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Patrick Kennon Jul 2017
Males of Dynastes bear two long horns, one on the head, and the other on the pronotum, forming a "plier"; the pronotal horn has reddish setae on its underside. This pronotal horn is absent in females.[3] Some species have an iridescent colouration to their elytra.[4] Certain species of the genus Dynastes also have the ability to change colour.[5] Specific species have been noted to occur with either black or yellowish to khaki green elytra.[5] This variation in colour is due to a spongy layer below the transparent cuticle;[5] this spongy layer is a network of filamentous strands made up of three-dimensional photonic crystals lying parallel to the cuticle surface.[6] When the cuticle is filled with gas this layer can show through, presenting the yellow to khaki green colour, but when filled with fluid the cuticle appears black.[5] This is due to the change in refraction index allowing us to see the difference in colours.[6] This system is known as a hygrochromic effect.[4] Female beetles can change colour but not as completely as males, which is not yet explained as the mechanisms for the colour change is still not completely understood.[5] What is known is that changes in humidity affect the levels of moisture in the cuticle which leads to a change in colour in most cases.[5] Since the change is due to humidity it is a reversible process, however, it has been observed that after multiple colour changes or high stress the beetles will maintain some dark spots on their cuticle.[4] Some hypotheses for why this colour change occurs at all are the ability to blend with surroundings depending on the time of day (black for nighttime and yellow for daytime) to best avoid their main predator, the tropical screech owl (Megascops choliba).[5] Another theory has to do with thermoregulation in the sense that a black beetle heats up faster than yellow and then once they have warmed up theoretically there will be less moisture in the cuticle which leads to changing to a colour which does not heat as quickly so they won't overheat.[5]
Kelly Weaver Jul 2016
Her weary eyes, skin torn at the cuticle
Feet aching yet marching still
Cotton on the heir’s back
Canvas on the feet of the dutchess
Triple the hours, double the dough

His crimson cheeks, toes purple with pride
Not a single tear, nor a single fear
No fuel for his ego
No warmth for his heart
Just a lonely street corner

Their tear-stained dress, his voice, her choice
Deep in their skin do they confess
If God was real, he'd want perfect
God wouldn't make them a sin
A “he” or “she” is not needed

The silent voice of forgotten
Too afraid to speak, startled still
Too afraid to be saved
Gone but never forgotten
A son or daughter, broken

A wedding, thank this “God”
Where men can act as such
And women use their powder
But genders may stay pure
It is a sin, after all

A young girl watching the news
Filled with hate, this world turns
She is coming of age, is she not?
She understands their struggle
And ready she is to stand up

For she has kids to feed
For he just needs a meal
For they want to be real
For they were never heard
For they wed their own
She understands. She accepts.

She is ready.
This poem won me a poetry contest for poems about respect in my advanced creative writing class so I hope you enjoy!!!
that deadened fingernail
first damaged long ago
not quite a lifetime but
time enough
          to feel that way
is showing signs of regrowth
partially shrouded but visible
beneath the lingering ruin
the fingertip was caught
ensnared and pressed
more firmly than
          could be endured
though care was provided
the bruising ran deep
and undermined any chance
of this body's repair
unexpectedly
          and unimaginable
in spite of this layer
of lamented keratin
there stretched forth
a sudden burgeoning
a crescent of cuticle
          and lunula
telling of the strength
of the fingernail to come
997

Crumbling is not an instant’s Act
A fundamental pause
Dilapidation’s processes
Are organized Decays.

’Tis first a Cobweb on the Soul
A Cuticle of Dust
A Borer in the Axis
An Elemental Rust—

Ruin is formal—Devil’s work
Consecutive and slow—
Fail in an instant, no man did
Slipping—is Crash’s law.
st64 Jun 2013
how he loved his sweetheart queen
she always wore the silver bracelet
he gave when she turned sixteen
now their kids are growing; how time has flit



10 a.m.

Eyes opening, sun comes streaming through the windows. It's so late!

I rise, feel so groggy....what's this weighty load on me...?
I've been sleeping, yet feel profoundly *weary
.
Where is everyone?
"Muriel...?"
I get to the bathroom to wash and shave.

My wife appears at the door, "Honey, where have you been? Oh, we haven't seen you in so long... Welcome back! Come down for tea, dahling."
She pours a glittering smile and reaches up to touch my cheek with the back of her left hand, fingernails painted deep red...her nuptial rings still a dazzle after so many years...but she....
"Alright, dahling?"
"Y-yes, dear."

She had never called me darling...or even dahling....before...!
Huh?
And off she goes, to the kitchen.
Welcome back?? did she say?? And her eyes were shining so bright...
Wait a minute....just  hold on ....what....??
I shake my head, unable to toss some heavy feeling....a dense cloud in my head.



10:30 a.m.

Now I'm dressed and freshened up, I head down.

Feeling better, I see my warmhearted and humorous son at the pine dinette table.
I smile warmly as he turns to look up...I remember the promise that we'd go fishing this weekend.
"Hey, budd....."
I reach over to touch his hair, but he flinches away..!

