Nothing remains there anymore,perhaps few stains on the floor where the body lay,sadly,
badly scrubbed and faint signs where death outlines in multicoloured decadence,his eminence,the one who went when wings lent him the final flight.

Tomorrow night they'll hold a wake and take a minute to remember him,whose hold on life was getting slim ,and it was time for him to go,but they will show due deference to what was once his eminence,then stuff their maws and fill their paws with good food and fine wine.

It happens all the time don't be surprised, for when the time comes that you fly away,they'll have a pray and settle in, to eat what's left in your bread bin.
Then they'll go too,they always do
but who will hold a wake for them?
Worry not,
for there are always men to feast upon the dead.

The legere sacristy of pure love blazing
Feline confluence across ethereal plains
Arched angelic collusion of things sepulchral
The arcane occidere travisty of
Transmogrification canonized
Darkling eminence ordained;
The verity aura of radiance
Twilights tidal blood- dye magenta,
Germane sleek meagre wealth chiming lo!.
Finitudes golden prayer draping flounded
Brutality tithing the zenith with mealy
Doer aptitude majestically turbulent
Sacrificing thoriums weld feudal
Of heavens deceitful soothsayers,
Fellow djinn of Gotterdammerung
Soli of vilest stoic jingoism.


ELEETE J MUIR.

O! nothing earthly save the ray
(Thrown back from flowers) of Beauty’s eye,
As in those gardens where the day
Springs from the gems of Circassy—
O! nothing earthly save the thrill
Of melody in woodland rill—
Or (music of the passion-hearted)
Joy’s voice so peacefully departed
That like the murmur in the shell,
Its echo dwelleth and will dwell—
O! nothing of the dross of ours—
Yet all the beauty—all the flowers
That list our Love, and deck our bowers—
Adorn yon world afar, afar—
The wandering star.

’Twas a sweet time for Nesace—for there
Her world lay lolling on the golden air,
Near four bright suns—a temporary rest—
An oasis in desert of the blest.
Away away—’mid seas of rays that roll
Empyrean splendor o’er th’ unchained soul—
The soul that scarce (the billows are so dense)
Can struggle to its destin’d eminence—
To distant spheres, from time to time, she rode,
And late to ours, the favour’d one of God—
But, now, the ruler of an anchor’d realm,
She throws aside the sceptre—leaves the helm,
And, amid incense and high spiritual hymns,
Laves in quadruple light her angel limbs.

Now happiest, loveliest in yon lovely Earth,
Whence sprang the “Idea of Beauty” into birth,
(Falling in wreaths thro’ many a startled star,
Like woman’s hair ’mid pearls, until, afar,
It lit on hills Achaian, and there dwelt),
She look’d into Infinity—and knelt.
Rich clouds, for canopies, about her curled—
Fit emblems of the model of her world—
Seen but in beauty—not impeding sight—
Of other beauty glittering thro’ the light—
A wreath that twined each starry form around,
And all the opal’d air in color bound.

All hurriedly she knelt upon a bed
Of flowers: of lilies such as rear’d the head
On the fair Capo Deucato, and sprang
So eagerly around about to hang
Upon the flying footsteps of—deep pride—
Of her who lov’d a mortal—and so died.
The Sephalica, budding with young bees,
Uprear’d its purple stem around her knees:
And gemmy flower, of Trebizond misnam’d—
Inmate of highest stars, where erst it sham’d
All other loveliness: its honied dew
(The fabled nectar that the heathen knew)
Deliriously sweet, was dropp’d from Heaven,
And fell on gardens of the unforgiven
In Trebizond—and on a sunny flower
So like its own above that, to this hour,
It still remaineth, torturing the bee
With madness, and unwonted reverie:
In Heaven, and all its environs, the leaf
And blossom of the fairy plant, in grief
Disconsolate linger—grief that hangs her head,
Repenting follies that full long have fled,
Heaving her white breast to the balmy air,
Like guilty beauty, chasten’d, and more fair:
Nyctanthes too, as sacred as the light
She fears to perfume, perfuming the night:
And Clytia pondering between many a sun,
While pettish tears adown her petals run:
And that aspiring flower that sprang on Earth—
And died, ere scarce exalted into birth,
Bursting its odorous heart in spirit to wing
Its way to Heaven, from garden of a king:
And Valisnerian lotus thither flown
From struggling with the waters of the Rhone:
And thy most lovely purple perfume, Zante!
Isola d’oro!—Fior di Levante!
And the Nelumbo bud that floats for ever
With Indian Cupid down the holy river—
Fair flowers, and fairy! to whose care is given
To bear the Goddess’ song, in odors, up to Heaven:

  “Spirit! that dwellest where,
    In the deep sky,
  The terrible and fair,
    In beauty vie!
  Beyond the line of blue—
    The boundary of the star
  Which turneth at the view
    Of thy barrier and thy bar—
  Of the barrier overgone
    By the comets who were cast
  From their pride, and from their throne
    To be drudges till the last—
  To be carriers of fire
    (The red fire of their heart)
  With speed that may not tire
    And with pain that shall not part—
  Who livest—that we know—
    In Eternity—we feel—
  But the shadow of whose brow
    What spirit shall reveal?
  Tho’ the beings whom thy Nesace,
    Thy messenger hath known
  Have dream’d for thy Infinity
    A model of their own—
  Thy will is done, O God!
    The star hath ridden high
  Thro’ many a tempest, but she rode
    Beneath thy burning eye;
  And here, in thought, to thee—
    In thought that can alone
  Ascend thy empire and so be
    A partner of thy throne—
  By winged Fantasy,
     My embassy is given,
  Till secrecy shall knowledge be
    In the environs of Heaven.”

She ceas’d—and buried then her burning cheek
Abash’d, amid the lilies there, to seek
A shelter from the fervor of His eye;
For the stars trembled at the Deity.
She stirr’d not—breath’d not—for a voice was there
How solemnly pervading the calm air!
A sound of silence on the startled ear
Which dreamy poets name “the music of the sphere.”
Ours is a world of words: Quiet we call
“Silence”—which is the merest word of all.

All Nature speaks, and ev’n ideal things
Flap shadowy sounds from the visionary wings—
But ah! not so when, thus, in realms on high
The eternal voice of God is passing by,
And the red winds are withering in the sky!
“What tho’ in worlds which sightless cycles run,
Link’d to a little system, and one sun—
Where all my love is folly, and the crowd
Still think my terrors but the thunder cloud,
The storm, the earthquake, and the ocean-wrath
(Ah! will they cross me in my angrier path?)
What tho’ in worlds which own a single sun
The sands of time grow dimmer as they run,
Yet thine is my resplendency, so given
To bear my secrets thro’ the upper Heaven.
Leave tenantless thy crystal home, and fly,
With all thy train, athwart the moony sky—
Apart—like fire-flies in Sicilian night,
And wing to other worlds another light!
Divulge the secrets of thy embassy
To the proud orbs that twinkle—and so be
To ev’ry heart a barrier and a ban
Lest the stars totter in the guilt of man!”

Up rose the maiden in the yellow night,
The single-mooned eve!-on earth we plight
Our faith to one love—and one moon adore—
The birth-place of young Beauty had no more.
As sprang that yellow star from downy hours,
Up rose the maiden from her shrine of flowers,
And bent o’er sheeny mountain and dim plain
Her way—but left not yet her Therasaean reign.

From the depression of the distances with respect to the horizontal and the planes that separated them from the surface, below the references that came against, single sediment had been destined towards the high eminence, before the fossal of megatons of aldehyde below the bilges of the final base, where the seventh rings of the goat ibex were perforated, all in the antipode of the Constellation of Capricornus; where the goats were enraptured in the binary of Wonthelimar, behind the floods of absorption that took the Diadocos far from where they should never have left, in order to extrasolar wishes and never to come. From the node of the supreme and poked aldehyde of the horn of Amalthea, with the bizarre analogy of Zeus and Wonthelimar, both mammals with milk from goat's udders, one from goat from Mount Ida and the other from Aldaine in the Alps, with milk from ibex and In the face of Amalthea that appeared in the fossal, all the Seleucid generals had already vanished, starting from the Viper Typhon, who in the retracting sub-mythology of Capricornus was transmigrated to Wonthelimar, swollen with the aldehyde transmuted into this alcohol and into the udder milk of the Ibix that He lactored, while they were all carried away as in the chambers of Auschwitz, in distant lanterns and lamps of the Calypso that he dismissed them, leaving them with the escorts of the ibex or goatfish in laudable stratagems, which vanished them away from their desires from a new polis or Nostos Patrída, sprinkling them with goatskin and flourishing essences of the kashmar of Zeus' nurse; Amaltheum or Amalthea.

The Iberian rings from the medrones in advance reached the two final ring nodes, here Wonthelimar intimidated them with an accurate adjacent bleat of the kashmar that rubbed their back, before the newest and last lux of Amalthea that vanished into herbaceous fruits that always He carried the barefoot medron with him, to start with the antlers dumbbells and re-transport them defeated to the species of snake that frightened the pastoral god Pan who shepherded, and then he submerged in the water after becoming Capricornus Ibex Fish. Being aware of this and of those who refused to continue listening, Ibics rings were unleashed until the seventh medron, feeding back with Wonthelimar who ad libitum created Venus in triads of Zeus. Wonthelimar and Amalthea were remote in the eighth and ninth medron of the antlers, they appropriated to each the portion of the Parasha or Parashot of the Torah, and of the thirteenth Shemot so that their dualities and fumes from the unbreathable fossa would remain under the possessed surface of the pendular property balance and positive-negative gender correspondence. Right here Amalthea transmuted her mercy to save the world with her lactation of syrup and honey that was not in short supply, and that was extrapolated into a future abundance of food and nectar, making up for crusts that were uneven in average terms. From this bezel, both beings of the goat genome contributed to the pole of goodness for each one at the end of the benevolent cuirassiers of prospering, and not from the opposite that would lead them, even though they were dissimilar causes, towards a retrograde event that was not a consequence of the becoming of the plagues, and of the malignancy that does not flourish with the Shemot of the Parasha, to agree and lavish themselves on blessed virtues or deliberate wicked ones.

The meaning of a relative synchronic and factotum coexisting does not redeem the disintegration of an existential relativism in Skalá, the Hexagonal Primogeniture from one of its angular visions, metaphysically transfers from its temporary contingencies after its arrival on Patmos, while the temporary Seleucid temporality vanishes, It was affirmed from a contradiction since its truth was distended in the arena of Skalá not implying being welcomed, rather it was victimized by the absurd political dimorphism in a meta spiritual state, abdicating its dispersed retrospective, and now contemplating a compromise of the Hellenic genre, to gradually rebuke the virtues of their banners, twice as good for the purpose of reinforcing the will to accede, and not perish in the attempt to lead Alexander the Great. The criticism of founding the memories are of a revived past where it was not, marking the anthropological fact and false truth judgment, in meaning and contradiction in the polarity of both axiomatic genres, but that is saved when quantifying in who has to defend himself, if seeks to abrogate itself, in the entity that is characterized by induction and attraction of egonies and not of exo-egonies, thus describing it in the theme of "Do not support egos that recriminate other characters of frustration and empowerment of a Vernarthian logic split into Vern-narth. Vern has etymology of Bern or Bern olive tree of Gethsemane and narth of the ordinal scale that speculates its nickname in millions of northern sections of its origin, which subsumes the truth and the criterion of apocalyptic parapsychology, re-life of quantum historicity of the metaphysical and sub-block. -Mythological of Vernarth in his identical.

