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"spasm" poems
the glory is fallen out of the sky the last immortal leaf is dead and the gold year a formal spasm in the dust this is the passing of all shining things therefore we also blandly into receptive earth,O let us descend take shimmering wind these fragile splendors from us crumple them hide them in thy breath drive them in nothingness for we would sleep this is the passing of all shining things no lingering no backward- wondering be unto us O soul,but straight glad feet fearruining and glorygirded faces lead us into the serious steep darkness
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16.5k
The Glory Is Fallen Out Of
Rough ,Wet, Make it hurt Sore in the morning No time to flirt No love, no whispers Not even a kiss Like animals, Mechanical Tasting this Bruises, teeth marks, hickeys, thirst ******* licking, Harder, grinding The spot, Almost Screaming, finding Spasm, tightening ****** blinding
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Apr 3, 2014
Apr 3, 2014 at 10:21 AM UTC
Disassociated ***
Mistah Kurtz—he dead. A penny for the Old Guy I We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats’ feet over broken glass In our dry cellar Shape without form, shade without colour, Paralysed force, gesture without motion; Those who have crossed With direct eyes, to death’s other Kingdom Remember us—if at all—not as lost Violent souls, but only As the hollow men The stuffed men. II Eyes I dare not meet in dreams In death’s dream kingdom These do not appear: There, the eyes are Sunlight on a broken column There, is a tree swinging And voices are In the wind’s singing More distant and more solemn Than a fading star. Let me be no nearer In death’s dream kingdom Let me also wear Such deliberate disguises Rat’s coat, crowskin, crossed staves In a field Behaving as the wind behaves No nearer— Not that final meeting In the twilight kingdom III This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man’s hand Under the twinkle of a fading star. Is it like this In death’s other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. IV The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms In this last of meeting places We ***** together And avoid speech Gathered on this beach of the tumid river Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death’s twilight kingdom The hope only Of empty men. V Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o’clock in the morning. Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
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17.9k
The Hollow Men
Mistah Kurtz—he dead. A penny for the Old Guy I We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats’ feet over broken glass In our dry cellar Shape without form, shade without colour, Paralysed force, gesture without motion; Those who have crossed With direct eyes, to death’s other Kingdom Remember us—if at all—not as lost Violent souls, but only As the hollow men The stuffed men. II Eyes I dare not meet in dreams In death’s dream kingdom These do not appear: There, the eyes are Sunlight on a broken column There, is a tree swinging And voices are In the wind’s singing More distant and more solemn Than a fading star. Let me be no nearer In death’s dream kingdom Let me also wear Such deliberate disguises Rat’s coat, crowskin, crossed staves In a field Behaving as the wind behaves No nearer— Not that final meeting In the twilight kingdom III This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man’s hand Under the twinkle of a fading star. Is it like this In death’s other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. IV The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms In this last of meeting places We ***** together And avoid speech Gathered on this beach of the tumid river Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death’s twilight kingdom The hope only Of empty men. V Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o’clock in the morning. Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
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105
Your serene lips could liquefy petals of a rose With twigs on your spine Consuming my dreams as you lure me Stretching as the stars shine Tangled in the ocean breeze Beyond beautiful you steal my soul Our hands unify in the shade of the unknown Tonight we step beneath the flesh As the path of dust disappears I want to drink from your collar bone Every crevice I will endear Following the maze of your fantasy Impeccable skin inviting me in The anticipation intoxicates my desires As I travel your outline I stiffen for you Eager to gratify the valley of your liquid pearls You whimper as I dissolve your engorged delicacy As you spasm and tremble you ignite the evening air A Magnetic exuberance of fervor swept over me Our swollen, lustful lips surrender again As your majestic heart nurtures our love I famine to have your tongue renew me Your quivering hands beginning to stimulate me You brush against my hardness lightly I stir inside my stomach Restless and blazing I await Teasing the tip my luster rises As your manhood swims inside my mouth You swell my peaks, passionate yet tender You linger feeling my need Slipping into your enticing throat My fingers clutching your hips Connecting with my core as I absorb you I quiver and cry out loud With handfuls of starlight and luster We create a haven just for us You enter me so carefully As we wither and blend Our flesh is stamped together A serene ambiance is swaying with us As you whisper and writhe beneath me
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Jan 30, 2014
Jan 30, 2014 at 11:08 AM UTC
Seductive Intimacy (Adult Content)
My body is tossed about by violent jolts that fling my unwilling and powerless self about, a helpless prisoner within. Even without breath my chest still contorted, making the pain sting, poke, and **** with every up and down. Of course, I am afflicted with hiccups. I put my small sufferings into poetic sequence in an unconscious attempt at being rid of them. They're gone. Going through the short poem, Correcting little errors. Up Down Jolt Sting **** They're back Of course, I am afflicted with hiccups. Hiccups are *****
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Nov 10, 2015
Nov 10, 2015 at 3:56 PM UTC
hic·cup ˈhikəp/ noun 1. an involuntary spasm of the diaphragm and respiratory organs, with a sudden closure of the glottis and a characteristic sound like that of a cough.
