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Meena Menon Sep 2021
Flicker Shimmer Glow

The brightest star can shine even with thick black velvet draped over it.  
Quartz, lime and salt crystals formed a glass ball.
The dark womb held me, warm and soft.  
My mom called my cries when I was born the most sorrowful sound she had ever heard.  
She said she’d never heard a baby make a sound like that.    
I’d open my eyes in low light until the world’s light healed rather than hurt.  
The summer before eighth grade, July 1992,
I watched a shooting star burn by at 100,000 miles per hour as I stood on the balcony  
while my family celebrated my birthday inside.  
It made it into the earth’s atmosphere
but it didn’t look like it was coming down;
I know it didn’t hit the ground but it burned something in the time it was here.  
The glass ball of my life cracked inside.  
Light reflected off the salt crystal cracks.  
I saw the beauty of the light within.  
Nacre from my shell kept those cracks from getting worse,
a wild pearl as defense mechanism.  
In 2001, I quit my job after they melted and poured tar all over my life.  
All summer literature class bathtubs filled with rose hip oil cleaned the tar.  
That fall logic and epistemology classes spewed black ink all over my philosophy
written over ten years then.  
Tar turned to asphalt when I met someone from my old job for a drink in November
and it paved a road for my life that went to the hospital I was in that December
where it sealed the roof on my life
when I was almost murdered there
and in February after meeting her for another drink.  
They lit a fire at the top of the glacier and pushed the burning pile of black coal off the edge,
burnt red, looking like flames falling into the valley.  
While that blazed the side of the cliff something lit an incandescent light.  
The electricity from the metal lightbulb ***** went through wires and heated the filament between until it glowed.  
I began putting more work into emotional balance from things I learned at AA meetings.  
In Spring 2003, the damage that the doctors at the hospital in 2001 had done
made it harder for light to reflect from the cracks in the glass ball.
I’d been eating healthy and trying to get regular exercises since 1994
but in Spring 2003 I began swimming for an hour every morning .  
The water washed the pollution from the burning coals off
And then I escaped in July.  
I moved to London to study English Language and Linguistics.  
I would’ve studied English Language and Literature.  
I did well until Spring 2004 when I thought I was being stalked.  
I thought I was manic.  
I thought I was being stalked.  
I went home and didn’t go back for my exams after spring holiday.  
Because I felt traumatized and couldn’t write poetry anymore,
I used black ink to write my notes for my book on trauma and the Russian Revolution.
I started teaching myself German.  
I stayed healthy.  
In 2005, my parents went to visit my mom’s family in Malaysia for two weeks.
I thought I was being stalked.  
I knew I wasn’t manic.  
I thought I was being stalked.  
I told my parents when they came home.  
They thought I was manic.  
I showed them the shoe prints in the snow of different sizes from the woods to the windows.  
They thought I was manic.  
I was outside of my comfort zone.  
I moved to California. I found light.  
I made light,
the light reflected off the salt crystals I used to heal the violence inflicted on me from then on.  
The light turned the traffic lights to not just green from red
but amber and blue.  
The light turned the car signals left and right.  
The light reflected off of salt crystals, light emitting diodes,
electrical energy turned directly to light,
electroluminescence.  
The electrical currents flowed through,
illuminating.  
Alone in the world, I moved to California in July 2005
but in August  I called the person I escaped in 2003,
the sulfur and nitrogen that I hated.  
He didn’t think I was manic but I never said anything.
I never told him why I asked him to move out to California.  
When his coal seemed like only pollution,
I asked him to leave.  
He threatened me.  
I called the authorities.  
They left me there.
He laughed.  
Then the violence came.  
****:  stabbed and punched, my ****** bruised, purple and swollen.  
The light barely reflected from the glass ball wIth cracks through all the acid rain, smoke and haze.
It would take me half an hour to get my body to do what my mind told it to after.  
My dad told me my mom had her cancer removed.
The next day, the coal said if I wanted him to leave he’d leave.  
I booked his ticket.
I drove him to the airport.  
Black clouds gushed the night before for the first time in months,
the sky clear after the rain.  
He was gone and I was free,
melted glass, heated up and poured—
looked like fire,
looked like the Snow Moon in February
with Mercury in the morning sky.  
I worked through ****.  
I worked to overcome trauma.  
Electricity between touch and love caused acid rain, smoke, haze, and mercury
to light the discharge lamps, streetlights and parking lot lights.
Then I changed the direction of the light waves.  
Like lead glass breaks up the light,
lead from the coal, cleaned and replaced by potassium,
glass cut clearly, refracting the light,
electrolytes,
electrical signals lit through my body,
thick black velvet drapes gone.  





















Lava

I think that someone wrote into some palm leaf a manuscript, a gift, a contract.  
After my parents wedding, while they were still in India,
they found out that my dad’s father and my mom’s grandfather worked for kings administering temples and collecting money for their king from the farmers that worked the rice paddies each king owned.  They both left their homes before they left for college.  
My dad, a son of a brahmin’s son,
grew up in his grandmother’s house.  
His mother was not a Brahmin.  
My mother grew up in Malaysia where she saw the children from the rubber plantation
when she walked to school.  
She doesn’t say what caste she is.  
He went to his father’s house, then college.  
He worked, then went to England, then Canada.  
She went to India then Canada.  
They moved to the United States around Christmas 1978
with my brother while she was pregnant with me.  
My father signed a contract with my mother.  
My parents took ashes and formed rock,
the residue left in brass pots in India,
the rocks, so hot, they turned back to lava miles away before turning back to ash again,
then back to rock,
the lava from a super volcano,
the ash purple and red.  


















Circles on a Moss Covered Volcano

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My mom was born on the grass
on a lawn
in a moss covered canyon at the top of a volcanic island.  
My grandfather lived in Malaysia before the Japanese occupied.  
When the volcano erupted,
the lava dried at the ocean into black sand.  
The British allied with the Communist Party of Malaysia—
after they organized.  
After the Americans defeated the Japanese at Pearl Harbor,
the British took over Malaysia again.  
They kept different groups apart claiming they were helping them.  
The black sand had smooth pebbles and sharp rocks.  
Ethnic Malay farmers lived in Kampongs, villages.  
Indians lived on plantations.  
The Chinese lived in towns and urban areas.  
Ethnic Malays wanted independence.
In 1946, after strikes, demonstrations, and boycotts
the British agreed to work with them.  
The predominantly Chinese Communist Party of Malaysia went underground,
guerrilla warfare against the British,
claiming their fight was for independence.  
For the British, that emergency required vast powers
of arrest, detention without trial and deportation to defeat terrorism.  
The Emergency became less unpopular as the terrorism became worse.  
The British were the iron that brought oxygen through my mom’s body.  
She loved riding on her father’s motorcycle with him
by the plantations,
through the Kampongs
and to the city, half an hour away.  
The British left Malaysia independent in 1957
with Malaysian nationalists holding most state and federal government offices.  
As the black sand stretches towards the ocean,
it becomes big stones of dried lava, flat and smooth.  

My mom thought her father and her uncle were subservient to the British.  
She thought all things, all people were equal.  
When her father died when she was 16, 1965,
they moved to India,
my mother,
a foreigner in India, though she’s Indian.  
She loved rock and roll and mini skirts
and didn’t speak the local language.  
On the dried black lava,
it can be hard to know the molten lava flickers underneath there.  
Before the Korean War,
though Britain and the United States wanted
an aggressive resolution
condemning North Korea,
they were happy
that India supported a draft resolution
condemning North Korea
for breach of the peace.  
During the Korean War,
India, supported by Third World and other Commonwealth nations,
opposed United States’ proposals.
They were able to change the U.S. resolution
to include the proposals they wanted
and helped end the war.  
China wanted the respect of Third World nations
and saw the United States as imperialist.  
China thought India was a threat to the Third World
by taking aid from the United States and the Soviets.  
Pakistan could help with that and a seat at the United Nations.  
China wanted Taiwan’s seat at the UN.
My mother went to live with her uncle,
a communist negotiator for a corporation,
in India.  
A poet,
he threw parties and invited other artists, musicians and writers.  
I have the same brown hyperpigmentation at my joints that he had.  
During the day, only the steam from the hot lava can be seen.  
In 1965, Pakistani forces went into Jammu and Kashmir with China’s support.  
China threatened India after India sent its troops in.  
Then they threatened again before sending their troops to the Indian border.  
The United States stopped aid to Pakistan and India.
Pakistan agreed to the UN ceasefire agreement.  
Pakistan helped China get a seat at the UN
and tried to keep the west from escalating in Vietnam.  
The smoldering sound of the lava sizzles underneath the dried lava.  
When West Pakistan refused to allow East Pakistan independence,
violence between Bengalis and Biharis developed into upheaval.  
Bengalis moved to India
and India went into East Pakistan.  
Pakistan surrendered in December 1971.  
East Pakistan became independent Bangladesh

The warm light of the melted lava radiates underneath but burns.  
In 1974, India tested the Smiling Buddha,
a nuclear bomb.  
After Indira Gandhi’s conviction for election fraud in 1973,
Marxist Professor Narayan called for total revolution
and students protested all over India.  
With food shortages, inflation and regional disputes
like Sikh separatists training in Pakistan for an independent Punjab,
peasants and laborers joined the protests.  
Railway strikes stopped the economy.  
In 1975, Indira Gandhi, the Iron Lady,
declared an Emergency,
imprisoning political opponents, restricting freedoms and restricting the press,
claiming threats to national security
because the war with Pakistan had just ended.  
The federal government took over Kerala’s communist dominated government and others.  