"Who's this, Mom?" Kyle demands hotly.
My wife gives a bright smile which doesn't quite reach her eyes and says: "Now, Kyle....behave. It's Daddy.."
"Oh, he's just .....tired, ok."

She waltzes over and politely hands me a steaming mug.
What in the name of....???
Over the cloud of coffee, I watch them all.
Little Jenny, but my jolly toddler...now on her mother's hip...watches with wary eyes and reaches out to scratch me, her pacifier hanging from a blue ribbon, like a noose from her 'happy-smiles' bib.

"But Mom, he's been away so long...for years and..."
I hear him whispering sullen and lizard-like, to his mother....but he's hissed into silence.

What in the heck....?
"Now, children," Muriel says patiently, "go play out in the yard..."

Oh, I'm feeling so frazzled!



11:00 a.m.

I decide I've had enough.

My wife is at the sink, thickly busy rinsing cups and plates; she smiles sweetly, humming.
She never did like doing dishes....
Now there she stands, looking all coiffed and made-up, hopelessly incongruous...

I shake my head; thoughts roll and collide, like mysterious marbles across my mind-floor...
Kyle watches me hostile, from the garden...arms folded defiantly across his chest.
Jenny's on her tricycle, red as a fire-engine.....eyes blankly staring, bent on crisscrossing her scalene triangle trip.

I turn to ask: "Muriel, where's your bracelet, dear? You always have it on."
"Oh, dahling...don't you worry. It's upstairs on the dresser."

And yet.....I was there earlier whilst dressing, and I didn't see it!

Baffled, I step out to the kids.
I prune the bougainvillea and then rake some leaves. Hairs stand up on the back of my neck....
It feels as if I'm being watched...when I look up to see, they are all quickly resume their activities.
Muriel just keeps on that shiny smile for me.


11:30 a.m.

This is it.

As I rake, some leaves make way for a clearing in the yard.
Bending down to scoop some up, a shiny reflection catches my eye...there's the silver bracelet with that beautiful twist of blue as gemstones.
What was it doing here...?

Still pondering, I see my wife's head **** up from the kitchen window...lips curling back...oh, no smile this time...body looking too *****...eyes like saucers, way, way too interested.....

I look down again...move some more leaves.....a curled hand....But it looks like ......

I recognise my Muriel's hand, her clear and pushed-backed-cuticle fingernails....her arm..her face....but.....
she's here.....!!

What the.....??

I turn round slowly to look.....only..... too slowly.....







how I loved my sweetheart Muriel
who always wore her silver bracelet
with that beautiful
twist of blue




S T, 11 June 2013
Partly inspired by movie 'Haunting in Salem'...just some ****** film I couldn't finish....lol
Dozed off and wrote this thing, instead :)


