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"cowboy" poems
Rolling down St. John's Heritage Highway after Sean, my grandson's birthday party I belt out my pioneer song with vigor echoing across the vast beauty, wide open, sacred spaces pristine vistas Norman Rockwell cows grazing in bygone pastures happily moo along Driving past the yellow deer crossing sign Florida woodlands giddyap near the edge of the road long brown antlers prancing to a timeless rhythm I hope and pray that I can somehow kindle a spark of appreciation in my niece and grandsons so that they may behold the baffling greatness and mystery that is our universe These young'uns are mighty attached to the virtual reality, world and landscape of computer technology A sprinkling of cowboy stars flash an omnipresent wink Sunset bonfire explodes across the frontier horizon Turning the corner onto Emerson Drive smoldering scarlet orange embers reflecting lights shoot fireworks, launch rockets through an ever expanding field of vision
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Sep 2, 2018
Sep 2, 2018 at 1:21 PM UTC
O Heritage Highway
keep reading those cue cards governor keep living in your fake theatrical world keep your facade of cleanliness and trust keep SHOUTING your plastic christian ethics just keep the last cowboy president in mind the weak always prefer to live on in infamy anyways
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Dec 9, 2011
Dec 9, 2011 at 4:54 AM UTC
don't mess with texas.
I took the left path where hydrangeas grew and sleepy primroses under woods, edged shady trees. The empty stream ran quietly dry With grass cuttings piling high. If one peeped, one would find tiny creatures To cast a sparkle here and there, a delight. So on tip-toe, with sandels bent Up high I reached to take The plastic fairy as she twirled a pirouette In a theatre made by chance. Reflected in a silver mirror intwinned with ivy branch A mottled foal tends his dreams and Chrismas robin chirps. My brother took the right hand path where the trees grew fruit Ripe berries from the gooseberry bush bulged their prickles. Dangling from hawthorn now a cowboy with a hat Looking for his fellow Indian with the yellow back sack. Sheep gather in a hollow, dark, protected from the sun And Mr toad, now lost of paint, has turned a bit glum. And so we leave our woodland friends and travel up the slope Winding round the rose bed and goldfish where they float. Then up we climb, the middle route, to jump the pruned clipped Hedge. The lawn divided in two halves, a contemporary taste. Now we're nearly at that place where if one was to turn Could see down across the land To the sea and sand. Of all the beauties that I've known Nothing beats this Island home. Love Mary x My grandfather’s retirement bungalow was in Totland Isle of Wight. It was named Innisfail meaning ‘Isle of Ireland’. Behind, the garden led down to magical and delightful to children who came as visitors. My grandfather would prepare this woodland with some suitable surprises. The garden and woodland deserved its own name and in retrospect Is now named ‘Innislandia’ to suggest a separate, mysterious land. Beyond the real world. In the poem A Country Lane on page 8 the latched gate is the back gate to my grandparent’s garden and bungalow in Totland as above.
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Jun 23, 2018
Jun 23, 2018 at 7:57 AM UTC
‘NOPO@HEPO’.My Grandfather’s Garden: Innislandia, The imaginary world of my grandfather.
I took the left path where hydrangeas grew and sleepy primroses under woods, edged shady trees. The empty stream ran quietly dry With grass cuttings piling high. If one peeped, one would find tiny creatures To cast a sparkle here and there, a delight. So on tip-toe, with sandels bent Up high I reached to take The plastic fairy as she twirled a pirouette In a theatre made by chance. Reflected in a silver mirror intwinned with ivy branch A mottled foal tends his dreams and Chrismas robin chirps. My brother took the right hand path where the trees grew fruit Ripe berries from the gooseberry bush bulged their prickles. Dangling from hawthorn now a cowboy with a hat Looking for his fellow Indian with the yellow back sack. Sheep gather in a hollow, dark, protected from the sun And Mr toad, now lost of paint, has turned a bit glum. And so we leave our woodland friends and travel up the slope Winding round the rose bed and goldfish where they float. Then up we climb, the middle route, to jump the pruned clipped Hedge. The lawn divided in two halves, a contemporary taste. Now we're nearly at that place where if one was to turn Could see down across the land To the sea and sand. Of all the beauties that I've known Nothing beats this Island home. Love Mary x My grandfather’s retirement bungalow was in Totland Isle of Wight. It was named Innisfail meaning ‘Isle of Ireland’. Behind, the garden led down to magical and delightful to children who came as visitors. My grandfather would prepare this woodland with some suitable surprises. The garden and woodland deserved its own name and in retrospect Is now named ‘Innislandia’ to suggest a separate, mysterious land. Beyond the real world. In the poem A Country Lane on page 8 the latched gate is the back gate to my grandparent’s garden and bungalow in Totland as above.