Everything seemed a strange self-annulment from a clear and understandable limit, but Wonthelimar rose to the surface of the Állos kósmos, finding himself in atmospheres of truth and reality of a Cantabile, who decided about the horse Kanti coming with him towing him from the Erebo de Chauvet Bilocated. As a musical and festive ending, he received them on the upper plate of the happened gestures, where a cabaletta rendered parts of a Cantabrian aria, in sulfurous and remorseful cavatina married with the cross emotions of a finale who sponsored expressions and festive Templar tales, with the descendants of Zeus or minor children, or grandchildren after this had to give him milk and honey but with báchkoi. Among the couplets that received him, some came about the smoke of terror that was confused with the dustbin of a Cavallo or horse acclaimed Kanti, with gasping bustling from a cardex, containing all the repertoires of a cantabile if this scene were to be repeated in The same epic allusion, and in random consequences, that go after a cavalcade that is not abstracted in real characters, but more in conformity with the well-deserved place of epic imaginative beings or in the operatic psychotropic of a duet, which would go flagellating in individuality and in each which is not content from another section of the Cantabrian.

The Universality of emotion and feeling is a tragic Parodo emulating voices of all those who sing from a cantabile galloping in their voices to the beat of the heart in some, and at the same time chanting stanzas and antistrophe in reverse epic and tragic lines, for the purposes of the coliseum that diametrically obstructs the Hellenic choir, which is attached to the intervention of the Hexagonal Primogeniture that was already beginning to rise in height, and in the prayers of Saint John, the Apostle and Prochorus from the captaincy and the ode that would begin to stanza, from the west to this and the antistrophe would follow with Vernarth, Wonthelimar and Alexander the Great from east to west. Ad libitum of their enjoyments, they were eating Greek snacks or Katogorias on the way in bases of Almonds, cinnamon, olive oil, sugar, and sweet wine that they carried on their backs in Rhytas shaped like the horns of Zeus and the Ibix of Wonthelimar, which the same Procorus carried on his golden back. The meaning is affirmed as a meaningless infringement of laws of temporality, and truthfulness at the expense of short evidence, and of facts that vanish in the light haze of causalism and not of effectism, when the adjective or noun is made of a strong verb in the Metabasis and in the imprecations that Vernarth gave.

Vernarth's metabasis: “the verse and the adjective will be subsidized by the noun in the construction of Állos Kosmo Megarón, from where mathematics will immaterially explain sap suckers under the noun in liquid milk of the color white and of the high nutritional value in female lactated, and of mammals to feed their goats or ibex. The soul of this prerogative implies that the verb will be to promote species rather than a nutritious milky elixir for Zeus, and the candor of his **** will tend to the bipedal or quadruped subject self-procreating from a Milky Specie. (Milky species).  Being ****** into milk by self-procreating snitches. Vernarth says (give me some milk, and I will be the son of Zeus, perhaps as a means in everything and not a whole of which I never thought...!)

Amalthea in rituals and relics from prospects of demigods was purposely cordoning them off in Mycenaean deities, from a contemporary Westerner comforting them near a hippocampus; with signs of ibex Capricornus, rapt at the nymph that spoke from Mount Ida in Crete and that she made congruent with the constellation of Capricornus, more precisely in the Cornucopia making this heraldry of Wonthelimar with Fortune, Abundance, Occasion, Liberality, Prudence and Joy. In a woman sitting on a throne, a young nymph with a flower crown, a naked woman with one foot on a wheel and the other unstable, a woman with sunken eyes and an aquiline nose dressed in white, two faces from the past and future, a woman happy with the exuberance of the Cornucopia with children and a palm leaf. Being the abundance that in serial Amalthea bordered all the ladies in different esoteric and Mycenaean prosperity, constantly shining with radiations on the present in the Unicorn Ibix, which Zeus left after breaking its antlers, unleashing kindness and plethora in fruit buds, and vegetables that were appropriated in the Fortune of Wonthelimar reissuing what in their domains they can do, and now in Patmos with its Cornupia being transferred from that liquefied shaft honey and milk cultivated with attributes of herbs contributing to the leisure, peace, and relaxation of the cosmic world that ascended in Wonthelimar as Ibix in advance of Capricornus, from where the Auriga always broke into his expeditions with a trajectory towards the eighth cemetery of Messolonghi, where he brought it from the Capella Star for the femurs of the Diplodocuses who seconded Drestnia to watch over the hydraulic pits of the Koumeterium from Messolonghi, before traveling to Tangier.

The entire herd went back to an ancient promontory that was halfway up the mound towards the black styes or abscesses, in the central intuition of the fossa that began to dissipate towards their backs. Amalthea extends into the Állos Kósmos, which came in zoomorphic receptacles collecting the announced blood of the animals that flowed in black planks from the vortex of the fossal, towards the liminal or transitory sleeper of the fossal that oozed acetosities of the Aldehyde to be transmigrated after the bilocation of the Chauvet cavern. All wore willow halos on the crowns or diadems of their caps, including the proliferation of phantasmagoric Allies that went in rows from 780 to 680 BC. C., with fortunes of the Cornucopia that arched in magical arches due to the dissociative changes of the universe, as well as the circumstantial creed of some omnipotence that will cause emotional transgenerational transgression, in the rain vessels that they made fall from the Ombrio de Zeus, in a daily latticework closing the spaces, and only leaving for some intruders and onlookers to see his flashing Astrepé. Right here the diádoc fossal vanished, when it rose above the horizontal that poured into the Chronic Vernagrams of parapsychological personalities of ingenuity classicism and in Astro-concomitance, which would rethink everything that is past and future from a Vernagram, which is more than a compression of a mere future of the quantum spaces and the sacred medrones of the Ibixes with their direct relationship with Capricornus. Diverse capital moments were treasured in the breeze of the Vas Auric that was traced from the opposing moraine that fell in lapse-time, through the labyrinth in storms and thunderings that became planetary with the Lynothorax cuirass that Alexander the Great accommodated in the festoon border of his Aspis Koilé, kicking copiously as a sign of shaking the head of the gods who deceived him to be alive, and who was now reborn in the faith of Saint John the Apostle, favorite of the Mashiach and where he will have to wipe his face with the shroud of Veronica Before entering the Állos Kósmos Megaron that everyone built, in favor of a Panagia or Temple, unlocking the majolica that seeped out from the rest of the transmigration, and his own in the configuration of a corpse with a tricolor gesture.

The presumptive eradicated the side of the forearm rots that was being restored in Wonthelimar's laps, which helped him get up and catch his breath while the Katogorias snack filled his mouth with nectar and almonds with Macedonian Psiloi combat tactics with serum and flames of Alcohol dripped from her nostrils and sinuses in the sweet wine, which in pompous dilemma defied the judges of her life in the choir of the Bilocated Epidary Theater on Patmos, and in the ***** dry Kashmar of the orchard with the pale faces of the grotesque, that rested in the memory or Mnmosyne and in the fauna of the Thracian and Thessalian helmets.

Alexander the Great says: “here I agonized and now in the fresh waters of the springs of the Lerna, I will also marry the glorious mystay and bákchoi, in the memories of Vernarth seeing him besieged by Achaemenides in the stooped position of Dario III, to come purifying and sustaining of my limbs, learning to walk and speak in Neolithic techniques, which extruded me from the Lerna by barriers of the moon that shone from the bronze of my Leonatus helmet. Thus I could see that Vernarth, fought alone against thousands throwing fire through his mouth and his eyes, separating the waters of the Falangists, who plowed like ships deforesting the Persians, and leaving them in their mud, imposing glorious Hypaspists who unbolted from their back some arrows with heads of snakes and Hydras.

Vernarth watched as everyone climbed the Profitis Ilias mound, two hundred and sixty-nine meters above sea level, where the monastery of San Juan is located; here he was suspended in his solitude after everything that happened at the end of the moat that definitely I would return without the Diádocos, with a hint and its functionalities. From here Helios became genealogical, who snatched him from the kingdom of dead flowers, which were to be assumed from the Olympian where he will join him to the essential of Aïdoneus; immaterializing in the darkness of dizzies and the flowers that died in the genealogy of a new species. The scenic swept its cognitive and ferns with more than three hundred frank species that frowned like the enemy of an evil friend, with seedlings that expectorated from the resonance of the bushes that invited to thrive in the salty ripples that made a dreamer fall asleep on top of the kerchiefs or brambles that memorialized Gethsemane, burning his face and hands with psalms, telling him about his Baba. For when it is a luminary by night and by day, they will compare it with the white grayish drupes and mops, like those of the Bern orchard of Olives, in aqueous and resinous colloidal, which was crowned in harmony and syntropia in Vernarth activating intellectual conscious plantations, which will restructure its balance of ultra Hoplite, in metabolism of the Lentiscus flowers, with great brotherhood in the Olives that each time exercised the gift of bending their oleaginous self-species, towards planes of the Cornicabra olives, with large branches and high tree altitude that fruit within of the Cornucopia that he now carried on his back, supported by an oiko spin, juxtaposed with the fibula on the right shoulder of his lymphoma, which with large branches and high tree altitude fruit within the Cornucopia that he now carried on his back, supported by an oiko line juxtaposed with the fibula on the right shoulder of his lymphoma, and with polyphenols in scale geothermal energy that still leveled the Ponto Sea towards the tectonic plate to give it the flavor that was owed from remote prehistoric times.

Patmos was aborted from an immanent consent and new force of the impending enemy in Pythagorean perorations and an offending thought. From this prerogative is born the generalized punishment of sub-mythological ethics in favor of legacies of allusions to reorder or defragment the enslaving and demolished bio culture, which would begin from the establishment of the Vas Auric found in Limassol, which took possession from Rhodes with clean scenes from Tsambika monastery. The epic ran like icy cold down the shoulders of all those who sweated for the generation of cops, and in domestic evasions in superior lordships to Hades or Wonthelimar itself, both sons of flocks and goats that nourished them by providing them with a mountain perspective, as a magnetic pole towards gothic energy that ruled more in the Magnetic North Pole, and the geographic oversize that reviled latitudes in riches that would dismiss Borker and Zefian, as masters distributors of the ethics of the Áullos Kósmos of Patmos, redeploying thousands of dead from pre-Hellenic times, so that they recirculate through the roots of the Kashmar, re-sulfurizing cinnabar saps as the germ of the subterranean Acheron, which consecrates the living and the dead in the eternity of the infinite Duoverse Universe. The order will lie in semi-shadows that even in the dark provide the pleasant warmth of camphor, with advanced Horcondising formulas, which will appeal to hungry souls by suppressing gifted energies, and by inseminating them with ovules without originally conceived organisms.