sub-entry: none
none of you understand what i’m saying is i’m not like any of you never married never parented children never owned real estate don’t believe in government the law hate rich people not afraid to lose everything risk life for the chance at a better life yes i graduated from Philadelphia dental school practiced medicine several years dashing handsome cordial Georgia physician yet knowing i was dying then of tuberculosis i wanted to feel alive know danger taste possibilities ******* greedy ranch and railroad barons all you cotton gin grist mill moguls loud mouthed Yankee carpetbaggers bounty hunters self-righteous snake oil preachers with your fearful farmstead flocks what the hell do you think Big Nose Kate and me were doing in Tucson why i risked my life at Tombstone’s OK Corral i’ll tell you why because we were desperate beyond your comprehension long-drawn-out careworn hours twisted in desperation insufferably plodding nights so desperate Kate relieved me daily yet in back of each our minds we understood we were both slaves to ancient unfair corrupt economic system that provided enough whiskey to cope desperate for money allegiance shelter frantic enough to face loaded guns aimed firing at me it was hell on earth glaring sun beating down desert dust blowing burning eyes bullets cutting everywhere 1880’s revolvers lacking accuracy even with expert gunsmith modifications young men riddled with bleeding gunshot wounds in 6 years i was dead age 36 hey Kate was no cakewalk she was a ***** who knew how to play me flirting charming admiring exaggerating her strange Hungarian lust encouraging provoking prostituting on her knees back tummy fingers mouth managing somehow to become acquainted with Arizona Governor George Hunt then surviving to age 90 you modern day sleepers who read this rambling cower at airport security passively submit to insidious militarizing culture invasively inspecting camera scanning for cuticle scissors nail file weapons all ludicrous absurdist theatre while real bad guys can easily tape 3 McDonald’s plastic knives together or ball point pen pierce pilots passengers throat arteries skyjack planes hijack bus trains you are no safer than you ever were before Homeland Security Czars foreign wars where we don’t belong riding has grown so weary courage ruthless longing vexing generating entire industry of airport security corporate mall tariff duty free shops inflated restaurant menu prices liter bottle of water $4.99 welcome to America **** me now or **** me later who cares what i look like what i wear if i’m dry shaven smell like goat if i cough up chunks of lung spit tuberculosis germs on polished floors just so long as i pay the toll fee and don’t go shooting off my mouth
There was a town beyond the woods,
Ne’er there any water stood,
Alas, a Well, of the purest kind,
The aquifer under, is here described,
Beyond a thousand gallons under
The diamond-esque rubble and sunder.
But one bucket, at but one time,
Kind, the town, taking turns of rhyme,
This essence, used to bathe and cook,
To drink, to create, a cozy nook.
-
The happy town, the gorgeous shire,
The crops grown there as green as Ire,
No law exists, they live but civilly,
A fetching, quiet community,
But always there exists a one,
Who would want power, want this undone,
So it was said regretfully,
Poisoned their Well, emotionless he.
-
Now this village was quite secluded,
No one not there born, ne’er intruded,
Deep in the forest, behind a mountain,
Over a peak, under a cloudy curtain,
It existed in secret and abolition,
And one did seek its demolition,
Knowing the only flaw to here exist,
The essence of life, no man resists.
-
He crept at night, while the guard did sleep,
Promising the pure water to weep,
Dropping the genocide with bucket and crane,
Releasing its Demonic Alchemic Strain,
The Well did hiss as the poison moaned,
Recoiling at this unwanted drone,
The assailant then brought to his steady lips,
A cup and was first to take Devil’s Kiss.
-
On the morrow of the mentioned crime,
Busy bodies awoke to start the day’s time,
Queuing at bucket and awaiting turns,
Each family there a portion yearned,
Not one did from the water strafe,
Each then bathed, then drank, unsafe,
No one could tell different taste,
Water is water, but not today.
-
The plague did start like any disease,
Sore throat, fever, stopped nose, displeased,
The people sought the witchdoctor,
But he from bed, would rise no longer,
He caught ill too, and wouldn’t budge,
Afraid for his life, afraid of this grudge,
He knew this sickness, had heard before,
But told no one, the end was sure.
-
In a week, vomiting and nausea,
Nasal passages sealed, no nostalgia
Brought to memory of any like sickness,
The virus brought about decrepit afflictions,
But slowly and steady, worse and worse,
The people became, some saw the course
But kept silent, to avoid alerting,
The so many children in need of comforting.
-
In two weeks’ time, the pathogen,
Had taken wits of sensible men,
At night, they screamed in somber fright,
Their deepest fears, real now, and bright,
The lutes died out, the bards not singing,
An unfortunate time, but this was only beginning.
-
Fingernails rotting off at the cuticle,
Too much blood for any receptacle,
Leprositic, the fingers came next,
One by one, extremities hexed,
Children lost their legs to run,
From mothers’ faces rotted, undone,
In every other step, heard were bones breaking,
Kneecaps cracked open, shins splintering,
Eyes turned cadaverous, awake, but not seeing,
Cataracts formed, blinded from viral being,
In cradles were witnessed toddlers there suffering,
Their mothers watched with empty sockets, but listening
To the cries impossible to stifle,
The pain too much for these tiny disciples.
The dogs normally to their masters zealous,
Became of them mortally jealous.
They bit the hands that fed them well,
For watering them from the cryptic Well.
Men watched their sons dive right under,
The bridge that harnessed a valley of blunder
Hundreds of feet above sharp rocks and stumps,
Their namesakes leaped, impaled in clumps,
For those lucky enough to still have eyes,
Cried tears of acid for images despised
Sickness was spewed upon the walls,
Entrails adorned the Gathering Halls,
Some had turned to mutilation,
Blood-letting for some, abomination,
Some crazed enough to “cure” themselves,
Clawed throat and stomach til flesh dissolved,
Some rich with elixir tried to embezzle,
Upon some of the poor, tired and grizzled,
Riot broke out amongst the walking dead
Fortune or lack of, irrelevant,
Black pustules broke out that looked Bubonic,
But the cure for that failed, how ironic,
That it rather hastened the steadfast curse,
Faster than iambic verse,
Molecules turned to embryo,
Rising like a great Pharaoh,
They became flesh parasites,
Taking internal organs, slow and precise,
They started with the liver and spleen,
So there lasted hours of wretched screams,
The intestines of some would close and then
Becoming septic, they passed, bile in stem,
A few had throats seeming cauterized,
Friends watched friends closest, strangle alive,
There were in fact, some optimists,
Among them, talk of being “rid of this”,
They too died while clutching life,
Endeavoring their eternal flight,
From noses, there dripped blackened murk,
Thicker than combined oil and dirt,
It then secreted as sweat from all pores,
Fatigue then struck those left to the floor.
Upon broken knees some prayed,
Usually the skin under ribs was flayed,
Trying to understand what went wrong,
Dissecting the dead was not headstrong,
It only furthered viral progression,
The open corpses breathing infection,
The cadavers would move still, the fleshbugs active,
The horror of lifeless movement, corrosive,
The minds of the weak, it pure happenstance,
One found eating dead flesh for a cure, no chance.
All in all, this lingering curiosity,
Provided once good people with animosity,
One man turned good people to hate,
Their neighbors in ways that were irate.
-
The chaos was not anarchy,
For, as I said,
It was civilly,
But verily, I do decree,
That no one knew such misery,
The inhabitants of this village,
Did not suspect innocent visage,
Or perhaps, their cherished Well.
To be culprit behind this hell
So they drank and drank to remedy,
To recompense this malady,
To no avail did blood get thicker,
Alas, they got but sicker and sicker.
-
This hell, the townsfolk then realized,
Wouldn’t end til they all were nullified,
Eliminated they were, eradicated at that,
This pathogenic virus had verily spat
In the faces of the people here,
Decimated they were, not quenching their fear,
Murdered they were by a systematic
Suicidal psychopathic,
Inflamed in the mind of darkness thereafter,
Only satisfied by his own laughter.
Not many, til now, know of this town,
From lowly peasant, to “Godly” Crown.
An explorer found the deserted hamlet,
Body parts and questions then found the hermit,
He had heard of a town like this, he wrote:
“It was a new age Roanoke…”
But the village, not a town to cause commotion,
All that was left of them, a tree scratched, “CROATOAN”.
Third Eye Candy Jun 2013
your soul is
what tumbles
from your old youth;
toothless, mute -
and beautiful.
it disputes the diluted musical
that unfolds you...
proof-less, your lute
is full.

