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"flatters" poems
slave is someone who does not have authority over their own lives slave is someone subservient controlled dominated by somebody something slave works very hard for little or no pay slave is property of somebody something slave is someone forced to obey sycophant is someone servile who overly flatters more powerful individual for personal gain sycophant is bootlicker brown-noser fawner flunkey doormat lackey lap-dog yes-men parasite toad-eater (pause reposition) somebody possessed of excessive vanity may cultivate sycophant swarms side by side they stand clothed in black not quite similar the one slightly taller possibly because the other suffers poor posture perhaps they are related because in odd way they appear alike or of same ilk yet upon closer scrutiny it becomes apparent they have very little or nothing in common the taller one with troubled sad eyes the other smiling obsequiously the taller one more muscular ***** from working menial labor the other with curved spine slumped shoulders because of undue bowing and crouching while blowing smoke up other people’s ***** sadist is someone who attains ****** gratification by inflicting physical pain shame to other people sadist is someone who delights in excessive cruelty degradation to others ********* is someone who achieves ****** pleasure from being hurt humiliated abused dominated punished often self-inflicted ********* is someone who enjoys being harmed misused mistreated ignored by others sadomasochist is someone who gets ****** gratification by alternately or simultaneously enduring hurt causing pain to somebody else sadomasochist is combination of sadistic masochistic tendencies in someone who obtains ****** pleasure from inflicting submitting to pain cruelty sycophant slave snakes up leg of movie actress dictator who gains pain through pleasure 2000 miles from equator IED cell phone detonator sycophant dilettante ***** up to sadistic art critic or publishing editor on escalator while below on main floor of shopping mall ice rink figure skater pirouettes bows to nominator surreptitiously bribed by infiltrator mutilator
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Feb 27, 2011
Feb 27, 2011 at 4:38 AM UTC
sycophant slave snakes up leg of movie actress dictator
slave is someone who does not have authority over their own lives slave is someone subservient controlled dominated by somebody something slave works very hard for little or no pay slave is property of somebody something slave is someone forced to obey sycophant is someone servile who overly flatters more powerful individual for personal gain sycophant is bootlicker brown-noser fawner flunkey doormat lackey lap-dog yes-men parasite toad-eater (pause reposition) somebody possessed of excessive vanity may cultivate sycophant swarms side by side they stand clothed in black not quite similar the one slightly taller possibly because the other suffers poor posture perhaps they are related because in odd way they appear alike or of same ilk yet upon closer scrutiny it becomes apparent they have very little or nothing in common the taller one with troubled sad eyes the other smiling obsequiously the taller one more muscular ***** from working menial labor the other with curved spine slumped shoulders because of undue bowing and crouching while blowing smoke up other people’s ***** sadist is someone who attains ****** gratification by inflicting physical pain shame to other people sadist is someone who delights in excessive cruelty degradation to others ********* is someone who achieves ****** pleasure from being hurt humiliated abused dominated punished often self-inflicted ********* is someone who enjoys being harmed misused mistreated ignored by others sadomasochist is someone who gets ****** gratification by alternately or simultaneously enduring hurt causing pain to somebody else sadomasochist is combination of sadistic masochistic tendencies in someone who obtains ****** pleasure from inflicting submitting to pain cruelty sycophant slave snakes up leg of movie actress dictator who gains pain through pleasure 2000 miles from equator IED cell phone detonator sycophant dilettante ***** up to sadistic art critic or publishing editor on escalator while below on main floor of shopping mall ice rink figure skater pirouettes bows to nominator surreptitiously bribed by infiltrator mutilator
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A translucent blouse of yellow covers her ******* Black skirt, sliced from foot to hip. Discreetly covering from all but imagination. The imagination provides the words. To conjure image of this bird. Five feet ten. Womanly hips. Sparking witchy fingertips. In black ankle boots. She stands. Makes no demands. Nobody matters. Those she just flatters. Lest those who wish. Wishes which, can only be met by magic wand. Only sleight of hand can convince her. That love will e'er be worth having again By ladylivvi1 © 2013 ladylivvi1 (All rights reserved)
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Dec 22, 2013
Dec 22, 2013 at 8:40 AM UTC
Dress Code!
