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howard brace Aug 2013
"A leisurely breakfast" their mother would admonish, "aids digestion and builds strong bones..." so what with the imposed inactivity every morning, boredom broken only by Sockeye the family Spaniel, whose want of table manners coincided very conveniently with mealtimes... as he paced restlessly under the table, slobbering indiscriminately in his daily scramble to devour every dangling morsel before supply and demand shut up shop for the night and went home, far tastier... he gobbled down the latest offering of egg white, than the remnants of his own dietary allowance, they just had to get the timing right that was all, or risk loosing a finger, or gaining one depending upon who was doing the dangling, or who was doing the gobbling... he gave an indignant sneeze, not so much a hint but more of a... 'what's with the pepper malarky...'  So that it was only with a good deal of snappy hand coordination, lengthy digestion and sturdy bone building that Rocky was finally able to extricate himself from the table and make the most of what little time remained until lunchtime, meagre time indeed for the Rocky's of this world to hang around with their dogs, leaving their little sisters to help mums do, whatever it was that girls usually did when they should have scooted out of the kitchen faster, when it would have been all so much simpler just to grab a handful of biscuits instead...  Meanwhile, laying in wait in the room above, flat out upon the bedroom counterpane, having recently had their insides stuffed to bursting with a full English breakfast's worth of beach and holiday apparal... and that was just the luggage.    

     The contents of which, up until a week last washday had been snoozing fitfully behind 'Do Not Disturb' signs, cautiously peeping out from the gloomier, more remote recesses of the bedroom dresser, or carefully concealed in cupboards and closets... and being in every other respect by no means readily accessible to public scrutiny of any kind... had been left to their own devices some twelve months earlier with a clear understanding to skip bath nights from that moment on and henceforth immerse themselves in the heady, camphorated pungency of mothball, vowing once and for all never to darken portmanteau lids again... but now, after many hours of arduous laundering and de-fumigation... were now being squeezed and unceremoniously shoe-horned into what had recently become nothing short of an overcrowded sanctuary for the dispossessed.  
              
     Meanwhile, all the luggage asked from life other than be detained under section four of the Mental Health Act, 1983 and be found cosy padded accommodation elsewhere... was to have their interiors vacated, their tranquility reinstated... and with a questionable wink from a dodgy Customs official, have their travel permits invalidated... irrevocably, for despite throwing a double six for a spot of well earned convalescence back on top of the wardrobe some twelve months ago, basking in the shade of a warm Summer Sun, striking up the occasional conversation with the floral decor, third bloom from the left currently answering to the name of Petunia, the still over extended luggage, seemingly with little hope of R & R this side of the letter Q, faced the perennial disquiet of vacational therapy, of being knelt on, sat and bounced upon and be specifically manhandled in ways that matching sets of co-ordinated luggage should not...
                                        
     Tina could be heard quite distinctly in the next street concerning her husbands lack of competence, whilst Red it appeared had become just as outspoken as his wife in that particular direction... as the local self appointed busybody, who lived well within earshot of the address in question would bear witness to as she put feverish pen to paper, writing to what had become a regular... and some would say hot bed of intrigue in the local tabloid concerning how vociferous the once tranquil neighbourhood had become of recent and how certain undesirable elements within the community were to be heard carrying on alarmingly at all hours, day and night... and as she diligently weighed her civic duty against simple household economics as to whether to send this latest block busting eye opener by first or second class post, their parents could now be heard broadcasting, if anything to a wider listening audience than the previous newsflash, some of the more sensational episodes of the previous twenty-four hours as to who was pulling whose suitcase zipper now... although in which direction it should be pulled, they both agreed, wasn't for public disclosure at that time... vowing to draw blood well before the day was out, as three lacerated fingers would later testify and that it was only because of the children that they were going at all... but God willing, they would be setting off very shortly with rosy smiles on their faces for the sole benefit of the neighbours, even if it killed them. 

     Spurred to fever pitch  by this latest 'stop-the-press' newsflash, the same public spirited busybody now threw herself wholeheartedly into further award winning journalism and for the second time that morning took to pen and paper, only now directed to the gossip column in the local Parish Gazette, followed by grievous lamentations of impending bloodshed to the incumbent Chief Constable as to how they'd all be murdered in their beds ere long before nightfall.

     By devouring his water bowl, thereby dispensing with the need for it to be washed and by its abrupt and mysterious absence, disposing of all further incriminating evidence as to where the abundant supply of liquid, now surging copiously across the kitchen floor had sprung from... the flash-flood was hastily making its own getaway beneath the kitchen units, leaving Sockeye to his own devices to carry the can on his own, ankle deep in what up until earlier that morning had been sloshing around quite contentedly in Eccup reservoir.

      Having inadvertently released the handbrake in a boyish gesture of bravado, thereby placing himself in sole charge of a runaway vehicle, Sockeye it appeared was not the only member of the Salmon family to have dropped himself right in it that day as Rocky, having unwittingly placed the following ten years pocket money well out of reach and back into the pockets of his parents dwindling resources, had to a far greater extent nominated himself for the same Earth moving experience as the one his mum would shortly be giving Sockeye...

      Having just been granted licence to do whatsoever it pleased, the vehicle began its leisurely rearwards perambulation down the long garden driveway and by way of small thanks for its new found independence took Rocky along for the ride where due to a certain lack of stature on Rocky's part, at no point had he ever been in the slightest position to influence the Holiday threatening train of events which now engulfed him, never thinking to reapply the handbrake... that would be too easy, he perched on the edge of the seat clutching the steering wheel and stretched out his sturdy little legs in an heroic, but futile attempt to reach the pedals as the family car, which up until any second now had been his fathers pride and joy, pitched backwards at what seemed to Rocky, breakneck speed and directly into a very severe and unforgiving brick wall.

     Almost missing this latest round of entertainment above that of her parents most recent exchange, River accompanied by Sockeye scampered outdoors and slap into what could only be described as the most fun she'd had all year as an unsuspecting "what was that noise" muscled its way through the open bedroom window and fell flat on its face in the garden below and which, if that morning to date was anything to go by, then the neighbourhood would soon be tuning in to the latest Salmon family's 'hot-off-the-press' breaking news bulletin.

     Opening her mouth River hesitated as she fine-tuned the speech centres of her young and delicate synapse into full vocal alignment, then adjusting shutter speed from f8 to automatic she closed her mouth... then opened it once again and informed her brother that if the tip of dads size 9 was an Olympic gold, then Rocky would be sure to take first in the 110 metre hurdling event with 'team GB...' and could she have his autograph... with those words of solid encouragement rattling around his ears like the last biscuit in an otherwise empty tin box, River went skipping back into the house to announce the latest newsflash of her parents next financial happening... which she felt certain would prompt further rounds of thought provoking front page journalism.

     A steady two hours drive away, over on the east coast, the inhabitants of a sleepy fishing community were gainfully employed, pretty much as any other, going about their daily business, one such denizen... a baby crustacean, currently marooned by the tide had taken up temporary accommodation in a beachfront rock-pool property of certain distinction, was as yet unaware of a completely different and obscure set of circumstances that would shortly be rearing his slobbering jowls and bring all four paws, the size of dinner plates, crashing down upon the unsuspecting seashore fauna... was determined while she waited to catch the next high tide home, that until such time that the right wave rolled along, would potter about in the little rock-pool, perhaps indulge herself in a leisurely bathe... and catch up on a spot of therapeutic knitting.

     So, placing the days events since breakfast into perspective...  [i]  the vehicle indemnity provider, henceforth to be named 'the party of the first part', who currently weren't cognisant of an impending claim to date, would shortly be laying eggs attempting to squirm out of all liability, due to  [ii]  the automobile, driven by a minor, fortunately for Salmon senior on private land and henceforth, the aforementioned to be called 'the third party, to the party of the second part...' which urgently needed rigorous cosmetic attention to the rear tail light cluster and surrounding bodywork so as to maintain a favourable resale mark-up price.  [iii]  Having been dragged kicking and screaming from the top of the wardrobe, the luggage had rapidly developed cold feet and cried sudden illness in the family, but were being taken to the Wake anyway.  [iv]  Wrapped around the hot water cylinder since the previous Summer, the various sundry items of holiday apparel stood united, resolute as a Union Picket line not be seen dead looking as though they'd never so much as seen the bottom of a flat-iron.  [v]  Both Red and his wife, Tina, despite wearing the same anaemic smile as the one show to the neighbours as they departed, travelling counter clockwise along the crescent so as not to unduly advertise their recent misadventure with the garage wall, were only going for the sake of the children, whilst  [vi]  River and her errant brother didn't want to go anyway dismayed at leaving the television set behind, were already missing their favourite programs, which only really left  [vii]  'mans-best-friend' who, when he wasn't actually hanging over the front seat giving dad big sloppy licks as though... 'are we nearly there yet' or perhaps... 'I need to stop and spend a penny... or you'll all know about it if you don't,' was more than content to be taking up the majority of the rear seating arrangements and with a delinquent wag of his tail, was deliriously happy to be wherever his family were.**

                                                        ­                             ...   ...   ...

a work in progress.                                                        ­                                                                 ­  1862
Wilkes Arnold Mar 2016
I was relaxed, and deep in thought
The type of talk that silence brought
When just in earshot it rocked,
tick tock
tick tock
"Must be a clock"
I told myself and resumed my thought

Though as the seconds passed I could not,
Despite the will with which I fought
Do to its incessant knock
Tick tock
Tick tock
I searched for the clock
Unable to find the train I sought

I grew more and more distraught
With each and every tick and tock
That find the clock, I could not
As the silence grew more fraught
With the knock,
Tick Tock
Tick Tock
I knew the pain of Lancelot

On and on it ticked and tocked
I cursed at the unseen dreadnought
It no longer merely mocked
But each and every tick and tock
Became an unseen onslaught
TICK TOCK
TICK TOCK
T'was 11 o'clock,
When my heart felt the gunshot

Though the shots I could not block
And on and on the bullets poured
Further into the fray I bored
Each foot a cinderblock
Weighed by war
I slowly walked
Tick Tock
Tick Tock
How I'd make it answer for

Alas
With little blood left to speak for Desperately I implored
"Restrain your hands that caused such gore;
We need not fight evermore!"
But when I heard the ceaseless knock
Tick tock
Tick tock
I new my words had been ignored
And slowly collapsed to the floor

****** and bludgeoned when I hit bed rock, I had still found no clock
But tick and tock it had forgot
The church bell rang t'was 12 o'clock,
Though mortal wounds the seconds wrought
I no longer was distraught
And as I lay in the hemlock
It occurred in my last thoughts
I would miss the beating knock
tick..., tock...
tick..., tock...
First poem looking for feed back critical and complimentary
1.

From our
safe windows,
we crane our necks,
rubbernecking
past the slow
motion wreckage
unfolding in Homs.

We remain
perfectly
perched
to marvel at
the elegant arc of
a mortar shell
framing tomorrows
deep horizon,
whistling through
the twilight to
find its fruitful
mark.

In the now
we keep
complicit time,
to the arrest
of beating hearts,
snapping fingers
to the pop
of rifle cracks,
swooning to
the delicious
intoxication of
curling smoke
lofting ever
upward;
yet
thankfully
remain
distant
enough to
recuse any
possibility
of an
intimate
nexus
with the
besieged.

2.

From our
safe windows,
we behold the
urgent arrivals of
The Friends of Syria
demanding
clean sheets
and 4 Star
room service at a
Tunisian Palace
recently cleaned
and under new
management
promising a
much needed
refurbishment.

The gathered,
a clique of
this epochs
movers and shakers,
a veritable
rouges gallery of
ambassadorial
prelates, Emirs and
state department
bureaucrats
summoned
with portfolio
from the
darkest corners
of the globe.

