You’re not
    Supposed to be there
    In the first place

(don’t worry, the whirlpool will prevent eggs from
breaking)
    (Don’t you see what
    Everybody else is doing
    And you act like you
    Know what you yourself
    Is doing
    Don’t you see all your
    Truly selfish doings
    Who do you think you are?
    -laughing- you’re bad
    Where do you think
TURN OFF THE HEAT AND COVER
    Set timer for exactly 5 minutes.
    Do not
    Lift the cover until time is
    Up.
    After 5 minutes, scoop eggs out with slotted spoon and set on paper towel to dry.
    Let eggs
    *Rest.

    Be careful,
    The yolks
    Are very fragile at this point.

Assemble the dish
Spread applesauce on potato latkes. Be careful
Not to spread so thin.
Don’t be stingy,
take what You need.
Put bacon on top, stack poached eggs on top of the bacon.
Garnish plate with spinach, sprinkle with balsamic vinegar.
Each thing has its place, even if it seems too complex or complicated.

Flavor Profile;
Latkes are light and
Fluffy and crispy.
Onions, garlic give a basic, yet
Flavorful foundation.
The egg yolks spill a very rich, deep syrupiness that is brought out by the salty, fatty bacon.
The applesauce is special because the sweetness and **** contrasts with the smooth richness of egg, potato and bacon.

And just like life, balances the heavy with the light
          Work with play
       Teaching with learning
                               Spending money with saving money
       Learning things and saying things
       Being there with being here


And sometimes, amidst all of that
You need something to add
a little fresh,

A little color
A little bit of
Different.
That’s where the Spinach comes in
Some
Justified bitterness to
Freshen your
Palate, perspective, and purpose.


With each bite and each taste
You’re reminded that each blend of flavors
Each collision of textures
Are compositions of each ingredients and
each step:
    The onions, the salt, the applesauce
Slicing, chopping, grating
Frying, failing, hating
Boiling, swirling, burning
Accidents, bad luck
Tripping over, getting up
Panicking, breathing, saying “enough”

And having an end product
Like this
Is
Purpose
It is how it’s supposed to be
You are who you’re supposed to be

When you’re finished, wipe your hands
Wash your plate
Realize you have dishes to do
And more courses
More tastes
To produce

*So that you will never go hungry
With this Circadian Appetite
Poetoftheway Jun 2015
unfailing clockwork come,
no surcease tendered from its
onerous, regulated,
on-time scheduled,
yet, untimely demands

arise to serve,
serve the sentence,
the sentence of
"out, out,"
whether candle or spot,
but there be no out,
damnable or otherwise

flailing words,
uttered no matter how,
the burden of the inexorable
is freshened daily,
yet horribly unchanged

failing words,
dent not the injustice of,
the condemnation of,
tomorrow, and tomorrow, and tomorrow

for if the play's the thing,
this thing,
on the morrow,
performed eight times a week,
the sound and the fury
of applause fading,
a chiming of intermission ending,
the sets struck,
yet the tick of tomorrow,
is but the tock,
the switch off
of today
that
Doesn't Work

the script, well memorized,
it's mastery demands  perfunctory performance,
and
an ending that sates,
but playwright,
none provides,
his woeful signature
his pas de coup,

signifying
that tomorrow returns faithfully,
desirious of its unfulfilled dissatisfaction,
for it kens none other
though calling out,
"out, out,"
but there be no out
riffing on
Macbeth’s short soliloquy in

Act V, scene v:

Tomorrow, and tomorrow, and tomorrow
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle.
Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
           (V.v.18–27)
Molly Greenhood Jun 2017
You came in the room, freshened up my coffee
dipped your head to my shoulder, said you felt so happy
turned on the tv, laying on your couch
under cream colored blankets and drinking whiskey
the rain had finally started falling
I kissed your neck and said you're everything
I kissed your cheek and said don't ever leave me
how can this all feel so easy
my tortured past felt so hazy
you looked down at me with amorous eyes
lazy, wide, searching for me inside
I touched the sunburn on your chest
warm and bare, then exposed the rest
I'd like to remember the way you looked that night
dancing around in the bright kitchen light
singing wildly as you cooked
you grabbed me round the waist and pulled me
close to your body and said you missed me
I won't ever forget the way you touched me
I threw my head back and felt the ecstasy
you pushed my hand back and fell silently
into my body like the rainfall, softly
cascading down the window next to me
I never want the rain to stop
please don't ever let this rain stop
Sort of a train-of-thought poem I wrote with the tune of 'Gustavo' by Mark Kozelek & Jimmy Lavalle repeating in my mind.
pralay patra Sep 2015
I had been so tense
That I could not sustained or thrive
My heart was literally broken
That I was not able to survive.

My life was clueless
That's because I have had no bless
I seemed to committed the worst sin
The sin was that to others I was so mean.

But when I came to thy feet
I always get from you a warm greet
You have also freshened my mind
By the verse in you I have find.