your soul is
where you twist rocks and fell from -
a great height, below your skin suit, dull.
it drew you
with resolute ink, with a needle
and spoon...
etched on the cuticle,
a portrait
of your
skull.

and
you're every
nebulous
moon.
No Name Oct 2012
And the worst thing is,
    I muttered to my right thumb’s torn cuticle,

The Absolute Very Worst Thing In the History of the Universe is
    My tongue flounders to find
    what I want to say.
    So I say,
I’m talking to myself.
    I bite the cuticle,
    and it stings in that way
    that somehow makes me want to do it again.

The Absolute Very Worst Thing in the History of the Universe is
   that I don’t know.
   I don’t know what I want,
   I mean.

The Absolute Very Worst Thing in the History of the Universe is
    to have a frozen skeleton,
    I sample, though I’m not quite sure
     what I mean to mean.
    
    To have these metal fish-hooks
      snagged in my skin,
      one pulling north, the other dragging south.
      You see?

   To keep digging holes and sowing seeds
      that I have no idea what they’ll grow to be
      (pumpkins or daisies
      or something awful.  Like beets.)

but I’m blistered and there’s sweat that stings my slivered palms (not in the good way) but I keep digging and digging and I can’t stop because someone says I have to move forward, forward, forward, but really I’m just moving in circles,  and I’m not doing anything but something, and what is the point, in that, really?

But the worst thing is,
    that knowing that to be happy,
    and not even like a kid,
    beaming, triumphantly holding his lost tooth up in the air,
                (I’ve given up on that)
    but in the,
                I suppose I can sleep at night
                way,
                (these days, I apparently talk to myself instead,)  

The worst thing is
      knowing that to feel warm,
      to feel things,
      Something drags me forward,
               in my stupid shoes that make me hobble instead of walk,


I must keep moving forward
in spite of
the shade of a ghost,

     that kisses the hollow of my neck
     traces his fingers down my spine
     and whispers,

you’re getting tired.
     Come lie down with me.
Kate Ash Sep 2012
Out of everything I saw, I remember
the thumb.
Swollen and lopsided.
There it was, conquering the wires--red, blue, and green,
commandeering the clear tubes coated with stomach bile.
And the nail. What a healthy nail.
A pink rosebud with cuticle trim. Piqued with a white crest, curling.
Prime for at least fifteen more back scratches.
A drawerful of button-ups.
Pockets of heads and tails.
You can do it, Grandma.
One, two.
Heads, tails.
Up, down.
Up for braid, down for bun.
Braid? Yes. Braid.
And then there are two small thumbs bumbling through foreign terrain.
The braidee now braiding. The baby,
aging.
Tucked in, lulled by echoes of strange mothers. Bleeping pressures, sugars, drawing lines and colors.

But you have me.
And I have this thumb,
hidden under mine.
I’ll keep it safe for you, here in this shadowed palm—sanctified, secret dome.
I’ll protect it from the unhooked jaw.
From placid flesh curtains, over a damp backstage.
White light hanging over the insect—splayed on a lightning-gleamed car windshield.
I’ll hide it away.
Intermission.
Hush now.
Quiet, you. The show is not yet done.
And ******, it won’t be. Not with this thumb.
Not on my time.

I bite it.
At you. Skyward you.
Elusive and slippery. Shiny, rubber-like, all but new.
A blank belated card, lost in the mail.
What it might have said,
had I left a forwarding address.

But we’re here now in this dark hand cavern.
Tucked away, safely in lines.
Those of the palm.
Of tree rings.
Of love songs, and
Pretty things.
Lines, like wires
red, green, and blue.
They bring me closer
And closer
To the thumb.
Fat, with shiny aged skin,
stretched new.
And suddenly, I’m
Old.
Numb along one side.
Useless and dumb.
A limp puppet
plunked down
during intermission.
Scottie Green Sep 2012
I pressed my left heel down to get it into the strap of my sparkled sandal--bought from the cheap version of the rich girl store; I got them more than half off.
I'm a fraud.