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35
I could not accept you—star incarnate, carved and swollen in the trunk of a fustic— urine-yellowed and preened—risen and alive I strap my saddle to your back. My heels dig to the dark side of a price yet to be paid—an eye of a coursing, being scrubbed into the spots of grain—heat eaten by earth. *Star set. Star rise. Star be livid and leaven* whispers the cowboy sitting in a lawn chair on the front porch—his hat falling off from crowning, bald-headed tilt. space and all its wonders.
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Jun 16, 2017
Jun 16, 2017 at 2:42 PM UTC
Star set, star rise
By Arcassin Burnham We could play with guns like cowboy bebop, Slay demons like inyunasha, The blue lights in Tokyo couldn't be anymore beautiful, Getting a little sensual with small amounts of ****** That's pretty lame, Kissing me with purple and pink lipstick, And for that I'll make you anything kawaii, You could be the crazy chick on fooly cooly, It wouldnt be bad if you Could do me.
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Jun 29, 2015
Jun 29, 2015 at 5:36 PM UTC
"Anime Love"
he introduces himself saying quiet, but slipping in, firm: “something he knows for sure, no is no” I, (19, f) replying, smiling saying louder, firmer: “something she knows for sure, yes is yes” and he says “yes, ma’am,” returning her smile, so shyly, while blushing, so loudly, thinking he said something dumb, looking down at his shuffling feet, covered in worn out cowboy boots I like this guy I like this man.
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Oct 13, 2018
Oct 13, 2018 at 7:35 AM UTC
something he knows for sure
Tonights the night to party Not just because I say Tonights the night to party Because it ' s the ending of the day Throw up your hands and yell yee haw Grab a drink and hit the floor Dancing without caring That's what this party's for The band is slightly out of tune But, hey who gives a **** They sound better later on When you are really lit By two a.m you'd think that they Were Alabama and  George Jones While you're trying to record them on Your prissy little phones This place don't karaoke You're singing with the band You're singing country music It's the best in all the land No running shoes, just cowboy boots Will get you in the door If you come in with a cowboy hat Make sure it faces to the front All the dude's they wear them backwards And they look like a dumb c*** Tonights the night to party Not just because I say Tonights the night to party Because it ' s the ending of the day Throw up your hands and yell yee haw Grab a drink and hit the floor Dancing without caring That's what this party's for You can listen for the steel guitar It's there in every song Hey man, this here's a country bar And steel guitar , it just belongs There's always background fiddle Drums like Levon from The Band Piano played like Jerry Lee The floor's all blood and sand You've come on out to party Now show them how a redneck does Knock back a few and get up here And when you dance, you cuss The music here will rock you It's American through and through It's a good old country party It's all red white and blue
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Aug 8, 2013
Aug 8, 2013 at 8:53 PM UTC
Country Party