My mom could’ve been a dandelion, but she’s more like thistle.  
She has the center that dries and flutters in the wind,
beautiful and silky,
spiny and prickly,
but still fluffy, downy,
A daisy.
They say thistle saved Scotland from the Norse.  
Magma from the volcano explodes
and the streams of magma fly into the air.  
In the late 60s,
the civil rights movement rose
against the state in Northern Ireland
for depriving Catholics
of influence and opportunity.
The Northern Irish police,
Protestant and unionist, anti-catholic,
responded violently to the protests and it got worse.  
In 1969, the British placed Arthur Young,
who had worked at the Federation of Malaya
at the time of their Emergency
at the head of the British military in Northern Ireland.
The British military took control over the police,
a counter insurgency rather than a police force,
crowd control, house searches, interrogation, and street patrols,
use of force against suspects and uncooperative citizens.  
Political crimes were tolerated by Protestants but not Catholics.  
The lava burns the rock off the edge of the volcano.  

On January 30, 1972, ****** Sunday,  
British Army policing killed 13 unarmed protesters
fighting for their rights over their neighborhood,
protesting the internment of suspected nationalists.
That led to protests across Ireland.  
When banana leaves are warmed,
oil from the banana leaves flavors the food.  
My dad flew from Canada to India in February 1972.  
On February 4, my dad met my mom.  
On February 11, 1972,
my dad married my mom.  
They went to Canada,
a quartz singing bowl and a wooden mallet wrapped in suede.  
The rock goes down with the lava, breaking through the rocks as it goes down.  
In March 1972, the British government took over
because they considered the Royal Ulster Police and the Ulster Special Constabulary
to be causing most of the violence.  
The lava blocks and reroutes streams,
melts snow and ice,
flooding.  
Days later, there’s still smoke, red.  
My mom could wear the clothes she liked
without being judged
with my dad in Canada.  
She didn’t like asking my dad for money.
My dad, the copper helping my mother use that iron,
wanted her to go to college and finish her bachelors degree.
She got a job.  
In 1976, the police took over again in Northern Ireland
but they were a paramilitary force—
armored SUVs, bullet proof jackets, combat ready
with the largest computerized surveillance system in the UK,
high powered weapons,
trained in counter insurgency.  
Many people were murdered by the police
and few were held accountable.  
Most of the murdered people were not involved in violence or crime.  
People were arrested under special emergency powers
for interrogation and intelligence gathering.  
People tried were tried in non-jury courts.  
My mom learned Malayalam in India
but didn’t speak well until living with my dad.  
She also learned to cook after getting married.  
Her mother sent her recipes; my dad cooked for her—
turmeric, cumin, coriander, cayenne and green chiles.  
Having lived in different countries,
my mom’s food was exposed to many cultures,
Chinese and French.
Ground rock, minerals and glass
covered the ground
from the ash plume.  
She liked working.  

A volcano erupted for 192 years,
an ice age,
disordered ices, deformed under pressure
and ordered ice crystals, brittle in the ice core records.  
My mother liked working.  
Though Khomeini was in exile by the 1970s in Iran,
more people, working and poor,
turned to him and the ****-i-Ulama for help.
My mom didn’t want kids though my dad did.
She agreed and in 1978 my brother was born.
Iran modernized but agriculture and industry changed so quickly.  
In January 1978, students protested—
censorship, surveillance, harassment, illegal detention and torture.  
Young people and the unemployed joined.  
My parents moved to the United States in December 1978.  
The regime used a lot of violence against the protesters,
and in September 1978 declared martial law in Iran.  
Troops were shooting demonstrators.
In January 1979, the Shah and his family fled.  
On February 11, 1979, my parents’ anniversary,
the Iranian army declared neutrality.  
I was born in July 1979.
The chromium in emeralds and rubies colors them.
My brother was born in May and I was born in July.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.  





Warm Light Shatters

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My dad was born on a large flat rock on the edge of the top
of a hill,
Molasses, sweet and dark, the potent flavor dominates,
His father, the son of a Brahmin,
His mother from a lower caste.
His father’s family wouldn’t touch him,
He grew up in his mother’s mother’s house on a farm.  
I have the same brown hyperpigmentation spot on my right hand that he has.

In 1901, D’Arcy bought a 60 year concession for oil exploration In Iran.
The Iranian government extended it for another 32 years in 1933.
At that time oil was Iran’s “main source of income.”
In 1917’s Balfour Declaration, the British government proclaimed that they favored a national home for the Jews in Palestine and their “best endeavors to facilitate the achievement” of that.

The British police were in charge of policing in the mandate of Palestine.  A lot of the policemen they hired were people who had served in the British army before, during the Irish War for Independence.  
The army tried to stop how violent the police were, police used torture and brutality, some that had been used during the Irish War for Independence, like having prisoners tied to armored cars and locomotives and razing the homes of people in prison or people they thought were related to people thought to be rebels.
The police hired Arab police and Jewish police for lower level policing,
Making local people part of the management.
“Let Arab police beat up Arabs and Jewish police beat up Jews.”

The lava blocks and reroutes streams, melts snow and ice, flooding.
In 1922, there were 83,000 Jews, 71,000 Christians, and 589,000 Muslims.
The League If Nations endorsed the British Mandate.
During an emergency, in the 1930s, British regulations allowed collective punishment, punishing villages for incidents.
Local officers in riots often deserted and also shared intelligence with their own people.
The police often stole, destroyed property, tortured and killed people.  
Arab revolts sapped the police power over Palestinians by 1939.

My father’s mother was from a matrilineal family.
My dad remembers tall men lining up on pay day to respectfully wait for her, 5 feet tall.  
She married again after her husband died.
A manager from a tile factory,
He spoke English so he supervised finances and correspondence.
My dad, a sunflower, loved her: she scared all the workers but exuded warmth to the people she loved.

Obsidian shields people from negative energy.
David Cargill founded the Burmah Oil Co. in 1886.
If there were problems with oil exploration in Burma and Indian government licenses, Persian oil would protect the company.  
In July 1906, many European oil companies, BP, Royal Dutch Shell and others, allied to protect against the American oil company, Standard Oil.
D’Arcy needed money because “Persian oil took three times as long to come on stream as anticipated.”
Burmah Oil Co. began the Anglo-Persian Oil Co. as a subsidiary.
Ninety-seven percent of British Petroleum was owned by Burmah Oil Co.
By 1914, the British government owned 51% of the Anglo-Persian Oil Co.  
Anglo-Persian acquired independence from Burmah Oil and Royal Dutch Shell with two million pounds from the British government.

The lava burns the rock off the edge of the volcano.
In 1942, after the Japanese took Burma,
the British destroyed their refineries before leaving.
The United Nations had to find other sources of oil.
In 1943, Japan built the Burma-Thailand Railroad with forced labor from the Malay peninsula who were mostly from the rubber plantations.

The rock goes down with the lava, breaking through the rocks as it goes down.
In 1945. Japan destroyed their refineries before leaving Burma.
Cargill, Watson and Whigham were on the Burmah Oil Co. Board and then the Anglo Iranian Oil Co. Board.  

In 1936 Palestine, boycotts, work stoppages, and violence against British police officials and soldiers compelled the government to appoint an investigatory commission.  
Leaders of Egypt, Trans Jordan, Syria and Iraq helped end the work stoppages.
The British government had the Peel Commission read letters, memoranda, and petitions and speak with British officials, Jews and Arabs.  
The Commission didn’t believe that Arabs and Jews could live together in a single Jewish state.
Because of administrative and financial difficulties the Colonial Secretary stated that to split Palestine into Arab and Jewish states was impracticable.  
The Commission recommended transitioning 250,000 Arabs and 1500 Jews with British control over their oil pipeline, their naval base and Jerusalem.  
The League of Nations approved.
“It will not remove the grievance nor prevent the recurrence,” Lord Peel stated after.
The Arab uprising was much more militant after Peel.  Thousands of Arabs were wounded, ten thousand were detained.  
In Sykes-Picot and the Husain McMahon agreements, the British promised the Arabs an independent state but they did not keep that promise.  
Representatives from the Arab states rejected the Peel recommendations.
United Nations General Assembly Resolution181 partitioned Palestine into Arab and Jewish states with an international regime for the city of Jerusalem backed by the United States and the Soviet Union.  

The Israeli Yishuv had strong military and intelligence organization —-  
the British recognized that their interest was with the Arabs and abstained from the vote.  
In 1948, Israel declared the establishment of its state.  
Ground rock, minerals, and gas covered the ground from the ash plume.
The Palestinian police force was disbanded and the British gave officers the option of serving in Malaya.

Though Truman, Eisenhower and Kennedy supported snd tried to get Israel to offer the Arabs concessions, it wasn’t a major priority and didn’t always approve of Israel’s plans.
Arabs that had supported the British to end Turkish rule stopped supporting the West.  
Many Palestinians joined left wing groups and violent third world movements.  
Seventy-eight percent of the territory of former Palestine was under Israel’s control.  

My dad left for college in 1957 and lived in an apartment above the United States Information services office.
Because he graduated at the top of his class, he was given a job with the public works department of the government on the electricity board.  
“Once in, you’ll never leave.”
When he wanted a job where he could do real work, his father was upset.
He broke the chains with bells for vespers.
He got a job in Calcutta at Kusum Products and left the government, though it was prestigious to work there.
In the chemical engineering division, one of the projects he worked on was to design a *** distillery, bells controlled by hammers, hammers controlled by a keyboard.
His boss worked in the United Kingdom for. 20 years before the company he worked at, part of Power Gas Corporation, asked him to open a branch in Calcutta.
He opened the branch and convinced an Industrialist to open a company doing the same work with him.  The branch he opened closed after that.  
My dad applied for labor certification to work abroad and was selected.  
His boss wrote a reference letter for my him to the company he left in the UK.  My dad sent it telling the company when he was leaving for the UK.  
The day he left for London, he got the letter they sent in the mail telling him to take the train to Sheffield the next day and someone from the firm would meet him at the station.  
His dad didn’t know he left, he didn’t tell him.
He broke the chains with chimes for schisms.