Teach me, if thou can-forgetfulness! Teach me how to forget thee, for I ain't worthy of these feelings. I am undeserving of thy love-for I can only dwell in and cherish it- I cannot give thee yon pleasure, my love. Pleasure- and its affectionate satisfaction-t'ose two-o but amusements, the ones whom thou so dearly adore- are but a sin to me, a sin so brief and beautiful but even more ungrateful then the unblinking foliage-into which I am unwilling to sink. Aye, forgetfulness shall be a mercy to me. For in such idiocy have I dreamed-dreamed of being in thy lovely arms, absorbed in the mist of thy charms. But I can never be so! Even dreaming shall I be refrained from-I can never hug thee-even in my deepest tempestuous fears. Thou are t'at bizarre light that roam the stones of my pernicious dreams. But Thou despiseth me- how thou hate me, thou who shall never glance back in my last breath, thou who but condemn me-I, should t'is world be altered, shall still remain thy sudden wound; I am but a flawed work of insulting wretchedness. Then teach me- teach me, my love, invade my heart-and grasp my veins, rob my of my dearly, dearly affection- for thee, yes, which was born only for thee- and leave me loveless, just as no-one flatters me and endorse my feelings, in t'is very loneliness.
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Jan 9, 2013
Jan 9, 2013 at 6:13 PM UTC
Love's Last Lesson
words in my mouth Democracy is like poetry only nice when it flatters us French culture is about the female believing she is beautiful Perfume even the expensive one is not about cleanliness the Louvre had everything except a proper loo Small hotel in Paris hot water for shower only on Saturdays
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Jul 19, 2015
Jul 19, 2015 at 6:50 AM UTC
words in my mouth
Thou tangle the mortality And seek the mourning of its course, With an outrageous cloak  that falls adrift To have its custom afloat. The decorations,  thereof flatters this turmoil That has its doubts and moments, A longevity beheld upon the chores of the subject, Never cognizes its everlasting trials, For those of which handles the elation Of successive falsification. I know not of the clumsiness of hymns, That sighs the mourning of a course, The chaotic iteration of single pauses And the faltering of a mere slope. I know not of the turmoil That bedecks the frostbitten clavicles, Onto which no sigh wavers A petition of no faze and any dome. I know not of the cloak That nestles around a haze; Bringing confusion that betrays every vivid sense. Let it be the matter, ‘tis a matter of time(!) Would it morph itself around the mourning mould, When it dries away with the mud?
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Oct 7, 2018
Oct 7, 2018 at 6:17 PM UTC
The Cloak
The Hummingbird The golden egg, an Owl put In the nest of nerd, Out of which came then The Hummingbird. A gemmy nestling saw nerd, the sooty Raven He was terribly shocked and in grief driven. Aware Peahen asked Raven Eyes aren wet? Seethingly he answered her The little I hate. The restless little flatters, As a bee unstable And hovers above flowers Which do wobble. Belated Peahen took Raven To Peacock White. The incident she explained, And story did recite. Let my wisdom penetrate, In thy empty brain, Love begets love; hate hate Said Whitish sane. Take care of her, no her liberty, The little be free. Wish she pearches on loyalty; A branch of Tree. S. Bharat
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Apr 10, 2019
Apr 10, 2019 at 1:03 AM UTC
The Hummingbird
I hear the noise about thy keel; I hear the bell struck in the night: I see the cabin-window bright; I see the sailor at the wheel. Thou bring'st the sailor to his wife, And travell'd men from foreign lands; And letters unto trembling hands; And, thy dark freight, a vanish'd life. So bring him: we have idle dreams: This look of quiet flatters thus Our home-bred fancies: O to us, The fools of habit, sweeter seems To rest beneath the clover sod, That takes the sunshine and the rains, Or where the kneeling hamlet drains The chalice of the grapes of God; Than if with thee the roaring wells Should gulf him fathom-deep in brine; And hands so often clasp'd in mine, Should toss with tangle and with shells.
