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Mateuš Conrad Mar 2020
doubly toasted rye bread...
anything on it...
of course i'm not going to treat it
as a bagel: although i should...
some smoked salmon...
the mayo and cucumber and dill...
come to think of it...
toasted rye bread would work
better than a bagel...

        we're not having some brick lane
salted beef, and bagel...
salted beef... good that you asked...
what makes it so... cosmopolitan, i.e. pink?
himalayan salt... i was thinking of
prague salt... don't ask me why...
how? i heard it down the line...

again: larry tesler died a few weeks ago...
well "weeks"... 20th of feb of this year he
passed away... as reported...
larry tesler... it's not an everyday
name... but under the umbrella of darwin that
becomes darwinism:
a group-fire, a get-together, a come-together...
larry tesler is a bit like
a michael faraday...  

           somewhat of a "mystery"...
like... never... i was daring to confess:
those revisions of the cursor...
the phantom hand... of a 2D object in a 3D
object... those 2D ferns in the original
tom raider... moving rapidly when approached...

i can hear the bemoaning...
no new scientific "theory" has resounded true
in the past decade...
unless it's that Higgs': hiccup or... boson...
that only happened a few years ago...

don't... agitate... the... beehive!
i've finished one whiskey and ms. coca
ms. venezuela - ms. novella...
             but i'm still pretending to drink from
an empty glass -
perhaps agitating the whiffs of scotch
perfumes to come...

       how often do i use the larry tesler
method?
well... if i want some... braille...
some glagolitic... some runes...
pretty much all the time...

        toasted rye bread... i'm thinking of eating
some roasted rye bread...
the english being bewildered...
and that's because the former raj
brought with them the cinnamon the cardamom...
ever eaten a curry that listed
rosemary or thyme as a prime ingredient?
can i please just eat this
dogshit, then?

    sourdough bread... not pop enough...
  beside the zeppelins... rye bread galore...
pumpernickel bread... a german thing...
   the name changes... but...
there's only so much toasted white and brown
bread you can eat... before having
an ancient hunger become arise in you...
the baltic cuisine of piquant herrings...
plenty of dill... and rye bread...

- i asked the swabian about this windsor affair
concerning the saxon: the ants-in-his-pants
little brother saxon...
the german who needed to go outside of saxony...
burgundy wouldn't suffice....
had to see the world: become a semite...
a wandering "plague"...
the postman... the dove of "repose"...

this is still about larry tesler by the way...
               ⠓⠑⠗⠑ - larry tesler...
     ⰕⰖⰕⰀⰣ:             "       "
              ᚺᛖᚱ:              "       "        (ditto, as above)...

woman: a human female being -
          because she's not: woo man...
and she is not: woe, man...

               she's a human female being -
that's what everyone might had said...
when being stripped...
to the basics of grammar:
i, pronoun - definite article: the -
noun of nouns -
                        the in between cardinal nouns...
table, fox, wool...
in between cardinal nouns...
box, moon, whiskey and (conjunction)...
the royal pronoun: one would expect...
the other royal pronoun: we would agree to such
claim... given our entourage...
louis XIV very much liked such
pronouns...
             they are the disembodied courting
presence of ghost: where we should be...
to posit...
and what if i want to be known as: there?
can't a they become a there -
i know that's asking too much...
after all... there is an adverb -
perhaps i feel like... being an: ad- -verb
rather than a pro- -noun...

                          there said: it's a cul de sac
and the peoples are gagging for
lessons in grammar... this is still about larry tesler!
well... it's become more of a toasted
rye bread "analogy"...

to be less denoted by noun -
more associated with verbs -
               does that even matter what pronoun?
what if i want to be an adverb: base?
there is an adverb... here is an adverb...
why is BEING a noun...
and not an adverb?
               become is a verb...
   becoming an adjective: although it could
be stressed as a noun: could...
           i think of being... on the lines
of a "here" and a "there"...
nothing is a pronoun...
                          while nowhere is an adverb...
being is a noun but in all fairness it could
be treated as an adverb...
                                   being alone...
           if only it was as simple as...
turning on a lightbulb while at the same time
expenting falling pirouettes of snow...

all this words deserved to be archived
in trash...
     i'm not a betting man and none of these
grammatical arguments really probe me...
i have invested in them a pet-peeve...
and they're nothing more...
but whenever i hear about them being
stressed... i wonder why the counter
argumentation doesn't fall for talking about
this logic on a purely grammatical level...

to update the tabernacle of holiest of the holy
"pronoun" with...
something akin to... by adverb standards...
etc. -
          this is still about larry tesler, though...
and about toasting some rye bread...
nonetheless -
i'm not that old but i'm already tired...
i imagine eating custard as being...
somewhat alleviating...

                but not actually eating any custard...
just imagining eating it
and pretending to drown - gurgling it...
once more: this is still concerning larry tesler...
mind you... larry tesler doesn't exist
on wattpad...

            but all these other would be publishers...
allow larry tesler to exist...
along with that little gremlin that doesn't work...
i.e. ©... not even new york times has
obstructed larry tesler ctrp + c / ctrl + p...
© - yeah.... "copyright"... my ****** ***...
wattpad has actually made actual © "progress"...
you can't use a larry tesler "heimlich" on:
those most scared of texts...
poems by 16 year olds!

              just saying...
you don't need a bagel to enjoy smoked salmon
with a dollop of mayo some cucumber
and dill... rye bread works just as well...
**** i'm hungry!

- again... what (a pronoun) - sorty of © "copyright"
logo is that... when you can larry tesler that
with... export it via highlight and ctrl c / ctrl p?
wattpad doesn't allow you to ctrl c / ctrl p...
at its height it was publishing that
goldmine of one direction fan fiction by
14 year old cherries...
    
                       i guess you can larry tesler
wikileaks: back in the day...

                        so if not larry tesler... who was behind
ctrl a? does it matter - if there's no toasted
rye bread in my gob... just these words
congesting and subsequently constipating my head?
good thing i have earned myself
a bad back - the golgotha "wisening" /
humbling... of digging up roots in the garden
where trees and shrubs once stood...

these words are... hardly a compensation's
worth of balm... but before i gorge on some toasted
rye... they just have to do.
Brynn Apr 2014
No; Adverb \ˈnō- Used to convey the opposite of a following statement.
Where; Adverb \ˈhwer, ˈwer, (ˌ)(h)wər- At or in what place.
Nowhere; Adverb \ˈnō-ˌ(h)wer, -(h)wər- Not in or at any place.

Spaceless, timeless, empty.
Lost.
Taken away from all things familiar.

Nowhere: A compound word derived from the words No and Where.

When placed together these words contradict.

Is Nowhere a place in itself?
Is it a place absent of stars and atoms in which no location can be found?
Is it a place absent of time?
Or over the years have the building blocks of this word been altered.
Is this place here?

Are we No Where?
Or are we
Now Here.

It does not matter the place.
It does not matter the time.
For whether these exist or not.
We are Now Here.

Now; Adverb\ˈnau̇- At present time.
Here; Adverb \ˈhir- In or at this location.
Now Here; Adverbs \ˈnau̇\ˈhir- Presently at this location.
Mateuš Conrad Oct 2016
civilisation abhors thought that it cannot vocalise,
and therefore monitise - it abhors it! it vilifies such
thinking as a form of mental  illness, or something akin
to such a statement; talk to any psychiatrist
and he'll tell you that psychiatry is, quiete frankly:
a variation of demonology - shadow people -
the "retards" everyone is quickly to defend
but easily strap into death-rollercoster rides
and the famous bon voyage adieu salute!
civilisation stamps it down, as i already said, abhors it,
whenever cancer is involved is a hellraising
fundraiser moment... come the sickness of the mind?
or the abstracted brain: we have parasite,
tapeworm people.
     and all because of our own cause in having created
the skivvy like residuals to brush under the
carpet of what's otherwise glitter:
   people who are without narrative:
                    without the marathon fundraiser public:
a macho personification of how to abuse
state authority but never wishing to do so:
but nonetheless being punished for it.

the central figure? fiction isn't written these days,
take a break, come back later.
        if you can't be honest now: you will never
be honest in a hundred years: forget it!
but you know what i find? sniffer dog that i am:
i find people like *Faustino Barrientos