Anglo-Persian Oil became Anglo-Iranian Oil in 1935.
The British government used oil and Anglo-Persian oil to fight communism, have a stronger relationship with the United States and make the United Kingdom more powerful.  
The National Secularists, the Tudeh, and the Communists wanted to nationalize Iran’s oil and mobilized the Iranian people.
The British feared nationalization in Iran would incite political parties like the Secular Nationalists all over the world.  
In 1947, the Iranian government passed the Single Article Law that “[increased] investment In welfare benefits, health, housing, education, and implementation of Iranianization through substitution of foreigners” at Anglo-Iranian Oil Co.
“Anglo-Iranian Oil Company made more profit in 1950 than it paid to the Iranian government in royalties over the previous half century.”
The Anglo-Iranian Oil Company tried to negotiate a new concession and claimed they’d hire more Iranian people into jobs held by British and people from other nationalities at the company.
Their hospitals had segregated wards.  
On May 1, 1951, the Iranian government passed a bill that nationalized Anglo- Iranian Oil Co.’s holdings.  
During the day, only the steam from the hot lava can be seen.
In August 1953, the Iranian people elected Mossadegh from the Secular Nationalist Party as prime minister.
The British government with the CIA overthrew Mossadegh using the Iranian military after inducing protests and violent demonstrations.  
Anglo-Iranian Oil changed its name to British Petroleum in 1954.
Iranians believe that America destroyed Iran’s “last chance for democracy” and blamed America for Iran’s autocracy, its human rights abuses, and secret police.

The smoldering sound of the lava sizzles underneath the dried lava.  
In 1946, Executive Yuan wanted control over 4 groups of Islands in the South China Sea to have a stronger presence there:  the Paracels, the Spratlys, Macclesfield Bank, and the Pratas.
The French forces in the South China Sea would have been stronger than the Chinese Navy then.
French Naval forces were in the Gulf of Tonkin, U.S. forces were in the Taiwan Strait, the British were in Hong Kong, and the Portuguese were in Macao.
In the 1950s, British snd U.S. oil companies thought there might be oil in the Spratlys.  
By 1957, French presence in the South China Sea was hardly there.  

When the volcano erupted, the lava dried at the ocean into black sand.
By 1954, the Tudeh Party’s communist movement and  intelligence organization had been destroyed.  
Because of the Shah and his government’s westernization policies and disrespectful treatment of the Ulama, Iranians began identifying with the Ulama and Khomeini rather than their government.  
Those people joined with secular movements to overthrow the Shah.  

In 1966, Ne Win seized power from U Nu in Burma.
“Soldiers ruled Burma as soldiers.”
Ne Win thought that western political
Institutions “encouraged divisions.”
Minority groups found foreign support for their separatist goals.
The Karens and the Mons supported U Nu in Bangkok.  


Rare copper, a heavy metal, no alloys,
a rock in groundwater,
conducts electricity and heat.
In 1965, my Dad’s cousin met him at Heathrow, gave him a coat and £10 and brought him to a bed and breakfast across from Charing Cross Station where he’d get the train to Sheffield the next morning.
He took the train and someone met him at the train station.  
At the interview they asked him to design a grandry girder, the main weight bearing steel girder as a test.
Iron in the inner and outer core of the earth,
He’d designed many of those.  
He was hired and lived at the YMCA for 2 1/2 years.  
He took his mother’s family name, Menon, instead of his father’s, Varma.
In 1967, he left for Canada and interviewed at Bechtel before getting hired at Seagrams.  
Iron enables blood to carry oxygen.
His boss recommended him for Dale Carnegie’s leadership training classes and my dad joined the National Instrument Society and became President.
He designed a still In Jamaica,
Ordered all the parts, nuts and bolts,
Had all the parts shipped to Jamaica and made sure they got there.
His boss supervised the construction, installation and commission in Jamaica.
Quartz, heat and fade resistant, though he was an engineer and did the work of an engineer, my dad only had the title, technician so my dad’s boss thought he wasn’t getting paid enough but couldn’t get his boss to offer more than an extra $100/week or the title of engineer; he told my dad he thought he should leave.
In 1969, he got a job at Celanese, which made rayon.
He quit Celanese to work at McGill University and they allowed him to take classes to earn his MBA while working.  

The United States and Israel’s alliance was strong by 1967.
United Nations Security Council Resolution 242 at the end of the Third Arab Israeli War didn’t mention the Palestinians but mentioned the refugee problem.
After 1967, the Palestinians weren’t often mentioned and when mentioned only as terrorists.  
Palestinians’ faith in the “American sponsored peace process” diminished, they felt the world community ignored and neglected them also.
Groups like MAN that stopped expecting anything from Arab regimes began hijacking airplanes.
By 1972, the Palestine Liberation Organization had enough international support to get by the United States’ veto in the United Nations Security Council and Arab League recognition as representative of the Palestinian people.
The Palestinians knew the United States stated its support, as the British had, but they weren’t able to accomplish anything.  
The force Israel exerted in Johnson’s United States policy delivered no equilibrium for the Palestinians.  

In 1969, all political parties submitted to the BSPP, Burma Socialist Programme Party.
Ne Win nationalized banks and oil and deprived minorities of opportunities.
Ne Win became U Nu Win, civilian leader of Burma in 1972 and stopped the active role that U Nu defined for Burma internationally
He put military people in power even when they didn’t have experience which triggered “maldistribution of goods and chronic shortages.”  
Resources were located in areas where separatist minorities had control.

The British presence in the South China Sea ended in 1968.  
The United States left Vietnam in 1974 and China went into the Western Paracels.
The U.S. didn’t intervene and Vietnam took the Spratlys.
China wanted to claim the continental shelf In the central part of the South China Sea and needed the Spratlys.
The United States mostly disregarded the Ulama In Iran and bewildered the Iranian people by not supporting their revolution.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.


Edelweiss

I laid out in my backyard in my bikini.  
I love the feeling of my body in the sun.  
I’d be dark from the end of spring until winter.
The snow froze my bare feet through winter ,
my skin pale.
American towns in 1984,
Free, below glaciers the sunlight melted the snow,
a sea of green and the edelweiss on the edge of the  limestone,
frosted but still strong.    
When the spring warmed the grass,
the grass warmed my feet. 
The whole field looked cold and white from the glacier but in the meadow,
the bright yellow centers of those flowers float free in the center of the white petals.
The bright yellow center of those edelweiss scared the people my parents ran to America from India to get away from.  
On a sidewalk in Queens, New York in 1991, the men stared and yelled comments at me in short shorts and a fitted top in the summer.  
I grabbed my dad’s arm.

























The Bread and Coconut Butter of Aparigraha

Twelve year old flowerhead,
Marigold, yarrow and nettle,
I’d be all emotion
If not for all my work
From the time I was a teenager.
I got depressed a lot.
I related to people I read about
In my weather balloon,
Grasping, ignorant, and desperate,
But couldn’t relate to other twelve year olds.
After school I read Dali’s autobiography,
Young ****** Autosodomized by Her Own Chastity.
Fresh, green nettle with fresh and dried yarrow for purity.
Dead souls enticed to the altar by orange marigolds,
passion and creativity,
Coax sleep and rouse dreams.
Satellites measure indirectly with wave lengths of light.
My weather balloon measures the lower and middle levels of the atmosphere directly,
Fifty thousand feet high,
Metal rod thermometer,
Slide humidity sensor,
Canister for air pressure.

I enjoy rye bread and cold coconut butter in my weather balloon,
But I want Dali, and all the artists and writers.
Rye grows at high altitudes
But papyrus grows in soil and shallow water,
Strips of papyrus pith shucked from their stems.
When an anchor’s weighed, a ship sails,
But when grounded we sail.
Marigolds, yarrow and nettle,
Flowerhead,
I use the marigold for sleep,
The yarrow for endurance and intensity,
toiling for love and truth,
And the nettle for healing.
Strong rye bread needs equally strong flavors.
By the beginning of high school,
I read a lot of Beat literature
And found Buddhism.
I loved what I read
But I didn’t like some things.
I liked attachment.  
I got to the ground.
Mushrooms grow in dry soil.
Attachment to beauty is Buddha activity.
Not being attached to things I don’t find beautiful is Buddha activity.  
I fried mushrooms in a single layer in oil, fleshy.
I roasted mushrooms at high temperatures in the oven, crisp.
I simmered mushrooms in stock with kombu.
Rye bread with cold coconut butter and cremini mushrooms,
raw, soft and firm.  
Life continues, life changes,
Attachments, losses, mourning and suffering,
But change lures growth.
I find stream beds and wet soil.
I lay the strips of papyrus next to each other.
I cross papyrus strips over the first,
Then wet the crossed papyrus strips,
Press and cement them into a sheet.
I hammer it and dry it in the sun,
With no thought of achievement or self,
Flowerhead,
Hands filled with my past,
Head filled with the future,
Dali, artists poets,
Wishes and desires aligned with nature,
Abundance,
Cocoa, caraway, and molasses.

If I ever really like someone,
I’ll be wearing the dress he chooses,
Fresh green nettle and yarrow, the seeds take two years to grow strong,
Lasting love.
Marigolds steer dead souls from the altar to the afterlife,
Antiseptic, healing wounds,
Soothing sore throats and headaches.
Imperturbable, stable flowerhead,
I empty my mind.
When desires are aligned with nature, desire flows.
Papyrus makes paper and cloth.
Papyrus makes sails.
Charcoal from the ash of pulverized papyrus heals wounds.
Without attachment to the fruit of action
There is continuation of life,
Rye bread and melted coconut butter,
The coconut tree in the coconut butter,
The seed comes from the ground out of nothing,
Naturalness.
It has form.
As the seed grows the seed expresses the tree,
The seed expresses the coconut,
The seed expresses the coconut butter.
Rye bread, large open hollows, chambers,
Immersed in melted coconut butter,
Desire for expansion and creation,
No grasping, not desperate.
When the mind is compassion, the mind is boundless.
Every moment,
only that,
Every moment,
a scythe to the papyrus in the stream bed of the past.  

