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In Memoriam A. H. H. OBIIT MDCCCXXXIII: Part 010
Little boy, listen closely 'Cause no one told me But you deserve to know That in this world, you are not beholden You do not owe them Your body and your soul All the youth in the world will not save you from growing older And all the truth in you is too precious to be stolen. It's just the way it is Maybe it's never gonna change But you've got a mind to show your strength And you've got a right to speak your mind And you'll gonna pay for this They're gonna burn you at the stake But you've got a fire in your veins You wasn't made to remain hidden No, You wasn't made to remain hidden, no Show some skin, make him want you 'Cause God forbid you Know your own way home And ask yourself why it matters Who it flatters You're more than flesh and bones Know your own way home And ask yourself why it matters Who it flatters
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Jun 10, 2018
Jun 10, 2018 at 7:13 AM UTC
To All Gay Who Remain Hidden
Yes , I let it go , my words will flow , cutting time in two into seconds from minutes from hours , even days turning time inside out so it is no longer real Take me away to reason . . . where time is a myth , a fifth season , a place of non-essence Time falters , flakes , falls ,flatters , fetters away into oblivion . . like everything known to man T - all TOMORROWS , are never to be I  - in my INNONCENCE , my IGNORANCE M- MANIPULATION of mind E - ENUMERATION , numbering my way to      ETERNITY
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Feb 27, 2015
Feb 27, 2015 at 6:25 PM UTC
The Changing Chimes Of Time
Shutter of Polaroid glamour Smile for the world, curse the camera Hide the bruises with sequined satin The limelight flatters skin of cold, hard stone, you the latter Liz you marble statuette Maril you glitt'ring diamond Regal laugh & darling, another glass of 'champagne' Douse your bones in Chanel Put on your lipstick Pull the curtain ...Start the show We're their golden circus- "watch the beasts, tame the women, hear the showmen." Whips, rings of fire! Top hats & show lights... Which's your favorite ring: the songstress, the cad, the dream? Pour yourself a drink, repaint the mask, shining glitz & gleam. Children of the Golden Age, driver start the Cadi Hollywood front-page, plaster royalty.
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Apr 11, 2014
Apr 11, 2014 at 12:58 PM UTC
Hollywood, Golden Age
I love you Pretty amazing mantra you see But what does it mean We all have ideas of what love is That's  why we create  songs about it That's why the heart flatters when the one say it to us Our mind fetching  from it's Databases of ideas of love how it should be Thinking this is it Love has arrived But am sorry love Logic gets the best of me most times The ideas fade on quick No love is not supposed to hurt like this Love does not lack a spark like this Love is not Lust Love is not this suicidal So someone please tell me How does it feel like to love Let's see if your ideas of it fade quick
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Aug 18, 2018
Aug 18, 2018 at 4:30 PM UTC
How does it feel to love
The greater masters of the commonplace, Rembrandt and good Sir Walter--only these Could paint her all to you: experienced ease And antique liveliness and ponderous grace; The sweet old roses of her sunken face; The depth and malice of her sly, grey eyes; The broad Scots tongue that flatters, scolds, defies; The thick Scots wit that fells you like a mace. These thirty years has she been nursing here, Some of them under Syme, her hero still. Much is she worth, and even more is made of her. Patients and students hold her very dear. The doctors love her, tease her, use her skill. They say 'The Chief' himself is half-afraid of her.
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Staff-Nurse: Old Style
Debilitating laughter at the hands of a master a ***** minded ******* who knows what he’s after The ever subtle asker he caresses and flatters his clever patter shatters cares that should matter. Finally, we moved to extract her the wobbling girl from Nebraska from a drunken fraternal disaster and the junior poised to shaft her Uhh, sorry to interrupt Anna, pick her up her stuff We gotta go home *** get up Hey bud, touch ME and you’re ****** *** you’ve had too much *** when tomorrow comes if you still want to slum you can still bed the *** We’re waiting for an Uber Are you starting to sober? No babe, you didn’t screw-up Ughh, yep, she threw up.
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Feb 2, 2022
Feb 2, 2022 at 5:03 AM UTC
Seductive humor
Beloved atrocity flatters me by any means Dearly dishonored twist in the mind creepily transmits chills down the spine Alter-ego of eerie grotesque underneath opposites where lay secrets kept Wicked distortion of rise and fall like morning and night
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Apr 29, 2013
Apr 29, 2013 at 12:03 PM UTC
Untitled (draft)
After the movie, when the lights come up, He takes her powdered hand behind the wings; She, all in yellow, like a buttercup, Lifts her white face, yearns up to him, and clings; And with a silent, gliding step they move Over the footlights, in familiar glare, Panther-like in the Tango whirl of love, He fawning close on her with idiot stare. Swiftly they cross the stage. O lyric ease! The drunken music follows the sure feet, The swaying elbows, intergliding knees, Moving with slow precision on the beat. She was a waitress in a restaurant, He picked her up and taught her how to dance. She feels his arms, lifts an appealing glance, But knows he spent last evening with Zudora; And knows that certain changes are before her. The brilliant spotlight circles them around, Flashing the spangles on her weighted dress. He mimics wooing her, without a sound, Flatters her with a smoothly smiled caress. He fears that she will someday queer his act; Feeling his anger. He will quit her soon. He nods for faster music. He will contract Another partner, under another moon. Meanwhile, 'smooth stuff.' He lets his dry eyes flit Over the yellow faces there below; Maybe he'll cut down on his drinks a bit, Not to annoy her, and spoil the show. . . Zudora, waiting for her turn to come, Watches them from the wings and fatly leers At the girl's younger face, so white and dumb, And the fixed, anguished eyes, ready for tears. She lies beside him, with a false wedding-ring, In a cheap room, with moonlight on the floor; The moonlit curtains remind her much of spring, Of a spring evening on the Coney shore. And while he sleeps, knowing she ought to hate, She still clings to the lover that she knew,- The one that, with a pencil on a plate, Drew a heart and wrote, 'I'd die for you.'
