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"sniggered" poems
In the German town of Shtuping Something clearly was amiss: Town name signs were disappearing, The good townsfolk were nonplussed! “For years tourists have sniggered At our name when driving by As its Yiddish for activity A girl does with a guy”. Some people want to keep the name That makes the tourists come. Others are ashamed to say That Shtuping’s where they’re from. When the townsfolk vote to change the name It will cost a pretty penny To change the signs from "Shtuping" To the new: "Notgettingany".
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Apr 23, 2012
Apr 23, 2012 at 8:20 PM UTC
Shtuping, a German village
He gave a picture exhibition, Hiring a little empty shop. Above its window: FREE ADMISSION Cajoled the passers-by to stop; Just to admire - no need to purchase, Although his price might have been low: But no proud artist ever urges Potential buyers at his show. Of course he badly needed money, But more he needed moral aid. Some people thought his pictures funny, Too ultra-modern, I'm afraid. His painting was experimental, Which no poor artist can afford- That is, if he would pay the rental And guarantee his roof and board. And so some came and saw and sniggered, And some a puzzled brow would crease; And some objected: "Well, I'm jiggered!" What price Picasso and Matisse? The artist sensitively quivered, And stifled many a bitter sigh, But day by day his hopes were shivered For no one ever sought to buy. And then he had a brilliant notion: Half of his daubs he labeled: SOLD. And lo! he viewed with queer emotion A public keen and far from cold. Then (strange it is beyond the telling), He saw the people round him press: His paintings went - they still are selling... Well, nothing succeeds like success.
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1.4k
Artist
I finally tracked him down: the person within me who could live without you So I made him a cup of tea and he began to prattle About the demonic conductor of my symphonic heartbeats, And the chthonic tranquility you once deposited into my life stream. He sniggered at how, even now, I still attempt to draw from that diluted reservoir In an attempt to discover anything more glorious that a utopian delusion, An unwarranted euphoria derived from what someone might call the “good times”- If I gave you the benefit of the doubt and admitted there really was a time your love wasn’t fictitious. But, I digress Because I wish you the best Even if the good times discarded are times I should regret There was a time when you uncovered my covert capacity for unexpurgated bliss- The likes of which I had dismissed As myth or at the very least unrealistic to attain. Even if all of the solace I find in our memories is disingenuous, I still thank you for way you fooled me. And that’s why I screamed at him. After the nightcap, I chased him out of the house for even flirting with the idea of his own existence. For I have not the fortitude to meet with him for more than just a few moments. Right now, I choose to cherish our memories until I forget that I love you, Until the day I’ll be ready to unite with my harbinger of recovery.
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Nov 27, 2018
Nov 27, 2018 at 2:18 PM UTC
The Harbinger of Recover and Contradictions
My thoughts were upon one moment When above my head a lonely moth Did fly. I walked in a line a zig zag But he still did follow above my Brow little wings did flutter about. I stopped for a moment to my amazement Where there was but one now two did Drift within the air. Hello little ones I did Ask what does bring you upon this hour Floating above my head over my hair. I walked a while pretending that the Flickers were imagination not really there. But where two once were now three glided, Fluttered above I felt the cooling air. Why follow me wee ones why do you care. Little ones who fly with me, I ponder in Thought yet you effortlessly spiral above My figure. Can I ask why you do this, could You cease this. Would you possibly reconsider As interrupting my remarkable endeavour. But on I walked where so few had once been More did collect above my feature, I shooed Them my arms did wave above my head. People walking past looked and sniggered, Great now I look crazy as you do flutter. I carried on my thoughts still bright, even Though these above my head you think It would dim get gradually dimmer. But A light had gone off and would not flicker. Then I realised what had caused this action The thought so bright it was a metaphorical Light upon my feature. So bright the idea Did they see, so hovering on the gleam. I sat upon a bench and out came paper and Pen, my thoughts now concentrated from Thought to matter. With that the little Reflection now emptied scribbled on paper. Where many had floated above all now Were dispensing as the light had slowly Grows significantly dimmer. But one did Stay it saw potential of brighter, bigger. So if a moth on a dark night decides to Hover and you just had a thought. Realize that these little ones can see The light and the ideas that flicker.