From Hylates, Cyprus; Zefian came by order of Vernarth, assisted with the extension of the earthly laborers of the Attic Calendar on the twenty-first of September, from the device of Apollo at the site of Boeotia, and especially of the Boedromion. The arrows that Zefian brought had an instant Boedromion crossing the lines from spring to winter, with seven arrows that Zefian threw into the sky and never fell, but if portentously received in the virginity of animals. The flora with seven golden arrows of the Chauvet de Wonthelmar cavern, condoned the exhaustive end of the fossal where they still remained, in a gesture of tenderness and relative Mycenaean genealogy, from Crete the contravention of Apollo and Artemis towards an olive tree was approaching, originating in the Zefian's arrows, to mark the new cardinal points, begin with the first two arrows that they put on the string of the bow, each one flying north and south trajectories and the other two that were once again attacked with the east bow, to shoot the arrows of east-west with southern magnetism limits. Zefian's imagination was of proportions that were not limited without wandering from their phalanxes when they pulled the string, like joys of a ghostly existence that pushed him in each bolt, presuming that where they fell would be the beginning of the storms that would originate the Állos Kósmos Megarón, for belated courts imposed from a cosmos, which he led by insisting on his will and from a doubtful Vestal god advocating the association of the hospitable Canephores, such as Vestal Virgins of Roman bilocation, and quantum parapsychological of the feared inter-tale alive that rebels in the arrows that they had not yet fallen and did not know their whereabouts. As plates or serial hosts, they were evoked from where the origin of the Universe was broken, to open towards the organic, vigorous, and anti-burn contravened Duoverse to the divine celestial origin as a parameter of *****-ovule, rather in aeonic instances in the fireplace of Hestia, running in eternities towards vast volumes of light-years, where eternity has no measure, let alone the existence that begins and ends born from a homozygous arising without a Universe, to hatch from the branch of the Heterozygous Duoverse, bringing different unions of eternal cells by universal divine decree, and not the union of disparate cells. The science of the Mashiach came in these divine arrows that marked the points of the cardinal in the numinous and exclamatory expansions of the exiled universe of Vernarth, towards the perenniality in itself, but being heterozygous for a world that would begin to live in non-organic cells, but yes of divine composition, over saturating the limits of the origin, and destiny of syntropy of the conscious actions of the metabolism of the Alma Mater and of the great doors when losing the bodyweight of the physical-ether, but yes from the platform of the Mashiach that will take them hands without leaving them abandoned, showing them that they were no longer children born of ovule-*****, but rather in the luminous matter, envisioning expansions of prayers beyond from the universe, where it will accompany them in a multidimensional plane..., and will have no end from a human scientific conception.

Wonthelimar says: “Since the omphalos was swallowed by Cronos, Hera's elegy was unleashed, for not raising her son Zeus in free clumps of goats and Ida's honey. I in the Alps went to the herd of the Ibix like a Zeus saved from the darkness of Chauvet in the mountains of Gaul. There are chisels that cut stones in beautiful whirlwinds, but I know that a lot of cosmology would not speak of the Mediterranean Cornicabra and its olive drupe, nor less of the Cornucopia that sinks with sumptuous and ephebian flavors in the fruit, and the greenish heraldry of the binominal that is disturbed in its phalanges eating and sipping honey, in antler pots with pride of the Ida and the Vercors massif”

To start --
being an adolescent with autumn eyes,
seeking a prophecy for long-standing bravery
to further the spinning spokes for minutes, five more,

I burned the drapes to reveal a humanity only I could see.

The expectations were elaborately existing, unsatisfying. Sons
and fathers, years refrained from matters
that reverse reverse reverse curses and maturity
without purpose.

Those idle accepted neglect, and the existence of an
unsalted bridge was quickly detained. Alone, the foolish described
to search for the future in geometric formation and coffee ring
stains fading the desk.

But the sense proposed in my decided equality drank dignity
straight from the bottle. The road that lead me between two cliffs,
Propriety and Statistics, with the rocks already pelting down,
could not diminish my enthusiasm for necessary absurdities.

There's no flesh in declared mediocrities.

I became a luminary for pleasures of eminence, hope with resolve,
opportunities in destiny. Blind gambles obliged the fear of exacting
sensibility. Passionate follies created no-regret-consequences,
satisfied stability. Only the **** are granted victories in eternal gaiety.

Mortality is irrelevant if you let mystery be your urgency.

Effloresce

Lift up your eyelids; unlock the chasm of your heart.
Let the deluge of fervency cascade within you; submerged volcanoes begin to erupt.
A world devoid of feeling; a world devoid of golden thread.
A realm full of disassociation; it’s illuminating and yet so dark.

The soil beneath me pulsates with anger at the core; the heart becomes sanguine, the soul is crimson red.
Night and day bear no variation and the twilight is all that exists; this world has a Cimmerian existence; a vivid look of despair.
Trepidation is my captor as the Earth becomes my abyss; vehemence overtakes me and an inferno consumes me whole.
For a while I am nonexistent; feelings are a thing of the past; I am no longer myself but merely a vessel of something than can’t be seen.

Ethereality envelops me and my quintessence is conjoined with God’s soul; I am being guarded by His spirit and with to it’s elixir I have been exposed..
Cognition is my purpose and I’m recreated being void and null ; I await my resurrection, Phoenix pinions shall subjugate the world.
Seconds have already passed and time has allowed my soul to bloom; it is time for efflorescence and I become one with the moon.
A purple aura emanates from nothingness and fire bolts start to fly; heat becomes unbearable and light pierces as a sword.


A silhouette of the light and airy exudes colors from all around; a shift from on realm to another and like a bullet you hear a bang.
I’m standing here in darkness but my heart is filled with light; spheres of different colors await me in anticipation of a brawl.
One by one I face my demons, one by one they are hurled into the sea; with each abomination that is subjugated, I become less an less of a vestige.
The past is filled with corpses in a sea tinged with reds, blues and greens; I am grappling with vehemence; now the gunk no longer weighs me down.

One more final battle, one more to defeat; the abomination is merciless and it corrugates me from within.
The darkness is a Dictator, I am under it’s totalitarian rule; The Kingdom of Obscurity has been set in place by The Sun.
A prayer leads to certitude and certitude leads to faith, faith leads to action and action leads to sight.
The wind is my messenger and with it’s power I beseech the Sun; I must tap into heartfelt desire and make an earnest request.

“Please help me subjugate the darkness! With your eminence please intercede! Please rejuvenate the dank and hollow! In your light I rest my hope!”
Spheres of light are lifted into the stratosphere and within them rests my hope; I watch them depart from the terrene till’ I sense them fuse with The Sun.
Rays drop from the heavens and the dark fortress is revealed; it’s safeguard of mendacity is no match for the truth.
My sword was encapsulated within the confines of a cloud, now the clouds have been broken and the blade is in the ground.

I sit here in anticipation, I wait for The Spirit to break free; my heart is pulsating with divinity and it courses through my veins.
Wisps of ethereality are slowly released from my pores, now the holiness will be a barrier; soon the darkness will be more.
I tightly clasp my weapon and my shield is in my hands; He tells me that I am detoxified, now the vitriol is no more.
I charge towards the kingdom, my breath goes in and out, hearts are in there waiting; my barrier is my guide.

The doors are right in front of me and The Abysmal lies in wait; fear is slowly building; time has yet to cease.
Malevolence overtakes me and evil is within the eyes, the doors break off their hinges and an anomaly ***** me in.
Strange sounds are all around me; there are echoes in the fabric of time; when emotions come back to catch me then my fate will be revealed.
Dereliction runs amuck here while perverse joy is in The King; He believes subjugation imminent; He does not know that I will win.

The dark has no bearing over that which pushes it away; soon He will become a shadow and I will lead Him along The Path.
That shadow will become a sheep whose wool is thick and black; he will break his way into nothing and I shall guide him into naught.
He will walk along my pathways and as a shepherd I will guide; we will walk into The Sun together and that sheep will turn into light.
Iridescence will last eternally and my love will effloresce; The Sun shall be my Master and in his rays I shall forever bask.

*By Sanders M. Foulke III

Italic drumroll...
imperial cavalcade with Roman horns, eagle standards raised;

♪ ♫♪♫ ♪♪♫♫♪♪♫♫♪♪♫♫♪

ALL HAIL !
Ye screen-fed sacrificial citizens, seething simpletons and volatile voters:
attend now, with republican fervor, tempered by democratic zeal, to the golden-tongued orator of our epoch, gallant guardian of American greatness, avatar of avarice, the Jeffersonian gentleman, anointed autocrat and Sultan of Swell, windswept Wazir of Wonderful, emissary of towering eminence in empire, The Anti H-Rod: Donald J. TRUMP !

(Plebeians look up from their circus-bread for a second—)

And may Our Sovereign Savior & Almighty God also bless his worthy opponent and adversary HILLARY ("H-Rod")

(Patricians murmur, nod; a few salute*)

I would like if I could, to venture out
into a baroque cave where the walls are translucent
and all that surrounds it are rivers of coherence
and incoherence
where I can scream, and when my echoes
radiate they bounce off on me and touch
the spaces in between my fingers
bizarre and ornate
rococo chimes lift my spirit
progressive, regressive
subliminal rising, into the sea of whispers
and final decisions  
and crazed hands
and melting lips
and bruised knuckles
and fighting wrists...

I subsist to consist
of the fluid that makes me up
lavender barely breathing
flowers/continue/endure

hang tough, low by lakes of conspiracy
and hate/ block eyes/ shed those ill states

I carry this entity/essence/life gentely
in my arms like a ancestor. mother .
press its head against my skin and give it everything
in my blood filled hands, sinful/blessed/ tiered creatures
I feel beautiful in these worlds.

eyes closed in sleep, palms spread forth
oceans cleansing, I feel like an infant
stomach twists and hearts bat burnt wings
and learn to fly

I radiate.full hearted. eminence spoke to me
through her portal of solid grass and dieing trees
in the outskirts of the vagabond, slowly unraveling
like a child speaking
slowly growing like new love
stricken instantly
I am in
between Cleopatra and Mark
between Orpheus and Eurydice
between Odysseus and Penelope
between Elizabeth Bennett and Darcy
between Salim and Anarkali
I shiver in that love
that breathes in determent
and breathes out fragrance  
  

temperate plasma hooked onto
the grind of my woman I beat like
the robins breast/ trembling in awe
like a living leaf blowing in the winter wind
resisting/giving in/ perishing/ breathing
to the sound of this beautiful life

So, the universe is dying. It has been proven. All starlight and galactic all, every illuminant visible is dissipating. Stretching and fizzing out to cold dark nothingness, eliminating any twinkle known in her ever widening abyss, we are destined to an age of floating rocks, lifeless. Shivering howls of worlds already abandoned are an eerie silence imminent. The cold, the dark, the void of sound or light, is depraved sensory. Death is ultimate ultimatum to any and all. Even these words. As nothing is to be, see, hear, feel, smell or taste, just dust speckling her.

