Submit your work, meet writers and drop the ads. Become a member
Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpeck'd cherries,
Melons and raspberries,
Bloom-down-cheek'd peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries;--
All ripe together
In summer weather,--
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy.-"

               Evening by evening
Among the brookside rushes,
Laura bow'd her head to hear,
Lizzie veil'd her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
"Lie close,-" Laura said,
Pricking up her golden head:
"We must not look at goblin men,
Who knows upon what soil they fed
Their hungry thirsty roots?-"
"Come buy,-" call the goblins
Hobbling down the glen.

"Oh,-" cried Lizzie, "Laura, Laura,
You should not peep at goblin men.-"
Lizzie cover'd up her eyes,
Cover'd close lest they should look;
Laura rear'd her glossy head,
And whisper'd like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes.-"
"No,-" said Lizzie, "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.-"
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One whisk'd a tail,
One *****'d at a rat's pace,
One crawl'd like a snail,
One like a wombat prowl'd obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

               Laura stretch'd her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
When its last restraint is gone.

               Backwards up the mossy glen
Turn'd and troop'd the goblin men,
With their shrill repeated cry,
"Come buy, come buy.-"
When they reach'd where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heav'd the golden weight
Of dish and fruit to offer her:
"Come buy, come buy,-" was still their cry.
Laura stared but did not stir,
Long'd but had no money:
The whisk-tail'd merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-faced spoke a word
Of welcome, and the snail-paced even was heard;
Cried "Pretty Goblin-" still for "Pretty Polly;-"--
One whistled like a bird.

               But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather.-"
"You have much gold upon your head,-"
They answer'd all together:
"Buy from us with a golden curl.-"
She clipp'd a precious golden lock,
She dropp'd a tear more rare than pearl,
Then ****'d their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flow'd that juice;
She never tasted such before,
How should it cloy with length of use?
She ****'d and ****'d and ****'d the more
Fruits which that unknown orchard bore;
She ****'d until her lips were sore;
Then flung the emptied rinds away
But gather'd up one kernel stone,
And knew not was it night or day
As she turn'd home alone.

               Lizzie met her at the gate
Full of wise upbraidings:
"Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Pluck'd from bowers
Where summer ripens at all hours?
But ever in the noonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew grey;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so.-"
"Nay, hush,-" said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more;-" and kiss'd her:
"Have done with sorrow;
I'll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap.-"

               Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtain'd bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipp'd with gold for awful kings.
Moon and stars gaz'd in at them,
Wind sang to them lullaby,
Not a bat flapp'd to and fro
Round their rest:
Cheek to cheek and breast to breast
Lock'd together in one nest.

               Early in the morning
When the first **** crow'd his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetch'd in honey, milk'd the cows,
Air'd and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churn'd butter, whipp'd up cream,
Fed their poultry, sat and sew'd;
Talk'd as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

               At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep;
Lizzie pluck'd purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.-"
But Laura loiter'd still among the rushes
And said the bank was steep.

               And said the hour was early still
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,-"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

               Till Lizzie urged, "O Laura, come;
I hear the fruit-call but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glowworm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?-"

               Laura turn'd cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy.-"
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life droop'd from the root:
She said not one word in her heart's sore ache;
But peering thro' the dimness, nought discerning,
Trudg'd home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnash'd her teeth for baulk'd desire, and wept
As if her heart would break.

               Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry:
"Come buy, come buy;-"--
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon wax'd bright
Her hair grew thin and grey;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

               One day remembering her kernel-stone
She set it by a wall that faced the south;
Dew'd it with tears, hoped for a root,
Watch'd for a waxing shoot,
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dream'd of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crown'd trees,
And burns the thirstier in the sandful breeze.

               She no more swept the house,
Tended the fowls or cows,
Fetch'd honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook

               Tender Lizzie could not bear
To watch her sister's cankerous care
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy;-"--
Beside the brook, along the glen,
She heard the ***** of goblin men,
The yoke and stir
Poor Laura could not hear;
Long'd to buy fruit to comfort her,
But fear'd to pay too dear.
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time
With the first glazing rime,
With the first snow-fall of crisp winter time.

               Till Laura dwindling
Seem'd knocking at Death's door:
Then Lizzie weigh'd no more
Better and worse;
But put a silver penny in her purse,
Kiss'd Laura, cross'd the heath with clumps of furze.
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

               Laugh'd every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes,--
Hugg'd her and kiss'd her:
Squeez'd and caress'd her:
Stretch'd up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs.-"--

               "Good folk,-" said Lizzie,
Mindful of Jeanie:
"Give me much and many: --
Held out her apron,
Toss'd them her penny.
"Nay, take a seat with us,
Honour and eat with us,-"
They answer'd grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry:
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us.-"--
"Thank you,-" said Lizzie: "But one waits
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I toss'd you for a fee.-"--
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One call'd her proud,
Cross-grain'd, uncivil;
Their tones wax'd loud,
Their looks were evil.
Lashing their tails
Elbow'd and jostled her,
Claw'd with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soil'd her stocking,
Twitch'd her hair out by the roots,
Stamp'd upon her tender feet,
Held her hands and squeez'd their fruits
Against her mouth to make her eat.

               White and golden Lizzie stood,
Like a lily in a flood,--
Like a rock of blue-vein'd stone
Lash'd by tides obstreperously,--
In a hoary roaring sea,
Sending up a golden fire,--
Like a fruit-crown'd orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee,--
Like a royal ****** town
Topp'd with gilded dome and spire
Close beleaguer'd by a fleet
Mad to tug her standard down.

               One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuff'd and caught her,
Bullied and besought her,
Scratch'd her, pinch'd her black as ink,
Kick'd and knock'd her,
Maul'd and mock'd her,
Lizzie utter'd not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laugh'd in heart to feel the drip
Of juice that syrupp'd all her face,
And lodg'd in dimples of her chin,
And streak'd her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kick'd their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writh'd into the ground,
Some ***'d into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanish'd in the distance.

               In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse,--
Its bounce was music to her ear.
She ran and ran
As if she fear'd some goblin man
Dogg'd her with gibe or curse
Or something worse:
But not one goblin scurried after,
Nor was she *****'d by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

               She cried, "Laura,-" up the garden,
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeez'd from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men.-"

               Laura started from her chair,
Flung her arms up in the air,
Clutch'd her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruin'd in my ruin,
Thirsty, canker'd, goblin-ridden?-"--
She clung about her sister,
Kiss'd and kiss'd and kiss'd her:
Tears once again
Refresh'd her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kiss'd and kiss'd her with a hungry mouth.