They are
eager to
sanctify
the misery
of Homs,
deflect and
lay blame
with realpolitik
rationalizations,
commencing
official commissions
of inquiry,
deliberating
grave considerations,
issuing indictments
of formal charges for
Crimes Against
Humanity
while
remaining
urgently
engrossed
in the fascination
of interviewing
potential
process servers
to deliver the bad news
to Bashar al-Assad
and his soulless
Baathist
confederates,
if papers
are to be
served.

Yes, the diplomats
are busy meeting
in closed rooms.

In hushed circles
they whisper
into aroused ears,
railing against
Russia’s
gun running
intransigence
and China’s
geopolitical
chess moves.

Statesmen
boast of the
intrepid justice
of tipping points
and the moving poetry
of self serving tales,
weighing the impact
of stern sanctions
amidst the historical
confusion of the
asymmetrical
symmetries
of civil war.

Caravans
of Arab League
envoys roll up
in silver Bentleys,
crossing deserts
of contradictory
obfuscations,
navigating the
endless dunes
with hand held
sextants of
hidden agendas.

The heroic
Bedouins are
eager to offload
their baggage
and share
on the ground
intelligence from
their recent soirées
across Syria.

They beg
a quick fix,
the triage of a
critical catharsis
to bleed their
brains dry
of heinous
recollections,
pleading
release from a
troubled conscience
victimized by
the unnerving paradox
of reconciling
discoveries of
perverse voyeurism
with the sanctioned
explanations
of their respective
ruling elites.

The bellies
of these
scopophiliacs
are distended;
grown queasy
from a steady diet
of malfeasance
an ulcerated
world parades
in continuous loop;
spewing the raw feeds
of real time misery;
forcibly fed
the grim
visions of
frantic
fathers
rushing
the mangled
carcases
of mortally
wounded
children
to crumpled
piles of smashed
concrete that were
once hospitals.

We despondently
ask how
much longer
must we
look into
the eyes
of starving
children
emaciated from
the wanton
indifference
of the world?


3.

From our
safe windows
we wonder
how much
longer can
the urgent
burning
ambivalence
continue
before it
consumes
our common
humanity in
a final
conflagration?

My hair already
singed by the
endless firestorms
sweeping the prairies
of the world.

How can we survive
the trampling hoards,
the marauding
plagues of acrimony
fed by a voracious
blood lust aspiring to
victimize the people
of Homs and a
thousand cities
like it?


4.

From my safe
window I stand in witness
to the state execution of
refugees fleeing the
living nightmare
of Baba Amr.

The ****** of innocents,
today's newly minted martyrs,
women and children
cornered, trapped
on treacherous roads,
mercilessly
slaughtered and
defiled in death
to mark the lesson
of a ruthless master
enthralled with the
power of his
sadistic fascist
lordship.

I cannot avert my eyes
marking sights
of pleading women
begging for the
lives of their children
in exchange for
the gratification
of a sadists
lust.

My heart
is impaled
on the sharp
spear of
outrage
beholding
careening
children mowed
down with the
serrated blades
protruding
from marauding
jeeps of laughing
soldiers.

I drop
to my knees
in lakes of
tears
reflecting
a grotesque
horror stricken
image of myself.

My eyes have
murdered my soul.

The ghastly images
of Homs have chased
away my Holy Ghost
to the safety of a child's
sandbox hidden away
in a long forgotten
revered memory.


5.

From my safe window
I seethe with anger
demanding vengeance,
debating how to rise
to meet the obscenity of
the Butcher of Damascus.

The sword of Damocles
dangles so tantalizingly close
to this tyrants throat.  

The covered women
of Homs scream prayers
“may Allah bring Bashar to ruin”

Dare I pray
that Allah trip the
horsehair trigger
that holds the
sword at bay?

Do I pick up
the sword
a wield it
as an
avenging
angel?

Am I the
John Brown
of our time?

Do I organize
a Lincoln Brigade
and join the growing
leagues of jihadists
amassing at the
Gates of Damascus?

Will my righteous
indignation fit well
in a confederacy
with Hamas and
al-Qaeda as my
comrades in arms?

Do I succumb to
the passion of hate
and become just
another murderous
partisan, or do I
commend the power
of love and marshal
truth to speak with
the force of
satyagraha?

I lift a fervent prayer
to claim the justice
of Allah’s ear,
“may the knowing one
lift the veil of foolishness
that covers my heart in
cloaks of resent, cure
my blindness that ignores
my raging disease of
plausible deniability
ravaging the body politic
of humanity.”

6.

Indeed,
physician heal thyself.

I run to embrace my
illness.

I pine to understand it.

I undertake the
difficult regimen
of a cure to eradicate
the terrible affliction.

This
pernicious
plague,
subverting
the notion
of a shared
humanness
is a cunning
sedition that
undermines
the unity of
the holy spirit.  

The bell from
the toppled steeples
still tolls, echoing
across the space of
continents and eons
of temporal time.

The faithful chimes
gently chides us
to remove the wedge
of perception that
separates, divides
and undermines.

Time has come
to liberally
apply the balm
that salves the
open wounds
so common to
our common
human condition.

The power of prayer
is the joining of hands
with others racked
with the common
affliction of humanness.

Allah,  
My eyes are wide open,
my sacred heart revealed,
my sleeves are rolled up,
my memory is stocked,
my soul filled with resolve,
my hand is lifted
extended to all
brothers and sisters.
Lift us,
gather us
into one
loving embrace.

Selah


7.

From the safe
windows of
our palaces
we live within
earshot of
the trilling
zaghroutas
of exasperation
flowing from
the besieged
city smouldering
under Bashar’s
symphony of terror.

Our nostrils
fill with the
acrid plumes
of unrequited
lamentations
lifting from the
the burning
destruction
of shelled
buildings.

Our eyes spark
from the night
tracers
of sleeking
snipers
flitting along
the city’s
rooftops.

The deadly jinn
indiscriminately
inject the
paralysis of
random fear
into the veins
of the city
with each
skillful
head shot.

These
ghoulish
assassins
lavish in their
macabre work;
like vultures
they eagerly
feast on the
corpses of their ****,
the stench of bloated
bodies drying in the
sun is the perfume
that fills their nostrils.


8.

From our
safe window
we discern the
silhouettes of militants
still boldly standing
amidst the
mounting rubble of an
unbowed Homs
shouting;

Allah Akbar!!!
Allah Akbar!!!
Allah Akbar!!!

raising pumped fists,
singing songs
of resistance,
dancing to
the revelation of
freedom,
refusing to
be coward by
the slashing
whips of a
butchers
terrible
sword.


9.

From my
safe window
my tongue laps
the pap
of infants
suckling from
the depleted
teats of mothers
who cannot cry
for their dying
children;
tears fail
to well from
the exhaustion
of dehydrated
pools.

10.

From my
safe window
my heart stirs
to the muezzin
calling the
desperate faithful
from the toppled
rubble of dashed
minarets.

We can
no longer
shut our ears
to the adhan
of screams
the silent
voices that echo
the blatant injustice
of a people under siege.


11.

From my
safe window,
I pay
Homage to Homs
and call brothers
and sisters to rise
with vigilant
insistence
that hostilities
cease and
humanity be
upheld,
respected and
protected.


12.

From my safe
window
I perceive
the zagroutas
of sorrow
manifest as a
whiling hum,
a sweeping
blue mist,
levitating
the coffins
from the rubble
of ravaged streets.

The swirling
chorus of
mourning
joins my
desperate
prayers;
rising in
concert
with the
black billows
of smoke
dancing
away
from the
flaming
embers
of scorched
neighborhoods.


13.

From my
safe window
I heed
the fluttering
wings
of avenging
angels
furiously
batting
as they
climb
the black
plumes,
lifting from
the scattered bricks
of the desecrated
city.

It is the
Jacob’s
Ladder
for our
time;
marking
a new
consecrated
place
where
a New Adam
is destined
to be formed
from the
pulverized
stones of
desolation.

14.

From our
safe windows
we peer into
resplendent
mirrors
beholding
the perfect image of
ourselves
eying
falling tears
dripping blood,
coloring death
onto the
blanched sheets
of disheveled beds.


15.

From our
safe windows
our voices are silenced,
our words mock urgency
our thoughts betray comprehension
our senses fail to illicit empathy
our action is the only worthy prayer


16.

From my
safe window
I hear the
mortar shells
walking toward
my little palace,
the crack
of a ******
shot
precedes
the wiz of a
passing bullet
whispering
its presence
into my
waxen
ear.


17.

From my
safe window,
my palms scoop
the rich soil
of the flower boxes
perched on my sill.
I anoint the tender
green shoots of  the
Arab Spring
with an incessant flow
of bittersweet tears.

Music selection:
John Coltrane
A Love Supreme
Acknowledgment

Oakland
2/28/12
jbm
Albero Centrale Apr 2014
"On summer nights the world
moves within earshot
on the interstate with its swish
and growl, an occasional siren
that sends chills through us."

On winter nights the world
rests within earshot
on the country roads with its bumps
and houses, an occasional patter
that sends warmth through us.

On fall nights the world
sneaks within earshot
in the neighborhoods with their friends
and monsters, an occasional growl
that sends fear through us.

On spring nights the world
blossoms within earshot
on the growing trees with their buds
and flowers, an occasional buzz
that sends joy through us.

~Kaylie
In adaptation of Lisel Mueller's poem "Late Hours"
Akemi Jan 2019
The Ache is leaving. Three years languished by dead end jobs, drugs and friends. Last week above a bagel store, the sun morphs mute amidst travelling clouds, indifferent fluctuations of light on an otherwise featureless day.

You arrive a tight knot of anxieties over a moment in time that could only have arrived after its departure. The Ache welcomes you into their sparse interior. You trace last month’s 21st across the black mould complex; navigate piles of stacked boxes, unsure if anything is inside of them.

“I always make the best friends in departure,” the Ache says, flipping a plushy up and down by the waist.

“Maybe you can only love that which is already lost,” you reply, with an insight a friend will give you a week later.

The acid tastes bitter under your tongue. Small marks your body bursting, a glowing radiance of interconnections you’d always had but only now begun to feel. The Ache follows suit and you sit on the couch together to watch .hack//Legend of the Twilight. The come up entangles you in the spectacle; the screaming boy protagonist, the chipped tooth gag, the moe sister in need of saving from the liminal space of dead code. You take part in it; you revel in it. Bodies morph on the surface of the screen in hyperflat obscenity, their parts interchangeable to the affect of the drama. Faces invert, break and disfigure, before reformation into the self-same identity form.

A month earlier, you’d hosted a house show at your flat. Too anxious to perform you’d dropped a tab as you’ve done now. An overbearing sensation of too-much-ness — of sickening reality — washed through the nexus of your being. You writhed on the ground screaming into a microphone as a cacophony of sounds roiled through you. Everyone cheered.

The floor rose later that night. A damp, disgusting intensity that triggered contractions in your throat and chest. Pulled to the ground, you fought off your bandmate’s advances, too shocked to express your revulsion and horror, to react accordingly, to reconstitute a border of consensual sociality. You broke free and slurred “I’m no one’s! I’m no one’s!” before running out of the room. Hours later, you tried to comfort them. Weeks later, you realised how ******* ******* that had been. Months later, you learnt their friend had committed suicide days before the show.

Back in the lounge, a prince rides onto the screen on a pig. You turn to the Ache and say “This is ******* awful.”

The Ache responds “I know right?”

Outside the world burns blue with lustre. The Ache trails you and falls onto their stomach. “Oh my god,” the Ache blurts, “this is why I love acid. Everything just feels right.” They gaze wistfully at the grasses and flowers before them; catch a whiff of asphalt and nectar, intermingled. “Like, gender isn’t even a thing, you know? Just properties condensed into a legible sign to be disciplined by heteronormative governmentality.”

“Properties! Properties!” You chant, stomping around the Ache with your arms stretched out. You wave them in the air like windmills. You bare your teeth. “Properties! Properties!”

“You know what I mean, right?” The Ache asks, pointedly. “You know what I mean?”