Tonights the night to party Not just because I say Tonights the night to party Because it ' s the ending of the day Throw up your hands and yell yee haw Grab a drink and hit the floor Dancing without caring That's what this party's for The band is slightly out of tune But, hey who gives a **** They sound better later on When you are really lit By two a.m you'd think that they Were Alabama and  George Jones While you're trying to record them on Your prissy little phones This place don't karaoke You're singing with the band You're singing country music It's the best in all the land No running shoes, just cowboy boots Will get you in the door If you come in with a cowboy hat Make sure it faces to the front All the dude's they wear them backwards And they look like a dumb c*** Tonights the night to party Not just because I say Tonights the night to party Because it ' s the ending of the day Throw up your hands and yell yee haw Grab a drink and hit the floor Dancing without caring That's what this party's for You can listen for the steel guitar It's there in every song Hey man, this here's a country bar And steel guitar , it just belongs There's always background fiddle Drums like Levon from The Band Piano played like Jerry Lee The floor's all blood and sand You've come on out to party Now show them how a redneck does Knock back a few and get up here And when you dance, you cuss The music here will rock you It's American through and through It's a good old country party It's all red white and blue
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52
here's to a package of Marlboro Reds in the hands of someone other than the Marlboro Man standing in for those slack-jawed outlaws my heroes now lack jaws tongues lungs I swear it's been too long since I inhaled manhood The Great Darrell Winfield rolled packed and filtered into the only thing I know that makes a man a man the essence of cowboy boots and farmer's tan in every drag see, I inhale my heroes all the dusty red-necked cowboys Darrell Winfield and my dad men whose lives went up in smoke to coat my throat in my own self-righteousness I'm frightened this is all that I'll have left of him lung cancer and the lingering stench of cigarettes he always smelled of cigarettes he'd pull me into these firm embraces he held so long that he'd suffocate me in tacky business and cigarette smoke masked only faintly by a poor man's cologne still I breathed him in until I'd start to choke it was too much man to handle my grandpa told me “smoking doesn't send you straight to Hell, but it sure does make you smell like you've already been there” he was a grown man cursing crying lying dying by himself trying to drown out the inferno with a case of beer but sobriety finds you sometime and I'd rather suffocate in cigarettes than lose him altogether and even if he smells like Hell at least that means he made it back
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May 21, 2012
May 21, 2012 at 6:14 PM UTC
The Marlboro Man
Could've been a cowboy but, my **** didn't suit a horse. could've been an astronaut but I wandered off- off course. could;ve been a fireman but, my hose was waayy too short. yeah, I could've been a bank robber but, **** I would've got my cute **** caught.
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Feb 28, 2013
Feb 28, 2013 at 4:15 PM UTC
"- My *** n me -"
Would you judge me? Do y'know i wont judge you? Can I be anything I want to be? Or are there rules I have to conform to? Spaceman cowboy hippie gangster stoner rockstar chef painter poet playwright carpenter inventor scientist mathematician author actor gardener tailor sailor musician comedian doctor pilot barista volunteer partyplanner spiritualist director engineer psychologist beautician Please do forgive me but there's more. I'm greedy, I know, I want it all. Immense experiences galore. Money to me means null.
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Jan 6, 2014
Jan 6, 2014 at 8:52 AM UTC
Coteries are not for me.