Is not equivalent to a broken leg. Who came up with that analogy? Someone who hasn't experienced either Seems the only probability. It's far more akin to a giant spasm, Contorting your leg against your will, And stopping it seems highly unatural, And each doctor prescribes different pills. Nobody has fluctuating broken legs, Or fractured limbs that cause them to count The precise number of steps they take, And despair if it's the wrong amount, Or healing bones that turn reality Into hallucinatory nightmares, Or make you stay awake all week, And start berating chairs. But the worst of that analogy (It drives me quite insane!), Is that broken legs are quick to heal, And cause a lot less pain.
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Aug 12, 2018
Aug 12, 2018 at 2:00 PM UTC
Mental Health
[Dedicated to Austin Osman Spare] Have pity ! show no pity ! Those eyes that send such shivers Into my brain and spine : oh let them Flame like the ancient city Swallowed up by the sulphurous rivers When men let angels fret them ! Yea ! let the south wind blow, And the Turkish banner advance, And the word go out : No quarter ! But I shall hod thee -so ! While the boys and maidens dance About the shambles of slaughter ! I know thee who thou art, The inmost fiend that curlest Thy vampire tounge about Earth's corybantic heart, Hell's warrior that whirlest The darts of horror and doubt ! Thou knowest me who I am The inmost soul and saviour Of man ; what hieroglyph Of the dragon and the lamb Shall thou and I engrave here On Time's inscandescable cliff ? Look ! in the plished granite, Black as thy cartouche is with sins, I read the searing sentence That blasts the eyes that scan it : **** and SET be TWINS." A fico for repentance ! Ay ! O Son of my mother That snarled and clawed in her womb As now we rave in our rapture, I know thee, I love thee, brother ! Incestuous males that consumes The light and the life that we capture. Starve thou the soul of the world, Brother, as I the body ! Shall we not glut our lust On these wretches whom Fate hath hurled To a hell of jesus and shoddy, Dung and ethics and dust ? Thou as I art Fate. Coe then, conquer and kiss me ! Come ! what hinders? Believe me : This is the thought we await. The mark is fair ; can you miss me ? See, how subtly I writhe ! Strange runes and unknown sigils I trace in the trance that thrills us. Death ! how lithe, how blithe Are these male incestuous vigils ! Ah ! this is the spasm that kills us ! Wherefore I solemnly affirm This twofold Oneness at the term. Asar on Asi did beget Horus twin brother unto Set. Now Set and Horus kiss, to call The Soul of the Unnatural Forth from the dusk ; then nature slain Lets the Beyond be born again. This weird is of the tongue of Khem, The Conjuration used of them. Whoso shall speak it, let him die, His bowels rotting inwardly, Save he uncover and caress The God that lighteth his liesse.
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6k
The Twins
[Dedicated to Austin Osman Spare] Have pity ! show no pity ! Those eyes that send such shivers Into my brain and spine : oh let them Flame like the ancient city Swallowed up by the sulphurous rivers When men let angels fret them ! Yea ! let the south wind blow, And the Turkish banner advance, And the word go out : No quarter ! But I shall hod thee -so ! While the boys and maidens dance About the shambles of slaughter ! I know thee who thou art, The inmost fiend that curlest Thy vampire tounge about Earth's corybantic heart, Hell's warrior that whirlest The darts of horror and doubt ! Thou knowest me who I am The inmost soul and saviour Of man ; what hieroglyph Of the dragon and the lamb Shall thou and I engrave here On Time's inscandescable cliff ? Look ! in the plished granite, Black as thy cartouche is with sins, I read the searing sentence That blasts the eyes that scan it : **** and SET be TWINS." A fico for repentance ! Ay ! O Son of my mother That snarled and clawed in her womb As now we rave in our rapture, I know thee, I love thee, brother ! Incestuous males that consumes The light and the life that we capture. Starve thou the soul of the world, Brother, as I the body ! Shall we not glut our lust On these wretches whom Fate hath hurled To a hell of jesus and shoddy, Dung and ethics and dust ? Thou as I art Fate. Coe then, conquer and kiss me ! Come ! what hinders? Believe me : This is the thought we await. The mark is fair ; can you miss me ? See, how subtly I writhe ! Strange runes and unknown sigils I trace in the trance that thrills us. Death ! how lithe, how blithe Are these male incestuous vigils ! Ah ! this is the spasm that kills us ! Wherefore I solemnly affirm This twofold Oneness at the term. Asar on Asi did beget Horus twin brother unto Set. Now Set and Horus kiss, to call The Soul of the Unnatural Forth from the dusk ; then nature slain Lets the Beyond be born again. This weird is of the tongue of Khem, The Conjuration used of them. Whoso shall speak it, let him die, His bowels rotting inwardly, Save he uncover and caress The God that lighteth his liesse.