You continue chanting “Properties!” for another minute or two, before spotting a slug on a blade of grass beneath your feet. You fall to your knees and gasp “It’s a slug!”

You and the Ache stare at the tiny referent for an indefinite period of time, absorbed in its glistening moistures. Eventually, the Ache says “I think it’s actually a snail.”

You used to read postmodern novels on acid. You loved their exploration of hyperreality; their dissection of culture as a system of meaning that arises out of our collective, desperate attempts to overcome the indifference of facticity. Read symptomatically, culture does not reveal unseen depths in the world, but rather, constitutes shallow networks of sprawling complexity — truth effects — illusions of mastery over an, otherwise, undifferentiated and senseless becoming.

Then one day, the world overwhelmed you. Down the hall, your flatmates sounded an eternal return. As they spoke in joyous abandon you traced the lines from their mouths — found their origin in idiot artefacts of Hollywood Babylon. The joy of abstraction you once relished in your books took on an all too direct horror. You recoiled. You bound your lips in hysteria, for fear of becoming another repeating machine of an all too present culture industry. Better dumb than banal — better to say nothing at all, than everything that already was and would ever be. You cried and cried until everyone left — until you were alone with your silence and your tears and your nonexistent originality.

Dusk falls in violet streaks. You reach your room on the second floor of the building, open the bedside window and stick your legs out into a cool breeze. The Ache joins you. Danny Burton, the local MP, arrives in his van, his smiling bald face plastered on its side like an uncanny double enclosing its original.

“Hey look, it’s Danny Burton, the local MP.” Danny Burton turns his head. He glares at your dangling feet for a few seconds before entering his house. “You know, this is the first time in three years he’s looked at me and it’s at the peak of my degeneracy.” You turn to the Ache. “One of my favourite past times is watching him wander around the house at night, ******* and unsure of himself. He always goes to check on his BBQ.” You bounce on the bed in mania.

“See this is what people do, right?” the Ache says, mirroring your excitement. “Like, look at that lady walking her dog.” The Ache motions, with a cruel glint in their eyes, to the passerby on the fast dimming street. “What do you think she gets out of that? Doing that every night?” Without waiting for you to respond, the Ache answers, in a low, sarcastic tone “I guess she gets enjoyment. Doing her thing. Like everyone else.” The lady and the dog disappear beyond the curve of the road. Another pair soon arrives, taking the same path as the one before.

A few months back, you’d met an old friend at an exhibition on intersectional feminism. After the perfunctory art, wine and grapes, she drove you home, back to your run down flat in an otherwise bourgeois neighbourhood. She sat silent as the sun set before the dashboard, then asked how anyone could live like this; how anyone could stand driving out of their perfect suburban home, at the same time every morning, to work the same shift every day, for the rest of their stupid life. The dull ache of routine; the slow, boring death. You said nothing. You said nothing because you agreed with her.

“Life began as self-replicating information molecules,” you reply, obliquely. “Catalysis on superheated clay pockets. Repetition out of an attempt to bind the excess of radiant light.”

It is dark now; a formless hollow, pitted with harsh yellow lamps of varying, distant sizes. The Ache flips onto their stomach and scoffs “What’s that? We’re all in this pointless repetition together?”

You respond, cautiously “I just don’t think that being smart is any better than being stupid; that our disavowed repetitions are any worthier than anyone else’s.”

The Ache returns your gaze with an intensity you’ve never seen before. “Did I say being smart was any better? Did I say that? Being smart is part of the issue. There is no trajectory that doesn’t become a habitual refrain. When you can do anything, everything becomes rote, effortless and pointless.

“But don’t act as if there’s no difference between us and these ******* idiots,” the Ache spits, motioning into the blackness beyond your frame. “I knew this one guy, this complete and utter ****. We went to a café, and he wouldn’t stop talking about the waitress, about how hot she was, how he wanted to **** her, while she was in earshot, because, I don’t know, he thought that would get him laid.

“Then we went for a drive and he failed a ******* u-turn. He just drove back and forth, over and again. A dead, automatic weight. A car came from the other lane, towards us, and waited for him to finish, but he stopped in the middle of the street and started yelling, saying **** like, ‘what does this ******* want?’ He got out of his car, out of his idiot u-turn, and tried to start a fight with the other driver — you know, the one who’d waited silently for him to finish.”

You don’t attempt a rebuttal; you don’t want to negate the Ache’s experience. Instead, you ask “Why were you hanging out with this guy in the first place?”

The Ache responds “Because I was alone, and I was lonely, and I had no one else.”

It is 2AM. Moths dance chaotic across the invisible precipice of your bedside window, between the inner and outer spaces of linguistic designation. There is a layering of history here — of affects and functions that have blurred beyond recognition — discoloured, muted, absented.

In the hollow of your bed, the Ache laughs. You don’t dare close the distance. Sometimes you find the edges of their impact and trace your own death. All your worries manifest without content. All form and waver and empty expanse where you drink deeply without a head. Because you have lost so much time already. And nothing keeps.

Months later, after the Ache has left, you will go to the beach. You will see the roiling waves beneath crash into the rocky shore of the esplanade, a violence that merges formlessly into a still, motionless horizon, for they are two and the same. You will be unable to put into words how it feels to know that such a line of calm exists out of the pull and push of endless change, that it has existed long before your birth and will exist long after your death.