     &nb
Polar Feb 2016
Goblin Market
by Christina Rossetti

Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries,
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries; -
All ripe together
In summer weather, -
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy."

Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
"We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"Oh," cried Lizzie, "Laura, Laura,
You should not peep at goblin men."
Lizzie covered up her eyes,
Covered close lest they should look;
Laura reared her glossy head,
And whispered like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds' weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes."
"No," said Lizzie: "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.'
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat's face,
One whisked a tail,
One tramped at a rat's pace,
One crawled like a snail,
One like a wombat prowled obtuse and furry,
One like a ratel tumbled hurry scurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

Laura stretched her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.

Backwards up the mossy glen
Turned and trooped the goblin men,
With their shrill repeated cry,
'Come buy, come buy.'
When they reached where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One reared his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heaved the golden weight
Of dish and fruit to offer her:
"Come buy, come buy," was still their cry.
Laura stared but did not stir,
Longed but had no money.
The whisk-tailed merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-paced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried "Pretty Goblin" still for "Pretty Polly";
One whistled like a bird.

But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather."
"You have much gold upon your head,"
They answered all together:
"Buy from us with a golden curl."
She clipped a precious golden lock,
She dropped a tear more rare than pearl,
Then ****** their fruit globes fair or red.
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flowed that juice;
She never tasted such before,
How should it cloy with length of use?
She ****** and ****** and ****** the more
Fruits which that unknown orchard bore;
She ****** until her lips were sore;
Then flung the emptied rinds away
But gathered up one kernel stone,
And knew not was it night or day
As she turned home alone.

Lizzie met her at the gate
Full of wise upbraidings:
'Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Plucked from bowers
Where summer ripens at all hours?
But ever in the moonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew gray;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so."
"Nay, hush," said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still:
Tomorrow night I will
Buy more;' and kissed her:
"Have done with sorrow;
I'll bring you plums tomorrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap."

Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars gazed in at them,
Wind sang to them lullaby,
Lumbering owls forebore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one rest.

Early in the morning
When the first **** crowed his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetched in honey, milked the cows,
Aired and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churned butter, whipped up cream,
Fed their poultry, sat and sewed;
Talked as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep.
Lizzie plucked purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.'
But Laura loitered still among the rushes,
And said the bank was steep.

And said the hour was early still,
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling -
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

Till Lizzie urged, "O Laura, come;
I hear the fruit-call, but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glow-worm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?"

Laura turned cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy."
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life drooped from the root:
She said not one word in her heart's sore ache:
But peering thro' the dimness, nought discerning,
Trudged home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnashed her teeth for baulked desire, and wept
As if her heart would break.

Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry,
"Come buy, come buy"; -
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon waxed bright
Her hair grew thin and gray;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

One day remembering her kernel-stone
She set it by a wall that faced the south;
Dewed it with tears, hoped for a root,
Watched for a waxing shoot,
But there came none.
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dreamed of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crowned trees,
And burns the thirstier in the sandful breeze.

She no more swept the house,
Tended the fowls or cows,
Fetched honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.

Tender Lizzie could not bear
To watch her sister's cankerous care,
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy:" -
Beside the brook, along the glen,
She heard the ***** of goblin men,
The voice and stir
Poor Laura could not hear;
Longed to buy fruit to comfort her,
But feared to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time,
With the first glazing rime,
With the first snow-fall of crisp winter time.

Till Laura dwindling
Seemed knocking at Death's door.
Then Lizzie weighed no more
Better and worse;
But put a silver penny in her purse,
Kissed Laura, crossed the heath with clumps of furze
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

Laughed every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter-skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes, -
Hugged her and kissed her:
Squeezed and caressed her:
Stretched up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs." -

"Good folk," said Lizzie,
Mindful of Jeanie:
"Give me much and many:" -
Held out her apron,
Tossed them her penny.
"Nay, take a seat with us,
Honour and eat with us,"
They answered grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry;
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us." -
"Thank you," said Lizzie: "But one waits
At home alone for me:
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I tossed you for a fee." -
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One called her proud,
Cross-grained, uncivil;
Their tones waxed loud,
Their looks were evil.
Lashing their tails
They trod and hustled her,
Elbowed and jostled her,
Clawed with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soiled her stocking,
Twitched her hair out by the roots,
Stamped upon her tender feet,
Held her hands and squeezed their fruits
Against her mouth to make her eat.

White and golden Lizzie stood,
Like a lily in a flood, -
Like a rock of blue-veined stone
Lashed by tides obstreperously, -
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire, -
Like a fruit-crowned orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee, -
Like a royal ****** town
Topped with gilded dome and spire
Close beleaguered by a fleet
Mad to tug her standard down.

One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuffed and caught her,
Coaxed and fought her,
Bullied and besought her,
Scratched her, pinched her black as ink,
Kicked and knocked her,
Mauled and mocked her,
Lizzie uttered not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laughed in heart to feel the drip
Of juice that syruped all her face,
And lodged in dimples of her chin,
And streaked her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kicked their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writhed into the ground,
Some dived into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanished in the distance.

In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse, -
Its bounce was music to her ear.
She ran and ran
As if she feared some goblin man
Dogged her with gibe or curse
Or something worse:
But not one goblin skurried after,
Nor was she pricked by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

She cried, "Laura," up the garden.
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men."

Laura started from her chair,
Flung her arms up in the air,
Clutched her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruined in my ruin,
Thirsty, cankered, goblin-ridden?" -
She clung about her sister,
Kissed and kissed and kissed her:
Tears once again
Refreshed her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kissed and kissed her with a hungry mouth.

Her lips began to scorch,
That juice was wormwood to her tongue,
She loathed the feast:
Writhing as one possessed she leaped and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks streamed like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.

Swift fire spread through her veins,
knocked at her heart
Met the fire smouldering there
And overbore its lesser flame;
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense failed in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topped waterspout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life?