Sound on Powdery Blue

Potter’s clay, nymph, plum unplumbed, 1993.
Dahlia, ice, powder, musk and rose,
my source of life emerged in darkness, blackness.
Seashell fragments in the sand,
The glass ball of my life cracked inside,
Light reflected off the salt crystal cracks,
Nacre kept those cracks from getting worse.
Young ****** Autosodomized By Her Own Chastity,
Nymph, I didn’t want to give my body,
Torn, *****, ballgown,
To people who wouldn’t understand me,
Piquant.

Outside on the salt flats,
Aphrodite, goddess of beauty, pleasure and fertility and
Asexual Artemis, goddess of animals, and the hunt,
Mistress of nymphs,
Punish with ruthless savagery.

In my bedroom, blue caribou moss covered rocks, pine, and yew trees,
The heartwood writhes as hurricane gales, twisters and whirlwinds
Contort their bark,
Roots strong in the soil.
Orris root dried in the sun, bulbs like wood.
Dahlia runs to baritone soundbath radio waves.
Light has frequencies,
Violet between blue and invisible ultraviolet,
Flame, slate and flint.
Every night is cold.

Torii gates, pain secured as sacred.
An assignation, frost hardy dahlia and a plangent resonant echo.
High frequency sound waves convert to electrical signals,
Breathe from someone I want,
Silt.
Beam, radiate, ensorcel.
I break the bark,
Sap flows and dries,
Resin seals over the tear.
I distill pine,
Resin and oil for turpentine, a solvent.
Quiver, bemired,
I lead sound into my darkness,
Orris butter resin, sweet and warm,
Hot jam drops on snow drops,
Orange ash on smoke,
Balm on lava,
The problem with cotton candy.

Electrical signals give off radiation or light waves,
The narrow frequency range where
The crest of a radio wave and the crest of a light wave overlap,
Infrared.
Glaciers flow, sunlight melts the upper layers of the snow when strong,
A wet snow avalanche,
A torrent, healing.
Brown sugar and whiskey,
Undulant, lavender.
Pine pitch, crystalline, sticky, rich and golden,
And dried pine rosin polishes glass smooth
Like the smell of powdery orris after years.
Softness, flush, worthy/not worthy,
Rich rays thunder,
Intensify my pulse,
Frenzied red,
Violet between blue and invisible ultraviolet.
Babylon—flutter, glow.
Unquenchable cathartic orris.  

















Pink Graphite

Camellias, winter shrubs,
Their shallow roots grow beneath the spongy caribou moss,
Robins egg blue.
After writing a play with my gifted students program in 1991,
I stopped spending all my free time writing short stories,
But the caribou moss was still soft.

In the cold Arctic of that town,
The evergreen protected the camellias from the afternoon sun and storms.
They branded hardy camellias with a brass molded embossing iron;
I had paper and graphite for my pencils.

After my ninth grade honors English teacher asked us to write poems in 1994,
It began raining.
We lived on an overhang.
A vertical rise to the top of the rock.
The rainstorm caused a metamorphic change in the snowpack,
A wet snow avalanche drifted slowly down the moss covered rock,
The snow already destabilized by exposure to the sunlight.

The avalanche formed lakes,
rock basins washed away with rainwater and melted snow,
Streams dammed by the rocks.  
My pencils washed away in the avalanche,
My clothes heavy and cold.
I wove one side of each warp fiber through the eye of the needle and one side through each slot,
Salves, ointments, serums and tinctures.
I was mining for graphite.
They were mining me,
The only winch, the sound through the water.

A steep staircase to the red Torii gates,
I broke the chains with bells for vespers
And chimes for schisms,
And wove the weft across at right angles to the warp.  

On a rocky ledge at the end of winter,
The pink moon, bitters and body butter,
They tried to get  me to want absinthe,
Wormwood for bitterness and regret.
Heat and pressure formed carbon for flakes of graphite.
Heat and pressure,
I made bitters,
Brandy, grapefruit, chocolate, mandarin rind, tamarind and sugar.
I grounded my feet in the pink moss,
paper dried in one hand,
and graphite for my pencils in the other.  



































Flakes

I don’t let people that put me down be part of my life.  
Gardens and trees,
My shadow sunk in the grass in my yard
As I ate bread, turmeric and lemon.
Carbon crystallizes into graphite flakes.
I write to see well,
Graphite on paper.  
A shadow on rock tiles with a shield, a diamond and a bell
Had me ***** to humiliate me.
Though I don’t let people that put me down near me,
A lot of people putting me down seemed like they were following me,
A platform to jump from
While she had her temple.  

There was a pink door to the platform.
I ate bread with caramelized crusts and
Drank turmeric lemonade
Before I opened that door,
Jumped and
Descended into blankets and feathers.
I found matches and rosin
For turpentine to clean,
Dried plums and licorice.  

In the temple,
In diamonds, leather, wool and silk,
She had her shield and bells,
Drugs and technology,
Thermovision 210 and Minox,
And an offering box where people believed
That if their coins went in
Their wishes would come true.

Hollyhock and smudging charcoal for work,  
Belled,
I ground grain in the mill for the bread I baked for breakfast.
The bells are now communal bells
With a watchtower and a prison,
Her shield, a blowtorch and flux,
Her ex rays, my makeshift records
Because Stalin didn’t like people dancing,
He liked them divebombing.
Impurities in the carbon prevent diamonds from forming,
Measured,
The most hard, the most expensive,
But graphite’s soft delocalized electrons move.  






































OCEAN BED

The loneliness of going to sleep by myself.  
I want a bed that’s high off the ground,
a mattress, an ocean.
I want a crush and that  person in my bed.  
Only that,
a crush in my bed,
an ocean in my bed.  
Just love.  
But I sleep with my thumbs sealed.  
I sleep with my hands, palms up.  
I sleep with my hands at my heart.  
They sear my compassion with their noise.  
They hold their iron over their fire and try to carve their noise into my love,
scored by the violence of voices, dark and lurid,  
but not burned.  
I want a man in my bed.  
When I wake up in an earthquake
I want to be held through the aftershocks.  
I like men,
the waves come in and go out
but the ocean was part of my every day.  
I don’t mind being fetishized in the ocean.  
I ran by the ocean every morning.  
I surfed in the ocean.  
I should’ve gone into the ocean that afternoon at Trestles,
holding my water jugs, kneeling at the edge.  














Morning

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  

Morning—the molten lava in the outer core of the earth embeds the iron from the inner core into the earth’s magnetic field.  
The magnetic field flips.  
The sun, so strong, where it gets through the trees it burns everything but the pine.  
The winds change direction.  
Storms cast lightening and rain.  
Iron conducts solar flares and the heavy wind.  
In that pine forest, I shudder every time I see a speck of light for fear of neon and fluorescents.  The eucalyptus cleanses congestion.  
And Kerouac’s stream ululates, crystal bowl sound baths.  
I follow the sound to the water.  
The stream ends at a bluff with a thin rocky beach below.  
The green water turns black not far from the shore.  
Before diving into the ocean, I eat globe mallow from the trees, stems and leaves, the viscous flesh, red, soft and nutty.  
I distill the pine from one of the tree’s bark and smudge the charcoal over my skin.  

Death, the palo santo’s lit, cleansing negative energy.  
It’s been so long since I’ve smelled a man, woodsmoke, citrus and tobacco.  
Jasmine, plum, lime and tuberose oil on the base of my neck comforts.  
Parabolic chambers heal, sound waves through water travel four times faster.  
The sound of the open sea recalibrates.  
I dissolve into the midnight blue of the ocean.  

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  
I want hot water with coconut oil when I get up.  
We’d lay out on the lawn, surrounded by high trees that block the wind.  
Embers flying through the air won’t land in my yard, on my grass, or near my trees.  





Blue Paper

Haze scatters blue light on a planet.  
Frought women, livid, made into peonies by Aphrodites that caught their men flirting and blamed the women, flushed red.
and blamed the women, flushed red.
Frought women, livid, chrysanthemums, dimmed until the end of the season, exchanged and retained like property.  
Blue women enter along the sides of her red Torii gates, belayed, branded and belled, a plangent sound.  
By candles, colored lights and dried flowers she’s sitting inside on a concrete floor, punctures and ruin burnished with paper, making burnt lime from lime mortar.  
Glass ***** on the ceiling, she moves the beads of a Palestinian glass bead bracelet she holds in her hands.  
She bends light to make shadows against  thin wooden slats curbed along the wall, and straight across the ceiling.
A metier, she makes tinctures, juniper berries and cotton *****.
Loamy soil in the center of the room,
A hawthorn tree stands alone,
A gateway for fairies.
large stones at the base protecting,
It’s branches a barrier.  
It’s leaves and shoots make bread and cheese.
It’s berries, red skin and yellow flesh, make jam.
Green bamboo stakes for the peonies when they whither from the weight of their petals.
And lime in the soil.  
She adds wood chips to the burnt lime in the kiln,
Unrolled paper, spools, and wire hanging.
Wood prayer beads connect her to the earth,
The tassels on the end of the beads connect her to spirit, to higher truth.
Minerals, marine mud and warm basins of seawater on a flower covered desk.  
She adds slaked lime to the burnt lime and wood chips.  
The lime converts to paper,
Trauma victims speak,
Light through butterfly wings.  
She’s plumeria with curved petals, thick, holding water
This is what I have written of my book.  I’ll be changing where the poems with the historical research go.  There are four more of those and nine of the other poems.
Lawrence Hall Jan 2017
Semester Exam

Fluorescents flicker and fall upon bowed heads
And printed letter-paper, organized
By title, paragraph, number, and line,
Interrogations set in Bookman Old Style

And then words fall, flung bravely to each sheet
As desperate, inky thoughts flailing for breath
While to battered be by split infinitives
Demanding an A, praying for a prom date.