a.k.a. not Pablo Neruda - and god i'm jealous,
there's this pristine exemplified variant of Adam
and i'm petrified with jealousy at
his 45 years of solitude in Chile -
               i'm mad by it,
why? because the so-called civilised world has
literally cut off all my limbs to embody such
a life: my grandfather and my father lived
under the laws of conscription auto-suggested
by the rubric of social preliminary bulletpoints:
i'm jealous of them too!
              i'm an Auschwitz shaven bearded
"thinker", no good to society that needs rigour
of appearing nice and selling bull's *******:
i wish i was (most of the time),
       i got a chemistry degree and was told to
work in a supermarket... there goes my love for
learning:
                i am, evidently, a pseudo-hermit,
self-imposed isolation but still seeing people:
or as i like to call them: ghosts - in close
proximity; now, if ever anti-social behaviour went
on unpunished, i'd be a gladdened example
of such feralness.
                    oddly enough, atheists are cultured
creatures,
                 but, not oddly enough: they have
nothing enabling them with self-preservation;
the argument goes along the lines of self- (hyphen
opening necessary)... as a prescribed form of
automation... in a variety of guises:
         this hermit from Chile has nothing of this
sort, he simply has a godly competence of
the environment, someone like Christopher Hitchens
can walk into a crowded space and give you
theological nausea -
              because could you find enough whiskey
metabolism while shearing sheep and
milking cows? no! atheism is a placebo of what
is otherwise an individualistic stance of
being an individual within a herd -
and what an almighty cold turkey experience we've
been given after Nietzsche killed god:
we're going cold turkey -
               we're theologically cold turkey -
we are still living in rehab, bad move to do it
so quickly: history on amphetamines sort of speak...
             a dichotomy of priestly attire
and politicians all suited tied and booted as
the grey matter: where are the ******* rainbows?
hence the persistence to relapse into hippy,
while adolescence succumbs to nothing more than
a medical circus frenzy: of nature's own:
                          getting rid of the weakest like
one might throw out an out-of-date yoghurt.
  all good and well with that montage of atheism
being the zeitgeist fashion statement -
    but there is no atheism outside of the civilised world:
there's the purity of the self-        automation:
or adaptability to the environment -
only once congregated there was the imposed:
the non-existence of.
                      because it was trendy to speak like that,
we established a cohabitating necessity as
a species and then tried to fake that necessity by
differentiating with enough intellectual sweat to
distance ourselves with a counter-argument:
i.e. not self-   as in automation because of the ever
changing weather and organic octopus auxiliary attachments
for the worth of grit:
                     but a self-    (unit of automation)
   to fill the world with an almost inaccessible
perpetuation of the narrative - but this civilised self-
                 as variant of automation
toward self-sufficiency and independence is completely
lacking in the civilised world!
     we treat people like ****! waiter! cashiers!
                     bus drivers!
         i endear you to think that in the collective of
what's known as the civilised world: the hermit does not,
exist! there is no self- to speak of,
               try milking a cow or lumbering along with Jack:
it ain't there! we're a bankruptcy in terms of limbs!
        well sure: i write, and immediately i'm
in a mess because i like to study -
     which means poetry or poetry aspiring to
philosophy is inherently useless... so is civilisation!
   tribalism has no need for money: because it
has community: cannibalistic or not... is still has
a collective need to survive - unless of course you
remember the civilised world and all those
experimental fetishes to get you starcast with a moovie.
so this Chilean guy, 40 years a hermit,
     and then this article in the Sunday Times
news review section: driven to distraction -
             and my notes as graffiti after reading it:
we are a second behind goldfish online (8 seconds
with cat videos) - goldfish are 9 seconds into
watching bubbles, and then creative dementia
     doing the plateau incremental snap: re re re.
the god does not exist argument is founded on
a banking system: it's the most viable way to make
an argument that provides wages -
          no other reason for it,
or: as according to the Chilean nomad Faustino
Barrientos
, begin with the self- unit
                of self-determination and sustenance:
otherwise don't bother arguing that sort of argument
without undermining the collective Disney index
of the people: who are incompetent at ruling themselves
then they congregate to give birth to a Picasso,
end of!
              so just because i studied the sciences i can't
be persuaded to an ulterior version of humanism:
i swear, Kant said that there was nothing nobler than
to concern yourself with god... or an argument for
such a being... maybe i'm misreading things:
after all... it's not all that fashionable to say such things:
because never was sane sensibility akin to Jane Austen
for ******* despicable as to read Jane Eyre.
              well sure, i have my "furthering" notes,
from the trenches of the devil's sulphuring *******...
         again: that statement "god is dead"?
is effectively going cold turkey... shutting off all
the superstitious metabolism of the past: oh, 20 centuries.
   sure, the Anglo Renaissance came, Elvis too,
       but the repercussions of what we "experienced"
at the height of the latter part of the 20th century?
unreplicable, gone, dust, sniff the actual grey dust
death of ash... it's not coming back: here my pessimism
and valour in the name of comedy - realism
and the very mortal hand of the extinguished flame:
it's gone! done!
                and it ain't, coming back with a backlash of
infuriated rigour to keep afloat: or return to / replenish.
  it's gone!  mind you, Heath could also be
included in this ode that celebrates necessary
obscurity of the Chilean to my jealous fancy as having
perfected survival skills.
             but this cold turkey debacle over the death
of god penetrates former colonial, hence post-colonial
societies: it affects the youth.
                  it suggests a quickened pretense of
diminished responsibility within a framework of
the lack of all things "karmic":
sure, so history is without a continuum to ensure
there's transgression for every transcendence
and we all live in an Utopian scenario of
immovable mountains: maybe that's why we're
no longer writing history but historiography:
and there is a distinction:
the former is actually angling and fishing -
the other is counting the number of skiving salmon
dreaming of wings rather than gills out
of the river.
                     among the other observations?
or apathy without origin in blissful thinking,
statement A.
     can you imagine anything more apprehensively
digested that reaching the conclusion:
a- + -pathos (without pathology)
                                 can be interpreted negatively?
negative thinking prior to reaching the consolidation
that apathy is, well: most people treat that as
an abnormality.
                     (if i ever wrote a self-help book,
i'd write one like this).
              you go past bulimia, past self-harm,
past all the negative bull and reach a state of apathy,
a non-disconcerted attunement toward feeling:
but you have been chiseling with your thought
at all the unpardonable negativism of your
identifiable physiognomy from genealogical nuance:
you seem to want to replicate an ancestry -
your heart will not tell you to **** yourself:
but find enough automaton curriculum in your
thinking: and your own mind will slothfully entice
you with a thinking sidewinder that aims at the
guillotine, or the gallows.
                   and after all that negative thinking,
you reach apathy, or being without a pathology?
and you feel an emptiness?
             don't expect to be Nepalese -
your ancestry forbids it...
                        you didn't reach a Buddhist apathy,
you didn't start from a zenith: but from a nadir,
tattooed with so many pathologies:
to reach apathy you had to transcend them:
       this is the bit were i say, concerning your heart:
it's a bit like a Cartesian cogito ergo sum moment.
talking about going beyond:
ever think that foundation of ontology is grammatically
based, if not biased?
        i limit this question toward grammatical
categorisation of words...
      primarily? the usual questions:
why are we here?
                       how? (well, that's outdated
'cos we have all the answers and that leverages our
greatest dissatisfaction, even in terms of writing
a new version of Don Quixote, which we can't).
                i devalue grammatical categorisation
altogether, i don't believe in it,
            for example why is categorised as
both adverb and conjunction... to me synonyms
don't exist in grammar, why is therefore only
an adverb...
              how? also an adverb... (ad- + -verb
         toward an action) - thus toward the municipality
of professions: but that's not a moral question.
       why is also an int. (interjection) and n. (noun) -
all it takes is a missing h to completely it as a noun
(unless of course the Oxford dictionary is wrong,
and i'm not Shylock Holmes)...
             what i am focusing on is the word
is, which is grammatically categorised as a conjunction,
and so it is, and so that is, and so this is:
       that's a canvas for me: mirror mirror, on the wall:
who will the the fairest of them all once i stop
asking the question with rose petals in mind being
plucked in that fateful lottery?
                         i don't care why, i already have
a good enough estimate as to how...
                          i base my ontology (nature of being)
upon the is...
                        where there was jungle, there too is
another jungle made of concrete -
and i don't trust the Quran: it makes grammar too
inaccessible, too holy even,
             you tell me the naked truth of the grammar,
i'll put on a ******* Hijab and prance to the tune
of le trio joubran's song masar down a street:
the weeping man of Amsterdam, two German chefs
tripping out on mushrooms while watching
American Dad in a darkened hostel room,
   and an Egyptian architectural student i spent
the afternoon with; otherwise? don't bother.
      and it really is great how is can't be an adverb
and merely a conjunction (well, "merely"),
      there is nothing that requires is to be a limitation,
or a necessary morphing into: toward doing / being
something... everything just, is;
and if it wasn't for Shia Islam you'd get **** all Sufi...
maybe a Falafel kebab, but **** all apart from that.
                    of course i'd side with the ****** Iranians
on this matter...
                                i can't live without music,
for fare game to Faustino Barrientos, but i can't live
without music, and Wahabbism doesn't recognise
music:      never was hearing a camel hart or a
merchant burp or a woman ****** seem so appealing,
and worthy to fight for!
(italics for the sarcasm).
do you think that if i clap my hands for a year
i'll hear a minute's worth of Wagner?
                                         (snigger): probably not.
eigengrau May 2014
i.
today,
i woke up
with my head
swamped with thoughts of you.
a smile started at the corner of my lips
that eventually coursed through my face
like how the first light of the day spreads at sunrise,
or how i feel my body respond
to the first sip of coffee in the morning.

i look at the space beside me that is intended for you,
a space that i have saved just for you.
pillows substitute your presence.
not as warm, but they will do.
for now.

ii.
what gets me through the day,
no matter how difficult it is,
is the idea that there is you
(to look forward to)
at the end of it.

that later that day,
i will be seeing you again;
but i will have to wait for a while.
which i find very difficult to do
because patience was never my virtue.

iii.
if there is one word that lost its appeal to me,
it would definitely be the word forever.
how can someone of ephemeral existence
promise something as pretentious as forever?

i would not tell you that
i will forever love you;
what i would tell you instead is that
i will always love you.

always, meaning all the time.
always, meaning every time.
always, you and i.
All you need to say
in seventeen syllables
wrapped up cunningly.
JR Rhine May 2016
It's seemingly not enough
to curtly say what I've done
and truth be truly told,
there honestly hasn't been much

so thank you kindly
for craftily making it seem
like apparently there's so much more
than what's inherently me.
Parker Louis Jun 2015
I am
Eternally exasperated
Frequently frustrated
Incessantly irate
Perpetually perturbed

Awfully ambivalent  
Forever fickle
Frustratingly finnicky
Laconicly labile
Madly mercurial
Virulently volatile

And every other ******* adverb, adjective alliteration
June 29, 2015
Michael T Chase Jul 2021
A root of confusion in math
is not knowing whether a term
is a noun, verb, adjective, or adverb.

An equation is nothing but
a string of nouns.
But I may think about these nouns,
by their adjective or adverb
alternatives, for example,
which convolute the matter.