Life out of death.
That night long Lizzie watched by her,
Counted her pulse's flagging stir,
Felt for her breath,
Held water to her lips, and cooled her face
ok it's long but in my opinion it will always be one of the most awesome poems ever!
Why are you stretching around?
Like a crazy creature, stretching
And erecting at every bossom’s sight
Don’t you know this to be vile?
Behavior so uncouth and basest
That all men on earth dislike,

Leave me alone master, leave me alone
Show me a happy man without a ****,
I will show you the sorriest point on earth,
Which woman burst not with ecstasy?
On taste of my nature, which woman?

Shut up you sly creature
And manage you mandibles,
You always stretch and stretch
As if you want to lacerate my muscles,
Don’t you know that you put me in risk?
*** is all over and you stretch like crazy,

Leave me alone and let me stretch,
Don’t fear disease and risks,
For *** is now impotent
***** blood is now natured
Above any nonsensical vice
Like *** and his brothers,

Stop stretching or I chop you off
I don’t want any burden of next kid
I am not in any pocket fitness,
For one more mouth and one more ****,

You are a foolish coward
You fear even your success,
Who told you kids are a burden
And parenting a curse?
Beautiful liars taught you these,
Can’t you see china and Islamic State?
Declaring their muscles and mighty,
For no other reason but children
Surest quivers needed in your arch,

For sure don’t stretch, calm down
And stay balmy or I tear you off my torso
Where will I get land in this world?
To contain the useless proceeds
Of your raucous *****?

I am tired of cautioning you
Or I dare you and dare you again
That perhaps I am on the wrong body
Those who are few need land,
But those who are populous need not,
For their victuals come from tertiary means,

I am finally tired of your rudeness,
If you stretch again I will be irate,
As it will be uncouth act of mannerlessness,
For you surely know that my wife is aged
She shares not in your school anymore
If you stretch again know then that you’re vile,

Look again at your thoughtlessness
Who told you that I am condemned forever?
To be feeding on old women, harridans and *****?
I no longer want them on my ****** menu
Feed me on the young wenches in a polygamous fit,
For the elders like you and many others on earth,
will only renew their  old sinews
By merely feeding on the French chicken,

Then you persist in one line like the possessed
Are you possessed by the ****** devil?
I don’t have any ****** energy for your business,
You only put me into a desire for what I cannot eat,
Leave me alone by quitting your vicious *******,

Fear not at all for how you will eat,
You fail to enjoy because of your ego,
You focus on the finish line alone,
Remember  the process in coition,
Tighten you **** to delay *******
And here you will cogitate with gusto,

Negroes! Negros! All over the world,
Again you want me to make more Negros,
Be aware that your melanin is an eyesore
The world looks at you but in pain,
Suppliers of blinkers cannot quench,
The thirst for these wares,
With which the world can put on,
To ward off the pains in the look
At the skin of the *****,

Fear not Negros don’t create themselves,
They come from the supremo of deities
All creation is beautiful in wisdom’s eyes
Whoever that hates creation hates the self
No other act can then match the wickedness.
In Kitale
A town in Kenya,
Lived an English man
His name was Lord Hitchcock
He owned over a thousand acres of land
He took for himself
During colonial times
He had hundredfold of workers
Hitchcock had very beautiful wife
She was called Queen Victoria,
They had two sons;
Hitchcock junior and William,
He had a passion for work
He always woke up at ****-crow
Only to retire back at chick roost
Natives of Kitale had respect for him,
They secretly envied huge udders
That his five thousand fresian cows had,
They also loved him,
For he killed the flying snake,
That had terrorized natives for years,
Hitchcock just pointed a long stick
At the flying snake,
The stick which looked like cooking wood,
Then smoke and thunder came out
Only to see the snake coming down
Tangling like a rope
And fell down in a thud!
It is when the natives gave him a new name
Mango wa nandemu; meaning the snake killer
Natives also had an issue with him;
He likes putting  mucus in his kerchief
And then put it back into his pockets
Instead of throwing it a way
Direct from the nose,
His nose were slender and long
They wonder why he could not used it
In proper thrusting away of the mucus,
Men folk on his farm were always day dreaming
Of any chance to have *** with Queen Victoria
As the women folk too fancied of William
Marrying their daughters,
His favourite worker was Onyango,
The Luo man from shores of the lake
He liked Onyango most
Even  he promoted him
To be a tractor driver
Other than cleaning the cowsheds,
The gossip was that maybe Hitchcock was full,
Or not circumcised like Onyango
Hence is passionate preference Onyango,
But no, they don’t knew,
The germ was in Onyango’s workmanship
Onyango worked like a donkey,
Onyango also had a beautiful daughter
Her name was Ilingling Atineo Nyarpondo,
But workers on the farm called her Atieno,
It is Hitchcock who broke her virginity
A secret which queen Victoria knows not,
Hitchcock just popped in at Onyango’s shack
One after noon, after Lunch
He found Onyango, Atieno and the mother,
He didn’t talk a lot,
He only ordered Onyango and his wife
To go out and hang around
For him to have Word with Atieno
Onyango walked out minus haste,
The wife followed suit, after cautioning Atieno
Not to disappoint the Lord; Hitchcock,
A minute never passed,
Before the Lord took Atieno into his arms
He carried her to Onyango’s bed
And effectively penetrated her,
Sweetness gripped both of them
Hitchcock on his ******
Began to  moan like an aphrodisiac animal;
Atienoo! Atienoo! Atienoo!
In turn Atieno also screamed
Like a caged monkey;
Lord! Lord! Lord!
We are on my father’s bed,
Onyango and His wife
Were out keeping sentry
Lest Victoria finds Hitchcock
In the act of deflowering the ******,
When he finished,
He called Onyango and the wife in
Then he warned them
To keep the mouths shut,
Or else he ejects them from the farm,
And indeed they kept mum,
Hence the friendship
Between Onyango and Hitchcock,


Hitchcock never like two of his workers,
Josef Sasita and Wavukho Masafu
He didn’t like Sasita because of one reason;
Sasita brought along his brother to work
His brother was called Kalenda
When Hitchcock was taking the master roll
He asked Kalenda to say his names
Of which Kalenda said his two names;
Kalenda Sasita,
Of which Hitchcock never understood
As these two names are a Kiswahili sentence
Meaning it is lunch time at end moth,
Hitchcock understood Kiswahili very well,
He thought Kalenda was implying for a pay
And Lunch Allowance
When he had only worked for three hours
It was not lunch time neither was it end month,
Hitchcock was overtaken by anger
He slapped Kalenda with all energy in his arms
Kalenda fainted and collapsed like a dead bird,
Sasita thought the lord had killed his brother
He began wailing, he boxed Hitchcock
More than five hundred jabs
in a couple of minutes,
Then Sasita got off on his heels,
Running away at a speed of a kite,
But unfortunately he was arrested
By a white police and brought back to Hitchcock,
Hitchcock flogged Sasita two hundred strokes,
And ordered Sasita to resume his work,

