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"bel" poems
~~~~English~~~~ Such beauty takes away my breath As the sunrays shine across the peaceful path The trees of this forest sway and nod in the dancing breeze Which caresses my cheeks Pastel clouds in the watercolor sky Makes the forest with its path beautiful And birds sing and warble in the tall treetops God alone creates this beauty The bluebells bordering the path Are kissed by sparkling dewdrops And snowdrops have long come out of Their veil of snow Lacy green leaves from the blowing trees Provide shade in the sweet summer And the breezes provide coolness on a hot day At this lovely place of beauty ~~~~French~~~~ Une telle beauté enlève mon souffle Comme les rayons du soleil brille à travers la voie pacifique Les arbres de cette forêt se balancent et hocher la tête dans la brise dansante Qui caresse mes joues Pastels nuages dans le ciel aquarelle Rend la forêt avec son chemin belle Et les oiseaux chantent et modulées dans les hautes cimes Dieu seul crée cette beauté Les jacinthes qui bordent le chemin Sont caressées par les gouttes de rosée mousseux Perce-neige viennent depuis longtemps de Leur voile de neige Dentelles feuilles vertes des arbres de soufflage Fournir de l'ombre en été douce Et les brises offrent fraîcheur par une chaude journée À ce bel endroit d'une beauté ~Hilda~
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Mar 12, 2013
Mar 12, 2013 at 10:32 PM UTC
The Path Of Sunrays
Oh Coffee Machine! My Coffee Machine! You've finally finished my drink! For every morning you brew me one -I place my mug in the kitchen sink, Every drop of your goodness; topped with whip cream; finished just in time, The things you make, lattes, coffee, are absolutely divine, Just as I was about to fill and pour the once empty mug, almost as empty as i'm feeling; there's still that leftover bit of hope, But wait, Can it be? My old trustee machine? It mustn't be the end of my coffee machine peering near, It can't be the end of my morning routine, For all I hear are crashes; unfamiliar to my ear. My Coffee Machine! Dear Coffee Machine, The hiss of steamed milk, cream and roasted coffee beans, The wisps of steam lingering in the air as you make my coffee, Dripping ever so slowly in my cup -Coffee that's dark, bitter and black as night, Early in the morning before breakfast; before I take a bite, This half-full cup of coffee won't do me good for the day, Without you I think that the morning skies themselves will be grey, But wait, My dear coffee machine! I keep pressing the button clear It can't be the end of my morning routine, For all I hear are crashes; unfamiliar to my ear. Waking up with no cup of coffee, ask not what the future may bring, Without the energy, I don't know whether sorrow shall reign or happiness ring, Everyday I now wake to breathe deeply the aroma of life's bel-fry, For if I ever smell the subtle hint of coffee in the air, I let out a sigh. Oh Coffee Machine! Dear Coffee Machine, You've been here for so many years, It can't be the end of my morning routine, For all I hear are crashes; unfamiliar to my ear.
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Sep 15, 2013
Sep 15, 2013 at 5:51 PM UTC
“Oh Coffee Machine! My Coffee Machine!”
Oh Coffee Machine! My Coffee Machine! You've finally finished my drink! For every morning you brew me one -I place my mug in the kitchen sink, Every drop of your goodness; topped with whip cream; finished just in time, The things you make, lattes, coffee, are absolutely divine, Just as I was about to fill and pour the once empty mug, almost as empty as i'm feeling; there's still that leftover bit of hope, But wait, Can it be? My old trustee machine? It mustn't be the end of my coffee machine peering near, It can't be the end of my morning routine, For all I hear are crashes; unfamiliar to my ear. My Coffee Machine! Dear Coffee Machine, The hiss of steamed milk, cream and roasted coffee beans, The wisps of steam lingering in the air as you make my coffee, Dripping ever so slowly in my cup -Coffee that's dark, bitter and black as night, Early in the morning before breakfast; before I take a bite, This half-full cup of coffee won't do me good for the day, Without you I think that the morning skies themselves will be grey, But wait, My dear coffee machine! I keep pressing the button clear It can't be the end of my morning routine, For all I hear are crashes; unfamiliar to my ear. Waking up with no cup of coffee, ask not what the future may bring, Without the energy, I don't know whether sorrow shall reign or happiness ring, Everyday I now wake to breathe deeply the aroma of life's bel-fry, For if I ever smell the subtle hint of coffee in the air, I let out a sigh. Oh Coffee Machine! Dear Coffee Machine, You've been here for so many years, It can't be the end of my morning routine, For all I hear are crashes; unfamiliar to my ear.
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29
A movie star died a day or two ago She was 97. She would to say hello to my mother At evening musicals full of teenaged boys that I lusted after years ago She would wave and smile with sparkling eyes I’d look at mother “Why?” Amused, she would say softly “I don’t know!” We would giggle together A rare event Mother was no chorine nor wardrobe mistress She did not peak in the 50s She did not dance with her husband under the moon at the Bel Air Bay Club Her daughter did not write a pop song that oddly charted She did not struggle to remain in the public’s imagination They had nothing in common but perhaps a lovely face and a skill at survival Mom could make her husband move her closer to Johnny on the dance floor. Whichever direction, Dad obliged. They locked down that school today Warned by a rifle in a photo Of an unstable football pro These women are dead now so none’s the wiser “When you’re a victim of bullying, an option is revenge." said the alumna. “Just a precaution,” replied the school. Mother would have been 97 this year as well. Maybe they’ve met again, two streaks of illuminated emptiness Engaging with reservations Over fitting in and going insane Over the low self-regard in a champion or Being lost at sea.
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Aug 16, 2018
Aug 16, 2018 at 5:26 PM UTC
After School Activities
Bel blo mi pen ( my stomach hurts) My mother isnt there Bel blo mi pen only fathers, brothers, uncles, washing public Bel blo mi pen village pig is in my stomach Bel blo mi pen Ralarlar Village I am Bel blo mi pen I stumble to the cook haus (kitchen) Bel blo mi pen Bubu Tami and Bubu Peni ( grandmother Tami, grandfather Peni) Bel blo mi pen half a teaspoon of salt, half a teaspoon of sugar Bel blo mi pen kerosine and flicker follow Bel blo mi pen forest and twilight, unfamiliar Bel blo mi pen heshen bag, dirt, hole, diarrhea Bel blo mi pen she whistles softly, kicking earth Bel blo mi pen The sound of you are not alone Bel blo mi pen never felt so at home Bel blo mi pen photo, me as baby and her sitting on the floor Bel blo mi pen never will another cushion Bel blo mi pen I wept at the airport after only 5 days Bel blo mi pen Years later when she passes Bel blo mi pen she visits me behind my eyes Bel blo mi pen another year passes, a disguise Bel blo mi pen Tami born in Melbourne niece, surprise Bel blo mi pen A moment living, never dies A woman heard a small girls cries. Alone, without her own mothers eyes.