They say the world's a stage, But what role do i want to play? Shall i be a king until i age? Or should i be a cowboy playing in the dirt and hay? Should i be someone big or small? Would i even care at all? Maybe I'd be bad for once, I'd lead a gang and make my own rules, Guns and knives would be my tools I'd take what i want And you'd do what i say My power I'd flaunt, In this role I'd play... But in the end we'll all take hand, And take a bow, On this stage so grand The time to act is now
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Apr 21, 2014
Apr 21, 2014 at 8:44 AM UTC
A Time to Act
A Long time ago in a galaxy far far away there was a young boy who who met a few robots a jedi knight a wookie , a space cowboy and a princess. later he meets a dark lord who he finds out is his father from a green backward talking green alien and the old jedi master who teaches him how to be a jedi they travel to a forest where they meet a few teddy bears then the young man finds out the princess is his sister then he meets his dad the dark lord who he then kills then there is a teddy bears party The end
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Sep 13, 2014
Sep 13, 2014 at 5:51 AM UTC
STAR WARS
wind is coming in sun is just showing horses are watered fire is glowing movement is starting the camp is awake cookie is working there's breakfast to make no fancy croissants or drinks laced with toffee this is good solid food and strong cowboy coffee it gets it's job done it ain't always so nice later on in the day it gets served by the slice mud, java, joe it's got lots of names and at each cowboy camp it still tastes the same grounds at the bottom thick as coal tar without cowboy coffee you will not go far eggs, beans and bacon and bread texas thick to wipe up what's left and get every lick here out on the trail you won't find any toffee we eat solid grub and we drink cowboy coffee
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Apr 27, 2015
Apr 27, 2015 at 6:08 AM UTC
cowboy coffee
Waltzing through the chaos that life’s left for today, Dragging along my battered horn in case she wants to play ‘Scuse me, Ms. Bartender, but I’ve got something to say Ain’t nobody listening to the radio anyway I don’t need a soapbox, no suit or microphone Just a space to spread the truth wherever I may roam I speak straight from the bottom of a bottle left at home The night is not much easier when you take it on alone Hear ye, hear ye, gather round to hear a tale Of dreaming big, working hard, but destined still to fail Shredding that loopy little melody, The craziest cat you ever did see Make you feel so alive, ladies screaming, “Wow boy!” I jump and I jive, cuz I’m a bebop cowboy
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Aug 21, 2018
Aug 21, 2018 at 10:41 PM UTC
Bebop Cowboy
harry was a hedgehog he loved the rodeo a visit to america decided he would go he boarded  on a plane to the U.S.A way across the ocean so very faraway. he headed for the venue to see the the rodeo then he put his name down so he could have ago harry was excited as happy as can be now he could ride the rodeo for everyone to see harrys name was called and mounted on his horse now his time had come to ride around the course he new all the tricks and new what to do chasing after steer with his big lasso people they all loved him shouted out for more an hedgehog ride a rodeo they never saw before hedgehog he was happy his dream it had come true riding in a rodeo is all he longed to do
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Nov 16, 2014
Nov 16, 2014 at 11:23 AM UTC
hedgehog cowboy
A timber night in a dark way can't stay for long plowed down, scorched down  - must be torn down kings of city pipes, dusty concrete heirlooms, read a bible to sleep Wake in the morning, sun rays shine through dust ridden books Morals, condoned in heart shaped smoke clouds Greed's arms will swell rejecting midnights' hiss' "Where will they live?" 'Sirrrrrrrr' 'Homeeee'...... Floating like gas particles, words lost. A stand alone will die to unknown prosperity ropes straggle helpless branches Clenching their last breathes, the weeping skies sit silently Hateful hateful hunger, feeding the bodies thirst Our midnight Cowboy song goes: Manufactured green, leaving scorched earth barren, unwritten torch, unseen For we saw what we wanted to.
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Feb 11, 2015
Feb 11, 2015 at 3:00 PM UTC
Cowboy song
I am not some street cowboy punk i am a quiet sweet rampant drunk i play the spoons with the air of a saint i have a tongue that can swallow paint sour and acrid, the tone of my voice i have never left without a choice punched back sideways even more today than tomorrow for your heart i will bed, steal or borrow Superman don't have ***** on me don't need no wings now i am free saving the restless, curing the weak you can laugh at me when i dance like a freak. I will kiss you when i drink too much wine when i am restless and hungry you will be mine I will do nothing when you are nothing to me i will drive you crazy with all you can be no more talkin no more of that **** i'll hold you apart, break you bit by bit if you're too polite i'll bite my tongue i'll whip you and shake you, then i'm done. carefree