Long drawn out inarticulateness, I wonder if she shall ever be able to speak again. Waxing moon in candelabra sky, lid, the blue, goodbye. A lull in space noise clamor finds faint ping. In an arched cosmos, bend an ear, hear her sing. She softens orbiting dominions, pleases an empire's hard wire. Letting sound stem, turn out, and cry, a gush of heaving out is implied. Imploding upon a deafening madness she dies. Big Bang to Softened Ping, we're somewhere in the middle of her journey.

i was never into brian jonestown massacre, more of a dandy warhols' fan, but then brian jonestown released the album aufheben and pawns of the palette started picking up not only seminal citric acids and kashmir's spices, but sharp grooves of some distant geography, which of course, all in all: to my liking.

there's nothing like listening to the opening
track of the aufheben album (panic
in babylon, instrumental) and reciting a
bit of horace; should i be accused of sounding
pompous, here's horace himself

     *hoc erat in votis: modus agri non ita magnus,
     hortus ubi et tecto vicinus iugis aquae fons
     et paulum silvae super his foret. auctius atque
     di melius fecere. bene est. nil amplius oro,
     maia nate, nisi ut propria haec mihi munera faxis.

     it was the aim of my wishes: a snippet of arable land,
     a garden, in the vicinity of my house a source of
     fresh water and a grove upon a ***** of a hilly eminence.
     the gods beyond their intentions bestowed upon me
     the loot of my thus lived fate. i have enough!
     i do not implore for more either in this heart of mine
     or among incense or blood of sacrificed bulls at the altar
     where worship is prescribed unto them, but only give me,
     son of May, the chance to use these bestowals.

(translated from polish, and, as would be expected of me,
involved in translation, adding something of my own,
as you can see, the latin prepositions and conjunctions
are reflective of the number apparent in the english language,
but it's hardly a concern with other words,
awaiting a unanimous - not necessarily an N between
two vowels, or because of H, as is exampled by
a great alphabetical distancing of the vowels,
or simply because of the latin tongue-twisters of
the grapheme æ and œ - awaiting a unanimous
decision of the compound words stalled by the hyphen
form, e.g. light-bulb / lightbulb (underlined as a spelling
mistake) by the oxford dictionary committee...
but let's not get as crazy as german spelling
glue... it would make james joyce pale even by finnegans
wake standards of the 100 letter word... i know... english
is a language spelled like shotgun shrapnel, and german is spelled
like a wedding cake or scottish fudge, thick and bulging;
what was i going to say? i took a step into the heraclitean
river and the river took me elsewhere, the ice cubes
in my whiskey citric barley are melting, and i dream
of venice being the modern atlantis along with the maldives).

elsewhere in a grammar lesson:

people think the pinnacle of poetry is coupling
adjectives with nouns, but of course,
given adjective & verb coupling is commonplace:
and when they say poetic v. practical,
they then say the hidden practicality of poetry
via, e.g. 'nicely said;' but of course!
we need a sombre musicality of the tongue
with so much dead machinery around us!
the elders complain about headphone "zombies,"
marching like urban myth lemmings on zebras
toward death... but have you actually listened
to those mechanical sounds on concrete?
horrid! when was the last time you heard an owl's
call in the dead of night in a forest? me!
about a year ago: three by my count.

PenOS version -³√([∞.π]x-y^-a/Φ) booted successfully!
Welcome home! If I may say so, your Highness, you look extra chic today.
Ready to receive commands, your unsurpassed, regal Eminence!

>Run "Paper"
Launching program: Paper

..
..
...
...
..

Update Required. Filesize 20GB.
Would you like to update? Input Y/N
>N

Are you sure? Input Y/N
>Y

Downloading update..
Would you like to use data or wireless? Input Y/N
>?
>I use an Ethernet cable.. this is a desktop.

Using Data. There will be a .$50 surcharge for every .5GB.
> N N N N N N
>abort

Please wait...
Download complete. You have been charged $20! Congratulations!
>N N N N N N N N N N N N N
>HOW DID YOU GET MY CARD INFORMATION?!
>ABORT

Would you like to install some stupid ******* you don't need that will ultimately slow down your system and then pay us to nullify it for you? The download is only 6.66GB.
>N

Downloading redundant, superfluous addons installer at a rate of .01 Bytes/S.
Thank you for your patience, and for supporting our non-corporate software!
> N N N N N N N N N N N N N N N N N N N N N N N N N
>ABORT
>ABORT
..
.
Should you have any questions, feel free to wallow in confusion.
>no kidding

Feedback and critiques should be e-mailed to our meticulous webmaster at gimmieallyourcash@wenevercheckthis.net. We guarantee our webmaster will periodically take time out of his busy schedule of sleeping until 17:00, *******, and eating pounds of fast food at a time to methodically ignore and systematically delete any and all feedback not conducive to advertising.
>here's some feedback
>hire a PR department

I am our PR interface.
>Well, I'll interface your CPU with some water if you keep being this useful.

That is not very nice. You are a mean person.
Would you like to buy some pills for that? Cheap, from Mexico/China!
Nothing like some designer neurochemical placification to make waiting times shorter!
.
.
.
.
.
>ABORT

Now installing update installer with more sneaky **** you don't want.
>i hate you so much right now, robot slave!

Running update installer.

Update failed. Reason: Error 666, unknown error.
Updater requires update. Continue?
>N

Loading...................................................­.....................................
>N N N

Updating updater.
Rearranging architecture of system.
Bogging down boot times with sanctioned malware.
>N

It seems your PenOS is out of date.
To use your PenOS with Paper, you must have version ∞.π.01.1500009000, you currently have version ∞.π.01.1500008999 and therefore may experience unending frustration every time you try to use this hyperglorified tool because a superfluous version is released every 30 hours, thus rendering all of our past development obsolete and therefore making these new patches so necessary that we can't be ****** to incorporate any sort of version compatibility or opt-out system, otherwise our website would never get hits again if we didn't needlessly obstruct you checking what the ******* sky might do tomorrow.

>Finally, some honesty, at least.

Updating PenOS.

>N N N N N N N N N N N N N N!@!!!!@#!@!@^#!@!@#@!#@!

A fatal error has occurred. Please relaunch Paper. Y/N
>Y

Closing and relaunching program: Paper

..
..
...
...
..

Multiple updates Required. Filesize 35GB.
Would you like to update? Input Y/N

>N N N N N N N N N!

Downloading update..
Would you like to use data or wireless? Input Y/N
>ABORT
>ABORT

Using Data. There will be a .$75 surcharge for every .4GB.
>WHAT?!
>N
>NO
>ABORT
>**** NO
>**** THIS ****
>I JUST WANTED TO WRITE A LIMERICK
>I'LL JUST WRITE IT IN THE DIRT WITH A ROCK
>END PROCESS
>TERMINATE
>ABORT
>CLOSE
>QUIT
>ALT+4
>OPTION+APPLE+Q
>SHUTDOWN

I'm sorry, Dave. I'm afraid I can't do that.

Love...still a token of existence, your Merciful Testament made time so distant. The Heart of Man is now hollow and dark, living is a mere breath of chance and luck. Our Planet has lost its Heroes now, ask our parents, all the Bikos now lay on pillows coz of the Ones and Zeros. I still Love my World and your eminence Lord or maybe you to Priests and Presidents more. These words are not to be written once again, they exist only in the truth and light of this page once and never again. For I'm not proud of the latter...people's vices as hate surfaces, you would expect something better. Kids perish, always in harm's way, deem the manner...nowadays, parents are kids on an Aids' ladder. Envision the World and Pray, when you see through the eyes of a Kid who's a bit fatter.

Food shortage on the News footage while we hold our plates, carnage and wars killing our foliage, we hold a future without days. As vanity reigns, I fear our image will grow mutant. Ancestors will abandon our sanity ways like a school headed by students, weak and lucent. I pray for core amends dearly and hope for better trends Earthly and in the Sea, so this Letter can just be a lonely message in a bottle drifting away steadily in the deep...


Sincerely yours,
Oasis

.the better part of a Friday night

grim.. times... what better way to pass a drinking session than to translate some Horace... i see no other worthy time-consuming scoop of any events to follow, this:

humano capiti cervicem pictor equinam iungere si velit et varitas
inducere plumas undique conlatis membris, ut turpiter atrum
desinat in piscem mulier formosa superne,
spectatum admissi risum teneatis, amici?
credite, Pisones, isti tabulae fore librum persimilem,
cuius, velut aegri somnia, vanae fingentur species,
ut nec pes nec caput uni reddatur formae.
scimus, et hanc veniam
petimusque damusque vicissim;
sed non ut placidis coeant inmitia, non ut serpentes
avibus geminentur, tigribus agni.

some first reading... sounds like chasing a chimera...

with a human head on a horses' neck: should a painter
tie the two together on a whim, and other limbs
collected from everywhere: puff up duck feathers into
a pillow or a bed cover - from "nothing"... hey presto!
that a beautiful woman from the torso up with a
fish's black tail below to boot...
on exhibition: would you, friends,
not burst burst out with laughter? believe: Paisans!
similar to this image will be the book:
in which as in an ill man's dream, in delirium,
the head and the feet belong to different
forms
i use this law and i recommend others to use it too,
but not to equate gentleness with a wildness:
with a bird a serpent, a lamb with a tiger...

angels and mermaids... what is no less or... no more:
improbable? perhaps neither...
but in the guise of monotheism... everything is still
somehow sensible...
where there was: half and half...
what angel of monotheism is a half and half
when contending for existence among unicorns...
mermaids or centaurs?
a chimera and a cyclops... **** with a minotaur...
but... such events of monotheistic grandeour are...
supposedly the better respected...
for all the respect i gave unto Knausgård -
because it comes from monotheism:
an angel is to be seen as more than a mermaid...
perhaps... if the angel is of my form...
has the wings... but for its mouth?
a pecker mask... a 50:50 share ratio of...
what a racial "mongrel" would otherwise burden his
shadows with...
a pecker mask akin to those masks
worn at the Venice carnival:
doctor doctor black plague masks...
with a muffed-up speech... as if shouting into
cotton puffed up...
esp. cotton candy...

and this is a sort of friday where i'd much prefer
translating latin... god... where did all these modern
prepositions and conjunctions from from:
into the fore?! there's only one song of worthy summary...
the specials - ghost town.

- Autorank Total 10 ( higher is reduced to 10 ), professional similarity 10 (of 10), concrete vs abstract 2 (of 2), noun/verb/etc order -0.7 (of 1) -

poetry and order... yes...
yes... very much akin to rhymes...
and very formal language...
but this is hardly a "micro-aggression",
on my part...

it's funny that i never paid any attention to this detail...

hoc erat in votis

i was never into brian jonestown massacre, more of a dandy warhols' fan, but then brian jonestown released the album aufheben and pawns of the palette started picking up not only seminal citric acids and kashmir's spices, but sharp grooves of some distant geography, which of course, all in all: to my liking.

there's nothing like listening to the opening
track of the aufheben album (panic
in babylon, instrumental) and reciting a
bit of horace; should i be accused of sounding
pompous, here's horace himself

    hoc erat in votis: modus agri non ita magnus,
    hortus ubi et tecto vicinus iugis aquae fons
    et paulum silvae super his foret. auctius atque
    di melius fecere. bene est. nil amplius oro,
    maia nate, nisi ut propria haec mihi munera faxis.

    it was the aim of my wishes: a snippet of arable land,
    a garden, in the vicinity of my house a source of
    fresh water and a grove upon a ***** of a hilly eminence.
    the gods beyond their intentions bestowed upon me
    the loot of my thus lived fate. i have enough!
    i do not implore for more either in this heart of mine
    or among incense or blood of sacrificed bulls at the altar
    where worship is prescribed unto them, but only give me,
    son of May, the chance to use these bestowals.