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Feb 16, 2016
Feb 16, 2016 at 5:37 PM UTC
A Moth Flying Above My Thoughts
My thoughts were upon one moment When above my head a lonely moth Did fly. I walked in a line a zig zag But he still did follow above my Brow little wings did flutter about. I stopped for a moment to my amazement Where there was but one now two did Drift within the air. Hello little ones I did Ask what does bring you upon this hour Floating above my head over my hair. I walked a while pretending that the Flickers were imagination not really there. But where two once were now three glided, Fluttered above I felt the cooling air. Why follow me wee ones why do you care. Little ones who fly with me, I ponder in Thought yet you effortlessly spiral above My figure. Can I ask why you do this, could You cease this. Would you possibly reconsider As interrupting my remarkable endeavour. But on I walked where so few had once been More did collect above my feature, I shooed Them my arms did wave above my head. People walking past looked and sniggered, Great now I look crazy as you do flutter. I carried on my thoughts still bright, even Though these above my head you think It would dim get gradually dimmer. But A light had gone off and would not flicker. Then I realised what had caused this action The thought so bright it was a metaphorical Light upon my feature. So bright the idea Did they see, so hovering on the gleam. I sat upon a bench and out came paper and Pen, my thoughts now concentrated from Thought to matter. With that the little Reflection now emptied scribbled on paper. Where many had floated above all now Were dispensing as the light had slowly Grows significantly dimmer. But one did Stay it saw potential of brighter, bigger. So if a moth on a dark night decides to Hover and you just had a thought. Realize that these little ones can see The light and the ideas that flicker.
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45
Cross my path with silver, cackled the aged crone, She sniggered, and the girlie, she just walked past, Grinning, saying confidentially, "What you know you silly old hag", The hag she shouted in her face, Girlie,"I can bless you, or equally, can curse you", The years did pass, The crone, kept girl's sarcasm in her heart, The girl she wanted an honest child, for she had grown older, somewhat bolder, And she tried to conceive, a baby of love, a gift from above, she had lots of expensive investigations, but she just couldn't fall, The crone she passed in the hallway, Smiled all knowingly, she whispered at the sweet chick, "if you'd crossed my palm with silver, all those years ago, you would have had a baby, But you will never know, She sat and she thought, and she smiled to herself, For she never believed in that gypsy's curse. Two years have passed since that day, her bonny baby, she doth play, realised the gypsy curse was ******* (C) Livvi
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May 19, 2014
May 19, 2014 at 2:12 PM UTC
Gypsy Curse
"Do you think I'm pretty?" she asked him in the park. "I do" he replied as they built a castle out of sticks. They were both pretty young, and hadn't a clue. "Do you think I'm pretty?" she asked him on her way to school. "I think you're nice" he replied as they climbed over the gate. They were both just kids, and didn't have a clue. "Do you think I'm pretty?" she asked him on the way to calculus class. "I think you're pretty... ugly, fat and slutty" he replied as his friends sniggered. They were both growing up. "Do you think I'm pretty?" she asked the ***** mirror in the girl's bathroom that same day. "I think you're pretty worthless" her reflection replied as she short herself in the head.
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Jun 9, 2013
Jun 9, 2013 at 5:48 AM UTC
Do you think I'm pretty?
The big kid stood by the garden shed with others kids and you the horticultural teacher was down by the beds with some other kids whom he was showing how to dig and the big kid said I had her back there up in those woods at the end of the playing field the other kids moved in closer to get a better grip on the tale told you stood on the perimeter of the crowd one eye on the big kid the other on the teacher bent over a kid showing him how to hold a ***** and you know what? the big kid said she was some goer the other kids looked at him then at each other some plump kid with spots laughed you looked over towards the woods by the playing field a quaint woodland over by the fence and near the road and you know what it’s like? Huh? the big kid said the kids nodded you noticed their eyes large and their tongues at the corner of mouths it was like slipping into a warm bed the big kid said on a cold night the teacher made his way towards you and the kids by the shed the big kid made gestures with his hand and the boys sniggered half catching on to the gesture’s tale the big kid’s hands went into pockets out of sight the other kids moved towards the teacher’s calling voice you followed unwillingly having little choice.