to be careless, shareless boy talk tell me to go and i will surely walk don't ask me to be kissed or hold my hand i am not that girl that you left unplanned i am a midnight demon on ferocious terms i grasp you and hold you tight and firm. I am not lost, or fragile or broken bound i am not looking for someone to make a sound i am no paige boy scarlet harlot wild child thing i am not yours, can't you hear your telephone ring? I am a sordid freak of gigantic endeavours i will solder your heart regardless of your tremors i am torturous and painful and weak to the bone i am the mightiest fallen, can you not see my throne? i have a **** me, buck me, tie-me-tight gaze if i look at you slowly, be patient but don't wait i want everything and all and i want it now i am no gleaming bronze statue know-all-know-how i am surely what you ever thought you knew i am surely what you never thought when i met you i am free to please anyone at night i am free to sit and cry by candlelight alright now, oh baby its all right now **** me gently and i'll show you how to be nothing more than anything is something i suppose but i really can't tell for the state of your clothes you dress me up slightly more than your vision i've never met a person with such succint precision and well here i go, superbly astute and blunt never did i see such a spectacular *** **** and well that is really the way that i go i fly here, there, everywhere i flow i am not some pretty naieve little thing i am a mess of entirety with 2 engagement rings i'm living with despondence and its ******* me off holy **** batman i hear you cough come see me, come stay a while come see me, come see me, and i will **** you in style
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Jan 30, 2013
Jan 30, 2013 at 1:41 PM UTC
Holy **** Batman
I am not some street cowboy punk i am a quiet sweet rampant drunk i play the spoons with the air of a saint i have a tongue that can swallow paint sour and acrid, the tone of my voice i have never left without a choice punched back sideways even more today than tomorrow for your heart i will bed, steal or borrow Superman don't have ***** on me don't need no wings now i am free saving the restless, curing the weak you can laugh at me when i dance like a freak. I will kiss you when i drink too much wine when i am restless and hungry you will be mine I will do nothing when you are nothing to me i will drive you crazy with all you can be no more talkin no more of that **** i'll hold you apart, break you bit by bit if you're too polite i'll bite my tongue i'll whip you and shake you, then i'm done. carefree to be careless, shareless boy talk tell me to go and i will surely walk don't ask me to be kissed or hold my hand i am not that girl that you left unplanned i am a midnight demon on ferocious terms i grasp you and hold you tight and firm. I am not lost, or fragile or broken bound i am not looking for someone to make a sound i am no paige boy scarlet harlot wild child thing i am not yours, can't you hear your telephone ring? I am a sordid freak of gigantic endeavours i will solder your heart regardless of your tremors i am torturous and painful and weak to the bone i am the mightiest fallen, can you not see my throne? i have a **** me, buck me, tie-me-tight gaze if i look at you slowly, be patient but don't wait i want everything and all and i want it now i am no gleaming bronze statue know-all-know-how i am surely what you ever thought you knew i am surely what you never thought when i met you i am free to please anyone at night i am free to sit and cry by candlelight alright now, oh baby its all right now **** me gently and i'll show you how to be nothing more than anything is something i suppose but i really can't tell for the state of your clothes you dress me up slightly more than your vision i've never met a person with such succint precision and well here i go, superbly astute and blunt never did i see such a spectacular *** **** and well that is really the way that i go i fly here, there, everywhere i flow i am not some pretty naieve little thing i am a mess of entirety with 2 engagement rings i'm living with despondence and its ******* me off holy **** batman i hear you cough come see me, come stay a while come see me, come see me, and i will **** you in style
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59
BAND concert public square Nebraska city. Flowing and circling dresses, summer-white dresses. Faces, flesh tints flung like sprays of cherry blossoms. And gigglers, God knows, gigglers, rivaling the pony whinnies of the Livery Stable Blues. Cowboy rags and ****** rags. And boys driving sorrel horses hurl a cornfield laughter at the girls in dresses, summer-white dresses. Amid the cornet staccato and the tuba oompa, gigglers, God knows, gigglers daffy with life's razzle dazzle. Slow good-night melodies and Home Sweet Home. And the snare drummer bookkeeper in a hardware store nods hello to the daughter of a railroad conductor-a giggler, God knows, a giggler-and the summer-white dresses filter fanwise out of the public square. The crushed strawberries of ice cream soda places, the night wind in cottonwoods and willows, the lattice shadows of doorsteps and porches, these know more of the story.
