THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI

Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950s only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the
entire composition during your Spare Time dear Readers. I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                THE LEGEND OF HOLLYWOOD :
                      THE AMERICAN  DREAM
                              BY RAJ NANDY

               A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the persistent of vision.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera;
Forming the Edison Trust, - a cartel that took control of the Film
Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright Sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights started to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost 365 days of the year.
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labor.

                        THE  RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the area's abundant red-berried shrubs - known as
California Holly!
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see!
Hollywood was incorporated as a municipality in 1903, and during
1910 had unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’,  has become a landmark and America’s cultural icon,
And an evocative symbol for ambition, glamour, and dreams!
Forever enticing aspiring actors to flock to Hollywood, hypnotized by lure of the Big Screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honoring and encouraging excellence in all
facets of motion picture productions.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbank and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film was released in 1938 on the Big Screen.
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood!
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’, ‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  
The Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s
Backgroun­d:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Dwight D. Eisenhower succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

Demand For New Themes During The 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
They provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob!
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang, Let's rock...

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

Box Office Hits Year-Wise From 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Death During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY  WITH  FEW TITBITS
From Fort Lee of New Jersey we have traveled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple, who  became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to Hollywood later;
Between 1940 and 1947, made great thrillers like ‘Rebecca’, ‘Notorious’,‘Rear Window’, and ‘Dial M for ******’.
But he never won an Academy Award as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at

Archie was smart; at least he reckoned he was, because he had what he considered to be the good things in life: dosh in his wallet, a Cat in the garage, and a detach. in the green belt; all of which he had worked hard to acquire. Worked, is not exactly the word for it. Archie did deals. He reckoned he could always turn a fiver into a tenner an’ a tenner into a pony; a pony into a ton and a ton to a grand. He was one of the cash economy’s natural alchemists.  The folding stuff was the measure of a person, he reckoned. Archie never thought about anything; he reckoned everything, and nothing on God’s good earth was beyond reckoning, he reckoned. An ever-ready reckoner; that was Archie, and he loved himself for it. Only John Wayne did more reckoning than Archie, his old dad, bless him, used to say, thought Archie. In Archie’s world a grand was currency; less than that was just spare change. He reckoned he gave superior meaning to the expression ‘it’s a grand life’. The only blemish on Archie’s horizon as far as he could see was the lack of a class bird, or ‘ream sort’, as he preferred to say; hence this evening’s extravaganza at a posh French restaurant in the company of a beautiful lady. Archie only had two serious weaknesses in his existence: a fondness for the last word in a dispute about anything you care to mention, and his infatuation with his dining companion, the beautiful Carmela.


Carmela shared a common background with Archie. They grew up on the same council estate in the inner city. They were aware of each other’s existence as kids and teenagers, but they didn’t really know each other. Carmela was a quiet child and very singular; even in company she could be by herself. None but she was wise to her sense of solitude. She had three passions in life: knitting, sewing and weaving; the blessed trinity of her existence. Carmela interpreted the world by these three gifts. Here she was, she thought, weaving her way through an evening, in the company of three strangers. One she knew, herself, another she didn’t know at all, despite proximity and semi-shared origins. Then there was the complete stranger to the trinity: the waiter in his new and very polished shiny black shoes, “You can tell a lot about a person by their shoes”, Carmela’s mum used to say, she was thinking about that as the waiter appeared to almost pirouette into vision.