The paper's a mess, one’s mind is in shreds
Fluorescents flicker and fall upon bowed heads
zebra Dec 2018
i like it ickity split
mad to exceed the world
in dark dreams ******

to evoke blood wet mouths
insertions paradise of fluorescents
in a dark aperture

her pudenda
a rolling hill
gaudy wound like a smash mouth crying
split torn tearing, pink estuary
for gluttonies' joyride
that can hardly be endured
twisted tongue spice melts and glitters raw

the sheets soaked through
matted hair in saliva
blood and eggs
the screams of monsters rapture

oh feral abandon
every thing else a toil

winged genitals
hell toys for mama
like heaven cant know

his *****
like hanging bats

Nagasaki goes off in her ***
bodies; quake in silence
the bedroom; a chaotic bathroom
tulips shrill flutter
gulp and swallow milks flame
rosy welts laughing
flushing ******'s

shoved urns
all spilled libations
touching and *******
crimson **** runnels
in bathhouse foam
down the drain
to earthen bowels din
where the dead push up daisies

i am the worm in the fruit
Stephen Sage Oct 2012
With red and blue side by side
Who’s to decide my secret ballot
With respect and disparage likely never to divide
Choose or die I feel like pratchett
Natures evil so grossly present
With my eyes blinded by political fluorescents
Alone in a box, with an unchecked sheet
Now I understand... were all obsolete
zuolim Apr 2013
In my Times column Thursday, I reviewed a new generation of LED light bulbs. They last 25 times as long as regular bulbs, use maybe one-eighth the electricity, work with dimmers, turn on instantly to full brightness and remain cool to the touch. A big drawback has always been cost, but now, I noted, the prices have fallen.

This column generated a lot of reader e-mail, probably because LED represents change. And change is always scary. Here are some excerpts, with my responses.
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* For LED bulbs, the biggest issue that most consumers will notice is the color. You correctly point out that you can get different colors, and also different shades of white, from warm white, to cool white, to daylight. However, not all white is the same. Two bulbs, both of which measure 2700K (warm white) color may create a completely different impression in the room.

The difference is C.R.I. (Color Rendering Index). Incandescent bulbs have a C.R.I. of 100. Really bad LEDs have a C.R.I. of 50; average ones (most of them) have a C.R.I. of 80 to 85. The really good ones have C.R.I.’s above 90.

C.R.I. is a way of expressing how many colors in the rainbow are actually contained in the white light. Incandescent bulbs contain every color in the rainbow, all in equal measure.

With LED bulbs that have low C.R.I.’s, the color of objects looks wrong, and everything “feels” ghostly. It is not a subtle effect.

Wow. Well, I’d never heard of C.R.I., and it certainly isn’t listed on the package.

I can say only that I’m completely happy with the light color of the Cree bulbs. They look nothing like the weak, diluted light of the compact fluorescents they’re going to replace. I don’t perceive anything ghostly or wrong about them.

But if you’re worried about C.R.I, maybe try out one bulb at home before you replace the whole house’s bulbs.

* Why I don’t have LED bulbs: I have yet to see one that puts out close to the same lumens of an incandescent bulb rated at 75 or 100 watts offered for sale in my area.

Many of you made this point: that the 40- and 60-watt bulbs I reviewed are not bright enough for aging eyes, reading, detail work and so on.

That really is a good point. You can buy 75- and 100-watt-equivalent LED bulbs — online, they’re plentiful — but they’re still expensive ($30 to $45 each).

* At my home, CFLs don’t last half as long as stated on the box, and when CFL electronics flame out, they leave that nasty burnt electronics smell, strongly disliked by my wife. A few friends have reported CFL flame outs that have set things on fire.

Sorry to hear that! However, my column was about LED lights, not compact fluorescent light bulbs. Compact flourescents are basically curlicue tubes filled with gas that lights up. LED bulbs use tiny light-emitting diodes, of the type you have seen in some flashlights and the “flashes” of smartphones.

* Why didn’t you write up the LIFX bulbs on Kickstarter? Are you some kind of paid shill for the light-bulb industry?

Mainly, because I hadn’t heard about LIFX bulbs. Now I have!

Looks like it’s a lot like the Philips Hue kit I reviewed, in that these are LED bulbs you can control from a phone app: brightness, timing and color. The beauty of LIFX, though, is that there’s no router box required. The networking electronics are right in the bulb.

And the LIFX does more, too: changes color in time to the music, for example, or notifies you when you have new e-mail.

These bulbs did super-well on Kickstarter, so they’ve obviously captured the public’s imagination. I’m in touch with the creators, and they’ve promised to send me one to try out when it becomes available!

* You have done what many before have done: Praise LED light bulbs — without touching on the quality of light.

It doesn’t matter whether the light bulb is $200 or 50 cents. If the light is ugly, and it hurts your eyes to read, then why should I buy it?

Compact fluorescent lights have an austere blue tinge. Some give a “warmer” shade of yellow. But the quality of light they produce is atrocious.

I did, in fact, mention the quality of light; in my opinion, it’s wonderful. You can choose “daylight” (whiter) or “warmer” (yellower). With some, like the Philips, you can dial up any color you like: white with a touch of blue or yellow, say.

But I’m not sure why we keep talking about compact fluorescent lights. LED technology is completely different. There is zero relationship between a compact fluorescent light bulb’s light quality and LED’s light quality.

* You neglected an important point: because of heat issues, you’re not supposed to put LED bulbs into enclosed fixtures, like ceiling “cans.”

Actually, I asked Cree specifically about this. The representative says the bulbs are fine in ceiling cans. “The Cree LED bulb can be used in any application that would use an incandescent bulb. As long as there is an opportunity for air to circulate, the bulb is designed to work properly.”

I’m aware that not all bulbs meet this criterion; I’ve seen warnings on 3M and Philips bulbs, for example, not to use them in ceiling cans.

* Is there a potential issue with RF (radio frequency) interference from the circuitry? I know someone who put the LED bulbs in his garage door opener and then had trouble with the remote control.For more information, please visit cree led flashlight
Martin Narrod Nov 2014
This terribleness. The blur of traffic lights and puddles paints Los Angeles on my face at night. It's so hard to know who will doze in my blind spots. Sunflower seeds and ******* lining the carpet. I sat on the front porch for five hours gutting the wolves from my appendices. Usually the headaches go away with the squashing of the lights. Fluorescents are the worst, halogens second, and 60-watt 120-volt light bulb the bane of my existence. I look at my phone but I cannot summon a quirky 120 character quip. I need excedrin but all I have to grape flavored children's aspirin. I should have asked for the water. How many unfinished glasses of water have I left around this world?
     Maybe Bruce and I will squash after work. I can hear his weekly catalog of two night stands with those married transient women who drive from Santa B. I hate golf, I could have made carried a career in this resentment. Maybe rolling down the window will alleviate some of this pressure. Maybe it's barometric pressure, The Baby is here in time to drag the houses out to sea. It feels like Michelangelo is carving The David in my head and it's the chiseling I've never wanted. It's Tuesday and the drugs were horrible. They killed five of them today. We wrapped their heads in blankets from the Thrifty, and had to have the interns find clothes that would fit for the Christian caskets. Two days until Giving Thanks Day.
     I am wrapped in copper and stuck in amber. I am acquitted by nonsense and stipulation, sick with nausea and pushing my forehead into the steering wheel. This is all terrible. The lying I've never told myself. The people that don't even know it's lying. Her and I always seem to escape with our happiness and pleasure in tow. The odds are slim, but our clothes have never fit too tightly.
neon alien blouse girl lies lying tightly wrapper copper days fighting giving slim odd thanksgiving gratitude life blanket homeless ring internship myself I lights lux watts volts stand sit golf aspirin
Kyle T Oct 2020
Alex 2 breathes, stacks and unstacks papers, distantly
Alex 1, front cubicle, coughs, clicks his mouse
Eddie pulls out his drawer, pushes it back in, clicks his mouse
Alex 2, yes two Alex's, saunters up to the coffee machine
Alex 1, head down, clacking his keyboard
Mouse clicks, keyboard clicks, electricity
Monitors glow, fluorescents never flicker
Alex 1 opens a new file, two clicks of the mouse
Eddie sips his coffee, puts it down, clicks
New folder, new file, new data
Data entry, spreadsheets
Alex 1 asks did you get the email
Alex 2 has his coffee, his white shirt, under the fluorescents
Statics noise, static, mouse clicks, keyboard
Every new click, new file, new data, new folder
Data in, data out, file, click, the static electronics
Alex 2 clicks, files, new folder, new deal, new data
Eddie clears his throat, softly, the static noise, flickers,
Every new love story is a tragedy
Alex 2 opens a new folder, inputs data, spreadsheets
Numbers in, Eddie clicks his mouse twice rapidly
Stale effluvia coffee, static noise, electric light
Alex 1 sniffles, clears his throat, the clock ticks softly
Eddie opens a new file, the electric screen reflects his fixed eyes
Alex 2 sips his coffee, opens a file, clicks, keyboard clacks
Stasis, complete stasis, electricity, nodes, linear graphs
Numbers input, data, new file, file transfer
Every old tragedy is a ghost story
Alex 2 sips his coffee, breathes, clears his throat, data
Spreadsheets, monitors, electricity, static, data input, output
Every ghost story is infinite
Alex 1 gets up for a new coffee
Eddie inputs data, spreadsheet, file, new folder
Electric lights, stasis, data, file, click, file, input exp..
st64 May 2014
How it is fickle, leaving one alone to wander
the halls of the skull with the fluorescents
softly flickering. It rests on the head
like a bird nest, woven of twigs and tinsel
and awkward as soon as one stops to look.

That pile of fallen leaves drifting from
the brain to the fingertip burned on the stove,
to the grooves in that man's voice
as he coos to his dog, blowing into the leaves
of books with moonlit opossums
and Chevrolets easing down the roads
of one's bones. And now it plucks a single
tulip from the pixelated blizzard: yet

itself is a swarm, a pulse with no
indigenous form, the brain's lunar halo.