Verbs in math are really the outliers.
Thus, I've been thinking wrong
with "math is a verb" mentality.
The most common math terms are
nouns, which function alone
as subjects and objects.

What I think of as "doing math"
is akin to "doing porch".
It entails a deck, railing, stairs,
a chair, a roof.
So too, does math include these
things.

I walk on the stairs and deck.
I sit on the chair.
I enjoy the roof's shade.
So too, the things of math are
used via terms which are not
included usually in math terminology.

Almost the only verb used in
math is "think" which is convoluted
by the subjects/objects which I
employ during thinking.
Auto-learn
Mateuš Conrad Nov 2018
.#metoboot.

X   O   X
O   X   O
X   X   O

           who the ****
was i supposed
to be calling?
#: but there's no
phone-number
and there's no
             telephone...

let me just call up
a trend...
   a meme...

           funny funny...
not so funny...

it's still amazing
how existence drags
essence along with itself...
and that

essence is neither
a priori, nor a posteriori,

to compensate
existence,
being neither of the two.

since why should
   existence be a priori
to essence,
   or why essence
should be a posteriori
to existence...

oh... wait...
why essence should be
a posteriori to existence?
that part...

so why does the notion
of knowledge exist,
or the fact that some
100 year old old ****,
gives life advice
about how he has
a 20 year old lover,
and he shoots a down trip
of ***** of 1cl
each day?

it's still a drag experience,
no, not Brighton drag queens...
existence drags essence
into its ontological conclusion...
    mors mater...
muttertod...
   matka śmierć...
                     mother death;
and? last time i heard?
she's the ultimus virgo,
she's the (do you couple
adverbs with verbs,
or verbs with nouns
in german? can you couple
adverbs with verbs?
ah... ad- Latin prefix:
  toward... sure... an adverb
+ a verb sounds better than
an adverb + noun) hence?
letzemaljungfrau,
   ostatnia niewiasta,
the last (or the lasting) ******...
she can't exactly fake
******* over someone
to a dead pulp of prior to
tadpole whipped / egg white
cream.
                  
Paul Hansford Aug 2018
The first cold letters, alone on the page.
A quick pencil found them,
and the lively and beautiful syllables blossomed.
The pale book felt the pencil,
and the terrifying, hot words entered.
The lines grew, living and sensitive,
gleaming as never before,
and I knew the unheard lines!

First, a tiny and unselfconscious sound.
A noun struggled to appear among overpowering words.
A strong, golden adjective ran out,
a short, fragrant adjective, beautiful in the early spring.
A young verb grew among tiny blue conjunctions,
and a fortuitous adverb understood, instinctively.

The first sentence dreamed of trees, and a sad cloud.
It dreamed a grey rain,
and the tall trees felt the rain.
There was a first and unknown river,
imagined, inconsequential, like snow in summer.
A red bird glided beyond reach,
as if it had never happened.
The soft sounds fitted the lines,
and the quick bird cried,
Remember the short rain!
Remember the sad poem!
This one was a "collaboration" between myself and an app that I imported to my computer. First I entered lists of nouns, adjectives and adverbs (including adverbial phrases), then clicked to start the process.  The computer didn't "compose" the lines that you see here, but it gave me lots of ideas, and I had to work quite a lot on them. Streams of sentences poured out onto my printer, most of them complete nonsense, and when I had enough I pressed Stop, and started the process of weeding out the *******, editing the more promising lines, and re-arranging the order. My favourite line is "There was a first and unknown river," which I could never have dreamed up by myself.
Ken Pepiton Nov 2018
life more abundant calls forth an expandable reality primo,
thus wisdom, the principal thing when-ce all other
things may be made

machine level codifiers ifying
meaning back into idle words.

Keep the secret. Answer the call,
who will help the widow's son?

You, Templar, what message bear ye to my child?,
asked the widow.
Fi-del-e-tus. with a squeeze and a tap,
wink and grin

Poet, who named the prophet?
who named the teller to tales?
who gave thee hearing ear and seeing eye?

Some mind imagined those as yet unformed in forever past.
You agree. You experienced living, so far.

So good, we move on, figurative re re re al-it if-ity
Haps apt to appear be fore your veri variety of being even
hapt as a thing thought, imagined made for a function, as yet

undone. Conserve the NULL set, that whole idea is dangerously
close to fading…

Have you seen those videos of soap bubbles filled with H
and no O?
You should see those, to recall the phenomenonal pre-dictatorial
image, see the bubble, invisible but
for reflection of ambient ambits in our epigenetic radiosphere,

bubbles collapse, and for a flash, flame orange shaped
as the bubble was.
No ex-plo sion it-a-tivity, mere dis cipation,
loss of grip on the shape of things that were, now
con forms to re per ceive,

try again, get a good grip, swing and a miss, go again
take a Mulligan, I think, some game has such a rule,

We can use it here. We can scroll back up,
like a rope lift on the bunny hill at Big Bear, back when…

wheels in wheels, bubbles in bubbles, forms in forms

this is the information age I was informed. Adamkind, those
qubitical, ambitical little images of

Who, who? would a name comfort-you worth more than a breath?
Fresh air after a minuted moment twixt out and in again,

Power, create ific power haps twixt out an in again,
the cipitation, the d was missed, what if it were not?

re-read, religion once meant that, re-connect, too,
religion meant that state of having re-read the map,
re-tied the worth carrying,
stacked the worthless by the trail so
some hapless stranger may see
the treasure it was and is, to any who care to

receive, or con ceive it for the
truth I found in it and kept, which I leave to you
here:
Both treasure and truth are where ye find them,
and shall be for ever, when ever starts for you.

Ezekial, judge my riddle, please. The fool missed the
point of conception…
No, no no no

A fool's dance in a Phrygian cap with useless, symbolic wings…
gee, Phrygian, means nothing to you? Google it, you live in the future.
Later,
A time upon which a Mercury dime would comfort
a rich American Tyrant, son of the Flim-flam man,
no lie, this is mythic, you can't make this stuff up
its history. Hysterical, right
John D. Standard-for-Petropower-manifestation,
the dead's carbon footprints bubbling up
to fire and fridgin' ice, whoa, who broke the world,

I was distracted. Did you know the planet is
as self healing as those scabs on my grandkids knees?

ah, caper, eh? Capere, to grasp, to take,
ceive means accept by taking,
be liefing an idea ceived ex nihilo, is likened unto

Drinking from a still pond in a distant land. Sults,
results. may result in,
Dear Rhea revenging Montezuma, at a gut level.

However, a sort of how in an open mind facing forever,
a sort of omni-directional saliency
seeing further,
--Bomb, Jesus-bomb--

At least two reasons for thinking Jesus is objective, out side
you or inside you. You aren't Jesus. Jesus is a friend of mine,
in my mind, object-if-I-try
to pray, listen pray hopes
happen
shapes form
forever from ever point, every point, not of, in buy

a why..
why does a y on the end of every mean any thing?

That's the y-factor. You will learn why wise men still seek those.
As treasure, they are light, and the taste is beyond

the grasp of tongue to tell

that whole class of moded-ever words weave wards
whenever, forever, however, whatever
used proper, everafter,
that will save Dresden, some time, we think.

However, now, Rhea by name has entered the game.

Who is this named femofame? What game is she good in?
Or does she just knock the **** out of lying spirits?
Cool.

Ah, mother of all the gods, I recall, I mean
I meant to say
I remember, then I for got the power words hold here
exactly heare in eleven metrixed mentions,

this point, in time, not of time.
In the world, not of the world, you've heard the pharse?
The allusion is not lost on you, you know the phrase,

In the world, not of the world, holier men than I have
claimed to be, while I follow a few fine words,
linguistic kief, sprinkled fairy dust, like the stuff
captured in the gleaming film on your
microscopic-outer eye

see a salient point in time.

A pin point 'pon which one,
no more,
one story begins for ever, a gain in good net
value, if

we have tasted that word, chewed the gristle,
indigestible ligaments and sin-yews and such,
which once anchored meat to bone,

value is first good. Good e nough, nough
Gut genug, okeh,
maybe not my best, my best is yet to come, they say.

sufficient for today
------

enough (adj.)
c. 1300, from Old English genog "sufficient in quantity or number,"
from Proto-Germanic compound *ganog "sufficient"
(source also of Old Saxon ginog,
Old Frisian enoch, Dutch genoeg,
Old High German ginuog, German genug,
Old Norse gnogr, Gothic ganohs).
First element is Old English ge- "with, together"
(also a participial, collective, intensive, or perfective prefix),
making this word the most prominent surviving example
of the Old English prefix,
the equivalent of Latin com- and Modern German ge- 
(from PIE *kom- "beside, near, by, with;" see com-).
Second element is from PIE *nok-, from root *nek- (2)
"to reach, attain"
(source also of Sanskrit asnoti "to reach,"
Hittite ninikzi "lifts, raises,"
Lithuanian nešti "to bear, carry," Latin nancisci "to obtain").

As an adverb, "sufficiently for the purpose,"
in Old English; meaning
"moderately, fairly, tolerably" (good enough) was in Middle English. Understated sense, as in have had enough "have had too much" was in Old English (which relied heavily on double negatives and understatement).

As a noun in Old English,
"a quantity or number sufficient for the purpose." As an interjection, "that is enough," from c. 1600. Colloquial 'nough said is attested from 1839.

From <https://www.etymonline.com/word/enough#etymonlinev8703>
Godliness with contentment is great gain, a precept I was chewing on following a ritual holy day of gratitude to goodness for goodness sake in my cultural gut genug state of mind.
Lawrence Hall Jul 2018
from an idea by Sheila Sharpe

In the foul heat and damp and rot and stench
After dusting off 1 the bodies of dead pals
The living and the dead, the living dead
Old Boats 2 lit off a cigarette and growled

“They say this stuff’ll **** ya.”