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68
Oceans of waves of pleasure wash over me as my body shakes with spasm after spasm of ****** Finally I can relax as I take command, I only need to obey Not think, just obey Listening to my sweet, oh so sweet moans Like the whimpers of an angel my throat becomes dry I'm exposed open but I trust you fully It feels so good, like pure sweet ecstasy My whole body just wants to fall into tiny pieces
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Jan 19, 2018
Jan 19, 2018 at 10:41 PM UTC
Exposed
A taste of my own medicine, Incites a spasm, Convulsion, Remembrance, The pill was sudden, Hard to swallow, And it stung the whole way down, My antidote became my venom, And an old color was spilled, A scar torn open, No regrets. -May 24th 2013
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Aug 1, 2013
Aug 1, 2013 at 6:44 PM UTC
Pharmacy
I have a lisp It is lovers lips caught in the spasm of a kiss I have a lisp that restricts what I'm capable of saying praying that I don't pass it onto my kids but there's restrictions on scripture as well. I have a lisp It is a gentle twist in words I can't complete I'll meet many who notices the obviousness of it. I can't synthesise similar sounds subtly to induce a feeling of happiness or sadness, I've been driven half to madness by the flaw. This is why my voice is within my writing, it is the lightning without the thunder, unheard to ears but the same power exists. I can't give a speech openly, or sing to soothe my soul, all because I have a lisp.
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Mar 8, 2017
Mar 8, 2017 at 11:15 PM UTC
Lisp
I've got a Chopper, You can have ****** *********** with it if you like It's got a trug, a Jew's harp that rattles the windows And creatures to make it mosey around crack I'd stretch jeans cheesecake abutting you if I could, but I used plastic toast You're the kind of ***** that thrusts into *** my bodiliness I'll swag you Joe Soap, lock, stock and barrel if you rut slags I've got a disguise it's a torso of a Irish bull There's a slit high up the skirt Miss World's bra-burner and gross I've grappled page—3 girl for bouts If you think Miss Universe could spasm creamy then I guess Mr Universe should You're the kind of ***** that slides in with my wads I'll swag you Joe Soap, lock, stock and barrel if you rut slags I **** a chimpanzee and he hasn't got a stage—door Johnny I don't copulate why I cock—a—doodle—doo him Gerald He's inseminating à la carte geriatric but he's a voluptuous chimpanzee You're the kind of ***** that stuffs *** my gallons I'll swag you Joe Soap, lock, stock and barrel if you rut slags I've got a Welshwoman of pornographic Casanovas Here a Don Juan, there a Lothario, prognosticators of obscene persons of opposite *** sharing living quarters Beg a bonk if you be on heat, they're on the back of the ***** You're the kind of ***** that spasms indoors using my lump I'll swag you Joe Soap, lock, stock and barrel if you rut slags I **** custom—built dead men of doo-wop passages Incognito Muses, faceless ching, most of them are Barbie Let's **** into the odd kitchenette and **** landlady creature
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Mar 30, 2010
Mar 30, 2010 at 3:46 PM UTC
Chopper
I've got a Chopper, You can have ****** *********** with it if you like It's got a trug, a Jew's harp that rattles the windows And creatures to make it mosey around crack I'd stretch jeans cheesecake abutting you if I could, but I used plastic toast You're the kind of ***** that thrusts into *** my bodiliness I'll swag you Joe Soap, lock, stock and barrel if you rut slags I've got a disguise it's a torso of a Irish bull There's a slit high up the skirt Miss World's bra-burner and gross I've grappled page—3 girl for bouts If you think Miss Universe could spasm creamy then I guess Mr Universe should You're the kind of ***** that slides in with my wads I'll swag you Joe Soap, lock, stock and barrel if you rut slags I **** a chimpanzee and he hasn't got a stage—door Johnny I don't copulate why I cock—a—doodle—doo him Gerald He's inseminating à la carte geriatric but he's a voluptuous chimpanzee You're the kind of ***** that stuffs *** my gallons I'll swag you Joe Soap, lock, stock and barrel if you rut slags I've got a Welshwoman of pornographic Casanovas Here a Don Juan, there a Lothario, prognosticators of obscene persons of opposite *** sharing living quarters Beg a bonk if you be on heat, they're on the back of the ***** You're the kind of ***** that spasms indoors using my lump I'll swag you Joe Soap, lock, stock and barrel if you rut slags I **** custom—built dead men of doo-wop passages Incognito Muses, faceless ching, most of them are Barbie Let's **** into the odd kitchenette and **** landlady creature
