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RAJ NANDY Jul 2018
Dear Readers, concept of Time has bewildered our ancient sages, philosophers, poets, artists,  including our famous scientists and physicists even to this day. It has no doubt also impacted my    
mind in several ways! Therefore, this series about the ‘Enigma of Time In Verse’ is now being composed and posted to share my thoughts with my Poet friends on this Site. If you like it kindly re-post this poem. Thanking You, - Raj Nandy from New Delhi.
             

   THE ENIGMA OF TIME IN VERSE : PART ONE
                           BY RAJ NANDY

                 A  SHORT  INTRODUCTION

During my childhood days, time appeared to be joyful and endless.
Though my parents had observed the clock all the while,
Telling me when to rise, when to eat, play, do my homework, -
till it was my bed time.
Alas, my childhood days as cherished memories are now left behind.
With rest of the world  I am now chasing that winged arrow of Time!

Those Management Gurus say, that our twenty four hours day,
Is time enough for those who can manage time from day to day.
Yet I do find, that I am generally chasing time, not to be left behind!
Hoping that a full time job will provide, some quality time, with the desired comforts of life.
Therefore, I abide my time, hoping to have the time of my life one day, with some quality time coming my way.
But in this mad race against time, while chasing that butterfly of happiness,
I must learn to cool down and breathe, before time decides to elude me!
For with patience and perseverance, that butterfly of happiness, will alight gently on my shoulder in good time, and perhaps at
the right time!
While time is universally regarded as the fourth dimension by our physicists,
It is said to flow at different rates for different individuals as mentioned by Shakespeare the English dramatist.

          FEW  LITERARY  QUOTES  ABOUT  TIME

In ‘As You Like It’ Act 3, Shakespeare refers to ‘the swift steps’ and the ‘lazy foot’of time  in a relativistic way.
Time ‘trots’ for a young woman between her engagement and marriage when a week feels like seven years for her every day!
Time ‘ambles’ for a priest who doesn’t know Latin and a rich man without gout;
Since the priest is spared the burden of exhausting study, and the rich man is spared the burden of exhausting poverty - no doubt.
But time ‘gallops’ for a thief walking to the gallows, for even if he walks slowly, he happens to gets there too soon!
While time ‘stands still’ for lawyers on vacation, since he sleeps his holidays away!

Now moving forward to Einstein who once described his ‘Theory of Relativity’ very humorously in the following way; -
“When you sit with a nice girl for two hours you think it’s only a minute, but when you sit on a hot stove for a minute, you think it’s two hours,” he had said with a chuckle!

Getting back to Shakespeare’s ‘Macbeth’ Act One on that blasted heath,
Macbeth asks the three witches, “If you can look into the seeds of Time,
And say which grain will grow and which will not,
Speak then to me, who neither beg nor fear…”
And finally that brilliant piece of soliloquy about Time by Macbeth in Act 5:
“To-morrow, and to-morrow, and to-morrow,
  Creeps in this petty pace from day to day
  To the last syllable of recorded time,
  And all our yesterdays have lighted fools
  The way to dusty death….”

John Milton’s poem ‘On Time’ composed in 1930 ends with his optimistic lines:
“Fly envious Time, till thou run out thy race,
  Call on the lazy leaden-stepping hours,
  Whose speed is but the heavy Plummets pace …..
  When once our heavenly-guided soul shall clime,
  Then all this Earthly grossness quit,
  Attired with Stars, we shall forever sit
  Triumphing over Death and Chance, and thee O Time.”

Alexander Pope in his ‘Imitations of Horace’ (1738) writes:
“Years following years steal something every day,
  At last they steal us from ourselves away.”
Romantic poets have dealt with the transience of time, which got popularised by the Latin phrase ‘Carpe diem’ which tells us to ‘seize the day’;
This Latin phrase has been borrowed from the Roman lyrical poet Horace of ancient days.

Charles Dickens’ novel ‘Hard Times’ is an autobiography describing his difficult childhood days.
While the famous opening lines of his historical novel ‘A Tale of Two Cites’ take us back to 18th century London and Paris under times sway.
I quote Dickens’ memorable opening lines:
"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us ......”

We have the Nobel Laureate Tagore’s well known poetic lines on the subject of Time:
“The butterfly counts not months but moments, and has time enough.”
“Let your life lightly dance on the edges of Time like dew on the tip of leaf.”
He described the Taj Mahal as “a tear drop on the cheek of Time,” in his unique poetic style!

TS Eliot’s ‘Four Quarters’ of 1935,  include extended rumination on the nature of Time:
“Time present and time past,
  Are both perhaps present in time future.
  And time future contained in time past.
  If all time is eternally present,
  All time is unredeemable.
  What might have been is an abstraction
  Remaining a perpetual possibility,
  Only in a world of speculation….”
(Notes: This concept will become clearer in my Part Two, presently under construction.)

Next I have a quote from WH Auden’s poem ‘As I Walked Out One Evening’composed in 1937:
“But all the clocks in the city
  Began to whirr and chime:
  O let not Time deceive you.
  You cannot conquer Time.”

Subject of Time forms an important part of science fiction even to this day.
HG Well’s ‘The Time Machine’ (1895) interests both the layman and the Scientific community even today!
Finally, I would like to conclude my Part One on ‘The Enigma of Time in Verse’ with my favourite poem composed by the British poet Ralph Hodgson:
  
TIME, you old gipsy man,
  Will you not stay,
Put up your caravan
  Just for one day?
  