1 Dustoff – noun.  Dust off – verb with an adverb.  A dustoff is a medical evacuation via helicopter, as in “Doc, your dustoff will be here in three.”  To dust off a patient, then, is to transport a patient, not to tidy him.  I have recently read detailed arguments about the terms dustoff, dust off, and medevac, but no one quibbled about such minutiae along the Cambodian border.  

2 Boats – a boatswain’s mate, the brains and muscle of the Navy.  Boatswain’s mates do it all and are seldom acknowledged in history or art, not even in the recent film about Dunkirk.  A boatswain’s mate is often addressed as Boats, and always with deference, even by the C.O.
Your ‘umble scrivener’s site is:
Reactionarydrivel.blogspot.com.
It’s not at all reactionary, tho’ it might be drivel.
Lee Sharks May 2015
BELIEF & TECHNIQUE FOR TELEPATHIC PROSE
Lee Sharks & Jack Feistfrom Pearl and Other Poems

1.     Compose real poems telepathically, with mind control powers, inside your glorious brain.

2.     You are your own best advocate. Insist the world acknowledge your poems as artifacts of tiny doom. Accept nothing less. Threaten to smash yourself in the face with gasoline and set your hair on fire. Leap over the seats to aggressively stand inside the world’s personal space and get up in its grill. Take this container of Tic-Tacs and smash it on your forehead. Crush each Tic-Tac individually into your eyeballs and ask the world if it likes your poem, and if it likes your poem, then eat your poem: “Do you like my poem? Then eat it.”

3.     Always seek constant approval, then punch your cat in the face.

4.     Arrive alive. Don’t text and drive.

5.     Always write poems all the time.

6.     Never professionalize writing. Professionalism is the last refuge of responsible people looking for work.

7.     Your life is your poem. Take care to write it biographically. Failing that, invent false biographies and post them on Wikipedia.

8.     Get as much education as you can, then ****** your education in the face to save it from sloppy education. Get enough education to respect your contempt for education.

9.     Give it all that you have, as deep as it goes, as desperate and total as taking a breath.

10.  Also be pedantic mundane pig-critic of precise punctuation juggling and ruthless crossed-out darling murdering of your own puny sentences. Save every draft and revert to original after enormous work, then drown yrself in the bathtub. Remember: editing is organization.

11.  Be long-sighted prodigy of skeptically believing in nothing, but also believe in destiny, but quietly, and hit yourself in the face for naivety’s sake.

12.  You are a seamstress of words—place each stitch carefully, deliberately. Develop a series of rituals and perform them, without variation, prior to placing each word. Allow the frequency and intensity of these rituals to grow until you spend hours, each day, touching and retouching your left index finger to the tip of your nose in a rhythmic, counter-clockwise motion, in sets of thirty revolutions, in order to place a single character. Spend years of your life shut away from the world, wasting away into an awkward, unhygienic shadow of your former self, and have, to show for it, a two-syllable word of Germanic origins on an otherwise clean, white page. This word will be redoubtable, the bedrock of your writing career. Go on to spend vast sums of personal wealth and total dedication, alienating the remaining handful of long-suffering friends who continue, despite all odds, to solicit the memory of your humanity, in order to learn the arts of metalworking, Medieval alchemy, and font design, recreating a metal-cast, alpha-numeric set of Times New Roman font, from scratch, going broke long before “numeric,” and with only the half-formed germs of the characters W, N, and sometimes-vowel Y.  hat are such retrictio s to  ou?  ou are a poet,  ot a mathematicia .  ou are a creature of steel.  ou  ill  rite a  e  and better  orld, a  orld  ithout the letter   , forgi g it, o e smoki g husk of a  ord at a time.

13.  Turn over a new leaf. You’re not getting much done like this, anyways, let’s face it. Break the chains of your censoring, conscious mind; tap into the spontaneous well of unconscious human brilliance that springs from the source of dreams. Thwart the stick-in-*** tyranny of your internal editor by making a commitment to write constantly, without ceasing, editing, or even thinking, no matter what, ignoring the anally retentive quips your brain will no doubt make. Make a further commitment: you will not only write, irrespective of internal censorship, but in a way that is unconscionably terrible, on purpose. Your writing will be, by turns, embarrassing, infantile, automatic, and marmaduke poppers—or shall we say, antagonistic to the indoctrination in repressive concepts such as “sentence” and “word” of your reader, who is always, and only, you. Let your writing be a spiritual discipline of Bat-a-rang pancakes and lightly alarm clock, ding—your toast is done.

14.  Always Alka-Seltzer eyelids all the time.

15.  At last, you are ready to make it new, to ****** your darlings, to first thought, best thought, to your heart’s content. Your adverb will be the enemy of your verb, the difference between your almost-right word and your right word will be the difference between your lightning bug and your lightning. You are ready to have a spontaneous overflow of powerful feeling, then censor the s**t out of it. You are ready to turn your extremes against each other: Unlearn your apple pancakes and burst through the mental barriers; then slow the flood, let the lovely trickle out & edit, edit, edit. Capture spontaneous gem of native human genius, then marshal vast armies of technical knowledge & self-discipline to ensure it glimmers and cuts.

16.  Believe in things like destiny. No really—the path will shatter you so many times your shards will have splinters, your bombshells, shrapnel. By the time you get there—which you probably won’t—even your exhaustion will be tired. Exhaustion of mind and body will have passed so far beyond the physical, and through malaise of spirit, that it will emerge on the other side, as physical exhaustion again. In the face of this, nothing but a little Big Purpose will do. Besides, a little ideology never hurt anyone. Feel free to be all Voltaire with your bad self, in public—but don’t give up.

17.  After all of this, when your will is finally broken (again), and you have given up for the final time (again), start over. The former model wasn’t working. Refashion yourself and your writing. Lather, rinse, usurp your noble half-brother, and repeat, until you get somewhere, or die in the trying.  

18.  Achieve consistency of voice; it is the signature by which you will be known. Your “you” should ring out clearly from each individual letter. In this, the writer is like the salesman. Like a new car, neither the writing’s merits, nor the reader’s needs, will be the final, deciding factor. Ultimately, the deciding factor is you.

19.  Unlike a new car, it is difficult to drive a poem, to use it to get to school or work. Unlike a car salesman, a writer does not wear enormous ties.

20.  Be so consistent that your writing consists in composing the same words, in the same order, creating the some overall voice and style, consistently, over and over, an eternal return of the same. Maintain this disciplined drudgery over the course of years. Let years become decades, and decades, an entire life: You will have “found your voice.” Variety is the spice of life, but consistency is its signature.

20.  Be so consistent that your writing consists in composing the same words, in the same order, creating the some overall voice and style, consistently, over and over, an eternal return of the same. Maintain this disciplined drudgery over the course of years. Let years become decades, and decades, an entire life: You will have “found your voice.” Variety is the spice of life, but consistency is its signature.

21.  Then again, consistency is the hobgoblin of small minds. Throw things up a little bit. One day, put on your hobgoblin hat, the next day, your small mind.

22.  On second thought, re: #16-17: Stop here. You don’t look like much of a writer. Save yourself the trouble of a deep investment that is sure to yield no returns. The prize is big, and not many take it. The Iliad showed us that the prize of writing is life eternal, and taught us to long for that promise; but the Odyssey taught us not to bother. There are many suitors, a single Odysseus. While the husband wends arduously homeward, Penelope weaves impending glory, an evaporating glamour, enchanting them, until he arrives. We are in for a bad end, if we chase another man’s wife, or a prize not rightfully ours. There are many suitors, a crowd of them. They begin as a chittering swarm of bats and end in the very same manner. You cannot have what is not yours. What is yours, no man can take. So, like Emily says,

I smile when you suggest that I delay ‘to publish’—that being foreign to my thought as Firmament to Fin. If fame belonged to me, I could not escape her—if she did not, the longest day would pass me on the chase—and the approbation of my Dog would forsake me—then—My Barefoot Rank is better—

23.  Therefore, take these Sturm und Drang commandments to the trash heap. Return to step 1, as the only useful piece of advice: Compose real poems telepathically, with mind control powers, inside your glorious brain.

(c) 2014 lee sharks & jack *****

from Pearl and Other Poems:

http://www.amazon.com/Pearl-Other-Poems-Crimson-Hexagon/dp/0692313079/ref=sr11?ie=UTF8&qid;=1429895012&sr;=8-1&keywords;=lee+sharks+pearl
BELIEF & TECHNIQUE FOR TELEPATHIC PROSE http://mindcontrolpoems.blogspot.com/2014/12/belief-technique-fortelepathic-prose.html
jdmaraccini Jul 2013
So, you brought a pen to a knife fight,
you who write with brilliance,
no need to fret.
I guarantee you leave a legacy,
life is not through with you yet.

Your nouns have purpose,
you who suffer every time you write,
I swear this to you.
every verb has profound meaning,
let your poetry ignite the mind.

I promise you this,
draw from the passion you find in life,
your adjectives will live forever.
A spider web spinning digital dreams,
each conjunction you weave lingers on.

So, you chose a pen to conduct your life,
choose each adverb wisely,
you who creates poetry brilliance.
For the legacy, you leave with words
is how the world will remember you.
JDMaraccini
2013
BianchiBlue Sep 2014
My dream began
with a pronoun waking  
in the morning light,
followed by a verb  
carried in the wind
from across the lake,
as the adverb
whispered a preposition,
adjectives modified
a proper noun, and
I sailed quietly
to your beautiful name
Ken Pepiton Sep 2019
Did I ever ride one of these casino busses?
That's how I met my wife.