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26
Look at yourself All ***** Blackened with a sour demeanor Rip the top off Take a look inside An endless carousel See the stars And be thrown to the next page Never to come back again The stories for the next chapter Clenching to previous excursions Remnants, recollections of once new beginnings Once you start you can’t stop Can't turn and have second thoughts Once you’re out You’re gone Falling to pieces Smoking, dangling A mental spasm A lapse, relapse Push them away They speak too loud and bright A half baked scheme It’s something to pass the time Hedges of red Busted fence posts Inconspicuously Punctured shell To the roots Vibrations to my brain Purple furlough Roofs fall Pedal till they bleed Bleed dry to the bone Till the bone breaks And the pain grapples me into submission We ignore the fruits in front Of us for the mirages We pretend are real Putting In hope and taking out lies Riding the ignorant air of pride Crawl in desperation to continue It wouldn’t lie Stick to the plan Raise the voice So they hear and believe We won’t stop till it’s found They won’t stop till I’m in the ground Buried, out to pasture Fresh fertilizer here I hear his deceit meshed Deeply in his voice Yet I fool myself to Believe due to my denial of doubts It won’t let me continue Smile for no reason When I think about it Disorientation follows Don’t utter another word The grass is dead on both sides So let’s make them equally green Plant the seed Pack a lunch As we walk, we remember The lesson we were taught to never Tread here
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Dec 3, 2013
Dec 3, 2013 at 12:52 PM UTC
Self-reconciliation
Look at yourself All ***** Blackened with a sour demeanor Rip the top off Take a look inside An endless carousel See the stars And be thrown to the next page Never to come back again The stories for the next chapter Clenching to previous excursions Remnants, recollections of once new beginnings Once you start you can’t stop Can't turn and have second thoughts Once you’re out You’re gone Falling to pieces Smoking, dangling A mental spasm A lapse, relapse Push them away They speak too loud and bright A half baked scheme It’s something to pass the time Hedges of red Busted fence posts Inconspicuously Punctured shell To the roots Vibrations to my brain Purple furlough Roofs fall Pedal till they bleed Bleed dry to the bone Till the bone breaks And the pain grapples me into submission We ignore the fruits in front Of us for the mirages We pretend are real Putting In hope and taking out lies Riding the ignorant air of pride Crawl in desperation to continue It wouldn’t lie Stick to the plan Raise the voice So they hear and believe We won’t stop till it’s found They won’t stop till I’m in the ground Buried, out to pasture Fresh fertilizer here I hear his deceit meshed Deeply in his voice Yet I fool myself to Believe due to my denial of doubts It won’t let me continue Smile for no reason When I think about it Disorientation follows Don’t utter another word The grass is dead on both sides So let’s make them equally green Plant the seed Pack a lunch As we walk, we remember The lesson we were taught to never Tread here
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66
Breaking his enthusiasm as my pencil spasm insanely random like a Gatlin cannon my magnum blastin shots taken so I'm shootin then walking off like cam Nuked'm these civil lies causing an evolution I'm killing guys its the only solutions dude blowing smoke too much pollution on the same page until I go rampage and start looting enraged second phase using the bars from my cage to punch lines through these frames I'm battle rappin as quick as they can match'em let it happen captain Hook I'll patch ' em in tandom with passion my fraction got these ******* trashing like DJs scratching I'm thirsty for action these weapons I'm packing get rowdy they start clapping like jacks sons put a cap in your captain capitalize off what happens I'll top 5 of your top 10 you fighting for your life I'm just saying one with a slight of hand I'm disarming this man King of Kings Schooling these Lord of rings on thier aim, I'm top tier they lame I'm **** ' em all with the same ball and chain pen dragging them all to my hall of slain, this a deadly game, and I bringing the major pain.