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Nov 14, 2012
Nov 14, 2012 at 3:12 PM UTC
THE BIG KID AND THE TALL TALE.
He always thought hers was a peasant's body not as a critique but by something about the simplicity of the way she walked or stood or the way she lay on the double bed one hand resting on her naked abdomen her brown haired head on a pillow at rest the way one leg was raised one flat down on the bed the small area of ***** hairs he was by the window of his bedroom looking at the garden below then up along the road the afternoon sun settling on the trees aren't you coming back to bed? she said still not satiated ? he said smiling sensing his pecker move not of you she said or of Percy if he's willing he sniggered at her nickname for his pecker the green bus went by along the road good God he said that's her bus whose? she said my mother's bus she’ll be here in a few minutes she lay there open mouthed uncertain of what to say or do you'll have to get up and we'll go before she wonders what we were doing up here he said she moved from the bed as if in a daze her nakedness complete her ******* bobbing her hands searching around for her clothes he moved faster hurrying his dressing taking quick glimpses through the window his mother was not in view he took a glance at his lover semi dressed hair in a mess her naked buttocks disappearing into cloth he loved that final glimpse of nakedness that final sight of bare flesh his mother was in sight along the road quick he said downstairs and she grabbed her stockings and shoes and followed him down the stairs two at a time her bare feet sensing the cold floor through the kitchen and out the back door along the brick pathway he closed the door and locked and put the key back under the mat and speedily followed his lover into the woods the ground prickling beneath his feet and she smiling out of breath hiding behind the old shed putting on her stockings and he wondering how it may have been if his mother had caught them making love and their nakedness seen.
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Oct 23, 2013
Oct 23, 2013 at 2:13 AM UTC
THEIR NAKEDNESS SEEN.
He always thought hers was a peasant's body not as a critique but by something about the simplicity of the way she walked or stood or the way she lay on the double bed one hand resting on her naked abdomen her brown haired head on a pillow at rest the way one leg was raised one flat down on the bed the small area of ***** hairs he was by the window of his bedroom looking at the garden below then up along the road the afternoon sun settling on the trees aren't you coming back to bed? she said still not satiated ? he said smiling sensing his pecker move not of you she said or of Percy if he's willing he sniggered at her nickname for his pecker the green bus went by along the road good God he said that's her bus whose? she said my mother's bus she’ll be here in a few minutes she lay there open mouthed uncertain of what to say or do you'll have to get up and we'll go before she wonders what we were doing up here he said she moved from the bed as if in a daze her nakedness complete her ******* bobbing her hands searching around for her clothes he moved faster hurrying his dressing taking quick glimpses through the window his mother was not in view he took a glance at his lover semi dressed hair in a mess her naked buttocks disappearing into cloth he loved that final glimpse of nakedness that final sight of bare flesh his mother was in sight along the road quick he said downstairs and she grabbed her stockings and shoes and followed him down the stairs two at a time her bare feet sensing the cold floor through the kitchen and out the back door along the brick pathway he closed the door and locked and put the key back under the mat and speedily followed his lover into the woods the ground prickling beneath his feet and she smiling out of breath hiding behind the old shed putting on her stockings and he wondering how it may have been if his mother had caught them making love and their nakedness seen.
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116
The way Miss Manners sat on the school desk when the teacher was out of the room or before he came in hands on each side of her thighs flat on the desk top her white socks hugging her carves and black shoes toe touching and the knees rubbing each on each and Boxy said nudging you giving her the eye wouldn’t mind being her bicycle seat and the sunlight lit up her hair angel like sitting there you thought the hands small palms down the fingers slightly spread the nails pinkie white unchewed and Boxy whispered bet she’s ******* his breath easing out sweetness of bubblegum wouldn’t mind kissing her *** he sniggered there was where the sunlight caught her profile that contrast of light and shade the nose the lips slight spread and where the sun lit her a halo shone around her ****** head.