The waiter was a patient soul, it goes with the territory. The waiting game wasn’t something you should rush in to, he often told himself, in one of his more existentialist moments. He appreciated the irony of the comment in a Sartresque kind of fashion. He was from a steel town in the Rhonda Valley of South Wales. Iron was in his veins if not his appearance. A creature of paradoxes, that’s what he told himself he was. He liked that assessment of himself. It complimented his passion for all things French: French food, French wine, French philosophy, literature and art. He was learning the language at night school. Alas, his accent was as lyrically refined as the landscape that bred him He shovelled the words onto a conveyor belt of sound and meaning as best he could in the general direction of the person he was talking to, more in hope than in faith that they understood what was being said .The other passion in his life was tap dancing, and as luck would have it he could wear the same outfit for work and leisure, hence the very shiny shoes which allowed him to dance around the tables of the restaurant, practising his language skills on the clientele, His life work and leisure dovetailed with his ambition and he was pleased to wake up in the morning and set about the mortal trespass with a skip in his step. The waiter imagined himself to be a cosmopolitan and enlightened soul, in a very Fred Astaire kind of way, and life was a flight of stairs which he could ascend and descend in a Morse code type of style, just like Mr Bojangles.


The fare was fine. the wine was rare, but the conversation was spare until the cheese board arrived.” Good grub”, said Archie to the waiter. “We don’t do grub, sir, we only serve the finest Gallic cuisine in this establishment,” replied the waiter, in his usual mangled French, whilst smiling that smile that only waiters can manage when registering disapproval. Archie looked blank. It was Carmela who spoke: “C’était magnifique! Mes compliments au chef.” “Streuth! You speak better French than Marcel Proust here” said Archie.” I studied Fashion and Design in Paris for five years “replied Carmela.” “An’ I joined the Common Market many moons ago. It’s good for business” said Archie. The waiter was impressed: “Food, fashion, wine, Proust and Paris. This must be Nirvana” he said. “Great band, but a very dubious heaven.” replied Carmela, knitting together the threads whilst changing the pattern of the conversation in a very subtle fashion that was more to her liking.” “It’s only rock ’n’ roll” said Archie, an’ if you’ve ever heard French rock ’n’ roll it’s enough to make you believe in Foucault” “Foucault, my hero!” said the waiter, “a philosophical genius”. “According to Foucault, a knitting pattern is the hieroglyphic of a consumerist and decadent capitalist society.” intoned Carmela.” “And ‘A recipe is a critique of a cake’, said the great Structuralist philosopher,” interjected Archie, so if you serve the gateaux we may effect the collapse of western civilisation as we all know and love it”. “Allors, Let them eat cake” said the waiter, and everybody smiled at the irony of the comment.

The waiter bojangled his way into the night, tapping and clicking the pavement as he went.  Carmela and Archie got into a black cab. “That was a night to remember,” said Carmela, “very Proustian”. “A la recherche du temps perdu”, replied Archie, pleased as punch to have the last word. Carmela just smiled as she looked at Archie’s shoes.

As leaves of crimson fall,
& bleed  like cherry wine
sleeping parrot greens,
they overtake mind,
I quietly approach,
set up a sneaky blind,

I spot a toucan looking tree
in colors rarely seen
it takes my breath away
in soft & brilliant sheens,
showing off the beauty,
& creating quite a scene,

Amber hues of mustard,
blending in with rust,
others look like wheat
that was baked inside a crust,
so telling you about it,
is something that I must,

Burning up the sky
in flamingo sunset pink
as if I'm in the Tropic's
just sippin' down a drink,
look at all the colors,
just amazing,
don't you think?

Like a lovely bird of paradise
is landing in my hair,
so I can write it down
a story we can share,
I'm jotting down the words,
like Ginger & Astaire,

Out arift upon the skies
I hear the weeping willow
I close my eyes to dream
& lay on leafy pillows
like sheets of iridescent,
quoting as they billow,

I stand in admiration,
a journey that I applaud
sent to me from heavens
from hands, a loving God,
leaves today are burning
stand mystified & awed

So beautiful & grand
your plumage is at peak,
waving me dear willow
I softly hear her speak,

Listen to the sounds
as they open up their beak

Go press a few examples
to savor every day
listen very closely
to every word I say
you take 'em out again
when the skies are turning grey

Cherie Nolan© 2016

I want to be the Ginger Rogers
to your Fred Astaire
the rocks of ice
in your Jameson glass,
I want to be the girl
you sing about
or the lit cigarette
your lipstick marks
Chanel rouge noir,
I want each embrace
you encounter
to touch me too
through the spaces,
I'd even be the words
in the book
you lift to read at night,
I just simply want to be
every single
missing piece
you've ever felt
or ever needed,
I want to be Cupid
stealing your heart
selfishly for
my own pleasure,
oh what toil and trouble
a girl unhinged
her unbalanced mind
bursting bubbles of blood
through her boiling passion
deep within the skin.

