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Ava Yaki May 2021
Her eyes radiant and sensous,
she proudly wore them.
Her eyes allured praises,
and conquered the art of flirting.

She looked at him to flaunt her eyes.
Which, she knew will tantalize him.
She wanted to arouse his highs,
and have him fantasize about her.

She looked at his eyes,
assuming it's just another fling.
Powerful and authentic were his eyes,
but also strangely familiar and gently captivating.

Her eyes met his eyes.
For the first time,
her impish and sparky spirit
felt something alien.

His eyes were all that were focussed
for, the rest of the surrounding faded.
She didn't feel the air.
She didn't feel the ground.
She only felt the gaze.

Her always rambling mind
went thoughtless now.
Her burning desire to keep doing more
was suddenly extinguished.

She went quiet.
Neither into an uncomfortable silence,
nor a painful silence.
But a peaceful silence.
A satiated silence.

The haunting memories from the past,
the gripping fear of the future,
all dissolved and energised the ecstatic present.

She no longer wanted this to be a fling
for, she knew she was captivated.
This was the first her flirting failed.
And she knew she couldn't be bailed out
from what's to come.
Aye, but she?
  Your other sister and my other soul
  Grave Silence, lovelier
  Than the three loveliest maidens, what of her?
  Clio, not you,
  Not you, Calliope,
  Nor all your wanton line,
  Not Beauty’s perfect self shall comfort me
  For Silence once departed,
  For her the cool-tongued, her the tranquil-hearted,
  Whom evermore I follow wistfully,
Wandering Heaven and Earth and Hell and the four seasons through;
Thalia, not you,
Not you, Melpomene,
Not your incomparable feet, O thin Terpsichore,
I seek in this great hall,
But one more pale, more pensive, most beloved of you all.
I seek her from afar,
I come from temples where her altars are,
From groves that bear her name,
Noisy with stricken victims now and sacrificial flame,
And cymbals struck on high and strident faces
Obstreperous in her praise
They neither love nor know,
A goddess of gone days,
Departed long ago,
Abandoning the invaded shrines and fanes
Of her old sanctuary,
A deity obscure and legendary,
Of whom there now remains,
For sages to decipher and priests to garble,
Only and for a little while her letters wedged in marble,
Which even now, behold, the friendly mumbling rain erases,
And the inarticulate snow,
Leaving at last of her least signs and traces
None whatsoever, nor whither she is vanished from these places.
“She will love well,” I said,
“If love be of that heart inhabiter,
The flowers of the dead;
The red anemone that with no sound
Moves in the wind, and from another wound
That sprang, the heavily-sweet blue hyacinth,
That blossoms underground,
And sallow poppies, will be dear to her.
And will not Silence know
In the black shade of what obsidian steep
Stiffens the white narcissus numb with sleep?
(Seed which Demeter’s daughter bore from home,
Uptorn by desperate fingers long ago,
Reluctant even as she,
Undone Persephone,
And even as she set out again to grow
In twilight, in perdition’s lean and inauspicious loam).
She will love well,” I said,
“The flowers of the dead;
Where dark Persephone the winter round,
Uncomforted for home, uncomforted,
Lacking a sunny southern ***** in northern Sicily,
With sullen pupils focussed on a dream,
Stares on the stagnant stream
That moats the unequivocable battlements of Hell,
There, there will she be found,
She that is Beauty veiled from men and Music in a swound.”

“I long for Silence as they long for breath
Whose helpless nostrils drink the bitter sea;
What thing can be
So stout, what so redoubtable, in Death
What fury, what considerable rage, if only she,
Upon whose icy breast,
Unquestioned, uncaressed,
One time I lay,
And whom always I lack,
Even to this day,
Being by no means from that frigid ***** weaned away,
If only she therewith be given me back?”
I sought her down that dolorous labyrinth,
Wherein no shaft of sunlight ever fell,
And in among the bloodless everywhere
I sought her, but the air,
Breathed many times and spent,
Was fretful with a whispering discontent,
And questioning me, importuning me to tell
Some slightest tidings of the light of day they know no more,
Plucking my sleeve, the eager shades were with me where I went.
I paused at every grievous door,
And harked a moment, holding up my hand,—and for a space
A hush was on them, while they watched my face;
And then they fell a-whispering as before;
So that I smiled at them and left them, seeing she was not there.
I sought her, too,
Among the upper gods, although I knew
She was not like to be where feasting is,
Nor near to Heaven’s lord,
Being a thing abhorred
And shunned of him, although a child of his,
(Not yours, not yours; to you she owes not breath,
Mother of Song, being sown of Zeus upon a dream of Death).
Fearing to pass unvisited some place
And later learn, too late, how all the while,
With her still face,
She had been standing there and seen me pass, without a smile,
I sought her even to the sagging board whereat
The stout immortals sat;
But such a laughter shook the mighty hall
No one could hear me say:
Had she been seen upon the Hill that day?
And no one knew at all
How long I stood, or when at last I sighed and went away.

There is a garden lying in a lull
Between the mountains and the mountainous sea,
I know not where, but which a dream diurnal
Paints on my lids a moment till the hull
Be lifted from the kernel
And Slumber fed to me.
Your foot-print is not there, Mnemosene,
Though it would seem a ruined place and after
Your lichenous heart, being full
Of broken columns, caryatides
Thrown to the earth and fallen forward on their jointless knees,
And urns funereal altered into dust
Minuter than the ashes of the dead,
And Psyche’s lamp out of the earth up-******,
Dripping itself in marble wax on what was once the bed
Of Love, and his young body asleep, but now is dust instead.

There twists the bitter-sweet, the white wisteria
Fastens its fingers in the strangling wall,
And the wide crannies quicken with bright weeds;
There dumbly like a worm all day the still white orchid feeds;
But never an echo of your daughters’ laughter
Is there, nor any sign of you at all
Swells fungous from the rotten bough, grey mother of Pieria!

Only her shadow once upon a stone
I saw,—and, lo, the shadow and the garden, too, were gone.