(translated from polish, and, as would be expected of me,
involved in translation, adding something of my own,
as you can see, the latin prepositions and conjunctions
are reflective of the number apparent in the english language,
but it's hardly a concern with other words,
awaiting a unanimous - not necessarily an N between
two vowels, or because of H, as is exampled by
a great alphabetical distancing of the vowels,
or simply because of the latin tongue-twisters of
the grapheme æ and œ - awaiting a unanimous
decision of the compound words stalled by the hyphen
form, e.g. light-bulb / lightbulb (underlined as a spelling
mistake) by the oxford dictionary committee...
but let's not get as crazy as german spelling
glue... it would make james joyce pale even by finnegans
wake standards of the 100 letter word... i know... english
is a language spelled like shotgun shrapnel, and german is spelled
like a wedding cake or scottish fudge, thick and bulging;
what was i going to say? i took a step into the heraclitean
river and the river took me elsewhere, the ice cubes
in my whiskey citric barley are melting, and i dream
of venice being the modern atlantis along with the maldives).

elsewhere in a grammar lesson:

people think the pinnacle of poetry is coupling
adjectives with nouns, but of course,
given adjective & verb coupling is commonplace:
and when they say poetic v. practical,
they then say the hidden practicality of poetry
via, e.g. 'nicely said;' but of course!
we need a sombre musicality of the tongue
with so much dead machinery around us!
the elders complain about headphone "zombies,"
marching like urban myth lemmings on zebras
toward death... but have you actually listened
to those mechanical sounds on concrete?
horrid! when was the last time you heard an owl's
call in the dead of night in a forest? me!
about a year ago: three by my count.

- Autorank Total 9.9, professional similarity 10 (of 10), concrete vs abstract 2 (of 2), noun/verb/etc order -0.1 (of 1), cliches -2 (of -3) -

the Cyber Pavlov Experiment

and my favorite "poem" in this ranking system,
which, i guess is an a.i. calculator...
i'm most interested in the professional similarity,
i can understand the concrete vs abstract ranking...
but the noun/verb/etc order?
in poetry? again... this is not a "micro-aggression"...

so, i'm on this page, and i meet my ****** pusher,
sure as hell he's pushing ******,
although it's digital, the site / street corner?
allpoetry.com i get to publish 2 poems,
but can't publish more, i have to comment,
and comment positively,
'allo comrade Stalin! then comment on
2 poems, and get this message:
Congratulations, you've achieved level 2,
and are now an "emerald cat"!
To reach the next level you need:
7 x comments, 1 x enter a contest, 1 x favorites,
1 x edit an item. • What are levels?
i am not playing candy-crush saga!
i'm not! i'm not even kidding you,
what is this ****?!
we've been ****** by paedophiles
anonymous?!
                      please get me off
this ****** grid of the Cyber Pavlov Experiment...
likes and comments and saliva and cookies...
    or premeditated minority reports -
  akin to Orwell's thought crime gestapo -
    god it sounds **** when said: g'eh'sh'tap'oh.
                    or how to use the internet
akin to deciphering and censoring established
media outlets...
                              obviously social media
can't replicate socialism, it's a media outlet,
                  but it can for sure ******* with
all the little capitalistic mind games that lead
to nothing but the Pavlov experiment -
            and that was with dogs...
try that with a ******* Gorilla and i'll watch you
cradle prosthetic limbs while
he rips your original limbs off like he's playing
                a harp:
            then you can rhyme: twinkle twinkle little thumb,
    how i wished you were attached to my hand to my arm
to my torso...
                        that's the same story
we had recently concerning a Mr. Kumbuka...
  who escaped enclosure, and proved the a.d.h.d.
        complex correlation with exposure to
sugar... ****** drank 5 litres of concentrated blackcurrant
squash replying: i'm mad at the keepers for keeping
me on a diet! i do king kong and you do the frenzied
blonde maiden.
              it's still a concern for me that they herded the poets
into an area worthy of zoological inspection,
                meaning that they base their worth on
    deplorable points system: like they're immigrants
waiting for visas to Canada -
                          comment, like, blag and blabber your
way into that new country, known to all of us present
              as Si S / Silicon State... by my count that's
the 51st, or the secular version of the Vatican.

- Autorank Total 2.3, professional similarity 1 (of 10), concrete vs abstract 2 (of 2), noun/verb/etc order -0.7 (of 1) -

but now... i'll just post the most "pop" poem from
here-on-in there... for that hard-on autorank...

clues as precursor:
- Strong words: army, audience, beef, box, brick, canvas, cubes, eating, fan, fares, football, lines, match, minced, outside, people, poem, poets, river, scrabble, scroll, short, slab, song, steak, striking, stripes, tartar, tomatoes, wave, writing  
-Weak words: albeit, always, answer, any, bad, be, become, bothered, circa, coherency, could, critic, deliberate, effect, eh, elsewhere, enough, escape, event, form, gather, get, had, happen, hardly, impact, intent, international, invent, long, merely, mind, modest, national, never, nice, nothing, perhaps, personally, presume, question, rarely, reason, recluse, repeating, repetition, somehow, sometimes, started, subconscious, subsequently, succumb, tender, thinking, translation, treat, understand, version, very, want, was, well, what, will, worth, would
- Cliches: to be a, i want

****... too early for an autorank...
so here's a pre-scriptum i wrote for...
what i wanted to feed the autoranking system...

this poem has circa 11 thousand views, "elsewhere"...
and i just... would like... to see the score for it...
the very and repeating: twist on the rotten tomatoes' score
"leverage" between audience and "critic" scores...
i gather that the autorank on this canvas is not...
somehow "deliberate"... i presume i have this slab
of minced beef... and when i put it through...
i'll get... a nice cubism version of a ripe steak: medium rare...

then again: i was always a fan of rare...
mind you... it's never raw, it's not tartar cubes...
it's rare... like the person eating... a rarified recluse example:
like a recluse of a rarified worth of all examples given...
this noun/verb/etc. "coherency" score...
perhaps this a.i. scrutiny hasn't bothered to answer
to no asked question... people can still "un-scramble"
or... un-scrabble bad grammar and understand it...
nothing ever has to be: brick on brick like a long
winding river...
it sometimes can arrive at us...
"lost in translation"... some people speak some
languages with no ill-intent...
they just can't escape the pedagogy rubrics of
subconscious grammar layer upon layer upon layer...
is this... a reason to subsequently rhyme?
personally? i treat rhyme as a phenomenon...
a phenomenon that has to happen rarely...
and when it does: it has to be a striking "pose"...
but enough of the pre-scriptum...
i want to see how this poem fares in the autorank filter...
albeit, this given: this pre-scriptum will have had
an impact on the score...

line repetition, eh? the lines are too long or too short?
what was that poem... when you could somehow
invent: "thinking outside the box" of any form,
or when tender poets started to succumb to the cascade
effect of writing - to merely fill-up scroll speed and space?
it's hardly an event like the mexican wave at
a football match... or how...
the white stripes' song: seven nation army
has become the international... well... that's modest...
the national (english) football clubs' anthem...
when a goal is scored... or whatever you like, otherwise...

or cliches... really?!
how about... oh... i remember this one most fondly...
visual poetry...
fallen... by... jörg piringer...
and unlike any modern painting...
this one really does require a description,
as cited on poetryfoundation.com:

/jörg piringer works in many forms, including visual, digital, and sound poetry, as well as music. In "fallen," piringer combines a visual sensibility with computer programming skills to tumble text from the English translation of The Communist Manifesto into a pile at the bottom of the page. The result is a mass of letters stripped of their original meaning and representing the failure of an idea./ Geof Huth

and no, by no kind reprint...
perhaps modern painting is what it is...
because... there's an alternative, like fallen?
if you can "paint" with words in adverts...
and paint i imply: stress the psychological impact
of coca-cola written in circa: formal scripts -
(why no italics? you can't... just can't,
write a colon and in italics after...
the colon represents emphasis,
as does the italics... tautology or something -esque)
derived from 17th century handwriting...
or... say... volkswagen... written in blackletter &
lombardic scripts... esp. circa 1935...
while all the propaganda posters were on
display...

given all of this? well... do i have to somehow:
bemoan how terrible modern art is?
cubism is not cricitißed - but dada is -
or let's call it... the most bloated
menu of culture citationand)
Barnett Newman painted this masterpiece,
‘Onement VI’, in 1953.
it sold for close to US$44 million...

i can't say such painting is "good" or "bad"...
after a while you just have to call a spoon a spoon...
a knife a knife, a table a table...
onement vi? blue canvas with a straight line
down the middle; form? rectangular...
and that's when thinking can take place...
i gather than modern art is trying to depict:
primodial man acquiring geometry...
after all... only recently i cound the difference
between the western man and slavs...
how the afro-european now lives in germany
and the west... including italy...
and how the indo-european lives east of germany
in some parts of scandinavia and greece...
a totally new discovery...

but... but... i can compensate for modern art...
with what is visual poetry...
if jorgen schmoorgen can do an abstract of a communist
manifesto... here's my take on...
John Constable... because... frankly...
i have yet to properly deal with this particular piece
of writing - as it's fresh... to subsequently aspire
for... a j. m. w. turner... not yet... not yet...
as ascribed to Juba...