Our compacted galaxy, its constellations
trembling like flies caught in a spider web,
until we die, and then the flies
buzz away—while another accidental
coherence counts to three to pass the time
or notes the berries on the bittersweet vine

strewn in the spruces, red pebbles dropped
in the brain's gray pool. How it folds itself
like a map to fit in a pocket, how it unfolds
a fraying map from the pocket of the day.
Joanie Mackowski (b. 1963)

Joanie Mackowski’s collections of poems are The Zoo (2002) and View from a Temporary Window (2010). She received a BA from Wesleyan University, was a Stegner Fellow in Poetry at Stanford University, and received a PhD from the University of Missouri.

Her poetry is marked by precise details and attention to the sounds of language; the lines of her poems echo with slant and internal rhymes. Sometimes eerie and often grounded in scientific facts, her poetry scrutinizes insects, plants, animals, and the self.
Of her work, Mackowski has said, “I try to ask questions about what makes us separate individuals and also about what brings us together, in love or in community.” She lives in upstate New York.
amanda cooper Nov 2010
last week a man took my picture,
his grin stretched ear to ear.
i glanced over and mirrored with
a smile like cheshire cats,
and he took another.
i wonder what brought him
to our table,
to me.

last week a man drew my picture,
his mouth set rigid in focus.
i noticed his anonymous glances
but i carried on my way,
not knowing who the girl his pen
was putting on paper was.
it wasn't until i passed
and they told me our bangs
were the same and she
wore glasses like mine
that i recognized her.
me.

there's something about strangers
anonymously immortalizing you
in art that makes you realize
how empty your eyes are.
i don't know why they did it, but they did. twice in one week. my eyes may be empty, but **** did they make me feel beautiful.
11/25/10.
Danielle Shorr Jul 2015
Amy
is crooning bird with
beehive nest built from soul
is sixty five years inside body of young girl
loves jazz and destructive boy
looks at him the way her voice does microphone
eyes are drawn black like cat's and she
sings the way a tail curls along wood floor
graceful  effortless  confident

shaina maidel with
a gap between her two front bent teeth
echoed laugh and studded diamond above her lip
jewish girl who wears
star of David around her neck belts
songs she writes with scratching fingers against
ink covered arms
pretty girl loves ****** and crack pipe and liquor
has a crooked mouth but hums melodies
smooth as the heart is aching

pink ballet slippers stain red
from ****** between toes
bulimia makes a home in her habits
empties stomach after every meal
makes more room for wine and ***** and whisky with coke
stumbles across a stage she does not belong to while
the audience boos and mocks while
the paparazzi stalks and preys and while
the media criticizes and
a world that doesn't quite understand does the same

we watch her disaster like
a car accident
unable to stop staring at the damage
we watch her downfall like
an avalanche in another city
it isn't ours so we do nothing to save it

this disappearing act is not magic but
a side effect of fame unwanted
dad doesn't understand that skin and
bones is foreshadow of death
says, baby, smile for the camera
baby, just do what you're supposed to
baby, just finish the tour
**** every last ounce out of her like
the wringing of a towel
it is an easy thing for a girl to become
invisible when she wants to
enough

crooning bird falls from tree and
we watch with hands at our side
bodies tilted in confusion
what a shame, we say
there is depth but it is hiding under addiction
all we see is girl destroying herself under
the fluorescents we placed above her
what a waste, we say, shaking heads
we do nothing in response

my love,
you tore boundaries with your swollen hands
they said your honest was too loud
hair too big
voice too bold
they picked with curious fingers and
gap-tooth jew girl with
the audacity to break silence
ended up breaking too

shaina maidel with
a space between her two front bent teeth
echoed laugh and studded diamond above her lip
jewish girl who could never be a star became just that
burned into supernova
graceful  effortless  confident in her
descent back to
black
for Amy Winehouse
Ted Scheck Jan 2013
A half-century
To finally get comfortable
In semi-flabby, semi-
Muscular body.
100/2.
50 years. Old?
Young? Is there
Middle ground here?
Yo-old?
Ung?
Am I halfway to
The end of the curve?
(Better we don’t know
THAT day)

At my very strongest,
(29 years ago)
When I lived and drank
The weight room,
I was character-wise
All-time low.
Wreched louse, and
I’m insulting lice.
375lbs. nearly
2x/body weight.
As I broke a sweat
I also broke my
Parents’ hearts.
That’s irony at its
Most painful.

At Mom’s deathbed,
Six years ago,
(43, if you’re counting)
Regrets like flaming
Arrows impacting my
Heart mind soul body,
When I drove 300 miles
And waited 3 hours for
Her to get out of dialysis,
And I’m at the hospital
With 2 of my 6 sisters,
And she sees me and her
Face lit the room
Brighter than fluorescents
And I was weak
And she was strong
She was Mom
And I was child
And when we got home
I let her hold me
As I cried and cried
Like the baby I was
44 years before.
And she held me,
And brought that special
Kind of peace Mothers,
Only Mothers can impart
Upon their children.

I look at my Mom’s
High-School Graduation
Picture behind me
On the bookshelf.
I look at that picture
And tell Mom
“I love you, Mom,”
And in my dreams,
She whispers the
Words back to me.

No human being
Was, is, or ever will be
Perfect.
We are walking contra-
Dictionaries.
We shout when
We should whisper.
We paint orange when
We should draw blue.
We see death
In life,
And live according to
Two hands on a numbered
Face.
We chain ourselves to
Abusive chemicals
And complain about
Our dwindling freedoms.

We ignore the ones
We say we love
And spend rivers of
Time in a virtual
Abstract world of
New symbols that
Signify nothing
Except time misspent.

If you’re reading this,
And Mom still draws breath,
Is not just an image from
On high looking forever
At whatever pictures
Look at,
Don’t wait until the last
Moments to tell her
I’m sorry, Mom.
I love you, Mother.
Mama, sing me
That song you used to
Hum me to sleep
When I was a baby.
Thank you, Mom.
Thank you for struggling,
Sacrificing, and not
Prematurely ending my life.
Thank you for diapers
Changed,
For rashes
Soothed;
For tears flowing from
Chubby cheeks onto your
Collar, where you would
Sniff and smell them
(While I slept as soundly
As sound itself)
And cry your own tears,
Mixing them together,
Forming the salty
Lachrymal glue that
Kept you going and
Going when you only
Wanted to lie down
And rest.

Thank you, Mom.
I miss you so much.
allison Jul 2014
After Pamela Sutton’s “Forty”

Since when are words lost, numbers dominating?
Until today, it was vernacular, not mathematics.
All changed at 18
when numbers engulfed my life like a tsunami.
1 life.
1 drive to school, traffic on the 405, 25 minutes;
10-minute parking; first class at 8.
8 dollars per hour x 3 day work week = no shopping.
Under my parents’ life insurance,
for now.
One life.
One dream of commencement, a sea of black and gold;
students as adults, graduating, growing up,
careers: the only things that matter now.
One dream of wheeling a patient into the OR
and he grasps my hand.
One saved life.
66 specialties for a nurse.
8 stories in CHOC Hospital;
279 beds.
One goal for everyone; nurses, patients, families—
disease-free, healthy.
One hospital specializing in children;
one in Orange, thousands of facilities.
One late night in Riverside the kitchen fluorescents
slowly brings the eyes of two, one father, one daughter,
to a close.
58 notecards, handwriting messy and smudged.
12 prefixes, 37 roots, 9 suffixes.
44 years: 1 student: Dad.
The point where my future was clear.
One goal, one career,
one life.
The subtle hum of the white lights lulls us to sleep
as the room slowly darkens.

September 2013
Lawrence Hall Feb 2017
A Burner on the Bridge

A burner on the bridge.  A human burns,
Trapped in technology and beer and fire
We hear the cold dispatch, the desperate call
To go, to see, to mend, if possible
We drive.  The flashers, blue and red, rotate
In the startled faces of those we pass
At speed, Hail Mary speed, surreal speed
Time, motion, space, and light obscure the night

In a pattern tail lights wink dim, then bright
Stalled traffic makes a long glowworm in reds
Boats, trailers, trucks, tankers, Volkswagens, Fords,
People in shorts drift around, slug Cokes, laugh
Unshaven men smoke cigarettes and swear
Blue-haired killers in Chrysler New Yorkers
Blink blankly through bifocals in the glare
Of flashers and flashlights, flares and taillights.
A burner on the bridge.  A Human burns.

We drive slowly through the curious crowds
Who mill about and stare and point and laugh
They consider a charred corpse fair reward
For being delayed on their trip home from the lake
When they ‘rive home they’ll hoist stories and yip:
“I was there; I seen it, man; it was gross!”
But some already are anxious to go
They honk, and pop a top, and cuss the cops.
A burner on the bridge.  A human burns.

Below the bridge, old, silent water lurks
Oozing warmly, fetidly, in its drift
Slithering blackly in the warm spring night
A silent observer of fire and death
A carrier of beer cans and debris,
Radiator coolant, plastic, and blood
Concrete pylons pounded into the mud
Where once were trees.  And now the water sees
A burner on the bridge.  A human burns.

The bridge is an altar.  The wreckages
Are vessels sacred to our gods, the dead
Are sacrifices to our gods, an incense of death
Our offering is broken flesh, and blood:
“The is my body, burnt on this spring night;
This is my blood, shed on the center stripe.
A burner on the bridge.  A human burns.

A shapeless hat among the smoking ash,
Old clothes, a shoe, cans of beer, fishing lures:
The sad trifles and trinkets of the dead
Now, firemen in their yellow rubber suits
Climb slowly through the tortured, broken steels
And gently stow a man into a bag
Ashes and smoke, green radiator fluid
The old river flows, wherever it goes.
A burner on the bridge.  A human burned.

Hours later: coffee at the Dairy Queen
High school baseball players yelp cheerfully as
They wreck fast cars in a video game.
Under the fluorescents, the flashers seem
Still to turn, endlessly turn, in the night
Hamburgers, possibly char-broiled, are gulped
Sloppily, laughingly, as cleated feet
And deep-fried breath cheer a video death.
A burner on the bridge.  A human burned.