Is this weird enough?
seven measured spans of ten plus some,
this bit, this collection of second chances,
in how many?
in ever,
how many spans of tens have passed, without me?
or,
without the star stuff Sagan says  
I am made of?

or I am made? I was.

That's the measure of my worth,

nay, I say.
Rue the day I told that lie

shall be my epitath, should I leave without
a-counting
them there ex
acted, mockinbird killin' days and ways we was

when we was
never governed, as a people, or a tribe.
as ids,
we was wild injuns, us kids was. we did as we pleased.

life was fine,
livin' by the river, you can imagine a cloud

occlusion of green greasewood smoke
softening a barely waking moon
four thumbs high at sundown

keeping fairy tales down low enough
that grandpas
can snag

-- and release and come back jack, right here
--to this dangling hook

and it's always gonna be this way

catch and release,

life's story your story goes on.
You never lose your place,

that's mortally impossible
to pose a

quandry
quandary (n.)"state of perplexity," 1570s, of unknown origin, perhaps a quasi-Latinism based on Latin quando"when? at what time?; at the time that, inasmuch," pronominal adverb of time, related to qui"who" (from PIE root *kwo-, stem of relative and interrogative pronouns). Originally accented on the second syllable.

pronomial adverb, eh?
Writers were warned away from adverbs,
back when grammar tyranny strained
at knots and gnostic gnats magi-ifical
add-on augmented at your own risc

made you notice
tech times change faster than Timex

Sinclair-- sorry, senility function was left on from earlier missions

Force-recon recollected war stories being moved permanently into fish story status before
legend adds a layer
of gloryshit
at funerals.

Reduced Instruction Set Chip, chip
chipping is
addiction diction
A.I. *** us a whole Yah bus win, it's
Free Play day at the Ol' Folk Home.

We sing old songs on the way to Viejas and
laugh about all we left in Vegas.
Thanks, dear reader, my sanity hinges on you, like the swing doors on the Longbranch
Mateuš Conrad Nov 2018
god... i can't believe i'm making comments
about this...
but i am.... i'm drunk and rowdy,
not sober & sane reality makes
point at this point...
        in ref. to cheryl tweedy...
"mum shaming"?!
                           not being able to breast
feed in public?
          these critics...
they are not inclined to make a fetish
out out lactating females?
  no? none of these ******* never had
the fetish quest of desiring to drink
milk from the **** of the mother,
so they would not become jealous over
the baby? no? so they jumped head-strong
into the latex gimp-suit fetish?!
handy...
        why would i mind some rat
of a leader worth the vermin of a party
known as the UKIP not bail out?
over a cleavage frenzy?!
             sure sure... **** things up...
bail out... and then jump ****...
good tactic...
                much applause...
******* wankers...
                      i did make one mistake
in my life... believing a 19 year old
Russian girl... to stick to her guns...
and take the ******* contraceptive pills
she promised to take...
i still don't know whether she was...
whatever the hell she was aiming at...
******? i don't mind the rubber...
i'd like some more...
in a latex suit, preferably...
i can't, lie...
   ms. amber is doing the polygraph
"thing" again...
                             i'll lie when i'm
not having fun, then i'm not telling
the truth...
  huh? which milk?
goats' milk... Behemoth's mother
good ****, counters every superseding
cover version of... cow...
              goats' cheese over feta...
you name it... goat has it covered...
creamy yum-yum...
            why would i lie to  begin
with? lying is a focus for serving
an imbalance for both the rhythm
and the tempo...
                              just play me some
drum & bass (base... might as well
throw this one in... bāß)...
i actually hope more mothers
feed in public...
hell... more cleavage...
like... an aversion to seeing a niqab
20 seconds later...
         what?!
thank god some people in Europe
still persist with donning their
sanity kippahs...
         what would the western world
do without them?!
     frown?
            or convert?
         i have actually found an escape
route from the excesses of
*******... the potential bound
to the inanimate picture of a revealing
posit of a cleavage...
   basically a woman donning
an *** on her chest...
and her ******* where her *** ought
to be...
      like fine art...
                     no no no, no thank you
Ms. Frankenstein, i'm not into
your ******- *******...
          but a woman breast-feeding
in public?
                     what's the problem?
you jealous that you're not suckling?
i bet that's it... ha ha...
that must be it...
   not playing out your fetish...
but i mean... like foreplay...
*****-******* and what not...
again... the sunday times
style supplement...
        the life of dolly column...
topic? relaxation...
         how do you guys relax...
one reply reads...
    oral ***; it's the only thing that works.
boyfriends should be incentive-
(please revise the adverb)
           to do it, government- (again...
-ally what?)
well... well well well...
you know what?!
you really wanna know? or are you
just kidding...
all that foreplay begot me thinking...
how about i... play milking
the cow?
       why should the baby
only **** on the ****?
         ooh... double-whammy-mummy
fetish... imploding spiral!
ooh! double-whammy-mummy!
**** that fetish outstretch of
                   role-play *******...
when lactating... let me suckle...
i want to erase the fact that i was
child in the minds of my mother and
father...
i want to be conscious of being
an infant...
                          i want to see
what it feels like to suckle at what...
my father did in a counter
variation of the biological function...
what? Nigel: Nigh-Gel ain't so hot
now... is he?
                      if i was going to father
a child... i'd like to taste what
the child was having...
so we're not competing for
first spot of: mummy's littler helper.
          
i should seriously stop reading
female columns of female orientated
supplements / magazines...
no, really...
              this is worse than ****...
then again... breast-feeding in
public?
          what could be worse...
scenes of Muslims decapitating
veterans, more roughly than
a butcher aiming at caressing
a torso of meat with a toothed knife
?
ORLA Nov 2012
I want to carve your face into my tentative words,
Your forehead, your nose, your chin,
Gently slicing off an adverb here, an adjective there,
Running my fingers across the keys and across your profile,
Until it is perfect and my poem looks just like you.
Julie Anne Lail Feb 2010
Everything: pronoun.
a.) every thing of particular of an aggregate or total; all.
This is what I’m told you are
but I’ve never been one for deities.
You hear my thoughts
but command me to speak.
You know my human ways
but still expect to have me all to yourself.
You’re jealous- a “jealous god”
but I’m to believe you’re perfect?
The book says your ways are higher
but the coincidences and rules
that surround your mystery
just don’t add up enough for me.

Enough: adverb
a.) in a quantity or degree that answers a purpose or satisfies a need or desire; sufficiently.
I have a desire to change,
I have a desire to love,
hell, I want a Ferrari!
I don’t have those so are you
really enough if I use the book definition?
But, no, seriously, some people are starving
while others cant stop killing
or lying or stealing or hating.
Are you enough for them too?
Im still waiting,
but we at least have that in common.
They say you are too.
“They” being the activists, the followers, “yours”
and yet you’re still waiting for surrender.

Surrender: verb
a.) to yield to the possession or power of another; deliver up possession of on demand or under duress
You want me ever so much
-or so I’m told.
When I want something
I have to ask or initiate.
Where are you?
Are you planning on ever
speaking to me or asking?
Where is your humility
to simply ask?
Waiting for what you don’t ever request
is more foolish than I ever assumed
a deity of great power and might
could be.
You astound me for sure,
but not in a good way.
I thought the zealous screamed
something about you being the definition
of everything,
but I don’t seem to be able to define you that way at all.
I ask these questions innocently,
yet still I hear no response.
Did you perhaps,
in your infinite wisdom
create the world
and forget to give yourself a voice?
Mateuš Conrad Aug 2017
you don't read much philosophy books, do you? believe me, i don't mind you reading harry potter, but stop being a well beaten ***-gob when attempting to read philosophy... please don't bother if you haven't educated yourself to a chemistry / physics degree... you'll just hurt yourself thinking this through... pretentious? sure: throw in: ****! i'm way past giving a **** and a two pence coin's worth of caring for an argument... i've just spent 5 times on the ******* today... i've got bigger problems to mind than an online opinion; yeah, odd, i actually have a life, outside the pixel-eyes of the internet beelzebub gnat, of a computer screen.

