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Tommy Johnson Mar 2014
We are all human beings
We all have our own lives
And different ways we live them
But each one of us is a writer
And this poem is for all of you

All of you who have virtues and use them in your writing
Those who use flashbacks and revisit mental photo albums

Beginning the story from the middle for that’s usually where you mind is at
Looking back then looking forward
Studying the past so you can be ready for what is to come

Recording catastrophes with a number two pencil

Tales and blurbs of tragedy
Caused by love or the lack there of

Rewards and punishment
Self-reliance and self-fulfillment

We are mere narrators
Humble, maybe unreliable
Equipped with numerous devices
Ironic Paradoxes
Red herrings
Fortuitous plot twists
Metaphors
Allegoric hyperboles
Analogies
Oxymorons and onomatopoeias

We sling Chekhov’s gun like bandits of literacy

We’re visionary revolutionaries
Revolution of the mind, body and soul

Changing ourselves and examining who and what we are
To become what we are destined to be
The best

Rejecting convention
Building our own paths
That lead to cliffhangers

Romantic lust
Comedic affairs
Dark massacres
Spiritual healing

Religious speculation
And the questioning of the way we, the people are being governed

We use the tools we are giving to sculpt new art that the world can stand in awe of

Personification
Symbolic imagery

Practicing pastiche with respect
Dionysian imitatio

Surreal reality
Defying mortality

Reiteration and retort

Using nature to express emotion and thought

Doubts and fear

Opposites
Morals and ethics

Satisfying curiosity

Parodying what we see
Embellishing just a little

We us word play to dive deep into the topic of conscious, subconscious and unconscious thought

Using satire to poke fun at the human condition,  its senses and perception of the universe to get readers thinking

Expressing our anger, our boundless joys
Desiring unknown pleasures

Seeing past the fallacies put before us

We write with great candor about war, personal conflicts, and self-abuse

With hinting undertones to give these ideas a second thought

We write of the supernatural, metaphysical mysteries
Outlandish, obscure mind boggling theories

As the clock ticks too fast for us and the characters we’ve created

Demolishing the fourth wall with a sledge hammer of defamiliarization

Epiphanies in a parking lot
Speaking in the 1st, 2nd or 3rd person

Using fun things like anagrams and palindromes
Candy for the lovers of such things

Spontaneity is an understatement
Nonsense is an insulting overstatement
Absurdity seems to fit just right

We are chameleons
We can write in various forms
Streams of gratifying consciousness
Brilliant prose
Beautiful poetry

And chose to use or merely acknowledge the ways to achieve these forms
Rhetoric, rhythm  and rhyme
Meter and mora
Conceit and consonance
Assonance
Intonation
Working with phonaesthetics  

And accenting aesthetics

A poem can or could not be organized as such
If we want to get technical about it

We have a poem
With a number of verses
And in those verses
Are lines
And those lines might rhyme
And have a meter or rhythm
Stressed or unstressed syllables

In contrast to that we may write
Without all of that and use emotion
Feeling and structure our work with what we feel is the best way
Line breaks
Pauses and puns
Silly similes
Ambiguous antonyms  
Intonation, linguistics
Fight against the fascists of grammar and conservative correctness

So, in the end we are writers of a rainbow kaleidoscope forms, devices, ways and ideas

But we alone are the ones who make the world think
Make it move
Revolt
Renew
Learn
Look back
Remember
Cry
Smile
Forget
Ease

Write my friends write until your mind explodes and your fingers bleed

Read, read and become inspired
Even if what you’re reading is bad cheese

Forget getting published it’s the writing that matters
Disregard the off-putting, critical chatter

And if you think no one reads
Than be the seed and sprout a tree of astounding artistry
And let’s begin a new movement composed of ideals that will hold true forever
I might be preaching to the choir but it must be said that poetry; literature isn’t dead
guy scutellaro Aug 2018
She has make up on and her face looks pretty. Kathleen blows out the match and looks up.

"Hello Kate," Jack says and sits down.

"My name isn't Kate. It's Kathleen." The bourbon makes Kathleen feel confident. "Hello, Dell," She says mockingly. "You know Sue worships your ***. She just loves to call you, Dell. She thinks Dell is such a **** name." Kathleen takes a last drag on her cigarette and rubs it out in the ash tray. What should I call you?"

"How about, Darling?"

She looks up from the whiskey glass she is fondling in her slim hands. "Hello, Jack, Darling." Her soft, deep voice whispers accenting his name and the word, Darlin.

Kathleen crosses her legs and the black dress rides up to the middle of her thigh.

Jack glances at the milky white flesh between the blue ***** hose and the hem of her dress. She is drunk, but Dell does not care. He leans forward. "Do you wanna dance?"

"But no one else is dancing."

"Well, we could go to the beach and walk along the sand."

"It's 20 degrees out there." She takes the glass and swallows the last of the whiskey. "We'll freeze."

"I'll keep you warm."

In the other room the kitchen door swings open as Paul Keater and Bob O'Malley come rushing out, talking, laughing and rubbing their noses.

"Come let's dance." says Kathleen.

Jack stands up and takes her hand. She rises and as he draws her close her ******* flatten out against his chest. Jack feels her heart thumping.

Across the smoke filled crowded room, the bride is cutting the wedding cake. "That's a beautiful wedding gown." Kathleen tells Jack as he moves her around the ***** floor in and out of the circles of light cast by the overhead lamps. " Theresa looks beautiful."

"So do you." Jack holds her tighter.

"Do you really think so?" Kathleen is flattered. She is perpetually surprised if some one thinks she is pretty.

"I do," He says with sincerity.

She rests her head on Delleto's shoulder. The man with the bruised face disturbs Kathleen.

Most men like to talk about themselves. They have a need to tell what they own or what they can do well. They need to impress and when Kathleen is with one of her men he genuinely awes her.

Lifting her head off of his shoulder, "Does your face hurt?"

"Only when I laugh or cry," he says as he moves Kathleen in and out of the circles of light.

"Jack Delleto has anyone ever told you, your a strange man?"

"Just my mother."

"Did you win?"

"What does it matter? Sometimes tryin is more important. Not giving up. "

"you lost."

"Yeah."

" Kate, what's important to you?"

Kathleen raises her head off of his shoulder to look up at him. "I don't want to depend on welfare and other people and I want to send my son to college. But most of all I want a home." She rests her cheek against his. I lived in foster homes all my life and I always knew one day I'd have to leave.

"Do you know the difference between a house and a home."

Jack thinks for a moment, "No, I' don't."

And her voice is a roaring whisper in his ear.

"LOVE."

The song comes to an end. Kathleen takes a cigarette from the pack on the table and puts it to her lips.

Jack strikes a match and the light flickers in her eyes. "Maybe, sometimes you'll tell me about your home."

"Do you want me too?" She leans forward and puts the cigarette to the flame. The flame flickering in her eyes.

"Yeah." Jack blows out the match.
Mateuš Conrad Dec 2016
i write about these things,
because in all honesty?
they don't matter to me.

you can call it assimilation, then you'll call it
   i'm making a worded salad, so it doesn't really matter
whether i speak the language or not,
being native you'll tell me i have to be a diacritically
riddled over-laden version of you  nativeness...
you'll basically tell me i have to speak a worse-off
native than you didn't bother to grasp...
after that? i turn Sioux and scalp you.
  because that's what you deserve.
i could have come up against you
in the thick of night and turned you into a kebab,
and do you think anyone would have
cared? is it one thing to assimilate,
and another to assimilate into a skin-head culturalism
implosive that's brimming to the full with your patriotic
hopes as being acted upon? i can speak the perfect
English and still be more welcome in Scotland
than in Kent... but that will not not do,
not until i shave my hair off,
grow a beard, and runsack my skin
with quasi-Hindu ******* tilts...
           and when this foreign legion
of Swedish journalists bemoan why
their **** ain't where their heart is?
have you seen the *sienkiewicz"
trilogy of *potop
? you want history?
how about: in the beginning
there was an invading horde of Swedes
that tried to topple the proto-commonwealth
of Poland and Lithuania...
  even how much i cared to learn the tongue:
i'd be left belittled by ugly accenting
stereotypes...
                          i'd be Islam of drunk,
while the engineers would be left saying:
and unto us amphetamines,
and Mamelukes were never Egyptian...
because Egypt was what Egypt desired...
a quasi thingy... then i turned my ear
to Macbeth, and earned 70 years
and a Spartacus' worth of ears to my nearing 31...
                   i turned to Macbeth the theatricals
silences, and let, the music... play.
i can learn the language, but i am expected
to push the natives from a career of criminality,
i am expected to become the criminal,
i've learned the language beyond the natives,
what else?
   to learn the debasement of the natives akin to
every other culture? am i to become the
criminal statistic of the ruling political elite?
so they can "know" but that they merely quote?
   i owe my ode to Macbeth,
for Hamlet can become tiresome aligned with
Sisyphus in hell...
              we'll have builders by the end of
the debate...
     how much more do i have to learn?
is language not enough? then velkommen Syriac!
               is it not enough that i know the tongue?
must i be jeopardised by using it,
and say that universality is to be excluded,
simply because it does not abide by an utopian
ideal of pure English sprechen pure English?
         there are scapegoats to be festering upon
the spike that's readied to be fried...
but come on... is this deutschesprechen?
              it can't be! if i pretend to be Malcolm...
you pretend to be Duncan,
but nonetheless the speech makes us both truant
ghouls and guises receding
   into the demands of operatic - kindred to
Lady Macbeth (a protestant, or should she be
known catholic: McBeth) -
      as Glasgow religion of the coliseum of the times
testifies... celt and ranger... green & white vs. blue and
   black...
     lady mc.: what beast was 't thou,
        that make you break this enterprise with me?
(no matter if you killed a man, of whatever
stature he be worth, what beast are you to suddenly
cage my heart, when having agreed to make my heart
and feeling thus: storm the heights of Ben Nevis,
and descend as angrily as a woman might please,
  and with her whim, descend from the mountain
as if a mountain descends into desert?! what
courage, ye! to throw a woman into such woe
and leave a man's promise, the very least
a man can bestow upon this earth: but a woman
yet to come to correct!) so thus the elvish Anglican
was spoken, and thus continued:
- when you durst do it, then you were a man;
   and, to be more than what you were, you would
be so much more the man. nor time, nor place,
did then adhere, and yet you would make both...
  from his boneless gums...
nor have i understood Hamlet as the model student,
the puppet if not the mere mascot...
for the Freudian couch... then again i navigated
past Kant with Macbeth,
having yet to complete reading the critique...
       i took to maturity, and said
what others wished upon: there is true
adult agony in a well versed poetry...
       more so than adolescence in what's deemed
a maturation process...
             perhaps i should have served the concern
for Hamlet and laid bare upon the psychoanalytic
couch... but Macbeth: of said
sepia as copper, so said of woad as in aquamarine
surrender... led me to cite...
          for i was never bound to own the tongue
i would acquire... i was told:
   well, hello there, dishonourable squire...
ah... the queen's majestic airs...
    will make any Irishman desist from the republic's
gaze...
             and sloth in a respectably believed state
of consolidatory affairs under the kites of Yates...
   but never you mind the Silesian consumed
by former guardian of the coalmine...
or what L'vov wouldn't say in Ukrainian...
mind you Nevada and Lasso Vegan...
mind you that...  for that speaks biblical studies!
i will never assimilate, in that i will never be
allowed to own this tongue...
            and if i am allowed to own it...
i am but a furry-faced-bloat of faked pleasantries
   and closet nationalism...
        i wish i could own this language as if i
might own a typewriter... but i'm apparently
not welcome, by the pseudo-irish who
mediate the English assertion of the understanding
of the dover sieve...
                 ******* leprechaun mafia...
  paddy paddy oo too the butch-faced freckled girl...
   it's as if the Italians have Manhattan,
    and the Corke conglomerate prescribed
everyone a pint of Guinness rather than iron-pill
supplements...
                 well: and so the Titanic bellows
out an oceanic morse code of tantrums on
the accordions.
                      which sorta soothed the mermaids
digest contemplation for the vegan accomplishment
of shrimp... and over seafoods...
being digested.
         now i'm apparently not speaking English,
or i'm speaking English and i don't understand it,
or i'm understanding how i'm speaking English,
and how i'm supervising all things uranium
                               bound hallucinogenic...
or how, even though urbanity took off and
the countryside disappeared, you think you'll never
meet peasants in smirk attire to condescend you
gravity toward theatre or opera...
     but peasants are reall... you can recognise a peasant
the minute they don't recognise you insulting them;
it's a bit like telling a very witty joke...
         i don't get witty jokes because i tend to treat them
like a siegl heigl salutation...
   and i respect the memory of Octavian...
                                 it's the wittiness that comes into
contact with actually not telling a joke: and people
end up laughing... that's when you spot the peasants.
    so you see... i speak the ****** language,
but i'm sorta denied the access for drinking a cosmopolitan
at a Shoreditch pub...
                        which makes all arguments
for learning the language obsolete in terms of gaining
a "fair" advantage... and this is European to
European lingo...
        didn't i ask that Swedish journalist
ingrid carlqvist to watch the trilogy, including
potop about the war between Sweden and
the Polish-Lithuanian commonwealth, and ask her
about what's to be culturally inherited?
**** me... maybe i'm sleepwalking...
                     dodo zombified or something...
                                     oh wait...
                                         if ever there was a regressive
reparation policy in a country:
i'd hear: guilt from western countries taking the bribes
of the Marshall Plan...
      and overt pride from countries post-world-war ii
being prescribed communism, as a way to rebuild
their nations: for fear of having to commit to
hara kiri... or *******...
                                         as said: becoming
the easily bribed convenience...
                              the concept of assimilation
within the construct of selective migration has transcended
the mere acquisition of language...
  acquiring a language isn't enough...
         the reverse policy of colonialism is hushed-down
ethnic cleansing...
          which goes beyond language per se,
since it goes beyond dialect ex lingua...
              it is a necessitation of also acquiring
national stereotypes of unengaged in dialectics...
it is one thing to rhetorically assert a need to debate,
and another to understand that dialectics ≠ debate;
but rather a service to prompt and engage thinking,
rather than debating... dialectics is an art-form,
     it's intended to encourage thinking,
rather than the continuum of polarised / schizoid
debating: debates never accomplish a convergence...
whereas dialectics is intended to establish
a convergent pinpoint... as Socrates said unto the young,
so i find myself talking to old men and being
in accordance to have shared a park bench,
one sunny afternoon at the nadir of summer.
                why is it that acquiring language is not
enough these days?
       or why is it that a poor acquisition of a language,
or acquiring a language without correcting
accentuated stresses particular to a tongue
are given a freer access to labour, then
acquiring a language to a standardisation of
mimic localisation, and fence: a faking of
a faking (ad infinitum) or locality?
i.e. overly-successful assimilation?
             overly-successful assimilation is punished!
   it is punished by speaking as a fluent native
might... but having no discriminatory biases
that could enable one to be completely native...
and this is punishable!
             by a stance that it's a robotics project,
that one is nothing more than an a.i. enterprise...
even those dearest to me acknowledge me
as a robot... an a.i.,
           but they can't seem to understand that
artificial intelligence, and authentic intelligence
cannot be superficial intelligence of
natives... for the natives have a placebo
to what is otherwise a Pompeii resurrection
to the volcano-dynamic of analysing-ergo-synthesising
           ana ergo syn           which
constructs the opposite of thesis and antithesis,
given that the equation combines two adequate prefixes,
ana- and syn-...
                      "against" therefore "with".
isn't that how we cling to social pressures
or prejudices and still accumulate 8 billion examples
of a comparative e.g. that's a John Smith?
     i have yet to come across a contemporary that
might become as if fatherly...
   i just see opportunist buckling down the M25 of
encircling nothing more than a venture into
gaining a quick buck... and it could, it could
almost be sad... but it's not...
              it took me almost 13 years of synthesising
the English language: synthesising i.e.
mimicking - before i started analysing it...
      and when i say the groundwork for any
theory on the subconscious is to focus on grammar
and grammatical word interjections into
a Joycean stream-of-consciousness...
                              for that's worth the upper-tier
working from the sub-level...
                          of utilising language:
then the unconscious is far from dreaming...
it's equivalent in seeing how i acquired a language
at the age of 8 to synthesise / mimic what the children
around me were saying...
   but that it took me so long to analyse the language...
which the children around me acquired within
a reflexive bias to later strand such reflexiveness into
a divergence of calling their angular retraction
philosophy, linguistics, poetry, psychology...
whole all i had to do is to appropriate a reflective bias to
later strand such reflectiveness as to say:
of my mother i say polski, of my father i say:
             ojczym - and i can reflect upon him,
foremostly his diacritical lack of the wriggling-blagger's
economisation, when due coinage is needed.
Mateuš Conrad Apr 2016
perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ
:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -
Dannie Marie Nov 2012
So young and trite is the day