All things I'll give you
Will you be my guest,
Bells for your jennet
Of silver the best,
Goldsmiths shall beat you
A great golden ring,
Peacocks shall bow to you,
Little boys sing,
Oh, and sweet girls will
Festoon you with may.
Time, you old gipsy,
Why hasten away?
  
Last week in Babylon,
Last night in Rome,
Morning, and in the crush
Under Paul's dome;
Under Paul's dial
You tighten your rein—
Only a moment,
And off once again;
Off to some city
Now blind in the womb,
Off to another
Ere that's in the tomb.
  
Time, you old gipsy man,
  Will you not stay,
Put up your caravan
  Just for one day.

In Part Two I shall cover the Concepts of Time along with its Philosophical speculations.
Before moving on to Einstein’s concept of Time, and its present Scientific interpretations.
Thanks for reading patiently, from Raj Nandy of New Delhi.
It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that
As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.

And down by the brimming river
I heard a lover sing
Under an arch of the railway:
"Love has no ending.

"I'll love you, dear, I'll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,

"I'll love you till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.

"The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world."

But all the clocks in the city
Began to whirr and chime:
"O let not Time deceive you,
You cannot conquer Time.

"In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.

"In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
To-morrow or to-day.

"Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver's brilliant bow.

"O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you've missed.

"The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the tea-cup opens
A lane to the land of the dead.

"Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.

"O look, look in the mirror?
O look in your distress:
Life remains a blessing
Although you cannot bless.

"O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbour
With your crooked heart."

It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.
A night was near, a day was near;
  Between a day and night
I heard sweet voices calling clear,
    Calling me:
I heard a whirr of wing on wing,
  But could not see the sight;
I long to see my birds that sing,--
    I long to see.

Below the stars, beyond the moon,
  Between the night and day,
I heard a rising falling tune
    Calling me:
I long to see the pipes and strings
  Whereon such minstrels play;
I long to see each face that sings,--
    I long to see.

To-day or may be not to-day,
  To-night or not to-night;
All voices that command or pray,
    Calling me,
Shall kindle in my soul such fire,
  And in my eyes such light,
That I shall see that heart's desire
    I long to see.
ArielMarriel Sep 2018
I am
my
own
best
bartender.
(whirr)
(whirr)
(whirr)
(whirr)
drinking words.
1

Beat! beat! drums!—Blow! bugles! blow!
Through the windows—through doors—burst like a ruthless force,
Into the solemn church, and scatter the congregation;
Into the school where the scholar is studying;
Leave not the bridegroom quiet—no happiness must he have now with his bride;
Nor the peaceful farmer any peace, plowing his field or gathering his grain;
So fierce you whirr and pound, you drums—so shrill you bugles blow.

2

Beat! beat! drums!—Blow! bugles! blow!
Over the traffic of cities—over the rumble of wheels in the streets:
Are beds prepared for sleepers at night in the houses? No sleepers must sleep in those beds;
No bargainers’ bargains by day—no brokers or speculators—Would they continue?
Would the talkers be talking? would the singer attempt to sing?
Would the lawyer rise in the court to state his case before the judge?
Then rattle quicker, heavier drums—you bugles wilder blow.

3

Beat! beat! drums!—Blow! bugles! blow!
Make no parley—stop for no expostulation;
Mind not the timid—mind not the weeper or prayer;
Mind not the old man beseeching the young man;
Let not the child’s voice be heard, nor the mother’s entreaties;
Make even the trestles to shake the dead, where they lie awaiting the hearses,
So strong you thump, O terrible drums—so loud you bugles blow.
Steven Skytower Apr 2012
I hold the camera up to my face and snap a picture.
She lays there.
I shoot again. Seizing another moment.
Then move to another angle
A different point of view, tells another story.
And it's mine to interpret through film.

Click,
A few more shots and I'll be satisfied.
Amazing how a photo can speak volumes
You don't have to have been present
To know exactly what was happening

Whirr,
Flash,
Two more proofs, Two more pieces
A sense of infatuation washes over me
I'm completely involved with my subject
And she's doing her part.

Zip, Snap
She's laid out in front of me
Vulnerable to my lens
Absolute beauty captured
By my hand to be displayed

The puddle under her expands, Under my soles
She's still,
Motionless  as two men lift her off the ground,
And place her in a bag.
Given another life through my camera lens.
the sky sinks its blue teeth
into the mountains.

Rising on pure will

(the lurch & lift-off,
the sudden swing
into wide, white snow),

I encourage the cable.

Past the wind
& crossed tips of my skis
& the mauve shadows of pines
& the spoor of bears
& deer,

I speak to my fear,

rising, riding,
finding myself

the only thing
between snow & sky,

the link
that holds it all together.

Halfway up the wire,
we stop,
slide back a little
(a whirr of pulleys).

Astronauts circle above us today
in the television blue of space.

But the thin withers of alps
are waiting to take us too,
& this might be the moon!

We move!

Friends, this is a toy
merely for reaching mountains

merely
for skiing down.

& now we're dangling
like charms on the same bracelet

or upsidedown tightrope people
(a colossal circus!)

or absurd winged walkers,
angels in animal fur,

with mittened hands waving
& fear turning

& the mountain
like a fisherman,

reeling us all in.