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Jul 31, 2013
Jul 31, 2013 at 1:45 PM UTC
CONTRASTS OF PURITY AND DARKNESS.
Woolgar peered through the wire mesh at the girl’s playground can see that girl you like down there he said you walked to the wire mesh and stared through see her? he said no can’t see her there over by that fat girl with the blue ribboned hair you stared harder they keep moving about you said she’s there he said poking his finger through mesh her with the dark hair you peered at where his finger poked Jane was by the fence playing jump rope with two other girls yes I see her now you said what’s she like? Woolgar said like? you said what do you mean like? Woolgar sniggered and gazed stupidly through the mesh you know does she kiss and such and what’s it like? that’s for me to know and you to guess you said some say girl’s lips are like peaches Woolgar said or that they kiss all wet and warm you watched Jane move the rope around and around with some other girl while one other jump high and laughed does she have ******* Woolgar asked peering like some peeping Tom or is she flat as board? Or don’t you know? he asked looking round at you his eyes brown and round and aping dung what’s it to you Woolgar? you still **** your mother’s dugs or so I’ve heard you said seeing Jane play skip rope once again you leave my mother out of this he said rubbing his fingers going red walking off muttering and moaning turning round and ********* you turned to gaze at Jane once more but the skipping girls had gone away to some other place to skip and play.
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Apr 18, 2013
Apr 18, 2013 at 4:32 PM UTC
GONE TO SKIP AND PLAY.
And then there was evening. The edge of our estate, a wire fence.   We ducked under it, Cole's fat neck scraped, he squealed.   Older boys sniggered.   Once buildings grew here,   it now sprouted vegetation.   We picked our way through.   Here we built the world: a haven of ***** mattresses and wooden boards   holding shaped rocks and bones found somewhere,   that hint of death.   Cain was bigger than the rest.   He liked fire,   pushed at the mattresses, unsettling dust.   He picked up a stick and beat down the walls,   eyes filled with that blaze. Suddenly sticks flew,   we thrashed with fury and rage and everything, at our creation. Soon our jigsaw walls were waste upon the ground.   Then there was light.   Cain's father, passed out, drunk,   missed the silver lighter his son produced.   Roaring flame which singed our nostril hairs,   smelling bonfire for a week after.   Cain's eyes saw everything. We stood, in his image, chests heaving, we looked at what was done.   I was scolded when I returned home late with sooty skin, and went to bed   with tear tracks on red scrubbed cheeks.   And there was morning.
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May 6, 2020
May 6, 2020 at 12:28 PM UTC
Creation
Carmody said what did you get your old man for his birthday? well you said my sister and I saved up what money we could siphoned off some of our pocket money took back the empty beer bottles to the off licence did extra chores for our mother and went bought him some cigarettes and gave them to him what did he say? Carmody asked said he didn’t smoke that kind said they made his throat sore that was what he said? yes and my sister was upset of course and went off to her room to cry but I just said but it’s the thought that counts and we just thought you’d smoke the cigarettes look ok thanks for the thought the old man said and took the packet and stuffed them in his pocket and read the birthday card we’d both written him and put it on the table and said how much did you get on the empty bottles? so I told him and he said they were my bottles I ought to have had the money for them kid you have I told him In the form of the cigarettes what did he say about that? Carmody asked he just stared and took the cigarettes out and opened them up and lit one and inhaled and coughed and I thought good job too and walked away and Carmody nodded his head and sniggered and you went off with him to kick around the ball in the playground at school and said nothing much more at all.
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Nov 1, 2012
Nov 1, 2012 at 5:51 AM UTC
UNWANTED GIFT.