Born from this new light

Creatures of the dark and mist curl and wither

Only to return by midlight

The rose afar rises and stretches

Bloodshed velvet bleeds its regal glow

Smooth tips and enticing fragrance

Dark greens, stiff and sharp as spines

Beads of water glisten and shimmer

A blood’s true jewel

Thy shadows came in thy’s slithery way

Enveloping Devil’s Beauty

Charcoal webs and silver-black imprints

Spiral and intertwine, death and blood a dangerous omen

Thy Beauty’s velvet lips decay

A cancer slow moving and fast changing

Taking over thy body in one gulp

Last, final tips of red appear before swallow

Accenting and tracing its last magnificent life

Midlight turns to midnight

Bloodlines disappear

As the wind wails through the dead

A song, chilling, unnerving to us all
Mateuš Conrad Sep 2016
i like reading about urban living, primarily by accounts of Frank O'Hara -
no one else, to be honest - where i'm placed i can vocalise
both the vulgarity and the serenity of a Wordsworth -
better had i an art gallery to run,
but my heart is too stony to accept the
chanced frivolous - it's anything beside that,
chanced, basked in, celebration of life -
perhaps i am outdated, and i know i am,
succumb to Kantian idealism, and no strand
of realism - after going to a brothel and learning
a few things, i was told i was a good man -
never did ****, too eager to watch the ******* -
****** tied - and then silencing my ****** -
i guess that's how quasi-country-folk live
these days... i simply prefer the solitude,
not from self-love: but as a way of assurance -
and later assembling - but i learn of the lives
in urban areas, of their little pests and phobias,
of places where people congregate -
and i feel no inclination to do likewise -
i don't even know why i'm travelling to
say something at the Cheltenham festival -
i've got nothing to say...
                               i can create usurpers of older
men, and blind-spot the youth,
        and be incriminated for both actions...
because i can...
                              but there's still O'Hara to mind...
and "all that love he could give in **** pursuit" -
apologies if i don't share that,
  my mentor Spinoza learned as much
in other circumstances -
                         hence the twilight of the man
of contempt and great love -
   as said, paradoxically, frankincense is
a scent appropriated as possessing anti-depressant
properties... yet we speak of: the man of sorrows.
but about my pet peeve, linguistic, obviously:
    the french for hotel - hôtel -
mind you, not trilling the r with mutually respective
   examples of English and French, but nonetheless
harking the r and amputee h in French,
     hôtel - or h'ôtel or h)ôtel - the diacritic mark
above the o is like a bracket, or < (less than) what's
expected in tongue kitted to say:
                                               h'otel - or simply o(h) tel -
        so too garçon - with ç extending into s
   and said: garçon / garson -
                           or with grave markings on a vowel:
that eats all other letters after it: cut-off grave e (è) -
    thus too the circumflex abuses invisible in
Cockney slang, and the eaten up h - via 'appening -
   'n 'appens only ounce -
                                            indeed the fighting took
places above as well as below the 26 symbols -
  in the diacritical realm of stresses and other punctuation
deficiencies - colon over the u for the umlaut,
there the fighting took place -
                      in an urban environment, would i ever
have spotted this? among fast food outlets, neon
and art galleries? probably not -
so akin said: lawlessness above and below the alphabet,
the warring fusion - but so they should have said,
in Mandarin - beyond vowels and consonants,
there are Surd variations of both -
              for aesthetic reasons -
our natural borders -                          and there are also
                    diacritical / exemplified stresses of
both sexes of letters -   some are silenced, some are
pronounced... they never told us that...
               they simply bragged about how naked
English was, and how certain people picked up
all the major eccentric intricacies -
                       to create a bourgeoisie levelling of
what's content with being a noun: intelligence.
there are rules beyond the five vowels and 21 consonants,
in that there's a trans-linguistic appropriation -
some become surds, some become pronounced -
   third limbs, six fingers, or Siamese twins -
                     given the book of revelation, and the phrase:
given power over all tongues - apart from ideogram
languages - and Arabic sidewinders on sand dunes -
you could, technically, incorporate all the particular stresses
onto the English language from all the Latin alphabet
languages... you could, in effect, paint onto all the
English particulars, all the brimful expressions of
diacritical marks being missing: English eccentricities -
you could, in effect, paint, once you have mastered
all the punctuation of pronunciation above the letters,
and below, not unlike (that that) what's already
deemed appropriate between words: i mean actual
letters - attach one diacritical mark to Finnegans' Wake,
and the whole work crumbles... you could effectively paint...
once you mastered the many particular instances of
atypical English deviation - making English, a language
less offensive in a sense that it already is:
for English is offensive in that its universal,
a franca lingua of commerce - and since that is the case:
there must be a status quo lingua - in this case:
English with diacritical marks - expressing all the
obvious deviations - this process, i am gleeful in stating:
will take as much effort as mapping out man's d.n.a.,
that's not pompous, that's actually hopeful,
hopeful in the sense that i spotted this, and someone
will take over in 50 years time, to incorporate
all the public uses of diacritical marks in other Latinißed
languages a pompous: congregation -
nesting on the bare rocks - after all that 16th and 17th century
******* in England and tongue and Empire: doth do, etc.
modernity says? Irvine Welsh's trainspotting Scootish
dialect excess - aye wee and e -
only when all the diacritical propositions are congregated
in the English Eden will we sing hallelujah -
this is a challenge, after all, English with its
Welsh and Scottish, Berkshire and Cornish, Cockney
and Richmond fluffy accents can be feed
this invasion of nuances already expressed:
thus in abstract:                      ABSTRACT

(originally herioglyphs)
        heliographic                     (v. the ideogram -
                                                      or no pyramid to ditto)
        and thus the heliocentric theory -
countered with this, or these the 26 fractions
      of the geocentric notion, England: bellybutton
of the world - as such... helioglyphic - glitches
  or graphics or glyph-on-glyph in that x = y combined with
   x squared and the parabolic curvature and foundation |)
                geographic - geoglyphic -
when then the Greenwich meridian turn into
the Greenwich universal accenting?      English
is fertile ground to apply the many stresses,
                                   sure, make it the universal tongue,
the globalisation vehicle, but dress yourself for that purpose,
accept all the invaders to your schemes invoking the 24/7 global
community... **** up! don't tartan up! **** up!
            with the wigs and the perfumes, and the bowler hats
and the neckties - you did it once... do it again!
                English is fertile ground for incorporating all
the linguistic "anomalies" - sure, little would look ugly if
written litle - soon to the invocation of lyre - or saccharolytic -
    dog's tongue lapping and a thousand slurs later:
                     cha cha cha and kappa and cholesterol
     and cheap and chasing foxes with bloodhounds -
                         and cappuccino - and chisel - chromosome:
                                          cistern (alter. çistern) -
    if something akin to this doesn't happen...
          we're all be playing the Mongolian harmonica,
by default of the 24 hours that are stressed to
be as important as an entire year of patience in waiting
for autumnal grapes and the wine pressed.
Hao Nguyen Apr 2016
Contemplating life
over a hot bowl of soup,
my mindful mentor
passed me
the pleasure of oyster
to mix in with
the pain of chilies
stirred together by
chopsticks held in my hands.

There he taught me
the lesson of humanity
and the person's potential,
pointing at me
and then back at the bean sprout,
fiddling it in his chopsticks
as if he were God,
mentioning to me
"This sprout and you have plenty alike..."

"What do you mean?
How am I like a vegetable?"

He smiled and nodded to disagree,
"Life is not always physical.
Think for a second,
open your fragile closed mind.
Imagine this soup not just a bowl
but instead a cauldron,
the mixing of different elements,
sensations seared by heat
to create the luxuries we call
the world where you
are a mere bean sprout."

Looking at the small, colorless
tasteless, inferior plant,
I wondered, confused and asked:
"Am I so inferior in this world
that I cannot compare
to the rich flavor of beef,
to the nurturing noodles,
to the accenting spices,
but instead am no more
than a flavorless root?"

Yet my mentor laughed,
and patiently passed:
"You worry too much young one,
too much on yourself you blame.
Instead, take upon consideration
that the bean sprout is small,
fragile, tasteless like water;
there is nothing you can change
other than size and color,
but lower it into the soup
and patiently stir,
allow it to soak up the world
and obtain its potential."

I repeated his actions,
placed myself in the world,
sat patient and absorbed its essence,
and then removed it,
placed it to my lips.
Surprised that what I later discovered
was not a bland taste of disappointment arose
but instead what lingered to the tongue
was the sweet taste of near perfection.
harlon rivers Oct 2017
Penned on watermarked cotton paper
Cursive letters script the words
of a surrendering rhythmic rhyme.
The ardent sonata was written
by the light of a Blue Moon’s shine.

The blood red ink bled through
the white wrinkled cotton pages;
musical notes dried by the warmth
of glowing Moon Beams radiance
in the subtle pollination breeze...

The maestro Coyote’s howl cried out!

Instinctively rousing the stillness of the night;
       a feral essence echoed
       through the eerie silence
       of the distant horizon,
bringing helpless lovers to their knees.

The words to the Cabernet Sauvignon
       stained midnight  lullaby,
       were emotions quilled,
       blending an aura accenting
       organic warmth of tones...

       The native maple trees'
flowering canopies of Spring
released a dusty yellow pollen
onto the watermarked cotton sheets.

In a moment of rapturous intimacy,
       an elixir of intoxicating bliss
illumined the achingly euphoric moments.
A natural untamed wildness was exhaled;
       savored ecstasy released
       into a passionate song of love …

That poignant melody forever lingers,
       like hieroglyphics on the walls
of some long lost abandoned cave.

Engraved, etched, brushed and stroked
       onto the brattice canvas
       of a musical Minstrel’s
            melodic montage ...

       Watch the artiste’s fingers
       prancing graceful ballet
       Worn down catgut strings

                                *
moan
          
     ­                  weep

              purr
**

       crying out lustfully.
     as if it were
    enraptured lovers'
  breathless sighs

  the rhythm’s cadence
whispers a masterpiece
       in an infinite
       harmonious time...

       The tempo’s lines
                Phrasing…

                 ...hush...!

             ♪♫♪ ~ ♫  ♪♪

        Listen to the pictures flow...
Listen to the weeping guitar strings
      of the passionate troubadour
stroking the metaphorical canvas scene.

       The ebb and flow
       of the musical rhythm's throb
arouse the Blue Moon’s hypnotic  allure,
    throwing incandescent shadows
    that dance around Moonbeams.

Joyfully twirling, blissfully embracing
in the blossoming Forget-me-not fields;
            Bluebonnet Lupine
               swirl and tango
       with the moonlit breeze.

       Lilacs fragrant aroma drifts
with spring’s churning romantic haze;
rekindling this fleeting memories recital.
The Minstrel and the Minstrel’s song
         now yearn to be set free ~

      Timbre without reverberation …
The twilight serenade was never penned
  to be hidden from the Nightingale

A romantic moment’s sorrowful lament
to be abandoned like a broken dream;
   fading unnoticed into forevermore ―
      Unsung,  unsaid, unreleased,
                     unrequited
                through eternity…

              The maestro Coyote
       is a wilderness troubadour
       illumined under the gloaming
               full moon’s spell.

                Howling soulfully...
               wailing impulsively ~
              ... crying hopefully
             pleading mournfully
                     lamenting
the Minstrel’s breathless cadenza ...

A bitter sweet musical embryo of love
                 found and lost
                       below
           the full Blue Moon’s
               glistening light…



©  H.  Rivers ... 2012, 2013
           all rights reserved
Notes (optional)

"It's a marvelous night for a moon dance"
from the written pages of a hopeless romantic

Post Script:

An attempt to blow the dust off  the hidden archives and the aging tomes to bring my unpublished writing portfolio back into the light.