So we land
on the windy peak,
touch skis to snow,
are married to our purple shadows,
& ski back down
to the unimaginable valley

leaving no footprints.
Anthony Williams Jul 2014
It was in total a fast track ticket to the moon
and I can't return to transaction dock 8 too soon
the star checkout lane at my local supermarket
tops balloons with rocket science aeronautics
that pilot's service areas binary counter perfect
exceeding expectations bent into global orbit

My items sped along to muzak her slim milky way belt
a smile beaming discount countdowns heaven sent
taking off in bit lips when her priceless item buttons
almost burst free to air with a strain of special promotions
helpfully assisting my every excess flight of fancy
made impulse buys a baggage allowance necessity

She stroked parts of her radical laser station
to fully engage hygienic wiped spills of imagination
and I felt the warp of hyperdrive tangelo engines
urging me into a dive to scan juice ripe tangerines
a last minute save fuelled by stalling flashback cavities
gyrating in tight nets as we escaped earth's gravity

With a twist of her wrist I was into fits-the-bill ecstasy
as the whirr of electronics cut loose such quality
with a lick of an index finger our mission was bagged
handled too efficiently for any danger of jet lag
no flyby chance to not exchange standby coupons
my trolley emptied of offers too galactic to pass on
by Anthony Williams
svdgrl Apr 2016
The whirr of the rush hour in the morning
and the lack of human sounds outside my door
reinforces that I'm alone.

It was a noise similar to my usual routine,
of quelling needy pangs of connection,
with what is always plugged in.

You had slept with me on this bed twice before
and you were unaware that on it,
I numbed myself quite frequently.

I reprimand myself to let go of expectations,
they have long become pipe dreams and idealism,
and would be foolish to follow still.
nicholas ripley Aug 2014
After the devastation came recuperation.
New shoots had sprung with alacrity
enough to establish a presence
in that walled garden,
contained to a strip
barely big enough for date and citrus
to thrive.

The neighbour waited twenty one seasons,
and with each season saw
young shoots
replacing the old.
Imaging a future
where grass might escape the confines
of concrete and sea

neighbour chose to start the mower,
move beyond boundaries,
and mow and mow and mow.
It's been twenty three days now
and still blades whirr
day and night
each hour inducing fresh rubble

to deter shoots, new seeds, hope.
The neighbour will retreat soon,
beyond the wall,
being temporarily satiated
with reek and wreckage,
knowing a day shall arise to return
for the fruits of the land.
August 2014
Ottar Dec 2012
Chick peas et al Garbonzo beans'
a machine with blades, the means.

Tahini, lemon juice and a red pepper flakes,
A chipolte in abodo, smoked paprika, is what it takes.

Roasted red pepper, garlic too, touches on the button,
The roar, whirr and with the sounds blending till done.

Salt and pepper to taste,
Not too much or it is a waste,  
Not to little or, well, you know,
A hint of red just shows.

With your crusty bread, dig in like you hold a shovel,
Two handed flavour, taste and bite into that crusty bread,
Flavour moves and sends a smoky heat sensation to a new level,
Hope this is the best tasting poem that you have  read!
Surprise!
HE lived on the wings of storm.
The ashes are in Chihuahua.

Out of Ludlow and coal towns in Colorado
Sprang a vengeance of Slav miners, Italians, Scots, Cornishmen, Yanks.
Killings ran under the spoken commands of this boy
With eighty men and rifles on a hogback mountain.

They killed swearing to remember
The shot and charred wives and children
In the burnt camp of Ludlow,
And Louis Tikas, the laughing Greek,
Plugged with a bullet, clubbed with a gun ****.

As a home war
It held the nation a week
And one or two million men stood together
And swore by the retribution of steel.

It was all accidental.
He lived flecking lint off coat lapels
Of men he talked with.
He kissed the miners' babies
And wrote a Denver paper
Of picket silhouettes on a mountain line.

He had no mother but Mother Jones
Crying from a jail window of Trinidad:
"All I want is room enough to stand
And shake my fist at the enemies of the human race."

Named by a grand jury as a murderer
He went to Chihuahua, forgot his old Scotch name,
Smoked cheroots with Pancho Villa
And wrote letters of Villa as a rock of the people.

How can I tell how Don Magregor went?

Three riders emptied lead into him.
He lay on the main street of an inland town.
A boy sat near all day throwing stones
To keep pigs away.

The Villa men buried him in a pit
With twenty Carranzistas.

There is drama in that point...
...the boy and the pigs.
Griffith would make a movie of it to fetch sobs.
Victor Herbert would have the drums whirr
In a weave with a high fiddle-string's single clamor.

"And the muchacho sat there all day throwing stones
To keep the pigs away," wrote Gibbons to the Tribune.

Somewhere in Chihuahua or Colorado
Is a leather bag of poems and short stories.
Old goatherds swear how all night long they hear
The warning whirr and burring of the bird
Who wakes with darkness and till dawn works hard
Vampiring dry of milk each great goat udder.
Moon full, moon dark, the chary dairy farmer
Dreams that his fattest cattle dwindle, fevered
By claw-cuts of the Goatsucker, alias Devil-bird,
Its eye, flashlit, a chip of ruby fire.

So fables say the Goatsucker moves, masked from men's sight
In an ebony air, on wings of witch cloth,
Well-named, ill-famed a knavish fly-by-night,
Yet it never milked any goat, nor dealt cow death
And shadows only--cave-mouth bristle beset--
Cockchafers and the wan, green luna moth.
As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.

And down by the brimming river
I heard a lover sing
Under an arch of the railway:
'Love has no ending.

I'll love you, dear, I'll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street.

I'll love you till the ocean
Is folded and hung up to dry,
And the seven stars go squawking
Like geese about the sky.

The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world.'

But all the clocks in the city
Began to whirr and chime:
'O let not Time deceive you,
You cannot conquer Time.