The last lingering traces of acid flee your skin. Doused in tomorrow’s stupor, you close your eyes. You catch no sleep.
“Self-destruction is simply a more honest form of living. To know the totality of your artifice and frailty in the face of suffering. And then to have it broken.”
“After we were clear of the river Oceanus, and had got out into
the open sea, we went on till we reached the Aeaean island where there
is dawn and sunrise as in other places. We then drew our ship on to
the sands and got out of her on to the shore, where we went to sleep
and waited till day should break.
  “Then, when the child of morning, rosy-fingered Dawn, appeared, I
sent some men to Circe’s house to fetch the body of Elpenor. We cut
firewood from a wood where the headland jutted out into the sea, and
after we had wept over him and lamented him we performed his funeral
rites. When his body and armour had been burned to ashes, we raised
a cairn, set a stone over it, and at the top of the cairn we fixed the
oar that he had been used to row with.
  “While we were doing all this, Circe, who knew that we had got
back from the house of Hades, dressed herself and came to us as fast
as she could; and her maid servants came with her bringing us bread,
meat, and wine. Then she stood in the midst of us and said, ‘You
have done a bold thing in going down alive to the house of Hades,
and you will have died twice, to other people’s once; now, then,
stay here for the rest of the day, feast your fill, and go on with
your voyage at daybreak tomorrow morning. In the meantime I will
tell Ulysses about your course, and will explain everything to him
so as to prevent your suffering from misadventure either by land or
sea.’
  “We agreed to do as she had said, and feasted through the livelong
day to the going down of the sun, but when the sun had set and it came
on dark, the men laid themselves down to sleep by the stern cables
of the ship. Then Circe took me by the hand and bade me be seated away
from the others, while she reclined by my side and asked me all
about our adventures.
  “‘So far so good,’ said she, when I had ended my story, ‘and now pay
attention to what I am about to tell you—heaven itself, indeed,
will recall it to your recollection. First you will come to the Sirens
who enchant all who come near them. If any one unwarily draws in too
close and hears the singing of the Sirens, his wife and children
will never welcome him home again, for they sit in a green field and
warble him to death with the sweetness of their song. There is a great
heap of dead men’s bones lying all around, with the flesh still
rotting off them. Therefore pass these Sirens by, and stop your
men’s ears with wax that none of them may hear; but if you like you
can listen yourself, for you may get the men to bind you as you
stand upright on a cross-piece half way up the mast, and they must
lash the rope’s ends to the mast itself, that you may have the
pleasure of listening. If you beg and pray the men to unloose you,
then they must bind you faster.
  “‘When your crew have taken you past these Sirens, I cannot give you
coherent directions as to which of two courses you are to take; I will
lay the two alternatives before you, and you must consider them for
yourself. On the one hand there are some overhanging rocks against
which the deep blue waves of Amphitrite beat with terrific fury; the
blessed gods call these rocks the Wanderers. Here not even a bird
may pass, no, not even the timid doves that bring ambrosia to Father
Jove, but the sheer rock always carries off one of them, and Father
Jove has to send another to make up their number; no ship that ever
yet came to these rocks has got away again, but the waves and
whirlwinds of fire are freighted with wreckage and with the bodies
of dead men. The only vessel that ever sailed and got through, was the
famous Argo on her way from the house of Aetes, and she too would have
gone against these great rocks, only that Juno piloted her past them
for the love she bore to Jason.
  “‘Of these two rocks the one reaches heaven and its peak is lost
in a dark cloud. This never leaves it, so that the top is never
clear not even in summer and early autumn. No man though he had twenty
hands and twenty feet could get a foothold on it and climb it, for
it runs sheer up, as smooth as though it had been polished. In the
middle of it there is a large cavern, looking West and turned
towards Erebus; you must take your ship this way, but the cave is so
high up that not even the stoutest archer could send an arrow into it.
Inside it Scylla sits and yelps with a voice that you might take to be
that of a young hound, but in truth she is a dreadful monster and no
one—not even a god—could face her without being terror-struck. She
has twelve mis-shapen feet, and six necks of the most prodigious
length; and at the end of each neck she has a frightful head with
three rows of teeth in each, all set very close together, so that they
would crunch any one to death in a moment, and she sits deep within
her shady cell thrusting out her heads and peering all round the rock,
fishing for dolphins or dogfish or any larger monster that she can
catch, of the thousands with which Amphitrite teems. No ship ever
yet got past her without losing some men, for she shoots out all her
heads at once, and carries off a man in each mouth.
  “‘You will find the other rocks lie lower, but they are so close
together that there is not more than a bowshot between them. [A
large fig tree in full leaf grows upon it], and under it lies the
******* whirlpool of Charybdis. Three times in the day does she
***** forth her waters, and three times she ***** them down again; see
that you be not there when she is *******, for if you are, Neptune
himself could not save you; you must hug the Scylla side and drive
ship by as fast as you can, for you had better lose six men than
your whole crew.’
  “‘Is there no way,’ said I, ‘of escaping Charybdis, and at the
same time keeping Scylla off when she is trying to harm my men?’
  “‘You dare-devil,’ replied the goddess, you are always wanting to
fight somebody or something; you will not let yourself be beaten
even by the immortals. For Scylla is not mortal; moreover she is
savage, extreme, rude, cruel and invincible. There is no help for
it; your best chance will be to get by her as fast as ever you can,
for if you dawdle about her rock while you are putting on your armour,
she may catch you with a second cast of her six heads, and snap up
another half dozen of your men; so drive your ship past her at full
speed, and roar out lustily to Crataiis who is Scylla’s dam, bad
luck to her; she will then stop her from making a second raid upon
you.
  “‘You will now come to the Thrinacian island, and here you will
see many herds of cattle and flocks of sheep belonging to the sun-god-
seven herds of cattle and seven flocks of sheep, with fifty head in
each flock. They do not breed, nor do they become fewer in number, and
they are tended by the goddesses Phaethusa and Lampetie, who are
children of the sun-god Hyperion by Neaera. Their mother when she
had borne them and had done suckling them sent them to the
Thrinacian island, which was a long way off, to live there and look
after their father’s flocks and herds. If you leave these flocks
unharmed, and think of nothing but getting home, you may yet after
much hardship reach Ithaca; but if you harm them, then I forewarn
you of the destruction both of your ship and of your comrades; and
even though you may yourself escape, you will return late, in bad
plight, after losing all your men.’
  “Here she ended, and dawn enthroned in gold began to show in heaven,
whereon she returned inland. I then went on board and told my men to
loose the ship from her moorings; so they at once got into her, took
their places, and began to smite the grey sea with their oars.
Presently the great and cunning goddess Circe befriended us with a
fair wind that blew dead aft, and stayed steadily with us, keeping our
sails well filled, so we did whatever wanted doing to the ship’s gear,
and let her go as wind and helmsman headed her.
  “Then, being much troubled in mind, I said to my men, ‘My friends,
it is not right that one or two of us alone should know the prophecies
that Circe has made me, I will therefore tell you about them, so
that whether we live or die we may do so with our eyes open. First she
said we were to keep clear of the Sirens, who sit and sing most
beautifully in a field of flowers; but she said I might hear them
myself so long as no one else did. Therefore, take me and bind me to
the crosspiece half way up the mast; bind me as I stand upright,
with a bond so fast that I cannot possibly break away, and lash the
rope’s ends to the mast itself. If I beg and pray you to set me
free, then bind me more tightly still.’
  “I had hardly finished telling everything to the men before we
reached the island of the two Sirens, for the wind had been very
favourable. Then all of a sudden it fell dead calm; there was not a
breath of wind nor a ripple upon the water, so the men furled the
sails and stowed them; then taking to their oars they whitened the
water with the foam they raised in rowing. Meanwhile I look a large
wheel of wax and cut it up small with my sword. Then I kneaded the wax
in my strong hands till it became soft, which it soon did between
the kneading and the rays of the sun-god son of Hyperion. Then I
stopped the ears of all my men, and they bound me hands and feet to
the mast as I stood upright on the crosspiece; but they went on rowing
themselves. When we had got within earshot of the land, and the ship
was going at a good rate, the Sirens saw that we were getting in shore
and began with their singing.
  “‘Come here,’ they sang, ‘renowned Ulysses, honour to the Achaean
name, and listen to our two voices. No one ever sailed past us without
staying to hear the enchanting sweetness of our song—and he who
listens will go on his way not only charmed, but wiser, for we know
all the ills that the gods laid upon the Argives and Trojans before
Troy, and can tell you everything that is going to happen over the
whole world.’
  “They sang these words most musically, and as I longed to hear
them further I made by frowning to my men that they should set me
free; but they quickened their stroke, and Eurylochus and Perimedes
bound me with still stronger bonds till we had got out of hearing of
the Sirens’ voices. Then my men took the wax from their ears and
unbound me.
  “Immediately after we had got past the island I saw a great wave
from which spray was rising, and I heard a loud roaring sound. The men
were so frightened that they loosed hold of their oars, for the
whole sea resounded with the rushing of the waters, but the ship
stayed where it was, for the men had left off rowing. I went round,
therefore, and exhorted them man by man not to lose heart.
  “‘My friends,’ said I, ‘this is not the first time that we have been
in danger, and we are in nothing like so bad a case as when the
Cyclops shut us up in his cave; nevertheless, my courage and wise
counsel saved us then, and we shall live to look back on all this as
well. Now, therefore, let us all do as I say, trust in Jove and row on
with might and main. As for you, coxswain, these are your orders;
attend to them, for the ship is in your hands; turn her head away from
these steaming rapids and hug the rock, or she will give you the
slip and be over yonder before you know where you are, and you will be
the death of us.’
  “So they did as I told them; but I said nothing about the awful
monster Scylla, for I knew the men would not on rowing if I did, but
would huddle together in the hold. In one thing only did I disobey
Circe’s strict instructions—I put on my armour. Then seizing two
strong spears I took my stand on the ship Is bows, for it was there
that I expected first to see the monster of the rock, who was to do my
men so much harm; but I could not make her out anywhere, though I
strained my eyes with looking the gloomy rock all over and over
  “Then we entered the Straits in great fear of mind, for on the one
hand was Scylla, and on the other dread Charybdis kept ******* up
the salt water. As she vomited it up, it was like the water in a
cauldron when it is boiling over upon a great fire, and the spray
reached the top of the rocks on either side. When she began to ****
again, we could see the water all inside whirling round and round, and
it made a deafening sound as it broke against the rocks. We could
see the bottom of the whirlpool all black with sand and mud, and the
men were at their wit’s ends for fear. While we were taken up with
this, and were expecting each moment to be our last, Scylla pounced
down suddenly upon us and snatched up my six best men. I was looking
at once after both ship and men, and in a moment I saw their hands and
feet ever so high above me, struggling in the air as Scylla was
carrying them off, and I heard them call out my name in one last
despairing cry. As a fisherman, seated, spear in hand, upon some
jutting rock throws bait into the water to deceive the poor little
fishes, and spears them with the ox’s horn with which his spear is
shod, throwing them gasping on to the land as he catches them one by
one—even so did Scylla land these panting creatures on her rock and
munch them up at the mouth of her den, while they screamed and
stretched out their hands to me in their mortal agony. This was the
most sickening sight that I saw throughout all my voyages.
  “When we had passed the [Wandering] rocks, with Scylla and
terrible Charybdis, we reached the noble island of the sun-god,
where were the goodly cattle and sheep belonging to the sun
Hyperion. While still at sea in my ship I could bear the cattle lowing
as they came home to the yards, and the sheep bleating. Then I
remembered what the blind Theban prophet Teiresias had told me, and
how carefully Aeaean Circe had warned me to shun the island of the
blessed sun-god. So being much troubled I said to the men, ‘My men,
I know you are hard pressed, but listen while I tell you the
prophecy that Teiresias made me, and how carefully Aeaean Circe warned
me to shun the island of the blessed sun-god, for it was here, she
said, that our worst danger would lie. Head the ship, therefore,
away from the island.’
  “The men were in despair at this, and Eurylochus at once gave me
an insolent answer. ‘Ulysses,’ said he, ‘you are cruel; you are very
strong yourself and never get worn out; you seem to be made of iron,
and now, though your men are exhausted with toil and want of sleep,
you will not let them land and cook themselves a good supper upon this
island, but bid them put out to sea and go faring fruitlessly on
through the watches of the flying night. It is by night that the winds
blow hardest and do so much damage; how can we escape should one of
those sudden squalls spring up from South West or West, which so often
wreck a vessel when our lords the gods are unpropitious? Now,
therefore, let us obey the of night and prepare our supper here hard
by the ship; to-morrow morning we will go on board again and put out
to sea.’
  “Thus spoke Eurylochus, and the men approved his words. I saw that
heaven meant us a mischief and said, ‘You force me to yield, for you
are many against one, but at any rate each one of you must take his
solemn oath that if he meet with a herd of cattle or a large flock
of sheep, he will not be so mad as to **** a single head of either,
but will be satisfied with the food that Circe has given us.’
  “They all swore as I bade them, and when they had completed their
oath we made the ship fast in a harbour that was near a stream of
fresh water, and the men went ashore and cooked their suppers. As soon
as they had had enough to eat and drink, they began talking about
their poor comrades whom Scylla had snatched up and eaten; this set
them weeping and they went on crying till they fell off into a sound
sleep.
  “In the third watch of the night when the stars had shifted their
places, Jove raised a great gale of wind that flew a hurricane so that
land and sea were covered with thick clouds, and night sprang forth
out of the heavens. When the child of morning, rosy-fingered Dawn,
appeared, we brought the ship to land and drew her into a cave wherein
the sea-nymphs hold their courts and dances, and
Jeremy Betts Feb 18
Suicide?
Hold on, I'm sorry,
Are you referring to the barbaric act of hands-free ****** by an inhouse intruder implementing a vicious, self-righteous onslaught
No?
Oh...
Cause that's what I got
That's not what you were taught?
You didn't know each and every thought could be on loop and fraught with a dangerous taunt
No one told you you'd also most likely be the only one within earshot?
It's just thought after thought after thought after thought
And it's nonstop like the whistle of an ignored teapot that's gotten too hot
I ask myself, "is there such a thing as an inner dialogue clot?"
Rhetorical of course, knowing full well that there's not
It'd be pretty helpful though would it not?
A majority of this agony doesn't even seem to originate from an internal spot
But it's held against me that they recklessly destroy all I've fought for as well as rewriting the plot
Turning me into my own distraught subplot
Filming redesignated to the back lot of Salem's Lot
Making sure to make it known I'll only have this one shot
I swear y'all think I was told to bring what I'm gonna need and this is what I brought
So I fillet both wrists and expose the rot
Hoping to relay visually what verbally I cannot
Live stream it for a live audience or not
Copious shallow minds will still produce the same shallow thought
"You either want to be here or not"
Not knowing it has so little to do with want
"You ought to change the way you think"
Oh right, you're right, I must have forgot
OOOOOR
or
Is it that I've been convinced I can not?
Yeah...yeah, that's the caveat
I'd give everything to hit the reset like a robot
But the treason contains some carefully wrought deception that's sent in like S.W.A.T.
Keep that standard victim blaming line you walk taut
It's easier to walk that, is it not?
That's what I thought
Everyone knows the Rorschach test is just an inkblot
I watch in disbelief as my well-being resorts back to just another afterthought
The outlier is no one witnesses the slipping of the knot
There'll be no extension of a helping hand intervention to salvage this broken man by trying to help him reconnect a dot
Because I've lost connection with every dot
A reality checked on the spot
They continue debating amongst each other if it'd be easier to boycott
I bought in, hook, line and sinker,
I should have seen the bait and switch comin' do to all the times prior
THIS IS NOT WHAT WAS SOUGHT!
But here I am,
I guess it's my turn to like it or not

©2024
mikev May 2017
witnesses say they heard you say
you were innocent -
unsuspecting audiences quiet to their devices
we were not kids running through fields anymore
we brushed with death breathing fumes
of hatred and virus, the body begins to deteriorate
like a hand soaked in a bowl of gasoline -
the moon falls behind the earth
as you smile until it returns
Ouch! says the saint as he
Divests himself of the love
Of created objects.
Love! says the hippie
Chickadee dee dee dee!
But when he is bare,
And shivering there
What then? says the hen.
How now? my brown cow.
What is this?
Says the instructress.
A cool snowlocked
Wisdom
Out of earshot
Scream and kiss
Calm? Dead?
A better compost
Than most?
Coleen Mzarriz May 2021
Time passes by like a whistle in the wind. Ignored and only observed within the thickness of one's skin. The once gnawing temptation in Lula's eyes were now exchanged in kaput like a dead black swan in the lake.

It grew on her and she can only justify it by moving her legs back in forth and forward with her ballet shoes; she can only obtain her physical through the applause of everyone around her. Yet, there were trickles of blood forming inside her internal wound — as the piano strikes another note in A minor, she can only whisk in pain and undone drafts in her head. "Tis will be over", she raises her head upon the crowds heaping in excitement, she turned around and flew her wings upright and the heads of the audience once more clapped in vain and delirium nonsensical pleasure.

As Chopin's symphony were almost in the last note, she stood straight and made her way to the middle. There, she locked eyes with her forbidden lover and a small smile throughout. The intensity of another Vivaldi's winter classic can be grasp once more and another set up of white swans gathered together — formed a circle and she went in the middle. Her eyes turned black and her wings bleed another tint of jet black and crimson. The crowds awed in reverence and she soared above them. A starlet in the headless crowds and dreary sweet rustle of voices gave her another bliss.

And while she was served aloft, there were another macabre symphony that plays through the soft rough piano; it was a solemn prayer and they were the kind souls going up to the heavens.

"Go on, Salem. Play the winter magic," Salem could only look at his muse and he strike another note, passing notes two steps from their 'haven'.

Lula slowly ripped her wings for the last time and smiled to all the headless men. Her satin dress reveals her plumpy chest and an hourglass body. Lula is a goddess black swan. Men could only forward their eyes and threw her pennies once more and she could only move in her balletic conventional pose. For the last time, she flew with her black tinted wings and they were all beheaded.

The white swans began to sing in a solemn outcry until it became too remorseful. The white swans turned their heads down when they met Lula's dead eyes. Her laugh echoing the whole stadium with its own persona and it is like crawling down into waltz where it reaches their earshot. They can only sing in albeit and expensive heads started to explode.