A friend from my musical past ask me to publish this once again and LEAVE IT published...how could I say no to one who uplifts the low (?)!
Mamolefe Apr 2022
I was first born a solar system.

Living in a realm where I wheezed stars and suns. My eyes, black holes to a new universe.
It was a time where planets burst from my belly and latched onto my ******* - no longer hiding in my vortex of a womb.

The world swung around my neck heavily. Steadily, I adorned my fate gracefully...

...because I was born second a mountain.
My hips creating hills and heaps while my tears birthed oceans. I carried the crescent moon in my left eye - Venus in my right.

And often times, I’d shape shift and kneel to the ground, grabbing the soil of the earth.
Its mud, dancing under my nails and knuckles. Its dust, smouldering the creases between my palms.
Sand, caressing and matching the tones of my skin. Accenting hues from the palette of eternal life.

My mouth, birthing spirits and spells. Souls - mining from my ribs.
My womb, carrying ancestors and avatars - Coloured girls glowing in browns, blacks, purples and blues.
Their nebula personifying secrets from Zion as they break through the realm between my legs.

As I continue to carry my message in the wind; breathing life into lifelessness;
narrating stories of hope in times of hopelessness; morphing my magic across the abyss.

I was born third a Nubian.
A Maasai, I am the one they call MAKEBA.

Walking these townships streets as though diamonds lay at my feet.
Gliding on gravel from the ghetto to Greece. Leaving behind a fragrance so sweet.

Blessing the unblessed even when left distressed. Honoring the feminine power that flows within me. The roaring lioness! Smell the audacity of my celestial essence. I am the first to bleed, but last to fall – the S forever embroidered on my breast.

For I am you and you are her and we are She! MAKEBA!

Inkosazana. The melanated fruit that you seek. You stare in disbelief at these words that I conceive.

Sheba!

Ke mang a tshwara thipa ka bogaleng? Ke mang afang botho mo batho ba hlokang motho? Ngubani le mbogodo elingabambeki?

Beka!

My eyes, carrying alchemy.
My smile, a treasury. My skin, reflecting the origin of humanity.

I am, MAKEBA
A piece by Mamolefe Molefe & Reaorata Mashaba.
“Ma” meaning Mother and “Keba” meaning fortune, health and spirituality - which is of Tanzanian heritage.

In this collective project, we bring to life the artistry and alchemy of the Black Woman.

The Mothers of the Universe. The originators of man. The true, living form of God.
Mateuš Conrad Jan 2016
only a scouse inhabitant could have pointed it out (merseyside english / liverpool) to no better comparison.

i'd love to have the salt & pepper dilemma
between low alcohol sessions and
high ******* session, just did the low
alcohol sessions and laughed, after having
become equipped with marijuana "abuse"
starving / fasting, never gearing for chips
and munchies...
the streets of london look a lot different
walking about high & hungry
rather than jokey and as a jockey of an
imaginary horse...
god made sanity and soberness an ivory tower
that was not worth defending
unless for manual tasks... all other tasks
were never ready for the multipliers of human presence,
not all of us would hammer a nail
for all the scratches of a vinyl disk if all were able.
indeed the scouse lad knew it,
languages that clung to latin were left historically
naked, without diacritical marks,
instead they delved deep as to upkeep the latin
they forced the closure of grammar schools
along with coal mines...
and what they earned was not a sense of categorisation,
english slosh tongue said the 18th century
happened akin to the abhorrence of moral relativism
by socrates to make stab in the eye a ******,
to thus say bronze age was but a hundred years...
keeping latin naked as it was by the abhorred
conquered land of the romans due to its bad weather
may have made a milton or a shakespeare arable...
but because of a certain type of censoring not ever used,
what became beautiful in other european tongues
became the ugly spelling of the english tongue,
what became stress marks of "accent" for the french,
and german, romanian and polish,
there was none of that in english, instead
we became accustomed to aesthetic "marks", that
were "marks" because there were no actual examples
for a clear rubric... instead we received too many examples,
the particulars of why we wrote the and said a sharpened v
in written form v'eh off veer...
there are no unitary aesthetics marks other that words
themselves... rather than what we have in terms
of unitary diacritical marks of akin umlaut...
there's no where else to go... the Minotaur has caught
up with us and our shadow! there's no labyrinth to further
our heaving lung to cheat both silence and breath! there's isn't!
it's the end... not using diacritical marks on units
only creates aesthetics of multiplying units
where they are multiplied: riddle... mirror...
                 keep, kettle, leer, pass, throttle, amiss.

(the syllables are not perfectly connected,
therefore much of "coining the phrase"
with prefixes anti- con- un- sub-
being endeared into your vocabulary,
then again clearly, accenting and aesthetics
compare to reach a parallel,
never leave it naked i say, never leave it naked,
for fear of reprisal of that which ought
be buried still alive, and with clear
acuteness for certain letters appropriating
there is no originality in the british tongue
for origins of the a - z under virgil
who originated the letters to the plagiarism
of grecian theology with the trojans
moving from turkey to italy -
therefore you become akin to other european
nations enacting a parasitic semblance
for the simple reason of ease coupled
with the many "loop holes" of the tongue,
or you reach absolution with the missing diacritic
as reasons for the modern acronyms: l8r, o.m.g.,
b.a.e., i.r.l.... all of this crap is a byproduct.)

but to say latin is dead, you must recreate the latin
alphabet with an ethnic particularity of a modulation
that might be compared to the migration of goths /
huns / vandals... to say 'latin is dead' and keep the
latin a without a modulation to craft an ą,
is a darwinian heresy that demands counter-evolution;
there's hardly one coliseum in london, although
i admit plenty of football stadiums;
still the evolutionary need is still necessary
and consistent, because it's not the case of the three
wise monkeys seeing, hearing saying no evil...
if this phonetic geometric is to survive and the crucifix
not be a vanity shield of artists due to the wrathful lamb,
it will need to specify whether it's gaelic english,
welsh, australian, london based, come home county based,
arizona or texas draw.
Mateuš Conrad Sep 2015
once rastafarianism entered language ploys with wittgenstein's language games in mind it misplaced pronouns, existentialists just dittoed the signifying moral singular with the un-signifying immoral plural; like i was partly holocaust bound, ha ha (example); cherub and a scotch bonnet of my opinion tingling a contest of: chilli v. pepper v. horseradish. let's just say i'm a plasterer rather than i.q. me as a drinker. slaps in chequers on a bench to sober up momentarily.*

trust the saxon, trust the saxon to speak worse german
than the bavarian, and entrust german to the turk
above the saxon; trust the audacious saxon to leave the alphabet's
diacritic out, to spell like a roman would, from the celtic netherlands of gloom
in scotch egg on a couch, the potato of them all,
trust them with audacity and vocabulary  to conquer the world:  
relieving us norse with ****** never mind
the geese of brazil; exact roman care for all dwindles and fibrous excesses,
conquer the world what have you,
at least you have black skin and opera sunsets
while i have white skin and grey clots of 7pm in september,
or as the censors announced:
rather my vanity than the proof of god,
rather me than you in the minotaur's prison of winding zigzag vocabulary;
you're left politico correct i have three thousand
longboats waiting, you're right i have the same number
awaiting wind and sail. trust the saxons among bavarians to do the following:
but you have the caribbean and that's worth more than kenya
in a 100m sprint. you have the caribbean and i'm african,
nuance the scandinavian proust waging war with
a burnt toothpick not giving enough warmth. each me of the lost tribe walks asking:
blondish in the sea i dare you to walk and reason
the heraclitean suburbia of the river of emptied housed-in arsons worth a life.
come alaskan winters come!
trust the saxons to conquer the world without a holy implied for empires
and lost tracts in order that the romans might utilise proper a and proper o
while the saxons in **** with normans and celts said:
we'll roman-speak about the amazon girlies while our girls party out
a craft of whitened cotton for champagne ship-sailed virginity!
trust the saxons to speak worse german thank turks in order to bind by migration
an island as a ship, and sail away sail away wondering
why the roots of other european nations used the goggles to speak
as much microscope as microphone when accenting
and, in so doing accepted dialectics rather than a pompous excess of fibrous ginger plastic
known as dialects: in england dialectics is known as dialects - caged owls elsewhere
didn't coo coo but mooed with gags in nostrils sneezing when snorkelling:
we say error in sussex and say wok cumin seed sizzle in essex;
close enough to be a cockney in hackney rhymes up a mango.
Mateuš Conrad Oct 2016
Sorbian, meaning, tickling the armpit of Germany
in terms of what's the desired encoding;
the variations of person:
            čłowjek (upper sorban)
               cłowjek (lower   "    )
     čovjek (croatian)
                           člověk    (czech')
człowiek (polish)      clawak (polabian)
              człowiek (kashubian)     človek (slovak)
                                 człowiyk (silesian)
         чoлoвік (ukranian).

' well, there is a little misunderstanding with the
  czech caron e (ě), mind this later.

yes, the peasants spoke more softly
compared with urban sharpening of accents,
so that you knew that in urban areas South
London has hardly Hackney Cockney,
and never Richmond, like Essex never spoke
good Yorkshire -
                             so they sharpened the letters
and that translated into involving accents
to later be abused -
                             the recipe? yes,
i was cooking Ukrainian Borscht today -
apart from the fact that Borscht isn't exactly classified
as a soup, a Borscht is a *Borscht
,
   it transcends the category of being a soup,
just like rosół transcends the same category of being a soup,
           it's a very fine version of what is otherwise
chicken soup -
                            and as a critique of western cuisine?
why are all western soups like puree? they have
snot consistency, they ever never see-through -
they're all ******* creamy, like toddle-pulp of mauled
faeces - as if a bird feeding its chicks with regurgitated
products - eastern soups are see through,
floating bits you can see, a bit like the sea turned into
a Narcissus clarity. let me tell you,
the nurses love hearing the answers to the questions:
do you do any exercise?
                 yes, i walk everyday, once a week a take on
the miles.
             do you smoke?
        i try to fit within a packet of 20 a day.
do you drink?
                   only on alternative days.
        do you eat your five-a-day necessary ration
of fruits and vegetables?
          i don't like fruits... i avoid them...
vegetables? sure.
the basic ingredients of an Ukrainian broth?
        carrots, beetroots, celery, parsley root,
potatoes, leeks, fibre: green broad beans,
                   mushrooms,
                         red borscht concentrate
           white borscht concentrate for the sourness -
garlic.
                             (base? chicken, salt to taste).
well, coming back to the czech variation of the word
person... i feel there's a need to somehow find
diacritical uses coherent -
                                  i can only see it as
the nakedness of the original phonta (variation
on quanta: a specified sound being encoded with each
letter) -
                      it's diacritical marks akin to punctuation
marks and a few mathematical deliberates -
                  e.g. caron:
                                                        z
                                                      š
the z is invited to be applied to the s to make a shush
stress -
                                       arms wide open looking to
the sky for manna from heaven -
soon enough and y and j were confused with
yaks, tetragrammatons and some Spanish conquistadors
named Jesus - whether jumping or yanking the
shortest straws while sitting in a kayak -
or as Jacky said yards ahead if himself -
                   for every Jew there's a yew tree blossoming.
              there should be a rule of law stating:
only such and such diacritical marks to be applied
to vowels, and such and such marks to be applied to
consonants - but, evidently, this is not the norm -
             these are not merely unconscious accepted
aesthetic consideration, when i was being taught
French at school, i was never taught that
    ê (circumflex e) does as much damage to pronunciation
as does the è (grave e) - i.e. the circumflex is binding
the two letters in-between the stressed vowel,
while the incisor e with è cuts the word off when it's used -
              so the caron (mathematically more than? i.e. >)
  asks pleading to the skies for a letter to balance on?
   and the circumflex looks to the earth to find the seashells
and pebbles?
                             as in less than? i.e. <     ?
i rose above language, i rose above spelling because
i decided i could say to Bukowski's claim of genius:
tie your shoelaces before you talk to me:
simple as simply said: whatever lessons in life
i have to learn i'll learn them by my own accord -
               being drunk in Europe is the norm,
as is prostitution -
               last time the police booked me for drinking
i wasn't there... last time i talked with the Bulgarian mafia
i went back to get my debit card back,
            the **** showed me a wallet with 100 or so more
credit cards, i said: none of these are mine...
          the police cruised pretending law abides to the
standard imposed by politicians...
                   prostitution is fair game, but
keeping the girls contrary to self-employment is abhorred....
            me? i just don't do the dating scene,
should i be harrowed from that hide & seek of western
society's women woefully fishing? can i?
i can't be bothered with the games and the Geisha.
                       - you reach the proper level of appreciation
when you start to ridicule your heroes -
                                  you overpower them,
there's no point brown-nosing them with excess over-quotation,
you brown-nose them for a while, but then the gimmicks
begin... and they know it to be true:
    i' peg down Mr. B like anyone critical of getting an
education: learn to spell, and punctuate, and tie your shoelaces.
       you can't let them get away with it... those dumb-*****,
you can't: we all have a sad story...
    does anyone give a ****? m'eh... probably not.
it's the part when he says he read philosophy
but never bothers the ideas behind into a narrative:
                                   with him your end up *******
before Sophia rather than ******* her...
                        you have to **** her at some point...
                  no point ******* women and simply
******* before the deity -
                  better nothing ******* women and not
******* before the deity of worded fertility -
i was brown-nosing him for much too long...
                 whatever he said in his defence,
i'm aiming to capture the imagination akin to ****** addicts.
                      and that's hardly a feat to undertake.
so yeah, punctuation marks and some mathematical marks
above the Latin... Greek went wholly toward the Cyrillic -
oddly enough a Persian, Cyrus, entombed it into the strength
it possesses, rather than some Saint...
                                        so if i'm a loser at considering
myself a citizen of the world... what is Syria to me?
                                               Syria to me being Anglo-Slav
is:                    when Ramses destroyed Syria...
            don't come here with Westminster, please don't,
leave it out in the open with the paedophiles...
                                            i'm a citizen of England,
not of this world: you keep concerns over Syria where
you're at... if i can't be a citizen of thee world in a world
of globalisation, don't include me!
                                    diacritical marks, punctuation
alongside mathematical Copernican -
                                             yes, umlaut and the colon:,
what's the list? an extra oh... the latter phrase for
          omicron.
                                               Boršč or z z (zed zed)
             or h h (tricky, hay hay? ****** ******?
                               hatch hatch?)
            evidently the pronounced: shoo!
                                                        stinker that one:
given z morphs into h when given s or c...
                                i guess it's easier with      šč,
                   a.k.a.           shch...
and the most frequently asked question in English?
(by the middle class), how do you pronounce this?
                   you know why gangsters don't attack
educated people?
                           they love the fact that people made
the effort to learn reading and curtail other peoples' efforts
in changing perceptions -
                  for me it was always about being taught bad
French and rewriting the laws of stress -
                       i'll never understand the caron on vowels:
sure, the French makes it assured to make the circumflex
and the grave accenting above vowels synonymous...
  &
LC Apr 2022
endearing words and suggestive eyes brightened the room / accenting conversations that flowed smoother than honey / souls spun / quickly approaching and nearly colliding / unravelling like two ribbons / one maroon / one ebony / until one day / ebony suddenly curled back into itself / maroon was suspended in air for years / as if steeped in time / but dense air weighed maroon down / so maroon descended / letting go / when ebony came back in its unraveled glory / maroon curled back to itself.
Escapril Day 4! The prompt was "strange behavior." I was definitely stumped, but then I thought of a moment in which someone pulled away from me, and it was strange when it happened. And this poem was born.
Anastasia Nov 2022
And there she was
A rough scab on a smooth perfect knee
With a chalky cigarette between bony fingers
Chipped red painted nails
Matching crimson accenting glossy white walls
She knew she was dreaming
Because of the ****** sun in the middle of the room
Chapped lips crack with scarlet, staining teeth
Surgical gloves reaching out from her beating heart
Held in by pale marked skin
Needles pricking gums, calling upon beads of ruby
Incisors and canines fall out one by one
Heavy tongue tastes gory wine
Indifference and apathy sistering one another
Stitches hold right-handed fingers in permanent crosses
Though an opal ring falls through
The shattering crystal lights the room ablaze
Intangible flames lick the ceiling as it rises and the floor sinks
An ever-expanding room flashing over and over in endless continuity
Like a repeating reel of film catching on fire
And then she was gone
Nico Julleza Aug 2018
O youth, vulnerable youth,
Let not thy self be of dominion,
But be the land as thy flesh,
And the waters be thy blood;
An armor of truth and serenity,
Passing forth seed to seed,
Reaching billows, soaring as trees.