'In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.

'In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
To-morrow or today.

'Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver's brilliant bow.

'O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare at the basin
And wonder what you've missed.

'The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the tea-cup opens
A lane to the land of the dead.

'Where the beggars raffle the banknotes
And the Giant in enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.

'O look, look in the mirror,
O look in your distress;
Life remains a blessing
Although you cannot bless.

'O stand, stand in the window
As the tears scald and start;
You shall love your crooked neighbor
With your crooked heart.'

It was late, late in the evening
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.
WHY should I be wondering
How you would look in black velvet and yellow? in orange and green?
I who cannot remember whether it was a dash of blue
Or a whirr of red under your willow throat-
Why do I wonder how you would look in humming-bird feathers?
chitragupta Feb 2020
Rip, rip, rip!
Red glazed paper
Cling, cling, cling!
The falling sugar
Whirr, whirr, whirr!
Grinding of the beans
Stir, stir, stir!
Till the surface gleams
Drip, drip, drip!
Dripping black ocean
Sip, sip, sip!
The bitter decoction

Sweetheart
Ain't it sweet enough
To believe there's someone we're made for
But it's never enough sugar
in that sachet
Why does love last as long as it's paid for?
Happy Valentine's day, poets.
I walked among the seven woods of Coole:
Shan-walla, where a willow-hordered pond
Gathers the wild duck from the winter dawn;
Shady Kyle-dortha; sunnier Kyle-na-no,
Where many hundred squirrels are as happy
As though they had been hidden hy green houghs
Where old age cannot find them; Paire-na-lee,
Where hazel and ash and privet hlind the paths:
Dim Pairc-na-carraig, where the wild bees fling
Their sudden fragrances on the green air;
Dim Pairc-na-tarav, where enchanted eyes
Have seen immortal, mild, proud shadows walk;
Dim Inchy wood, that hides badger and fox
And marten-cat, and borders that old wood
Wise Buddy Early called the wicked wood:
Seven odours, seven murmurs, seven woods.
I had not eyes like those enchanted eyes,
Yet dreamed that beings happier than men
Moved round me in the shadows, and at night
My dreams were clown hy voices and by fires;
And the images I have woven in this story
Of Forgael and Dectora and the empty waters
Moved round me in the voices and the fires,
And more I may not write of, for they that cleave
The waters of sleep can make a chattering tongue
Heavy like stone, their wisdom being half silence.
How shall I name you, immortal, mild, proud shadows?
I only know that all we know comes from you,
And that you come from Eden on flying feet.
Is Eden far away, or do you hide
From human thought, as hares and mice and coneys
That run before the reaping-hook and lie
In the last ridge of the barley? Do our woods
And winds and ponds cover more quiet woods,
More shining winds, more star-glimmering ponds?
Is Eden out of time and out of space?
And do you gather about us when pale light
Shining on water and fallen among leaves,
And winds blowing from flowers, and whirr of feathers
And the green quiet, have uplifted the heart?
I have made this poem for you, that men may read it
Before they read of Forgael and Dectora,
As men in the old times, before the harps began,
Poured out wine for the high invisible ones.
I do not see the hills around,
Nor mark the tints the copses wear;
I do not note the grassy ground
And constellated daisies there.

I hear not the contralto note
Of cuckoos hid on either hand,
The whirr that shakes the nighthawk’s throat
When eve’s brown awning hoods the land.

Some say each songster, tree and mead—
All eloquent of love divine—
Receives their constant careful heed:
Such keen appraisement is not mine.

The tones around me that I hear,
The aspects, meanings, shapes I see,
Are those far back ones missed when near,
And now perceived too late by me!
To the Williamson Brothers

High noon. White sun flashes on the Michigan Avenue
     asphalt. Drum of hoofs and whirr of motors.
     Women trapsing along in flimsy clothes catching
     play of sun-fire to their skin and eyes.

Inside the playhouse are movies from under the sea.
     From the heat of pavements and the dust of sidewalks,
     passers-by go in a breath to be witnesses of
     large cool sponges, large cool fishes, large cool valleys
     and ridges of coral spread silent in the soak of
     the ocean floor thousands of years.

A naked swimmer dives. A knife in his right hand
     shoots a streak at the throat of a shark. The tail
     of the shark lashes. One swing would **** the swimmer...
     Soon the knife goes into the soft under-
     neck of the veering fish... Its mouthful of teeth,
     each tooth a dagger itself, set row on row, glistens
     when the shuddering, yawning cadaver is hauled up
     by the brothers of the swimmer.

Outside in the street is the murmur and singing of life
     in the sun--horses, motors, women trapsing along
     in flimsy clothes, play of sun-fire in their blood.
Kara Rose Trojan May 2012
Crowded by the ceiling’s emptiness (the room sticky with whispers)
names carved into grimy tiles, final shadows
            of the footsteps now hugged in dust,
                        and the ashes dulled the slapping of
                        feet on the ladder’s last rung.

            Huddled in the sour dimness of his shadow
                        is where our parents hid the prayers
                        that went undelivered –
[cloistered, naïve faith off Jacob’s Ladder]

He asked me questions that pricked too deeply –
            that fingernail clipped too short --
            as the invading hand of ******* parted words and stammers
            to play shadow puppets with, what Plato called,
            “three times removed” from the Truth.
And when leaving the choir’s balcony,
one can find the thumbtack of feeling in which
the glass-saints sweat all the industrialized emotions onto one’s brow.
            Does it seem like suffering? Catholic’s suffering.
Giving room for error in your lapse in charity.