Hitchcock’s detest for Wavukho
is due to nothing else
Other ceaseless malingering,
Wavukho always takes
a minimum of an hour
Every time he visits the toilet,

So Onyango is the only guy on the firm,
A boon to which Ndiema, farm worker,
Is very jealousy of ,
Ndiema believed Onyango is using charms
Or love potions or Voodoo to lure the Whiteman,
Otherwise how can Whiteman love a black worker?
With such passion in the way Hitchcock loved Onyango,

One day Ndiema approached Onyango
He asked him the secrete behind his fortune
Onyango became sly and lied,
He told Ndiema that it was only magical charms
He was given by his late mother,
That made Hitchcock’s heart to swell with love
For him and his family,
Ndiema believed on the first hearing,
He became selfish and begged Onyango,
To give him the charms also,
So that he can also enjoy the Whiteman’s love
Onyango accepted to assist but at a fee,
A fee which took Ndiema salary of two months,
Then Onyango brought Ndiema a ***** of an Alligator,
He told Ndiema to put it in his underpants,
Every time he goes to work,
Ndiema complied,
That morning Ndiema woke very early,
He walked to his work station
Very happy and confident
Sure of enjoying the Whiteman’s love
Given the voodoo under his pants,

At ten in the morning Hitchcock called Ndiema
To join him in repairing the maize miller,
Ndiema was a hand boy, a toto,
Ndiema was to hold the engine
As Hitchcock tightened the nuts
But the engine was oily with grease,
Ndiema’s hands slipped every time
Hitchcock tried to tighten the nuts
Hitchcock got irritated,
Especially by the papyrus cowboy hat
Ndiema was wearing,
Hitchcock cautioned Ndiema to be serious
By tightly holding the engine,
But when Hitchcock began tightening
The engine again,
Ndiema’s hands slipped
And the engine moved away,
Hitchcock punctuated this with a nemesis;
He jabbed Ndiema with an art of Olympiad boxer,
It was one tremendous fist
The fist of the century,
When Ndiema wanted to cry
His five teeth jumped out
And when he said I am sorry my lord
He woffled; iywi mwu sovwi lodwi
Hitchcock clicked and walked away,
Ndiema walked home
With a humongous gap in his bucal cavity,
Ndiema reached home and went to bed
His wife, Chepsuwet was already aware
She only prepared porridge for him
As he had no teeth to munch solid food,

When Hitchcock reached home
He found his two sons in a strong fever,
They were panting like desert dogs,
He asked them what was wrong,
Both boys began shedding tears
In torrents like river Euphrates and Tigris
Flowing across the Garden of Eden,
What is the problem?
Hitchcock roared,
The big boy then featfully responded;
We were given sugar cane to chew,
We were given by Ndiema the farm worker,
It was yesterday in the evening,
That is why we are sick,
Ok,
Hitchcock nodded his head,
He took his whip, made of wires and rods
With a sting at the end,
He jumped on his horse
And shot off to Ndiema’s place
At the speed of forty five kilometers per hour,
He found Ndiema trying to swallow some porridge,
Come on Ndiema! Roared Hitchcock in full voltage
Of ire, anger, fury and mad petulance,
When Ndiema came out
Hitchcock pulled out his whip
He flogged Ndiema terribly
They were strokes and strokes
Strokes fell on Ndiema’s back
With a sharp sound like a thunderclap
Ndiema cried like a baby,
Begging for lord’s mercy
Chepsuwet looked on in fear,

When Hitchcock jumped on his horse
And went away clicking, frothing in anger
Like the waters of river Nile
Departing Lake Victoria to Egypt,
Ndiema was on the ground
Writhing in pains from the flogging,
He sobbed and sobbed,
And finally he mumbled;
Witchcraft don’t work against an Englishman,
His wife Chepsuwet did not understand.
1

Suddenly, out of its stale and drowsy lair, the lair of slaves,
Like lightning it le’pt forth, half startled at itself,
Its feet upon the ashes and the rags—its hands tight to the throats of kings.

O hope and faith!
O aching close of exiled patriots’ lives!
O many a sicken’d heart!
Turn back unto this day, and make yourselves afresh.

And you, paid to defile the People! you liars, mark!
Not for numberless agonies, murders, lusts,
For court thieving in its manifold mean forms, worming from his simplicity the poor man’s wages,
For many a promise sworn by royal lips, and broken, and laugh’d at in the breaking,
Then in their power, not for all these, did the blows strike revenge, or the heads of the nobles fall;
The People scorn’d the ferocity of kings.

2

But the sweetness of mercy brew’d bitter destruction, and the frighten’d monarchs come back;
Each comes in state, with his train—hangman, priest, tax-gatherer,
Soldier, lawyer, lord, jailer, and sycophant.

Yet behind all, lowering, stealing—lo, a Shape,
Vague as the night, draped interminably, head, front and form, in scarlet folds,
Whose face and eyes none may see,
Out of its robes only this—the red robes, lifted by the arm,
One finger, crook’d, pointed high over the top, like the head of a snake appears.

3

Meanwhile, corpses lie in new-made graves—****** corpses of young men;
The rope of the gibbet hangs heavily, the bullets of princes are flying, the creatures of power laugh aloud,
And all these things bear fruits—and they are good.

Those corpses of young men,
Those martyrs that hang from the gibbets—those hearts pierc’d by the gray lead,
Cold and motionless as they seem, live elsewhere with unslaughter’d vitality.

They live in other young men, O kings!
They live in brothers, again ready to defy you!
They were purified by death—they were taught and exalted.

Not a grave of the ******’d for freedom, but grows seed for freedom, in its turn to bear seed,
Which the winds carry afar and re-sow, and the rains and the snows nourish.

Not a disembodied spirit can the weapons of tyrants let loose,
But it stalks invisibly over the earth, whispering, counseling, cautioning.