O moss, saccharine moss,
In morning glow till night has fall.
The earth is man's account;
With nations each accenting,
and a poet is made to sing.
Saint eve is folly, faded and dim;
Man is rest but a smile and a dream.
#Harmony #Concord #Nature #Man #Life

(NCJ)POETRYProductions. ©2018
September Apr 2014
I think of you. Your ******-touch that crosses my eyelids
with chlamydia fingernails accenting in all the
wrong places. The white powder trail leading like a
highway to your right nostril—the unemployment rate
like a dropped lit cigarette in the ******* apartments available. I think of you.
I think of you.
I thought of you.
I want nothing more than to be done with you.
Written about my hometown, Powell River.
Mateuš Conrad Nov 2016
some say it's called dart-eyes, a kaleidoscopic venture
that might leave you myopic, oddly enough i know
that people say a lot of far fetched things,
   and the excuses are usually metaphors,
there's the literal cardinal,
the literal spanish inquisition,
  and metaphors of demons in the bible -
          i still want to experience a fully
theocratic world: where man's words come
forth from man, and god's words come from
the mouth of god... again: poetry without
a god is like biology without chlorophyll,
   no one even suggested a kneeling process and
ardent prayer to be invoked,
     all it took was a spare thought away from
the daily commute and the daily invigoration
from some sort of ethic, oddly enough it always
ends up being an ethic of work...
   i guess that's why in the west everyone is
nearing an addiction thoroughly apparent that's
named workaholism... once the relationships
fail, the only saving string of hope is work,
an absurd work ethic, because wouldn't you
take a syringe filled with ink and do shifts in an
office beyond the norm, thus entering the world
of night shifts and anything else antisocial?
   people can't really be friends, we're fired up
toward formal relationships and what's guiding us
to these relationships is hierarchy...
              oddly enough the Aztec or Mayan
pyramids don't have that sort of feel to them,
they don't prescribe interpretations of hierarchy,
quite the opposite,
     ask someone who doesn't have a conquistador
heritage to explain that they are:
  the gallows... guillotines... the tyrant is not
buried within, these aren't caves to entombing a
tyrant with all his riches...
      there are no chambers in these structures...
they were intended as architectural symbols of
common law... those presumptions European
*******... human sacrifice? a myth...
these were sights of capital punishment,
you stepped out of line: you'd get your heart
carved out and your body would drop from
the execution altar down the steps for
           the scavenger mob to tear you apart
even further: had you transgressed communal
consent... justice has to become overpowering
but that does not mean we carve a mount
Rushmore akin to the statues of the valley of
the kings of enthroned pharaohs...
  much of ancient Egypt lingers in what we
call "modernity"... esp. in America...
             and the world is currently establishing
itself into cold war ii (i said that once,
can't remember when)... and until this is firmly
established, that it's clearly accepted that we're
dealing in a cold / intellectual war, then
we'll pass all that intelligence and engage in a hot war /
and emotional war, as characteristic overflowing
of populism, which at present times: has
all the coordinates, but no proper vector to
allow a congregational march toward impeding
dangers... but better a second cold war than
a third world war... so much of ancient Egypt
in America... the washington memorial for one...
what's the other name for it? ah... obelisk;
or what the pagans built to counter the fear of
impotence: well... we've established a bountiful
supply of humans... can we do a floral pattern
now? oddly enough we embraced tomb-pyramid
builders from the north-eastern side of
Africa's brain-dead region, and trusted
conquistadors wiping out a people that used
pyramids to stress the importance of law:
i can't see no reason to think that those pyramids
were intended for human sacrifice...
capital punishment? well, d'uh... because wasn't
Golgotha so unspectacular as to be less
than what it was? had they crucified him in private,
in some back-alleyway crucified to a door,
would history open its doors to the advent of
Christianity? don't think so.
what i'd really love to see is people with
necklaces of silver, and the thing dangling on them
would be a different torture mechanism...
an iron maiden... it's like prescribing pain is
necessary... it's a dogmatic ruling on a once upon
a time
(even the briefest) chance of happiness...
but even then certain philosophers say:
why be happy, when you can be interesting?
how interesting do you have to be so many times over
to not even wish for a stillness of neither want
nor drive to go beyond what you already have?
i don't know if this is an adequate comparison,
but in terms of interesting...
   a movie (side effects, 2013) utilises only two songs
in its official title:
   the focal point of a ******
       is staged to a "sleepwalking" woman preparing
a dinner for three (only two people are in the apartment),
the song? thievery corporation's the forgotten people...
i knew the band prior, and i've seen the film
before... but i never bothered to watch the credits...
i remember the odd couple who'd sit in cinemas and
engage in watching the end-credits, always the one
odd bunch: as if saying thank you to all the people
involve... a quick stroll through a graveyard is probably
comparably akin....
   and the other song? Bach's
   orchestral suite no. 2 in B minor, bwv 1067 -
     but i can't remember whether it's actually featured
in the film, simply because there's no focal moment
in the film where it can be heard as prominently as
the first song... and then there's thomas newman in
between (no surprise);
but a film like that is a meditation...
             if only two songs are used, chances are
the dialogue will have many strengths, because there
will be a multiplicity of consistent reinterpretation,
a bit like talking into a Tate Modern and seeing
Rodin's the kiss statue (inspired by Dante's divine
comedy), sketching it from the northern perspective,
the southern, western and eastern perspectives...
    i've seen few films that accredit a very minimalistic
soundtrack... on that note, how songs could literally
be translated into film titles: side effects - the forgotten people,
  dead poets' society - carpe diem, american beauty -
any other name, are there others? there probably are.

but that's nothing compared to last night's antics...
   some people climb the Everest... clap clap clap...
some people design super-suction vacuum cleaners...
clap clap clap...
                    from time to time i solve sudoku drunk
(no clapping)... but there's a narrative involved,
the narrative goes when you try to map out solving
one of these 81 "rubic" squares... applause for
speed with these babies like applause for premature
*******... aren't they compatible?
   we all have limitations, mine came yesterday,
when i allocated superscript numbers to the journey,
quiet literally an optical tangle, i should have used
       things like ª ' “ ‘ ¨ † above the plotted line...
but it only takes one mistake to ground you
   and then you have to go back and make minute corrections,
as the notes themselves suggest (crazy eyed darting):

exhibit a.

0    0    0    0    0    2    7    0    0
0    0    0    0  ­  4    0    0    2    0
2    0    5    1    0    7    0    0    8
0    9    0    0    0 ­   0    2    0    1
7    0    0    8    0    0    0    6    0
0  ­  0    6    0    7    0    5    0    0
4    0    8    7    0    0­    1    0    0
0    1    0    0    0    5    0    0    0
0    0 ­   9    0    1    0    3    0    0

   exhibit b. html that doesn't allow subscript
            or superscript notation, hence the brackets
   denoting movement (pending)


9 (24)    0          3 (23)    0    8 (5)    2    7    1 (2)    0
1 (12)    8 (8)    7 (9)      0    4          0    0    2          0
2            0         5            1    0          7    0    3 (13)   8
8 (7)       9        4 (18)     0 5 (33) 0    2    7 (1)      1
7            5 (16) 1 (14)     8   2 (20)   0    0    6           3 (21)
3 (19)    2 (17)  6            0   7           1 (15)  5           8 (6)    0
4            3 (27)  8           7   0            0         1            5 (28)    2 (26)
6 (30)    1          2 (22)   4 (31)    3 (32)    5    8 (3)    0    7 (11)
5 (29)    7 (10)    9    2 (25)    1    8 (4)    3    0    0

      it is no surprise that the notation played a key part
in having failed to map out the route taken,
       when you're using numbers in a puzzle
  it's almost an inevitable path to failure,
since you're making superscript "bookmarks" at
high concentration, and without any distinction to
what the puzzle demands, hence you go "cross-eyed"
  in solving the puzzle, and superscripting your progress
using the same symbols that are required to solve it,
but given that the puzzle involves 81 slots
  with 9 x 9 identical components (only so rearranged
  to be not contradict the rule of the puzzle
i.e. 9 symbols in each square of the nine in total,
   with a 9 x 9 variation on all linear arrangements not
involving two similar symbols, i.e.
   1 2 3 4 5 6 7 8 9, rather than 1 2 2 3 4 5 6 7 8) -
what became a hope to correct the mistake, but given
the intricacies of the progress, all the more harder to
recount steps and subsequently move forward with
   the spotted error...
hence a refresh, and the need for schematic,
given that there are 81 slots in total, with
     27 already in place, and given that there are 26
units of alphabet... how handy to actually persist in
using these characters, but adding diacritical variations
to make up 54 necessary, without invoking
      a 10 or a sz...

exhibit c.

0    0    0    0    0    2    7    1ą    0
0    0    0    0 ­   4    0    0    2    0
2    0    5    1    0    7    0    0    8
0    9    0    0    0 ­   0    2    7α    1
7    0    0    8    0    0    0    6    0
0 ­   0    6    0    7    0    5    0    0
4    0    8    7    0    ­0    1    0    0
0    1    0    0    0    5    0    0    0
0    0­    9    0    1    0    3    0    0

exhibit d.

nb. α = 1, ą (ogonek) = 2, á (acute) = 3, à (grave) = 4,
â (circumflex) = 5, ä (umlaut) = 6, cedilla missing,
   ã (tilde) = 7, b = 8, c = 9, ć = 10, č (caron) = 11,
ĉ (circumflex) = 12, ā (macron) = 13, ç (cedilla) = 14,
d = 15, e = 16, é = 17, è = 18, ê = 19, ě = 20, ë = 21,
f = 22, g = 23, ǧ = 24, ḡ = 25, ĝ = 26
         (now i figure, could have used Greek... d'uh!
ahh, i'll use it for the finishing touches),
        h = 27, i = 28, ı = 29, í = 30, î = 31, ï = 32, μ = 33
j = 34, δ = 35, k = 36, λ = 37, ł = 38, τ = 39, n = 40,
ń = 41, ñ = 42, o = 43, ō = 44, ø = 45, p = 46,
q = 47, r = 48, s = 49, γ = 50, φ = 51, χ = 52, ψ = 53, ω = 54.

before i begin the puzzle... there's a reason why a caron
g (ǧ) might exist, and why a grave z might not...
   and why there's a piquant difference between
an acute z (ź) and ż - depending on the aesthetician,
who decides to move away from the national linguistico-aesthetic
dogma... for example the name George,
orthodoxy states you must learn the aesthetic version
of Grze'gosz... but you would also be able to write
the alternative: Ǧegoš - given that rz is equivalent to ż,
    and given that there is no grave accenting of z,
but there is the acute (ź), perhaps you could consider
the dot a convergence point that could assimilate
sound, immediately over the caron g... of course none
of these remarks are intended for application: because
they would never reach a consideration in a learning
curriculum of any nation, a whimsical idea derived from
the remnants of the esperanto experiment...
  from what i can see, ǧ would equal grz, and
the reason that rz exists at all, and it equivalent to ż
is because a grave version of z is missing, and that
the acute z (ź) exists, and there is no point of balance
that otherwise is the foundation of the caron...
  i wouldn't have thought focusing on such "trivial"
signs above letters provided so much pecking-orders.

exhibit e. focal points in greek notation

9ǧ    4ñ    3g    6o    8â    2    7    1ą    5τ
1ĉ   ­ 8b    7c    5p    4    3q    6ń    2    9ł
2     6γ     5      1      9r    7    4n    3ā    8
8ã    9    4è    3s      5ψ   6ω    2    7α    1
7    5e    1ç    8      2ě    4ø    9ō    6    3ë
3ê    2é    6    9λ    7    1d      5    8ä    4k
4    3h     8    7     6χ    9φ    1    5i    2ĝ
6í    1    2f    4î     3ï      5     8á   9μ    7č
5ı    7ć    9    2ḡ    1     8à     3     4j     6δ

thus completed: there's a reason why the majority
of the narrative is done utilising diacritical marks,
i could have used many more distinct symbols,
but the point is: there are very few focal points
that can be ascribed distinct markings,
most of the puzzle is done on the basis of "crazy eyes",
i.e. darting eyes - focal points do emerge after
much darting about the squares, notably when
a linear sequence is completed, or whenever one of
the 9 squares is completed, or when all nine squares
contain nine 7s or 8s...
      or that's one way to go about not having any whiskey,
the rain pouring outside, and the night stretching
into a near eternity -
            
exhibit f. narrative of correction, actual excerpt

it began at h, i.e. labyrinth corner no. 27,
******* trainspotting! this is going to be like reading
the time for the next train to arrive at Waterloo!
  5(28), 5(33)?, 5(28),
  6(30), 4(31), 3(22), 5(33), 33? 9(38), 4(34),
  6(35), 4(36)...
6(41) < 4(40) < 5(39) < 9(38) < 9(37)....
       4(42) < 6(43) < 9(44) < 4(45) < 5(46) < 3(47) < 9(48) < 3(49) <...>
   6(58) > 9(51) < 6(52)...
        longest period spent on 3(13) / ā -
   and the notation that gave way to this spiral?
5(33), which actually ended up being 5(53) / ψ.
Revisited Merak harbor one late evening
a shape of sea fairy and colorful torches
were seen from afar , chattering calls  in 4 languages. 4 squalls in  once was a plage
their dancing  flames asked me to come closer

I hurried along the sleepy shipyards
passing massive warehouses fenced by rusty wooden doors
giant padlocks accenting  (reminded me of a  fancy cocotte loaded with blingbling)
stacks of oversized containers  solidly sat speechless.  Sleepless.