Milka waited by the gate of the farmhouse for him to arrive her brothers waited also for he was their friend first even if she had drawn in him with her emotional tide I showed him how to drive a car one said and I showed him how to ride a motorcycle said the other in a field Milka said just in a ****** farm field they sniggered what have you shown him? the oldest brother asked yes what fine skills have you taught him? the other said laughing wouldn't you like to know she said stormily folding her arms and avoiding their stares they guffawed in the background then proceeded to practice their judo until he arrived she turned and glimpsed them now and then but all she wanted was for him to arrive just a quick word and maybe kiss before her brothers collared him for the judo practice the last time he came and practiced he had them both down on the ground in minutes and she stood and clapped and cheered what had she shown him? that was between she and him not for her snooping brothers to know she looked up the narrow road that led to the farmhouse but he wasn't in sight just a car then a tractor slowly moving along whose driver waved (and she embarrassed waved back) one of her brothers was on the ground the other stood triumphantly hands in the air she looked away she caught the summery air the sight of birds in flight but not him and she'd put on her new jeans and top( too tight her mother said) with a flowery pattern then he was coming over the hill riding his bike and the ****** of excitement ran through her being and she stood expectantly by the gate trying to appear casual unconcerned and he dismounted his bike and came over his Elvis style quiff his jeans and shirt and despite herself she stood there on tiptoes her body tingling and he smiled and shyly kissed her cheek and touched her hand then walked to her brothers and they came at him with their judo moves and taunts and laughter and she stood there watching sensing the kiss on her cheek burn into her skin and light a fire of passion within waiting and watching feeling his touch on her hand (not to be washed off) and she rubbed her finger along where he had laid his touch and inwardly she mused and thought o God o too much.
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Nov 6, 2013
Nov 6, 2013 at 2:33 AM UTC
OH TOO MUCH.
Milka waited by the gate of the farmhouse for him to arrive her brothers waited also for he was their friend first even if she had drawn in him with her emotional tide I showed him how to drive a car one said and I showed him how to ride a motorcycle said the other in a field Milka said just in a ****** farm field they sniggered what have you shown him? the oldest brother asked yes what fine skills have you taught him? the other said laughing wouldn't you like to know she said stormily folding her arms and avoiding their stares they guffawed in the background then proceeded to practice their judo until he arrived she turned and glimpsed them now and then but all she wanted was for him to arrive just a quick word and maybe kiss before her brothers collared him for the judo practice the last time he came and practiced he had them both down on the ground in minutes and she stood and clapped and cheered what had she shown him? that was between she and him not for her snooping brothers to know she looked up the narrow road that led to the farmhouse but he wasn't in sight just a car then a tractor slowly moving along whose driver waved (and she embarrassed waved back) one of her brothers was on the ground the other stood triumphantly hands in the air she looked away she caught the summery air the sight of birds in flight but not him and she'd put on her new jeans and top( too tight her mother said) with a flowery pattern then he was coming over the hill riding his bike and the ****** of excitement ran through her being and she stood expectantly by the gate trying to appear casual unconcerned and he dismounted his bike and came over his Elvis style quiff his jeans and shirt and despite herself she stood there on tiptoes her body tingling and he smiled and shyly kissed her cheek and touched her hand then walked to her brothers and they came at him with their judo moves and taunts and laughter and she stood there watching sensing the kiss on her cheek burn into her skin and light a fire of passion within waiting and watching feeling his touch on her hand (not to be washed off) and she rubbed her finger along where he had laid his touch and inwardly she mused and thought o God o too much.