the poem itself is... good grief...
always the same with me...
i go to kenya and i'd want to **** all the ivory
beauties...
a mother is in hospital and all the nurses
are black and i'm like...
what a clean and sterile environment this
is... unlike my today which began
finding an acne dot on my little richard...
(i get the joke... spotty ****)...
having to defrost a fridge freezer in
the shed because:
'z przybytku głowa nie boli'
oh yes it does...
not when what someone deems to be
"enough" do you have to count the trivial...
unnecessary things...
which is not a shame regarding my ***
winning a pulitzer price for... never mind...
i claim lack of sun...
black privelege... impeccable skin...
and... ivory beauties...
n'est ce pas?
alternative i have found an outlet to...
it's become brutally boring...
*******...
i found it... in... japanese gravure...
i had to... esp. when 1970s italian *****
classic died... and everyone is doing
this act older than beer and the giza
pyramids... phellatio and you're like:
so when did the ice-cream dream go away...
the peeling the banana...
and all this ******* gagging begin like
there's everyone with their third tonsils
removed... where mouth is no different
from *** or **** to be RAMMED!
lucky for me i still have my third tonsil...
which means i can drink cold beer in winter
and not get a soar throat...
- lucky for me i still have my *******...
god... if i didn't... i don't think i'd have
the "moral compass" to "get away with it"...
unless i was a woman with a web-cam...
in which: it almost becomes akin to reading
a book... it's like: it's there for the sole use of
pleasuring yourself or... as i like to call it on
throne of thrones (the toilet)...
first you do the no. 1, then the no. 2...
then you start doing the no. 3 to see...
whether you've done no. 2 completely...
it sometimes happens that having an *******
dilates the **** to the point where:
there's a shady **** loitering in the "back"
somewhere... which would explain ****-erotica...
in reverse to the act of ****-erotica of being
penetrated... i.e. in this scenario...
finishing doing a no. 2...
after that? downhill a quick side-step for
a no. 4 in the shower - baptism...
but... yeah... the men that shame men with
regards to *******?
they must be circumcised men...
shaming other circumcised men...
i think to think how a circumcised man
could shame an uncircumcised man for this act...
that's like... circumcised women...
shaming uncircumised women...
for jerking off with a web-cam...
uncircumcised women and...
explosive libido... whatever the stereotypes
are... circumcised men...
uncircumcised men...
there has to be a: a priest a rabbi and an imam
walk into a bar joke around here somewhere...
i'm trying to find it...
but i have found that: circumcised men
shame other circumcised men over *******...
while the uncircumcised men are like...
if only i were a woman and had a webcam...
if society had a niche consumer base for that...
"sort of thing"...
i'd be making money from one
genocide of a fraction of myself ever so often...
i.e. it's killing when the ***** is owned
by a woman (sensible... sensible...
i don't mean the former chinese 1 child
state policy of: statistics at all costs...
even at 8 months old)...
but if that's the case...
then a session of hanky-panky...
sterile... washing under the ******* etc.,
i'm practically doing erotica-genocide
slim film no. 3890... ever since it started aged
8... when i discovered Onan...
way before the white nation army came out
from the hades of the *******...
how the ******* of ***** has nothing
to do with the ******...
the muscles and nerves are wired so to the brain...
that i'm pretty sure a castrato feels
the same...
**** chicken shaming...
it must be circumcised men against
circumcised men: ******* missing olympics...
no wonder... you peel a ******* potato...
you have to throw it in some water
to prevent it from darkening...
that's of course: prior to cooking...
so you have to find the ****** cushion
brigade from time to time...
a "sword" without a "sheath"...
rust or egomania or: motivational talk talks...
because Kant was never going to be my:
bachelor of the year for the 215th time in a row...
kierkegaard famously didn't marry...
erectile "dysfunction":
not a real problem in my own company
or in the company of prostitutes...
but a serious ******* problem among
the "free women" of western europe...
it's like one of those vague "superpowers"...
women speak of turn-ons and turn-offs...
yeah: i too have my limp switch too...
somehow... this "thing" is not automated...
it's not like spam-mail... it doesn't always:
"rise to the occassion"...
the mood swings of my *****...
i'm starting to think that perhaps neurology will
explain more about my brain
than my suma summarum will ever tell me
about this excess of the 21st digit (which
of course includes the 10 precursor toes)...

as i haven't read marquis de sade in a long while...
and i'm not touching any modern erotica,
and ******* bores me
and how japenese gravure is the next best
all-spice of brain fever...
and how: if this little harlot went to sudan
for her nitty-picking a tartan lover,
or if she decided for rwanda...
i have to guess the fiction and fantasy...
for me, at least... has to rely on...
a bull in a porcelain shop...
or as the kama sutra says:
a rabbit **** is hardly going to ****
an elephant ****... lengths and depths...
all round!
which makes you wonder...
genghis khan must have been...
or has to be... the ***** envy shitlord
of a whole lot of people with the surname
Khan in pakistan.

Your Eminence:

Speaking of apostolic poverty
From the queen bed in your apostolic beach house
To those working two jobs to make life happen
Is pretty thin gruel –
                                                   serve it to someone else

Thou know'st my praise of nature most sincere,
And that my raptures are not conjur'd up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken'd to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern'd
The distant plough slow moving, and beside
His lab'ring team, that swerv'd not from the track,
The sturdy swain diminish'd to a boy!
Here Ouse, slow winding through a level plain
Of spacious meads with cattle sprinkled o'er,
Conducts the eye along its sinuous course
Delighted. There, fast rooted in his bank,
Stand, never overlook'd, our fav'rite elms,
That screen the herdsman's solitary hut;
While far beyond, and overthwart the stream
That, as with molten glass, inlays the vale,
The sloping land recedes into the clouds;
Displaying on its varied side the grace
Of hedge-row beauties numberless, square tow'r,
Tall spire, from which the sound of cheerful bells
Just undulates upon the list'ning ear,
Groves, heaths and smoking villages remote.
Scenes must be beautiful, which, daily view'd,
Please daily, and whose novelty survives
Long knowledge and the scrutiny of years.
Praise justly due to those that I describe....


But though true worth and virtue, in the mild
And genial soil of cultivated life,
Thrive most, and may perhaps thrive only there,
Yet not in cities oft: in proud and gay
And gain-devoted cities. Thither flow,
As to a common and most noisome sewer,
The dregs and feculence of every land.
In cities foul example on most minds
Begets its likeness. Rank abundance breeds
In gross and pamper'd cities sloth and lust,
And wantonness and gluttonous excess.
In cities vice is hidden with most ease,
Or seen with least reproach; and virtue, taught
By frequent lapse, can hope no triumph there
Beyond th' achievement of successful flight.
I do confess them nurseries of the arts,
In which they flourish most; where, in the beams
Of warm encouragement, and in the eye
Of public note, they reach their perfect size.
Such London is, by taste and wealth proclaim'd
The fairest capital of all the world,
By riot and incontinence the worst.
There, touch'd by Reynolds, a dull blank becomes
A lucid mirror, in which Nature sees
All her reflected features. Bacon there
Gives more than female beauty to a stone,
And Chatham's eloquence to marble lips....


God made the country, and man made the town.
What wonder then that health and virtue, gifts
That can alone make sweet the bitter draught
That life holds out to all, should most abound
And least be threaten'd in the fields and groves?
Possess ye therefore, ye who, borne about
In chariots and sedans, know no fatigue
But that of idleness, and taste no scenes
But such as art contrives, possess ye still
Your element; there only ye can shine,
There only minds like yours can do no harm.
Our groves were planted to console at noon
The pensive wand'rer in their shades. At eve
The moonbeam, sliding softly in between
The sleeping leaves, is all the light they wish,
Birds warbling all the music. We can spare
The splendour of your lamps, they but eclipse
Our softer satellite. Your songs confound
Our more harmonious notes: the thrush departs
Scared, and th' offended nightingale is mute.
There is a public mischief in your mirth;
It plagues your country. Folly such as yours,
Grac'd with a sword, and worthier of a fan,
Has made, which enemies could ne'er have done,
Our arch of empire, steadfast but for you,
A mutilated structure, soon to fall.

A suite of fourteen poems

for Alice, always

I

Cutting for Silage

Seen
on the path close to the field edge
a swathe of green grass cut,
Left
in the wake of the machine
to dry in the hopeful sun,
Rich
in a profusion of grasses,
glimmers of wind flowers,
weeds and tares.

Seen from afar
the cut fields partition this landscape
with stripped overlays
packaging the valley,
dark green rows revealing
the camber and roll of
a naked field shorn,
Dark upon light.

II

Walk to Porth Oer

Where the sand whistles
and windy enough today
for the tinnitus to set in,
we’ll walk the curve of its dry fineness
left untouched by the tide’s daily passage
up and back

before
and along cliff paths,
from the mountain
past secret coves
whose steep descents
put the brake on all
but the determined,
beside shoulders of grasses
bluebelled still in almost June
now hiding under the rising bracken
up and down

we’ll walk to a broad view
of this whispering bay
where below on the sandy shore
dots of children
tempt the slight waves.


III

Cold Mountain

Whether  a large hill
or officially a mountain
it’s cold on this higher place
wrapped in a land-mist,
the sea waiting in breathless calm
where the horizon has no line,
no edge to mark the sky.

Any warmness illusory,
in sight of sun brightening a field
far distant, but not here,
where waiting is the order of the day,
waiting for grass to shine and sparkle,
for bare feet to be comforted
by sweet airs.

Meanwhile the sheep chomp,
the lambs bleat and plead,
the choughs throaty laugh
a shrill punctation, an insistence
that all this is how it is.


IV


China in Wales

In my hermitage
on this sea-slung place,
a full-stop of an island
back-lit illuminated always,
I view the distant mountains,
a chain of three peaks
holding mist to their flanks,
guarding beyond their heights
a gate to a teaming world
I do not care to know.


V


Wales in China

O fy nuw, I thought
my valley only owned such rain,
but here it teams torrential
taking out the paths on this steep
mountain side. Mud
everywhere it shouldn’t be.
Everything I touch damp and dripping.
No promise of pandas here.
And there’s this language like the chatter of birds,
whilst mine is the harsh sibilants of sheep
on the hill, the rasp of rooks on the cliffs.


VI


Boy on the Beach

Heard before seen
the boy on the beach,
a relentless cry
of agrievement, of
being badly done to.
This boy on the beach

following his mother
at a distance
then no further.
‘I hate you, ‘ he screams,
and stops,
turning his back on the sea,
folding his arms,
miserableness unqualified,
no help or comfort
on the horizon he cannot see.
It is attrition by neglect.
He becomes silent, and called
from a distance, relents
and turns.


VII


The Poet

Austere, his mouth
moved so little when he spoke,
you felt his words
were always made in advance,
scripted first
and placed on the auto-cue.
Ask a question: and there’s a long pause

as though there lies
the possibility of multiple answers
and he’s running through the list
before he speaks, his antenna
trained on the human spirit,
full of doubt, doubting even
belief itself.


VIII


A Gathering

Thirty, maybe forty
and not in a lecture room
but a clubhouse for the sailing
look you. And we did,
out of the patio doors
to the sun-flecked sea below us,
here to honour a poet’s life and work
in this village of the parish he served
at the end of the pilgrim’s path .

Pilgrims too, of a kind, we listened  
to the authoritative words
of scholarship where ironing
the rough draft found in the bin,
explaining the portrait above the bed,
balancing the anecdotal against the interview,
reading the books he read
become the tools of understanding.

But the poems, the poems
silence us all, invading the space,
holding our breath like a fist.



IX


In the Garden

He came alone to sit in the garden
and remember the day
when, with the intimacy of his camera,
he took her, deep into himself;
her look of self-possession,
of calmness and confidence,
augmented by butterflies
motionless on the wall-flowers,
and the soft breath of the blue sea,
her soft breath, her dear face,
freckled so, his hand trembling
to hold the focus still.


X


The Couple from Coventry

Young beyond their years
and the house they had acquired
but only to visit at weekends for now,
they drove four hours to open the gate
on a different life, a second home
requiring repairs on the roof
and replastering throughout.