4

Liberty! let others despair of you! I never despair of you.

Is the house shut? Is the master away?
Nevertheless, be ready—be not weary of watching;
He will soon return—his messengers come anon.
Emanuel Martinez Sep 2012
How come your body of warmth
  Boulder of boldness and hope
    My limbs in vain, fold
      In and out of its hold

Smoothness and strength
  Making me hang stealthily below
    As the muscles in your arms
      More than tickle, grip, supporting my back

Frolicking, commanding every enclave
  Exploring this landscape with precise measure and expertise
    Cherishing every arch, every curve, every carving
      Like the greatest monument,
        You guard me against all elements

And every time you press this lips
  Cautioning against the unleashing of nirvana
    Tinkling with mere existence
      There's a launching of infinite catharsis

Even when this land becomes regimented and bound
  Enclosing every possible escape
    Encroaching, expelling the very efforts to liberate
      You pause in front and gaze into the power of my eyes
        Extracting every trace of repression and restraint

Canvasing, surveying the infinite value of this place
  The conqueror, the lord, the trustee of this land
    Has come to stop pondering the chase
      He's built the greatest monument, he never planned
September 18, 2012
OnjuliThePoet Jan 2016
one*
two
three
He lied to me
only wanted my virginity
made me feel like i was infinity
...
Except the times he abused me

one
two
three
He yelled at me
called me names and obscenities
creating all my insecurities

...
Only to build me into what he wanted me to be

one
two
three
She saw what he did to me
manipulated and broke
she warned me of his problem things

....
But i didn't listen to her cautioning

one
two
three
Mama he cheated on me
nope didn't take my virginity
but broke me down and created insecurities
for the girl he wanted me to be
only to go on and leave me

...

one
two
three
He cant hurt me
I'm stronger now and better see
I should have listened to my mama
when she told me

**That boy is no good for me
Made this about my ex my mom warned me but i was all gaga for him so yea lol
Warren Gossett Sep 2011
He feels the terrible urgency of aging,
a foreboding, a sense of something
left unaccomplished
which constantly
claws at his thoughts when he should be
enjoying what life he has left.
It's a cautioning
that the time allotted him to find
an answer, to seek fulfillment,
is escaping him.
What has he done with
his life to merit existence on this orb,
to warrant another sunrise,
another soft rainfall?
Such questions go without answer.

--
Like everyone else, these September downpours have me grumbling,
but secretly, I couldn't be happier.
Rain has come for me, my saviour from the skies,
Cautioning, encouraging restraint.
Thank you rain,
For hiding everything from everyone.
For masking tears,
Blurring fears,
And keeping me away.
I am still so vulnerable,
But I want to stay strong, and am trying so hard.
This downpour, this baptism,
Washes away weakness, and temptation,
And may tip the balance the right way;
Move me further from Summers' indulgence
Into abstinence, and resolve.
I am ever grateful to the Gods of Rain,
Who saw what I needed, and supplied,
They may save me from myself.
The heavens is your throne
The earth your footstool
Earthlings you molded
From clay and then ribs
You gave us some of your air and the right to breath
All I have belongs to you
From my lovely nose to the marrow in my bones
All these you own
So why do I keep getting your attention?
Why do you even care or bother to take away my fears?
What can I offer you when you have it all?
I know what's right and hear my spirit cautioning just when I decide to do wrong
I push you away
and when I do your absence creates a presence about me
A presence that takes over
whenever I refuse to listen to the voice of my conscience
I try to hide
In my folly I feel wise
Forgetting you are omnipresent.
How beautifully have you painted the rainbows!
You landscaped the earth with the flowers and tall trees
The wild geese and birds you never fail to feed
You whose hands are stretched out towards the earth
On Whose palms I sit
Please don't turn your back against me
It’s your face I seek
I have failed you once again
all my promises to you I am too human to keep
Forgive me Lord
I fail to mirror your attributes though a spitting image of you I am
Please let Momma and Papa tarry
If only till three score and ten
Let them relish for tirelessly they’ve toiled
fill their hearts with foy as their third generation in the arms they carry
You asked that I ask
Cause you are equal and more so greater than the task
One more thing I ask of you
when they you call unto thee
That their exit be as they wish
Most peacefully as they bid your footstool goodbye
You know all things and even before the world begun
It was powerless to hide its end from you
You don’t only know the end from the beginning;
You are the beginning and the end
to my humble plea I beseech you, your precious ears do lend
~r3d~
Omnis Atrum Feb 2013
His books are all jammed in the closet.
With clasping arms and cautioning lips
the Crier's voice would tell me --
O love is the crooked thing.
What weight o' woe.
I thought that love would last forever: I was wrong.
What did I know, what did I know?
But opportunity is real, and life is free.
Love strikes away the chains of fear.
It's the fire in my eyes.
That's what good for the soul,
and life is too much like a pathless wood.
Whose woods these are I think I know.
Through living roots awaken in my head.
(But near his ears, above his brains)
I don't want to go on being a root in the dark.
And there the sun burns crimson bright,
making the pathways neat.
Into his mind the turbid ebb and flow
that passes for thought.

And he likes having thought of it so well.
I am heir, and this my kingdom. Shall the royal voice be mute?

I never could talk to you.
The tongue stuck in my jaw.
My mouth is wet, my throat is dry.
Sighs, short and infrequent, were exhaled.
Slowly the sounds came back again.
A fearful trill of things unknown
occasionally breaks the silence,
which is the bliss of solitude.
I want it to confirm,
but the silence was unbroken, and the stillness gave no token,
to shut the other's gaze down.

If unto me all tongues were granted
to never say nay,
for still I hoped to see the stranger's face.

Oh whence do you come, my dear friend, to me?
What makes thee startle
if you have seen all this and more.
White woman with numberless dreams,
dreaming of heroes.
Ever serene and fair,
seeker of truth,
your heart is luminous.
For you bouquets and ribbon'd wreaths-for you the shores a-crowding.
You are violets with wind above them.
Red roses at her feet,
her voice was like the voice the stars
had when they sang together.
So shake the very Heaven on high,
lady at whose imperishable smile,
on whose forbidden ear,
with love in the loving cup.
Does it come as a surprise?

Come! vouchsafe to me what has yet been vouchsafed to none—Tell me the whole story,
"To save my lady!"
Ye bid me tell a story too,
and you may see me cry.
Curse, bless, me now with your fierce tears, I pray.
And mix her woe and tears with mine.