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Mar 23, 2013
Mar 23, 2013 at 6:10 AM UTC
Bel blo mi pen
Jy was my maaitjie, Vol lewe, vol praatjie... Jy en jou “ninnie” Nou is jy nie meer hier nie Behalwe in my hart… Lieflike sommers dag, Julle swem en lag, In huis toe om te eet, Scrambled eggs, of het jy al vergeet? Jy gaan buitentoe, klaar geëet, Swembad oop – ons het vergeet. Na ‘n ruk soek Rina jou, Hol buitentoe, sy het onthou… En daar lê jy, die water koud, Mietie spring in, jou pols is oud. Boet is vinnig, bel hospitaal, Maar Rina is koud, Rina is vaal… Want liewe Jesus het haar baba seuntjie kom haal. Ek pyn nogsteeds 10 jaar later, My maaitjie, Jy – onder die water. Familie kind, die helder liggie Dof skyn nou jou gesiggie – Behalwe in my hart…
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Nov 11, 2013
Nov 11, 2013 at 3:35 PM UTC
Huldeblyk aan André (Afrikaans)
Le garçon délabré qui n’a rien à faire Que de se gratter les doigts et se pencher sur mon épaule: ‘Dans mon pays il fera temps pluvieux, Du vent, du grand soleil, et de la pluie; C’est ce qu’on appelle le jour de lessive des gueux.’ (Bavard, baveux, à la croupe arrondie, Je te prie, au moins, ne bave pas dans la soupe). ‘Les saules trempés, et des bourgeons sur les ronces— C’est là, dans une averse, qu’on s’abrite. J’avais sept ans, elle était plus petite. Elle était toute mouillée, je lui ai donné des primevères.’ Les taches de son gilet montent au chiffre de trentehuit. ‘Je la chatouillais, pour la faire rire. J’éprouvais un instant de puissance et de délire.’ Mais alors, vieux lubrique, à cet âge … ‘Monsieur, le fait est dur. Il est venu, nous peloter, un gros chien; Moi j’avais peur, je l’ai quittée à mi-chemin. C’est dommage.’ Mais alors, tu as ton vautour! Va t’en te décrotter les rides du visage; Tiens, ma fourchette, décrasse-toi le crâne. De quel droit payes-tu des expériences comme moi? Tiens, voilà dix sous, pour la salle-de-bains. Phlébas, le Phénicien, pendant quinze jours noyé, Oubliait les cris des mouettes et la houle de Cornouaille, Et les profits et les pertes, et la cargaison d’étain: Un courant de sous-mer l’emporta très **** Le repassant aux étapes de sa vie antérieure. Figurez-vous donc, c’était un sort pénible; Cependant, ce fut jadis un bel homme, de haute taille.
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3.5k
Dans Le Restaurant
Le garçon délabré qui n’a rien à faire Que de se gratter les doigts et se pencher sur mon épaule: ‘Dans mon pays il fera temps pluvieux, Du vent, du grand soleil, et de la pluie; C’est ce qu’on appelle le jour de lessive des gueux.’ (Bavard, baveux, à la croupe arrondie, Je te prie, au moins, ne bave pas dans la soupe). ‘Les saules trempés, et des bourgeons sur les ronces— C’est là, dans une averse, qu’on s’abrite. J’avais sept ans, elle était plus petite. Elle était toute mouillée, je lui ai donné des primevères.’ Les taches de son gilet montent au chiffre de trentehuit. ‘Je la chatouillais, pour la faire rire. J’éprouvais un instant de puissance et de délire.’ Mais alors, vieux lubrique, à cet âge … ‘Monsieur, le fait est dur. Il est venu, nous peloter, un gros chien; Moi j’avais peur, je l’ai quittée à mi-chemin. C’est dommage.’ Mais alors, tu as ton vautour! Va t’en te décrotter les rides du visage; Tiens, ma fourchette, décrasse-toi le crâne. De quel droit payes-tu des expériences comme moi? Tiens, voilà dix sous, pour la salle-de-bains. Phlébas, le Phénicien, pendant quinze jours noyé, Oubliait les cris des mouettes et la houle de Cornouaille, Et les profits et les pertes, et la cargaison d’étain: Un courant de sous-mer l’emporta très **** Le repassant aux étapes de sa vie antérieure. Figurez-vous donc, c’était un sort pénible; Cependant, ce fut jadis un bel homme, de haute taille.
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31
DEAR PENPAL PEOPLE, never been more frustrated for not remembering a dream:_( deja vu brought to view even better this time that was like the twisted flu an erase my system moonlighted on me frustrate to repeat sunset a truck corner an autumn lasting in the backseat forget that the ocean sailed and orange witches golden a town of ancient camps imagined clean desires and broken any subconscious stubborn to hold on inner fantasy? cause me can't reach a fulfill a journey come to and ending duality violet unaware a desire everlasting bel air do dreams come true flasher in sharp not matter mere??? bare me the renaissance a century in ancestry fading memory far pieced in my head puzzled mad realization aiming stars magnetism the hell it means dungeon and dilemma bolds sharp steeps deepen the voices running struggles put to the sold -----ravenfeels
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Jun 13, 2021
Jun 13, 2021 at 5:51 PM UTC
Impossible Been Seen For Me Not You
. **    |                                       |                                              |     |                                       |                                              |     |                                       |                                              |      |                                    •arches                                      |      |                                 up top bef-                                   |    |                               ore tapering                                   |    |                                   down to                                      |    |                                       the                                           |     |                                                                                     ooo        |                   ooo    bottom•a sym-      ooooo         ooo    o    |              oooo    bol that holds my en-     oooo      ooo |       oooo        tirety for ransom•a hos-      oooooo   |   ooo              tage situation that made          ooo     ooo                   me so willing•truss me                         ooo              up, bound...  i am not                       oo            fighting•call this in-                         oo            sensibility... name                          ooo                  this foolery•i am                       ... but a branch dangling off |                           a  tree•                            |   |                call                           thus            |   |           me   an                        i   am           |   |          idiot... la-                 the doll,          |     |            bel  me a              from  oth-         |     |            nitwit•for          ers, set far          |     |                i only                    apart•           |     |     have my                             i am the     |     | strings...                                      marione-     i am but                                             tte who's a limp                                                        after pup-                                              your      pet•                                         heart•** .