In elementary school, we left our classrooms --
            two-by-two like businessmen arguing on the sidewalk --
Every Tuesday at 2:10pm to the hidden alcove that the administration
            gave
            to us.
Mrs. Condon, a strictly fat woman, strictly speaking,
dressed in red vests
and constricting black slacks, with a white binder,
salted as the laughter left in her footprints, reproving us that
as the Gifted and Talented, we must exercise
those gifts and talents.

I wrote a 256-paged novel that bought me one year
of slacking off behind a wooden desk because I was
11 years old
and that fact bought a bulbous beet of conditioning into the
curriculum. Ms. Condon made me edit my peers’ essays, give them grades
when all I wanted to do was play four square.

As I perched on my stool in class, properly equipped with unforgiving,
admonishing, Catholic red pens to point out other
11 year old’s punctuation and proper word usage. Like a tie to a neck, I
fiddled in vernacular, phrases, and semantics
as I unconsciously stacked layers of social prejudice, thicker
than the walls between silent parents, between some students
and I.
Stacked as quaintly as words upon words – hand over hand.

Mrs. Condon, Mrs. CEO, Ms. Too-Good-For-This, Bourgeois vs. Proletariats, I am the Marquis.

Like hounds held by leashes, the others locked to rebel, then whimpered to trail back, tails in hand.

Gifted and groomed to stack one spurned cinder block on social mobility.

In a whirr of dandelions, dice, and tax breaks, I knew how it felt to remain aloft, aloof --
            Mrs. Condon rewarded me with the cherry Twizzler of my spine
            and patted my head like the lapdog that I had been.
Steven Fortune May 2014
I have been studying how I may compare
This prison where I live unto the world;
And for because the world is populous,
And here is not a creature but myself,
I cannot do it.  Yet I'll hammer it out.*
             -Shakespeare, Richard II, Act V.I

The world I fathom rhetorically orbits
around the whirr of a dust-peppered
triad of turbine limbs
inbreeding infinitely as electricity's
treaty permits
into a smorgasbord whirl of
processed plastic white

A remedial sun I compose
to counter outside's oven bulb
in the world I do not fathom

Heat's ****** of humidity
is not lost on me
with no canonized sense
even to establish it with

And even my own remedial sun
restricts a reality-knighting touch
with its ozone cage pried open
in unseen haste - a victim
of college's fugitive waltz
encased in the jazz fusion dance hall
of the world I cannot fathom

Is there a dual left-footed
interpretive dance of a carbon dimension
outside of reality's steaming kitchen
to fathom me?
08 28 12
Zemyachis Mar 2014
tickity-clickity whirr went my father to set
the little merry-go-round musicbox by my bed
with its adorbsable mini-suction cups lining
purple porcelain tentacles
winding round and round
lulling gently with that nostalgic ice-cream truck tune
reminding me of sweet tang juicy mango slush
on a hot afternoon
where the posh-painted ponies fly by with the tide rising up and down
in a seaside villa of some spanish town
in all the grandness of their primary colors so carefully chosen to brush
at the command of a fairy princess with her crown gold-gilded
she's twirling whirling, a mechanical ballerina on springs
gracefully petite her frame, so small the sash on her shoulder
that slips in the breeze to catch the eye of a little soldier
in his regimentals properly fitted, buttoned in brass
a lass like me lovingly adoring bunnies in top hats and bow ties
spats on their feet to tap dance for me
in my dreams the never ending spin of a teacup party
the catch of a hook where the lullaby loses flight
but I'm already asleep with a kiss goodnight
Inner not outer, without gnash of teeth
  Or weeping, save quiet sobs of some who pray
  And feel the Everlasting Arms beneath,--
Blackness of darkness this, but not for aye;
  Darkness that even in gathering fleeteth fast,
  Blackness of blackest darkness close to day.
Lord Jesus, through Thy darkened pillar cast,
  Thy gracious eyes all-seeing cast on me
  Until this tyranny be overpast.
Me, Lord, remember who remember Thee,
  And cleave to Thee, and see Thee without sight,
  And choose Thee still in dire extremity,
And in this darkness worship Thee my Light,
  And Thee my Life adore in shadow of death,
  Thee loved by day, and still beloved by night.
It is the Voice of my Beloved that saith:
  "I am the Way, the Truth, the Life, I go
  Whither that soul knows well that followeth"--

O Lord, I follow, little as I know;
  At this eleventh hour I rise and take
  My life into my hand, and follow so,
With tears and heart-misgivings and heart-ache;
  Thy feeblest follower, yet Thy follower
  Indomitable for Thine only sake.
To-night I gird my will afresh, and stir
  My strength, and brace my heart to do and dare,
  Marvelling: Will to-morrow wake the whirr
Of the great rending wheel, or from his lair
  Startle the jubilant lion in his rage,
  Or clench the headsman's hand within my hair,
Or kindle fire to speed my pilgrimage,
  Chariot of fire and horses of sheer fire
  Whirling me home to heaven by one fierce stage?
Thy Will I will, I Thy desire desire;
  Let not the waters close above my head,
  Uphold me that I sink not in this mire:
For flesh and blood are frail and sore afraid;
  And young I am, unsatisfied and young,
  With memories, hopes, with cravings all unfed,
My song half sung, its sweetest notes unsung,
  All plans cut short, all possibilities,
  Because my cord of life is soon unstrung.
Was I a careless woman set at ease
  That this so bitter cup is brimmed for me?