sometime this lazy,
gurgy drunk comes around and says:
  i want an epic!
   he doesn't get it,
   he's been sober all day,
made roast beef and roast
potatoes,
  sat in the shade,
  drank a litre of milk for breakfast
and he's trying to escape
the world with something
abstract: rather than writing
lumberjack fiction...
  i have to admit, he manages the enterprise...
it still centres around heidegger...
the space-time "continuum"
  simplified by the: here-there...
and pluralism of article measure
within the confines of the *sein
...
as ever, niche topics...
                    the whiskey tastes more
carbonated with ms. cookie-cola (diet),
but it's still the welcome mix...
  there's being and da-ist-sein:
  but the there is a spatial assertion...
these days, with the topic of
immigration & native spoken expatriation...
well... there will always remain
a space...
             but there's also
the hier-sein: the here being -
or as philosophy minds to answer,
congregational statements, geographic
concentrations:
                               hier-ist-sein...
there had to be an answer to heidegger...
the sort of german existentialism
that minded time more than a space...
with regards to this humanist endeavour
of the space-time continuum:
namely? the here-there mantra is the equal
counterpart...
            and i know this is technical,
i know when i see or write what is,
or what isn't technical, and i know that this, is.
we have moved our affairs from
concerning ourselves with spatial orientation,
globalisation has allowed this loss
to happen...
     we deal with the zeitgeist these days...
we have "forgotten" spatial orientation
in ethnically-centred spheres of interest...
we have moved to temporal orientation
in counter-ethnic-centrism of "spheres"
of disinterest...
       there's always going to be a "there",
within the framework of an is:
a  da ist...
                for foreign "invasions" will alway
be minded by the cognitive sponge
soaking up foreign interests...
with a "there" (da):
   there's always a here (hier)...
point being:
          dort = space
                whereupon hier = time...
              where? that's a spatial lack
of coordinates, wo, woher (sein) -
               as is when? that's a spatial
             lack of chronology, wenn, als?
such simple words compete over
the grandiose "self"-made"testimonies",
we all have our pet projects,
       and i know mine to be:
having been made, without a grand wait
for common appeal...
               but reducing the grand stiff
originators of thought: namely time
& space, and thereby reducing them to
the words in an adverb category of words...
to make the noun space a german
adverb, i.e. space = dort...
       while making the noun time a german
adverb, i.e. time = hier...
as with the english articles:
    there's being (a) - indefinite -
  thus as much regarding
   here's being (the) - definite -
thus as much regarded given what the grammar
of the english language reveals,
when studying papa german.
Peri Kousmos became effective with the thunderous lightning and mighty deluges, huge exhalations of fire Spiritu et Igni began with all the beads from the bottom of the sea rising by the seven suns that were duplicated odd, and even on the firmament of Agios Andreas. It was three o'clock in the morning of the antipode, and a splendorous halo with seven satellites that had at their summit the tops of roosters on some resplendent rays, which covered the meridian of a Demiurge that existed erected and frozen, opened over paradise. on the Peri Kosmou or Reference of the World of metamorphosis. Spuriously the emanations of the pamphlet that began to move from its geological boundary were made where everything was silenced and bruised in the compact parts, with all the wandering parts that wanted to enter under the ***** of the islet that was becoming spiritually. The Necromancer Monograph or work was violently prostrated in the four elements of nature with the geodesy of Vernarth, towards the Mandragoron Surveying for when Vóreios slipped into Nótos when Borker and relaxed both senses, then Dyticá with the demiurge Leiak relaxed from the Equinoctial of the Aftó, to fork through the narrow spaces and finally rise in an eternal vertical, whose center was relieved of a non-bellicose admission in a tremolo that wanted to shudder and defer from an extreme like the Eplinctae that made them move obliquely, the Stymphalos came out from the meanders, then the Brastae earthquakes bubbled from the Notós de Borker when he held them on the straight that contorted on the lacerated ones, later with the observation shot of Theus when the subsidence of the ground with the Hizematiae held them evidently parapsychological. Vikentios did the logistics of bridging the lands that were opened and divided around the perimeter, Marie des Allées held them with great force the ground that naively used to quiet for ephemeral moments with the Astae earthquakes, until Wonthelimar appeared and became effective in the verticality that expanded when it sank due to its shaking with the Palmatiae, and finally Vernarth bellowed with disgusting gutturals so that they would react to the Mycetas earthquake, which was exhaled from disgusting visions of the Peri Kosmou evidencing incidental paragraphs of Apollo, which although he understood of analogous emanations that seemed to be demonic plasmas of the aldehyde in the Valley of the Pleisto close to the Phocis. The sublunar pretended to have tangible oracles through the gasifications of the original Epiclintae earthquake that moved them towards the meanders where the bronze birds awaited the precepts of the Saint to take an advance on the celestial kingdom. This implied that the nature of the Stymphalos would require the sensory stimulation of the golden cowbell of the *** to stimulate them in their gift of flight, with their heavy wings that rested at the right angle to later draw on the cavities.

The sky was beginning to disappear and in the fissures that the Dyticá de Leiak line leaned, the shores of the sea were rearranged to assist them by magnifying the supine lines with the vertical ones, within the microseisms that began to increase from the earthquake, avoiding breaking the surface who was still generously supporting them by the cross of Patras that was he bilocated with his five-meter golden cross, up to his goddaughter island with the little finger of the Apostle Andrew. From here in the surface of the earth would be ajar when cracked by the little finger of the Apostle, then he would leave in his hand a minimal piece of earth so that they could be preserved from the cataclysm, and be redeemed by the bronze birds. Only in this way was the revived earth aware of what was happening, and let it escape in the concrete stones that had evaporated from the apostle, only letting in some bursts of the Metelmi that interlaced by springs of the lusters of the sublunar cycle, which intermingled with the land and the ocean, and the fire with the scalded air. The rebellions of the Mega Seism transferred them in psychic divergences towards the Palmatiae earthquake, which recovered the edge of the pilgrims who did not manage to attend the course of the Mashiach holocaust when they were apprehended by this force of the Palmatiae earthquake on the path of Bethany. From the valley of the Pleisto the uproar effects of Golgotha were counteracted, and from Patras when the sense of the earthquake shone on Vernarth's Mycetias in the 70th Earthquakes with the reverberated waves that flared in the verb, and in the guttural lows that They freed themselves from the subsoil, when the substrates of the mother's possession forged discrepancies of order or Kousmos, having to be reissued with so much rapture and sordid frenzy of the verb that did not recognize him from the stench of the waves that rose from the creeping subsoil, like a cobra that smiled linearly through the eyes of the fire conjured by the infected, and with the disproportionate deviations of the adjective, where salvation was the correct invocation where it has not been seen in the pharynx of the cobra, which struck itself in the impetuous fierceness of the burning global balance. The Peris Kosmou or reference of the World was compared with the paragraph that the evangelizing writings indicated with the chromatic, and not with the adverb when the fiery red of the Mycetias Seismic went directly to his fetid belly with halitosis to fully protect the wounded and Marie des Vallés with the reasons for the vertical and horizontal movement of the “Brastae and Epiclintae”.
Mega Seismós Agios Andreas
George Anthony Apr 2017
god, words, where do you start?
when i get like this, i just write my thoughts
is that the same as speaking from the heart?
what heart, what heart?
this thing that beats against my ribs
i'm sure it's just a hollow shell;
pumps blood and oxygen
allows me to live through this hell
but there's nothing more to it
i'm not doing so well

do rhymes make pain sound simpler?
i have a bad habit of using them when i'm heartbroken
rhymes are used to undermine meaning, according to my old English teacher
half rhymes and nursery rhymes and rhyming couplets and sentences left open

to interpretation, to ambiguity, to aching wounds and clinical analysis
i'm thinking of pretentious hipsters and all my therapists as i'm writing this

"the mechanism which allows you to feel is broken"
it wasn't the best movie but that line stuck with me
i think the mechanism which allows me to feel is broken
don't worry, Harry, i know how you feel, Harry
i, too, use the adverb; i, too, feel badly.

the sharp things that cut me, the dull things that bruise me
everything i should feel is either absent or agony.
love, they say; let love in, she heals your thoughts and broken skin!
fickle *****, she is, what lies i've heard her spin.
do you love me when you lie to me, darling love o' mine?
do you love me when you trace your fingers over the nubs of another's spine?
love o' mine, love o' mine, that Touch was supposed to be mine,
divine, divine, beloved and reverent and MINE

it's a good thing i don't want to hold onto you anymore
the rope burns were finally sleeping into my core.
my god, these splinters, i'm bleeding from my fingers
as i try to reach out for something that isn't withered,
because the flowers that you bloomed are shrivelled and abused
i refuse to water them, give them life anew
does that make me a murderer?
well you murdered them, too.
egghead Mar 2018
What is the point in
Poignancy?

Fragment,
you tell me.
Another one in paragraph three.


What do words matter?

I have spelled love with Lilacs instead of an “L”
I have drawn the curve of my “O” with the chill of a
Sweeping breeze.
A “V” can only appear as the violet of a
sparkling sky, or I will be unable to read it,
and every “E” will amount to nothing more than
emptiness if the voice it has been given
does not epitomize song.

Comma-splice,
Replace it with a semicolon.


I am trying live freely.
I want to breathe in color,
to inhale an orange Savannah sky
And exhale green which
shows through the translucent dew
of grass.

Unnecessary use of description.
Limit it, Lidiah. Limit it.


My fingers itch with the ferocity of
A vengeful army.
They are waiting to trample pages with
The lead of my pencil, the bayonet
of a Revolutionary-War-era rifle.

The word limit sounds like tragedy.
A single word that can somehow act as
a precursor,
To the death of passion.

Your words have put you in a box.

People always say
“Actions speak louder than words.”
In a way that is true.
But I also know it to be
a tremendous piece of fiction.

Lidiah,
Please watch your run-ons.


Why can our words and our actions
not be the same thing?
Isn’t the act of speaking,
the act of raising your voice,
the act of being heard,
isn’t that an action?

Lidiah,
how many times do I have to remind you?
Clarification throughout.


Why have we decided that our words
Mean nothing more than
stepping stones on the road to action?

When did we decide that our voices
which rise like clarion calls,
forever instilling our promises,
are to be left on silent?

Precious jewels set into rings.

Poison in a water tank.

Lidiah,
what you say is irrelevant
if your MLA bibliography isn’t in
alphabetical order.


Our words are our actions.
They mean the same.
Words are the distinctions of our beliefs
Illustrations of our personas
They are not mosquitos to be slapped away
and forgotten.

Lidiah,
paragraph five is too long.
Stop rambling.
Be concise.


Please tell me,
what is the point of being concise?

Lidiah,
stop rambling.


Why do we let justification
equate to useless rambling?

Lidiah,
you have to detach yourself from the narrative.


Feelings mean more
than a couple of sentences.

More than a good or a bad.

A mad or a sad.

Comma-splice

What about ferocity?

Never end with a preposition.

What about passion?

Replace this with a conjunctive adverb.

What about the discernable strife
that follows even indifference?

What about that?

Lidiah,
what is the point of
Poignancy?


What are we without it?
What does the human soul matter
if we have forsaken the parts of ourselves that
remind us of what a soul is for?