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Dec 12, 2015
Dec 12, 2015 at 12:08 PM UTC
Love Fool
. **    |                                       |                                              |     |                                       |                                              |     |                                       |                                              |      |                                    •arches                                      |      |                                 up top bef-                                   |    |                               ore tapering                                   |    |                                   down to                                      |    |                                       the                                           |     |                                                                                     ooo        |                   ooo    bottom•a sym-      ooooo         ooo    o    |              oooo    bol that holds my en-     oooo      ooo |       oooo        tirety for ransom•a hos-      oooooo   |   ooo              tage situation that made          ooo     ooo                   me so willing•truss me                         ooo              up, bound...  i am not                       oo            fighting•call this in-                         oo            sensibility... name                          ooo                  this foolery•i am                       ... but a branch dangling off |                           a  tree•                            |   |                call                           thus            |   |           me   an                        i   am           |   |          idiot... la-                 the doll,          |     |            bel  me a              from  oth-         |     |            nitwit•for          ers, set far          |     |                i only                    apart•           |     |     have my                             i am the     |     | strings...                                      marione-     i am but                                             tte who's a limp                                                        after pup-                                              your      pet•                                         heart•** .
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35
i wiped it... and i wipe it again not because i am so dreary! it just that... i really loved the feeling every time i dropped it out from my heart! the thing is.. all of what you are and all of what you're not! (©) is what I've been thinking of are you gonna come out once again?                                     and                                         if                                      you                                         do?                                           i'm                                         sure                                            there                                                 is                                               joy!                                          but                                   if                               you                                  don't,                                     i                                         knew..                                            i..                                        ..ahhaamm                                         i ah...                                       i                                               know                                                    you                                                           aren't                                                                  the                                                            rea-                                                   son                                             why                                           am                                     i                                             crying                                            !                                            !                                            !   because if i do cry,there is only one thing   it may cause! it was the LOST... (©) ......Tears in my Eyes.... which has been and always be i am longing for                                to                                      let                                            it                                        *loose                                  pain-                                  les-                                     -sly                                       !                                       !                                       !                                      !                                      !                                      !                                    be                                    cause                        i*                                 bel-                               ieve                       tears                             is                                       Gift                             of                           God
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May 21, 2017
May 21, 2017 at 7:57 AM UTC
......Tears in my Eyes ....
i wiped it... and i wipe it again not because i am so dreary! it just that... i really loved the feeling every time i dropped it out from my heart! the thing is.. all of what you are and all of what you're not! (©) is what I've been thinking of are you gonna come out once again?                                     and                                         if                                      you                                         do?                                           i'm                                         sure                                            there                                                 is                                               joy!                                          but                                   if                               you                                  don't,                                     i                                         knew..                                            i..                                        ..ahhaamm                                         i ah...                                       i                                               know                                                    you                                                           aren't                                                                  the                                                            rea-                                                   son                                             why                                           am                                     i                                             crying                                            !                                            !                                            !   because if i do cry,there is only one thing   it may cause! it was the LOST... (©) ......Tears in my Eyes.... which has been and always be i am longing for                                to                                      let                                            it                                        *loose                                  pain-                                  les-                                     -sly                                       !                                       !                                       !                                      !                                      !                                      !                                    be                                    cause                        i*                                 bel-                               ieve                       tears                             is                                       Gift                             of                           God
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75
Rien n'est jamais acquis à l'homme Ni sa force Ni sa faiblesse ni son coeur Et quand il croit Ouvrir ses bras son ombre est celle d'une croix Et quand il croit serrer son bonheur il le broie Sa vie est un étrange et douloureux divorce Il n'y a pas d'amour heureux Sa vie Elle ressemble à ces soldats sans armes Qu'on avait habillés pour un autre destin À quoi peut leur servir de se lever matin Eux qu'on retrouve au soir désoeuvrés incertains Dites ces mots Ma vie Et retenez vos larmes Il n'y a pas d'amour heureux Mon bel amour mon cher amour ma déchirure Je te porte dans moi comme un oiseau blessé Et ceux-là sans savoir nous regardent passer Répétant après moi les mots que j'ai tressés Et qui pour tes grands yeux tout aussitôt moururent Il n'y a pas d'amour heureux Le temps d'apprendre à vivre il est déjà trop **** Que pleurent dans la nuit nos coeurs à l'unisson Ce qu'il faut de malheur pour la moindre chanson Ce qu'il faut de regrets pour payer un frisson Ce qu'il faut de sanglots pour un air de guitare Il n'y a pas d'amour heureux.