  Had mine own vintage settled on the lees?
A word, a puff of smoke, would set me free;
  A word, a puff of smoke, over and gone:...
  Howbeit, whom have I, Lord, in heaven but Thee?
Yea, only Thee my choice is fixed upon
  In heaven or earth, eternity or time:--
  Lord, hold me fast, Lord, leave me not alone,
Thy silly heartless dove that sees the lime
  Yet almost flutters to the tempting bough:
  Cover me, hide me, pluck me from this crime.
A word, a puff of smoke, would save me now:...
  But who, my God, would save me in the day
  Of Thy fierce anger? only Saviour Thou.
Preoccupy my heart, and turn away
  And cover up mine eyes from frantic fear,
  And stop mine ears lest I be driven astray:
For one stands ever dinning in mine ear
  How my gray Father withers in the blight
  Of love for me, who cruel am and dear;
And how my Mother through this lingering night
  Until the day, sits tearless in her woe,
  Loathing for love of me the happy light
Which brings to pass a concourse and a show
  To glut the hungry faces merciless,
The thousand faces swaying to and fro,
  Feasting on me unveiled in helplessness

  Alone,--yet not alone: Lord, stand by me
  As once by lonely Paul in his distress.
As blossoms to the sun I turn to Thee;
  Thy dove turns to her window, think no scorn;
  As one dove to an ark on shoreless sea,
To Thee I turn mine eyes, my heart forlorn;
  Put forth Thy scarred right Hand, kind Lord, take hold
  Of me Thine all-forsaken dove who mourn:
For Thou hast loved me since the days of old,
  And I love Thee Whom loving I will love
  Through life's short fever-fits of heat and cold;
Thy Name will I extol and sing thereof,
  Will flee for refuge to Thy Blessed Name.
  Lord, look upon me from thy bliss above:
Look down on me, who shrink from all the shame
  And pangs and desolation of my death,
  Wrenched piecemeal or devoured or set on flame,
While all the world around me holds its breath
  With eyes glued on me for a gazing-stock,
  Pitiless eyes, while no man pitieth.
The floods are risen, I stagger in their shock,
  My heart reels and is faint, I fail, I faint:
  My God, set Thou me up upon the rock,
Thou Who didst long ago Thyself acquaint
  With death, our death; Thou Who didst long ago

  Pour forth Thy soul for sinner and for saint.
Bear me in mind, whom no one else will know;
  Thou Whom Thy friends forsook, take Thou my part,
  Of all forsaken in mine overthrow;
Carry me in Thy *****, in Thy heart,
  Carry me out of darkness into light,
  To-morrow make me see Thee as Thou art.
Lover and friend Thou hidest from my sight:--
  Alas, alas, mine earthly love, alas,
  For whom I thought to don the garments white
And white wreath of a bride, this rugged pass
  Hath utterly divorced me from thy care;
  Yea, I am to thee as a shattered glass
Worthless, with no more beauty lodging there,
  Abhorred, lest I involve thee in my doom:
  For sweet are sunshine and this upper air,
And life and youth are sweet, and give us room
  For all most sweetest sweetnesses we taste:
  Dear, what hast thou in common with a tomb?
I bow my head in silence, I make haste
  Alone, I make haste out into the dark,
  My life and youth and hope all run to waste.
Is this my body cold and stiff and stark,
  Ashes made ashes, earth becoming earth,
  Is this a prize for man to make his mark?

Am I, that very I who laughed in mirth
  A while ago, a little, little while,
  Yet all the while a-dying since my birth?
Now am I tired, too tired to strive or smile;
  I sit alone, my mouth is in the dust:
  Look Thou upon me, Lord, for I am vile.
In Thee is all my hope, is all my trust,
  On Thee I centre all my self that dies,
  And self that dies not with its mortal crust,
But sleeps and wakes, and in the end will rise
  With hymns and hallelujahs on its lips,
  Thee loving with the love that satisfies.
As once in Thine unutterable eclipse
  The sun and moon grew dark for sympathy,
  And earth cowered quaking underneath the drips
Of Thy slow Blood priceless exceedingly,
  So now a little spare me, and show forth
  Some pity, O my God, some pity of me.
If trouble comes not from the south or north,
  But meted to us by Thy tender hand,
  Let me not in Thine eyes be nothing worth:
Behold me where in agony I stand,
  Behold me no man caring for my soul,
  And take me to Thee in the far-off land,
Shorten the race and lift me to the goal.
Valsa George Mar 2018
He flew,
far from the plumed flock,
above the vast stretch of sands,
over crags and boulders.
flew into forlorn uncharted lands,
into the lure of the unknown,
searching for a tree to perch.
a temporary haven in encircling fetters,
a home away from home.
seeking comfort where none exists.

Saw the twilight nibbling at,
the blazing brightness,
from the sinking sun.
an orb of orange red.
a tad too naughty to tame,
playing out its remaining moments.

Nowhere within eyeshot,
a crown of supine leafy green,
propped firm on poles of brown,
shooting out into the darkened sky.
nor the whirr of nocturnal moths,
leaving the hide of leprous barks.

Like a kite at the beck of winds,
slipped out from the controlling grip,
with the string hanging loosely down,
he swayed and tossed in boundless blue.
below lay the abysmal depths,
and sand dunes forming cancerous lumps.