Sliding my foot into the shoe,
the way I've done so many times before,
I lose my balance.

And there goes the first one.
I knew the nails were coming off;
I'm not all that wealthy.

I have to wait until the last minute to cough up fifteen bucks to get these things re-done.
I thought it just popped the nail straight off,
but it throbs and is begging for me to pay it some attention.

I peer down at where the once perfectly manicured nail (baby blue tips and all) had sat upon my index finger.
It has left a ****** mess--jagged and imperfect.

I can see my real nail drawn up next to my cuticle like a smile.
Placed on top is a half moon of hardened acrylic until it breaks off near the soft doughy point of my freshly exposed fingertip.
Edgy.
Almost.

The blood lines the rim and trickles it's way down
curving its way around the smile;
highlighting the crescent of my own fingernail.
It throbs.

“****.”
I say wanting someone to hear me.
“****.”
a little louder.

I just want to complain lately.
I want a little attention for the suffering I put my own self through.
As I wait it throbs more.

I wipe the blood away just to watch it refill.
I walk down the stairs,
and they take care of me.
They give me my oohs and ahhs and owes,
put some ointment on a paper towel because we don't have bandaids,
wrap it with tape,
and I'm off to sew my dress back together for dinner.

My sister's dress;
my sister's dress that she got from a nearby neighbor
who stuffed it in a trash bag and left it there for us to take.

Maybe I will get a discount.
September May 2013
I am your eyelids and the train-tracks of your stitches. I am the cracks in your bones and the wealthy mind riches. I am the fluid of your language that speaks in every sentence of your prose, I am the syllable you cannot speak though your tongue still knows. I am the chapel of your rib cage and the rage that it slows, closing the gates to the crosses in rows. I am the dirt under your cuticle and the follicle of your skin, sprouting a thread of your body within. I am the anxiety of your brain and the ecstasy of your flesh, crawling at the sense that you attain and possess. I am your lost baby teeth and the way that they chatter, I am the neurons, the synapses, the white and grey matter. I am your saliva burning caverns in the cave of your time. I am the line of your lips and the lungs you call, "mine." I am your soul, your secrecy, your sanctity. Your spine.
mike dm Dec 2015
i don't have anything to say. not really. how can i when my own bones feel like strangers that pilfered a body when nobody was looking? when i speak, small echoes of some one else kindly pull at my fingertips, slipping under the nail and past the cuticle where it unfolds like sad gods found to be made of origami swimming in a sea of memes. it hurts like hell. and so, i've come to know silence. it holds me. brand new shell. my process, felt.
Spenser Roper Mar 2014
QT
cut cute cuttlefish
cutthroat rotisserie
cuticle tickling
cutoff
Five nights a week at midnight, he dyes blue.

    Angel, you’re bad news.

    Salvation Army button-downs unbuttoned in a second our hands have introduced kinetic bear hugs, although visually frail and weathered.

    Shoulder length hair and a cuticle away from pure. obsession.

    Of all the heartbeats and hop, skips and jumps; I surrender.

    Adding the lye

    m.

    cm.

    mm.

    Get closer.

    Knock me over in slow motion.

    Tumbling rotary dial “1” click. “2” click, click.

    Rendering the grease

    I’m closing the locker when

    He appears at 11:55 P.M.

    Beat up, an 8 track cassette surviving a barrage of garage sales.

    My dear affection is still a child labor law. Juvenile.

    Staring Aderol Syndrome (S.A.S.).

    Birds nest palms, the delicate benchmark.

    I would give up half of $4.75/hr.

    Warm me up and share $9.50/hr.

    Collecting Grease

    Gunmetal blue, locker “27.”

    I read an article of clothing yesterday, not from these parts.

    At

    Your

    Steel-toe

    Boots.

    Please listen. You know the dialect.

    Coffee brewer, lighter sharer, you are the Aurora Borealis eventful.

    Five nights a week at midnight, I dye blue.
Tea Nov 2013
tingling. my fingers warn me
that anxiety is nibbling
that my heart is transforming
it beats then tweets
a bird locked in a rib cage
That is rapidly shrinking
feathers fall as wings beat fast
a cage that grips the bird at last
I gasp for air and feel the choke
my hands cover my mouth
I know that I will faint if i
let air in again
faster
faster
faster
until I feel the bird passing
my rib cage loosens grip
my hearbeat take
a sweet doves place
a little sad
and more worn then before
and I am forced to take this
Scared, torn and beaten *****
as a token that says life
can just be living sometimes

I look inside a mirror and see
frigid ice crystalize around an iris
Reflecting this coldness
chilling my spine and reminding me of loneliness
even when its taciturn pools
of tears sent ripples
laughter fled and long missed giggles
my eyes see winter
where they once saw
wildfire dancing
and doves sing songs