I tell you you have done her body an ill,
You chatterers, you noisy crew!
She is not anywhere!
I sought her in deep Hell;
And through the world as well;
I thought of Heaven and I sought her there;
Above nor under ground
Is Silence to be found,
That was the very warp and woof of you,
Lovely before your songs began and after they were through!
Oh, say if on this hill
Somewhere your sister’s body lies in death,
So I may follow there, and make a wreath
Of my locked hands, that on her quiet breast
Shall lie till age has withered them!

                        (Ah, sweetly from the rest
I see
Turn and consider me
Compassionate Euterpe!)
“There is a gate beyond the gate of Death,
Beyond the gate of everlasting Life,
Beyond the gates of Heaven and Hell,” she saith,
“Whereon but to believe is horror!
Whereon to meditate engendereth
Even in deathless spirits such as I
A tumult in the breath,
A chilling of the inexhaustible blood
Even in my veins that never will be dry,
And in the austere, divine monotony
That is my being, the madness of an unaccustomed mood.

This is her province whom you lack and seek;
And seek her not elsewhere.
Hell is a thoroughfare
For pilgrims,—Herakles,
And he that loved Euridice too well,
Have walked therein; and many more than these;
And witnessed the desire and the despair
Of souls that passed reluctantly and sicken for the air;
You, too, have entered Hell,
And issued thence; but thence whereof I speak
None has returned;—for thither fury brings
Only the driven ghosts of them that flee before all things.
Oblivion is the name of this abode: and she is there.”

Oh, radiant Song!  Oh, gracious Memory!
Be long upon this height
I shall not climb again!
I know the way you mean,—the little night,
And the long empty day,—never to see
Again the angry light,
Or hear the hungry noises cry my brain!
Ah, but she,
Your other sister and my other soul,
She shall again be mine;
And I shall drink her from a silver bowl,
A chilly thin green wine,
Not bitter to the taste,
Not sweet,
Not of your press, oh, restless, clamorous nine,—
To foam beneath the frantic hoofs of mirth—
But savoring faintly of the acid earth,
And trod by pensive feet
From perfect clusters ripened without haste
Out of the urgent heat
In some clear glimmering vaulted twilight under the odorous vine.

Lift up your lyres!  Sing on!
But as for me, I seek your sister whither she is gone.
Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)



I have been reading the old copy of Saturday Nation, a week end edition of the daily nation in Kenya. It was published some weeks ago. It has some enticing feature stories that have made me to reflect on a certain family value in Africa. The three feature stories I have been reading are ; Lupita Nyong’o stellar performance in the movie, 12 years a slave, in which she emerged a top American actor, attracting in the same course the most coveted Oscar prize, I have also read in the same paper the shooting literature star of Chimamanda Ngozi Adichie, an American based Nigerian writress, who had had her last book Americana win the American Booker Prize, and lastly , I have also ready  a very captivating account of Wanjiku wa Ngugi’s spellbinding debutante in her book, the fall of saints. Wanjiku account was written by Proffessor Evans Mwangi a Thiong’o literary scholar based in Newyork. Mwangi being a Ngugi wa Thiongi’o, scholar wrote this article because Wanjiku wa Ngugi is also a daughter to the world famous Kenyan novelist, Ngugi Njogu wa Thiongi’o.
In each of the three above cases, emanates a significant observation that the fathers to the respective ladies are great men in their respective capacity, and that the ladies mentioned are now obvious heirs to the family names, family intellectual domain and family selling point respectively.
Lupita is heir to proffessor Peter Anyang Nyong’o, Adichie is an heir to the African literary heritage of proffessor Chinua Achebe, and While Wanjiku is a promising successor to Proffessor Thiongi’o.
These are actually a crystallization of strange unfolding that time has now challenged old mindset among African societies. The mindset in which Africans have not been counting girls as children .This family value has been there up to today. If an African man tells you that I don’t have a family it means that he is expressing three connotations; he is not married, he is married but he does not have a children, or he is married but his wife have only been bearing him girls, because if anything; an African man is only responsible for siring sons, daughters are a mistake of the wife.
This typology of family civilization got to its peak in the mid of  last year, when the Luo council of elders, hailing from Siaya County of Kenya, where Baraka Obama is rooted, expressed their open puzzle over Baraka Obama as per why he can’t take his time to have sons. They are now organizing a delegation that will go to America to counsel President Obama over the matter that he needs to re-organize his posterity strategy other than thinking in terms of Sasha and Malia.
What I mean is that Africans don’t believe if at all family interests can be carried forward through a daughter. They don’t believe if a girl can be an intellectual or command any wisdom that can go places. But realities from a historical experience that great African men don’t sire great sons but instead they sire great daughters must make this society of male chauvinists to have a mental paradigm shift in relation to child valuation and recognition. To accept a social déjàvu that daughters have a big capacity to carry forward the family name than the previously mistaken notion that they are only sons who can do this.
Facts on the ground range from the case of Julius Nyerere,Kwameh Nkrumah, Malcolm X, Frantz Fanon, Richard Wright, Tom Mboya, Masinde Muliro, Nelson Mandela, Mutula Kilonzo, and Francis Imbuga just to mention a few African heroes. Justification of this list showing Africa’s reversal of Prospero complex abodes in the facts that; Susan Nyerere is currently the most outspoken in the Nyerere family. Similarly, Nkrumah’s daughter is currently a politician in Ghanaian parliament and very promising politically. Betty Shabazz X was recently reported to have put Louis Farrakhan on the spot over the ****** plot of her father the late Malcolm X.Mireille Fanon Mendes is the director of human rights activist organization known as Frantz Fanon foundation. This is the organization which recently recognized Mumia Abu-Jamal with a prestigious prize. Mumia Abu-Jamal is an African-American writer and journalist, author of six human rights focussed books and hundreds of similar spirited columns and articles. He has spent the last three decades on racially biased Pennsylvania’s death row. And now general population in America and in the world knows that Mumia Abu-Jamal was wrongfully convicted and sentenced for the ****** of Philadelphia Police man, Daniel Faulkner. His demand for a neutral trial and unconditional freedom is enmassely supported by heads of state, Nobel laureates, human rights organizations, scholars, religious leaders, artists and bioethical scientists. All this is nothing other than universal singing of the tune in the poetic writings of Frantz Omar Fanon entitled Facts of blackness, through his daughter Mireille.
And equally enough, those of you who have delved into posthumous family conditions of Richard Wright must have appreciated stellar performance of proffessor Julia Wright in respect to the genetic legacy of her father. Dr. Susan Mboya is currently living in South Africa and she is serving the society in the same tandem her late father Tom Mboya discharged anti-colonial service to the people of Kenya, Africa and world in general.Masinde Muliro has Mrs. Namwalie Muliro and Mutula Kilonzo has Kethi Kilonzo. The point is that, just like all of other heroes in Africa, these two great politicians have their daughters; Namwalie and Kethi as the heirs to their political legacy.
This phenomenon is not unique to Africa. But it is a universal genetic condition. The study of genetics has a concept that inferior genes of the mother are passed through an X chromosomes in XY to the sons, while superior genes of the father are passed through an X chromosome of the ** to the daughters.
Just but to wind up my story I want also to counsel The Luo council of elders that president Obama, their son who lives in America does not have misplaced values in projecting his posterity through Sasia and Malia. Personally I am aware that as per now there is no any African boy at age of Sasha Obama that has ever read Yann Martel’s Life of Mr. Pi. But in stark contrast the international media reported Sasha Obama to have vividly read this book until she commented to Baraka Obama that, ‘daddy, this is a very good book’.  And of course this is how an intellectual is made.
nivek Jun 2014
morning came and went
for some
morning is lived now
Wiping sleepy
from eyes barely focussed
Terry Collett Dec 2013
The bomb site
is the best place
for chickweed
Helen said