It is you the unique literature of the universe
You made me able to express my own verse.
I am completely debt on her(English Literature) .Who gave me all the things to survive.So this is only for you.
I am undone -
resonating, thrumming
with feelings out of time.
Suffused with the scent
of orange, clove and cinnamon.

The house on Folgate Street
has me, whole,
powerless against an eternity
of mutating, shifting
happenings and moments.

Twice, the black cat followed me.
Dully gleaming fur
reflecting a landscape
of bunched bedclothes,
that it batted
then bunched some more.

Between the rooms,
landings captured me -
miniature palaces
hung with candied fruits
and mercurised pools
where I dove in naked longing
into both our pasts.

Huguenot shadows
writhed and climbed,
in faded effervescence.
The motes permitted not to utter
a word of breath.

With freshened eyes
I farewelled an age of deeds
in whispered thanks.

How long I stood at the corner
I cannot say.
Rising from a dream
has never taken so long.
she slips away like fine thread
Between my fingers she falls
I still manage to pull her back
After all these years of searching in the wrong places
She kisses me
Every kiss freshened

By:  Leory Santana Dawn
Scorpio Love
Allyson Walsh Jan 2016
Impatiently waiting to
Use your only bathroom
I examined the curls
That shaped your hair
From across the room

You were
Exhaustion at best
Tired of me
Worn out from life
Exhausted with your routine

Your roommate finally
Left the bathroom to me
I freshened up
The air was hazy
The towels reeked with ****

I knew we were ending things
I left our aspirations
In the passenger seat
You kissed me goodnight
But I understood that it was *goodbye
For NM

Baby I'm Crying - Best Coast

No title? Unsure of one that makes sense.
Bryan Oct 2017
In the morning, I awoke
to find the sword gone from my hip.
My fear seemed foolish,
Even childish,
And as my hand searched for the grip,
I saw my love,
I mean my wife,
As pure as winter in her slip.
I freshened for the occasion,
after closing curtains quick,
to keep the glory of the day
held back for just a bit.
By now I had my sword,
and bow and arrows,
Iron-tipped.
I had twine, and hooks,
And chum from the cooks,
and a solid angler's stick.
If I failed in my hunting,
I could at least catch a fish,
and wake my lover with the aroma
of a breakfast she can’t resist.

Out I went.

Too much time was wasted:
Half the morning out I spent.
I know snow would understand
if summer refused to desist
Just to spend another day
in a sunlight just like this.

So back I went,

Feeling weighted
by the rabbits I had skinned,
Feeling sated by my catch
and the fragrance on the wind.
All the wonders of the forest,
and the bounty found therein,
Made me joyous for my kingdom,
And on my face I found a grin.
In the clearing of the meadow
that we built our castle in,
I met a man,
then a woman,
and it is here this tale begins.
matt d mattson Apr 2011
Your love’s grown cold
As cold as forty below
The frozen air confronts my stair
A thousand tiny knives
Attack my skin and skewer in
Beneath my old fleece coat
They penetrate to my very core
A coldness of no more
A pain I knew when I knew you
As cold as forty below
For all you gave was unending pain
Heartbreak, misery, and woe
Like the cold dry air takes the moisture there
You sapped my hope away
Your love’s grown cold
As cold as forty below
When I met you it was brisk at first
And your freshened mirth slaked my thirst
An arctic spring that masked your hidden glare
But as it fell it froze mid air
And crushed me with its weight
For your love’s grown cold
As cold as forty below
Nameless Feb 2012
Broken, he found me lying there
He cleaned and fed me and took me upstairs
He lay me down and covered my scars
I felt free for there were no bars

I had been tired, is what I'd said
And my guardian angel its more than widespread
A gentle hand brushed my forehead
Sleep my sweet, is what he said

As he got up to walk away
I pulled him close and asked him to stay
He replied, my love, for not today
Our time will come, I'm here to stay

He held me till my tears had dried
Until the hurt and pain had subside

He must have left throughout the night
For when I woke up he was out of sight

I looked around this new room of mine
I saw some clothes left on the side
And a note from my angel it read...

Good morning sunshine I hope you slept well
Please treat this place as it's yours to sell
Theres breakfast in the kitchen and a place to freshen
The day is your own do as you please
I'll come home and fall at your feet
Call if you need me.
Signed your A N G E L.

I freshened up and wondered around
Is this my new place and where I am to be found?

Time passed quickly from reading
a book
For the first time in ages I had a brighter outlook

Angel returned home and started to cook
I watched him attentively, not just a look

We talked and laughed till the early hours
My angel, I thought, has special powers

Days passed by and I started to grow
I even learned how let go

The past is the past for this now I know
The future is for me to love and grow
The sun has gone and it all feels good;
Autumn has started in a fair dry mood.
Autumn has always been dutiful and fair,
I love its appealing night air.

The wind has stayed and dripped more;
A promise to my fall and ripe words,
Who is a poet but one with fine taste,
Who is she but the offspring of grace.