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3.9k
Band Concert
i. the poem has a beginning exactly as you’d expect it: pa in sweatshirt, ma with purse; the funny thing is i never used to call them those names: “pa,” “ma,” always found them too cowboy-ish, too un-me, un-like us: who held chopsticks before dinner time and shared stories of how grandpa came over from china. ii. (at the dinner table) there is no symbolism here. there has been none for a while now. this household eats and eats in quiet. my grandmother is a poet but their books all burned down back in ’45 when mao stormed into fujian and all her uncles could eloquent on was that “the communists were coming!” “the communists were coming!” and instead of poems took with them their children, and their gold to pawn and their clothes on their muddy mortar-stained backs and the japanese iii. my grandfather now comes twice a week to the hospital for chemotherapy. it is a nice hospital. good view of the cleanest part of our ***** city. there are lights and white folks now. two things my dad said did not used to be there. they used to be spanish. they tilled our rice fields and spent the money on living rooms with lots and lots of space to sleep. we on the other hand, worked. he claims. your grandfather and his grandfather and i iv. awake every sunday morning at precisely 8:30. made to go down to the temple in kalesas and told to fetch the office paper for noontime reading. see we weren’t spoiled: grew up just next to the pasig river which back in the 70s did not smell as bad as sin only sweatshirts and the sweat we soaked them in we reeled along steamed fish heads and chopsticks for picking at them with and bowls of rice we never really ate with spoons. v. (back at the dinner table) i listen to my mom and dad sweat profusely in the evening heat only we can have here he in his sweatshirt and she with her golden purse, preparing to leave - a wedding party awaits - an jacket draped over his shirt just like grandfather used to do it in a sense, but gripping the chopsticks delicately for all us to see: “pa,” “ma,” v. it is not cowboys that give us our names.
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Feb 11, 2016
Feb 11, 2016 at 11:55 AM UTC
Pa wears a sweatshirt, ma carries a golden purse:
i. the poem has a beginning exactly as you’d expect it: pa in sweatshirt, ma with purse; the funny thing is i never used to call them those names: “pa,” “ma,” always found them too cowboy-ish, too un-me, un-like us: who held chopsticks before dinner time and shared stories of how grandpa came over from china. ii. (at the dinner table) there is no symbolism here. there has been none for a while now. this household eats and eats in quiet. my grandmother is a poet but their books all burned down back in ’45 when mao stormed into fujian and all her uncles could eloquent on was that “the communists were coming!” “the communists were coming!” and instead of poems took with them their children, and their gold to pawn and their clothes on their muddy mortar-stained backs and the japanese iii. my grandfather now comes twice a week to the hospital for chemotherapy. it is a nice hospital. good view of the cleanest part of our ***** city. there are lights and white folks now. two things my dad said did not used to be there. they used to be spanish. they tilled our rice fields and spent the money on living rooms with lots and lots of space to sleep. we on the other hand, worked. he claims. your grandfather and his grandfather and i iv. awake every sunday morning at precisely 8:30. made to go down to the temple in kalesas and told to fetch the office paper for noontime reading. see we weren’t spoiled: grew up just next to the pasig river which back in the 70s did not smell as bad as sin only sweatshirts and the sweat we soaked them in we reeled along steamed fish heads and chopsticks for picking at them with and bowls of rice we never really ate with spoons. v. (back at the dinner table) i listen to my mom and dad sweat profusely in the evening heat only we can have here he in his sweatshirt and she with her golden purse, preparing to leave - a wedding party awaits - an jacket draped over his shirt just like grandfather used to do it in a sense, but gripping the chopsticks delicately for all us to see: “pa,” “ma,” v. it is not cowboys that give us our names.