so you went
to the one off
Meadow Row
and gathered up

handfuls of the stuff
and took them back
to your flat
to feed the budgerigar

you were looking after
for the old couple
along the balcony
who had gone away

for a few days
you watched
as Helen poked
some through the bars

of the bird cage
with her fingers
and you noticed
her tenderness

and determination
as she pushed it
through the narrow
gauged bars

her tongue poking out
of the corner
of her mouth
her eyes focusing

through her
thick lens spectacles
does it sing?
she asked

don't think so
you replied
least I’ve not
heard it do so

she talked to the budgie
in her little girl voice
and sang a few lines
of a hymn

the budgerigar
just stared at her
and walked up
the other end

of the perch
with a beak full
of chickweed
as she sang to it

she held her head
at an angle
and one of her plaits
of brown hair

hung downwards
do you want
to come back
to my place afterwards?

she said
you can help me
bath my doll Battered Betty
and then

Mum'll get us
some bread and jam
or bread and dripping
and a mug of tea

you had wanted to go
to the bomb site
for half an hour
to gather ammunition

for your catapult
but she had that look
about her face
that made you say

sure why not
and so after poking through
the remaining chickweed
and washing your hands

under the cold water tap
in the kitchen
and drying them
on the towel hanging

behind the door
you walked down
the concrete stairs
and out into the Square

and down the *****
into Rockingham Street
where you walked past
the coal wharf

where coal trucks
were being filled
with sacks of coal
and by

the Duke of Wellington pub
where you used to get
bags of crisps
and bottles of Tizer

on Sunday evenings
then under
the railway bridge
and she talked

of some boys at school
who called her 4 eyes
and fish face
O don't mind them

you said
they just can't see
your beauty
too blind

dumb idiots
do I?
she said
have beauty?

sure you do
you said
putting on
your serious face

never seen a girl
with more
and she smiled
and gazed at you

through the thick lens
of her spectacles
showing the large
brown conker like eyes

when you got to her place
her mother
was just finishing
bathing a young kid

so she let Helen
have the water after
to bath Betty
and gave her

an old towel to dry with
you helped her
prepare the doll
but she took off

the baby clothes
an old cardigan
that had seen
better days

and a creamy dress
with small buttons
at the back
which were a hell

of a job to undo
and a pair of
doll *******
that fitted tightly

and were a struggle
to get off
well
Helen said

the water's nice
and soapy
so we can wash her
as it is

and so you watched
as she dipped the doll
under the water
(it might have drowned

had it been for real)
and held it there
until bubbles came out
of the neck

and she lifted Betty out
and wiped her over
with a flowery face cloth
and Betty’s eyes

opened and closed
and you helped dry
and studied
(as boys tend to do)

the seriousness
of Helen about the task
the tongue hanging
from the side

of her mouth
her eyes focussed
the head to one side
like an animal

trying to understand
a human command
and the small hands
working with calm concern

just as you'd seen
your mother do
when she made a cake
or rolled out pastry

for a pie
once the doll was dry
and dressed
she put Betty back

in the tiny cot
her dad had made
from an orange box
and her mother said

sit down
and I’ll get you
some bread and jam
or bread and dripping

and mugs of tea
and off she went
to the kitchen
humming some hymn

and you looked at Helen
sitting there
with her plaits of hair
and big eyes

showing no fear
and a smile
from ear
to lovely ear.
A BOY AND GIRL IN 1950S LONDON.
Steve Hagget Aug 2014
In foreign land of towering pines
And hammocks, mangrove-torn
A dark-filled night reluctantly
Bequeaths a pale dawn

Upon one battered cypress perched,
Amidst the morning haze,
Bright eyes stare out from part-cocked head
With piscicultural gaze.

Intently focussed on the brook,
That glides beneath the tree
Alive to every shadow’s sound
Yet never truly free.

For choicelessly these eyes are drawn,
As waters break below
And like a flash a head snaps back
And rippled muscles flow.

Within the slightest moment’s breath,
Two mighty wings released,
Two claws full-stretched, two legs reach out
The sinews, strained, unleashed.

The beaten air the only sound,
As time itself stands still
And, tracer-like, on charted course
The osprey meets its ****.

With consummate and practiced ease
The painless end begins
The single deadly blow is dealt
As sharpened claws sink in.

Then up away into the dawn
And time resumes its course
Two final beats – then disappeared
Is this magnetic force.

The cypress perch and well-filled brook
As silent witness stay
And as they settle – calm again
The sun declares the day.
Big Virge Aug 2021
Now... My Poetic Potions...
Are Those That Are POTENT... !!!

So Cause A COMMOTION...
In Heads With The Notion...
That They Be ALL KNOWING... ?!?

Which Clearly Is Showing...
Their Potions Are BROKEN...
And Focussed On Holding...