A burner on the bridge.  A human burned.
Lily Flower Mar 2014
Dear, dear, don’t go out, dear
don’t move don’t play don’t do
stay, stay in my embrace, is my caress not enough for you?
i’ll hug your frame till the inside it flees for good
safe and warm and safe and warm

they’ve come and i’ve no way to go, stay
the door is closed, you see them drift by but don’t go, don’t go
heady bright fluorescents that drug, stay planted
with me dear, with me, don’t go
hold me back, closer, i’ll drop a kiss on your blank forehead
dear i love you, i love you, i love you

live thunderclouds in the sky, killing rain solidified underneath
they play haunting un-music, the silence absolute
and dear stop asking questions,
don’t talk about them don’t break under curiosity, stay still, stay silent
stay here in my embrace and let us comfort each other
dear shh, no don’t, don’t talk, because they’ll know
they’ll know they’ll know they know

dear you left me, i told you not
to go but you went through the door like a storm
and you closed it; the room is electricity as
i watch you move; cobbled streets
and then you are there in front and i wasn’t enough as
they reach tendrils to your cheeks and whisper the universe
you laugh and tessellate
and then you fall and crash and dissolve

dear i am alone
i still see you out there sometimes, purple and black
and blue where they loved you
a delicacy; escargot for the new reign
of apathetic gods who love and then forget and
dear, dear the house creaks where they brush by and i
miss those questions, wind in my ears
not silent prairie of fear and loss and grief

dear i love you
dear i am not enough
dear i am sorry
very rough and i think i might edit later, but it is inspired by a painting of these giant jelly fish floating through a city. the stanzas are jellyfish if you turn your head.
TJ King Sep 2013
Over the heads of 3am stoplight dancers
through the viney brick pub where Verily
bleaches the bar-tops by beersign fluorescents,
past the last streetlight to blink off where Hope
is marching brisk-ly through the muddy dark,
under the first confused crimson leaf to fall of autumn
with not an eye to see,
upon the sill where Early leans/
checks the time and sighs smoke behind the window,
through the Oaken Chapel doors where young Clöse
writes his first sermon and cries,
out in the alfalfa field where the fireflies whish
and Sol says goodbye to them again
hoping one day they’d take him too.

Beyond the yellow hill
Where the homeless sleep alone,
Illumination strikes the lens white
And they are new.
Lawrence Hall Dec 2021
Lawrence Hall
Mhall46184@aol.com  
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com

                                                       Offenders

                                   to St. Jude – a petition for prisoners

In the system they’re called offenders
No one knows why; the offenses are over
Concrete dorms, three-high bunks, white uniforms
And overhead the sting of fluorescents

I’m not going all Pollyanna here
All of them know the poisonous passions of ****
The stench of blood, the sting of fluorescents
In fearing eyes in a gas station at night

The stench of cells, the sting of fluorescents
In glaring eyes in the booking area at night
Humiliations, transports, stripped and searched
Form a straight line with hands behind your backs

But still, a man’s a man

The difference between a man inside the wire
And a man outside the wire
Is often only that one man is inside the wire
And the other man is outside the wire

“For all have sinned…”

Christmas is coming

Will there be a letter from home?

St. Jude, help all of us to be better men

In spite of ourselves
surei Feb 2013
It's a bit past midnight -
So light under these fluorescents, but so dark in my mind.

On a couch in college, I am reeking of ****** deeds earlier, -
and of avoidance too.
Eyes drooping to a standard hibernation position, I try to sit up to let my hands finish these questions on the latest Middle Eastern borders.
Yet, still there is left a dent in my heart for all the **** that happened in the past week.

A sociopath with morals.
A ******* wanting to reconnect.
A friend with overbearing qualities.
A mother dying to love me.
An idea with no promise.
A bucket of philosophy.

I hope I'm not the only one coming up with ideas of how to escape.
Heather Butler Aug 2010
Fog
I was being lazy again, but I wasn’t thinking of you until
the movie ended and I was left with the sound of
someone else’s happiness and someone else’s name.
I couldn’t help but notice how the colors blended to form
the memory of a café with eyes hanging from the ceiling by strings
and your eyes sparkling in the light.
I fell in love with you when you sang something I had hoped was for me
but whether or not it was I never asked.
The lyrics you sang were foreign to me and the thoughts you provoked
were lost upon my ears.
Too busy to listen I was mesmerized by your smile
never fading under the glare of fluorescents or in
the presence of my unabashed stare.
You left me happily confused in the front seat of my car
as you blew a kiss and waved goodbye.

I wonder if you still call me beautiful.

It’s midnight now and I want to punch walls
because I have to make everything complicated.
I’m more confused than ever and more angry than confused
and more than anything I’m still in love with who you are and what we were.
I wish I could talk to you but there’s too much you could find;
I’m not the same girl you fell in love with eight months ago.
There’s less of me here now and more reasons to hate me
and upon my shoulders more of the ever-present unhappiness
I’ve become more masochistic about carrying.

I wonder if you found someone better.

I hated myself then and because of that
I hated you for loving me.
The closer we grew the more I couldn’t accept your seventeen years
and the way you seemed to know that everything would be okay.
I hated your optimism and the way you made me happy
and I hated myself for hating you.
I didn’t make sense and I don’t make sense
because I miss you despite how I felt then.
My restless mind couldn’t stop looking for reasons to condescend;
everything I dislike about you is a lie.
I wanted nothing more than to tell you I still loved you,
but I couldn’t, and I shouldn’t.
In that hour I wanted to make you love me again and
I wanted to be in your arms.

I wonder if you ever think of me.

Someday I’ll find that movie you lent me and I’ll watch it again.
It’ll be like loving you, and I’ll feel your presence next to me
even though you’d be ignorant completely of my thinking of you.
In the night I’ll talk to the stars and it’ll be like whispering to you
and only the window will know how pathetic I am.
The world is crumbling like stale dessert
falling in pieces at my feet, but only in my head.
I keep over-thinking everything and my brain can’t take it anymore
and I just want to curl up in your embrace to your philosophy that
everything is going to be okay.
I wouldn’t believe you and I’d probably end up ruining things on my own,
but it’s moments of perfection like that one I strive to encounter.

I wonder if you’re still awake.

It’s getting late now and I’m still naked between
the sheets and consciousness.
I’ll wake up later today and maybe I’ll remember this.
My dreams might consist of you making me feel happy again
or maybe you’ll finally reject me.
In any case I hope you haven’t written a song about how much
I’ve messed up yet.
I’m sure you will someday but give me some time to get used to
the side of you that’s moved on.
Until then I’ll dream about cake and music and everything else we loved
when we loved each other then.
Heather Butler; 2010
Mallory Michaud Dec 2018
You know,
Maybe,
It’s just me but I guess I just find it
Funny
That people say it’s girls who have loose lips
When the boys at this table have mouths
Like open caves
With stalagmite teeth
Bats come flying out

I guess,
Maybe,
It’s just my magic trick,
The way I become invisible
When the boys
Sit down for dinner
And they open up their backpacks
And their gym bags
And pull out butcher knives
That shine like brand new quarters
In the cafeteria fluorescents

I’m not sure,
But maybe
The churning of my stomach
Is a sign
That there’s sharks
In these waters
I feel my wet socks in my wet shoes as I jiggle my knee
And watch the boys
With their knives
Start chopping up girls on the plastic top table

They cut slices off of Julia
and Megan
And Kara
and lob them across the table
to their friends
Just Like the men at
Pike Place Fish Market
Fling whole salmon
Into each other’s gloved hands
I saw them do it
When I went to Seattle once.
I feel water climbing up my legs.
I see a shark fin.

Did I blush red?
Maybe,
When the boy next to me catches
Katie’s legs
In his calloused hands
And laughs a laugh that sounds like
An out of tune violin
They’re all laughing now,
Like car horns and fire alarms
Laughing about
Katie’s legs
And Kara’s ***
And Megan’s hips
And Julia’s ****
It’s the ugliest orchestra I’ve ever heard

And perhaps,
Maybe,
I’m the only one who’s noticed,
But we’re not in the cafeteria anymore
We’re right there
In that room
In that bed
In that moment
With
JuliaMeganKaraKatie
And I don’t want to be there.

And I know,
For sure,
No maybes,
That If JuliaMeganKaraKatie knew
We were all here too
In her room
In her bed
In her
That she’d cry enough saltwater
To flood the whole earth
And wash it clean.

We leave the table
Bones on the floor
Shark boys clean their teeth with toothpicks
My clothes are soaked
All the way up to my neck.