The light of each torch lifted into the sky. Seen by another eye
1883 eruption of the Krakatau crater.  130 years later the odor of its curators  
I ran closer. I fell.  I laid there a while , got up and ran again.
I lost my head and missed my right foot along the way.  I did not care.

When I arrived  the torches were there in front of me
reincarnated  into thousands inhabitants who had lost their lives
bodies covered with revolting cesspit oil  
For a second  they transformed into torches again.  One blazing in my hands.
Regretfully, I had lost my head so I did not understand.

The fairy stared . I wasn't scared.

:  come, come, …come purifying Sunda strait
dissatisfying the idiots thought it could all be fixed with tax rate
I moved toward  embracing fairy arms  
(Possibly, this close hugging love was only for beach-sea friends)

So, I united with the torches
A bit of a breach  pushed us towards the petroleum . Demolished it all.  Cannonball.
Black fog shrieking that same  words : Keep up the struggle .  Stay strong !
The alien residents might think I was making choices
but the fairy was leading me around
the torches reshaping the ghost-town

Chattering calls  in 4 voices.   4 languages.
Yet, for the officials ears , all were still voiceless.  Pointless.  



(Pulo Merak - Cilegon - Indonesia )
Mateuš Conrad Nov 2016
it's a common theme, a pastoral even... a sing-along with the words: when i was in Rotherham... i was never in England... when i was a Rotherham i was never going to imagine myself eating falafel. yes, it's that ****** ugly, which is why i'm hardly a premature ejaculator into assembling myself as bulldog Brit - use the language: well, obviously... but assemble the other bits and bobs? can't happen... it's like asking: tell a Jew to not be a Jew by sitting in one place for a long period of time... the nomad in him will evidently counter that proposal and say: **** it! see you on Mars! and to think that i could have actually invested my life into a diameter that's Poland... people still find it a bit odd: oh, wait, are they back on the map? that's us, Jews of the north... can't believe we're being blamed for the failure of the treaty of Rome: all because the English stopped flirting with the idea of Turkey being in the union: even though they dabble in a lamb kebab after binging on *****... but hey, no one want to be a hypocrite these days... that's of course provisional given your Jose Mourinho relationship: is as special as you suppose with the lady and the trump; someone tell Disney to stop writing those ****** scripts! how thoughtful of a prophet-merchant (merchant of Mecca, Shakespeare should have written that one) to have encouraged the sigma-bleaching-project: one world, one book, one something or other: either the telescope or the microscope answers: otherwise evolving into ****-naked baboons and elsewhere furry Gucci to strut the feline ****; it's not like i want to go back to the past, but i certainly don't want to experience a Monday in the year 2086 either.

i wouldn't have been one of them, their services required
a nobility, which i can partially claim,
but partially discredit as:
a family squabble, where the Eden
project would have flourished -
because of the lies -
         but you know, no biggie,
or the notorious -
one part of my family actually did
settle in america with my seven
tongued great-grandfather *sprechen güt

it's necessarily applied here:
hence it's not gút: miracles!
                     who would have thought
that trigonometry bit into the *****
of those pixy, foxy whatever clot in the
English department....
that's the thing with immigration and
integration and ethnic cleansing:
when i write,
    the desk is as rickety as a bed when
i **** a *******
and she tells me i'm a decent chap -
and says a variant of awe because i paid
£10 extra to pucker her floral arrangement
and she feels ashamed at having had
an ******: and all the feminists are
out there, in the cold, with their banter
     slogans that reach Zeno via
turtle, as snail, to compete with Achilles:
yeah, that hurt, because you enjoyed it
on the hobnob you call a job.
******* pretty enough for you now?
   well: two ***** and a smoking ****** later:
it better be!
               people think that you can just
"integrate" into a foreign land...
they coerce a foretfulfulnes that you
sometimes practice etymology -
        and find yourself a bit like a Jew
but more of a Slav, feeling at most romantic about
the land that is cleft to your ***** in terms
of language patriotism still leech-like,
because you can't forget the asking
that's already there: from the Baltic Sea
toward the Black Sea: our commonwealth was,
and could have been!
          globalisation is so Emi ******* M -
you bleach throughout, and so suddenly,
people get bothered -
         like a Cluedo but unlike who did it?
who's who?
             i write this on a rickety table,
like i might **** an Amsterdam dame of the credo
in all that's left: red -
       baby, that brickwork with your chub
layers does it for me: always a Puerto Rican to
have a laugh with...
20+ years in England and the roses are still
roses, but nettles in some obscure Greece island
designated for offshore debauchery -
hey, no one is a saint: but give a little -
   have at least the remote humanity in you
to breed the ******* Beatles rather than an antiquated
variation of Breivik.
                obviously not to be.
i payed because i wasn't getting any:
hands up, sycamore! so scythe so more -
i just feel uprooted and Jew -
  dispositioned like i have to have an inferiority
complex tattooed on my **** designated for
halal butchers -
           there's a problem though...
i have patriotism with regards to the tongue:
but to the people? a true Conrad (minus the Joseph)
would sell you out, like you already
have: to the highest Saudi bidder -
           ethnicity reemerges - strangely enough:
even after all that ethnic cleansing that's politely
called globalisation: because English cultural
emphasis is plain said: ****!
                      a bunch of fairies say i can't feel
a certain way because it will hardly become economised
and benefit an inbreeding:
so i outsourced you there,
   Dover Monsieur without his Turk and Mongol
invaders -
                   you could call it romantic:
but i'm not writing from an ivory tower within
framework of the land that needs tilling by
a familiar hand,
                 the last time i spoke to a Pollack -
it was in a shady alley at night, debating the clues
to making a living on Ebay -
                  so much for the romantics -
fair game in learning the tongue, but to attack
ethnicity? you have to be ******* me...
they call it the exotica in England:
all that coconut milk went to their heads -
   Baltic coconuts? sure... once you start eating
the pickled herrings like us: quasi-Scandi devils.
     so ******* twinned with Israel:
they said Amsterdam was the Venice of the north
they said Edinburgh was the Athens of the north
they might as well call it Tel Aviv Warsaw
and Jerusalem Krakow - too little to be said
otherwise.
             you could say Moscow and St. Petersburg:
oh sure, seen a bit of the world: ought to be
a *******...           really?
       does the world need another Golgotha
congregation? i just don't see why i require
to give more than linguistic acumen -
i'd never sing god save the queen
because i'd probably sing queen save the taxman...
and it really is a shame i can't engage in
any sort of nationalism - whether over there
or over here, it's a true shame...
           well i do have a grand history to aspire to,
variously interpreted with what gets my heart
thumping:
          ogniem i mieczem - hussaria ginie
(with fire and with sword - winged hussars die) /
          krzesimir dębski:
which i also translate in feeling within
the framework of Górecki's (3rd symphony?
fun-*******-tastic reassembling jazz's double
base, or bees, or other variations of humming
drones: anti-thesis of the crescendo)
three olden pieces, no. ii -
and yes: without cinema classical music would
be dead... the only classical music these days
is cinematic transcript -
                 the complexity of a Liszt or a Chopin
is frowned at, what has remained and endured
is a Satie yawn - a brushing of a piano like
a dustmaid: a sort of accenting the silence -
nothing with a technical claustrophobia of
smug finger litanies of the abacus:
that swamp women's feelings with eerie ahs
and yesses in would be marriage proposals.
   i wish i could be a lazy Welshman
or a Scot that forgot Celtic in order to glorify
a Glaswegian idiosyncratic-syllabalisation
    of wee, as in small: high off my rockers
on the Afghani thought train that's *****.
  i wish i were that ****** lazy...
  as to simply let go of where i was and where
i wasn't...
       as someone in Cardiff once said:
never been to London -
or as someone in Glasgow once said:
           a banch of ****** all with the Edinburgh
Judases.
              i don't think i could ever
have enough lost self-respect to not play the ethnic
joker card without a romantic agitation -
but it's still the piano that truly survives in
the modern world of pop **** trance i-wish-i-were-shot,
any other name from american beauty -
once again: the minimalism is self-explanatory.
no, i don't think i could ever fully integrate:
and happy are those who have their
lives filled with the existentially trivial:
never moved home, never descended a class below
or rise a class above their parent's status -
what a grand scheme of lotto!
                    i love these squamish pixies -
i love them so much that i experience nausea when
hearing about their lot in life...
  after which i turn to a lullaby, handpicked,
christopher young's - something to think about
from the hellraiser franchise, or as i like to call it:
i like these sort of tracks, these life infuriating
   chattering:
              like throwing yourself into either
nouns or onomatopoeias:
                           and yes, art is difficult:
because it's supposedly lazy -
                   oh the plumber in me that never was,
oh the roofer of industrial sized roofs in me that
somehow was, but then wasn't...
            the part of me that writes like Joseph Conrad
but actually wants to scream:
                       zzé skury odrzeć! (variant: ob-      +
-drzec)    to strip the skin.
                 a z tym: nadać ducha gniew alter solo
wbrew temu co mówi, czyli: razem;
                    nawet katedra św. piotra nie jest
                   minimalizm zwany: Golgota.