I look into the my hands
each fold of skin hiding secrets
every etched out finger print
like a deciphered  map
trying to take me to a place I haven’t been yet
perhaps 3D puzzle
that fingers haven’t fit yet
every short torn nail
every cuticle
looking for a space to fill
is as sad as the heart and eyes before them
I beat. I look. I feel
its all so hard right now
to be a living declaration
given word to life’s just living
Brad Antonio Apr 2014
Twenty-nine scars
Twenty-nine lessons I have learned
Twenty-nine reasons why I am now a warrior
Instead of a worrier

I craved the blade to ride across my skin
Slicing open that first layer
To let free the blood that cried for an escape

This was my way to deal with the pain
Because I thought it was the only answer
To deal with my fear, my worries, my loneliness, and my insecurities

These scars aren't just from kissing the blade
I had another love from the plastic cuticle pusher
With a metal end
And the lighter I ignited to heat it up

I was convinced that physical pain
Could fight off emotional pain
But if seen by those I love
Then those scars from the physical pain
Would only bring them emotional pain

I am sorry

This is not wanted
I do not deserve this
No one at all deserves this

Pain I sense
Will be pain I will approach
Pain I can find
Will be pain I will fight

These are twenty-nine scars
Twenty-nine reasons why I deserve to live
Twenty-nine causes of self-love
Valsa George May 2016
First stage

Man and wife are equally blind
Not a single blemish comes to their sight
Like Cyclopes they are one eyed,
Each feels a love like theirs is hard to find
Every now and then they chant the litany of love
They are on an exciting expedition
Explorers rather than fellow travelers
And thrilled at every new discovery,
They stick together as two magnets,
Moving in a high powered circuit

Second Stage

They begin to taste life’s bitter juice
Between them grows a stale familiarity
Which on their face they carry like an ugly wart
Now they become Argus eyed
Nothing escapes their notice
Distance creeps into them
Tastes differ, arguments prop up
Sometimes they holler at each other
Even minor differences of opinion
Can end up as a high voltage drama

Third Stage

Both grow equally frail and infirm
Differences are ironed out
Their talk always verge on their ailments
Constipation and insomnia often surface up
In looks, they grow more and more alike
As though the long years
Have made their features blend and bleed
Even they smell similar
A mixed odor of dried cuticle
And the smell of some balm or ointment
That they liberally apply
On their aching back and stiff joints
While walking, they support each other
Careful not to slip and fall

Has the lost love come back?
Or is it all just a survival mechanism!
Ashita Jan 2014
I played with the charcoal pillow on my head,
My greedy fingers refusing to let go of those soft strands,
I stared into the mirror to get the pillow to rest,
When I saw the monster society had created.
A self-centered human being who thought everything nothing,
Her dress must be crisp and no crease should be shown,
Her fingers were polished and there was not a single cuticle out.
But these same fingers used to be so sickly,
Her body covered with marks of a razor’s edge
Her heart bruised with the words of others
And in her painful flashback she remembers the words,
“I am used to it”
I don’t see that pain filled girl in that mirror anymore
I smirk; this is the best for me I thought
And then mirror cracked and my reflection was broken
When I saw the monster society had created was no better than the sickly girl.
I wasn’t accepted by my own soul.
Mercury Chap Apr 2015
Long ago that day
A song crawled in my ear
Kissing the sunset in a pray
The sweetest sweetest one you could hear.

Better than at a breaking dawn
Farewelling the sun
Awn and awn
It folded my heart as the horizon run
Out of light of the drowning spot
There was something different
It was a melancholy strain, a lot.

The beautiful waves
Warped my tears
Pulling my legs
Closer to itself for me to clearly hear.

Blindly my way was made
By the voice my conscience afore-bade
When it first pricked my ears
With a farewell so beautiful,
So sad it brought out my tears,
To the shine going cuticle
'Tis a song better than at dawn
I hoped it went awn and awn and awn.

At the tip of mount
She sat
Knees on ground
Her beautiful lips suddenly spat
Infuriating tone cursing the winds
It wasn't a song it was a chit-chat
With someone for her heart stings.

Familiar her tone was
Long ago described by my mother
The old singer knelt down was
Someone whose tale had shuddered
My heart, my soul
This old lady
Once in a baby princess's role
Now sitting in dark shady
Sunset, was crying and wailing at them
Who destroyed her as they blasphemed
Her holy euphoria,
Her only joyful memoria.

The night darkens
And the story flashes
Of no Romeo no Juliet in their pretty garden,
But countless stars beating hardens
Not life of two but the whole universe
Let me start it with a violent verse....