"Two steps from hell," she sings.
You can listen to, 'Salem's Secret' by Peter Gundry. This is where my inspiration came from.
Nathan Millard Dec 2012
You were wrong about me…

You were
Wrong
About me

And I am glad I realize this now
Because you would never have been the one to admit it
And now I am done
You gave me nothing
Except snide remarks

You never had a good thing to say
        Never had a kind word leave your lips
  That is until it was greased with black velvet

Then and only then
They pour out, slurring and sloshing
Like the last drink before bed

Only your words don’t come with ice
Like your ***** have to

But some times
More often than not
No words are said at all

For more than a year at times
Nothing was said

No Happy birthday
No merry Christmas
And least of all
A Hello

So now that I have spent time without you
Out of earshot
I am starting to see how wrong you were
But I am also seeing you for who you are
You are no longer the reflection
Looking up at me in the broken glass
                              I had to swept up from the floor
You aren’t the spontaneous, Unreliable
Dad who goes out and buys a sailboat

No instead I see who you really are

Hurt, Scared, Defensive
Only you can’t raise a child  at arm’s length
I can relate to your child hood
After all I too know what its like to try and sift pearls of wisdom from the fountain of inebriated words pouring from a parents mouth
Maybe I just got better at it than you
It takes time and you generally just end up with handfuls of ash but every once in a while you see the shimmery white bead of wisdom standing out from its dark surroundings



I do not
In anyway
Condone what you did
Do
But there comes a point that I realized
Part of where our relationship being muddled messed up and painful falls to me
It is not my fault you did what you did
But it was mine that I expected any different
  A bad night
  Ending in tears
  Harsh words and slammed doors
  And profuse apologies the next morning
  The usual every other court mandated weekend
None of which my fault
But the four-hour car ride home
In which I usually decided to forgive you...
     That was
I should have never believed after the second or    
    third time that things would change
After the eighth or ninth
    Or when I lost count
I gave you second chance after second chance
Hoping one day that old ugly saying wouldn’t be true when I woke up the next morning

That saying being:
“I have three priorities
*****
Smokes
And my truck”

I guess I can’t fault you for being honest but when you said sorry and you looked so sincere is when I wanted your honesty to come through while in actuality that’s where it faltered

So it’s not worth me holding a grudge
Getting back and trying to get even

When you hold in all of that poison it hurt you more  
  than who you hold the grudge against

So
   You were wrong about me
I thought you should know and one day if you don’t yet, you will see that
One day I will look back and see how wrong you were but not resent you for it
It's when I realized this I started to forgive you
It may not be okay what happened
But I will be okay so I can’t waist myself on being angry, it only hurts me


So you know what dad

I forgive you
Nathan Burgess May 2014
Claustrophilia.
Sun and vista, shade and microcosm.
Raised as a pup on a field in view of the silty wilderness
between towers of eerie still-life
took the dream of being pulled there from some child civilization,
just out of earshot, for granted.
On the breach, still making out the patterns of nature in human skin.
all of
America’s
gubmint hatin
yahoos, pining
to get their
country back,
should grab
yer rifles, stock
up on ammo
and giddy up
down  to Texas
to join the
secessionists
headin out
of the Union

Rick Perry
promises to
keep his promise
to close all the
gubmint departments
he can't remember
the names of

Ron Paul will
finally be liberated
from the tyranny
of his federal
paycheck and
can return to
his district to
practice medicine
unencumbered
by the acceptance
of medicare
payments

Ted Cruz will
move to coronate
his Cuban born
daddy as Viceroy
for life of the
western hemispheres
newest banana
republic

the last act of
of the Compartment
of Education will be
to turn every
public school
into a Holy Ghostin
Jehovah meetin
house

Judicial magistrates
will criminalize
poor people
or just make
them slaves
and all prisons
will be turned
into profit driven
plantations,
overseen by
the local
Sheriffs who
will be paid
time and a
half and 15%
of all profits

unfortunately
the Cowboy’s
will lose it’s
moniker as
America’s Team
if rattlesnake
booted
Jerry Jones
can’t make a
deal to turn
his stadium
into a sovereign
independent
territory as a
protectorate
of the USA

To assure
national purity
Texans will
build a Jericho
style wall to
define the boundaries
of their heavenly
kingdom and outlaw
all trumpet playing
within earshot
of their perturbed
borders

The Eyes of
Texas as the
state anthem
will need to
be reworded
The final stanza
will be changed
to "Until Gabriel
blows his nose"

keepin the ungodly
out and the chosen
people safely
insulated within
the shining
Lone Star State
will rise again
as a solitary
confederacy
of dunces

Music Selection:
The Eyes of Texas

Oakland
11/18/13
jbm
11/19/13 marks the 150th anniversary of Abraham Lincoln's Gettysburg Address... to hold the article of freedom in such disdain sickens me...
Keely Anne Dec 2012
what i said:
"you sound rough this morning."


what i meant:
"your voice is lavender and honey and tea time and supernovas colliding with gentle breezes and if i could wake up to it, just once, cocooned in a tangle of your arms and couch cushions and that blanket you keep in the back of your car, i swear by the stars in my eyes no one on this godforsaken planet would be out of earshot of my singing

i hope that tonight when i dream of you--it is no longer a matter of uncertainty, but anticipation--you speak like you've just overslept your alarm and frantically motored yourself to where i am, like is the case today.

i wish you had chosen me but if i could only listen to you speak to me, about anything--rivers or math homework or football or belonging or music or even your girlfriend--i promise i would listen with the beating urgency of a swimmer in a frozen stream, i would savor each word from your lips, like they were the spring and i was the underground daisy waiting for your kiss.

and in precisely three days i will have an essay to compose about a beautiful topic that would consume me thoroughly were it not for the memory of your groggy morning voice, so full of raspy complacency i can't breathe but instead of fulfilling my obligations i will be hashing out halfway comprehensible poetry about you and crying about how i cannot recreate the sound of your voice with any combination of hollowly clicking keys.

you are so beautiful that i could spend the remainder of my life with a five-subject notebook, scrawling 'your eyes. your smile. your hands. your voice' over and over endlessly and die feeling as though i had lived a thousand years of quiet adventure.

you are so much and too much for me and i have no idea why you see as much in me as you do but i will not question it, for fear that if i were to come too close to you, to run my fingers along the marvel of your face you would shrivel and unfurl into nonexistence, like the leaf in the fire."


and also:
"why can't your voice always sound like this?"

and finally:
"******* you're attractive"
12/11/12
blushing prince Jul 2015
Lately, all the darlings have started tasting the same and all the books keep preaching about the catharsis of going forward and I'll not be condemned to be Lot's wife's' tragedy but ******* this is growing up and everything is shrinking like the bible my mother threw in the washing machine by accident. All the wild has gone to my fingertips and there is no longer an energy to board trains to god-knows where because I know better now.
I don't longer miss you and I call my father daily now and I have a fond appreciation for dead things. Sometimes I think of all the times I prayed and all the times I sinned with you in mind and I know this is the guilt of poets. We are the victim and the instigator, we play our cards right and you resent us for it. And I write to you because it's easy to say things to people you hate. Like kissing someone and not tasting their blood but someone else's and enjoying it. Revenge in, not one, but all the ways you know how.
I often dance naked to Claire de Lune, do you know why? There's an elegance to being primordial and vulnerable. There's grace in things we find obscene. I cannot dance, mind you but I dance thinking you're watching. Much like shaking the hand of  a married man and lingering with his wife within earshot, there's a thrill knowing you'll be caught.
Thus, I write my inhibitions and fears in poetry hoping you'll someday read them with absolute stoicism. I dare you to show a little emotion. I dare you.
brandon nagley Jan 2016
i.

O'
Timely
Apricity;

ii.

Mayest thou
Warm, and blanketeth
Me; as a neonate, as
Thou shalt gorgonize
Me, from within the space,
Ourn embracing is a cataract,
Of heavied chime-together laced.

iii.

Thine speak is comely, Concord
To mine earshot; the copse is
Surrounding, none manor
Needed, just the coney's,
With the delightful tree's,
veneering ourn cot.

iv.

Exhaling all ourn woes
And sorrow's, as if none
Tommorrow; None haste,
And none distaste, house-
Leeks groweth whilst the
Flaxen colored roses follow.

v.

O' oriental Apricity
I'm cold mine lass,
I'm freezing fast;
This winter day
Hath chilled mine
Soul, I needeth thine
Fire-place, to heateth these bones.
Though far-flung, away on stretched water's.
I'm awaiting for thee, mine queen, O' Apricity,
I'm awaiting O' queen, mine swart of the sea, thou holdeth the lock, tis I hath the key, here thou goeth amour', open it up, flyeth on through-setteth me free.



©Brandon Nagley
©Earl Jane Nagley dedicated ( Filipino rose)
©Lonesome poet's poetry
Apricity means- the suns warmth on a cold winters day. Word existed around in the 1620s.
Neonate means- young baby or young mammal. I mean baby lol.
Gorgonize means-  To have a paralyzing or mesmerizing effect on someone.
cataract is waterfall.
Chime is - agree with, be in harmony with.
Copse means- a small group of trees.
Comely means like pleasant peaceful
Speak to me is- voice, or sound of it.
Earshot is- the distance to where I càn hear her.
Manor is like big country mansion.
Cony or coney's is a rabbit. Or rabbit's.
Veneer means like a wood covering, veneering means covering same thing!
Haste means rush something. Rushing..
House-leek plant is - something that can grow up your house. Beautiful! They look like little cacti without the prickers.
Flaxen color is a yellowish color.
swart means- dark-skinned.
mikarae Oct 2021
rain is running down your window.
its drops, akin to constellations, decorate the glass in clusters, running down the pane when too many join the group.
you watch the chase like a child, tracing each competitor’s path with your eyes until they hit the bottom of the windowsill.

each drop is dyed yellow with the light of the street lamps behind them.

the smell of damp earth is lingering in the air, present even through the walls you hide behind.

the storm outside wears a dark coat of rain clouds, heavy and full.
she touches down on the earth with every raindrop.
your neighbor’s lawn is overflowing with her gifts.

she is insistently loud; demanding that you acknowledge her, comment on her power, complain about her generosity that is flooding your garden, and take shelter in the wake of her downpour.

but beneath it all, the rustling of her heavy grey coat and the thundering of her many feet...


a siren sounds.


a song, sweet and promising, chimes through the night air, its melody akin to a lover’s embrace.
the ozone-heavy wind carries it gracefully and you can almost picture the creature it came from, honey bubbling up at its lips.


you know this sound. you hear it ring under every rainfall.


an urge grows, twitching your feet where they are planted to the floor.
your wrists, as if puppeteered, long to reach for the door.
a deep pull, hooked around your rib cage like a fish doomed, is threatening to uproot you from your chair.


and you wonder, if the rain were to touch your skin, would you be given the sweet salvation you were promised?

would it wash away the ache of existence, the permanent stone settled at the bottom of your stomach that anchors you to the earth?

you swear, if you could just feel the lines of rainwater drip down your skin that you would give yourself away for the promise of a new beginning.


a siren song, the temptation of the sea.

a distant fantasy in the streets of suburbia.

it’s singing to you tonight.


it’s the pull to go outside in the rain in the hopes of washing away all that you are and starting anew.
to watch who you were run into the gutter and feel your soul ebb and wave with the waning of the moon behind the storm.
to feel water running down your arm and soaking your shirt, prickling your skin with cold just to remind you that you are alive.
to surrender to the power of the torrent, to tilt your head to the sky and feel the drops hit the thin veil of your eyelids and run past your ears and trail back into your hair.

the chill of the air is weighted with rainfall, and you feel the urge to cry. you might already have.  

it would be hard to tell in the storm.


the sweet siren whispers in your ear, and her voice is made of rain-slicked tires and damp earth.