And the poet within me screamed;
Late words are rich and but not a dream,
I jolted awake at a dark night,
I saved my soul and my autumn light.

And the poet within me told;
There are too many verses untold,
Their idle fate shall not awaken them,
And without touch, they shall not bloom.

And the poet repeated many times;
That I ought to retreat to my fine rhymes,
To salute my old self with renewed breath,
With a conscious mind and eager taste.

And the poet stressed her meaning;
My verses are sought for their singing,
That I should soon shove myself awake,
That there are too many tales to make.

I grew wakeful in two mere seconds;
There was a fair line for me to see,
I opened my eyes fast that morn,
I sensed a new rhythm about me.

I jumped alive with freshened breath;
I stirred to life on the sun’s death.
Nor is my love alive, no more,
I have less to love, but not my words.

Falsehood has left me too accustomed;
Everything is false outside of my poem,
That I could live and love but my own tales,
That I could only breathe within their veils.

But who is to love me when love is awake;
Who is to dream of me behind the lake,
Who is to notice the rustling of my leaves,
Who is to read me when love lives.

And who is to say my love lies in words;
For all has been a joke within these worlds,
All is fire and fury inside their jealousy,
The ecstasy I cannot abolish, and free.

I am accustomed to their boasts of gold;
I am too idle to further their stories told,
I am the love and life of my own ends,
The heart of my mortal fate, and hands.

I am the idle daughter of toil and madness;
I am the author of all beings and darkness,
All sight to me is youth and remarkable,
All winds are idyllic, all ruins are humble.

I am the foliage that never rusts;
I am the joy that shall never pass.
I am the delight that goes with you,
I am the nigh sigh that is real and true.

Even the beastly suns cannot reach me;
And their scorching wit that shan’t see.
They all shall shrink in the mirth of words,
They all shall run and flee the woods.

Even such misery deters me not;
Nor such tales I have not offered,
I am sane in my every effort,
I am true to my every word.

Even such falsehood wanes me not;
Nor such poems I have writ,
Nor the tales I have told,
Nor the two fateful ends that meet.

And has the shaking of minds left me unshaken;
And the lies of love leaving me untouched.
Who says but being loved is not a burden,
Who says that mortal joys shall ever last.

Who says that being in love is not a torture;
Who says that it takes minutes, not hours to love,
Who says that love is certain, love is sure,
Who says love is not a cry in love.

Who says love is not a morbid show;
Who says love shall always hear and know,
Who says but love shall never go,
Who says but love shall stay today, and tomorrow.

Who says love loves in its blood-red chamber;
Who says love is not bound to a curse.
Who says love is striking in its own light,
Who says love can but see throughout the night.

Who says love is not a part of sleep;
Who says love is awake, when ‘tis asleep.
Who says love can adore oneself too deep,
Who says love is at the night hours, to weep.

Who says love is too awake to be blind;
Who says love is watchful in her own mind.
Who says love is not but a murky statue,
Who says love can awake much of me and you.

I am too frail in my own literature;
Having tortured by daylight’s rude slumbers,
I fell in love on their dull torture,
Forced to feel on the sound of words.

I am too blind to sweetly love, and hold;
I am a mind ‘twas once too cold,
A ****** that was a disgrace to thee,
Thou wert incapable of loving me.

I am a threat to creation;
The betrayal of love and its judgments,
The death of merit and attachments,
The gaiety of evil and separation.

I am a deceit to gluttony and lust;
That a sign of madness would soon disrupt,
That all should remain a vain attempt,
That would soon confuse love and lust.

I am a disgrace to existence;
That all I have loved is everlasting pain,
That all is but a blind conscience,
That all is heat and there shan’t be rain.

I am untold in my own fortune;
That all is not a story nor tune,
That all is rage but not a tale told,
That all is heat, not a day cold.

And there is literature but no love;
For words themselves shall suffice,
For my heart is not ripe, not enough;
For my heart does not understand lies.

And there is not fathoming but madness;
Harm and anger in their strange noise,
Tired of their idleness,
Sick of their ill bliss.

And there is not found a conclusion;
That all is rigorous but shan’t know,
I have lived but a sour oblivion,
That all is present, but not tomorrow.
Breezy Raye Aug 2013
The woman who grew
In front of my eye, she knew
With her lovely scent
Like aloe on my freshened wound
Not the way she was
Because that was still new
But I had her in my heart
Like a teary onion stew
Sat in a chair, without a care
Because her spirit was always there
Crossed legs and harms hanged
Her outline was free and hemmed
Like a quilt on the end
Nice enough to attract a smile
But blunt enough with a pulse
To send you on your blissful course
There something about this gray haired woman
Everything was but a moment .
Annie McLaughlin Feb 2016
I will be back tomorrow night
I will come bearing more gifts*

the next night, insomnia visited once again, as promised
and brought the gifts of
freshened tears and quickened heartbeat,
racing mind,
cold blood,
shattered heart pieces.
because sometimes the hurt and the pain are more constant and trustworthy than the humans.

— The End —