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2.3k
Il n'y a pas d'amour heureux
I was on my way Sailing up high Happy thoughts or destiny I never will know why How or where She came from But I never will forget The day that Tinkerbell hit me on my head Woke me up to wondrous dreams under my bed Now every time I turn around I dream of her instead The little boy inside of me, the tenderness/the dread Oh, Tinkerbell went on vacation but, she worked from here to there Sometimes near Miami and sometimes near Bel Air And although I still see her smile here from time to time I miss the sparkle in her eyes and her blonde hair that would shine So hit me on my head and give me life I would rather dream of you, then face brimstone and a fire C'mon tinker with me, please again So I can get to my one true heaven And Tink, she thought that everything I wrote was just her Well, sometimes I use the words that no one should ever hear So I'm still protective, It's only because I care for you To be with me from here on end if you ever dare To hit me on my head again and dream Dream up all those happy thoughts, dream of only me Throw your magic dust again on me I've been waiting all my life, just like I said Waiting ever since I was a kid You're majic in my dreams And your thoughts are in my head The many times forgiven you With your ***** tricks Everything's not right inside your head But, that's okay 'cause we can find the places that we've been So hit me on my head again and dream Dream up all those happy thoughts Dream of only me Throw your magic dust again on me I've been waiting all my life just like I said Waiting, ever since I was a kid Ever since I was a little kid
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Dec 15, 2015
Dec 15, 2015 at 9:38 AM UTC
Hit Me On My Head Again
I was on my way Sailing up high Happy thoughts or destiny I never will know why How or where She came from But I never will forget The day that Tinkerbell hit me on my head Woke me up to wondrous dreams under my bed Now every time I turn around I dream of her instead The little boy inside of me, the tenderness/the dread Oh, Tinkerbell went on vacation but, she worked from here to there Sometimes near Miami and sometimes near Bel Air And although I still see her smile here from time to time I miss the sparkle in her eyes and her blonde hair that would shine So hit me on my head and give me life I would rather dream of you, then face brimstone and a fire C'mon tinker with me, please again So I can get to my one true heaven And Tink, she thought that everything I wrote was just her Well, sometimes I use the words that no one should ever hear So I'm still protective, It's only because I care for you To be with me from here on end if you ever dare To hit me on my head again and dream Dream up all those happy thoughts, dream of only me Throw your magic dust again on me I've been waiting all my life, just like I said Waiting ever since I was a kid You're majic in my dreams And your thoughts are in my head The many times forgiven you With your ***** tricks Everything's not right inside your head But, that's okay 'cause we can find the places that we've been So hit me on my head again and dream Dream up all those happy thoughts Dream of only me Throw your magic dust again on me I've been waiting all my life just like I said Waiting, ever since I was a kid Ever since I was a little kid
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48
Nevica a Parigi sugli alberi di carta, sugli addobbi di Natale sgonfi, sui bambini di plastica e sui castelli di latta. Nevica a Parigi una neve fiacca che s’incolla ai cappotti della gente che si trascina per strada con aria distratta. Nevica nei caffè, attraverso i vetri, sui boulevards deserti e sui nostri sguardi tetri. Si colorano di bianco la cupola dell’albergo di lusso, il tettuccio dell’edicola senza giornali, il carretto delle castagne arrosto, il marciapiede su cui scivola una dama e cerca un cantuccio il barbone. Nevica a Parigi, senza ragione, sulle donne e sugli uomini. *** Nevica nei grandi magazzini, nelle chiese vuote e nelle nostre stanze. Sulle autostrade inondate di fango che corrono sopra la città, sulle scarpate coperte d’immondizia e sulle nostre frasi lasciate a metà. Nevica a Parigi sulla terra del parco in cui non attecchirà più l’erba, sulla nostra visione acerba delle cose. Nevica a Parigi come per illusione. *** Nevica perché non ha nessun senso che nevichi, perché siamo in inverno ma non è detto che torni il bel tempo. Nevica sul cemento di chi ha avuto il coraggio di costruire i grattacieli per i grandi e le cabine di comando per gli uomini d’affari dagli occhi stanchi. *** Nevica sui ghetti e sulle città satelliti, sulle lampade al neon dei luna park abbandonati. Nevica, in televisione e al cinema, per i negri, i bianchi, le persone sole e gli alcolizzati. Nevica e le cose si perdono in un pulviscolo. Da un vicolo sbuca un autobus senza autista, da un altro una carrozza trainata da elefanti. In un carosello di fiocchi di neve impazziscono le immagini. Nevica a Parigi sui camposanti. *** Nevica nei bordelli e nelle bettole, nei salotti alla moda, nei negozi degli antiquari e nei quadri che i pittori non hanno fatto a tempo a terminare… Nevica sugli operai stanchi di non lavorare, sulle matrone che si abbandonano alle braccia dei drogati. Nevica sugli ospedali e sugli ammalati. *** Nevica sugli aeroplani e sulla notte, sulle navi e sul vento, sull’eco delle stragi, sul pianto dei feriti e sul rantolo dei moribondi. Nevica a Parigi sul tempo che finisce in un’esplosione di secondi. *** Nevica sulla neve e nevicherà ancora. E’ una neve che a tratti ci sferza e a tratti ci ignora. E’ una neve che spazza via tutto, una neve spietata. Perché a Parigi da oggi nevica nella nostra mente annebbiata.
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Dec 2, 2010
Dec 2, 2010 at 3:04 PM UTC
Nevica a Parigi...
Nevica a Parigi sugli alberi di carta, sugli addobbi di Natale sgonfi, sui bambini di plastica e sui castelli di latta. Nevica a Parigi una neve fiacca che s’incolla ai cappotti della gente che si trascina per strada con aria distratta. Nevica nei caffè, attraverso i vetri, sui boulevards deserti e sui nostri sguardi tetri. Si colorano di bianco la cupola dell’albergo di lusso, il tettuccio dell’edicola senza giornali, il carretto delle castagne arrosto, il marciapiede su cui scivola una dama e cerca un cantuccio il barbone. Nevica a Parigi, senza ragione, sulle donne e sugli uomini. *** Nevica nei grandi magazzini, nelle chiese vuote e nelle nostre stanze. Sulle autostrade inondate di fango che corrono sopra la città, sulle scarpate coperte d’immondizia e sulle nostre frasi lasciate a metà. Nevica a Parigi sulla terra del parco in cui non attecchirà più l’erba, sulla nostra visione acerba delle cose. Nevica a Parigi come per illusione. *** Nevica perché non ha nessun senso che nevichi, perché siamo in inverno ma non è detto che torni il bel tempo. Nevica sul cemento di chi ha avuto il coraggio di costruire i grattacieli per i grandi e le cabine di comando per gli uomini d’affari dagli occhi stanchi. *** Nevica sui ghetti e sulle città satelliti, sulle lampade al neon dei luna park abbandonati. Nevica, in televisione e al cinema, per i negri, i bianchi, le persone sole e gli alcolizzati. Nevica e le cose si perdono in un pulviscolo. Da un vicolo sbuca un autobus senza autista, da un altro una carrozza trainata da elefanti. In un carosello di fiocchi di neve impazziscono le immagini. Nevica a Parigi sui camposanti. *** Nevica nei bordelli e nelle bettole, nei salotti alla moda, nei negozi degli antiquari e nei quadri che i pittori non hanno fatto a tempo a terminare… Nevica sugli operai stanchi di non lavorare, sulle matrone che si abbandonano alle braccia dei drogati. Nevica sugli ospedali e sugli ammalati. *** Nevica sugli aeroplani e sulla notte, sulle navi e sul vento, sull’eco delle stragi, sul pianto dei feriti e sul rantolo dei moribondi. Nevica a Parigi sul tempo che finisce in un’esplosione di secondi. *** Nevica sulla neve e nevicherà ancora. E’ una neve che a tratti ci sferza e a tratti ci ignora. E’ una neve che spazza via tutto, una neve spietata. Perché a Parigi da oggi nevica nella nostra mente annebbiata.