© Sia Jane

Uniform- Bloc Party
"There was a sinking disappointment as we left the mall-- all the young people looked the same"

Bought for a Song

All we could ever buy was bought by someone from something
An apparatus of production so maniacal; how could we know
what made our fingers bleed?
It was the sewing and the apprehension our hands holding string
we sat down in the factory but shortly stood up to sing
something forced us, past the window, it was still early
our minds returned to our benches our selves were in the seams
and we laughed, when we died, but it was all in jest
we knew someday we'd give our lives so your dog could own a sequined vest.

The Dog

Your dog's a personality, it's so lovely I'm impressed
It looks so jaunty prancing there, alive its sparkling vest.
Now tell me Baps, who made it? However did you find a sequined silver vest to fit on your canine?

It's really rather simple--it's not even that smart
I bought my dog this lovely vest at the giant mart.

The giant mart? How daring! How intriguing, I declare!
It contrasts very vibrantly with his top hat and black hair.
I tell you Baps, he's precious, look at him standing there!
I can imagine him singing show tunes like the late great
Fred Astaire!

"Yeah, you're right" Baps said, the conversation lingered there.

And I'd like to say what else was said, but frankly I don't care.
I hate these *******' feelings, I don't resemble Fred Astaire.
I wish they take these things off of me.
Dogs don't wear underwear.

A well-rehearsed dance,
the waltzing waitress tosses The Times
on table 1 as if she’ll actually finish
the Sunday crossword this morning.
She won’t.

Grease lined lights flicker on one
by one.
Like spotlights on a stage.
It’s show time.

Twostepping while taking down chairs,
she flows to the rhythm of ritual,
across a worn checkered dancefloor.
No applause.

In a dining room of Astaire’s and Rogers
she is the coffee choreographer.  
Pirouetting to the ***,
then a sidestep, quick! Quick!
Slow.

Warming up now, she stretches.
Switching on the metal machinery.
It grinds and growls as if it prefers
decaf.

Rings from rusted bells
hanging from the door chime
to the beat. This is her
cue.

What loving proof, is deemed unfair
If you danced away like Fred Astaire
No timing, rhyming, or cold stare
Can equally compare

The anguish if I lost you; dear
From the once conqueror of fears
Holding on to memories, Then ****, it disappears

We could reminisce when we grew old
To way back in the day
Together, holding hands
From Brooklyn to the Bay

The cost is just a fraction
Of the amount that I would pay
To reach our love’s conclusion
If only for a day

You always tried to encourage me
When my head was in the clouds
And if our love became complacent
There was laughter to be found

You always kept me guessing
With your flare for life itself
I thought about confessing
The hand that I was dealt

It’s impossible to recreate
The pictures frame by frame
No time to rush, no time to waste
Our love could never fade

We set it free into the universe
With a message soft and pure
It traveled on an unknown course
But it was too hard to ignore

It’s mission to connect the dots
Of love and hates demise
It would appear you put me on the spot
Through a lame disguise

The gift of love in ones grasp
Will surely slip away
Don’t focus on the  memories of past
When there’s still some time today

A way to compensate your fears
A way to feel redeemed
To spend the duration of my life
With the woman of my dreams

ginger is the star of these movies
fred is a special effect

Rock step, trip-le, trip-le*
              Rock step, trip-le, trip-le

Judah bids us "Good morning!" at nine at night,
He's like Fred Astaire,
Big moves and big ears.

Dylan is late coming in,
Sliding out of his leather jacket with a sour expression -
He's too cool for this game.

Lindsey drags in the speaker system,
All goofy grins and ugly sweaters,
And she's so happy to see us.