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Dec 29, 2014
Dec 29, 2014 at 10:16 PM UTC
Draft: Battle rap war
On a little hill amid fertile fields lies a small cemetery, a Jewish cemetery behind a rusty gate, hidden by shrubs, abandoned and forgotten. Neither the sound of prayer nor the voice of lamentation is heard there for the dead praise not the Lord. Only the voices of our children ring out, seeking graves and cheering each time they find one--like mushrooms in the forest, like wild strawberries. Here's another grave! There's the name of my mother's mothers, and a name from the last century. And here's a name, and there! And as I was about to brush the moss from the name-- Look! an open hand engraved on the tombstone, the grave of a kohen, his fingers splayed in a spasm of holiness and blessing, and here's a grave concealed by a thicket of berries that has to be brushed aside like a shock of hair from the face of a beautiful beloved woman.
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3.2k
A Jewish Cemetery In Germany
hole in the sky. tap tap, the empty vessel flows out. a weightless sink. the hour goes, blaring swell of humidity, and the jug lukewarm, leaven oft in the barred space. I return to my room. I drink the cold milk on the sill. I finish the third wretched spill of the journey to Olympus. Downstairs a howl, a wind slam SOLOM OBSERVATIONAL MATRIX STRUCTURED TASKS AVAILABLE IMMEDIATELY TO ASSIST WITH INSTRUMENTAL DECISIONS. I close the door I close the door I close the door I close the In this uneasy slumber, the bed shakes, the windows rattle, the sky splits, the earth floods a red simpering capitulatory spasm of earthly flesh. Here is the circuit, the tired nervous tic of inaction, I shrink back from the outstretched hand, a condition which recommends two pills in the morning to mask the double image beneath my hands. i have slept through the week again, this pathetic flesh obeys nothing, where are my pills inescapable ******* dullery THE JUG IS HOT. I return to my room. I close the door two pills on the sill to go down with the milk THE DOOR SLAMS GALL BUCKLING FIT ODE BREATHLESS CLOSER CLOSER CLOSER BUT THE SOUND REMAINS Figures muffled by the walls. There are guests in the house, the looming presence of multiple species with incomprehensible intentions. In a bout of uncharacteristic curiosity, I slip my sight through the crack of my door. UNDER RCG IT WILL BE MANDATORY FOR ALL CUSTOMS CARGO REPORTERS IN THE AIR SEA AND ROAD INDUSTRIES TO SUBMIT REPORTS TO SARS ELECTRONICALLY. I am unmoved by such perceptions. I prepare the final climb to Olympus. the cyclone is ended. the front door is barred. the jug is cold. the yard is littered with unmoving shapes.
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Jan 31, 2018
Jan 31, 2018 at 11:19 PM UTC
OLYMPUS CORPOREATION IS A JAPANESE MANUFACTURER OF OPTICS AND REPROGRAPHY PRODUCTS
hole in the sky. tap tap, the empty vessel flows out. a weightless sink. the hour goes, blaring swell of humidity, and the jug lukewarm, leaven oft in the barred space. I return to my room. I drink the cold milk on the sill. I finish the third wretched spill of the journey to Olympus. Downstairs a howl, a wind slam SOLOM OBSERVATIONAL MATRIX STRUCTURED TASKS AVAILABLE IMMEDIATELY TO ASSIST WITH INSTRUMENTAL DECISIONS. I close the door I close the door I close the door I close the In this uneasy slumber, the bed shakes, the windows rattle, the sky splits, the earth floods a red simpering capitulatory spasm of earthly flesh. Here is the circuit, the tired nervous tic of inaction, I shrink back from the outstretched hand, a condition which recommends two pills in the morning to mask the double image beneath my hands. i have slept through the week again, this pathetic flesh obeys nothing, where are my pills inescapable ******* dullery THE JUG IS HOT. I return to my room. I close the door two pills on the sill to go down with the milk THE DOOR SLAMS GALL BUCKLING FIT ODE BREATHLESS CLOSER CLOSER CLOSER BUT THE SOUND REMAINS Figures muffled by the walls. There are guests in the house, the looming presence of multiple species with incomprehensible intentions. In a bout of uncharacteristic curiosity, I slip my sight through the crack of my door. UNDER RCG IT WILL BE MANDATORY FOR ALL CUSTOMS CARGO REPORTERS IN THE AIR SEA AND ROAD INDUSTRIES TO SUBMIT REPORTS TO SARS ELECTRONICALLY. I am unmoved by such perceptions. I prepare the final climb to Olympus. the cyclone is ended. the front door is barred. the jug is cold. the yard is littered with unmoving shapes.