Mixtures of Tinctures...
That Create FAKE Pictures...
of Thinking That’s Linking...
Itself To Ships Sinking... !!!!!!!!

While Potions I Roll With...
Somehow Keep Me Floating...
And STINGING Like Bees...
That’s Right Like... ALI... !!!

Now I’m Not That Pretty...
But I’m Sure NOT UGLY... !!!

Cos My Thoughts Hold BEAUTY...
That Prove That I’m... DEEP... !!!

Just Like Beautiful Minds...
That Write The Best Rhymes...
That Speak About Life...

And Create EXPLOSIONS...
of Potions With Motions...
That … Musically SHINE... !!!

Now I May Not Be One...
Whose Known Or Famous...

But That Is Because...
My Potions DON’T Front...
Or Bend Over Like SOME... !!!

To Get To Positions...
WITHOUT Paying Dues...

Due To Their Thinking...
REFUSING To Choose...

To NOT Do What Their TOLD...
Just Like Those Slaves of Old... !!!

A Potion... SO COLD...
That It’s BROKEN The Souls...
of Those Who Were Weak...
And Embraced Slavery... ?!?

Instead of Concocting...
A Potion For STOPPING...
Supremacist Nonsense... !!!

Like Witch Doctors Shopping...
For Potions So POTENT... !!!

That They POISONED Heads...
And Stomachs of Men...
Who Came With Recitals...
From LIBELLOUS Bibles... !!!

And Then CHANGED The Titles...
of Nations Once VITAL...
To... Human Survival...
Like Melanin Skins...
That Contain Vitamins... !!!

That Help Us To Live...
Under Sunshine That Brings...

BURNS To These People...
Whose Potions Are EVIL... !!!

But Words I’m Now Writing...
Have Potions Combining...
EXQUISITE Verse Rhyming...
With Wordplay DEFYING...
Leaders... Who Are LYING... !!!

Because They’re Inviting...
People To STOP GRIPING...
And Foolish In Fighting... !!!

That Keeps On Dividing...
Because of Disliking...
Those DIFFERENT To YOU...
Like Those In Tribal Crews... !!!

Now Those Words Air A View...
For Those That Are SHREWD...

So DON’T Get It CONFUSED... !!!

My Potions' Devotion...
Is NOT For One Hue... !!!

Societal Tricks...
Have Potions That STINK... !!!

But NOTHING STINKS MORE...
Than... HATRED of Skin... !!!
When We Should Look WITHIN...

Or... Internal Wars...
That Hurt YOUR OWN KIN... !?!

My Potions REFUSE...
To... EVER EXCUSE...

Those Who Make Claims...
That... Their Race Is Great... !!!

Because... Nobody’s Perfect...
That’s Right... NOBODY... !!!

No Matter What Skin Tone...
Or … Family Tree …
That Defines Who You Be... !!!

So These Days I’m Focussed...
On... HUMANITY... !!!

NOT Being SUPREME...
When TECHNOLOGY...
Is Getting To Be...
Something SO SUPREME...

That... Humanity...
May Be Left All At Sea... ?!?

Humans Are CRAZY...
To... Truly Believe...

That Tech And Vaccines...
Are The Things That Should LEAD...

While We Still Fight Each Other...
For... EQUALITY...

Corona’s New Potions...
Are Causing COMMOTION...
So What Are We Doing...
To Hinder These Movements... ?

Well Me I’m Concocting...
More Poems Exuding...

A Wish For More Shrewdness...
And Being MORE HUMAN... !!!

Instead of Collusion’s...
And Movements Confusing...
What Needs To Be Flowing...

MORE TRUTH And Less Lies...
From Those In Nice Ties...

Like Deceitful P.O.T.U.S.... !!!

And Talk That Is POTENT... !!!
That Hits MORE Than Quotas...
of... Modern Day Voters...

Like The Things I’m Now Quoting...

In My......

........ “ Poetic Potions “.......
I have now concocted quite a few....
Valsa George Jan 2018
Like a warm breath of air
He hovers in my memory
No superman, a meek soul
Not one to squander his time
But one who worked day in and out
To feed those
Whom he loved and sired
What was he?
A teacher, a farmer or an artist

I cannot say precisely...
All I can say;
He was each of these
Rolled into one

On holidays I saw him
Shut in the loft
a brush in hand
His fingers moving over the canvas
The steaming tea by his side
Untouched and getting cold as ice
Unmindful of everything around
He sat by the easel in the attic
Focussed only on the strokes that fell

When a distinct image shoots out
As the moon from behind clouds
A wave of satisfaction would gleam
Across his face,
His frantic nerves at once hushed
Bearing the look of one
Who, in an instant, conquered kingdoms

He would view it from different angles
Never seeking anyone’s opinion
But gloating if he saw
Our admiring eyes fell on it

Being artistically inclined
He lived more in the world of art

But gradually things changed
To his fright, he found his hands shaky
And the lines on the canvas
Going tremulous and disjointed
Couldn’t hold a brush!

On diagnosed of Parkinson’s disease
His world abruptly lost its sheen
He saw the disease weeding
Its way into his life
Suddenly grown old
He lost interest in everything
We saw him sitting in his armchair
So immobile, for hours on end
His eyes stretched to a far horizon

We displayed before him
Paintings once born of his imagination
To see if his world would brighten
And it worked!

Recently, in one of my dreams
I saw him sitting at the foot of Michael Angelo
To learn the art, he couldn’t perfect
In his life time!
As one grows old, when evening approaches, memories too lengthen like shadows.
Now I remember more often of my parents wondering how much of sweat and toil they had shed to make their children comfortable, how much of love they lavished and what all sacrifices they endured. A snap shot of my father who was a teacher by profession but more of an artist at heart.
The roaring alongside he takes for granted,
and that every so often the world is bound to shake.
He runs, he runs to the south, finical, awkward,
in a state of controlled panic, a student of Blake.

The beach hisses like fat. On his left, a sheet
of interrupting water comes and goes
and glazes over his dark and brittle feet.
He runs, he runs straight through it, watching his toes.

--Watching, rather, the spaces of sand between them
where (no detail too small) the Atlantic drains
rapidly backwards and downwards. As he runs,
he stares at the dragging grains.