Rock step, trip-le, trip-le

Andy with his slick moves
and slicker hair.

Matt who always smelled strange
but lost to Kevin.

Susan with her tight, swinging hips
and constant critiques.

Pete thinks he can do this,
and then breaks your arm.

Caleb concentrates too hard,
and tries not to look you in the eyes.

Josh gets bored with the basics,
deciding to breakdance instead.

Rock step, trip-le, trip-le
                Rock step, trip-le, trip-le

And after an hour of being passed from one lead to the next
Like a hot potato,
And then standing with your back against the basement wall
During the free-for-all,
You decide you rather be studying algebra
and leave.

Lindsey waves goodbye.

Almost
by Michael R. Burch

We had—almost—an affair.
You almost ran your fingers through my hair.
I almost kissed the almonds of your toes.
We almost loved,
                            that’s always how love goes.

You almost contemplated using Nair
and adding henna highlights to your hair,
while I considered plucking you a Rose.
We almost loved,
                            that’s always how love goes.

I almost found the words to say, “I care.”
We almost kissed, and yet you didn’t dare.
I heard coarse stubble grate against your hose.
We almost loved,
                            that’s always how love goes.

You almost called me suave and debonair
(perhaps because my chest is pale and bare?).
I almost bought you edible underclothes.
We almost loved,
                            that’s always how love goes.

I almost asked you where you kept your lair
and if by chance I might ****** you there.
You almost tweezed the redwoods from my nose.
We almost loved,
                            that’s always how love goes.

We almost danced like Rogers and Astaire
on gliding feet; we almost waltzed on air ...
until I mashed your plain, unpolished toes.
We almost loved,
                            that’s always how love goes.

I almost was strange Sonny to your Cher.
We almost sat in love’s electric chair
to be enlightninged, till our hearts unfroze.
We almost loved,
                            that’s always how love goes.

Keywords/Tags: Almost, love, lost love, loss, lost, relationship, relationships, hesitation, procrastination, hesitancy, vacillation, near, near miss, nearly, close call, miss you, missing you, missing, loneliness, lonely

Join me, embrace me.
Take me in and call me your own.
Adopt my religion and experience my nirvana.
Give into me. Come to me.

Thus is the title of today's Media's agenda.
The title which fuels their un-endless propaganda
To recruit as many of us as they possibly can.

Join me, embrace me.
Take me in and call me your own, goes their slogan.
Give in to me. Come to me…

They grab our attention by showing us light and turning it into gold.
That or any other materialistic miracle that never gets old.

Those of us who need no more persuasion are hooked and are welcomed with open arms.
Those who defect are labelled renegades and rebels and are welcomed with open arms. Ready… Aim…

And you know it's not a game when, out of the silence, a hollow voice whispers.
Not quite a baritone… Insidious as sin.
The voice says, "It's safe to say that I'm ok.
Come to me and I'll take you away.
Don’t be scared, just let me in.
Don’t you want to be my friend?
Come and see what my followers have become!"
And then the television switches on…

The chorus of Rihanna's Disturbia plays and cross fades into Jay Z's Run this town only to be mixed with another song and another after that.
The music is almost tantric but nothing compared to the laser light show provided.

What is this I see inside?
Behind the rainbow and beneath the sky.
A steady shape grows from deep within the Fantasia-like backdrop.
Then appears a bright silhouette of a woman's bare back top
Or in other words, her shoulder.
Hidden amidst the uproar of colours.
Then as I keep on watching, or in other words, behold her…
I see her… I feel like I know her.
Even more so, I feel like I want her!

The temptress in the red dress.
Nothing is too outrageous for her; I can't look away as she begins to sway.
At first she moves so elegantly, with the grace of Astaire and the confidence of Xena But then she twists and turns her sweet ballet into something that even the Lambada would call seductive.
What am I supposed to do? ...
She dances on a checkerboard floor.
Her dress flows like gushing blood.
She looks like she moves and she moves like she knows me…

I steal another glance at her. She wears big earrings with pyramid shaped ornaments dangling from golden chains. Inside them a single eye... Just lovely.