Lidiah,
you will never be heard
if you do not learn to follow the rules
.
Mateuš Conrad May 2016
Descartes' verb interaction is perhaps a shallow fact to grasp, but given the word therefore is an adverb, there must also be a counter to this, given some people are introverted, or extroverted as the original cartesian model suggests - so therefore can also become what the daydreamers get up to, for if thinking precipitates a sort of being, it can also precipitate a sort of non-being (the limit of such reasoning to suggest non-existence is a bit like reasoning the existence of god); i.e. therefore (ergo) apart from being an adverb (toward action) can also be an abverb (ab-, the prefix expanded in modern tongue as: absence - the commuters on the train... just sitting) - hence the after-mentioned mathematical stimulation of deciphering would be better suggested as not =, but as ⇌.

i've noticed this when reading philosophy books,
after engaging in one, you suddenly run out
of steam, you are creating a void, and by creating a void
through lack of hope for originality or demanding it,
and by creating a void you become stalled in what
you deem to be the adequate waterfall of lettering
arrange into word on paper, you create this vast
chasm that's an "antidote" to the cartesian res cogitans...
upon reading a philosophy book you turn into
a *res vanus
, or should i say, an empty thing, a vacuum,
upon rejuvenation you do encounter thought,
but by turning yourself into a res vanus you
encounter thought as equatable with your ego,
as in: this is you, narrating in secret -
unlike the 26 unit equation of Hegel plagiarised
by Ginsberg in his poem the end:
i am i, old father fisheye that begot the ocean,
the worm at my own ear (new testament quote
about escaping hell, the worm at your own ear
gnashing its silica SiO2 teeth turned into glass,
glass teeth that then shatter) - the three words of
genesis are borrowed from Hegel's outlines
of the principle of rights, he too states the same,
the i am i, and furthers it by ascribing the word
am with the mathematical symbol =,
i wonder what word could be ascribed to other
words... perhaps in original terms ergo could be
Gemini as + and ÷... the latter case obviously
symbolical of schizophrenia, - (minus) typical of
depression, and x (multiplier) and ego trip,
that ultimate trip without intake of any Amazonian
substance or ingestion of a Swiss chemists' champagne
moment on a bicycle? i wonder. **** it, i digressed,
moment of rereading to find the river once more.
ah yes, this conception of a res vanus came to me
unlike Paul McCartney's yesterday, right in front of me,
first i read the day's newspaper, very depressing
material... then i picked up Kant again,
only briefly, i felt this sudden suggestion that upon
reading philosophy you are emptied, emptied in order
to become a blank canvas for someone to paint
something into your mind, the reason being is the
championing of thought in philosophical books,
to read them you seem to have to assume being empty,
rather than being brimful with thought,
i.e. jumping to too many conclusions and nodding
or shake-of-the-head assertions - there's no
parallelism with that notion of being a thinking thing
(a res cogitans), it can only come by a stance of
emptying or a pervasive adjective (quality) omni-
as regarded emptiness. i realised that the only way to
reattach myself to my own narrative was to engage
with a philosophical dynamic once again,
prior to yesterday i hadn't bothered to peer in once more
and wrote a detail of yesterday's events, not to my liking,
a lack of continuity rose up, a fizzing nugget of
phosphorus on water. if i left my eyes strained on
merely the newspaper i wouldn't have written this,
it had to be Kant, again.
but indeed upon turning into this res vanus of my
own invention, the principium is followed by
a definite articulation (mediating away from a definite
article) in Hegelian sense with mathematical grammar
via (+, -, x, ÷, etc.) to say: well if am is suggestive of =,
mediating expressive egoism and repressive egoism,
then res vanus, has to provide a similar product,
not a parallelism whereby one man thinks himself
extroverted in the medium of thought, but actually
introverted in the medium of being, but rather a
convergence (Oxford will take years to ascribe an -ism
on this matter)... since after disengaging from res vanus
upon reading a philosophy narrative,
it is a convergence of the pinnacle of decisive identity,
in that i = thought, of course Kołakowsi would
argue counter specifications of this grammatical construct,
he already did so when referring to dancing the tango
in his book culture & fetishes, i'm obviously disregarding
grammatical categorisation as a rigid Eiffel tower
monument to human endeavour,
i can state i = thought since both are personal associations,
Heidegger's famous contribution: we're still not thinking.
i don't care to suggest that thought is an Atlas with
the nouns world, helplessly balancing the many attributes
of what we call thought: the thought to steal, the thought
to care, the thought to obey, the thought to lie...
within such a list thinking is hardly definite, it's indefinite,
but what is definite in this respect is that we can identify
thought as ourselves, this is what stems from the res vanus
principium
, a principle that allows for philosophy books
to be actually read, since reading them is permitted when
the contradiction of the cartesian res cogitans is lost.
Larissa Nov 2013
Home.
It's a noun.
It's also an adjective, adverb, and verb.
It is the place in which one's domestic affections are centered.
A place in which
The essence of childhood, innocence, and versatility
Bloom like a spring annual.

But after the clock of those 18 years
Runs out
You are free to leave.
In fact, you are encouraged
To move to another
Until you build a home for yourself.

Some never build another home
They find decent company
In one night stands
And the nicotine tinged, cigarette burned sofas.

Some build a home better than the one they came.
Gardenias, chrysanthemums, and marigolds in the garden;
Scrubbing a crayon medium portrait
Off the comic latte walls.

I have a distorted image of home.
All these places I want to go and
All these people I want to meet.
I cannot settle
Until I have shaken hands with the world itself
But the argument still standing is
Do I go alone?

I have never been good with loneliness
And yet I crave the anonymity
Of standing on the street, watching the cars rush by
Knowing
I am not bound by failure.
I am not tethered down by my haunting past
No definitions chained to my shoulders
Forever slumping my chest.

No.
I will meet many people and learn from them.
I will tell people my name is different.
Soon, I will be the wisp of stardust
Hovering in the void
Between here and there
Changing,
Yet staying absolutely the same.

I deem myself a traveler.
Eventually meeting the civilizations
That created my favorite words.
Maybe in a few years at my high school reunion
My old classmates will have kids to show their progress
And I will have the words and wisdom from a thousand cultures
And that will be enough,
For travel is the soul of me.
Mateuš Conrad May 2016
i'll be honest, i lost the second volume  of Kant's critique
in the house, i lost the rhythm of reading the first volume,
but then i found the second volume
like a breadcrumb, where i left off:
the thesis v. antithesis section,
accurately
                 antimonia of pure reasoning
(the fourth conflict between
                   transcendental ideas)
cf. the only dualism allowed is a bilingualism,
no mono-lingual dualism is verifiable,
it's too abstract and therefore non-practical /
non-practisible - missing adjective
            i.e. without having an allowance
    to be practised, indeed almost every single
word cannot transverse all grammatical classification,
a zebra cannot be a noun, a verb, an adjective,
an adverb etc., hence what i tried to experiment
with was whether a mono-linguistic system
could practice dualism purely, no, it couldn't,
mono-linguistic systems abstracted dualism
without a useful process within them,
the whole good and evil, chaos and order dichotomy,
such dichotomy that never approached a dialectics,
hence mono-linguistic systems could not convene
dualism, because they were mono-linguistic and
not bilingual...
in reference to translating
                                            the fourth conflict between
                   transcendental ideas,
i.e. czwarty konflikt miedzy ideami transcendentalnymi,
English stress of articles / vectors, meaning
a point be made, or the point can be made,
one is wishy-washy wave of the hand (dispersion),
the other is definite, microscopic, vector
from co-ordinates (0, 0) leading to (23, 12) of the (x, y)
graph; i went among the Celts and learned to write
drunk and be happy;
                                      ironic though as to why
Darwinism gained such popularity given the English
use of indefinite and definite articles: a-      -the    
end up with some sort of ism.
there's a warning about the fourth antimony, and there's
also this poem, indeed i was bemused by the antimony
i'm not surprised that he didn't understand the narrative too,
narrating philosophically is a hard craft,
you can't really engage with dialectics, cartwheels sure,
ouroboros (snake eating itself) sure,
it's hard to reach the Pre-Socratics, but almost every
philosopher after Socrates is doing just that...
to internalise dialectics (i'd rather criticise the lack
of diacritical marks in English), and that's why
philosophy compared to standard literature of fiction
and novel can be termed pure, narration.
it is pure narration, the practice of -
hence off character study, hence hardly memorable,
but an antidote to what the present system of education
prescribes the young: dates (1066 a.d., 1945, 1914),
or Pythagoras... qwen the queen was born (on purpose, and
why? exactly, q / queue, why / i, etc.)... it's like they're
taking a test on becoming Britain's residential candidates
with questionnaires that no one talks about in pubs
over pints. i mean the warning against the fourth antimony
in the antithesis ends up stating poetically:
both proposals were sound. depending on how one
peeled the vantage point, from which want came to
observe the lunar motion.
I ****** up.....once again.
no, 6x8 doesn't equal 46, it's 48.
I know, well is an adverb, and I said I'm doing good.
Oh, he's there. I'll just flip my hair. **** I don't have hair.
I've known myself for 17 years, and I just spelt my last name wrong. awk
It's quiet, and I don't even know what that burp sneeze cough sound that just came out of my mouth was. So I will hum for now.
I'm singing passionately and loud because this is my song, that I apparently don't know the lyrics to. Why me.
and then finally, I couldnt explain how I felt.
but in all that was ****** up,
he understood me.
There is no adjective we can be.
There is no verb which can make us exist.
No adverb to define the time we will never live.
Let's not even talk about nonexistent nouns.
You and I are only meant to be pronouns.
JL Jan 2012
I have been hard-pressed for words
An adverb modifiying a verb
So I threw in a
Hyphen
For good measure
In bad taste

Work was hard
And my bones ached
They said
"Come to dinner with us down off the highway"
Seems fine to me






Wait
Stop
Pause
Hold on a minute-
Tick Tick Tick Tick

"Where did y'all say we were goin'?"