But that too, I am afraid,
is faulty: oh, what shall I say, how is the truth to be said?
For if it were where it is not,
to weep would do thy glory wrong.
And I watered it in fears,
and it gives me a scare,
like a heavy load.

All the world wondered:
Why, what could she have done, being what she is?

Here is the deepest secret nobody knows.
I speak the truth in soberness, and say,
“I want you to know
one thing.
In all the creeds there is hope and doubt, but of this there is no doubt:
I would dare to say,
you made me want to be a saint,
and that has made all the difference.”.
I wonder do you feel to-day,
somebody loves us all.

And one man in his time plays many parts,
and, in parting from you now,
I walk away into the night.
He shall write no more.
First attempt at a Cento.
The bard spoke this night to me with concern
Cautioning should I write a sonnet fair
It would in the pages of history burn
Yet I'm pursuing the course with heaps of dare
Thy hand is set to work to prove him wrong
This composition will not in ashes fail
Determination is my consort song
Syllables ten to each line to couplet tail
A challenge put forth by musketeers three
No doubts yet have arisen of deftness
In completing the task given to me
The bard's classic form will cause no duress
On this journey one has taken a bet
The end product is now forever set
JL Mar 2013
Looks at me
Quite pistol whipped
Cheap *****
A taste on my lips
Speeding down
United States
Federal Highway 1
I dream that I am
Dead in each ditch
I pass
David Bowie deep cut and
I want to be free like this forever
I try to explain
Using these letters
Cheapening
It just for you
Dutch courage
Nudging me
Neon Strip Bar Glowing
I'm a quiet person
Keeping to myself
But
Born a fighter
Hard fists scarred
Dirt under my nails
I never fail
To wake up
Hung over
On her words
Cautioning me
To slow down
Smoking ***
Playing darts
With old timers
And drunks
People and places
Long forgotten
Bloodied then
Whitewashed
Concrete
Wide awake
Always Dreaming
Dead asleep
In the driver seat
Medusa Jul 2019
We missed our chance.

But it’s not a problem: we gave it all
All came back sighing, lovestruck:

Then mutinous alliances recalled,
We fled.

Now, cautioning and antennae’d
Weary, we crawl upon hot lava

Yet still we wave.
“Why Can’t We Be Friends” by War playing in my head
AmberLynne Feb 2015
I should come with a ******* warning label,
cautioning others about my tendencies
toward self-destruction,
and warning them of the consequences
of choosing to get too attached
to the inevitable time bomb of me.

I try to warn them away,
but they don't listen,
or they brush it off as nonsense.

"You shouldn't love me," I say,
eyes deep with grief
because I know the truth of the words.

But nobody heeds my ******* warnings,
so I'm left stepping over the remains
of us, having to live with the knowledge
of what I've done.

******, I tried to tell you.
But no one ever listens,
they refuse to believe.

And in the end I'm left having to watch
you shatter, knowing I'm the cause.
I tried to warn you.
You should've listened.
2.24.15
Kagey Sage Aug 2020
Let's pretend we can enjoy the world's decadence
like the oblivious do
Let's do chaos magick
to make our dreams come true
and grow closer together as
the monkey claw closes too soon
and we sit on a pile of
decade old what-if situations
stamped down by unintended consequences
Let's cash in our paltry spoils
and toast to loving fate
Here's to staying together
just for the story
We used to say: predictable, finally
Now we're thinking: routine, help me
The wheel's spinning so fast
it's a blur
Sameness
We're shamans of samsara
cautioning against becoming gods
Fear change
but can you please spare some?
I forestalled enlightenment
just to help you all become
one mushy blob
and now I'm bored

I'm not uptight  
I'm just a bodhisattva
waiting to die so I can leave this world
Wish someone would just give me some spoiled food
so I'll be done for good

When life gives you rotten produce
make banana ***
'Cause it's no use sitting
and ******* about
how our world isn't another one
Drink up
store extra slurp in your tum
Make society so no one's starving
and the kids can have some fun
___________________

­**** your pie factories in the clouds
Bulldoze churches to build parks and playgrounds
Make it illegal for stores to throw food in dumpsters
just so some homeless guy will learn
how to fish in a desert sandstorm
caused by industrial emissions
that our overlords refuse to pick up
themselves or even pay the bill for

You bamboozled fools
just want to watch subliminal *****
on your shiny screens
all to trick you into drinking the
venomous ***** milk from plastic straws
It's all the slaw that the marketers peddle
Indecipherable hacked bits
your mind fractionalized
and trained to keep coming back to bliss
The endorphin kick of these brainwashing clips
Can't read anymore cause I got
a worse attention span than a goldfish
Me and Skipper tried to save the Minnow
but she was no match
for the ocean
Now we're stuck on an island
where we don't even consider
the headhunters human

I forgot what we ought to do
I keep ******* up the signal fires
and coconut powered sonar systems
'Cause I look all around
and all I wanna do is clock the Professor
cause we're fighting over Ginger
It doesn't take a brain surgeon
to season your oil
and if you forget
the vegetarian oyster sauce
can it even still be considered a stir fry, smart guy?

**** it
let's just eat the octogenarian and his wife
'cause I read a study that said
the rich would willingly give up their life
for the economy
Last I checked, sand dollars aren't tasty
so your bone marrow's much more valuable
than your bullion and Nasdaq arrows
dom Feb 2020
Painkillers fallen all around me
In every direction, I lay amongst them
Such a terrible sound was made when they spilled

Painkillers fallen all around me
Woken from my slumber
I put one in my mouth and do not deal with the rest until morning

Painkillers fallen all around me
Such a safety to have so many unswallowed
But how will I feel when they run out?
I count the number as I pick them up
Like a clock ticking louder with each second, cautioning, that my pain better be gone before the time this bottle is finished
Not until now did I realize the luxury of sharing a family bottle

Painkillers fallen all around me
They fall so my tears don’t have to
But I’m not fooled by their innocent appearance
I know they are a bargain
A trade for a temporary mend,
So my heart can quiet its hurt for a little while

Painkillers fallen all around me
But why do they want to **** my pain?
Why can’t they see that my pain is a part of me?
Can’t they understand that without pain there is no living?
Why do they want to **** me?