              (and with this: give the ghost's anger
alter solo, against that, which says,
namely: together; even st. peter's cathedral
                 isn't the minimalism of Golgotha).
Mateuš Conrad Sep 2015
i can't even appreciate my own, it's like it's supposed to
be a lost finger, because upon reading poetry by women
i slide into young-adult delusional
associations with my own; it's women's poetry that's potent,
i know the giants homer and virgil made the narrative epic,
but i mean the snappiness, the snappy poetry of intelligence
that's like a dropped handkerchief picked up by a dog-collared
crow of sabbath with foolery, to escape the trade of alms
and last rites, that horrid trade of the briefest farewell
and all that coffin in autobiography: coffins for coffers;
rarely a poem about the liver or the pancreas, it's all from
the heart, but as honesty goes - i said it once already -
if all my poetry came from the heart - i couldn't -
it either comes from the liver or from my ****.
i guess that's how we'll survive, with the cleopatras and
catherines of this world, singing them lullabies
of our misappropriated "endowment." but what's eerie
about today is that the house is empty, a funeral is taking place,
a plumber has died... a plumber...  talk of 40 a day, beer
and dead before 60.
wife, tick.
children, tick.
grandchildren, tick.
but i can't understand this depth of things: the jews move eloquently
from border to border, picking up language after
language without really accenting the acquired tongue, as i did too,
but i don't understand why i would have to be seduced by
the accusation that i don't belong here, that i'm being too
audacious, too prickly and not funny - or why,
before all the troubles started the muslim preachers on edgware road
thought that i was german trying to convert me -
i don't know anymore, maybe i am, after all father said that
his grandfather had a wehrmacht dagger hidden in the cellar,
so the ageing is a bit perfect to dot dot dot the pieces together.
but what i mean is: well, after living here since one can remember,
but having the burden of acquiring a mother tongue
i sometimes feel like i'm in no man's land, i can't drop the mother
tongue, i'm using the acquired tongue more than the mother tongue
cognitively, but i read philosophy in the mother tongue
because i can't read philosophy in this acquired tongue;
i guess that's due to the overstrain done by darwinism in the english
tongue, i mean, there's a lot of good philosophy to
be read, but in english it's too much of a darwinistic
revocation - it's not like you could read sartre
talking about voyeurism through the keyhole
without imagining yourself a monkey,
it's the whole imagining the origin,
it's the whole: image - monkey - phonetic content - ooh ooh ooh.
it predates accounts of history, this whole take
from darwinism; i face the fact that darwinism
eroded much of history, it's like groundhog day,
that's why the media are so pulverising, so concentrated,
so seemingly omnipresent, 24h... the whole of
human history stopped! it's because when
humanity started to record **** happening
using phonetic symbols rather than pictures of antelopes
in caves, it started to record history,
but darwinism kinda erased that... so what's the
news now? oh right, skeletons, lookalike skeletons.
this isn't an argument against darwinism using theology,
just look at history, it stopped, we're living
in a 24h pre-recording awaiting various paranoias.
Nielsen Mooken Jun 2014
Winter, my last friend, thank you for this morning.
Even as your silver cloak grows frayed
With new freckles of azur accenting
The golden, our covenant you have not brayed.
This silent valediction, moonstone rayed
Belies the dying of our Sapphire,
Our council, our secret, our pyre!
JS CARIE Nov 2018
You're afraid if you come near me I'll hurt you
But you've been hurt by me before
and always asked for more
Every urge you felt,
when you got those passionate aches
We found a place to strip our wares
And feed each other what we had coming
lustful dynamic by way of accommodate
Like a 90s pop song you'd say my name
While accenting your "Oh's"
and trailing off the "****"
These were signed, squealed, and notoriously us
From the first time I took off your shirt
Slid your bra down over your shoulder
My vision of your ******* came through in X-ray dirt
Taking away breath in a choking hurt
And that's why you won't come near me
Mentally comparing the moans injected into you sweetly and severely, that made you climb up on top of me with retaliating energy
To
The groans of settled lethargy
So I send to you,
Vibrations of heated vitality,
to knock at my door and I'll meet you on the stairs
If you were hoping to see the bedroom
You'll find all the sliding wetness you seek on those stairs
As I once again remove your wares,
You open wide after I spin you around, upside
Continuously kissing your pink
in the moon shone glare
*** lust passion pain love
mark john junor Sep 2014
her nails are a powder blue
each finger adorned with a ring
that has a meaning and place in her life
this one she got in her hometown in the south of france
this one she found roadside leaving denver
each has a story to be told
as if her hand is a roadmap to loves secret places
her delicate hands weave her thoughts
on the air when she speaks
the brass bracelet with her moonstone
and the silver ones ****** softly accenting her lovely voice
her elegant gestures flow and ebb with the conversation
but her soft hand always finds its way back to mine
and in that warm embrace of her tender fingers
where i find such joy and love
i could spend a lifetime telling
you about all the wonderful things i love about her
so let me begin by telling you about
her nails are a powder blue....
Quentin Briscoe Aug 2013
I want to touch you with my words..
I want to spill myself in verbs...
Creating one sound
About one Noun..
I want these emotions to be heard...
Thought about then felt..
Translated then yelled
I want me to be memories..
Recited scriptures on the tips of your tongue..
I want this to be Fun...
Me explained in dictionaries..
You reviled in song...
I sing of you in rhythm..
This verse...
one untitled song
And you will love it's tune..
Adding power to these feelings
I adverb my love inside...
To many adjectives to describe..
The sight inside my eyes...
I want to create us memories..
Dreams that fall ideas..
Let my words surround you...
Releasing all your fears..
Touching you with every syllable
Accenting every R..
Pronouncing all my Ps and Qs
Our details will be the fuse..
Light the match with your sweet lips
Lets us burn in pages
But our memories and dreams
Are now Ideas
Words thought without a Fear...
A room.
Need to displace to move.
Arrangement of places you’ve been
******* you in like some Kansas twister that swept you off your porch
just after you open the door for the first time today.
I awake from a dream.
I don’t remember what was said.
Clumsily laying letters over felt footsteps.
A semblance of something too big to tell you.
I cannot move it but I’ll say whatever to mean it.
A body subject to the wind
ringing against the world, accenting the edges in sharp cries
like a dinner bell that never rests.
How’s the sky taste Major?
You think Bowie really cared for karate?
Only superficially because in some perverse way it was a form of art.
A Darwinian heyday exhibition for the human condition.
I’m alive *******, let’s keep it that way.
In every way.
Don’t want to be too narrow.
Need some space to move.
The past that comes to us now,
first came from our future.
Even the ones that wilted under the shadow of satisfaction.
Even the objects flowing through this wicked light show of so much contained in three tiny axis’
Please chart your love according to x y and z without dimensionally reducing the picture.
Don’t worry darling I’ll wait, remember it’s there we first met.
Chapter 1
It was cold. Freezing. The first day of the winter chill had started in northern Washington. The sun now hid behind the thick ceiling of clouds as they began their annual snowdrop and the mountains began to howl as the winter winds bared their fangs. Near the mountains was a town with a population of one hundred thousand. The town was officially established in 1840, though a now extinct native tribe settled there long before. Life here was normal for most.
A jog and a stone's throw away was a semi-secluded high school that lay deep in the woods, holding some fifteen hundred students. The gray bricks were reminiscent of a prison, juxtaposed against the walls of towering trees all around it. As snow began to blanket the ground, a single pair of footprints led to the school.

Professor Thompson, a younger teacher, was yelling again, "If I see another one of you punks rolling in here halfway through class, I swear I'm going to make sure you end up living in detention!" Alexei grinned, whispering the exact same phrase in unison with the teacher. The younger members of his "pack" snickered behind him. His group of eight was split between boys and girls appearing between seventeen and twenty. They were a small part of the senior class and had the reputation of being stubborn, loyal, and dangerous at times.

They embraced the reputaion, knowing how true it was. They were Lycans. Shapeshifters. Werewolves. They all meant the same thing. They were descendants of the "extinct" tribe that once lived in the area, though their numbers now were far greater and much more widespread.
When each Lycan turned fifteen, they would have their first shift. They would turn into Dire Wolves, about twice as large as a normal gray wolf.  During their first transformation, instinct would guide them to an alpha who would help them transition to the new life, teaching them how to shift at will and how to survive. Each pack was structured by rank, Alpha, Beta, and Delta.
There were only two Alpha's per pack, one male, one female. They made decisions and guided the newly transformed Lycans. Once a Lycan proved themaelves, they were given the rank of Delta. Their duty was to learn and follow any order to the best of their ability. A Delta could be chosen to become a Beta, either by trial or by challenge.

In this case, Alexei was the alpha and this was his territory.
Alexei stood at exactly six feet tall, was light skinned and was built like an animal, lean and muscular. His straight hair was jet black and ended in a flurry of blood red tips that lay hidden under a heavy black jacket and a hood lined with white fur. His yellow eyes glowed faintly under his hood.

Alexei turned his head slightly to the left, where Hunter sat, or rather slept. Alexei heard his pack mate wake up in a daze and groan, "What? I'm still in class? Man this *****."
Alexei grinned, flashing his long canines and the rest of the Pack laughed quietly amongst themselves. "Alexei... would you mind keeping your cronies under control, please?" His eyes locked onto the professor, their golden glow piercing the darkness of the hood like slivers of fire. The pack immediately went silent.
"Why of course, professor. We wouldn't want to disturb the lecture now would we?" His powerful voice dripped with acidic sarcasm, laced with a deadly seriousness. "Right guys?" The question hung dead in the air for a few heartbeats.
When no response came, he turned his head sharply, his gaze cutting into each of his bretheren. A collection of nervous, 'yes sir, yes alpha' rang out quietly. He closed his eyes and said, "All yours, professor."
Alexei drew a breath and let his consciousness flow towards the group. He felt each of their minds twitch in surprise as he spoke directly to them.
Just bear with it guys, its the last class of the day.
He heard another person's voice flutter into the pool of thoughts. but, alpha, it was Leiks, one of the betas.its snowing... we want to go out.
He growled slightly, just low enough for the Lycans to hear  And you think I don't? You know how this works, Leiks. We have to abide by the Sapiens rules.
Alexei heard her whimper slightly in submission, backing out of his thoughts. Leiks fidgeted in her seat on the back row, looking out the freezing window at the puffy white flakes cascading down around the school. Her blonde hair ended in vibrant purple curls that bounced around her chest. She was the youngest Beta at eighteen years old. Leiks was one of the three betas in Alexei's pack. The longest serving Beta was a male named Chance. He was Alexei's right hand, commanding all of the strength and loyalty as his Alpha. He had the figure of a sprinter, and was the fastest Lycan other than Alexei. His eyes were a very rare violet, further accenting his undercut blonde hair.
The other Beta was a red haired female named Krista. She was one of the oldest of the pack, at nineteen years old. She acted as the peacekeeper of the pack, settling the disputes when Alexei was away on business.

The other four were all deltas, each of them still looking to prove themselves.
Alexei caught a hint of something in the air; it smelled like a sweet musk mixed with crisp apples. The smell sent an icy tingle up and down his spine for an eternity before settling at the base of his neck, making his hair stand on end. He growled softly in his throat, grinning.
Smell something, alpha?, it was Leiks.
Yeah... maybe...
He grinned and felt warm all over. He felt the urge to go wild, to wolf out. Alexei bit his tongue in an effort to calm his instincts. He cleared his mind and closed his eyes, taking one long breath after another before the waves of longing subsided.
Professor Thompson continued with his lecture on mythology, talking about the classic horror creatures like vampires and werewolves. He focused awfully ******* the latter, going on and on about lycanthropy. The professor then began to compare the natures of both species, concluding with a comment on their painful existence.

Alexei bared his fangs in a silent growl, gripping the edge of his desk hard enough to make it creak in dismay. 
He thought to himself, we shouldn't be giving the Sapiens our whole history, even if they don't pay attention, much less believe in us.
Alexei's mind wandered as he pored over the history of his people. He stared down at his hands and he began to think about all of the Lycans that had been part of his pack.
An image flashed before his eyes of a bloodied white wolf lying before him, whimpering helplessly as its crimson blood steamed against the snow. The cries of pain echoed as clear as crystal in his mind. Alexei's own blood boiled as the memory took over his thoughts. He could see blood on his hands, staining the desk. He could see the life leaving the white wolf's blue eyes. He heard the all to familiar laugh echo in the forest. Alexei's heart beat filled his ears, deafening him. He felt nothing but rage as he searched for the killer's face.

His anger lasted only a second before a hand tenderly gripped his shoulder. His eyes flashed open and he bared his fangs slightly. He snapped his gaze over his shoulder at the pack, their eyes wide and locked on him, emanating dread. The hand belonged to Flora, the youngest member of the pack at sixteen. Her eyes were full of innocent fear as she looked at her enraged Alpha. Alexei realized he had partially transformed, his teeth had all turned to sharp incisors, ready to rend flesh from bone. He forced his body to revert back, feeling the fangs retreat. Alexei nodded and Flora let go of his shoulder. Alexei turned and shut his eyes again, his good mood soured for now. He took a deep breath and sighed, wishing for that scent again. Five more minutes...
Those five minutes drug on like a glacier, the professor's words trailing off into the distance as he switched topics. Can he go any slower?
Don't jinx us, alpha, sir. came Flora's response.
You don't have to call me sir, Flora. We're a family.
The wolves stayed silent for the rest of the class, listening halfheartedly to the professor. "As you all know, this is the last day of school until January. I hope you all have some plans, some family to go see." 
He paused for a moment as if to say something else. The professor was looking directly at Alexei, who could feel the teacher's eyes boring into his soul. The bell finally rang, and Alexei was the first one out of his seat, ready to bolt for the door, but a stern voice called his name.
"One moment, Alex. I need to have a word with you." The professor looked directly at Alexei with an iron stare. They stood there for a moment as the others left the room, chattering amongst themselves. All but one. Flora remained defiantly beside Alexei, looking up at him. He looked down at her, his eyes opening with a soft yellow glow.
"Go on, I'll be fine." Flora looked at him quizzically but obeyed.
Alexei waited for the door to close, looking at the professor only after the latch had clicked into place. Alexei smirked and said, "What's up, doc?"
Professor Thompson raked his hand through his hair and removed his glasses. Laying them gently on the table. "I really wish you'd stop doing that. It's unbecoming of a wolf of your stature."
Alexei looked at him and shrugged. "You have to keep up with the times, Tom."
The professor laughed, "What times? The forties?" He walked around the desk and leaned against its front. He sighed and his tone changed, "We may have a problem on our hands, Alex. It's a vampire attack."
Alexei scowled. "I thought you had tabs on all the vampires in the area. As the resident Vampire Lord, it's your job to control them." The professor looked impatiently at the Lycan, waiting for him to finish. "Besides I thought you had them all drinking blood from the hospital?"
Thompson clenched a fist against the table and said through gritted teeth, "My people... Didn't attack anyone. They were attacked. By a Lycan."
Alexei sat on the edge of one of the desks and was silent for a moment. Then, "Please tell me it was just an unhappy accident?"
Thompson sighed and shook his head, "Lycan blood was found at the scene. A trail led to the outskirts of town where we found the unidentifiable body of a half transformed Lycan. Female. We cleaned it up as best we could but you have to understand, my people are going to find out one way or another." He looked intently at Alex, "I'm not accusing you or your pack of anything. But we're going to have a serious situation on our hands soon once the High Courts hear of it."
Alexei sighed and pondered the facts. He tapped a finger against the table repeatedly as he thought. "We had reports of a lone wolf wandering around the countryside. Nothing unusual, other than nobody had seem this particular wolf in nearly ten years. Then all of a sudden she vanished. We tacked it up to misinformation." Alexei tilted his head back. "Last we knew she was outside of my territory, closer to Steelhead's." He paused, "This makes the first death since the interspecies pacts."
The professor nodded, "And that's why we both have to be on our best behavior. All of the Underworld will be watching us now."
Alexei nodded and stood up. "Thanks for letting me know. I'll be in touch." He touched ******* to his lips in farewell and the professor did the same.


As Alexei opened the door, he saw the pack waiting in the hallway just out of earshot. He approached them and they swarmed around him, each of them with a question on their lips. Alexei silenced them with a short gesture and they continued on their way outside. The pack wound through hallways and double doors until they felt the tingle of cold touch their skin. They trailed along behind their leader and burst out the doors, welcoming the frigid air and the soft snowfall they had waited all year for. They hooted and howled giddily, their faces covered in goofy grins and awestruck eyes as they pushed past Alexei and dove into the snow with the other students. Alexei stood there, looking for what he had smelled earlier, for him it was more important than the snow. He scanned the horizon, eyes open wide and searching relentlessly. After a moment, he saw his target, leaning against a tree on the far end of the schoolyard, her fiery hair waving gracefully in the wind. "Jenna."
She winked at him and gestured to her right, where an open forest lay uninhabited. He nodded slightly and made his way down the steps, his heart pounding harder and harder in his chest.
I'll be back soon... Leiks you're in charge.
You okay, alpha, sir? Flora always worried for her alpha.
Yeah, I just need a walk is all.
But... Leiks put a hand on Flora's shoulder and shook her head.
Alexei walked to the edge of the schoolyard and saw that Jenna was already in the woods. Glancing back at the pack, he grinned like a Cheshire cat and chased after her.
They wound through the trees, picking up speed and tossing their heavy jackets away.
Come catch me, big boy. she taunted.