"Deenos"

All could think was **** **** ****
I know you work on Saturday nights
I looked down at my watch

And I knew right then
Tock Tock Tock
I would be seeing you again

The car ride seemed gigantic
All tires wheels highway
Saftey glass peppered the cross lights
From an accident the other day

Broken bottles poking in the grass
Dirt road and trees
I was looking but not seeing all of that

The parking was almost empty
...if it had not been for your car
I remember when I replaced the radiator in that thing
I remember how it had'nt felt like work
Fixing your car under a blazing sun

But you just hugged me and said thank you
Well at least I got the hug

Its been a little bit since then
I rember as I washed the grease from my hands
I wanted to wash off your hug

Touchdown
You put me in the Friendzone
You would probably laugh at me
For thinking I was the only one

I rember how I followed the boys into Deenos
I felt like a zombie
A prisioner led to the block

and just
My
******* luck
you look up
and smile the biggest smile I have ever seen

You seemed to talk so fast
I tried to keep up
Listening intently for single syllable words
My mind might comprehend
And your soft gentle palms
And a desk fan
blowing a strand of your hair
I felt like I was at the fair
Riding the FIREBALL
You talked in your embarrassed voice
And your soft pink lips
Smiled a song right through me

So we sit down
Eat
Well I pretended to eat
Whenever I wasn't trying to chance a peak at you

The guys were getting drunk
Because your uncle Oscar came out and was giving us
free beers
soon he locked the door
and pulled out a deck of cards
I pretended to play
When I wasn't busy, looking at you
And uncle Oscar brought out clear Russian
Liquor and in between jokes and shots
I pretended not to notice you
Being beautiful as you counted down the till

I had to pretend to ****
It was just an excuse to talk to you
"Hey, I'm about to have my break in a minute meet me outside"
I walked to the bathroom
Staring at myself in mirror
My heart tick tocks tick tocks
Shaking my head at this stupid shirt



Outside you were sitting cross-legged leaning your back against the wall
Nursing a coffin nail
I wanted to hold you
I wanted to tell you
I wanted to write some story
Where me and you talk all night


Sitting only a subtle reach away
I sat and smoked and watched you talk
Under the 75watt lamp
Quentin Briscoe Aug 2013
I want to touch you with my words..
I want to spill myself in verbs...
Creating one sound
About one Noun..
I want these emotions to be heard...
Thought about then felt..
Translated then yelled
I want me to be memories..
Recited scriptures on the tips of your tongue..
I want this to be Fun...
Me explained in dictionaries..
You reviled in song...
I sing of you in rhythm..
This verse...
one untitled song
And you will love it's tune..
Adding power to these feelings
I adverb my love inside...
To many adjectives to describe..
The sight inside my eyes...
I want to create us memories..
Dreams that fall ideas..
Let my words surround you...
Releasing all your fears..
Touching you with every syllable
Accenting every R..
Pronouncing all my Ps and Qs
Our details will be the fuse..
Light the match with your sweet lips
Lets us burn in pages
But our memories and dreams
Are now Ideas
Words thought without a Fear...
Marco Lacsamana Jul 2014
You are the quake that sent me tumbling into
the places I didn't want to go
and the jagged edge that cracked my cranium open
sending my head to spin around the thought

I have never been home
until I break down the walls
that blocked the sunlight from my view
You've painted my ceiling with tomorrow
You are the cracks that made it my own

You have always been the irony
the non-relational and everything
The adjective and the adverb that confused my very soul

You were inside my head for the shortest time
which made me call it home
You are my familiarity and my unknown
the comely tragedy that goes on and on

I can never blame you for the things you haven't done
as it was I who claim you did
You taught me that the most difficult emotion there is
is the emotion when you think
wordvango Dec 2018
I am scant a savant and know it
I do I am just a wannabe poet
A shrew a devotee of
Poe and others
I wish for their talent
And notoriety
At a loss for words
Occasionally I just
Go ahead
And make them up
Dream up a verb
Ending in q
or a noun with no subject
I do
And shame is a good
Descriptive word
Adjective or adverb
I think I am sane
As I digress nightly
into a colored light fest
Of  was crayoned
flesh
On the canvas
Brandon Oct 2011
The coolest,
                   hippest thing about being
             a poet
                                 a writer
                   an orator
       is the ability to invent
                                            words
     give them                      meaning
where no             meaning            previously
                      e x i s t e d
    give a new              word   a    definition
                        defined,  wrote,             spoke
Use them in
                    verses
                              sentences
                                             speech
nouns
                 pronoun
                                  adjective
             verb
                adverb
and
      on
           and
                on
                    and
                          on

*the flumbertwimbla (not to be confused with a flumbertwumbla...) was as quick witted and razhnaha as a beginkogojobalu but had none of the charm nor characteristics of the humbajuno. What it lacked in chuggakoocahoo it made up for with it's own take on ickshelllatah. True story.
this is sleepless crap. i posted it anyway.
Butch Decatoria Dec 2015
hmph... where are the open mics?

This coffee-bean bag city abound

with eclectic fusions of wireless access

enter-the-net -abilities

Kenya to Columbia / slow, dark roasts...

and Napa Valley vineyards

intermingling

at Cream...

How oddly bright, surrounded by glass

windows--like discovery of x-ray vision,

through clear walls i see how packed

like an iMac convention it is

inside...

   Poetry readings: Yahoo local search directed us here,

barista-scented alcoholic webmasters

thin-legged tables laid out like a life-sized

chess board--us three white rooks performing

black bishop moves to the cashier;

curious like George as to where

in Carmen-cool-San Diego,

in this glowing rubix cubed place;

   where in the fluoresent skin of Comp-USA borne

peoples of the web, where

where oh where's the poetry?

Reading Vista-windows rather than obsolescent-absolutes

of books by Keats

or obsessive-compulsive Koontz...

   Though bright and machine-warm, Cream

felt metallic-shiny, slick as plastic; conversations

with an electric hiss

rather than a hum of heart-beats and laughter

where's the **** poetry??

   the readings?

a prolific geek or Hemingway refined older men

on a single microphone;

turn-table-tales in rhyme

on a platform made by the local grind

college theatre teckies (staple-gunned and glued)...

where are those poets?

   those spoken-word-wisdoms, writers

performing, even in their Goth-blacks, even in

their Seattle angst of cordoruoys or dock martins;

forget Starbucks, leave behind Jitterz,

the Expresso Roma is the poetry of coffee

no enterprise

can replicate

duplicate the unique...

   sadly i must concede, the spoken word

and poetic fluffers are a dying breed; as far as

i can web-surf, no place

houses them any longer, no more

do they sprinkle their pixie-dust of verse

or prose, mosaics,

fantastics of floral or funk

imagery and emotional

stark revelations of discovery...

   sadly--it is the day's turning of a page;

***** is the word,

adverb to lost horizons, i am

a dinosaur of the mess-no-beatnik-era,

"poet-a-sore-is-rest"

deep thoughts' ooze now the blood of

{fingers snapping} history

"yeah, man, cool...outta sight"

and i'm not yet extinct;

i am a teradactyl with so much sky

soon without a place to land, / below

crash into the matrix sea--Cream pixelates my woes...

communication has become a plastic factory

to Japan, and Europe, my inner "screeeeech!"

"where is the poetry?!"
Mateuš Conrad Oct 2018
death, apparent,
or...
apparently so...
was never a concern to
concern oneself
with the debate
between a man,
and a god....
i,e.?
funny...

   the little **** sleeps
like a baby...

little ****?
a maine **** cat,
male,
extracted testicles...
falls asleep
listening to
the dead can dance...
only album favorite....
  
my cat favored
to fall asleep in half the time
it took to listen to the track...
you can state your
Apocalypse Now! counter
in half the time...

beginning with....
now!
           i'm done begging,
i'm imploring you...
added minutes?!
  michele campanella...
WAGNER's
       walhall
from,      das rheingold...

such esteemed people!
such awaiting people!
such... nuanced...
of what could be claimed as...
people...
            what wonder!
what ignominious
   ingenuity of retraction!
       to, have, fathomed!
      the last of what ia esteemed
to be deemed,
the, *least"...
              finest upon the finest,
and, supposedly,
no more,
that a utility of a hammer,
for whatever came the observation,
to make comprehension
of... the noun: nail,
and the adverb...
nailing it...
with the verb and noun
of final utility of: hammer...
dear... prospect...
of whatever was inclined
by your stressed ingenuity of fault...
how have you....
my... oh my...
          your creation wss
supposed to be more stupid
than the people you already deemed
stupider,
and already demanded
yourself to, despise?
         and your intelligent
"creation"...
wasn't supposed to notice this,
discrepancy?

now ensure you retell this narrative...
'mother...'
'yes, David...'
'play me... the raconteurs'
old enough.'

mother knows, best.
Kwanele Apr 2015
Pick Up The Microphone

  Pick up the microphone,
hear me speak,
I see you looking at me,
feeding me the words coming out of my mouth,
feeding off of my energy, the hype,
catharsis personified is what you are in that moment.
I digressed but yeah correct me if needs be.

If needs be,
Words?
Where we have Mr.Ease and Difficulty,
Then the least they do is hug me.

Pick up the microphone,
Noises spoke,
Voices wrote,
The philosophy,
And the etymology,
To shine with glitter by the twang which is spoken,
From pretty little girls that provoke them,

Pick up the microphone,
Give birth to the word which is answered,
Give in the words to be renowned and,.
be free with the verb that has  inaugurated me,

With this personal noun stands my identity,
My adjective accommodating the quality,
Adverb knowing the effect of me,
So,the next time you blur vision, to get a vivid state of mind.
You better PICK UP THAT MICROPHONE .
By Catharsis
Co-Written with Jeremiah Dire

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