Painkillers fallen all around me
Making it so easy for me to ignore my sadness
I can live in this world if only I let a part of me die
If I stop trying to sing my story
If I smile when I want to frown
If I let the painkillers do their job

Painkillers fallen all around me
They wouldn’t have fallen if the **** bottle wasn’t so hard to open,
Making me prefer to leave it uncapped
There was a time when I never cared that the bottle was sealed
Oh how I envy that now
Where can I find the strength to close the lid?

Painkillers fallen all around me
Call me paranoid,
or clairvoyant,
or a desperate seeker in need
of a kindly wink
who gets blank
stares from the battered
courtyard
plot of Black-eyed Susans.

I’ve seen sweet
grimaces and gruesome
grins locked in the fuzzy
outlines of a hinge
with its unused spins
perpetually
putting the bedroom
door ajar.

Cheerless chuckles
and twinkling frowns
bubble up
from the brown-edged
peels of paint
on a water-damaged ceiling
constantly keeping my looking-
back glass fogged.

They come visit, sometimes
smiling, often beguiling,
these faces who lurk
in this saddest of places
where I hold
their ghostly echoes
safe from the outside
voices cautioning me:

“Too many conjured guests,
even the prettiest
ones you’ve grown
fond of, eventually become
so much unfiltered noise.
Find and kneel down among
the moss
and lichen-covered pews.

“Put your whisper-burned ear
to the quiet-cool earth there
and hear her tell you,
‘Look up.
Look up. Share,
oh do share dear,
in the wonders of this infinite
and unpeopled blue.’”
This work is licensed under a Creative Commons Attribution 3.0 License.
W A Marshall Jun 2014
by: W. A. Marshall
6-6-2014

the spherical motion
a pedal clicked in chrome
like pistons on a train
this continual flowing
equalized organization
of carbon-fiber, trickling over
soft tar and grit -
alfalfa dancing like
a thousand green strippers
for the pastured stallion
goldfinches with spring plumage
and red winged black-birds
calling,
cautioning the field
my escort into
the silent winds
a conflict that coerces
blood further inside
my swollen veins,
and my lungs and heart
labor to find fresh air
in a country of drivers
with disturbed faces
in vehicles that hurry by
fading into oblivion
but I and thou glide firmly
burning –
in the moment
of my self-contained
fire.
My time out there...
Jon York Mar 2017
It doesn't interest me what you
do for a living but I do want to
know what you ache for and if
you dare to dream of meeting
your heart's longing.

It doesn't interest me how old
you are but I  do want to know
if  you will risk looking like a
fool for love, for your dream, for
the adventure of being alive.

I want to know if you can be
with joy, mine or your own and
if you can dance with wildness
and let ecstasy fill you to the tips
of your fingers and toes without
cautioning us to be careful, be
realistic, to remember the
limitations of being human.

I seek this thing though I don't
know what it might be, so I spend
my time searching for that one
missing piece and perhaps one
day you will come to me and
bring with you that quiet peace.
                                     Jon York     2017
Instincts shrink
when love is on the table
for instincts are for survival
And love is for a dying
in the grandest ritual possible
And although as my gut tells me
Warns me to be on my guard
Cautioning, my brain is mush
And so is my own heart -
Dampen my instincts then,
Love, have me be ******,
Take all of my very existence,
Sacrificing survival on insistence.
Shalini Jain May 2015
Oh thy sea,
Perched on damp rocks beside you,
Rocks slightly drier than my heart
Captivated, I come to you seeking solace.
Listening to music you are a maestro of,
Talking to the waves,
Revealing them all my,
Joys and sorrows,
Fears and inhibitions.

Prattling together like old pals lost in chat
Meeting o'er a cup of serenity
The cool breeze ruffles my hair,
Almost whispering "Hey, you are not alone";
The waves send my way slight splashes,
Waking me up from my daydreams,
All say I am lost,
I say I am searching.

As I lay by your shore,
With a heart pretty sore
You fill it with your wisdom,
I see you,
Clashing, chasing, fighting the rocks
You too do fall,
Only to come back again stronger
Not letting their strength,
O'erpower your will to rise higher
I see you strive o'er and o'er again
Cautioning me to not be hopeless
But to get up and try again.

- Shalini Jain





#Please post your comments if you like it or even dislike it. Would love to hear your views.
thank you.
Shyfa Oct 2014
“It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing.
It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive.
It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it.
I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human.
It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy.
I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence.
I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!”
It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.
It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away.
I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.”
― Oriah Mountain Dreamer
zebra Mar 2019
her body the bones of the earth
with a heart like an oozing slit

a goblin infusoria blur
smatter cautioning lips
on a golden head
and radiate a tumbling ludicrous halo
for a saintly gutted fish still making caviar
to feed blind kittens

a curdled soul warps the mind
the moon hiccups
a sky-rocket
and her kisses seal a destiny
with a trickle wetted mouth
and bulgy ******; exultation of love
like bellowing lungs

flesh falls
spirit flies
Jess Hays Jul 2016
Masks and fiction we wear as protection
To keep us safe from vulnerable situations
Make-up we plaster as our happiness
The mentality of only you... no trespassing,
Because self-inflicted hurt is less agonizing
Than others getting to close to our truths.
Covering the life lessons with a layer of skin,
Cautioning any soul we begin to let in,
Keeping our mindless thoughts ever-dwelling.

This life promised happiness, tragedy, forgiveness.
But, in adulthood, it doesn't provide protection.
Rather, it hands us elders and guardians
That remind us vulnerability is unhooking your
Body from the steel-anchor of problems.
That the winds may knock you off your feet, but
We'll fly again as the water flows along the breeze.
Onoma Dec 2016
Could it be other than as it is?
As you would have it, is how you'll
have it.
The very form of your have, and have not...split down prayerful hands.
The opening and closing of eyes survived by the peregrination of a
body...as you would have it, as you'll have it.
A remembrance undone with every blessed motion...cautioning the mind not to keep pace, not to intellectualize such a motioning.
Alas, it would be difficult to intellectualize the anatomical function of the body twenty-four hours a day...would it not?
Grace set against its only backdrop...
a haiku that refuses the trappings of a novel, as you would have it...
is how you'll have it.
Ben Jones May 2019
The angels gathered all about
The hour of his birth
They mocked and howled in harmony
With heavy handed mirth
Upon his cheek they set the sign
Of all that shouldn't be
And cast a light of cautioning
For all the world to see
His cord was cut asunder
By a blade of malcontent
And free into the living world
The Leveller was sent