The world is a mist. And then the world is
minute and vast and clear. The tide
is higher or lower. He couldn't tell you which.
His beak is focussed; he is preoccupied,

looking for something, something, something.
Poor bird, he is obsessed!
The millions of grains are black, white, tan, and gray
mixed with quartz grains, rose and amethyst.
Karen Alexander Dec 2012
Me as I am
And you, in part
Become ‘we’ in this process.
A long conversation that’s intimate, yet paradoxically almost one-sided with respect to content.
But I’m not alone in it;
You are here, focussed and listening.

I wanted to write prose about this business, but its shape was a poem.
Between these lines is where the essence of the meaning lies
A space where we sense the sense of it

Our conversation is long indeed and many stories have been told
Some have been slow to unravel and are unravelling still
Some intertwine in complex patterns
And others are shaped into vivid dreams
We ride on them and ahead see fate laid out like a corpse
Unwinding the shroud we face Death
And all the while stare wide-eyed and white faced at our doom and our destiny
It’s here you whisper courage and strength into my ear.

This is the journey of a lifetime
Who leads and who follows I know not
Only the first hesitant step reveals the nature of the second, all else is obscured
Magical and mysterious, harsh yet peppered with laughter
The treasure found along the way is in the companionship of our shared experience
And in me finding the part of myself that I had thought lost

On reflection I needed to have a sense of where I’d been and where I am going
Yet I’m still here on the journey
And can’t see where it leads
As if this were ever possible!
But what I notice is that I need ask fewer questions
And perhaps that’s an answer of sorts.
I remember the cold breeze blow into your face..
Your Red Shirt waiving whilst your on it..
Then the Camera focussed..
From the Green Grass to the back of your shirt..
Number 8..
And I knew I was looking at
My Legend..
My hero..
You'll Never Walk Alone they sang..
It gave me Goose bumps instantly!

I've never failed to miss a game to watch you since then..
To watch you play.. To watch Liverpool Play..
And then they sang your name..
You AWED me with
Joy and Goose Bumps!
You will be missed dearly..
But as you move on to better challenges..
Remember you Sir,
Walk on, walk on, with hope in your heart..
You'll Never Walk Alone!

-Shahzaad Zahirsha
Dedicated to My Hero..
YNWA
K Balachandran Jan 2012
I drank deeply
from her dimpled cup,
focussed my mind,
that was jumping like a colt,
and made my
prophecies thus:

"you are the daughter
of a reclusive prince
(who could also be a pianist )
a dark power wanted
to liquidate him,
but his mind was luminant,
his will was so strong,

he fell head over heals
in love with a gypsy,
a wandering mendicant
who was a magician of love.
he loved the magic in life,
no wonder he was saved.


You will
lose your virginity
to a powerful man
whose power will not
harm this world a bit!
(powerful not harming us
is indeed rare!)


you will give birth to a son,
who could be a king
(though monarchy now is no option
kings by other names aren't rare!)
even if they make him king,
he would abdicate and in turn,
would  lead a life loving trees, rivers, 
all in the nature,
light, and darkness he considers alike.
he is brave, with a heart
brimming with love
.

you are a blessed woman
spirit of gypsy is alive still.
give  a hoot about money,
but be contended with
abundance of beauty you create,
in ways none can imagine!


you don't want to change
the world a bit as you like,
but let everything go
in the order it should,
and just walk past
the busy streets,
towards
a breath taking sunset"

i heard an eloquent silence.
she jumped up from her seat,
took a swig of Champaigne,
and kissed me twice.
O
Francie Lynch Aug 2015
The paparazzi are staked out
For the latest splash trending.
Telephoto lenses focussed
On the door in a non-descript
Neighbourhood.
Eye-Witness copter hoovers,
We are in rhythm with the whirling
Chop-chop
Of breaking news.
Rivetted to our screens.
A door opens to reveal
A dentist
On his way to work,
Wearing alligator shoes
And wollen pants.
We'd hoped to see
A mane boa
Round his neck.
Rob Apr 2014
Do you know the world unseen?
The one that every human being
Takes for granted every day
As they go about their work or play

For I speak of things like morning mist
The flower in the breeze that twists
The way some clouds evaporate
Or that flake of rust on the old front gate
The struggling mum who needs a rest
The logo on her child’s vest
The smile that means “I noticed you”
A kiss that’s meant for no one’s view

For all these things are here to see
Yet focussed minds just cannot be
Sensitive to all that’s there
For overload would bring to bear
Such cacophony of life’s rich vein
That most just choose to see the same.

The exceptions, friends, are me and you
Who take the time, like poets do.


RD©2014
For all my poetic friends.
Tuesday Pixie Oct 2011
I stare through the binoculars that border my world,
my life,
my mind.
The steel rims,
walls which encase me,
limiting my sight,
my thoughts,
my knowledge.
I yearn to reach out,
to push them away,
but without them I fear I will no longer be able to see.
I feel blind already,
stumbling through my darkened doorway
to the conclusions my narrow mind rests upon.
Stumbling to the same perch,
although the route has changed,
although the facts are different.
The same limited view.
I wonder; when will I see other dazzling landscapes?
And, if I do, will I be brave enough to relinquish the safety of my curtailed vision
for the bigger picture,
a bright overview,
instead of my fuzzy focussed spot of knowledge.
Oh, binoculars, your safety is hindering.
Razor sharp
Always ready on the mark
Grit your teeth
Prepare to meet
Sharks and velvet puppeteers

Stiff suits clean cut collars
Spurting jargon to impress
Some other false pretentious scholars
Identically dressed

Fully focussed
Humorous jokers
Turn their backs
Once reached their purpose

Urgently directing to impress
The next unsuspecting guest
Who will help them next?
Meet those targets be the best