-I never go in the ocean, I’ve seen the sharks when they frenzy.
Isobel G Feb 2012
Cloud-light fluorescents,
And sunscreen-scented, dust-polluted air,
Bones protruding through the skin,
Blue plastered on every surface,
Of every doe-eyed skeleton,
Wrapped up in white ribbon,
That burns holes in their spines
©Nicola-Isobel H.        28.02.2012
Clara Miller Mar 2014
You
Freckles That Are Scattered Like Stars
Ancient Ruins
Slow-Healing Wounds
You
Lonely Nighttime
Flowers That Weren’t Forced To Bloom
Flickering Fluorescents
You
Inferno Eyes
Gray Sunsets
Silent Admiration
You
Glow-In-The-Dark Passion
The Color Of Cigarette Smoke
Voices Of The Past
You
they're staying up all night
ripping their skin away under
fluorescents
trying to
make their
words more
jagged
Robyn Jun 2013
You glanced at me with wonder, curiosity
There was a look in your eyes that I've seen a few times in others
When they've looked at me
I saw a gleam in your eyes that proved my prayers weren't wasted
At least not yet
But it could have been only the fluorescents
there's a strange and beautiful light in the building this morning
as i walk down the hall lined with empty offices all dark
on my merry way to my morning coffee
it's dark and storming outside
sweet Summer rain
heavy dark, almost night
and that odd, grey-cast half-light
that is not quite shadow but neither true illumination
filters in through the tinted office windows
into the hall
into my eyes
blending on the way with the white bright from buzzing fluorescents
that draw a dotted line down the halls' ceilings
so that the colors from within and the colors from without
merge
to form a singularly beautiful light that glows in the air
only on days like this
dark rain
morning sky
fluorescent light
off-white walls
and i'm suddenly lost in that ethereal glow
drawn back in time to a memory i had forgotten when i was still young
of the time when i had first learned to love this light
though i didn't know it then
and couldn't have put it to words even so
i was still only learning how to read
and the school day still included a time specifically for "napping"
but i knew that rainy days were different, somehow special
and not only because we would have recess in the gym
but because everything about this strange new world that i was shuttled off to every morning
Looked Different
on these dark rainy days
everything glowed in a strange way
and it wasn't like that when the sun was shining bright through the windows
and most days were sunny
it was only sometimes, only in the once-in-a-while
that the sun would hide behind the darkness
and the wet would come pouring down on us
and the class-room would glow
and i would feel the strangeness of that rare and special light inside of me
my tummy would roll and quiver all day in anticipation of
nothing in particular
my young body would vibrate to match the frequency of the fluorescence humming above me
overwhelmed with exuberant expectation
i couldn't have described it, couldn't have said what it was
i was still only learning to speak
but i knew something was different in my world
i knew it was rare
i knew that it did something to me
i knew that i liked it
and i came to realize that is what the word "beauty" meant
and that is where "love" came from
and though i didn't know it then
couldn't have known it then
now i realize
i've chased that strange and beautiful light
every day since
kate crash Jan 2010
lovely ladies bleeding
   sad rhythms fast times
       on the dance floor
     blind
by shakes & strange
oozy
        
drinks that drip trip     slow
                    & melody
      & beats
        of bad boys
          disko

       mama is dead
    she died on
the
        dance    floor
         big mama is
     dead
       she was queen
  in her
    head

but the drugs
  told her that

& now the sirens
         buzzard
         the fluorescents  trash  on
   people fly from windows
   fly home.

to beat
    the wrap
until next time
  
    which is already tonight
Lawrence Hall May 2017
A Dairy Queen Waitress in Tuscany

Eat, drink, pray, love, hamburger, shake, and fries
Boyfriend, baby, trailer park, sad tired eyes
Creepy men, cranky boss, and ice-cream floats
A wheezing Honda with overdue notes

Cinder-blocks, fluorescents, grilled cheese to go
No child-support this month, another cup of joe
Ten-year-reunion, can’t go, how time flew
Two shifts that day, the trailer rent is due

Baby at Mama’s, boyfriend still in bed
He’ll look for work tomorrow, that’s what he said
“Order up!” the fry cook hollers, and she
Dreams of a someday-summer in Tuscany
Katie Ann Jan 2015
I’m back in a hole.

I can’t feel myself,
my thoughts are lost.

The fluorescents of the city shine so bright because they **** the inner light from each soul wandering through it's streets.
Mitchell Mar 2014
A month passes. I've gone on a date with a girl named Destiny. We ate and had a couple drinks, then I asked her if her real name was Destiny. She tells me of course it is with her face all twisted. I couldn't tell if she was angry, intrigued, or disgusted. A few more drinks and the night goes on like that. What I mean is that we talk about our parents, where we went to school, and what we do to make money. Her hand sat on the table in the lamplight looking like an invitation. I took it and she let me. It had been a while since I had felt somebody else's skin on mine.
I remember her ***** blonde, shoulder length hair and her smooth, light skin like a doll in a toy shop window. Her frame from the front and the back was nice. It was the first thing I noticed as I walked up to her from behind when we met at the restaurant. I didn't scare her, if that's what you were thinking. What I did was politely put my hand on her shoulder and ask her if she was indeed Destiny. The whole engagement was lacking any true spontaneity anyway. The dots were all connected beforehand. I took that as a bad sign. I guess she did too.
Claire continued to text me, but I let them sit there, buzzing away on my night stand. I hadn't heard from Hane once after we had spent the afternoon together and talked about Claire. I didn't put much thought into not hearing from Hane. I only did when I heard from Claire. That was a diseased connection I never wished to be tied to. Part of me wanted to answer, to solve things, to fix things, to make everything better, but my vision of perfection were petty illusions of grandeur. There were other lives to worry about. Other souls to carry through a field of poppies to a dock by a river with a ******* boat bobbing alongside it.
After a fury of texts the night before from Claire, Hane calls me the next day while I'm on my break at work. I'm surprised to see his name on the screen of my phone. It's been a month. My first thought is that he knows about Claire texting me at night, so I brace myself for anything as I head outside to the smoking deck. The sun blinds me as I walk outside. They're used to the fluorescents overhead nine hours a day, not natural sunlight. I've missed his call, so I call him back, slightly hoping he doesn't pick up. He does.
"Yo," he says, "I just called you."
"I'm at work."
"Oh. I'll call you later then."
"We're good," I tell him, trying to cut him off before he hangs up, "I'm on a break. We're good."
"Oh, cool. How much longer you work for?"
"Couple hours. I should be off around 3:30. Where you at?" I ask. I hesitate to light a cigarette for fear of missing anything he may say.
"I'm in the city looking around for a job."
"Jesus," I say, "I never thought I'd hear you say that."
"Thanks," he laughs.
"You just rarely ever have a job."
He laughs lightly again and coughs. There's a long silence where we both wait for the other to say something. After a beat, I ask, "What's up?"
"Claire had to get going."
"What do you mean?"
"She wasn't happy anymore and she had to go. She left."
"****," I exhale, "I'm sorry to hear that, man."
"There's something not right about it."
"I'm off work around 3:30. Where you going to be around then?"
"Don't know. I'll be in the city, probably. I'm just walking around."
"I'll come get you wherever you are. I've got a car."
"Alright," Hane says, distracted. I can tell he's looking at something that has nothing to do with what we're talking about.
"I'll call," I tell him. I fix a cigarette in my mouth and light it. "Make sure to pick up when I call, alright?"
"Yeah," he says, "Yeah."
Kagami Nov 2013
I am the rat that escaped from all of these
Bottled diseases. The flash eating organisms that have wasted the others.
But I was unable to escape the memories, the scars,
And the aftermath. I still have the sickness; the antibiotic did not complete
It's process of healing. The caress of chemicals
Inside of my bloodstream did not satisfy the lust for life I had always suffered through.

Never have I seen a light other than the fluorescents hanging above the steel table
As they dissected my friends. They only ones I have ever seen alive.
The factory settings of their decomposition have been restarted and they erode as if
Made of dust. They basically are at this point.

The rustling of papers sickens me, recording everything the scientists see; they study us
Under a microscope. They smell of rust and sawdust, old and crippled. Cruel.
They keep us in glass boxes and torture us with everything we fear.
I hate this place.
Abigail Ella Feb 2012
what the label doesn’t mention is that
with rouge comes bone-white knuckles and a strangled reality:
saran-wrap and powdered lemonade,  
and bleach white soles shining through closed blinds
and closed doors that meant nothing until we begged of the key
and found the rooms to be empty--lit by only the fluorescents
and also the ceilings with the stars which I know now are made of plastic
dreams that dangle above
too many heads who have not shaken,
too many fingers glued together,
too many arms anchored
by all the silly things i should’ve buried along with
my listless apathy.
sun stars moons May 2015
faces buried deep beneath the fluorescents just barely listening to the wires falling from their
brains with mundane expressions smeared instinctively across the ridges on their skulls and their hands
fiddling rigidly with the space between their thumbs and I wonder if they ever miss their
stops?
Isobel G Oct 2011
Beneath fluorescents,
And shower smoke,
In the parting of the steam,
I'm six feet under,
Dripping, soaking,
Bent into my own shadow
©Nicola-Isobel H.        27.10.2011
han Sep 2018
the walls are white
it's cold
I thought the sheer amount of people
would keep this warm,
but no one is really here
is it an asylum?
does being insensitive
not drive you insane
is it a prison?
the rows are straight
all surfaces are hard
the clocks tick
the bells are deafening
the fluorescents are blinding
immersing into the masses
another brick in the wall
education, the most powerful tool
traded for memorization and regurgitation
cookie cutter people
tossed into the world
told to be innovative
think outside of the box
we put you in
the rows we sat you in
the white walls we trapped you in
merely an old critique on the educational system, but I will harp nonetheless because this place is stifling; currently writing poetry rather than my classwork

han~9/24/18
Matt Sol Jan 2019
Closed and opened
Enter, Exit
The yesterdays
Of fluorescents
Passing headlights
Advertisements
To a stranger
(Flash and heading)

Conscious flutter
While time doubles
Patrick Garfield Sep 2012
Darkness spilt in here today,
bled more like it.
Seeped between cracks in the linoleum
and slowly climbed the wall.

Soon it covered the fluorescents,
started to drip,
formed a puddle on my arm
didn't burn like I expected.

Rather,it soothed
and gently reassured;
told me how light is conditional
but darkness is lasting.

Darkness told me why fireflies prefer the light:
It absorbs them.
Leaves them suspended,
they're not fireflies anymore.
Just light.
Empty space, hanging there.

At dusk they return,
burdened by selfhood,
remembering what NOTHING felt like:
anatomy betrays them too soon.

Darkness has to go now,
back through the linoleum.
It tells me that people like me,
lingerers,
are never far from the darkness,
you just have to see through
All these **** lights.
Sam Temple Jun 2015
sticky cold sweat
coats hairy back skin
as the garage sale fan blows –
droplets of water continuously collect
in the corner of agonizing eyes
while the relentless ticking
of the wall clock
beats rhythmically –
press board paneling bows
under duress from years of nail pounding
and decorative wall hangings –
flickering fluorescents
hidden behind translucent ridged plastic  
sends mutated shadows
dancing across dust-covered paperwork –
squeaking roller chair
with one stuck wheel
scoots every inch of the five feet
linoleum flooring, off-white marble
as I desperately search
for form 35-wr121 –

— The End —