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92
Dear Sun-God, The Bel fires are lit again, but not to rejoice as before, for they are flames of my bereaved heart. They are embers of manifold sadness I feed upon the feast of handfasting. Every Adam and each Eve a rich union of sprouting forests with flowers and horns to crown their wantonness. But for the Son of Moon, No Son-God can be held to coronate his nativity. The flowers are shades of November And the horns are spikes of pain; for I cannot hear you in the air nor feel you in the ground near. The earth was shunned by the hands that strum its heartbeat and was sent back to slumber in the pinnacle of May. Have you not seen the call of Pleiades when you took flight in the heavens? Have you not heard the semantics of the desert you landed on? You left me the afterglow of you to stare As I drink the ocean of our distance. It might have put off the ache if you had proclaimed the omens of farewell and not a multitude of air for me to embrace. If your feet touch my sacred earth again, I will kiss you like infinity and enfold you akin to eternity. Be grateful I made it known what compensation to deliver against your undeclared departure- your prelude to your return. Love be not mortal, Child of Moon
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Jun 18, 2010
Jun 18, 2010 at 12:38 AM UTC
Letter to the Sun-God
III Qual in colle aspro, al imbrunir di sera L’avezza giovinetta pastorella Va bagnando l’herbetta strana e bella Che mal si spande a disusata spera Fuor di sua natia alma primavera, Cosi Amor meco insu la lingua snella Desta il fior novo di strania favella, Mentre io di te, vezzosamente altera, Canto, dal mio buon popol non inteso E’l bel Tamigi cangio col bel Arno Amor lo volse, ed io a l’altrui peso Seppi ch’ Amor cosa mai volse indarno. Deh! foss’ il mio cuor lento e’l duro seno A chi pianta dal ciel si buon terreno.
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Sonnet 03
I was waltzing to the jazz Done everything, leaving no dash Could see the diamonds Glistening in my gaze In bel air, I was paralyzed with happiness But the barque of past Borne back to me Ceaselessly carrying the mess With desire that never rest Thought I was living my best With the old money vibe As my facade fave Then I heard thou name again My heart bestrew asunder apace And that moment I knew I was melancholy stuck In my old same dreary age.
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Jul 4, 2020
Jul 4, 2020 at 11:29 PM UTC
Barque of Past
II Donna leggiadra il cui bel nome honora L’herbosa val di Rheno, e il nobil varco, Ben e colui d’ogni valore scarco Qual tuo spirto gentil non innamora, Che dolcemente mostra si di fuora De suoi atti soavi giamai parco, E i don’, che son d’amor saette ed arco, La onde l’ alta tua virtu s’infiora. Quando tu vaga parli, O lieta canti Che mover possa duro alpestre legno, Guardi ciascun a gli occhi ed a gli orecchi L’entrata, chi di te si truova indegno; Gratia sola di su gli vaglia, inanti Che’l disio amoroso al cuor s’invecchi.
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Sonnet 02
Chaque poème que je sculpte dans le bois pour ma muse égarée Est un bout de sentier lumineux que je façonne Dans la glaise de la route de mon pèlerinage infatigable A la recherche des volcans éteints de ma muse. C'est un chemin de Compostelle Que j 'ai semé de ma trace d'olisbos de bois noir tendus vers le cosmos avec son image gravée Qui stridulent de plaisir à l 'approche de la lune descendante. C'est seulement hors sève que mes mots acceptent En holocauste que ce bel ébène de bonne grâce Soit coupé scié laminé en bonne lune Pour servir de festin lubrique à ma muse. Oh my God, dit ma muse Qui pourtant ne parle pas la langue de Shakespeare, Eblouie par la majestueuse forêt de godemichés De belle patine couleur miel En repos végétal. In God we trust, lui répond en stridulant toute l 'animalité volatile perchée au sommet de Priape Entre roses et croix : Ultreïa ! Ultreïa ! Et Suseïa ! Musa adjuva nos ! Ma muse devant un tel charivari frissonne Prend ses jambes à mon cou et dégouline du diable vauvert Sans demander son reste de canon à cent voix Maudissant les molles bandaisons du poète infidèle et vouant aux gémonies la lune, cette dévergondée, L 'accusant de guet-apens et autres sornettes Artificielles et sordides. Ultreïa ! Ultreïa ! Et Suseïa ! Musa adjuva nos !