Never glancing back or forward
Losing sight of what’s important
They don’t care, are unaware
Max Hale Mar 2011
Claim the right to be mine
Discard the old notions
Feast your soul as we speak
Listen to your heartfelt rhythms
Clone your passions and keep them
Next to you and available to touch
Mother yourself and resist the temptation
From everyday door to door tedium
Even now you don't need the plan
You require nothing but vision
Look as we walk and stay focussed
Our hearts are much greater together
Our minds phenomenal
If we fall we rise above the left-over threads
Because home binds us and caresses us
The silent notes of winter
Frozen and hollow we disregard
Their implications and welcome
The spring and all it brings us
Manifesting fraying in the cold passing
And firming the winds of summer
The bright new year is at last
Holding hands with our souls
Eternally warming between us
Sharina Saad Jun 2013
Heart is connected with the universal energy
Head is logical
Heart goes with synchronous vibrations
Head will analyse everything
LOVE is Lactation of Vitall energy
When focussed it can mean "I love u"
So dil tho pagal hai
when two hearts interact in LOVE
the Spiritual Energy Xchange happen
Dil tho pagal hai
its all about crazy love
Luke B Hopson Jan 2010
Great Pan is Dead!
Flag at half-mast,
Great Pan is Dead!
He will not be the last,
The boorish wind will blow
And say ‘Pan It is time to go’
While the nymphs will lament the passing of friends.

Old Ulysses
Focussed as time,
He thought lotus-eating
Was a heinous crime.
Ploughed on with his quest,
He could cut it with the best.
But even he could not compare to Pan.

Oh Deadly Day!
The music has died,
Oh Deadly Day!
Arcadia lied.
Apollo will play,
And the Gods will shout ‘Hurray!’
And sing ‘Great Pan is Dead!’

October 2009
Andrea Cullen Aug 2013
Philoxenic appetence
                                Misplaced
Disproportionate benevolence
                                               Dissipate
Myself: an object, given away
A transient drifter with always somewhere to stay


Exuberant sorrow ever-wishing to deject
                    Distortion
Deception duplicates
A heart burnt black
Focussed on the lacking, unable to bounce back


Mouths to feed
Needy hands grapple to extract
No fact needed
Smoky contortion
Inhaled greedily

Ready for the downfall
Open to the wind
Upward spirals shy away from the world they crave
Mischievous nymphs dance merrily on a stage,
Unmade
Then lay down to cradle their babes


Slaves to the slovenly
Behaviour of unrest
I know they’re trying hard but is it their best?
Sing a song of sixpence, your fingers in my pie
Life is not serious
We’re all destined to die
                 High.
Regan Troop Aug 2013
His ears focussed to the child's melodic tune coming from the seat behind him in the truck with the Spice Girls blasting radio. He smiles at her brother joining in, but keeps his eyes on the road. Dad stretches an arm over the front passenger seat's shoulder to where Mum has woken to her songbirds.
Sheila Jacob Jun 2016
Splattered boots
stand ready, resting
from tied black laces
and muddy roads.

An attaché case
gapes too,
cwtches the photo
of a young woman
with dark wavy hair,
her unframed
forever- smile
focussed on a face
behind the camera
at the moment
the shutter clicked
and clicks and clicks

opening and closing,
packing and unloading,
staying and leaving,
making up a bed
from striped & labelled
winceyette.

Here's a tear
of tissue paper
stabbed urgently
on folded cloth
with random red stitches.

Here's the Star
of King David
pointing upwards,
locked on the blanket
by one steel safety pin.
Cwtch is a Welsh word usually translated as "cuddle" which isn't really adequate. It also means to hold,shelter,protect.
He’d go to the Square each afternoon
And sit on a bench, near me,
The one that stood in the shaded gloom
Of a brooding maple tree,
He’d roll his brolly and doff his hat
And scatter his bits of bread,
Then when the Keeper would tut, he’d say,
‘The Starlings have to be fed!’

He’d watch them come in a darkening cloud
And scare the sparrows away,
Then sit and listen to what had risen
At this loose end of the day.
He’d sit and nod, and he’d take it in
As if he could understand,
This Starling patter that passed as chatter
Concerning the world of man.

I never once saw him take a note
Or even record the sound,
He didn’t acknowledge the presence there
Of anyone else around,
He totally focussed on what they’d say
And **** his ear to their cries,
Then nod and smile in the strangest way
And shake his head at their lies.

Then after dark he would walk the park
And head for the studio,
That one dim lamp on the outer wall
Would show him the way to go,
And once inside you would hear him slide
On up to the microphone,
Where he’d tell his tales of success and fails
In a drawn-out monotone.

But you never felt a part of the tale
You were always shut outside,
Peering in from a ledge or bin
With a window open wide,
Then sometimes you were looking down
On the action from on high,
It could be from the bough of a tree
Or a wing in the azure sky.

He must have muttered a thousand tales
Of brooding, joy and despair,
The type of roles that would feed the souls
Of the folk who listened there.
They were light as vim, they were dark and grim
They were sown like seeds in the night,
And at the end, a beating of wings
As a bevy of birds took flight.

He entertains through the winter months
With a new tale every eve,
But stops as soon as the Spring comes in,
As the Starlings begin to leave.
They all return to their northern climes
With their tales to their Viking den,
While he will wait on the same park bench
For the winter to come again.

David Lewis Paget
Francie Lynch Jul 2019
You can be a boulder,
Unmoveable, hard, stoic;
But every stone is permeable,
And the water gets in
To make the rock sand...
Soft, malleable,
With indistinguishable grains.

I know others who swim
Against adversity to spawn in the current.
They believe destination is destiny;
Focussed, driven with tunnel vision.

Some face adversity like a roller-coaster.
When things are going north, all is good;
But they throw up their arms and scream
When going south.

I will catch the west wind,
Change course if necessary,
Tack across the white caps of roiling waters.
I will steer the rudder towards my East.
andrew juma Mar 2016
Ochre scrubbed ebony skin
Wooden jewelery here and there
Picture perfect beauty in simplicity
She walked in moral fortification -
fashioned in decency
Hardwork and wisdom was her charm

Barefeet and weighted with firewood on her head
Pots and baskets she juggled in hands
and through scorching heat she focussed ahead
the dessert sand burning her feet
Not once did she say it was a plight

She was proud to be a woman
The keeper of men and children
Through rain through sunshine
cooperating with her man's other woman

She worked for survival of all
Getting up in the first light of day
Submitting and respecting
Raising her children in acceptable ways

She was the unglorified worrior
A war hero could not fit her shoe

But she didnt have that shoe
So she smiled and made her man happy,
and her children
Rakuli Jul 2011
… On a bustling street,
              she shuffles her feet,
                     her eyes hold a desperate heat,
                               eyes darting, discretely charting
                                    a line through the crowds that are parting for her.