The sun that sank into roaring depths,
left not even a glint of light,
unable to hold on to a willed direction,
and passing through the Stygian sky,
he knew his body growing heavy,
felt the ache in every limb,
and the wings, losing their power to soar
x x x x x x

The descent was far too abrupt,
rudderless and reeling,
he dropped down,
like a missile, blasted out,
and none heard the fierce thud!
adventures
unforgettable adventures

watch the subject thru
the view
finder, click and whirr
and we stir (up some trouble)
and capture that adventure.

set worries aside, let serendipity be our
guide
14MAY14 - 10:21pm
It is not a confused whirr,
nor dumbish  agitprop poetry,
nor ramblings of a jumbuck
in guest for freedom to peddle
the awry science of antisemitism,
it is a poetic license of word-power
for him to  said what must only be said.

to sing cautionary verses and lyrics
against the flow of atomic warheads
from the America ,or whatsoever
on the western and Germany submarines
to the land of Israel, where Netanyau reigns
in terror and racist tyranny con Palestine,
or to versify a caution of this atomic arming
of Israel but not her neighbors like Persia
the cradle of Omar Khayyam the Rubiyatist,
or else to disarm the Arab world, as Israel terribly
arms her sons and daughters with nuclear and  Atomic drones
along with  hatred of the neighbours in mad avarice for land,
is not at all a crime of poetry but Gunter's artistic  morality.

Nobel reward cannot be a seal on your beak,
you Gunter, the brave son of  Bundeslander,
we cannot be lulled to sleepish silence
with blissful feelings of Nobel Laureatry,
cosmetic dignity , nonchalance or standoffishness,
when terror is reigning in the  Middle East
Israelis committing crimes against humanity
****** women, mauling children and shooting civilian Arabs,
that would be heinously wrong , punished even not
in the Hague of Holland but in the hottest place in hell
which John F. Kennedy saw Dante Alighieri creating,
for those who stand aloof , when evil is committed in the world.

Your communion in the Waffen schustafel or the Hitlerite SS,
is not impeachment on your moral history,nor reason for shame,
the poltergeist of Europe in the days of your youth was pure SS ,
in nature ,fibre and DNA,every European dreamed of a colony,
Britain and France cahorted to own Africa as their handkerchief,
****** bench marked to own France in 1943,  a colonial vintage,
******'s ***** was genuine government in Germany,
democratically ratified by the voters in Germany,
Your service to ****** was service to your country,
it was your turn of patriotism and love of fatherland,
like your contemporaries in other parts of the world
who prospered as the FBI,CIA,Mossadist,Kosmosols,
Gendarmes,Kanu youth wingers,or Colonial police
in Britain's Gulag in the name of African Archipelago.

i don't know what they mean,
when they call you Gunter the anti-Semite,
rebuking Israelis  terrible killing  of  Arabs
is not reason not even an emotion enough,
anywhere, whether on earth or in the ethereal,
to call Gunter an  anti-Semite or an  immoral poet.

wasn't colonialism a warped racial conscience,
was it not anti-negroism or anti-africanism,
persistent torture of black slaves in America,
doesn't it call for social phenomenology?
isn't it Anti-blackism or it is only  justifiable slavery?

Let Gunter Grass say what must be said,
let him sing what must be chanted,
Like Lenin and Gogol of Russia
let him do what must be done
let him fear what must be feared,
let him not fear the loss of Nobelite dignity,
Jean Paul Sartre won the Nobel Prize ,
but his clear socialist consciousness
made him decline to pick the cash,
in true service to his ideals,
he still glowed like a bush fire
in the Harmmattan wind
he never waned in glory whatsoever
even in his current realm of abode
among the living dead of the world
he still shines as a  center piece
when time for chance to voice of  reason
is called for, for humanity's sake,
Let Gunter Grass say what must be said.
in defense of Gunter Grass poem on Israeli-Persian relations, which has made Israel to be armed with Nuclear and Atomic warheads.Israel is not sensitive to global peace.
Kristaps Oct 2018
Through the street lights  and brutalist cliffs,
blinking beams echo my breath.

Laughter still bleeds in my throat, conversations still pierce my ears, alas
A Kodak haze,  a synchronized buzz

and agony is gone. For most are
nothing but pines,

A sleeping balm, a charming whiff, all the
same submissive to a whirr.

As a child, they  left me in awe
Now I know they're nothing more

than a palisade for the sea.  Those
that bid time in the isometric

backwoods, simply haven't the clue,
that no concrete can still her.
Kagami Nov 2013
I sit and feel... Different.
Some would have inspiration, some would have peace,
And some would be able to think about anything with
That clanking of cups and the whirr of a coffee machine.
But I can't describe how strange I feel sitting here.
Maybe the people sitting here aren't supposed to be.
The snobs giggling and gossiping in the corner,
The waft of marijuana coming in from just outside of the door.
This isn't a normal place. And I
Am not a stereotypical poet.
I write paintings in my mind and draw poems with my lips.
And, right now, they aren't encasing the rim of a coffee mug.
I don't have the money.
And I don't have the rhyme scheme to
Make fun of those who don't get it.
Wrote this a while ago. Don't like it, but I decided to post it.
Nancy E Tracy Mar 2015
One has to speak their language - Cats
a snotty, snooty breed
Don't try to tell them what to do
Don't get them down when they are treed

They'll come down when they want to
when they hear the opening whirr
where can opener meets cat food
they'll walk out of that tree as if it wasn't there
and swish their tail as if to say
"it's nothing"

But, Oh, the softest love they have
when on your lap they softly purr
or stroking all that silky fur
and all the stress of passing days
so soon becomes a milky haze
and flys away, forgotten now
She loves you dear, there is no doubt
Adopt a pet today... there are so many, so many who need a home and love. they were put here for us to take care of
Josh Morter Mar 2015
Basically I'm broken, shattered, pulled apart and torn to pieces, shards of sharp shimmering glass amass into a clump of crunching sounds. Crush. crack. Crunch and crumble.