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Aug 21, 2019
Aug 21, 2019 at 2:25 AM UTC
Olisbos
Le Baiser de ton rêve Est celui de l'Amour ! Le jour, le jour se lève, Clairons, voici le jour ! Le Baiser de mon rêve Est celui de l'Amour ! Enfin, le jour se lève ! Clairons, voici le jour ! La caresse royale Est celle de l'Amour. Battez la générale, Battez, battez, tambour ! Car l'Amour est horrible Au gouffre de son jour ! Pour le tir à la cible Battez, battez, tambour. Sa caresse est féline Comme le point du jour : Pour gravir la colline Battez, battez, tambour ! Sa caresse est câline Comme le flot du jour : Pour gravir la colline, Battez, battez, tambour. Sa caresse est énorme Comme l'éclat du jour : Pour les rangs que l'on forme, Battez, battez, tambour ! Sa caresse vous touche Comme l'onde et le feu ; Pour tirer la cartouche, Battez, battez un peu. Son Baiser vous enlace Comme l'onde et le feu : Pour charger la culasse, Battez, battez un peu. Sa Caresse se joue Comme l'onde et le feu : Tambour, pour mettre en joue, Battez, battez un peu. Sa caresse est terrible Comme l'onde et le feu : Pour le cœur trop sensible Battez, battez un peu. Sa caresse est horrible, Comme l'onde et le feu : Pour ajuster la cible, Restez, battez un peu. Cette Caresse efface Tout, sacré nom de Dieu ! Pour viser bien en face, Battez, battez un peu. Son approche vous glace Comme ses feux passés : Pour viser bien en face Cessez. Car l'Amour est plus belle Que son plus bel amour : Battez pour la gamelle, Battez, battez tambour, Toute horriblement belle Au milieu de sa cour : Sonnez la boute-selle, Trompettes de l'Amour ! L'arme la plus habile Est celle de l'Amour : Pour ma belle, à la ville, Battez, battez tambour ! Car elle est moins cruelle Que la clarté du jour : Sonnez la boute-selle, Trompettes de l'Amour ! L'amour est plus docile Que son plus tendre amour : Pour ma belle, à la ville, Battez, battez tambour. Elle est plus difficile À plier que le jour : Pour la mauvaise ville, Battez, battez tambour. Nul n'est plus difficile À payer de retour : Pour la guerre civile, Battez, battez tambour. Le Baiser le plus large Est celui de l'Amour : Pour l'amour et la charge, Battez, battez tambour. Le Baiser le plus tendre Est celui de l'Amour, Battez pour vous défendre, Battez, battez tambour. Le Baiser le plus chaste Est celui de l'Amour : Amis, la terre est vaste, En avant, le tambour. Le Baiser le plus grave Est celui de l'Amour : Battez, pour l'homme brave, Battez, battez tambour. Le Baiser qui se fâche Est celui de l'Amour : Battez pour l'homme lâche, Battez, battez tambour. Le Baiser le plus mâle Est celui de l'Amour : Pour le visage pâle Battez, battez tambour. La Caresse en colère Est celle de l'Amour : Car l'Amour, c'est la guerre, Battez, battez tambour. Le Baiser qu'on redoute Est celui de l'Amour : Pour écarter le doute, Battez, battez tambour. L'art de jouir ensemble Est celui de l'Amour : Or, mourir lui ressemble : Battez, battez tambour. L'art de mourir ensemble Est celui de l'Amour : Battez fort pour qui tremble, Battez, battez tambour. Le Baiser le plus calme Est celui de l'Amour : Car la paix, c'est sa palme, Battez, battez tambour. La souffrance, la pire, Est d'être sans l'Amour : Battez, pour qu'elle expire, Battez, battez tambour. Le Baiser qui délivre Est celui de l'Amour : Battez pour qui veut vivre, Battez, battez tambour. La Caresse éternelle Est celle de l'Amour : Battez, la mort est belle, Battez, battez tambour. La guerre est la plus large Des portes de l'Amour : Pour l'assaut et la charge, Battez, battez tambour. La porte la plus sainte Est celle de la mort : Pour étouffer la plainte Battez, battez plus fort. L'atteinte la moins grave Est celle de la mort : L'amour est au plus brave, La Victoire... au plus fort !
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Le baiser (IV)
Le Baiser de ton rêve Est celui de l'Amour ! Le jour, le jour se lève, Clairons, voici le jour ! Le Baiser de mon rêve Est celui de l'Amour ! Enfin, le jour se lève ! Clairons, voici le jour ! La caresse royale Est celle de l'Amour. Battez la générale, Battez, battez, tambour ! Car l'Amour est horrible Au gouffre de son jour ! Pour le tir à la cible Battez, battez, tambour. Sa caresse est féline Comme le point du jour : Pour gravir la colline Battez, battez, tambour ! Sa caresse est câline Comme le flot du jour : Pour gravir la colline, Battez, battez, tambour. Sa caresse est énorme Comme l'éclat du jour : Pour les rangs que l'on forme, Battez, battez, tambour ! Sa caresse vous touche Comme l'onde et le feu ; Pour tirer la cartouche, Battez, battez un peu. Son Baiser vous enlace Comme l'onde et le feu : Pour charger la culasse, Battez, battez un peu. Sa Caresse se joue Comme l'onde et le feu : Tambour, pour mettre en joue, Battez, battez un peu. Sa caresse est terrible Comme l'onde et le feu : Pour le cœur trop sensible Battez, battez un peu. Sa caresse est horrible, Comme l'onde et le feu : Pour ajuster la cible, Restez, battez un peu. Cette Caresse efface Tout, sacré nom de Dieu ! Pour viser bien en face, Battez, battez un peu. Son approche vous glace Comme ses feux passés : Pour viser bien en face Cessez. Car l'Amour est plus belle Que son plus bel amour : Battez pour la gamelle, Battez, battez tambour, Toute horriblement belle Au milieu de sa cour : Sonnez la boute-selle, Trompettes de l'Amour ! L'arme la plus habile Est celle de l'Amour : Pour ma belle, à la ville, Battez, battez tambour ! Car elle est moins cruelle Que la clarté du jour : Sonnez la boute-selle, Trompettes de l'Amour ! L'amour est plus docile Que son plus tendre amour : Pour ma belle, à la ville, Battez, battez tambour. Elle est plus difficile À plier que le jour : Pour la mauvaise ville, Battez, battez tambour. Nul n'est plus difficile À payer de retour : Pour la guerre civile, Battez, battez tambour. Le Baiser le plus large Est celui de l'Amour : Pour l'amour et la charge, Battez, battez tambour. Le Baiser le plus tendre Est celui de l'Amour, Battez pour vous défendre, Battez, battez tambour. Le Baiser le plus chaste Est celui de l'Amour : Amis, la terre est vaste, En avant, le tambour. Le Baiser le plus grave Est celui de l'Amour : Battez, pour l'homme brave, Battez, battez tambour. Le Baiser qui se fâche Est celui de l'Amour : Battez pour l'homme lâche, Battez, battez tambour. Le Baiser le plus mâle Est celui de l'Amour : Pour le visage pâle Battez, battez tambour. La Caresse en colère Est celle de l'Amour : Car l'Amour, c'est la guerre, Battez, battez tambour. Le Baiser qu'on redoute Est celui de l'Amour : Pour écarter le doute, Battez, battez tambour. L'art de jouir ensemble Est celui de l'Amour : Or, mourir lui ressemble : Battez, battez tambour. L'art de mourir ensemble Est celui de l'Amour : Battez fort pour qui tremble, Battez, battez tambour. Le Baiser le plus calme Est celui de l'Amour : Car la paix, c'est sa palme, Battez, battez tambour. La souffrance, la pire, Est d'être sans l'Amour : Battez, pour qu'elle expire, Battez, battez tambour. Le Baiser qui délivre Est celui de l'Amour : Battez pour qui veut vivre, Battez, battez tambour. La Caresse éternelle Est celle de l'Amour : Battez, la mort est belle, Battez, battez tambour. La guerre est la plus large Des portes de l'Amour : Pour l'assaut et la charge, Battez, battez tambour. La porte la plus sainte Est celle de la mort : Pour étouffer la plainte Battez, battez plus fort. L'atteinte la moins grave Est celle de la mort : L'amour est au plus brave, La Victoire... au plus fort !