In a world of abundancy,
         she sees redundancy.
Where waste is rife,
          her life breathes new life into the rubble
                       from a fickle society’s burst bubble.

Her world otherwise grey,
         she colours her day,
                 collecting, affecting
                         what the world has thrown away.

Single-mindedly transfixed, her target mixed; decayed, disused, no longer affixed.
Refused, unused,
        discarded, unguarded;
              all detected, all collected, all recycled, all respected.

Debris she chases, through a sea of down-turned faces she paces.
Those faces think she disgraces their spaces
           but she shows no emotional traces.
She just fills her cases.

She kneels on a cold floor, search no more, search no more. Through a broken window comes dim light, from an oncoming night, passers-by dare not look in from disgust or from fright or sorrow for her plight. Her face covered in feeling but not for the walls peeling nor the ceiling that leaks, nor the floor that squeaks under a carpet that reeks and is torn and frayed in pieces arrayed in front of her.

She kneels on a cold floor, surrounded by more of the same she collected before. Old cushions: tattered. Plates and platters: shattered. Curtains in shreds, ripped clothes, parts of beds. A massacred lounge, wallpaper scrounged. A casual glance at the floor shows a junk-yard and no more. To her it’s ethereal, much more than material.

Her eyes focussed, near to lust as she begins to adjust her treasure, saved from the dust. Within it she trusts.

In her eyes pieces glow to her, in her eyes pieces show to her, a beauty known just to her.

She kneels on a cold floor with a purpose like none before. Within her scrapheap dominion she needs no opinion she fears no ones minion. She knows the beauty she seeks, the beauty that peeks through the grime as she tweaks, the beauty that speaks to her. As she sews it grows and shows and she knows what was once dispose is becoming her rose.

She loses no pace as the last piece of lace delicately takes its place; a tear of pride slides down her face. Her complexion ashen, knowing her passion has brought fashion from a discarded ration she lays down on a cold floor, search no more, work no more.

Daylight breaks, sunlight that shakes and awakes her. Her eyes fill with elation as she clothes herself in last night’s creation. What she wore before goes on the floor where lay more creations from nights before. She heads out toward the sunlight.

On a bustling street, she shuffles her feet, her eyes hold a desperate heat, eyes darting, discretely charting a line through the crowds that are parting for her …
marianne Jan 2019
Sometimes I am ether.
Sometimes I am aria in full voice,
focussed breath from deep within, no, deeper—
from the centre of creation itself—
my truest self expressed,
I am full to bursting.
Then, transformed again,
as surely as night follows day
I am ether and together we are the breath
of everything, rolling through mighty lungs
in symphony with the stars.
Me, then we,
always breath.
not separate
Max Neumann Jun 2020
discipline keeps the mind focussed
a sick laughing in the background
rivers of knowledge, psychology

i got your back if you got mine
ancestors stole my land, my brain
existence revolves around dollars

you don't know the voices in my head
they are trying to control me, kid
how can they spot my very location?

i was born in a dump, my father a drunk
my momma died during my birth; my fault?
let me blow up all the golden buildings

my mind be the place where i make plans
people told me that "slang" was "horrible"
nobody has to like that, you feel me?

my skin color is black and white, you know?
don't let them get into my head, **** voices
can i walk the streets freely? who trusts me?

golden opportunities all over the place
don't ask a nameless what his name is
he will never tell you but shoot someone

it's simply not wise, we want justice
when your heart is turning ice cold
hour of the *******, hour of the sucker

the bassline trembles, i'm shivering
females are entering my safe house
armed with prejudices and dishonor

i'm already dead, words chocked me
too much poetry, nowhere to go
**** this end, i will come back!
Today is a weird day.
She worked part-time as a seamstress,
An ordinary sort of girl,
But one with a dash of blue-eyed wit,
An endearing brunette curl.
I’d plucked up the courage to ask her out,
For me it was more than like,
And everything seemed to be going well
Before the lightning strike.

One day we walked to the countryside
By the fields of wheat and hay,
Rambling on by the hedgerows there
On a darkening Autumn day.
I stole a kiss in a grove of trees
From the lips that taste like wine,
And then she whispered her love for me
All coy, with her eyes a-shine.

The clouds were gathering overhead
And soon it began to rain,
We sought some shelter, under a ledge
Right next to a field of grain,
But she was nervous, clung to my hand
When the thunder growled on high,
‘The gods are grumbling over the land,’
She said, and began to cry.

I said, ‘There’s nothing to fret about,
It’s only an Autumn storm,
We’ll just stay here and we’ll wait it out,’
But Michelle was lost, forlorn.
A mighty clap came from overhead
And she screamed, ran out in the rain,
When a bolt of lightning struck her there,
A flash, then a shriek of pain!

I dashed on out, and I picked her up
But her clothes were burned and charred,
Her hair was white and it stood on end,
Full of some potent charge.
She rolled her eyes and she looked at me
Her face, a panic attack,
And then I saw that her sky-blue eyes
Had turned to a deep jet black.

The clouds were tumbling overhead
Though the rain was passing on,
The lightning strikes were further away
She cried, ‘Has the thunder gone?’
She sat there trembling in my arms
But focussed her gaze on high,
And said at last, as she stared above,
‘There are demons up in the sky!’

She spent a month in the hospital
And they said she’d be okay,
I’ll never forget the way she looked
When I picked her up that day,
She huddled up in the car and said,
‘The world outside has changed,
For fire and flashes are everywhere
There’s a lightning strike in my brain.’

‘And now, in the darkest corners I
Have visions of swarms of rats,
While up in the eaves, and waiting there,
A host of vampire bats,
There’s crawling things that I didn’t see
Before, when my eyes were blue,
And awful spiders with fourteen legs,
Right now, they’re crawling on you.’

I took her home, and put her to bed,
I thought that she needed rest,
A week went by, but she’d sit and cry,
I thought she was quite obsessed.
Then I started hearing crawling things
At night, when I went to sleep,
And woke to a creature on my chest
That made my own flesh creep.