“Is this the rebirth you were looking for?
Have you escaped what you were running from?
Will you give yourself to the sea if she asks it of you?”



you ponder. silent.



a deep empty is beginning to settle where the stone was in your stomach.

how far are you willing to unmake yourself?




you already know the answer.


you can’t.




when you open your eyes, you have to blink the tears out of your eyelashes.
your ears ring with the absence of song, as if they’re aching to remember the echoes of a melody just out of earshot.

water beats on the metal cars and slanted roofs outside and you ache silently with the loss of something you knew you could never have.
the absence of it sits heavy, gnawing at the inside of your stomach and making its way up your throat in cut-off mourning.

the storm whips the trees around, as if berating you for ignoring her, for ignoring her gift of thinning the veil so you could escape to where you would always be unknown.

if you decide to go out, perhaps the siren would come back to sing her sound to you, delivering you to the ocean where you swear you belong.

maybe she'd sing you to sleep away from it all.


but the rain continues to fall and the urge comes and goes and you remain, glued to your window, tracing the constellations of what could be if you only step out the door.
have you ever felt the intense urge to stand out in the rain? it's like a place where reality has thinned and you almost feel like you could slip away unnoticed and wash away every trace that you were ever there. but you can't. and you'll carry that ache with you for the rest of your life. inspired by the recent video trend of lying in the street during a rainstorm
LC Apr 2022
a person barely within earshot
may absorb the cheerful ring in my voice.
they see me in glimmering gold
embellished with refracting glass -
always with crinkles adorning my eyes.

someone else may be right across the table
and see small smoke tendrils escaping my ears.
laughter follows the smoke, and it fades away.
they see dull gold topped with smashed glass.
the crinkles sometimes disappear,
only to return a few seconds later.

A few can see my heart whenever they like.
they hear unsteady tremors between words.
they see billowing smoke
emanating from my ears and mouth.
they know the wrapping is gold foil
with smashed hourglasses piercing my skin.
the crinkles appear whenever they want.
nevertheless, they see me rise, even as I ache.

I, the permanent resident of this body,
shed the itchy foil whenever I can.
my cells are clouded by smoke,
and the hourglass fractals
swirl into a tornado behind my sternum.
the crinkles have been starched.

But, I remember I am walking on diamonds,
and I slowly sculpt my armor.
I exhale, and the smoke clears, bit by bit.
I reach behind my sternum,
grabbing the fractals to line my armor.
I splash water onto my face,
and the corners of my eyes crinkle again.
Escapril Day 10! Prompt: magnification. I wanted to "zoom in," to the different ways in which people see me vs. my reality. This is my interpretation of the prompt.
I hope you enjoy this longer poem! I also hope the metaphors make sense. I'm not really sure how I settled on these descriptions, but I made an attempt 😊
Poetoftheway Jun 2023
A Bountiful Sky for Foolish Old Men

early up, haunted-stoked~woked by a multilingual sky,
an impish childish creation of an immature god,
inconsistently incapable, of making up his moody mind,
whiny then smiley, cloudless besotted, morphed
into crystalline blue of a well behaved in Sunday best,
warming the souls of the begotten and the misbegotten,
the hardened and the poetic souls, tho he laughs at
himself, for he too is both, curmudgeon and a mr. softee,
whiny child in rapid aging body, wearing of discovery
of new places for to ache, pains that don’t fit med scales
of 1~10, unless it is the Richter Earthquake formulation.

despite all, his eyeballs seethe, immaculate degeneration still
allows the seeing of broad brush paint strokes of the team of
angelic artistes that do the detailing of the palette above,
how!
they, love their big bold brushes that sky swipe atmospheric
residue into 31 Baskin Robbins flavors, with swirls of caramel
chocolate butterscotch that make the man’s complaints whisked
into who-cares-a-**** anyway ice creamery reverie and all
that other stuff disbarred from the aborning morning clarity of
“good morning ole man, where’s my coffee” diurnal tuning that
the women hums, reminding those in the earshot crowd of one,
that s’mores and chores, tasks and at lasts, dogs need walking, gardens watering, cushions  plumping, evening dishes moving from dishwasher onto wallpaper-covered shelves, geese-away-chasing, and loving poetry
by a poetoftheway scribbling…




8:01 AM Frieday, Jun 30
Barton D Smock Jun 2014
you were a white male and I was a white male and we were young and even if one put us together we were young.  our idea was to give winter gloves to those whose teeth chattered and we knew the sound had come to us both.  we mowed lawns all summer and mugged when we could drunk jocks who sat beside train tracks reading love notes after baling hay.  we bought the gloves and held them until winter because our logic had us waiting.  by then we were not friends and hell was the handbasket.  we divvied the gloves in a sad scene we couldn’t countrify.  today I photocopied my privates and printed two-hundred sheets by accident in a hellish place made special by hell.
Muggle Ginger Apr 2013
For warm summer days
Spent in the company of friends
In earshot of ocean waves
With sandy feet and ice cream cones

For all the pretty girls
In smooth black dresses
With luscious lips and curvy hips
Walking in red stilettos or clean Nikes

For countless sleepless nights
Glow-in-the-dark paint fights
Movies till dawn
Plenty of sneaking around

For the memories we make
For the laughter we share
For the love we have (and lose)
For the God we know
Caroline Grace Jul 2011
You will know the house,
Caught up in a spell of tales played out for a century or more
Within earshot of whispering catacombs
‘*** mortuis in lingua mortua’
You can’t miss it –
Architecturally complex, ornate with ormolu,
Elevated, enigmatic, a work of art.
You’ll be enchanted
But take heed, its façade will beguile you.

There is no sweetness of honeysuckle,
No singing of ascending larks to embolden the heart.
The plot is strewn with hen-bane, stinging nettles, snakeroot.
Generations tell of a skinny hag feeding on innocence,
A path scattered with ashes of children
Whisked away with a broom of silver.

Don’t dare to stray beyond its palisade of porous bones.
Don’t bide your time admiring its guilded thistle.
Appreciate if you will, this well-crafted masterpiece from several angles,
then make a hasty escape to Viktor’s Great Gate at the end of the walk.


copyright © Caroline Grace 2011
Based on Modeste Mussorgsky's 'Hut on hen's feet' from the suite 'Pictures at an Exhibition.
Viktor Hartmann was the artist responsible for the paintings on which Mussorgsky based his piece.
'Hut on hen's feet' was exhibited between two other works of art- 'The Catacombs' and 'The great Gate of Kiev'
Orion Schwalm Dec 2011
I was charged with the task of outliving my opponent,
Our benefactor whom I will speak no more than briefly about, has laid these orders before us and we will follow them, without falter.

Since I’ve seen absolutely no sign of my quarry in at least a half hour, and my camp and post is fully set, I may wander into the backwoods for a spell, searching landmarks and anything else that may aid my plight, I will carry the log at all times.

Slightly longer than I expected, took a few extra paths I discovered, still I should be within earshot of my encampment and have heard no sign of trouble. Perhaps, though, I should not underestimate my enemy.

Returned to camp, coldness and fatigue has set upon more quickly than expected. I will lay down to recuperate for a short time.

Awakening. My camp has been laid waste. Trenches have appeared as if by tectonics.
Nightfall.
-The light takes care of its own, even when they wander in darkness
Made spikes for an elbow of trench. My defenses are nearly invisible. Good luck adversary.

4 days since trenches showed up. No sound, but the wind. No movement, but my restless thoughts. Paranoia?
Or Pandora?

A man fell into my east spiked pit.  I watched the snowflakes gently cover his last horrified expression. He is not my prey.

2nd week. I’ve begun to wander out of the trench covers. It doesn’t get much lighter than twilight around this time of year.

The trenches…disappeared. What am I doing here?

Everything on this plain looks the same, I’ve passed several faces, with no names in my memory to stand by.
-What is courage to a death seeker? Whence does fear come if not from the end?
Strangely, I tire less. Perhaps this world has  begun to harden my shell. I am stopping at a small stream, the first defining landmark I’ve come across in many nights. There are no days anymore, only nights. I must judge time based only on my internal clock. My resolve will not fail me here.

Crows follow me at night. I will feign my death…to set their trap. I must sustain.
The most godless meal I have eaten in my life…
-Unbeknownst to historians, here will go absolutely nothing, to change the
tides of existence
Three days by this stream, sadly, it does not run any longer. It has not frozen, but the current has halted. I cannot explain why I am overcome with such gripping sorrow about this detail.

I have taken to painting with a spear tip. Blood drips nicely through snow. It’s as if I’m the first man on the earth who has discovered the means to express himself. And perhaps the only one ever again to
-My quarry must go on to the next generation, somehow, for some reason I do not know, must save. My own. Brood.
Made an altar for the slain crows. Though they are considered the devils bird, no being deserves such a dishonorable death. Trickery
Disgusted.
-How is there so much Hateful in the nonviolent?
Tears plague me, freezing before they can fall from my face. It’s like someone is taunting me, you will never be the man you searched for out here.
-My hand hurts, like a frostbitten oath nearly forgotten
Who am I?



Who sent me, who was I brought here to find…nobody.
Would I know if my task has completed?
No, I must stay vigilant. I’ve dropped my guard and my attention.
-We’ll see, foe, we’ll see whose wounds heal first
I have left the stream behind. Along with all the memories I had left. It’s time to move on.
-The task at hand seems far away now, like someone put it on the backburner for a minute, any minute now someone’s going to break me out of this dream life
I now stand before a white gale, seemingly a barrier to some sort of inner fortress. Unmoving. Bitter, cold, wind and snow. This testament of nature’s wrath beckons me,
And I cannot turn back.

I must reach the center now.**
-As feeling returns, so too does numbness, trading turns for turns, blow for blow, eye for eye, tear for tear
-There must be something in this mad storm
Joseph Valle Feb 2013
It was January of 1994
when he told me, "Son, true love,
well, it's hard to come around."
Or maybe he said, "come by."
I can't remember exactly.
Memory is foggy, age, you know.
I never thought I'd ever say that.

I've had a pet since I was born.
Not the same one, they always end
up dying. I haven't gone a year
without one close by me.
Before bed, I pucker my lips
and pretend to kiss twice
behind both ears while whispering
to them, "Goodnight." Then,
I lightly scratch their sanctum,
be it cage or kennel, so they know
I am no ghost; I am truly there.
Dog, cat, rat, it doesn't matter really;
they all just blankly stare back
and continue with their nightly business.

"If you love something, it can
never leave. Only hate can
drive others away, and that,
that's called, 'self-hate.'"
Then he laughed,
he laughed out with stretched
cheeks and gold-capped teeth
and that "eyeglasses-off" look
as if the world was deaf,
blind, and dumb. His
white collar crisp, stiff
with starch. That morning was ours.
Within earshot, the cat was mewing,
awaiting our kitchen entry where,
in the white-walled corner, sat his bowl,
staring at the ceiling, brown, dry, stale.

That morning always comes back to me
like a child returning from school.
Homework on the table and a snack
to eat just before rushing out to
meet up with the neighborhood kids for
a game of football down the road.
They've surely had talks like ours, Dad.
They've rubbed noses and brushed
pink cheeks of late lovers, flashed back
to mother and wrestling with brother.
Those important conversations
that only return with age,
we all remember them.
Mary sat musing on the lamp-flame at the table
Waiting for Warren. When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard. “Silas is back.”
She pushed him outward with her through the door
And shut it after her. “Be kind,” she said.
She took the market things from Warren’s arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.

“When was I ever anything but kind to him?
But I’ll not have the fellow back,” he said.
“I told him so last haying, didn’t I?
‘If he left then,’ I said, ‘that ended it.’
What good is he? Who else will harbour him
At his age for the little he can do?
What help he is there’s no depending on.
Off he goes always when I need him most.
‘He thinks he ought to earn a little pay,
Enough at least to buy tobacco with,
So he won’t have to beg and be beholden.’
‘All right,’ I say, ‘I can’t afford to pay
Any fixed wages, though I wish I could.’
‘Someone else can.’ ‘Then someone else will have to.’
I shouldn’t mind his bettering himself
If that was what it was. You can be certain,
When he begins like that, there’s someone at him
Trying to coax him off with pocket-money,—
In haying time, when any help is scarce.
In winter he comes back to us. I’m done.”