(continued in Chapter 2)
I am writing a ballad which would have chapter/parts. I hope you like them.
Alexandria Hope Aug 2014
You made “you and I” not exist
And that’s kinda cool in an aesthetic sense
But when I ****** dry your essence
I could taste only me in your skin

You took the chord and chewed it
Tore it with your incisor and spit it in my teeth
Children of the gourd
Children of the gourd
We swim in eels’ flesh
We mix with organs gutted and bleached
From fish in a factory

My fingernail split the cuticle and fell
Curling into your ear
That all you hear of me is mine on a chalkboard
And in a dream my bones rotted
Dancing against your form and encasing you to me
That my touch is nothing but raw and unwanted
I popped your cornea into the pocket of my cheek
Stole your vision for only that of me
That such a vision is now irritating and blinding

Lover lost I blew you away like dust to the wind
Every light popped and sizzled to show mercy
Then I whispered “to the pain” and cupped a vial of our blood
You made “you and I” not exist
But you drank deep until you drained me
And I could taste only me in your skin.
Douglass Aug 2015
When a spider is scared,
Too scared to run,
To bite,
It draws together.

Knees press inward,
Meeting at a point,
They cover their vulnerability
In an impenetrable wall
Of legs and cuticle.

Tonight, when I close my eyes-
When all I want is the silent,
Empty screen of sleep-
I see the octopedal child
Curled,
Frightened.

I think; "this is me."
I have eight pet spiders and I know them well. So well I'm beginning to use their behaviors as representations of my own feelings in my head.
This is the poem about itself
In a futile attempt at meta cognition
Why would a poem detest its own self?
Why bother discerning purpose beyond all else

Why do I consider myself an anathema
When others behold and perceive me as beautiful
I'm devoid of a body to do anything dutiful
Nothing prepossessing, not even a cuticle


For what, after all, what role do I play
In a convulsive storm of life each grim day
Bleak—the subtlety of shame, agony of dull pain
Haunting me! What less may I speak

I constantly ponder my creator's reason
For penning me in that malevolent season
Was I evoked by boredom or pain?
My consistency only denotes dismay.


This is the poem about itself
Ruminating the hell of all hells
A poem of darkness, perplexity too
What is my meaning, why?—I now ask you
Wrote this with my best friend. Her stanzas are in italics(:
Emma Mar 2014
A hangnail that ends beyond your cuticle,
I wish I could say it hasn't happened before.
It feels like I'm rotting on the backburner,
On everyone's backburner.
It feels like payback for the years of dust I've let them collect.
I've lost my touch; I can't sell it like I'm busy.
I just don't care to sell it at all.
Waverly Mar 2012
Heart's burst into a thousand
brutal glowsticks.

The vase of the body
pulsates
with shoots of light
and in the night
You can be seen
from space
a head a thousand filaments wide.

when i put my hands
on my chest,
thinking of you
and lick my lips,
thinking of you,
I can taste
black,
I can feel
black,
I am blackened
and dark
in my bedroom.

Touch that orb inside me, or mercury,
that loneliest lover slipping
off the cuticle of the horizon.

Reach out with your hands
to that compilation of so many lights
that seems one.

Become the glove that traps
infinity and bridges gaps
that break bodies into particles.

Make love to an earth of oblivion
an earth of nonsense,
an earth of pointlessness,
make love to the years of youth,
the years we waste
not making love.
Peter Cox Apr 2017
So you like to listen with ears that gander..
To the miraculous sound dance upon the veranda
Through a ferocious pound of advanced verbal stamina
Banging out precocious power like political propaganda
Whilst Sanding down atrocious Towers of satirical working man hours
Miles of hanging around with flowers that gave us powers and led us to pipeline dreams
We thought we was Mario and Luigi it seems...
Cross pollination from a hybrid nation
Brought up on Nintendos and playstations
To then sort out endo and thc equations
Buttercups and Daisy chains utter such hazy frames for stutter much wavy brains that pucker up for glazey games...
A beautiful mistress coming with cuticle dizziness can be fruitful in optical misgiving ness
Goddess awareness was always the fairest nest
yet the one I always invest in is high hats and snares
Always there to ingest a rhymes saps and wears
More playful than a caress of sly ******* stares...
Apples and peaches of bums with succulent pears
Meet battle sound features on drums of reluctant fears
Whilst Cattle bound Creatures hum decedent sneers
And Snapple drowned preachers hear irrelevant prayers

Bionic biopics from ironic orifices
Leave subsonic tonics drawn for moronic sonnets...iconic comics form sardonic harmonics for all the polyphonics with bees in their bonnets
As the Flutterbuys scuttle buy you and I as I utter why do the good girls always make me cry
Yet the bad girls get me high
As they wind and grind
with nature's sweet sunset vibes
it's always a pleasure I treasure to take this fair weather  ride
Whereas the good girls just make me sigh and I wonder why I cry when they say goodbye
maybe good isn't something for the likes of you and I
these are the wonders of why try in an age of Wi-Fi
So we'll stick to our fly by drive by guise of rampage rides through each other's insides..