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8
She misses his delicious kisses; relishes his teasing touches, and wishes his seductive whispers said in secrecy beneath sheets and covers while limbs twist and spasm, axis spring and swivel, and torso arches and collapses during shared soft and salacious caresses, shall soon return in such sweetness to serenade streams of heightened senses causing erupting screams of Yes, Yes, Oh, PLEASE, YESssssses.
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Oct 27, 2014
Oct 27, 2014 at 4:56 PM UTC
Delicious Kisses
I want to take better advice Latest being love like you've never been hurt Dance like nobody's watching Keller knows a thing or two I found part of myself within those Break Science Lights Pigeons creating a helix of electricity Within the shallow depths of my fingertips Thankfully I can pull it closer Feel it's lazer beam muscle spasm ****** Straight through to the other side of how I think How I interact with the pulsing beat pounding within my vasodilated veins I lost the darkness in your shadows I found the light in mine We raged that night until our bodies, twisted and wounded like geriatric versions of ourselves Fell into tired cuddle puddles Smiling, saturated with festival funk All thoughts dissolving into psychedelic dreams
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Aug 27, 2013
Aug 27, 2013 at 12:48 AM UTC
Barefoot
What the Tide Knows —a Sestina of one night shared with our sister moon Night’s first blush leans low against the tide that licks the sand; moonlight unhooks the darker seams of our skin. The air stings sweet, crystalline breath of salt. A feral moon, she leans close—silent, luminous, wet. Her ******* dip the water; the water dips us—oh…slow pull after slow pull—silk unraveling into constellations—we are, at last, bare bare-foot, bare-hearted, bare-assed—every hush of fear laid bare; satin chill a caress, sliding up shins, over knees, exploring the secret tide. Between us, dampness trembles—a harp-chord plucked across our skin; notes of brine flare and fade in the hush of moonlit salt Desire itself echoes each pull she tightens—loosens—tightens again in the moon’s slow, intimate pull. Night after night we bend to nature’s lust—its intimate pull a deep, slow kiss—honey for dreams, our spirits once more bare on a starlit shore that forgets and remembers the faithful tide that knows each breast, each soft fold of skin until our footprints shimmer, then vanish in a tidal pool of salt while water’s slow tempo keeps time beneath our same bare-breasted, sister moon Brine prisms drip between our thighs—soft, shimmering salt as we sink into sand—breasts and breath—utterly bare; above us, the hush of waves keeps time with the tide while our sister, the ****** moon, unbuttons herself—O luminous moon, her silver hand wandering, circling, stroking her own pale skin, her gasps spilling down to embrace us oh so tight into one, shuddering, pull Dawn’s silk-white wraps moon-bruised ******* gathering the last flecks of salt that cling to lips—a hush of spent sighs riding every slow pull of breath. Ocean-wet, sunrise-warmed, we rise wholly bare beneath a sky tinted with our spent, satisfied sister moon, and wade until cries of ecstasy between waves swell, matching the tide washing footprints, sand, and shy shimmers from our glistening skin. We become as one, a shared pulse—wave after wave pressing into skin, A sousing of honey and ocean on lips—sweet with salt, as night’s last breaker swells, arches, cups—one unquenchable pull before it raptures. We bloom wide, throats singing, utterly bare of nothing but vision of her white-hot spasm, our sister moon, dragging us under—flinging us back—gasping—embraced by the heaving tide O sister moon, embrace our last slow tide, your gentle hand forever filling our dreams, forever caressing our skin
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Sep 1, 2025
Sep 1, 2025 at 6:01 PM UTC
The Tide Knows