“Sh! not so loud: he’ll hear you,” Mary said.

“I want him to: he’ll have to soon or late.”

“He’s worn out. He’s asleep beside the stove.
When I came up from Rowe’s I found him here,
Huddled against the barn-door fast asleep,
A miserable sight, and frightening, too—
You needn’t smile—I didn’t recognise him—
I wasn’t looking for him—and he’s changed.
Wait till you see.”

“Where did you say he’d been?”

“He didn’t say. I dragged him to the house,
And gave him tea and tried to make him smoke.
I tried to make him talk about his travels.
Nothing would do: he just kept nodding off.”

“What did he say? Did he say anything?”

“But little.”

“Anything? Mary, confess
He said he’d come to ditch the meadow for me.”

“Warren!”

“But did he? I just want to know.”

“Of course he did. What would you have him say?
Surely you wouldn’t grudge the poor old man
Some humble way to save his self-respect.
He added, if you really care to know,
He meant to clear the upper pasture, too.
That sounds like something you have heard before?
Warren, I wish you could have heard the way
He jumbled everything. I stopped to look
Two or three times—he made me feel so queer—
To see if he was talking in his sleep.
He ran on Harold Wilson—you remember—
The boy you had in haying four years since.
He’s finished school, and teaching in his college.
Silas declares you’ll have to get him back.
He says they two will make a team for work:
Between them they will lay this farm as smooth!
The way he mixed that in with other things.
He thinks young Wilson a likely lad, though daft
On education—you know how they fought
All through July under the blazing sun,
Silas up on the cart to build the load,
Harold along beside to pitch it on.”

“Yes, I took care to keep well out of earshot.”

“Well, those days trouble Silas like a dream.
You wouldn’t think they would. How some things linger!
Harold’s young college boy’s assurance piqued him.
After so many years he still keeps finding
Good arguments he sees he might have used.
I sympathise. I know just how it feels
To think of the right thing to say too late.
Harold’s associated in his mind with Latin.
He asked me what I thought of Harold’s saying
He studied Latin like the violin
Because he liked it—that an argument!
He said he couldn’t make the boy believe
He could find water with a hazel prong—
Which showed how much good school had ever done him.
He wanted to go over that. But most of all
He thinks if he could have another chance
To teach him how to build a load of hay——”

“I know, that’s Silas’ one accomplishment.
He bundles every forkful in its place,
And tags and numbers it for future reference,
So he can find and easily dislodge it
In the unloading. Silas does that well.
He takes it out in bunches like big birds’ nests.
You never see him standing on the hay
He’s trying to lift, straining to lift himself.”

“He thinks if he could teach him that, he’d be
Some good perhaps to someone in the world.
He hates to see a boy the fool of books.
Poor Silas, so concerned for other folk,
And nothing to look backward to with pride,
And nothing to look forward to with hope,
So now and never any different.”

Part of a moon was falling down the west,
Dragging the whole sky with it to the hills.
Its light poured softly in her lap. She saw
And spread her apron to it. She put out her hand
Among the harp-like morning-glory strings,
Taut with the dew from garden bed to eaves,
As if she played unheard the tenderness
That wrought on him beside her in the night.
“Warren,” she said, “he has come home to die:
You needn’t be afraid he’ll leave you this time.”

“Home,” he mocked gently.

“Yes, what else but home?
It all depends on what you mean by home.
Of course he’s nothing to us, any more
Than was the hound that came a stranger to us
Out of the woods, worn out upon the trail.”

“Home is the place where, when you have to go there,
They have to take you in.”

“I should have called it
Something you somehow haven’t to deserve.”

Warren leaned out and took a step or two,
Picked up a little stick, and brought it back
And broke it in his hand and tossed it by.
“Silas has better claim on us you think
Than on his brother? Thirteen little miles
As the road winds would bring him to his door.
Silas has walked that far no doubt to-day.
Why didn’t he go there? His brother’s rich,
A somebody—director in the bank.”

“He never told us that.”

“We know it though.”

“I think his brother ought to help, of course.
I’ll see to that if there is need. He ought of right
To take him in, and might be willing to—
He may be better than appearances.
But have some pity on Silas. Do you think
If he’d had any pride in claiming kin
Or anything he looked for from his brother,
He’d keep so still about him all this time?”

“I wonder what’s between them.”

“I can tell you.
Silas is what he is—we wouldn’t mind him—
But just the kind that kinsfolk can’t abide.
He never did a thing so very bad.
He don’t know why he isn’t quite as good
As anyone. He won’t be made ashamed
To please his brother, worthless though he is.”

“I can’t think Si ever hurt anyone.”

“No, but he hurt my heart the way he lay
And rolled his old head on that sharp-edged chair-back.
He wouldn’t let me put him on the lounge.
You must go in and see what you can do.
I made the bed up for him there to-night.
You’ll be surprised at him—how much he’s broken.
His working days are done; I’m sure of it.”

“I’d not be in a hurry to say that.”

“I haven’t been. Go, look, see for yourself.
But, Warren, please remember how it is:
He’s come to help you ditch the meadow.
He has a plan. You mustn’t laugh at him.
He may not speak of it, and then he may.
I’ll sit and see if that small sailing cloud
Will hit or miss the moon.”

It hit the moon.
Then there were three there, making a dim row,
The moon, the little silver cloud, and she.

Warren returned—too soon, it seemed to her,
Slipped to her side, caught up her hand and waited.

“Warren,” she questioned.

“Dead,” was all he answered.
Jordan Frances Nov 2014
To the kid in the hallway telling his friend
"Maybe you need a **** whistle."
And to her response, a sarcastic
"Matt, **** jokes aren't funny."
You're **** right they aren't
Tell me, how is anyone forcing themself onto another person funny?
How are the I don't want tos when her "no" couldn't scream loud enough funny?
How are the ****** thighs and bruised hips funny?
How is the waking up in the middle of the night
How are the flashbacks and her wailing funny?
How is the seven year-old who had so much anxiety she'd tear her hair out
Or a sixteen year-old who kept eyeliner and a kitchen knife side by side in her purse funny?
It's about as funny as a slaughterhouse full of pigs taunting the other pigs
And telling them their approaching doomsday is amusing.
I dug my key into the palm of my hand like a knife when I heard this jeer
Clenching and unclenching a fist
Because I knew if I did not
That hand would go right through your faces.
You do not know the impact of your words
You see, for a survivor
Jokes about ****** assault are triggers.
They bring back every memory
Which becomes a stinging tear behind an eyeball
Fighting not to emerge from its home.
When I say something
Classically I am being "too sensitive"
Just as I was "too sensitive"
When he told me to get on top of him
And I said no
So much courage mustered up in a little body
I could have moved mountains that day
I could have been my own goddess
At seven years old
But he did not care
He was bigger than me
And he imposed that will onto my body
Reducing my childlike frame to the size of a fly
Being swatted by the paw of a lion.
I will not be silent
So when you tell a **** joke and I am in earshot
Do not expect me to laugh
Because there is nothing funny about a slaughterhouse.
Del Maximo Sep 2011
she smiles for me
she was born beautiful
with golden hair and green irises
but when did she get so pretty?
a pleasant upside down triangle smile
a collaboration of lips, teeth, cheeks and eyes
shining in affection for me
for happy childhood memories
singing Disney songs
painting unicorns and waterfalls
stringing beaded bracelets
and learning how to draw good
because she "keeps on trying"
at times she was the devil's child
incorrigible
other times she was the sweetest
little chatterbox
at the corner drugstore
I couldn't get her to stop talking
"Why are we following that man?"
she said within his earshot
"Because he knows the way out", I replied
at four years old
she could beat me at video games
truly a kid from outer space
now a young woman
at life's threshold
with doubts and questions
and confidence
and more strength than she knows she has
working and going to school
I have no fears for her future
I know she'll keep on trying
till she gets what she wants
that was my advice
spoken so many years ago
to my little niece
my Godchild
Dani
© September 20, 2011
Chapter 1
It was cold. Freezing. The first day of the winter chill had started in northern Washington. The sun now hid behind the thick ceiling of clouds as they began their annual snowdrop and the mountains began to howl as the winter winds bared their fangs. Near the mountains was a town with a population of one hundred thousand. The town was officially established in 1840, though a now extinct native tribe settled there long before. Life here was normal for most.
A jog and a stone's throw away was a semi-secluded high school that lay deep in the woods, holding some fifteen hundred students. The gray bricks were reminiscent of a prison, juxtaposed against the walls of towering trees all around it. As snow began to blanket the ground, a single pair of footprints led to the school.

Professor Thompson, a younger teacher, was yelling again, "If I see another one of you punks rolling in here halfway through class, I swear I'm going to make sure you end up living in detention!" Alexei grinned, whispering the exact same phrase in unison with the teacher. The younger members of his "pack" snickered behind him. His group of eight was split between boys and girls appearing between seventeen and twenty. They were a small part of the senior class and had the reputation of being stubborn, loyal, and dangerous at times.

They embraced the reputaion, knowing how true it was. They were Lycans. Shapeshifters. Werewolves. They all meant the same thing. They were descendants of the "extinct" tribe that once lived in the area, though their numbers now were far greater and much more widespread.
When each Lycan turned fifteen, they would have their first shift. They would turn into Dire Wolves, about twice as large as a normal gray wolf.  During their first transformation, instinct would guide them to an alpha who would help them transition to the new life, teaching them how to shift at will and how to survive. Each pack was structured by rank, Alpha, Beta, and Delta.
There were only two Alpha's per pack, one male, one female. They made decisions and guided the newly transformed Lycans. Once a Lycan proved themaelves, they were given the rank of Delta. Their duty was to learn and follow any order to the best of their ability. A Delta could be chosen to become a Beta, either by trial or by challenge.

In this case, Alexei was the alpha and this was his territory.
Alexei stood at exactly six feet tall, was light skinned and was built like an animal, lean and muscular. His straight hair was jet black and ended in a flurry of blood red tips that lay hidden under a heavy black jacket and a hood lined with white fur. His yellow eyes glowed faintly under his hood.

Alexei turned his head slightly to the left, where Hunter sat, or rather slept. Alexei heard his pack mate wake up in a daze and groan, "What? I'm still in class? Man this *****."
Alexei grinned, flashing his long canines and the rest of the Pack laughed quietly amongst themselves. "Alexei... would you mind keeping your cronies under control, please?" His eyes locked onto the professor, their golden glow piercing the darkness of the hood like slivers of fire. The pack immediately went silent.
"Why of course, professor. We wouldn't want to disturb the lecture now would we?" His powerful voice dripped with acidic sarcasm, laced with a deadly seriousness. "Right guys?" The question hung dead in the air for a few heartbeats.
When no response came, he turned his head sharply, his gaze cutting into each of his bretheren. A collection of nervous, 'yes sir, yes alpha' rang out quietly. He closed his eyes and said, "All yours, professor."
Alexei drew a breath and let his consciousness flow towards the group. He felt each of their minds twitch in surprise as he spoke directly to them.
Just bear with it guys, its the last class of the day.
He heard another person's voice flutter into the pool of thoughts. but, alpha, it was Leiks, one of the betas.its snowing... we want to go out.
He growled slightly, just low enough for the Lycans to hear  And you think I don't? You know how this works, Leiks. We have to abide by the Sapiens rules.
Alexei heard her whimper slightly in submission, backing out of his thoughts. Leiks fidgeted in her seat on the back row, looking out the freezing window at the puffy white flakes cascading down around the school. Her blonde hair ended in vibrant purple curls that bounced around her chest. She was the youngest Beta at eighteen years old. Leiks was one of the three betas in Alexei's pack. The longest serving Beta was a male named Chance. He was Alexei's right hand, commanding all of the strength and loyalty as his Alpha. He had the figure of a sprinter, and was the fastest Lycan other than Alexei. His eyes were a very rare violet, further accenting his undercut blonde hair.
The other Beta was a red haired female named Krista. She was one of the oldest of the pack, at nineteen years old. She acted as the peacekeeper of the pack, settling the disputes when Alexei was away on business.