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Turns And Movies: Rose And Murray
After the movie, when the lights come up, He takes her powdered hand behind the wings; She, all in yellow, like a buttercup, Lifts her white face, yearns up to him, and clings; And with a silent, gliding step they move Over the footlights, in familiar glare, Panther-like in the Tango whirl of love, He fawning close on her with idiot stare. Swiftly they cross the stage. O lyric ease! The drunken music follows the sure feet, The swaying elbows, intergliding knees, Moving with slow precision on the beat. She was a waitress in a restaurant, He picked her up and taught her how to dance. She feels his arms, lifts an appealing glance, But knows he spent last evening with Zudora; And knows that certain changes are before her. The brilliant spotlight circles them around, Flashing the spangles on her weighted dress. He mimics wooing her, without a sound, Flatters her with a smoothly smiled caress. He fears that she will someday queer his act; Feeling his anger. He will quit her soon. He nods for faster music. He will contract Another partner, under another moon. Meanwhile, 'smooth stuff.' He lets his dry eyes flit Over the yellow faces there below; Maybe he'll cut down on his drinks a bit, Not to annoy her, and spoil the show. . . Zudora, waiting for her turn to come, Watches them from the wings and fatly leers At the girl's younger face, so white and dumb, And the fixed, anguished eyes, ready for tears. She lies beside him, with a false wedding-ring, In a cheap room, with moonlight on the floor; The moonlit curtains remind her much of spring, Of a spring evening on the Coney shore. And while he sleeps, knowing she ought to hate, She still clings to the lover that she knew,- The one that, with a pencil on a plate, Drew a heart and wrote, 'I'd die for you.'
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This pareidolia grips me with fingers made of nothing Clouds can’t lie, just are and what I choose to see is mine Whether this weather flatters or chides is all inside, inside
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Jul 18, 2021
Jul 18, 2021 at 10:24 AM UTC
Blue skies
When you know it's not you Then you’ve known another But is it friend or foe For you or against you Your saviour or jailer Your master or helper It may oppose but it's not enemy It rather flatters for pride leads to fall Perhaps it's neither for you nor your foes But for itself as it befits its own If asked it will say it is what it is And what another may say I don't know
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Aug 8, 2024
Aug 8, 2024 at 1:04 AM UTC
Friend or Foe
"I am so proud of you." It's been a while since I've heard those words directed towards me. I am truly touched. I walk away, with a confident grin stretched across my face. I'll seeya tomorrow buddy! The truth is that I am proud of him for even being around to stand there and say those words to me, as cliché as it sounds. I am also incredibly grateful that he took the time to share his secret with me. He is one of my best friends, regardless of everything that's been happening lately. I know that he will be there for me in the years to come, as I will be there for him. What's two years of difference with a connection as strong as ours? He inspires me, he flatters me. He makes me feel better about myself, in my moments of weakness. He supports me, he cares about me. He embraces me, in multiple ways, so I hug him right back... And, suddenly, I don't feel all that weak.
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Sep 15, 2015
Sep 15, 2015 at 5:45 PM UTC
A Poem For Leon (II)
After the movie, when the lights come up, He takes her powdered hand behind the wings; She, all in yellow, like a buttercup, Lifts her white face, yearns up to him, and clings; And with a silent, gliding step they move Over the footlights, in familiar glare, Panther-like in the Tango whirl of love, He fawning close on her with idiot stare. Swiftly they cross the stage. O lyric ease! The drunken music follows the sure feet, The swaying elbows, intergliding knees, Moving with slow precision on the beat. She was a waitress in a restaurant, He picked her up and taught her how to dance. She feels his arms, lifts an appealing glance, But knows he spent last evening with Zudora; And knows that certain changes are before her. The brilliant spotlight circles them around, Flashing the spangles on her weighted dress. He mimics wooing her, without a sound, Flatters her with a smoothly smiled caress. He fears that she will someday queer his act; Feeling his anger. He will quit her soon. He nods for faster music. He will contract Another partner, under another moon. Meanwhile, 'smooth stuff.' He lets his dry eyes flit Over the yellow faces there below; Maybe he'll cut down on his drinks a bit, Not to annoy her, and spoil the show. . . Zudora, waiting for her turn to come, Watches them from the wings and fatly leers At the girl's younger face, so white and dumb, And the fixed, anguished eyes, ready for tears. She lies beside him, with a false wedding-ring, In a cheap room, with moonlight on the floor; The moonlit curtains remind her much of spring, Of a spring evening on the Coney shore. And while he sleeps, knowing she ought to hate, She still clings to the lover that she knew,-- The one that, with a pencil on a plate, Drew a heart and wrote, 'I'd die for you.'