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124
He first notice Elaine as she waited for the school bus standing there in the pouring rain with her younger sister and other kids from the village he noticed how drowned she looked her spectacles so wet she couldn’t see out her dark hair hanging limp about her face and she looked down not up as she climbed aboard the bus making her way down the aisle of the bus like some female Crucified and sat in the seat by the window and peered out her sister sat next to her equally as wet yet unperturbed laughing at another who jested at her state but Elaine's was a separate state a lesser one's fate knowing other eyes gazed and sniggered and whispered into their hands but not John he saw her through   his own eyes pushed away the sneers and sighs and sniggering japes and saw a deeper soul within peering out through the window glass that showed the falling rain he looked away taking note of her hair and eyes and glasses smeared and how she pushed her wet hands between the caresses of her knees and dampened skirt how by the look of her face revealed her inner hurt and as the bus moved off and on the radio blaring some Mike Sarne song the voices of children competing for the space and John half listening to Trevor talk some such of fishing with a friend at pond or river he did not discern or Trevor’s sister across the aisle chatting of some dress her mother bought not the fashion she complained but John held close the image of the girl who sat behind across the aisle whose dampened state of dress and soul had moved his mind and touched his heart but said nothing to either Trevor with talk of fish and rod or Monica's dress or clothes whatever it had been unfashionable or such as undesired he looked out at the passing scene as the bus raced by thinking of Elaine sitting a little way behind wiping the raindrops from glasses so she could see and not be half blind.
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Nov 3, 2013
Nov 3, 2013 at 9:02 AM UTC
NOT BE HALF BLIND.
He first notice Elaine as she waited for the school bus standing there in the pouring rain with her younger sister and other kids from the village he noticed how drowned she looked her spectacles so wet she couldn’t see out her dark hair hanging limp about her face and she looked down not up as she climbed aboard the bus making her way down the aisle of the bus like some female Crucified and sat in the seat by the window and peered out her sister sat next to her equally as wet yet unperturbed laughing at another who jested at her state but Elaine's was a separate state a lesser one's fate knowing other eyes gazed and sniggered and whispered into their hands but not John he saw her through   his own eyes pushed away the sneers and sighs and sniggering japes and saw a deeper soul within peering out through the window glass that showed the falling rain he looked away taking note of her hair and eyes and glasses smeared and how she pushed her wet hands between the caresses of her knees and dampened skirt how by the look of her face revealed her inner hurt and as the bus moved off and on the radio blaring some Mike Sarne song the voices of children competing for the space and John half listening to Trevor talk some such of fishing with a friend at pond or river he did not discern or Trevor’s sister across the aisle chatting of some dress her mother bought not the fashion she complained but John held close the image of the girl who sat behind across the aisle whose dampened state of dress and soul had moved his mind and touched his heart but said nothing to either Trevor with talk of fish and rod or Monica's dress or clothes whatever it had been unfashionable or such as undesired he looked out at the passing scene as the bus raced by thinking of Elaine sitting a little way behind wiping the raindrops from glasses so she could see and not be half blind.
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112
The nun, plump, robed in a black and white habit, walked across the front of the class of girls. Fay sat half way down on the left next to the girl Millicent Sullivan (whose aunt was a nun in Ireland). "Immaculate Conception," the nun said," what does it mean and to whom does it refer?" The girls stared at the nun whose two chins wobbled as she spoke. Millicent didn't raise her hand even though she knew the answers, but put on her innocent gaze. "Some of you girls must know the answers," the nun said moodily. Fay raised her hand and heads turned to look at her. "Well, Fay?" She felt herself blush and lowered her hand from view. "It means one conceived without blemish or sin," she said in a soft voice. The nun stood up to her full five foot frame. "And what does conceived mean in this context?" A few girls sniggered, others gazed at Fay. The classroom seemed to shrink to a white glow containing just her and the nun. "Not sure, Sister Luke," she said. The nun gazed around the room. "I am sure one of you girls know the answer to this," Sister Luke said. The girls just stared at the nun. Millicent raised her hand and said: "It means when the man's stuff meets the woman's egg." Some girls blushed, others looked puzzled. "You have the idea. Now to whom was it applied?" Sister Luke asked staring at other girls. "The ****** Mary?" A thin girl at the back of class replied doubtfully. Fay knew it was, but said nothing more. The nun went on to elaborate details. Fay was puzzled by the man's stuff and egg. She wondered if Benny knew. She would ask him after school when she met him on the way home. He knew about things like battles and wars and once kept a goldfish in a glass bowl until he lost it down the sink. He might know, she mused, she didn't know otherwise what to think.