The other four were all deltas, each of them still looking to prove themselves.
Alexei caught a hint of something in the air; it smelled like a sweet musk mixed with crisp apples. The smell sent an icy tingle up and down his spine for an eternity before settling at the base of his neck, making his hair stand on end. He growled softly in his throat, grinning.
Smell something, alpha?, it was Leiks.
Yeah... maybe...
He grinned and felt warm all over. He felt the urge to go wild, to wolf out. Alexei bit his tongue in an effort to calm his instincts. He cleared his mind and closed his eyes, taking one long breath after another before the waves of longing subsided.
Professor Thompson continued with his lecture on mythology, talking about the classic horror creatures like vampires and werewolves. He focused awfully ******* the latter, going on and on about lycanthropy. The professor then began to compare the natures of both species, concluding with a comment on their painful existence.

Alexei bared his fangs in a silent growl, gripping the edge of his desk hard enough to make it creak in dismay. 
He thought to himself, we shouldn't be giving the Sapiens our whole history, even if they don't pay attention, much less believe in us.
Alexei's mind wandered as he pored over the history of his people. He stared down at his hands and he began to think about all of the Lycans that had been part of his pack.
An image flashed before his eyes of a bloodied white wolf lying before him, whimpering helplessly as its crimson blood steamed against the snow. The cries of pain echoed as clear as crystal in his mind. Alexei's own blood boiled as the memory took over his thoughts. He could see blood on his hands, staining the desk. He could see the life leaving the white wolf's blue eyes. He heard the all to familiar laugh echo in the forest. Alexei's heart beat filled his ears, deafening him. He felt nothing but rage as he searched for the killer's face.

His anger lasted only a second before a hand tenderly gripped his shoulder. His eyes flashed open and he bared his fangs slightly. He snapped his gaze over his shoulder at the pack, their eyes wide and locked on him, emanating dread. The hand belonged to Flora, the youngest member of the pack at sixteen. Her eyes were full of innocent fear as she looked at her enraged Alpha. Alexei realized he had partially transformed, his teeth had all turned to sharp incisors, ready to rend flesh from bone. He forced his body to revert back, feeling the fangs retreat. Alexei nodded and Flora let go of his shoulder. Alexei turned and shut his eyes again, his good mood soured for now. He took a deep breath and sighed, wishing for that scent again. Five more minutes...
Those five minutes drug on like a glacier, the professor's words trailing off into the distance as he switched topics. Can he go any slower?
Don't jinx us, alpha, sir. came Flora's response.
You don't have to call me sir, Flora. We're a family.
The wolves stayed silent for the rest of the class, listening halfheartedly to the professor. "As you all know, this is the last day of school until January. I hope you all have some plans, some family to go see." 
He paused for a moment as if to say something else. The professor was looking directly at Alexei, who could feel the teacher's eyes boring into his soul. The bell finally rang, and Alexei was the first one out of his seat, ready to bolt for the door, but a stern voice called his name.
"One moment, Alex. I need to have a word with you." The professor looked directly at Alexei with an iron stare. They stood there for a moment as the others left the room, chattering amongst themselves. All but one. Flora remained defiantly beside Alexei, looking up at him. He looked down at her, his eyes opening with a soft yellow glow.
"Go on, I'll be fine." Flora looked at him quizzically but obeyed.
Alexei waited for the door to close, looking at the professor only after the latch had clicked into place. Alexei smirked and said, "What's up, doc?"
Professor Thompson raked his hand through his hair and removed his glasses. Laying them gently on the table. "I really wish you'd stop doing that. It's unbecoming of a wolf of your stature."
Alexei looked at him and shrugged. "You have to keep up with the times, Tom."
The professor laughed, "What times? The forties?" He walked around the desk and leaned against its front. He sighed and his tone changed, "We may have a problem on our hands, Alex. It's a vampire attack."
Alexei scowled. "I thought you had tabs on all the vampires in the area. As the resident Vampire Lord, it's your job to control them." The professor looked impatiently at the Lycan, waiting for him to finish. "Besides I thought you had them all drinking blood from the hospital?"
Thompson clenched a fist against the table and said through gritted teeth, "My people... Didn't attack anyone. They were attacked. By a Lycan."
Alexei sat on the edge of one of the desks and was silent for a moment. Then, "Please tell me it was just an unhappy accident?"
Thompson sighed and shook his head, "Lycan blood was found at the scene. A trail led to the outskirts of town where we found the unidentifiable body of a half transformed Lycan. Female. We cleaned it up as best we could but you have to understand, my people are going to find out one way or another." He looked intently at Alex, "I'm not accusing you or your pack of anything. But we're going to have a serious situation on our hands soon once the High Courts hear of it."
Alexei sighed and pondered the facts. He tapped a finger against the table repeatedly as he thought. "We had reports of a lone wolf wandering around the countryside. Nothing unusual, other than nobody had seem this particular wolf in nearly ten years. Then all of a sudden she vanished. We tacked it up to misinformation." Alexei tilted his head back. "Last we knew she was outside of my territory, closer to Steelhead's." He paused, "This makes the first death since the interspecies pacts."
The professor nodded, "And that's why we both have to be on our best behavior. All of the Underworld will be watching us now."
Alexei nodded and stood up. "Thanks for letting me know. I'll be in touch." He touched ******* to his lips in farewell and the professor did the same.


As Alexei opened the door, he saw the pack waiting in the hallway just out of earshot. He approached them and they swarmed around him, each of them with a question on their lips. Alexei silenced them with a short gesture and they continued on their way outside. The pack wound through hallways and double doors until they felt the tingle of cold touch their skin. They trailed along behind their leader and burst out the doors, welcoming the frigid air and the soft snowfall they had waited all year for. They hooted and howled giddily, their faces covered in goofy grins and awestruck eyes as they pushed past Alexei and dove into the snow with the other students. Alexei stood there, looking for what he had smelled earlier, for him it was more important than the snow. He scanned the horizon, eyes open wide and searching relentlessly. After a moment, he saw his target, leaning against a tree on the far end of the schoolyard, her fiery hair waving gracefully in the wind. "Jenna."
She winked at him and gestured to her right, where an open forest lay uninhabited. He nodded slightly and made his way down the steps, his heart pounding harder and harder in his chest.
I'll be back soon... Leiks you're in charge.
You okay, alpha, sir? Flora always worried for her alpha.
Yeah, I just need a walk is all.
But... Leiks put a hand on Flora's shoulder and shook her head.
Alexei walked to the edge of the schoolyard and saw that Jenna was already in the woods. Glancing back at the pack, he grinned like a Cheshire cat and chased after her.
They wound through the trees, picking up speed and tossing their heavy jackets away.
Come catch me, big boy. she taunted.

He watched her every graceful move, following relentlessly until he had her. He wrapped his arms around her in a tackle and they rolled, laughing all the while until they came to a halt. Alexei was on top of Jenna, straddling her legs and breathing heavily with her. She closed her eyes and grinned wide, her chest heaving. The air was freezing cold but they couldn't feel it as he leaned in and kissed her, entwining his fingers into her hair. She kissed back and pulled away, biting his neck in the way she knew would make him go weak. Alexei stifled a moan and Jenna felt his muscles quiver. She took the opportunity to push him onto his back and claim dominance over him by straddling him. The heat from Alexei's body made the snow melt and steam below them. He buried his face in her neck, kissing just below her ear. She smelled amazing, the musk of her animal side mixed with her perfume drove Alexei crazy.
He slid his hand under her shirt and felt the curves of her slender body press against him and she growled. Jenna pulled away from the kiss, a grin on her face, "Not yet, darling. There's time for that later."
"I've missed you, kitten."
She growled softly, "you best stop that while you're ahead." She grinned wider and kneaded her claws into his chest. Alexei called her 'kitten' because of her fondness towards cats, specifically kittens.
"Are the others here too?" He pushed her up off of him and stood up himself, closing his eyes in the process. He was referring to Jenna's friends who had left with her a year ago.
"They got here shortly before I did. They're already at the hideout."
Alexei nodded, "We'll be there shortly. Do you want to come with us for the time being?" They began walking back to the schoolyard, grabbing their jackets on the way.
She giggled, "I suppose I should, so they can get used to having two alphas around." Her eyes twinkled as she said it.
Alexei grinned, "I thought it wasn't for another year! Congratulations!"
There was a glimmer of pride in her eyes. "I couldn't have done it without you, darling. They made an exception for me since you had already trained me so well." Jenna had gone to a Lycan Academy farther north, in Canada. There, wolves would be trained to become better leaders or soldiers, depending on their rank. Jenna had shown great promise immediately and was put into higher groups and classes.
The schoolyard soon came into view, and Alexei's pack was still playing in the snow, throwing snowballs and just rolling around in the stuff like children. He whistled a little tune and each of the pack members looked directly at him, going wide eyed when they saw Jenna. They rushed over as fast as they could and tackled her with hugs. "You're back!"
Jenna struggled to get up as a dog pile ensued. Alexei's wild laugh mixed with the cacophony of greetings as Jenna squirmed out. Flora stood behind Alexei, this new person's presence terrifying to her. As the pack got untangled from each other, Jenna walked up to Alexei and Flora, who hid behind him like a cowering pup. Jenna looked at her, "Hey. I'm Jenna, me and Alexei are old friends."
Flora whimpered quietly but peeked out enough so she could get a good look at Jenna. Alexei turned to the pack, saying, "We're going back to the hideout. There's some old friends waiting there for us."

Chapter 2
The pack carried on as usual, sa
Stacey Handler Mar 2018
I can feel it coming on once again
The little tickle inside of me
The child that needs to come out and play
The devilish grin permeating my face.

Once it begins
It seems to never end
The expression of my silly side
My quirky side unleashed.

My giggles are colorful marbles
Falling down an echoing staircase
Earshot spectators get quite a show
Pulled into the vortex of my laughter.

I know it must end
The nonstop hysteria
The cleansing of my body and mind
The cure for what ails me.

There is no anguish
As the laughter cascades from within my being
The pit of my stomach
The confines of my throat.

It feels like therapy
Letting it all out,
I feel the rush of life in my veins
As I laugh away all the soot in my soul.




Copyright 2015 Stacey Handler
K Balachandran Jun 2013
Yesterday murmured within the earshot of today:
The past has posted  an encrypted message
on your wall, decipher it, take a careful turn,
the road is slippery, life is short.
Derek Yohn Nov 2013
i speak in whispers of
New American Tragedy:
id seeking ego, beyond
means and dreams.

A spirit as big as the
Western plains, as lofty
as distant clouds gathering,
as crushed as the valleys
and fjords carved by
glaciers ancient and cruel.

Samhain is passed, now in
November we must look
to the solstice, for there
is seemingly little to
praise.  Entropy approaches,
brushing our hair
with tender fingers,

       piano

gently exhaling nothings
in earshot,

       piano
       dolce, dolce
       unghia sul ponticello

easing its canines into jugulars,

       per amore
       per amor nostro
       ci ama treppo per essere solo

laughing.
piano = soft(ly)

dolce = sweet(ly); on a classical guitar, picking the notes where the neck meets the resonance hole for a richer (sweeter) timbre.

unghia sul ponticello = nail on the bridge (literally);  a classical guitar term telling the player to pick the notes / melody near where the guitar's strings meet the body (the bridge) resulting in a thinner more hollow twang.

per amore = for love

per amor nostro = for our sake (for us)

ci ama treppo per essere solo = it loves us too much to be alone

— The End —