He watched her every graceful move, following relentlessly until he had her. He wrapped his arms around her in a tackle and they rolled, laughing all the while until they came to a halt. Alexei was on top of Jenna, straddling her legs and breathing heavily with her. She closed her eyes and grinned wide, her chest heaving. The air was freezing cold but they couldn't feel it as he leaned in and kissed her, entwining his fingers into her hair. She kissed back and pulled away, biting his neck in the way she knew would make him go weak. Alexei stifled a moan and Jenna felt his muscles quiver. She took the opportunity to push him onto his back and claim dominance over him by straddling him. The heat from Alexei's body made the snow melt and steam below them. He buried his face in her neck, kissing just below her ear. She smelled amazing, the musk of her animal side mixed with her perfume drove Alexei crazy.
He slid his hand under her shirt and felt the curves of her slender body press against him and she growled. Jenna pulled away from the kiss, a grin on her face, "Not yet, darling. There's time for that later."
"I've missed you, kitten."
She growled softly, "you best stop that while you're ahead." She grinned wider and kneaded her claws into his chest. Alexei called her 'kitten' because of her fondness towards cats, specifically kittens.
"Are the others here too?" He pushed her up off of him and stood up himself, closing his eyes in the process. He was referring to Jenna's friends who had left with her a year ago.
"They got here shortly before I did. They're already at the hideout."
Alexei nodded, "We'll be there shortly. Do you want to come with us for the time being?" They began walking back to the schoolyard, grabbing their jackets on the way.
She giggled, "I suppose I should, so they can get used to having two alphas around." Her eyes twinkled as she said it.
Alexei grinned, "I thought it wasn't for another year! Congratulations!"
There was a glimmer of pride in her eyes. "I couldn't have done it without you, darling. They made an exception for me since you had already trained me so well." Jenna had gone to a Lycan Academy farther north, in Canada. There, wolves would be trained to become better leaders or soldiers, depending on their rank. Jenna had shown great promise immediately and was put into higher groups and classes.
The schoolyard soon came into view, and Alexei's pack was still playing in the snow, throwing snowballs and just rolling around in the stuff like children. He whistled a little tune and each of the pack members looked directly at him, going wide eyed when they saw Jenna. They rushed over as fast as they could and tackled her with hugs. "You're back!"
Jenna struggled to get up as a dog pile ensued. Alexei's wild laugh mixed with the cacophony of greetings as Jenna squirmed out. Flora stood behind Alexei, this new person's presence terrifying to her. As the pack got untangled from each other, Jenna walked up to Alexei and Flora, who hid behind him like a cowering pup. Jenna looked at her, "Hey. I'm Jenna, me and Alexei are old friends."
Flora whimpered quietly but peeked out enough so she could get a good look at Jenna. Alexei turned to the pack, saying, "We're going back to the hideout. There's some old friends waiting there for us."

Chapter 2
The pack carried on as usual, sa
Amanda Feb 2018
My femininity is not found in submissive glances to the handsome gentleman standing next to the apples. And as I’m gingerly picking up bananas, hoping he notices how I slowly caress the yellow skin.
My femininity isn’t found in hours spent in front of my mirror every morning putting on a face full of makeup, enhancing my natural beauty amongst the lipstick and perfectly applied winged eyeliner.
My femininity isn’t found in clothes that hug my curves and accenting my child bear hips; inviting you to take a second glance.
It isn’t found in a well placed compliment and a giggle and a smile that’s strokes your ego and make your testosterone burn in your veins.
It’s found in my laugh, my tears, my passionate screams when the rest of the world lay quiet. It’s found in bubble baths and empowering women and teaching little girls that their power isn’t held in the palm of a man.
It’s found in my presence as I walk in a room, unapologetically powerful as I need no compliments from you.
It’s found in my words, nurturing ways and my refusal to let you not be accountable for your *******.
My femininity smells of tears, whiskey and cigarette smoke; if it makes your eyes water I implore you to leave the room.
It’s laughs that are too loud, words that are too offensive and a mind that will make you question your ideas of the world.
I smell weakness and I revolt out the back door, I have no use for the likes of small minded individuals. I know my worth and I refuse to lower my standards so your ego can swell.
It’s found in leggings and sweats and braless brigades. It’s found in wild untameable hair that is full of secrets that I guard with a seething vengeance.
It’s found in arms outstretched to my children who I will raise to be good men, who if they so much as make another woman feel uncomfortable will deal with the wrath of their mother and they will be sliced into hero’s. My boys will know how to find a woman, and if found she must be treasured and held to the highest of respect.

My femininity’s foundation is found in power and preservation. It is found in a smart forked tongue with a wild and brilliant mind; you will feel it as I walk through the door and I do not need to prove it to you.
Ryan Gabrish Apr 2013
Less ‘ave a spot of fun, shall we?
Sumfin fun to do in ma spare time fo no particula reason,
An’ I like ta share it wif you.

Drop the T’s and pronounce yeh U’s like ew’s
Enunciation is key on heavy consonant words.
Forget practicality an be silly wif it.
Pretending fo a moment,
That there is a glob of peana butta,
On the ref of  yeh mouf.

****** ell and bullocks only take it so far,
Yew must remain natural wif towne
But, simply mumble mimzy’s
Followed by ratulsnakes ‘n’ wota fawllls.

Tha best practice comes wif accenting ull day.
An than ull tha kids will think its ace!
Dowent get aggro, jus ease into it.
An fa ***** sake its Herb not erb.
His Grieved eyes stare down the barrel
Teeth clenched, dressed in flame, she's got a soul to steal.
            As faint rays of day trespass
A ravaged passageway
The long forgotten bell tolls,
Accenting this tired tryst,
With the accelerating sunset
Dying the skies a capillary crimson,
Just another piece of scenery
Behind this scene of deceit.
 
The burnt shrine supports his skull,
As through tears torn tapestry and shattered glass
His vision is over powered by the pin-up with a pistol standing
         Point blank.
 
The dilapidated temple calls for one last mass, one more sacrifice
A fantastic funeral pyre paid in full, with the sins of Helios.
 
The words escape,
“I love you”
Only her tongue matches the sky
And theres no way to block out her incandescence
 
His tears of scarlet
Splash against the cold steel his teeth grind
All his hopes, all his dreams...all that he is
Now just organic graffiti
Splattered
All across the neglected floor of a forgotten Church.

With the horizon swallowing the sun,
she vanishes in the dusk, 

And as he falls, so too, does her ring.
Two bonds broken, death they sing.
Mateuš Conrad Sep 2015
given the balthazar incident, to end the babylonian party
along with cuneiform, and prior to that the extinction
of ancient egyptian, both could have continued,
none the more "ridiculous," i.e. complex than chinese,
and given so much heat came against the hebrews
for their supposed christ killing badge of honour
(there is a modern equivalent, he's called dynamo,
he's a magician... the three magi... where's the wise
bit?), i greatly surprised that the latin alphabet survived
and was not fated for extinction through divine intervention
of some sort.*

perhaps rome was a wreck, tooth marble crumbles
and spicy tatters itchy with lice,
but the itch took a **** girl's cat's eyes
innuendo filled with distance and neglect
apart from neglige ushering in fancy and fantasy
but not the: oh, i forgot you were there.
but then ezra's french is there, and i bitchslap back:
perhaps the ordinances of rome were lost,
the gladiator's podium replaced by a bulge of rugby tackles
and necks with bigger circumference
than a model's lettuce and m & ms diet waistline -
but i have you know rome is alive & kicking the trashcan,
god spared it, took to accenting the original borderline
locals with the french, being the most annoyingly
spelled - no distinct units i have to know -
no distinct phonetic units i have you know -
keep the peasants buttered too eager to slap
ivory into lard to gee up with glee the anti-ageing cream,
i'd kept the power in the tongue,
but that power origination is long long gone,
everyone's a mythical typo mischief with such words
from the plum tree dropped as:
tout ça en arrière -
that c that's an s, that edible cutthroat loose eh dropping the -re,
when it's not a stressor in the mud of an electric current shot
through to the marrow for death's cackle i'm
saying a few words over and over, again:
perhaps rome is in ruins, but at least it's tattooing ink
did not switch to runes. rome's in ruins but not in runes,
too many matchstick men in counting with a longbow man's
free hand churn to throw the dice and arrows into
the french infantry: five's a quarter
and an icicle of index and middle; up yours!
well some say, poetry: white man's rap. i say that too,
although i'd rather think it through with rubrics of a rhombus
turning the beatnic conception of a suede savvy square:
to be a chirpy bunny cool in the city of hangmen walking
to fresh knot toe ties on the flea market of bargaining pensions
for offshore interest in champagne and ****** by the crate.
so tell me if rome was given a bogus backup
had the babylonians kept their cuneiform and the egyptians
their rosetta twins with jackal and hyena and osiris audible in silence
for the eyes - but because the norsemen came with runes,
the great intervention came, provençal -
hence the holocaust culmination from the rune men,
down in shackles we heard the idiots' marriage to the old ways,
to revive the runes and loons and bugs bunny,
but the power rift never took shape - came the divine intervention
to strain accents into perfect, and distinct,
came the "wrath" to salvage the beauties of the ancient past,
just because you couldn't hebrew a program into software
like you could write in mandarin the moment the lightbulb went out
with more than one image: buzzpoptst with our spectacles -
wet drum slick i say, mosquito in a balloon.
C E Ford Nov 2013
I want to hold your hand.
your fingers threaded in mine,
or hands cupped,
either way,
cells touching;
The valleys of my fingerprints
accenting the mountains in yours.

I want to hold your hand
in winter,
to take off your gloves,
and mine,
and warm up your thumbs
with my slender bones
under wine colored nails.

I want to hold your hand
with each digit painted
different shades of blue,
so when your hand meets
the red running down my knuckles,
we make the perfect shade
of violet.

I want to hold your hand
when we’re eighty,
skins of protruding veins,
blinking the dust
from old eyes,
laughing from tired lungs,
because we made it.
Mateuš Conrad Oct 2016
or that worth of gimp, the hotted sauced out
cradle of predatory amusement              banked on,
                        i have the notes,
mind you, you're clearly laden
with khaki material,
to mind the blackshirts of the SS,
a Vandal epiphany -
                 less khaki juice
and more blackcurrants -
                  or so the motto stands,
asserting brief and all that thought
of tomorrow.
                   all i'll add with this
vague blunt alcohol ridden self?
the vampirism of the abandoned trill
of the R...
                   that's the Vlad-blatant
abandonment of the trilling of the R -
and the competent disregard for
linguistic laws...
                 until tomorrow,
until i find my sobering-up manicure
and in rewrite the notes i've made
when inspired...
                      and i have made them...
it's all about me being nicknamed
a Viking for my tolerance to drink
you under the table, and dabble with nods,
or the blatant hiding of the tetragrammaton
with ghee (said gee) and otherwise,
                  (Indian butter) -
or dhal - or quiet simply daal / dāl:
against the aesthetics, ouch.
     again in French: je t'aime: ř - adding zero
hour to the said: sharpening the shrapnel -
                       jaded temp. / jay temp. /
                  j-j ****** or the rue flu.
oh it's there, in the notes,
as i benign the thought: unfit today,
payday tomorrow.
wait... i might have a sober moment tonight...
         encapsulate that with a question
about Iran, and a quasi-stop in conversation...
        or counting the strokes in a handwritten
variation:
              Yen ( ¥‎) = 4
                      pound (£) = 2
    matchsticks...
                             elsewhere also matchsticks:
º (red)
                = R E D (3, 4, 2) matchsticks,
                 º (
writing is termed another variant of arithmetic,
the total is 7, for one ideogram) -
             the sigma for red
   is 9, but divided by three means
        the European model falls 4 short
of optical indigestion.
     ř (caron) - caron of the missing z -
         not the variant of caron s and c with z:
czekam (i'm waiting), or szukam (i'm looking),
English has this pronoun priority
                   to be included in every phrase,
or what provides the British Empire fabric:
            how a-  (indefinite)
     and the-    (definite) articulation secures
pronouns with excess modifications
  as already apparent conjunction modifications
worthy of exegesis into the exotic / excess.
there are 7 pages worth of notes,
   but i have three quarters worth of whiskey to
drink... give me an Andy Warhol moment
suggesting: in the future, people
will have only 15 minutes worth of rechargeable
         infrastructure; hence the pending /
ongoing / will return to in a minute.
reintroducing the trilled R vogue:
    is a bit like incubating a vampiric
in English,
                    rzekomo (apparently so)
       řekomo -
                         variant of: as already stratified.
               still, the trilling of the R
is so out of fashion in English it's necessarily
a vampirism qualm -
                   never nearer the French hark
when the R summarises a rolling effect -
      by imperial standards charred.
howe then to resemble a trill?
           r̭ ?
                   or wave akin to wavering
                       (ñ) that's necessary above an r?
i need the trill represented!
    for thrill a better word -
                  or 0 and the minded gambit.
as said caron the missing H...
       twins in
                 Y or three-dimensional space,
and W
              of trigonometric absorption...
waves hunny, waves...
                          and three dimensional space
and rabbis... honey cluedo pooh bear...
i still need to find the trilled r!
**** me, the trilled r! virgulilla:
or thus said, a patent otherwise.
        yet again a ******* Yeti,
    counting matchsticks in Japan
   rather than in Iowa...
             cos it really ******* mattered
given the knots -
       and other reminders...
         yen, or Jenny,
      v. p o u n d
            (2 1 2 2 2);
          ś (acute) half-missing caron
      inc. grave v. š (caron)
             or the Sean Connery effect -
e.g. środa (wednesday) or škodaª
             (insert a H or a Z)
           for pronunciation
                        of the Czech car manufacturer,
already the Tetragrammaton descends:
   ªwhat a shame, it's such a shame.
       Mishter Bondè:
                                tequila sunrise?
ney - ney shaken nor shackled to a shtir (
šush it, and wise up, mš. moneypenny).
    just say Sharon and write Šaron:
dimples!
                         or how to paint a Kabbalistic
anatomy of the mouth to slow variation
between ś (acute) / no consonants will ever
acquire a gràve - necessary: the e isn't said
accenting / syllable scalpelling cutting up...
but still the coran s (š - to mention
ch in cheap, and šiš kebabs too).
variation of cutting up the caron into
acute and grave?
      ś: the tongue is primarily squeezed by the psyche /
breath and the mouth rekindles eating a lemon
tightening it's juiced up and juices the tongue
to sting with missing saliva -
š? primarily a serpent's hush -
  the mouth hollows out -
         the breath enters a so does a pufferfish:
antics of hollowed out mouth follow suite,
the diamond or double L