There’s demons up in the clouds,’ she said,
‘And fires scorching the ground,
And everywhere that I look, I see
Where evil spirits abound.’
I couldn’t take it a moment more,
These things invaded my mind,
I did what anyone else would do,
And now, Michelle is blind!

David Lewis Paget
Terry Collett Jan 2014
His wife said, you’re too
Nice to people, too

**** nice, you ought to
Be like Rocky; he

Don’t take no **** from
People, he tells them

Where to get off and
Is down their throats far

Quicker than they can
Say, boo boo, but you,

You’re just too nice, you
Even open doors

For dames and give them
The big friendly smile,

And give them the bright
Eyed sparkle. He let

His wife’s words float on
By like butterflies,

Focussed on the art,
His word management,

Giving form to his
Notions, painting out

Scenes, putting plots to
New ideas, and for

Another thing, his
Wife added, what’s with

The dame in the ****
Photos everywhere?

Who’s she? In the frame
By the bed, on your

Cell phone, tucked away
In your pocket book?

Are you some kind of
Religious fruit? He

Looked at his wife (she
Was a looker, had

A nice face and cute
***) and watched her mouth

Move, saw her tongue, like
Some small snake go in

And out and how fine
Her eyes were in the

Morning sun, how they
Shone some, and he said,

You know, your mouth moves
Quite prettily, your

Lips, they’re like parting
Thighs and how I just

Love the way your head
Tilts slightly to one

Side just like some odd
Inquisitive bird,

And by the way, the
Dame in the photos

Is St Therese, and
She’s just there to bring

Me comfort and to
Remind me how pure

And heaven sent a
Woman can be and

That there is more to
Women than meets the

Eye, but his wife stood
And shook her head, and

Not another word
By his wife was said.
2010 POEM.
judy smith Oct 2016
One of the more ambitious ventures in Irish fashion is taking place inWaterford at the Lismore Atelier. A social enterprise project that began a year ago to help revive manufacturing skills in Ireland, it is located in a former library building in the historic town. The workshop is now humming with state-of-the-art machines assembling clothes – cutting, sewing, overlocking, buttonholing, hemming, pressing and finishing.

Training in production and sewing skills is also given thanks to a €80,000 investment from the local council and the education and training board (ETB). Managing all this activity is Limerick School of Art and Design graduate Maggie Danaher, who lives locally.

The results can be seen in Mary Gregory’s 34-piece autumn/winter collection which has impressed all who see it for the quality, not just of its fabrics but its finish and attention to detail. An international Irish stylist based in Italy could not believe the collection had been made in Ireland, when viewing it on a recent visit.

Even calling it an “atelier”, the French word for workshop or studio, attests to its commitment to be as good internationally as any sought-after facilities inFrance or Italy. Gregory and her husband, Aidan McCarthy, a skilled tailor who worked for the fashion designer Patrick Howard in Dublin for 10 years in the 1970s, researched methods and machinery used by the top Italian companies who make for brands such as Gucci and Stella McCartney, with the aim of reproducing them in Ireland.

“I wanted to prove it could be done here,” says Gregory. “We can make clothes to this standard but it takes time, skill and investment,” she says. The plan is to attract other Irish designers to the facility which they hope will be ready by next year when a skilled production manager and sample and production machinists can provide the requisite top class service – presumably at competitive prices.

Currently Lismore Atelier has a tailor who samples for Victoria Beckham and Comme des Garçons who is brought in on a contract basis along with a production machinist. Gregory describes Lismore as the perfect place for a designer to be completely focussed and more accessible than places in Italy.

Gregory, who started making clothes at the age of six and developed a successful career in the 1980s and 1990s, was known for the strong visual effect of her designs. She moved with McCarthy to Lismore more than a decade ago and concentrated on rearing their two sons, restoring a 19th-century house in Villierstown while also working as visual and design director of the Maison & Chateau group. Her new collections remain true to her aesthetic of form and fabric with an emphasis on architectural shapes with embellishment and detail. The fabrics are luxurious and include grosgrain, double crepe, wool and silks with notable finesse of finish.

The collection is now in the International Designer Rooms in Brown Thomas where Gregory will be on hand on Saturdays to show it or by appointment.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/short-formal-dresses
I S A A C Oct 2021
my heart beats for love, my beast to overcome
to not look outside myself, no longer divide myself
send kisses to above, but on earth, I succumb
Your body like cheap motels, perfumed  idealistic summer tales
follow me into the season of orange
carve a smile in my face like a pumpkin
trying to keep the spark alive is redundant
who could’ve done it, I wasn’t
I didn’t look below before I jumped in
now I am swimming in all my presumptions
it was gold like a nugget, till it wasn’t
knew I could do better If I focussed on the constant
which is me and all my little flaws, if you could see behind all the walls
serpentine to carve my body from clay
morph and transform is all I know
my new metamorphosis awaits
Àŧùl Dec 2016
I have accepted my defeat,
And I know that I can't love you,
Not now.

Unlike you, I am not immoral,
But the lover inside is immortal,
Now I know.

I will love someone yet again,
That someone who is luckier,
But of course.

She who is smarter & intelligent,
The one that will love me like I do,
Yes of course.

That someone who is focussed,
Goes on a straight way to success,
Not off course.

Neither intending to insult you,
Nor it intends to glorify me,
This poem is a confession.

I am a plain idiotic lover,
I do not wear Prada like you,
Not borrowing such pleasures.

I am not for you.

I will skim the downpour,
Aiming the best for myself,
And I will succeed.

For my love does not perish,
It just changes its forms, and
It gives me pleasure.
HP Poem #1319
©Atul Kaushal
Tony Luxton Mar 2016
Behind my camera their world carries on.
I focus on the narrow scene in front,
a smiling group, their eyes focussed beyond
my shoulders. I try to frame it tight.
They won't keep still for long from engaging
in the rythms they see beyond.

A never to be repeated moment,
heavily borne responsibility, not just a snap,
a future chance to look beyond reality.

What are they thinking? Oh, do get on!
Or, What on Earth is she wearing?

A picture triggers memories,
some warm, some forgotten.
But who was that at the back?
His name escapes me - a reminder
that memories may be blind.

— The End —