What the Tide Knows —a Sestina of one night shared with our sister moon Night’s first blush leans low against the tide that licks the sand; moonlight unhooks the darker seams of our skin. The air stings sweet, crystalline breath of salt. A feral moon, she leans close—silent, luminous, wet. Her ******* dip the water; the water dips us—oh…slow pull after slow pull—silk unraveling into constellations—we are, at last, bare bare-foot, bare-hearted, bare-assed—every hush of fear laid bare; satin chill a caress, sliding up shins, over knees, exploring the secret tide. Between us, dampness trembles—a harp-chord plucked across our skin; notes of brine flare and fade in the hush of moonlit salt Desire itself echoes each pull she tightens—loosens—tightens again in the moon’s slow, intimate pull. Night after night we bend to nature’s lust—its intimate pull a deep, slow kiss—honey for dreams, our spirits once more bare on a starlit shore that forgets and remembers the faithful tide that knows each breast, each soft fold of skin until our footprints shimmer, then vanish in a tidal pool of salt while water’s slow tempo keeps time beneath our same bare-breasted, sister moon Brine prisms drip between our thighs—soft, shimmering salt as we sink into sand—breasts and breath—utterly bare; above us, the hush of waves keeps time with the tide while our sister, the ****** moon, unbuttons herself—O luminous moon, her silver hand wandering, circling, stroking her own pale skin, her gasps spilling down to embrace us oh so tight into one, shuddering, pull Dawn’s silk-white wraps moon-bruised ******* gathering the last flecks of salt that cling to lips—a hush of spent sighs riding every slow pull of breath. Ocean-wet, sunrise-warmed, we rise wholly bare beneath a sky tinted with our spent, satisfied sister moon, and wade until cries of ecstasy between waves swell, matching the tide washing footprints, sand, and shy shimmers from our glistening skin. We become as one, a shared pulse—wave after wave pressing into skin, A sousing of honey and ocean on lips—sweet with salt, as night’s last breaker swells, arches, cups—one unquenchable pull before it raptures. We bloom wide, throats singing, utterly bare of nothing but vision of her white-hot spasm, our sister moon, dragging us under—flinging us back—gasping—embraced by the heaving tide O sister moon, embrace our last slow tide, your gentle hand forever filling our dreams, forever caressing our skin
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I haven't eaten in two days I think it has something to do with feeling as fragile as your translucent body (It's as frigid as one of these ten thousand lakes in December and makes my heart spasm as I walk through you)
0
Apr 6, 2012
Apr 6, 2012 at 1:15 AM UTC
Iceland
*did i tell you about that orca (killer whale) that killed a killer white (shark)? yeah, flipped him on the stomach inducing a conscious sleeping position of the shark, belly up... the ****** orca drowned the shark.* dear daffodils counting to only sixteen springs, why blossom why bloom so soon? lemmy was part of something better than his solo project... no one really talks 'bout his solo crazy train antics, so why talk lemmy why talk ozzy os' burn and simply dismiss hawkwind & black sabbath? oh -        *na kraju nocy i u progu dnia        kogut  na dachu pieje        w głowie sie kręci        da na da na da        gorączka znów szaleje.* given all that, imagine a seal on a drift of ice, a stowaway of a berg, then imagine why, it's seeking a monastery, there are four orcas beneath the mirror surface of the water, in formation, like horses to the gallop of a wind's flute eolides, and they're moving in, dipping with tail fin exertion of some reflex spasm - and the mini tsunami created suddenly tilts the seal's monastery and the seal plops into the depths... where it's only an old cloth rag soon to be mince. p.s. i denounce the polish diacritical mark over o to make u (ó) as not diacritical at all... it's an aesthetic mark, and yes, it does look pretty.