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60
****** and bass ****** and bass. All she want in her face is ****** and bass. All she wanna do is **** ****** kiss ******* and listen to Future. **** that's why I won't pursue her. Love and the essence of life don't get through to her. She is an addict. Running from life and abusing **** to get away from it. So much beauty and potential but he she wanna be a dumb ***** She wanna be that ***** or some ***** that gotta man that's rich and follow the crowd. Blowin loud. Poopin xans and sippin lean. She ain't never seen a trap but She listens to Future and shes stumblin. Choppin it the **** up and mumblin. Lickin her lips and giggling because my sub in the trunk is tickling her pearl tongue and both lungs. We are both young but that's no reason to act so dumb and walk around all numb. When I kick her some philosophy she doesn't care all she can think about is her on top of me. All in her soul. All in her face. ****** and bass. ****** and bass. All she want in her face is ****** and bass. All she wanna do is **** ****** kiss ******* and listen to Future. The Promethazine King. The codeine connoisseur. You can't be a loser if you wanna get through to her.   She needs your dollar signs and expensive **** before you even see the **** or a *** or an *** cheek. She's fine as hell but If you ask me she ain't no Ashley from Fresh Prince. She's nasty.   Freaky and far from innocent. She wants it blasted in her face until she can't see straight. She wants the force from the back till she feel it in her stomach and her back. She listens to Future but I'm no codeine cowboy. She's mistaken me for him because I'm as fresh as an altoid and my eyes are as low as the unemployment rate. I set the bait and there is the prey. Now she is all in my face. ****** and bass. ****** and bass. All she want in her face is ****** and bass.
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Feb 9, 2016
Feb 9, 2016 at 1:15 PM UTC
"She Listens To Future"
****** and bass ****** and bass. All she want in her face is ****** and bass. All she wanna do is **** ****** kiss ******* and listen to Future. **** that's why I won't pursue her. Love and the essence of life don't get through to her. She is an addict. Running from life and abusing **** to get away from it. So much beauty and potential but he she wanna be a dumb ***** She wanna be that ***** or some ***** that gotta man that's rich and follow the crowd. Blowin loud. Poopin xans and sippin lean. She ain't never seen a trap but She listens to Future and shes stumblin. Choppin it the **** up and mumblin. Lickin her lips and giggling because my sub in the trunk is tickling her pearl tongue and both lungs. We are both young but that's no reason to act so dumb and walk around all numb. When I kick her some philosophy she doesn't care all she can think about is her on top of me. All in her soul. All in her face. ****** and bass. ****** and bass. All she want in her face is ****** and bass. All she wanna do is **** ****** kiss ******* and listen to Future. The Promethazine King. The codeine connoisseur. You can't be a loser if you wanna get through to her.   She needs your dollar signs and expensive **** before you even see the **** or a *** or an *** cheek. She's fine as hell but If you ask me she ain't no Ashley from Fresh Prince. She's nasty.   Freaky and far from innocent. She wants it blasted in her face until she can't see straight. She wants the force from the back till she feel it in her stomach and her back. She listens to Future but I'm no codeine cowboy. She's mistaken me for him because I'm as fresh as an altoid and my eyes are as low as the unemployment rate. I set the bait and there is the prey. Now she is all in my face. ****** and bass. ****** and bass. All she want in her face is ****** and bass.
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89
Observing these old men sitting at the stockyard cafe, Suspendered bellies hanging above huge buckles And button-crotched Levi's tucked tight  over leather boots, Legs grown bowed and thin, but carrying  them to the sale, still, To hear the auctioneer, talking fast to work the buying crowd, And get their fill of cattle, shoved indoors, Sold beneath the steady cracking whips, A spectacle to burn its way into my minds's forever eye: The skidding steers, the rolling eyes, the frantic scramble to find cover, While buyers gave their quiet signs: A tilted cap, a winking eye, a thumb or index finger up or at a side, To purchase cow or bull or horse, in living flesh... Then out again, through the other door, And turn our heads to wait for more, and read the scrolling numbers: How many head, how much per pound, perhaps a buyer's name, And then the swinging sound of other cattle coming in to start again. So, here these old boys sit again, Slurping coffee through their yellowed teeth, Remembering days  of indoor cigarettes and harried waitresses, The smell of cow manure and jingling spurs, Though now the smokeless ring seems tame, more civilized, I see the glory days reflecting in the old men's eyes..... I was just a boy back in those good old days, My memory is a little hazed, but I can recall When smoking was allowed and sawdust covered the filthy floor, A Coca-Cola cost a dime, and the cattle sale with Dad was the big time; Quaking as we treaded light on the catwalks above the pens, Looked for our calves, or cows Dad culled to bring to sale, Then going down and in to see them sell. Fondly now, I can recall the restaurant at the ring Where  I hoped for a slice of lemon pie from behind chill-fogged glass, Saw cowmen wearing spurs and neckerchiefs and chaps... Dreamed of growing up to be a cowboy.