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Sep 14, 2018
Sep 14, 2018 at 4:15 PM UTC
Ask Benny 1960.
The nun, plump, robed in a black and white habit, walked across the front of the class of girls. Fay sat half way down on the left next to the girl Millicent Sullivan (whose aunt was a nun in Ireland). "Immaculate Conception," the nun said," what does it mean and to whom does it refer?" The girls stared at the nun whose two chins wobbled as she spoke. Millicent didn't raise her hand even though she knew the answers, but put on her innocent gaze. "Some of you girls must know the answers," the nun said moodily. Fay raised her hand and heads turned to look at her. "Well, Fay?" She felt herself blush and lowered her hand from view. "It means one conceived without blemish or sin," she said in a soft voice. The nun stood up to her full five foot frame. "And what does conceived mean in this context?" A few girls sniggered, others gazed at Fay. The classroom seemed to shrink to a white glow containing just her and the nun. "Not sure, Sister Luke," she said. The nun gazed around the room. "I am sure one of you girls know the answer to this," Sister Luke said. The girls just stared at the nun. Millicent raised her hand and said: "It means when the man's stuff meets the woman's egg." Some girls blushed, others looked puzzled. "You have the idea. Now to whom was it applied?" Sister Luke asked staring at other girls. "The ****** Mary?" A thin girl at the back of class replied doubtfully. Fay knew it was, but said nothing more. The nun went on to elaborate details. Fay was puzzled by the man's stuff and egg. She wondered if Benny knew. She would ask him after school when she met him on the way home. He knew about things like battles and wars and once kept a goldfish in a glass bowl until he lost it down the sink. He might know, she mused, she didn't know otherwise what to think.
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52
Sutcliffe, O’Brien and you Used to wander about the Bombsites after school, the Keep Out signs ignored, The catapults in the back Pockets to hit at cans or Bottles or windows if there Were any left in the empty Shell houses of the bombed Out homes. Dad said there Could be unexploded bombs Here, Sutcliffe said, his blue Eyes and blonde hair catching The day’s afternoon light, his Grey flannel trousers and blue Blazer stained with food and Dust. O’Brien lit a crafty *** And passed to you to take a drag. You coughed and passed it back, Clambering the bricks to broken Stairs to a higher landing where You thought ghosts might hang In danky rooms or smelly attics Where light shone through the Broken tiles. O’Brien ****** Against a wall, the cigarette Hanging from his lower lip. Sutcliffe sniffed the air and Scratched his **** and you Standing on the creaky stair Pondered who stood or lived Here before the bomb dropped From the threatening sky and They wondering if they’d live Or die. Bet this was the bedroom, O’Brien said, and he and she Laid out here having ****** When the bomb went off. Sutcliffe sniggered, taking O’Brien’s cigarette for a quick Puff and handing to you with Dampened end. What a way To die though, Sutcliffe said, Him not knowing the ins and Outs of *** or death by bombs Or what’d be left after bombs Dropped. Probably some old **** who lived alone, O’Brien Conceded, staring at the sky Through the hole in ceiling, Without much concern and Little feeling. You reflected On his words and the stink Of **** and damp and empty Shell, the echo of yesteryears, The ghosting wanderings at Night and cold captured fears.