       bone                                    soul
               L muscle                            L teeth
  tendon                               tongue

synonyms and Γ apart -
                                 of the LL, or ΓL
                    or LΓ or ΓΓ.
                      the diamond diadem -
assertion of bone: whether caprais or
   cousin in the mandible family...
    is a tongue a muscle?
            still the Kabbalistic anatomy dynamic...
  the kinned appearance of H or the
variant of bone...
     or?
              a-
                     (+)
                              -theism,
it doesn't mean that God doesn't exist,
it just means that God has no logical attachment
to man's sprechen,
            the omni- can be rightfully disregarded
in that rubric consolidated within
categorisation of: lazy...
      a- (i.e. without)  
                            theology,
              ­       or our abhorrent freedoms of will,
nurtured by a universal lack:
       atheism contemplates talk of god
without a contradictory circumstance of the
human endeavour to find itself a *******
     lacklustre of comparative Raphaelite
                 illustration...
                           always the favourite,
aren't they, the crucified ones, rather than
those enthroned? aren't they? so why are the
Japanese asking about their ****** culture?
over-sexualised west?
let's ask Yokote,
   let's ask Takeshi,
let's ask Masahiro,
             sure... you can ask me:
  i prefered prostitutes because i actually
knew i was using my phallus rather than representing
a ******* identity of some egocentrism
regarding the skyscraper -
                     and the last girlfriend i had?
i wouldn't wish her to be a companion of
any kind of a Mongolian invader as part
of a horde... i had an argument with her
and was so unhappy i actually wished i was dead...
          jerking off never seemed so holy
as when encountering this woman who
stood by the motto: life is ****...
           but i guess money does that to you.
**** me! i never expected to be so Japanese in
my outlook;
tragic, i know, but what can you do,
    you unlock the floodgates of feminism
and you think that lions will start to provide for
the household? then you aren't lionesses; obviously;
or reluctantly so:
           i find the 21st century is withstanding
  any kind of revision, given the 20th century's
revisions aren't working
        for any worthy necessitation of reciprocated
stipend.
contumacious imagery,

amorous intensity,

prostitution of the heart,

beating off the chart.

a brush of fingertips,

aching for the whisper of lips,

quicksand stare,

vulnerable and bare.

delicate pusillanimity,

accenting my pulmonary timidity

,hemorrhage of thought,

words of devotion wrought.

closure to desperation,

surrendering upon inclination,

innocence tainted by pain,

tears cleverly disguised as rain.

intoxicating appetite for sensation,

hesitation forcing isolation,

my attatchment never satiated,

my soul emaciated.

jilted girl am i,

you are the apple of my eye,

with you i am besot,

,my adoration not forgot.
Bruce Mackintosh Sep 2012
A dreadful
shadow
moves across the
wallpaper
its twitching
spectral
legs and wings
accenting the
delicate florals

spray it fast
with the can of
Insect Annihilant
or just
smack the ******
with a broom
I do not want the solo,
Let me duet with you my dear.
Sweet harmonies, loud soft, high low.
My heart acts as percussion with you near.
A tune so perfectly pitched,
I lose my time, breath caught in my chest.
We pick up speed, entwined and bewitched.
Forte notes echo , regardless of rests.
I feel your pulse, and you mine,
Lost in the moment, our art.
Accenting each note through bar to line,
Aching passion from the start.
There is no need for strings or timpani
For tonight, you accompany me
Mateuš Conrad Oct 2016
it's this mentality of the old guard: rekindling the Renaissance of the 1950s and 1960s... they're the originators of English, but the last to receive it... their frustrations against Europe are frustrations against being antiques in the anglophile world dynamics... they're Victorian antiques in a silicon valley of usurped hopes... the easiest route is to blame the Romanian than the Californian... the Empire is long gone and there's nothing to bring it all back... hence the culinary fascination and the need to obstruct morality with plastic surgery... they actually hate American accents (after being saturated with American culture) more than French or Germany variations... i know they do because i came to hating them as much as they do... "they" isn't paranoid: the English! we're getting so much American culture it's only natural that we shun the everyday American accenting of what used to be posh bargaining of Oxford in Harvard... globalisation is another word for a monochromatic adjunct.*

2 Texans looking for
de Wallen in Soho...
              London ain't no
Amsterdam:
  Russian oligarch said:
head to Dubai for answers...
    and so they built
the Zeno towers...
              how they never
reveal little mid-western
America to Europe,
the Harvard ponces are ashamed
of dialects -
     American dialect as in
non-celebratory Scoot -
                  aye            -ish
                         but never the redneck
in 'ollywood
                                   how how how -
never the true believers...
we welcome Disney every day,
we get culturally *****, every day,
you think we like Americans?
   we don't...
we're like the Vietnamese...
                    we threw the Jews out,
but the Muslims came...
              we didn't like that...
the Americans became the equivalent of
Jews...
               the English became the
two-faced concierge -
          we loved the cultural ****...
but when we heard American accents
we thought: thanks for the atom bomb
neurosis! the oh-oops message spreading
to North Korea... hey! you dropped
one first! why tell other people
to not do it?! at least the French
tested in aqua-insulators with Godzilla...
you tested the ******* thing in deserts...
oh sure... we love American cultural
exports...
                 we see a Texan in Soho
after a few drinks we're thinking:
                                                 lynch the
*******.
                          it's this disparity of
being fed a culture that represents
            the lowest ebb of pronunciation...
even the northerners in England
hate American accents more than Cockney;
are these plebs feeding us
the zeitgeist? seriously?
        they can't be serious...
                    they have enough enough
actors to be acclaimed as foreign affairs
policy makers by censoring the diversity
of the rainbow of American accents...
   even a Croat accent in English
         (famously part of a football team)
doesn't seem so annoying as a
    niche American accent spoken to
an Englishman...
            Texan for one...
                     hybrid Californian another...
Mid-Western and even though
i'm not English i'm titillated by
donning a red coat.
Mateuš Conrad Oct 2016
i gather you're aware of the fact that i'm familiar
with the many "lesser" things, let us assume that you
think i'm wholly ignorant, but i know otherwise.
then let us progress beyond the realm of man's holy crest,
namely thought, and thus speak of the feminine emasculation
where all thought is a whirlwind, and we decide to delve
on the sacred destructive element, via fifth namely electric
(what element beyond the candle if not the light-bulb?)
into the sixth, and that being: a woman's heart -
for this is a heart that narrates the unspoken, un-thought,
a housewife's fable (why the y missing when clearly stated
fay babble? excess, true, but necessary), here the four letters
translate in our accenting to provide the basis for concerning
syllable scalpel incisions, toward the penultimate atoms
and the ultimate sub-atomic shrapnel (i've learned the heaving
and congesting difficulty that language can provide -
ponce off logos if you want toward the source that's Heraclitus -
via Heidegger); somewhere between the tick (grave stress-or)
and the tock (acute stress-or), less breve (˘) / or the pushing down
to concentrate - again: we are encoding merely approximates
and diverge into Glaswegian or Cockney accents,
or otherwise in Australia. so how to rewrite the already stressed
word in italics? oh please put us out of our misery!
how do you apply the syllable incision, herr doktor?
indeed: făble -         ˘     and |        and the y -
                                                Y - lazy ******* gits!
who? the now seemingly ancient red-coats!
        even the Greeks applied diacritical marking on their
beautiful alphabet - the English thought they were Latin
and didn't bother, they have absolutely no orthographic
rules... so here's my suggestion: before damning
all metaphysics, apply orthography -
                                 and then do something about that extra
limb para-     that you left unexplored when competing
for the benzene ring - now reality looks really 2-dimensional
to me... we have ortho-exploration via orthography,
and we have metaphysics, but para? evidently only toward
war, with the gloomy paratroopers... and excess political
jargon of neocon and what not.
i'll go as far as necessary and say: even the acute aversion
to fable suits the surgical procedure: fáble -
a Spartacus moment: people! oh people! do you not
see where the origin of dyslexia lies with you?!
and do you know why i'm referencing all this
(from one random word, to a less randomised word)?
dyslexia and asthma - learn to breath and syllable words,
you'd be in the Black Forest of Germany with their
chemistry aligned word compounding and banishment
of the Oxford hyphenation for constantly relegating
acceptance. i ref. to Aldous Huxley and the occult,
but less perverse and more pristine...
why do cats eat cobwebs and love to play with frogs?
Baal - or Bæl -
                              Siamese Adam and Eve -
   never the Siamese in reality, same-*** Siamese -
                                                 but now the cutting up -
variants: count two for the umlaut,
             or a heart-attack flat-line macron and out comes
             Bāl                    or            Bäl          -
but look at it, orthography has suddenly usurped
the Anglo aesthetic - it either looks less appealing...
or actually correct / necessary.
     after synthesising the English language for over
20 years, i finally get to analyse it
                                                 and ask a priori questions
in an eternal back-flip cartwheel censure;
     but back toward the original intent stemming from
fable - what if we're working from Bæl?
     evidently someone's going to don a diacritical crown...
just to ensure we are true linguists -
                               hmm -
                                                       i could
concern myself with a breve marking - but the graphic
suggests otherwise... let's simply say it as twin partnership
of incision, and mark the syllable cut
    via Báèl.                       that slimy duke of inferno
    appears whenever the cat, the frog and the spider
                   coagulate into a formidable dynamic -
                and i guess as being of the Taurus zodiac i can
simply say: i disregard the earthly months and seasons
and call upon the zodiac month divisions -
suiting to my personality; and i know this appeals to
women, who's reasoning is of the heart, rather than
of the abstract brain that's the mind of men;
     brain is fat anyway, but oh the eager thumping
             of a woman wanton in all the many possibilities
unexplored; plus the scientific discussion regarding
linguistics - to prove i'm not a hot-air balloon worth of crap.
Broken Arpeggio Sep 2018
It is a symphony of distortion
That unfolds before my weary eyes
A complicated but intricate body of work
I fight daily not to reprise

The opening sonata is slow, yet eerily intriguing
Simply starting with a beating heart
Never knowing the tempo each day will bring
Due to inconsistent sight reading from the various nourishing parts

Switching to adagio brings a fluidity of movement
Though the pace is still quite slow
An integration of crux and marrow can be painfully tedious
Thus suspending vital balances and flow

A minuet seeks to pull these things together
The lively dance of mind, body, and soul
While entertaining and fun, it can bring about an urge for perfection
Inciting an overwhelming loss of control

Finally, a sonata-rondo gradually calms the madness within this body of work
Accenting an inotation that is both a bright and hopeful sound
Yet, it still holds tempo, not willing to relinquish
The rigid temperament previously found
The music found in daily struggles, and the dance we do to manage them...

Music + Poetry = Life
My whole life has changed since you've come in, in such a beautiful way.
You're my best friend, the love of my life, and such an abundant blessing to this world.
You remind me who I really am, when I feel lost in my emotions.
You're love brings peace, smiles, uncontrollable laughter, you brighten up every moment that you are with me just by being there.
You make me feel whole, you make me feel like a somebody and far beyond that, you tell me day after day of my worth.
I wanna grow in God with you,
I love praying for you.
For your happiness, for your health, for you to have energy to press through another hard day when you have one, I pray for stress relief over you, I ask God to bring you strength through adversity in your life, for you to have joy that over flows, and so much more!
You're not God and I do not try to replace you with him but I feel whole when I am by your side.
I forget every challenge that I am facing, you give me a reason to want to fight for success, to fight for me when I cant find another.
I brush off loneliness, hatred, impatience, and anything holding me back when I think of you,
because when I think of you, I always smile and I just cant help it but be happy when you're on my mind.
I always hope for the best with you, I will always cheer you on,
always pray for you, because I love you:)

When I think of all the times you've made me smile,
I love you.
When I think of all that we have gone through, pushed through to get here,
I love you.
When I think of every fight we have had,
I love you.
When I think of all the times I have missed you,
I love you.
When you make me laugh,
I love you.
When you say something rude and un called for
I love you
When I am wrong and you put me in my place,
I love you.
When I think of times that you've made a false step,
I love you.
When I think of your adorable dimples accenting your cheeks when you laugh,
I smile:)
When you're mad at me, and raise your voice,
I love you,
Because I do.
Nothing you do could ever change my love for you.

So much lead up to the day I said "I love you"
I meant it.
I was overly confident about knowing my love for you.
I was so for sure.
And i still am!
After every night wee stayed up fighting,
after every time I hurt your feelings,
after every amazing moment that i have spent with you,
after every "I love You"
after every "hello" and "goodbye"
after every kiss,
and after every day,
I am still just as sure,
as the very first day I spoke those words to you.
I love you,
and I always will:)
Pagan Paul Aug 2017
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Major Haiku (7-9-7)

The dance of lovers in heat
mysterious communication
Pandora's box of feelings
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Standard Haiku (5-7-5)

Green leaves on the tree
pretty in the summer sun
light accenting hues
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Minor Haiku (3-5-3)

Time is here
fleeting passing gone
temporal
<>

Mini Haiku (1-3-1)

Bird
on the wing
fly
<>



© Pagan Paul (2016/2017)
.
Samuel Preveda Feb 2011
Picking him up off of the ground
And wiping his little face
The face of love peering into forest brown eyes

Came back again, lost but then found
Wrapped warm in skins and furs
No more tears and deep nighttime cries

A golden morning music filled sun
Nodding awake gently, blue hewn wind
Erasing unquiet, unkempt and wrinkles

Fruit from the ground, food for her son
An escape from dreamland and a roaring buffalo
A trillion stars: flash, elaborate, stun and twinkle

Healing a scar, no more tears, no more blood
Forgotten and sprinkled into the wild fields
Murmuring replaced by silent applause and smiles

A little boy god made from mud
A corn-blue feather at his feet
Dancing creatures, the forest, four miles

Jonotuwa working the light with glass
Pottery, a decorated egg, incensed flowers
Berry red dye accenting glowing skin
And for that night accepting mask
Spied a bird, we sing, we’ll fly
Until we feast and replenish the garden.

— The End —