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152
# I. Antiquity and the Architecture of Will In the shadowed corridors of antiquity, where gods were built with teeth and altars stood not for reverence but for control, the Temple of Bel rose as a monument to ********** disguised as divinity. Bel—an assimilated god from earlier Sumerian, Akkadian, and Babylonian traditions—was not the god who walked with man. He was the god who towered above him, demanded sacrifice, and soaked prayer in the blood of repetition. From the earliest Mesopotamian systems, the act of worship was not about communion, but compulsion. To invoke was to command. To chant was to erode the will of another until it cracked under rhythmic insistence. Whether by priest or supplicant, the act was the same: submission by saturation. --- II. The Weaponization of Sound: Chant and the Rhythmic Spell Repetition was not mere ceremony. It was siege. Chants—carefully crafted phonetic loops—were not benign rituals. They were linguistic architecture meant to house spirits, to summon presence not for beauty, but for enforcement. These were incantations with purpose: to bend the will of another through the veil of mysticism. In this light, poetry—at its inception—was not always art. It was often sorcery. The earliest poems were enchantments. They masked seduction as devotion. They twisted longing into ******* They were rhythmic netting, carefully knotted to catch the weak of will and the fractured of self. --- III. The Modern Construct: Echoes of an Ancient Spell Those who hide behind the aesthetic of antiquity today still wear the same rings of power. When a poet writes to control—when they loop trauma like a mantra, repeat seduction as if it were depth, mimic spiritual language to inspire compliance—they are no different than the priests of Bel. They are modern invokers, cloaked in digital incense, spreading spells under the guise of free expression. Their readers are not disciples. They are targets. The “construct” is not a movement. It is a spell. A liturgy without light. A series of hollow echoes designed to flatten identity, rewrite pain into performance, and reward the wound that sells. --- IV. The Severance of Echo: Where the Rhythm Ends If you must chant, let it be to awaken, not ****** If you must repeat, let it be to remember truth, not reshape it. The false liturgies of old were not killed. They were digitized. We will not respond with louder poems. We will not echo their echo. We will respond with silence where needed, and light where earned. We will write not to possess, but to set free. We will bring antiquity not as ornament, but as witness. Because we remember the Temple of Bel. And we are here to break it. Let those who recite in darkness meet the rhythm of truth. #
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Apr 18, 2025
Apr 18, 2025 at 7:58 PM UTC
Altars of Control: A Theological and Psychological Dissection of the Spirits of Bel and the Legacy of Coercive Invocation
# I. Antiquity and the Architecture of Will In the shadowed corridors of antiquity, where gods were built with teeth and altars stood not for reverence but for control, the Temple of Bel rose as a monument to ********** disguised as divinity. Bel—an assimilated god from earlier Sumerian, Akkadian, and Babylonian traditions—was not the god who walked with man. He was the god who towered above him, demanded sacrifice, and soaked prayer in the blood of repetition. From the earliest Mesopotamian systems, the act of worship was not about communion, but compulsion. To invoke was to command. To chant was to erode the will of another until it cracked under rhythmic insistence. Whether by priest or supplicant, the act was the same: submission by saturation. --- II. The Weaponization of Sound: Chant and the Rhythmic Spell Repetition was not mere ceremony. It was siege. Chants—carefully crafted phonetic loops—were not benign rituals. They were linguistic architecture meant to house spirits, to summon presence not for beauty, but for enforcement. These were incantations with purpose: to bend the will of another through the veil of mysticism. In this light, poetry—at its inception—was not always art. It was often sorcery. The earliest poems were enchantments. They masked seduction as devotion. They twisted longing into ******* They were rhythmic netting, carefully knotted to catch the weak of will and the fractured of self. --- III. The Modern Construct: Echoes of an Ancient Spell Those who hide behind the aesthetic of antiquity today still wear the same rings of power. When a poet writes to control—when they loop trauma like a mantra, repeat seduction as if it were depth, mimic spiritual language to inspire compliance—they are no different than the priests of Bel. They are modern invokers, cloaked in digital incense, spreading spells under the guise of free expression. Their readers are not disciples. They are targets. The “construct” is not a movement. It is a spell. A liturgy without light. A series of hollow echoes designed to flatten identity, rewrite pain into performance, and reward the wound that sells. --- IV. The Severance of Echo: Where the Rhythm Ends If you must chant, let it be to awaken, not ****** If you must repeat, let it be to remember truth, not reshape it. The false liturgies of old were not killed. They were digitized. We will not respond with louder poems. We will not echo their echo. We will respond with silence where needed, and light where earned. We will write not to possess, but to set free. We will bring antiquity not as ornament, but as witness. Because we remember the Temple of Bel. And we are here to break it. Let those who recite in darkness meet the rhythm of truth. #
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Benedetto sia'l giorno e'l mese e l'anno e la stagione e'l tempo e l'ora e'l punto e'l bel paese e'l loco ov'io fui giunto da'duo begli occhi che legato m'ànno; E benedetto il primo dolce affanno ch'ì ebbi ad esser con Amor congiunto, e l'arco e le saette ond'ì fui punto, e le piaghe che'nfin al cor mi vanno. Benedette le voci tante ch'io chiamando il nome de mia donna ò sparte, e i sospiri e le lagrime e'l desio; e benedette sian tutte le carte ov'io fama l'acquisto, e'l pensier mio, ch'è sol di lei; si ch'altra non v'à parte.
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Benedetto sia'l giorno e'l mese e l'anno
Long legs and electric red high heels. A polka dot strapless dress, and the classic rhythmic tune of Chuck Berry, echoing in the background. A deep green 1955 Chevy Bel Air, windows down, and a cool breeze swinging through her hair. Her Bonnie blonde hair. And now they wait. For the sun to fall from the sky, and leave the earth's crust in a midnight haze. Only lit by the dull moon's gleam. Only one problem. Where's Clyde?