With their dog they were walking
the mountain paths, checking out the views,
returning to the quiet space
their bed filled in an upstairs room
echoing of birth and death:
to experiment further with loving
before the noise and distraction
of children swallowed up their lives.


XI


On Not Going to Meeting

There was an excuse:
a fifteen mile drive
and a wet morning.
He had a book, a journal
that might focus his thoughts
towards that communion of souls:
a silence the meeting of Friends
sought and sometimes gathered.

These experimental words
of a man who felt he knew
‘I had nothing outward
to help me,’ who then, oh then,
heard a voice which said,
‘There is one, even Christ Jesus,
that can speak to my condition
. . .  who has the pre-eminence,
who enlightens and gives grace
and faith and power.’


XII


New Life

From behind its mother
the calf appeared
tottering towards the gate,
but after a second thought,
deeming curiosity inappropriate,
turned back to that source
of nourishment and life.


XIII


A Walk on Treath Pellech

Good to stride out.
Good to feel unencumbered
by the unconfining space
of beach and sea, a shoreline
littered with rocks and shallow pools,
sea birds flocking at the tide’s edge.

Alone he sought her small hand
and wished her there over time and space
so to observe what lay at his feet,
that he might continue to look
into the distance with a far-flung gaze.


XIV


The Owl Box

James put it there.
One of forty
all told but
empty yet.
‘We live in hope,’
he said.

Slung from a bough,
bent and bowed,
on a wind-shaped tree,
a hawthorn blossoming still,
(inhabited by choughs a’nesting)
the box hangs waiting
for its owl, her eggs,
her fledgling young
who are not hatched together
but are staggered as though
to give the mother owl some
pause for thought.

Meanwhile the nesting choughs
tear the air with tiresome croaks,
a bit of rough these black characters,
neighbours soon to the delicate mew,
the cool, downy white of the Athene noctua.

I am the night
casting darkness upon the sky
to cry your tears for you and  
put a death to your demise
I will rinse your hands, when you are lifeless
lay inside of me - close your eyes

I am your sun
giving you life, striving to make your seeds grow
I hold my soft rays out to you, please - come
casting eminence upon your sadness
putting a warmth in your madness
I have so much to give you

Nothing can break me from you
I am your book, your lines are written within me
you are the farmer who pressed the grapes with your bare feet
and I am your wine, the product of your labor
here to ease your senses at the end of your day
forget about that rough past, give it to me to swallow

I am your wolf, black and white
I am your lion
I am your army, rest your tiered hands upon my back
I am your proud slave
I kiss your ankles

you are my knuckles
you are my veins- blue and incoherent
you are the vitality that strikes so viciously in me
keeping me breathing on this vast planet
trembling spirits, I softly place my head beneath yours
calmly like sea **** floating in salt water

you are every faint color, drained and impotent
so filled with death and soft laughter
you filter out streaks of exuberant light
blinding me with its brightness
oh when you smile, the starving are no longer hungry
the revolting become the most beautiful things
you turn a beasts heart into a hero's

you are the wisdom that flows through the natives
light like a feather, you move around hungrily on
these cloud sheets.


my eyes are so filled with your eyes
I am a tree standing in the forest you came from
I am a flower in your field
I am a drop of water in your ocean
I am your armor and your shield

kiss me tightly, hang your soft touches at my door
I will bleed these thoughts
till my hearts dust
and soul
sore

He never knew how it felt 
like to be loved. This heart 
of his could only emit it. Born 
with no hands and feet. He could 
only breathe and fabricate amity. 
This girl with her tiffany blue ribbon 
on her hair, drifts him into the ocean of 
her blue aqua eyes. Struck by her 
glance with that ethereal smile akin to 
the moon-crescent. He just knew he wants 
to be with her presence.

She fell for his hazelnut brown 
eyes. As they reminded her of wolves 
howling in the dead of night to the silver 
moon. Shape shifting and bones breaking 
his body is left every night shaking and
aching. He never gave her much information 
about his transformation. “You are my 
moon and ill forever howl to you” he softly 
said.

Sitting on the rooftop where he fathom northern lights will appear in the black night, emitting colours of hope with stars like freckles glinting like they know his wish.
His only wish is to have hands & feet. So the girl with blue aqua eyes would gleam at him like the moon elegant in her eminence.

Knowing her would make him feel 
alive instead of blind , useless and dead. 
"Hold me through the night and cradle me 
like a baby in bed". "You're all that's in my 
head he said. With you I become no longer
blind". "I just feel stronger and refine. Shine 
down your light on me" he said.

As the sun rises waking souls back to their homes. 
Rays of fervour stained on souls who lost hope
Giving them the miracle they hope to prevail.
As he woke up with both hands & feet
He was no longer bounded by stigma in defeat.
He almost died when he held his breath for the longest time. 
When he saw her, the girl with blue aqua eyes said, "Honey, Get up wolf boy it's time to eat."

He was living a dream within a dream
A nightmare filled with fantasies.
He knew then she was the moon gleaming.
Staring at his wife, mesmerized
**That was when he felt that she has brought him back to life.~

That girl held dearly,
Soon crawling  in the yard;
Eating grasshoppers like Einstein,
Might change our world.

That boy slurping soup
With no thought of seasoning,
Spooning ferociously.
He'd pass Edison's test of reasoning.

Your teen may dwell on video screens
With keenness as he shoots;
Fischer was the same, I hear,
When mating his pursuits.

Our youth mould with nuance
Unknown or heard;
Like Beatles when they sang their story,
Changed our world with words.

You see that child with quiet demeanour,
Shy, wise and independent;
Misunderstood and fiercely inner,
Strong-willed and confident:
How could that child hurt himself!
She might think of suicide!
What is it that we recognize
Only when they've died.

Sometimes the precocious go on display,
The kind kind, not the snide,
They reason well, abstractly think,
Still, they're lacking pride.
Although this child loves the test,
She'll play piano with the best.

Nose in the shelves or cheering,
Joining clubs or donning jerseys,
This one belongs to many groups,
Can “stand one” in the pub.
Friends get a wink or inside joke.
Their loyalty counts when they vote.

The flower vender didn't know
When selling flowers to Van Gogh,
His flowers would always grow.

The orchard worker had a flaw,
He left the apples far too long.
Now we've Newton's Law.

In the bar fight, glass was broken,
Swept out with the rubble.
Copernicus saw that glass that day
Now we have the Hubble.

We know parents rarely see
The true presence of a genius;
But we live in fortunate times
We get it when we see it.
Like sitting in a Hawking's lecture,
Having Cohen sing to us;
Some who voted for Gandhi,
Can still watch Messi play.
Old men fish with Hemingway
When they read his book,
We can watch a Hitchcock,
When brave enough to look.
We sit through Lear
And hear Shakespeare,
Or tour St. Paul's with Wren;
Stand and stare at  Dali
Until the world unbends.
Or just walk Rome.
You may even find one
Sitting at home.

Rely on natural ability.
Persistence precedes reputation;
Provide the extras and common sense,
And love will lead to eminence.

Children breathe our same air,
But  exhale differently;
Genius can be found right here,
Before posterity.

On the left side of due diligence
by the lake that's called
impermanence,
is the one they call,
His Eminence,
and he stands
alone in ignorance.

The bishops look much finer with
their bibles bound in
China and feet soled in the
markets of God forsaken
foreign places.

Faces look towards him
and the penitent adore him.
but a score or more would take him
to the lake and then
desert him.

And on the cold fields of a calvary
where the saints survive,
it bothered me,
that the only thing that I could see
were the bishops in their finery.

Warrior to dark's most daunting dreams
savior from thoughts that run too deep
Terrify, not one dares it seems
brings panacea to night's sleep

Beacon for flailing ships asea,
the Ana of fifty shades Grey
Beauty saving the nocturne beast
keeps subconscious demons at bay

Catches every breath with her smile
as summer's sun, a heart it warms
Intensity not seen awhile
quells the worst of fierce thunderstorms

Her touch, akin to the spring's rain
gently blooming buds to flowers
Still, mental images are vain
ne'er experience her powers

Shan't romance, ******, love, or hold
hear her voice, feel her aura's beams
Suppose I could, though not so bold
so she must stay within my dreams

The level of betrayal
Hit me on multiple levels
Beyond the shadows,
Was it the Devils kiss
Those moonlit craters,
in the gallows,
That created those layers
In the mountains of the Himalayas,
Will they ever tell us,
The secrets lost within those meadows
Flourishing down at base camp.
Flying those false flags in eminence,
whilst were sentenced in the highlands.

Hidden haters,
Camouflaged in winter colours,
the mesa range
a inhabited massif,
A hint of frostbite,
That in hindsight could cost lives,
of those trapped beneath the icy nights.

The snowfall is just drop of ice,
Stinging the eyes of those blinded
by the shards of glass icicles in the avalanche.
A ridge away from the mountain range safety nets.
Disrespected tor of mother natures indignation.
Only the indigenous survive.

Yet in the flames of exasperation,
In the footsteps of evanesce,
A liquesce renders the snow storm useless,
as the sun melts the inundation of the snow slide.

An aubade ray takes over the landscape,
oxidating snowflakes one by one like a machine guns wake.

The temperate rise coincides with the rise of hope within the atmosphere.
The patterns clear and the same mistakes will be made over and over again
until the atmosphere is damaged so severe;

The sun itself will cry a tear.

Rising from the darkness,
the evergreen dilemmatic soul
waking from the displeasures
bound by reluctance.

And slowly it slithers
upon the filth in life
only to fall back
into the reverie.

Disgraced eminence,
of this priceless concoction.
Enigmatical views,
but doomed by nature.
Born to change,
with time , with people.
To stay phlegmatic 
as it writes its own destiny.

Dreams of falling into
the lap of luxury
like any ordinary soul.
But with a hint of transgression.

No robotic means,
just emulation.
Pulled by the ties of
prevalence.

Swindler of identity,
benevolent of jauntiness.
Passes through many loops
of croquet.
Yet saves its inscrutable soul
from the disrespectful world.

1421

Such are the inlets of the mind—
His outlets—would you see
Ascend with me the eminence
Of immortality—

I thought I'd take a walk today,
down the road,
around the block.
Detach myself,
go where I feel,
not where I think.

I found myself under dimly lit street lamps,
questioning the lamps ferocity.
Man strives for evolution,
and around me it stands,
a testament to our ferocity,
our everlasting battle to be better.
Yet it feels so limp,
a dim light like a wisp of wind.
Not a raging fire,
a lions roar.

How great are we really?
Are the edifice of our time a testament to our eminence?

I stare into the window of a home.
On the television,
damnation.
A preacher and a parishioner,
absorbing the rhetoric.

One might think nothing of it,
but everything has a motive.

As I round the bend,
I think to myself an old idiom,
"the spirit is willing, but the flesh is weak".
Our evolution is stalled under the impression that these edifice represent progress.
Alas, our minds remain stale.
Thousands of years of blood,
greed and deceit,
rest under dimly lit street lamps,
unseen and ignored.

...