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999
Rose And Murray
After the movie, when the lights come up, He takes her powdered hand behind the wings; She, all in yellow, like a buttercup, Lifts her white face, yearns up to him, and clings; And with a silent, gliding step they move Over the footlights, in familiar glare, Panther-like in the Tango whirl of love, He fawning close on her with idiot stare. Swiftly they cross the stage. O lyric ease! The drunken music follows the sure feet, The swaying elbows, intergliding knees, Moving with slow precision on the beat. She was a waitress in a restaurant, He picked her up and taught her how to dance. She feels his arms, lifts an appealing glance, But knows he spent last evening with Zudora; And knows that certain changes are before her. The brilliant spotlight circles them around, Flashing the spangles on her weighted dress. He mimics wooing her, without a sound, Flatters her with a smoothly smiled caress. He fears that she will someday queer his act; Feeling his anger. He will quit her soon. He nods for faster music. He will contract Another partner, under another moon. Meanwhile, 'smooth stuff.' He lets his dry eyes flit Over the yellow faces there below; Maybe he'll cut down on his drinks a bit, Not to annoy her, and spoil the show. . . Zudora, waiting for her turn to come, Watches them from the wings and fatly leers At the girl's younger face, so white and dumb, And the fixed, anguished eyes, ready for tears. She lies beside him, with a false wedding-ring, In a cheap room, with moonlight on the floor; The moonlit curtains remind her much of spring, Of a spring evening on the Coney shore. And while he sleeps, knowing she ought to hate, She still clings to the lover that she knew,-- The one that, with a pencil on a plate, Drew a heart and wrote, 'I'd die for you.'
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#Preface: *This is not a lullaby. This is not a soft whisper meant to soothe. It is the fire of wholeness, burning away the fragments, the lies, and the false comforts that keep you small. There are voices that call shadow safe, that wear the mask of care, but scatter you with every syllable. There are whispers that paint the Light as harm-- when all along, it was only asking you to remember what you were before you broke.* --- There is a place within the soul where silence sharpens— a thin line between what heals and what holds. Dark does not storm the gates— *it whispers. It flatters. It fragments.* It wraps comfort around confusion until the soul forgets what it was made for. It comes dressed in care— as though it exists for her well-being. And once she believes this, its voice becomes the plumb line— and the Light begins to look like harm. Light does not chase. It stands— unyielding, bright, asking only that you come whole. But she could not rise without tearing from the softness that held her shattered-- It came not with fury, but with hush.. a hush that mimicked care, whispered warmth into her wound, and called itself safe. Its words made her flinch from clarity, taught her to turn from the ache that never lied. So she sat at the edge of her wound, fed on honeyed lies, unable to stand before the fire that would have made her whole. The venom stayed warm. The light remained still. *And the silence in between was not yet a verdict—*    ***only the shape    of a war still being named.*** #
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May 1, 2025
May 1, 2025 at 2:48 PM UTC
Light and Dark
#Preface: *This is not a lullaby. This is not a soft whisper meant to soothe. It is the fire of wholeness, burning away the fragments, the lies, and the false comforts that keep you small. There are voices that call shadow safe, that wear the mask of care, but scatter you with every syllable. There are whispers that paint the Light as harm-- when all along, it was only asking you to remember what you were before you broke.* --- There is a place within the soul where silence sharpens— a thin line between what heals and what holds. Dark does not storm the gates— *it whispers. It flatters. It fragments.* It wraps comfort around confusion until the soul forgets what it was made for. It comes dressed in care— as though it exists for her well-being. And once she believes this, its voice becomes the plumb line— and the Light begins to look like harm. Light does not chase. It stands— unyielding, bright, asking only that you come whole. But she could not rise without tearing from the softness that held her shattered-- It came not with fury, but with hush.. a hush that mimicked care, whispered warmth into her wound, and called itself safe. Its words made her flinch from clarity, taught her to turn from the ache that never lied. So she sat at the edge of her wound, fed on honeyed lies, unable to stand before the fire that would have made her whole. The venom stayed warm. The light remained still. *And the silence in between was not yet a verdict—*    ***only the shape    of a war still being named.*** #
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