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Jun 30, 2015
Jun 30, 2015 at 1:32 AM UTC
Montana Livestock Auction
Observing these old men sitting at the stockyard cafe, Suspendered bellies hanging above huge buckles And button-crotched Levi's tucked tight  over leather boots, Legs grown bowed and thin, but carrying  them to the sale, still, To hear the auctioneer, talking fast to work the buying crowd, And get their fill of cattle, shoved indoors, Sold beneath the steady cracking whips, A spectacle to burn its way into my minds's forever eye: The skidding steers, the rolling eyes, the frantic scramble to find cover, While buyers gave their quiet signs: A tilted cap, a winking eye, a thumb or index finger up or at a side, To purchase cow or bull or horse, in living flesh... Then out again, through the other door, And turn our heads to wait for more, and read the scrolling numbers: How many head, how much per pound, perhaps a buyer's name, And then the swinging sound of other cattle coming in to start again. So, here these old boys sit again, Slurping coffee through their yellowed teeth, Remembering days  of indoor cigarettes and harried waitresses, The smell of cow manure and jingling spurs, Though now the smokeless ring seems tame, more civilized, I see the glory days reflecting in the old men's eyes..... I was just a boy back in those good old days, My memory is a little hazed, but I can recall When smoking was allowed and sawdust covered the filthy floor, A Coca-Cola cost a dime, and the cattle sale with Dad was the big time; Quaking as we treaded light on the catwalks above the pens, Looked for our calves, or cows Dad culled to bring to sale, Then going down and in to see them sell. Fondly now, I can recall the restaurant at the ring Where  I hoped for a slice of lemon pie from behind chill-fogged glass, Saw cowmen wearing spurs and neckerchiefs and chaps... Dreamed of growing up to be a cowboy.
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We never made sense I should've listened to myself It's crazy how you left me, for me And not for someone else
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Aug 20, 2018
Aug 20, 2018 at 2:06 AM UTC
Loving A Cowboy
We're out at a bar splitting a good night of cheers Drinks and laughter flowing among peers Double shots dance around the table Tonight's the moment, tomorrow's a fable We garnish the laughter with Halloween What's your costume, how do you swing A chorus of "I'll dress up as a cowboy" Is met by a few rolling eyes, "I'll address their convoy" Not to be excluded is the gay guy in back that chimes in And competes with the rolling eyes, cowboys are mine Laughter of reveries spills faster than the drinks A 80's song, When Doves Cry, continues to play over the links A women crashes the party and exhorts the group Come on guys put your wings on, fly the coup Halloween's around the corner, make a splash, make waves Find your muse with a costume that stands up, and raves Look out to the horizon, the rarefied air, and trick for treats Find my tunnel of love with a costume that beats After a pause, a coy smile surface on rolling eye's lip Oh Melville come with me, come with me, and take a dip Double shots dance around the table Logan Robertson 10/19/17
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Oct 19, 2017
Oct 19, 2017 at 3:26 PM UTC
When Doves Laugh and Coo Over Halloween (With Writer's Notes)
Chimney smoke from a neighbours house seeps through an open frame. It conjurers images of home in days of innocence, long gone. Cowboy games and scabs on knees and ice cream as a treat. Nightmare monsters slain with a mothers hand across a brow. Lollipops and lemonade a perfect day complete.
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Dec 14, 2014
Dec 14, 2014 at 3:38 AM UTC
Lollipops and Lemonade