Thou know'st my praise of nature most sincere,
And that my raptures are not conjur'd up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken'd to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern'd
The distant plough slow moving, and beside
His lab'ring team, that swerv'd not from the track,
The sturdy swain diminish'd to a boy!
Here Ouse, slow winding through a level plain
Of spacious meads with cattle sprinkled o'er,
Conducts the eye along its sinuous course
Delighted. There, fast rooted in his bank,
Stand, never overlook'd, our fav'rite elms,
That screen the herdsman's solitary hut;
While far beyond, and overthwart the stream
That, as with molten glass, inlays the vale,
The sloping land recedes into the clouds;
Displaying on its varied side the grace
Of hedge-row beauties numberless, square tow'r,
Tall spire, from which the sound of cheerful bells
Just undulates upon the list'ning ear,
Groves, heaths and smoking villages remote.
Scenes must be beautiful, which, daily view'd,
Please daily, and whose novelty survives
Long knowledge and the scrutiny of years.
Praise justly due to those that I describe.

...

But though true worth and virtue, in the mild
And genial soil of cultivated life,
Thrive most, and may perhaps thrive only there,
Yet not in cities oft: in proud and gay
And gain-devoted cities. Thither flow,
As to a common and most noisome sewer,
The dregs and feculence of every land.
In cities foul example on most minds
Begets its likeness. Rank abundance breeds
In gross and pamper'd cities sloth and lust,
And wantonness and gluttonous excess.
In cities vice is hidden with most ease,
Or seen with least reproach; and virtue, taught
By frequent lapse, can hope no triumph there
Beyond th' achievement of successful flight.
I do confess them nurseries of the arts,
In which they flourish most; where, in the beams
Of warm encouragement, and in the eye
Of public note, they reach their perfect size.
Such London is, by taste and wealth proclaim'd
The fairest capital of all the world,
By riot and incontinence the worst.
There, touch'd by Reynolds, a dull blank becomes
A lucid mirror, in which Nature sees
All her reflected features. Bacon there
Gives more than female beauty to a stone,
And Chatham's eloquence to marble lips.

...

God made the country, and man made the town.
What wonder then that health and virtue, gifts
That can alone make sweet the bitter draught
That life holds out to all, should most abound
And least be threaten'd in the fields and groves?
Possess ye therefore, ye who, borne about
In chariots and sedans, know no fatigue
But that of idleness, and taste no scenes
But such as art contrives, possess ye still
Your element; there only ye can shine,
There only minds like yours can do no harm.
Our groves were planted to console at noon
The pensive wand'rer in their shades. At eve
The moonbeam, sliding softly in between
The sleeping leaves, is all the light they wish,
Birds warbling all the music. We can spare
The splendour of your lamps, they but eclipse
Our softer satellite. Your songs confound
Our more harmonious notes: the thrush departs
Scared, and th' offended nightingale is mute.
There is a public mischief in your mirth;
It plagues your country. Folly such as yours,
Has made, which enemies could ne'er have done,
Our arch of empire, steadfast but for you,
A mutilated structure, soon to fall.

I heard someone whisper "he's such an arrogant *****" as I entered.
Those crooked sons of ******* don't have any idea,
I'm the kind you hardly ever come across except in winters,
when all the street rats are begging for heat.
I command attention at the head of the table,
I am the head of the table,
and sever the head to **** the municipal body.
The wigs and robes and gavels I accessorize command it too.
When I sign things I do it haughtily,
I carefully etch each and every ******* letter onto writs of demand.

I stand!
A hush lingers,
I catch the eyes of Walter Weiss, he lies with every breath
and did you know he is unfaithful to his wife? I heard.
the shudders are shut, my druthers. Oh, Walter!
notarize my forms of annexation, please.
and take down this:
To whom it may concern:

You have 7 days to remove yourself from the premises
as you are aware of the edict that preexists
and preempts your residence
and your squalor misrepresents
your laziness.
Signed: The holding powers, in eminence.

Oh Walter Weiss, address it to yourself!
I pride myself on tact.
And package with the writ this evidence form
sent to my office following a secret examination
conducted by the Department of Residential Safety and Heath.

Do not bother me with demoralizations, Walter!
Due to discourse with the Act of Discontinuation,
(which of course is subject to broad generalizations)
the lien sector of the Savings and Loan Association
have concluded you are found in violation of, through reasoning by generalization,
failing to pay duties on your mortgage issued by the Federal Deposit Insurance Corporation.

Oh, Walter, how distressing!
Don't falter, acquiescing
is always the way.
Just never, ever forget to pay.

Flamboyancy and wit
     Such things are of attribute
But one can only imagine!
     Imagine that there was this.

Aphrodite has walked
     On your toes
But then to imagine
     That life would grant
Such fortune as to be
     Graced with such misery

But this Flamboyancy and wit--
     Where can I find it?      
Where must i go; but to
     The ends of this world

No--

You see, this Flamboyancy
     Found in all it's buoyancy
Among my mind, it
     Found all it's Flamboyant wit
Just treading by; and then
     it sat at my side in
All it's marvelous, buoyant
     wight
In all it's marvelous, buoyant
     wit.

So locks of perfection,
     Crispy and brown
Armored at the teeth
     I wouldn't say more than
Could be meant, but I meant well
     As it was a fancy

I've touched this crisp and
     It is, but the softest--
Just the greatest of all
     Things--
Setting the standard
     And there
It sat to my right...

So there's this elaborate Charm
     Such flamboyant carelessness
This luxuriant eminence
     Of pure intellect
Sports-y and adequate
     Not in my reach

But this Flamboyancy and style!
     Such wit in her words
Such grace in her laugh
     Such power in that mind
And those witty words are
     Sharper than paper
For paper cuts hurt more than
     The broken bone
And paper cuts can hinder
     more than crutches

And Beelzebub does the devil
      Set aside,
For hers stare is innocence
      That moves mountains
As the hand of God did
     And melted Hell's fire
As the ice from Pluto might

Yet no Asclepius is of help
     At the sharp pound of her eye
You'll land in a comma
     You'd dream of more grace--
Like an angelic Succubus
     That kills with innocence

And this Flamboyancy,
     This wit--
It sat right at my right
     But my inept pliancy
Will find itself in a buoyant
     Force of a thousand
Jedi and of a strength that
     Only the proper charisma
Could ever properly
     Sustain--

And until such appears
     I'll just worship that allure--
That accidental allure
     Of Universal forces
As that of which is found the second
     Iron is formed in a Red Giant

Nothing else would
     Please me more...

It's just four words
But his knees are up his lips
Afraid it might not work in the long run
If she leaves one day
Will he ever find love again?
He loves her like the ocean waves kissing the shore
Like the sun burning despite sleeping but his love beating with fervor
For the gleaming moon with elegance in its eminence
But these four words are impossible for him to speak
"Will you marry me?"
Might never cease to exist

He doesn't know where to begin, for these four words overwhelm him
Flooded with excitement but doused in fear, losing his train of thought when she's near
His love for her burns a flame so bright, lighting up the darkest of nights
He thinks to himself, "we've leaped the hurdles of three words, I love you, I can do these four"

He imagined the first night with her
Will be the most intimate, not ***
But just being with her in bed
Pillow fights to jumping on springs
Talking until the sun rises
Knowing that this will be forever
With these reveries in his head
He cast aside all the enmities and fear inside
Looking at that Tiffany & Co Heart shaped diamond
He called her and said to himself
"This is it. I can do this."

Into the room she glides, glowing like an angel descending from heaven
With a questioning expression, exploring him up and down
She asks "Yes my love?"
With the confidence of kings, he kneels before his queen
Before a word slips his mouth, diamond rivers glisten
Streaming down her scarlet cheeks, he reaches out to her hand
*"Sweetheart, I would like to ask for your hand,
Will you be mine forever?"

In the ears of mine intention
and heart of my affection
heavier are thy words
than Mike Tyson's punches:
they struck my feelings
hard, breakimg the chords
and jaws of my passion.

Truck of snobbish display . . .
. . . plight blighted . . .
       crestfallen.

Should the sis linger more
in my marooned mind,
who hath belittled my person
and social worth?

Though i'm no Knight--
matter of fact, truly--
neither a nobleman, Miss Beauty,
with riches and a badge
of honour to show forth
my position, eminence and prestige:

wheeling thee about in a Rolls Royce
to diverse paradise of your choice;

yet deserve i no scorn of lips,
high lady,
even if belong nay to the gentry.

I foster an incremental relation to the cosmos, enticed regularly by its indefiniteness and appeal.
Its evolutions, innate behaviors, and formidable sciences are recompense for earth’s meager discrepancies.
I often engage in the caprice to dismount much dissatisfaction by the constancy of riveting celestial events.
These beings possess no artificiality.
Its prophetic order, ornate and stupendous architectural facets have allowed a crescendo of dispositional hysteria.

Prosaic imprecations are deduced from its auxiliary wherewithal.
There is no contrition in immersing in enthrallment nor is there fickleness in trust.

Magnificent bodies orbit in finesse and probability, achieving universality and control.

Though these incitements are exponentially cheering, my origin is but connoted in despondency.

Usurpers and ill-suited vandals proliferated by the intemperance of the Ptolemaic discipline.
Rustics, miscreants and idle minds misdirected by less virtuous planetary derision.
My cognitive severity asserted by ominous consummation.

Oh how these preponderant truths confine me unfortunate.

Soliloquy is but an affliction amidst this era of anachronistic reign.
Grandiose passivity is intolerable at this time.

I plan to dichotomize my adamant fate from precepts and conditions anew.
The deposition of malfeasant kings will be sought.

Ploys I have already configured; propagation is near to instigation.

I will exhort my ascent to prime eminence.
The stars will sanction me to a rightful end.

Protected by your existence like a canopy of green,
Shielded from the relentlessness of the driving sun,
I pass alone in this wood,
My own existence of no consequence to you.

My verdurous being, a revered reflection of yours,
Purposefully strides through this untrodden thicket.
A determined will is mine,
Emboldened by the prominence of your own stature.

Yours is a mettle tested by the summer tempest,
Cultivated in the rich soil of the ancient detritus -
An earned eminence,
Beyond the grasps of many adoring hands.

Reaching is just a feeble attempt at an earthly yearning;
Your presence in my mind is a more satisfying ownership.
It is what you are that I own,
Taken away only by being untrue to yourself.

i

I shalt consecrate one as mine empress
As she sitteth high up upon her throne;
She shalt be the ruler of mine dominion
An abode aloft the Earthling's decor below.

ii

I shalt put upon her eminence gracefully
A castle tiera upon her frowning head;
Wherein when one's shalt tryeth to hurt her
I'll giveth mine life, to protecteth mine wife's bed.

iii

And we shalt wander on the streamside
Whilst ourn harp-player's strum for us in ourn court;
Sipping on wine, of amare divine
Ourn spirit's and finger's, locked with none remorse.

iv

Though tis this is all just an illusion
Hoping for one day, mine empress to awaketh from her sleep;
Wherein wherever she shalt be, I cant findeth her
I thinkest I am dead, Maby asleep?



©Brandon nagley
©Lonesome poet's poetry