Men want her. Women want to be her.
Come to think about it… Isn’t that how they promote goods nowadays?
****!

What happened?
I look at her again and all I see is nothing???
Why was she taken away from me?
Maybe it's because I'm not allowed to ask any questions!
Because using my mind is old fashioned right?

Now I see what time it is. Now I see that she was false.
As false as the voice's promise.
It was all a mere figment of real life, it must have been.
Because never has my imagination let me down like that.
I blame myself for letting them get to me.
He, the voice and her, the blindfold.
They knew me.
They know us.
They've shaped us.

They have been shaping us since the dawn of time.
They, along with their leader have been trying to lead us astray all along…
In truth I was not surprised when I came to this realization. Simply because it was written in all four books but I was still in doubt.
I guess they got to me and I didn't even realize. Wow…

Clever they are. Give them that I will.
Possess infinite knowledge of the dark side they do.
They plague us with mind tricks and play us like chopsticks.

Their tactics are ingenious yet very unsubtle.
They control us through fake dreams,
And through low self-esteem, enslave us.
They know what they are doing…

Join me, embrace me.
Take me in and call me your own.
Adopt my religion and experience my nirvana.
Give in to me. Come to me…

Ever since mankind had learned to learn,
He was taught and bought.
The infamous "They" have been picking away at us as if we were a giant iceberg, non-stop using only a needle… They have been doing it for over a thousand years. Now we are almost the size of a thirteen inch ice cube and they are in charge.
Our days are numbered and we are melting fast.
Our 40 days aren’t up yet but time is against us.
It's time for us to choose.

Either dance with the devil, and join his rebellion,
Or go with the Ring and switch off your television.

Peace.

Many people, including yourself say I do what I do because I am fighting hard for a prize.
I have news for them, you are no prize, what so-ever. As harsh as this sounds, it is really a great phrase.
When I say you are not a prize, it means you are not an object that can be taken or to be possessed. Instead,
you are a beautiful human being that I am lucky to have in my life, and that everything I do, is intended to earn
the right to be the official person that will make you happy, take care of you, support you, as well as grow as a team, whether
if it is labeled only has best of friends or something special. Only selfish want I always had that the chance that I see the true feelings I sometimes see in you in waves, maybe a breath of fresh love from time to time, that I could one day improve myself and prove to be a best person in your life in a meaningful way.

    A deep connection like this should be pleasurable and fun everyday as we build each other up and frolic under the stars. A beautiful friendship with deep feelings is most similar to dancing, as it should not be painful work but a journey of smiles at the end of the day.....

    That mentioned, to best describe the world of deep friendship up to true love and anything between is to describe why two people dance. When we chose to dance,
unless professional, it was never meant to be an object of hard work or stress, but the activity that brings out the best of each other while enjoying the rhythm    
of music, as we know as life. It's all about combining out best moves to show the audience that the duo can dance to any beat. Sometimes dancing can demand a lot skill. To maintain a great performance,  it does take good communication, social cues,  and proper response to accurately synchronize the dance steps as a team. A second look back is sometimes needed to execute a shocking introduction without injury; But more or less, without targeting the end result as in the audiences approval or a prize at the end, the true gift is the laughter and excitement of celebrating the music in a coordinated dance skit.

    I have danced with many partners, but I must say I have enjoy dancing with you the most, despite hiccups on the disco floor and few skipped rehearsals. Some moves you made can put the king of pop to shame, as I do believe I can rock the Caspar  from time to time. I am satisfied with any genre of music while dancing with you. I must admit I am no Fred Astaire, as I can be a klutz. I made a few misleads that I accidentally stump on your toes while some of your moves have place bruises on my shin. This is common when you dance hard to the loudest, most brilliant music we tend to discover. There are times I blow the dance routine by misreading your next step totally, where at other times, I come unprepared to a new move that impresses the best judges. My main error is when I over-coordinate my special moves when the music of life drops the beat. I am happy though we are savvy enough to whip back into rhythm. I may not be the greatest show partner on floor, as I have not maintained my dancing jacket over the years, even though I believe that jacket was once cute. I understand that a good dancing partner must take the time to visit the tailor to replenish the thinning cloth around the collar, maybe add a bulk of fluff to the shoulder pads, refresh the color, and most important replacing the missing white buttons. Until then I do understand you want to dance with other people that still maintained their jackets, but I know that my dance moves are best coordinated to the rhythm of your style of music  :). That being said....