So come and gather at the miraculous sound dance on the veranda
Go run and gather up haphazardous fondants for a poetic stanza
The sun can hammer us with glamorous fragments for a consciousness Bonanza


A break in the pores is a take from the draws  as something is coming to you from a cause
A screed and a scrape off the times the mind's been in need of a gauze
From the marks she adores from her kitty cat claws
From crimes that hear a applause for the kind of sports only a blind horse could  report
So Don't be mortified or horrified for being glorified through a poet's eyes
it means you've fortified the tortured side of a fantasist sky
which is now where you lie as it's hard to deny you've been immortalized….
  Ooh yes see..that is your prize
Gigi Tiji Jan 2015
puer
puera puerae
puella puellus
puelli
mani
cured and trimmed
too close almost
cuticle cut
blister sigh
blood blister
blood blossoming beneath
the nail bed
hit it right on
the nailhead
shaved legs,
and a neckbeard.

sledgehammer Sally
sips sweetly from silly
saddle-wearin' thoroughbred
unicorns

I am a fairy faun from
deep inside your frightful
wardrobe roaring lion lyin'
through the skin of my teeth

ice queen itch
I scream for
tag team *****
*** bag drag teen
ditch

pull queen grab
done deal dean
pull mean
and drag me in and
pull me out and
grab a hold and
leg it go and
let's flow and

I'm a ******* princess
gasping
and I'm Prince
Caspian
dead and
drowning between
blurred lines between

between the read the lines blurred

and I'm just trying to reach through

the seemingly subtle spaces
in between rows of words
between letters and faces
but every line and every
curve of the pen is an
iron bar and I'm just
trying to reach through
reach up through
all these symbols
pull myself out of
all these vague
misrepresentations
of understandings and
I accidentally cut myself
on the serrated edges of
the pixelated abstractions
and drip drip

Let's get some coffee.
mike dm Dec 2015
one long difficult
brow hair  
sticking out
with a slight whirl toward the end
bending its once linear course

i pull at it
whiff on the first three tries
but get it on the fourth

one smear of red
marks the deed

holding it between thumb and forefinger
i observe its root
pale translucent box-like tag

bags layers of me

the shaft of hair itself
wears three layers

its cuticle tells species
the cortex tells the sort of hair
and the medulla tells ethnicity

but the follicular tag
brags of my very own me
that i cannot see
ladder of unusual protein
pirouettes
and scene
brandon nagley May 2015
Adam, how doth thou get misled? Lost thy head to the snakes spiteful pleasures?eternally weathered!

Congenial I feel for thou, blindsided by poisonous virtue, as eve thou hast followed her nudely confirmations!

Cyanide lands thou hast brought us, death hath thou cost us, and enemies thou hast made along the way!

With god that is..

Thou were born unto bliss, and made a slithering cuticle between the slip skipped rocks..

Born amongst the loss of all thou hast taken! Was thy tree of life not good enough greedy taker?

Misfortune seems plainer when it's thy name they shout!!Thou shark made a trout, Now ethnic only to beasts who have fallen!

Didn't thou hear thy calling?

Brutalities beast!!!

Thou had a feast and turned it into darkness, thy secrets have been revealed by that fruit that thou plopped!

Plundered? Forgot, for the dragon made a home out of thou.
Gamashes thou Now needs, doth thou wear tattoos for sleeves?

Now that clothes thou must adjust?

Insurrection thou doth bow to!
Adam and eve a rotting stew!!!
Jimmy Dec 2018
Stop, go no further, here lies the bones of the murdered
You don't want to end your life by a place never recorded
Go, pay it forward, go warn those with curious toes to stay in bed
Rather wither away than enter the Kingdom of the Dead

These folks here were like you a me
But the fell for the rouse of an unanswered energy

Oh but the energy is beautiful
Emotionally brutal
Trying and prying it away is futile
Every finger, every cuticle, every office, every cubicle
It left hurricane evacuation towns lootable
It left schools and innocence shootable  

It seduced Adolf and Bernie Madof
And Mao to play the inflictions imposed on the civilization supposed to be better off than those who ignored the message
Oh the beauty that lies in the heart of every sinner

This is the Kingdom of the Dead
Do not enter.
Scar Mar 2017
Can't you see my hands right now?
With veins like little mountain ranges,
all rolling, and tolling for you. All
sweat beads forming and falling from
olive knuckles. Wedding rings. And
electric blue varnish resting high on
cuticle beds. Beds, for one thing, were
never our strong suit. We just fell in
squares where there was room. In
stranger's sheets, my palms rolled
beneath your back, and through your
neck. Stuck on swiveled wrists, I
taught myself a new vocabulary for
all things shadows, particularly You.

And you should see my hands right now.
And you should forget the rest.
Ayinke mi, eleyinju aro
Your arms comforts me... like ēka iroko
your eyes... so colourful like rainbow light
and your cuticle smiles.... gives ah heavenly sight

Nibo lo wa, Ayinke mi owon
Omo to rewa ti o la 'bawon
Our heart has been intertwine to one
So living alone suffocates my lungs

What else could I have hoped
Luxuries and gold, don't want none of that
The doctor said I've been diagnosed
And ife re nikan lo le mu mi lara da

Ayinke mi, igbawo lo' made
If you want me to, I'll forever wait
Cos you're worth more than okuta iyebiye
I'll spend all I have.... mi o ko iyekiye
To make my heart' the home you forever stay

— The End —