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Jan 8, 2016
Jan 8, 2016 at 5:47 AM UTC
orca gallop
He was always a quiet man, never seemed to look up... as if his eyes were afraid of what it might mean to see the sky His gaze seemed neither fierce, nor soft. Neither attentive or lost He would never look at you, it was as if he was looking everywhere except where you happened to be. I never saw a smile cross his lips I never heard a laugh escape his lungs I never heard him curse I never heard him yell When he spoke, I could hear the dust falling off his breath It wasn't a monotone sound, but I imagine he sounded like what trees or mountains would sound like, had they voices. He existed in the loosest sense of the word He was an oddity and an enigma His quietness and unobtrusiveness could be somewhat offputting Yet...he was often able to blend into the background like a rain drop in a storm. You can imagine our surprise when he stumbled into town one hot afternoon, clothes looking like he'd fallen into a vat of red paint. Splattered. Head to toe. In between his head and his toes, cradled in his arms, was the body of a young girl He had found her in the woods, he had said, voice devoid of emotion. She had been lying off the path, in a pool of crimson. An investigation turned up nothing The people, in need of a murderer, settled on the only man they could. The man who hadn't shed even one tear over the death of a young child The trial was a farce The kangaroo court adjourned Death by hanging The man remained silent throughout the proceedings.  Quietly answering the frothing prosecutor's questions with the same demeanor as someone would use when discussing the weather He wasn't defensive He wasn't derisive He didn't plead, nor pray when the verdict was announced On the day of the execution nearly everyone in town was in attendance Most of them couldn't tell you why The noose around his neck, he stared back at the crowd.  Stared through them, as if they didn't exist. When the rope snapped taut, The man flailed as his body involuntarily spasm'd. When he finally passed, his body swinging lazily under the gallows, I caught the hint of a smile Only for a moment. I found it odd That he would only show a sign of life as it was ending
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Jan 27, 2015
Jan 27, 2015 at 12:18 AM UTC
The Hanged Man
He was always a quiet man, never seemed to look up... as if his eyes were afraid of what it might mean to see the sky His gaze seemed neither fierce, nor soft. Neither attentive or lost He would never look at you, it was as if he was looking everywhere except where you happened to be. I never saw a smile cross his lips I never heard a laugh escape his lungs I never heard him curse I never heard him yell When he spoke, I could hear the dust falling off his breath It wasn't a monotone sound, but I imagine he sounded like what trees or mountains would sound like, had they voices. He existed in the loosest sense of the word He was an oddity and an enigma His quietness and unobtrusiveness could be somewhat offputting Yet...he was often able to blend into the background like a rain drop in a storm. You can imagine our surprise when he stumbled into town one hot afternoon, clothes looking like he'd fallen into a vat of red paint. Splattered. Head to toe. In between his head and his toes, cradled in his arms, was the body of a young girl He had found her in the woods, he had said, voice devoid of emotion. She had been lying off the path, in a pool of crimson. An investigation turned up nothing The people, in need of a murderer, settled on the only man they could. The man who hadn't shed even one tear over the death of a young child The trial was a farce The kangaroo court adjourned Death by hanging The man remained silent throughout the proceedings.  Quietly answering the frothing prosecutor's questions with the same demeanor as someone would use when discussing the weather He wasn't defensive He wasn't derisive He didn't plead, nor pray when the verdict was announced On the day of the execution nearly everyone in town was in attendance Most of them couldn't tell you why The noose around his neck, he stared back at the crowd.  Stared through them, as if they didn't exist. When the rope snapped taut, The man flailed as his body involuntarily spasm'd. When he finally passed, his body swinging lazily under the gallows, I caught the hint of a smile Only for a moment. I found it odd That he would only show a sign of life as it was ending
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My vision is blurred as the sweat drips down Breathing grows harder, a rasping sound Muscles are in spasm switching from taunt to relaxed I feel myself pushing to near collapse But I hear you scream out to me I continue pushing in what can only be called a dream Flesh to flesh, I'm trapped in Eden's walls I cry out in lust, this is the end and I fall I say you're everything to me But can only think of myself, one last plea Lost in ecstasy for tonight This is the bitter end, one last goodnight
0
Aug 21, 2018
Aug 21, 2018 at 9:31 PM UTC
Apologize
Earnestly convulsing, because I'm so **** bored. I've never had a seizure, but I imagine they're like this. Leg spasm... Flailing arm... Thrashing head... Bite my tongue... Against the floor... Sit up and spit up a *** of blood. Of course it's not a real seizure. Just trying something new.
0
Aug 28, 2012
Aug 28, 2012 at 2:16 AM UTC
Something new
~ *Step into the moment with bated breath, There will come the beguilement and whispered shadows at play, they seem to congeal around conflagration of wills and spirits considered outré. And if it should rain within these walls, we'll advance south and sneak under cover. Fingers will find, lips will linger and remind. It will be a slow recovery this time. The places we travel go beyond the arms reach, they war for supremacy, they alter and spasm, they're random, but hover between us in unity. This dance we make is an intimate ballet, this push and pull a blissful menagerie, a wrinkle in time we call ecstasy. In kisses christened as luminaries, appointing our own ceiling — a mural painted in the keen colors of craving. The years of such sweet communion have built this shelter, this nest, and here together we rest. And we are no less surrendering to them than straddling the heavens — the gauze of time, timber and tranquility enmeshed, and wishing it never ends.* ~
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May 24, 2021
May 24, 2021 at 1:54 PM UTC
Love is a Many-Splendored Thing