Let's enjoy today, enjoy the flow of the music and where t leads us, and most importantly,.. May I have this next dance :) I am always honored to tear the floor with you, and redefine the musical genre called love and friendship.

A bitter ****-fest of lollapalooza.
Burn(ing) me, man. but don't taze me, bro.

If I got high on legalized substances, am I still escaping?
Metaphoric endorphin rushing as patio furniture sits silently,
slowly choking as I fill it with my own ***.

I haven't written in so long, because I lack some passion.
I haven't written verbal joust in the form of bitter tongue because I felt it lacked restraint.

I ****** with a straight jacket; it felt great.
Perpetual virginity, a fool's errand running.
I have my V-card still; kind of... it's stunning.

I left a can of gasoline at an alien's house.
I came back and fire had engulfed what was left of my sorrows.

"I thirst," said He, the savior of the world.
Let's all ignore the singing signs of everything, boys... girls...

I have not a word to say in recompense for exploitation of your idiotic murmurings.
Well done, my good and faithful burdenings.

I can't speak to what hasn't yet been said,
but I can sure as hell guestimate, that we'd probably all be dead.

This **** ain't free.
Thank you, Kendrick Lamar, for reminding me.

This is me unfettered.
This is me unchained.
Give me a pen and some paper:
this **** will get strange.

I am Fred Astaire with a **** so fine, you'd think it's aged wine the way it twirls and floats.

Breaking up is ******, now put this poem down your throat.

Mr. Ivories

entertains with elan,
daily during cocktails on the mezzanine level.
Jolene always orders a Black Russian,

mine is a Dewar's and water.
We drop a fiver in his basket on the Steinway,
along with a request for "Ebb Tide",

Jolene's personal favorite.
He conjures an image of Fred Astaire at keyboard,
his tails flipped elegantly over the piano bench,

like long black raven's plumes.
Jolene points out two announcers from CNN,
seated opposite. Makes us feel

important by mere association.
Our waitress asks, would we like another round
before the hour's end, as we speculate

about Mr. Ivories' musical propensity.
Time escapes in moonlit harmonic vapors,
leaves us already longing our next soiree.

One leaf falls
holographic illusion
across time the Terminator travels
to shape Sarah Connors' destiny.
Heart attack
a common enough destiny
as common as young men discussing girls' ****.
The Constitution
is the document we refer to, the lodestone
to correct course and not go crazily astray.
Lose all purpose beyond ******, child *** and food hording.
Illuminated manuscripts
in a dark age, tape decks remind us of our voice
our communal voice
Supremes and Fred Astaire
the silken wail.

I lie alone in the night
its sensuality makes the best sense
it does or does not clarify the day
of classes or clients or chain saws
whatever fever may have infected me at the moment
a fever to achieve access to foreign films while living in the
      mountain community of Schroon Lake
the fever to instruct the American people how to apply ideals
      and practicalities of Constitution to international
      relationships
the fever not to die today, to maintain consciousness just one
      more season (and one more after that).

Anyway, what is being discussed -
the finiteness of one life -
or perhaps existence continues in another dimension, on
      another frequency
no owl hoots
but other purpler and indigo occurrences
with other purposes
as incomprehensible and wonderful as these purposes
to choke on a cherry pit or nuclear bomb
to wail our wail together
each individual identifiable hoot and wail, loud laugh and
      suppressed scream
one orbicular chant, humanity, from India to Indiana
complete, one sing.