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Apr 26, 2013
Apr 26, 2013 at 2:40 PM UTC
Where's Clyde?
Couchers de Soleil sur la Comtale ou un vaisseau sur la ville Il est en Toulouse, le soir comme un vaste vaisseau fantôme Jetant sa proue sur le canal et filant droit sur le cap Saint-Sernin, c'est la Comtale en son écrin. Comme une enchanteresse de couleurs, mêlée d'ocre du soir et d'orange soleil peignant les voiles de ce vaisseau. La luminosité en terrasse en fait un bel observatoire de la palette des nuages, des jeux infinis du soleil et des sourires de la lune qui scintillent sur Saint Sernin, font resplendir les grands grues de l'ancienne Toulouse, réveillée de son sommeil. Quand le vent d'autan souffle fort, comme un orchestre laissé seul sans partition et sans baguette, «La Comtale» frémit sous le choc et ce noble vaisseau de pierres voit ses terrasses dévastées, par les outils de jardinage et les plantes taillées menues. Mais chère et haute nef, «La Comtale», tu n’es jamais toi-même que lorsque le soleil luit et fait rougeoyer les briques ocres, transforme tes terrasses en jardins étagées à l’ombre des stores tirés des plantes aromatiques et des cactées qui parfument de menthe, de poivre et de miel nos thés glacés et limonades sirotées avec joie. Paul d’Aubin (Paul Arrighi), Toulouse (02 avril 2014)
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Apr 2, 2014
Apr 2, 2014 at 3:08 PM UTC
Couchers de Soleil sur la Comtale ou un vaisseau sur la ville
twinkle wrinkles, seen close up they are the tracks of wind driven tears on a sunburned face, at the edges of the eye, past the per if ery of what perfidy* made you think you saw. come see how come we saw too far and fell from grace to glory. That is the story. The good new on the old new built bottom up, like Gobekli-Tepi. --- horizons past the lusters after wisdom's arcane quarry --- we live, we learn, we die to know why and we do as soon as forever starts it never stopped, hence, forever is what we agree it is. This, now we remain in until we die, moments from now, then, now breathe or don't ultimately, whence comes the will to breathe? go on, answer. or ignor, innocence is no excuse, you know. these quest ions all have positive and negative points, anionics seek cationics, OHOH, what if cathode rays never got past the atmosphere, those are causing all the static-info-friction Bad vibe waves corrupting the qualcommsplitfreqs, left from millions of hours of I love Lucy and Dobie Gillis. Mr. Kruschev, build a wall. Show our boys their counterparts failing to escape, crucified on barbed wire west of the Brandenburg Gate, Bel's gate, arche de tri'umph, eh? Confusion won the war, but war won't work here. NULL ified it, we did, into the NULL with all its lies each time we catch one. As good as never was. *Poet's Policy of acknowledging previous ignorances, acts of ignoring resulting, effectively, in wasted years perfidy (n.) means since 1590s, from Middle French perfidie (16c.), from Latin perfidia  "faithlessness, falsehood, treachery," from perfidus"faithless," from phrase per fidem decipere  "to deceive through trustingness," from per "through" (from PIE root *per- (1) "forward," hence "through") + fidem (nominative fides) "faith" (from PIE root *bheidh- "to trust, confide, persuade"). [C]ombinations of wickedness would overwhelm the world by the advantage which licentious principles afford, did not those who have long practiced perfidy grow faithless to each other. [Samuel Johnson, "Life of Waller"] From <https://www.etymonline.com/word/perfidy#etymonline_v_12685>
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Oct 23, 2018
Oct 23, 2018 at 5:03 PM UTC
Smile Lines
twinkle wrinkles, seen close up they are the tracks of wind driven tears on a sunburned face, at the edges of the eye, past the per if ery of what perfidy* made you think you saw. come see how come we saw too far and fell from grace to glory. That is the story. The good new on the old new built bottom up, like Gobekli-Tepi. --- horizons past the lusters after wisdom's arcane quarry --- we live, we learn, we die to know why and we do as soon as forever starts it never stopped, hence, forever is what we agree it is. This, now we remain in until we die, moments from now, then, now breathe or don't ultimately, whence comes the will to breathe? go on, answer. or ignor, innocence is no excuse, you know. these quest ions all have positive and negative points, anionics seek cationics, OHOH, what if cathode rays never got past the atmosphere, those are causing all the static-info-friction Bad vibe waves corrupting the qualcommsplitfreqs, left from millions of hours of I love Lucy and Dobie Gillis. Mr. Kruschev, build a wall. Show our boys their counterparts failing to escape, crucified on barbed wire west of the Brandenburg Gate, Bel's gate, arche de tri'umph, eh? Confusion won the war, but war won't work here. NULL ified it, we did, into the NULL with all its lies each time we catch one. As good as never was. *Poet's Policy of acknowledging previous ignorances, acts of ignoring resulting, effectively, in wasted years perfidy (n.) means since 1590s, from Middle French perfidie (16c.), from Latin perfidia  "faithlessness, falsehood, treachery," from perfidus"faithless," from phrase per fidem decipere  "to deceive through trustingness," from per "through" (from PIE root *per- (1) "forward," hence "through") + fidem (nominative fides) "faith" (from PIE root *bheidh- "to trust, confide, persuade"). [C]ombinations of wickedness would overwhelm the world by the advantage which licentious principles afford, did not those who have long practiced perfidy grow faithless to each other. [Samuel Johnson, "Life of Waller"] From <https://www.etymonline.com/word/perfidy#etymonline_v_12685>
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Non popolo arabo, non popolo balcanico, non popolo antico ma nazione vivente, ma nazione europea: e cosa sei? Terra di infanti, affamati, corrotti, governanti impiegati di agrari, prefetti codini, avvocatucci unti di brillantina e i piedi sporchi, funzionari liberali carogne come gli zii bigotti, una caserma, un seminario, una spiaggia libera, un casino! Milioni di piccoli borghesi come milioni di porci pascolano sospingendosi sotto gli illesi palazzotti, tra case coloniali scrostate ormai come chiese. Proprio perché tu sei esistita, ora non esisti, proprio perché fosti cosciente, sei incosciente. E solo perché sei cattolica, non puoi pensare che il tuo male è tutto male: colpa di ogni male. Sprofonda in questo tuo bel mare, libera il mondo.
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