His childhood was immaculate
About him drew a chill
He spoke in calm and measurement
To those who served his will
His eyes were simply windows
And beneath them shone the void
His hair was curled chaotically
As with the wind it toyed
He suffered no companion
Save the presence of his mother
She viewed him with adoring eyes
A way she saw no other

He never knew his father
And no mention ever made
His mind was ever sharpened
His attention never strayed
With pockets filled with avarice
His cup grew never shallow
And places that he visited
Grew desolate and fallow
Meticulous and thoroughly
He studied and he learned
Yet deep within a timer ticked
A candle slowly burned

The years were quick to tumble by
They ran away like sand
A child became an adult
And his purpose was at hand
The sunset billowed evilly
Like blood does in the water
And fire bloomed within his soul
And hunger for the slaughter
He eyed his doting mother
And extinguished her with thought
If only for the solitude
And pleasure that it brought

She fell and marked his wakening
With love still in her eyes
He raised his hand in arrogance
And smote the living skies
The silence broke near placidly
With softly falling birds
He ate the souls of onlookers
And stole away their words
The tide drew up the shoreline
It gleefully advanced
Quickly and deceptively
As through the streets it danced

Atop each crest of rancid foam
Was evidence of death
The air was thick and vacuous
And clotted every breath
The brave and foolish stood their ground
They mounted their defences
But ghostly fingers smothered them
And choked away their senses
The masses fled in unison
To make for higher ground
And those too weak to run away
Forsaken, slowly drowned

The Leveller continued
And he rode each hellish wave
No sympathy was traded
And the earth became a grave
The fire in him cackled
It beguiled the population
Humanity was cowering
And begged for their salvation
But he silenced them most savagely
And as the last fell down
He took his victims finger bones
To make himself a crown

So that was how the human race
Was banished from the world
And demon spawn reclaimed it
Their unholy wings unfurled
The ground was scorched and fruitless
And the riverbeds were bare
The smell of death and pestilence
Had stained the very air
And on a throne of fire
With a sceptre wrought of spines
With ****** crown upon his brow
The Leveller reclines
NicoleRuth May 2015
Our eyes met across the hallway
Yours filled with a polite curiosity
My identity questionable
With a touch of nagging familiarity

I walked away
Merging into the crowds of uniform
Avoiding those moonlike eyes
Having a pull that draws me in

For a stranger
Your face seems old
Like it was carved into my insides
A promise of unforgetability

Who are you?
My mind searches its dark recesses
For answers which long since
Have been brutally wiped away clean

You find me easily
My scarred face hard to miss
Brows furrowed in confusion
You stare at my skin

Fingers reaching out
To touch the untouchable
A word forming on your lips
Evolving into a question

Nicole…?
Fingers clench the pregnant air
My body stepping back in fear
Too close.  Way too close.

I’m cornered now
Your presence now stronger
Studying my face with shock
My trembling cautioning your movements

Tears place themselves
Delicately in the corners of your sight
Emotions running wildly inside your being
As you look into the eyes of a ghost.
Lindee Apr 2014
IT DOESN'T MATTER TO ME WHAT YOU DO FOR A LIVING.
I want to know what you ache for., and if you dare of meeting your heart's longing.
IT DOESN'T INTEREST ME HOW OLD YOU ARE.
I want to know if you would risk looking like a fool for love,
for your dreams, for the adventures of being alive.

IT DOESN'T INTEREST ME WHICH PLANETS ARE SQUARING WITH YOUR MOON.
I want to know if you have touched the center of your own sorrow,
if you have been opened by life's betrayals
or have become shriveled from fear of further pain.
I want to know if you can sit with pain - mine and your own -
without moving to hid it, or fade it, or fix it.
I want to know if you can be with joy, mine and your own;
if you can dance with wildness and ecstasy,
fill the tips of your fingers and toes
without cautioning us to be careful, to be realistic,
or to remember the limitations of being human.

IT DOESN'T INTEREST ME IF THE STORY YOU ARE TELLING ME IS TRUE.
I want to know if you can disappoint another to be true to yourself;
if you can bear the causation of betrayal and not betray your own soul.
I want to know if you can live with failure, yours and mine,
and still stand on the edge of the lake and shout to the silver of the full moon,
"YES!"

IT DOESN'T MATTER TO ME WHERE OR WHAT OR WITH WHOM YOU HAVE STUDIED.
I want to know what sustains you from the inside when all else falls away.
I want to know if you can be alone with yourself,
and if you truly like the company you keep in the empty moments.
Not mine.
"Oriah Mountain Dreamer"
David Paul Brown
fiachra breac Apr 2020
grey carpet, yellow wall,
brown table, yellow wall,
blue seat, yellow wall,
and a **** coloured stain on the ceiling.
_______

shoulders pressed inward,
hands between thighs,
hair hanging in front of
detestable grey eyes.

but details matter,
red hands must smear
a crude-drawn picture,
on strips of brown-clear.

blinding and white
burning the table,
ten pages in all,
a statement from Abel.

attempt to explain,
better yet confess,
inky black clips,
secret, sudden cess.

bottle green, cautioning;
two lives lost
to action unseen.
golden is youth,
yet blue is the feeling,
all colour gone, body reeling.
Star BG Jan 2018
Ice
Ice is a form to gaze inside like mirror
making one dream
of sugar plum fairies.

Ice is water chilled
to take ice skates out of closets
and glide in natures beautiful landscape.

Ice forms cautioning all to tread carefully
otherwise one may be laid-up in bed.

Ice requires one to slow down
when in driving mode
so accidents don't happen.

Ice becomes an icicle
that hangs in beauty.
for any photographer nearby to click away.
Inspired by Arabella  Thanks
Tall,
         Towering,
                         Terrorizing.

Sometimes blue - oppressing, coercing dreams.
Or red - threatening, cautioning tales.
Often amber - dubious, ambiguous notions.
Or grey - obscured, absent, oblivion.

Never green - calling, coaxing, purpose,
Peace of heart, peace of mind,
A piece of Something that feels like Mine,

instead -
the constant struggle of my life, the door of the future stands in front of me, changing every time i blink, someday it will open but for now -

— The End —