My whole innards begin to tumble, whirr around like clothes in a dryer. Pockets not  checked, so their contents are set. Set to begin a cycle of being flung from side to side, swishing around, drowning in a swirl of cleanliness which should of course, ease the pain and wash away those steeped in stains and cleanse a spirit that's been pulled apart. Like a cotton thread. Slowly being pulled away from a wooley jumper as its caught.

Okay, it's caught on a zipper. from an old pair of jeans. Whose paths have crossed many times in outfit combos but now tumbling around together they no longer meld, together. They clash like; tartan and polka dots and conflict each others path to rightful cleanliness.

Basically I'm broken, shattered, pulled apart and torn to pieces, shards of sharp shimmering glass amass into a clump of crunching sounds. Crush. crack. Crunch and crumble

Alas, the thread is now long and wearing thin. It has lost its shape and would have to begin again. Once aired out to dry its a mound of mess, a cotton bundle looking all distressed. It tried its hardest to fight the emotion, the tug, of its strings to maintain its strength; but bowed down to defeat when knowing full well that it was beat. How could it now go on in life when it's torn. Torn to pieces and now ceases to exist in a form that would generally state: It! Exists!
Exists as a life form and a living part, how can things continue to breathe without a beating heart.

Thump thump, beat beat, thud thud. It starts. Thump thump, beat beat, thud thud. My heart.

Trying to mend the cracks with this battered *****. Mangled with regret and forlorn with spite, how can this reassess itself until it is right.

Thump thump, beat beat, thud thud. It starts. Thump thump, beat beat, thud thud. My heart.

It takes time to mend a broken ticker. Time passes by and memories become bitter, tainted with a brush that's tarred, marred with the longing for those moments to still occur. Not for your mind to now blur.
Blur those memories you once held so dear, remembered with a chuckle or a wry little smile. How can you comprehend these again for a while?!

You can't.
You shouldn't.
You couldn't.
So don't.

Thump thump. Beat beat, thud thud. It starts. Thump thump, beat beat. Thud thud. My heart.
broken, shattered, pulled apart and torn to pieces, shards of sharp shimmering glass amass into a clump of crunching sounds.
Crush.
crack.
Crunch.
Reassemble
This is my newest poem first in fair amount of time.
Decided to take a bit more of a spoken word vibe with this one. Still unsure of the titl. And whether it runs linear enough through the middle... Any advice or criticism welcome.
Andrew M Bell May 2022
(In memory of Norris Hickey 1935-2014)

Love of family and fly-fishing: twin tributaries flowed
into your heart like a braided river.
Paradoxically, a sociable man who preferred to be alone
on some braided river,
basking in the peace of the wilderness,
hearing only birdsong and the gentle whirr of the fly line,
its nylon whipping to where you hoped the fish would rise.
Patience comes easily in peaceful surroundings,
unlike waiting for the blessing of grandchildren.
Eventually rewarded with five blessings.
You always said what a lucky man you were.
I’m glad your luck held because you would weep to see
your precious braided rivers drying up down here,
****** dry by the farmers’ greed for white gold
and the threatened tarāpunga (Black-billed gulls)
getting their nests crushed by callous four-wheel drives.
It would be enough to make your big, generous heart burst.

© Andrew M. Bell
In the old wars drum of hoofs and the beat of shod feet.
In the new wars hum of motors and the tread of rubber tires.
In the wars to come silent wheels and whirr of rods not
     yet dreamed out in the heads of men.

In the old wars clutches of short swords and jabs into
     faces with spears.
In the new wars long range guns and smashed walls, guns
     running a spit of metal and men falling in tens and
     twenties.
In the wars to come new silent deaths, new silent hurlers
     not yet dreamed out in the heads of men.

In the old wars kings quarreling and thousands of men
     following.
In the new wars kings quarreling and millions of men
     following.
In the wars to come kings kicked under the dust and
     millions of men following great causes not yet
     dreamed out in the heads of men.
THE bronze General Grant riding a bronze horse in Linc-
oln Park
Shrivels in the sun by day when the motor cars whirr
by in long processions going somewhere to keep ap-
pointment for dinner and matinees and buying and
selling
Though in the dusk and nightfall when high waves are
piling
On the slabs of the promenade along the lake shore near
by
And make to ride his bronze horse out into the hoofs
and guns of the storm.
I cross Lincoln Park on a winter night when the snow
is falling.
Lincoln in bronze stands among the white lines of snow,
his bronze forehead meeting soft echoes of the new-
sies crying forty thousand men are dead along the
Yser, his bronze ears listening to the mumbled roar
of the city at his bronze feet.
A lithe Indian on a bronze pony, Shakespeare seated with
long legs in bronze, Garibaldi in a bronze cape, they
hold places in the cold, lonely snow to-night on their
pedestals and so they will hold them past midnight
and into the dawn.
MissNeona Sep 2014
I love it when you think
ever so logically

You make my gears grind
and my clock tick

make my heart whirr

We could be victorious

Righting wrongs,
Triumphing over evil,

We could be playful
rolling, tumbling

bounding over eachother

I'm sure we could almost be anything we wanted.

When you truly love someone,
you don't need proof - you can feel it.

Like upside down tongue touch,
We realize what is real and what is sense
What do we really know anyhow?

— The End —