I feel this way
searching for my place among you
childless, but a child among children
obeying or not obeying the speed limit
as my hormones permit
everywhere among brothers, the sisters among sisters
the races together exterminating the last rhinoceros and
      preserving its genes at the zoological society
my species attacking entire rain forests, temperate forests
      and boreal forests
like the engraver beetle in the red pine's inner bark.
Thus, I occasionally cheer the Terminator
cheer the machine and neutron bomb
even in the face of individual heroics, the male and female face
their physical love, tender and violent
I don't know what I want.

It could be simple
as this headache.
Not to despair
just to care enough to think clearly and accept 10,000 years
      of history.
Not to hate those in authority
humor is the only remedy
yellow ape teeth chimping in the glass death face
and ritual is remedy
a death song
and one for planting
and one for the beginning of loving.

It occurred too
As most things don't to me
That these lapses
Lapses?
What were we on
Obelisk over 40
Or is it over and then under.
¿Cuál es tu animal favorito
I've left the list behind on the plane and not
I'm not sure I can collect my thoughts that way anymore
At least not for today
Why? I left those thoughts on a plane and it has already set its tail aloft for soft breezes
The air the air, soft as Fred Astaire
And Ginger Rogers, is the night
She wraps her hand into his
8 steps forward and a shuffle ball-change  right.
But it is something else isn't it
Her bird like hips in a double tiered dress dripping with Swarovski and trimmed with ostrich as she descends the glass stairs from heaven onto a dimly lit ballroom
A slight curl of the hair and the sharpness of her nose the counterbalance to the wave of her *** in that beautiful ******* dress
Oh and Fred? You keep up. You do.

Oafie lingers before his mirror
Pointing at the slinger Dillinger,
In his black suit,
******* his loot,
He won't go in there.

Then Oafie puts an old coat on,
Posing before his cheval,
Sharing jokes with Robert Duvall,
Who lights a smoke for Lauren Bacall,
Who say his coat fits well.

I know this seems humorous,
But Oafie isn't left too much;
His acuity is out of touch.
But he played guitar like a harp,
Which sadly isn't that far off.

For now the famous visit often.
He shuffled stepts to classic Sinatra,
With Fred Astaire and Ginger Rogers.
I'll visit Oafie one last time,
And slip a mirror in his coffin.

I wish I could dance like Fred Astaire.
Or Gene Kelly just to show you my moves.
I'm sure all of them would impress you.

I wish I have the charms of Cary Grant or Gary Cooper.
Since that seems to be the type to impress you.

Of the dashing looks of Tyrone Powers.
Since that seems high upon your list.
But, I'm just a me.

You have the grace of Grace Kelly.
And the independent heart of Katherine Hepburn.
And the good looks of Yvonne Decarlo.
All ladies of style.

Still, I'm just me.
Who else should I be?

If I pretend to be another.
Then I would be fooling myself.
And you would never see me beneath the myth.

So, I be me.
Until you see the best in me.
I know my qualities.

When she was very young she read Ann Frank,
And her daddy’s serial killer novels that he
Carelessly left in the bathroom,
Like a ****** weapon.

Strange dreams for a girl of eight,
****’s and bodies buried under patios,
Insane neighbours thirsty for the blood of the innocent.
The danger of the unknown stranger.

When she was young she read Shakespeare,
Voltaire and discovered Fred Astaire.
Her faith in humanity was restored again,
She tap danced her fears away.

No fanfare here
no trumpets
just a
so long and nice to seeya
and move along there's nothing to see
be a
darling
move along, please.

High above the bay of pigs
tables moved around,
no fanfare here
just the sound
of change being changed and
nothing to see here, be
a dear and move along, please.

On hallowed ground in hallowed halls where stalls are put out to catch those locked out or in depending on their point of view
I saw you dancing with Joe Carter, bartering your soul?
The devil dresses many ways and moves like Fred Astaire
I saw you dancing there with him
I saw you in the dim light on the last night of the proms
on hallowed ground in hallowed halls I wished I'd had the ***** to punch Joe Carter in the face