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Apr 30, 2016
Apr 30, 2016 at 4:44 AM UTC
BOMBSITE BOYS. (OLD POEM)
Sutcliffe, O’Brien and you Used to wander about the Bombsites after school, the Keep Out signs ignored, The catapults in the back Pockets to hit at cans or Bottles or windows if there Were any left in the empty Shell houses of the bombed Out homes. Dad said there Could be unexploded bombs Here, Sutcliffe said, his blue Eyes and blonde hair catching The day’s afternoon light, his Grey flannel trousers and blue Blazer stained with food and Dust. O’Brien lit a crafty *** And passed to you to take a drag. You coughed and passed it back, Clambering the bricks to broken Stairs to a higher landing where You thought ghosts might hang In danky rooms or smelly attics Where light shone through the Broken tiles. O’Brien ****** Against a wall, the cigarette Hanging from his lower lip. Sutcliffe sniffed the air and Scratched his **** and you Standing on the creaky stair Pondered who stood or lived Here before the bomb dropped From the threatening sky and They wondering if they’d live Or die. Bet this was the bedroom, O’Brien said, and he and she Laid out here having ****** When the bomb went off. Sutcliffe sniggered, taking O’Brien’s cigarette for a quick Puff and handing to you with Dampened end. What a way To die though, Sutcliffe said, Him not knowing the ins and Outs of *** or death by bombs Or what’d be left after bombs Dropped. Probably some old **** who lived alone, O’Brien Conceded, staring at the sky Through the hole in ceiling, Without much concern and Little feeling. You reflected On his words and the stink Of **** and damp and empty Shell, the echo of yesteryears, The ghosting wanderings at Night and cold captured fears.
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57
You meant it as a mere joke Something I should laugh at But those words stuck And I felt a putrid, vile taste in my mouth As you said it I thought it was a night of love I was wrong I was so wrong For you chuckled And laughed at it And you sniggered And said ever so hauntingly... "It was the night you lost your innocence." And you continued to laugh As my heart sank And my pure heart was Drenched In black oil Staining my heart Never to be pure again.
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Dec 26, 2016
Dec 26, 2016 at 12:48 PM UTC
"The night you lost your innocence"
The cavern was huge and brimmed with echoes and painted with shadows by unseen flickering flames. "AH! Sir, you've arrived" (He put his hand over my head to shield it from the jagged rock edges that constituted an opening into the cavern) "Welcome to 'Love' "- he pointed to a little sign on a chain "Im Cupid" (Cupid is not a small chrub after all, believe me!) "I'll be your host tonight and for the forseable future" (He sniggered a coda - 'well yours anyway...') "I'll show you your table, where you'll find your beloved already seated." She got up as we approached and offered me her dainty digits (Cupid whispered to me) It was Madison Johnson whom I'd met a the wake I'd just come from "Isn't she just the most beautiful thing you ever saw - and she thinks you're the bees knees. ....enjoy" (he left us, I think, I can't recall; too busy looking into HER eyes) "So... that Cupid guy....huh?" I stammered as I began to swim in her gaze "AH! Sir, you've arrived." (I saw him switch the sign, Cupid, turned it deftly as some new guy arrived) (He shielded the head of old Mr Bruce at whose wake I had been an hour ago) "Welcome to 'Hell' !!" "I'm Old Nick/Bellezebub/Betelgeuse, yadda, yadda, whatevs. - Now, get. ******* in. there!" ('Cupid' kicked poor Mr Bruce with his ... hoof, the leathery point of .."his tail" shimmered in the flames).
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Sep 2, 2015
Sep 2, 2015 at 4:19 PM UTC
never both in the room at the same time
My blood is not red anymore It is not even rufous It is achromatic I’ve seen it go to a watery grave with moonshine It drowned for a foolish fluid one so dimwitted it forgot the word “No” could be spoken to bring their negligent ears into ******* (And not me) My blood rushed out In it’s gloom I wanted to emulate it and exit my body just as they entered What a theft What a “five-finger discount” Literally It was a perfect portrait A gun kissing the crown of my head and my indifference towards the money in the cash register that I called my soul-case If I’d even had any left My lips moldered shut They don’t like parting anymore Two buds charred sorely as a pen that speaks only in black ink I searched every crevice of that washroom for a noose I found my reflection and thought that close enough So there I hovered hung up on my mirror image suspended by two claws honed with dejection My eyes slammed taut My pulse ******* bones in my face and gnawing itself with prowling fluorescents I grazed the scuffs on my thighs I hadn’t put there for once Then I remembered the nausea snarled up in their cheeks Their words like spiders I don’t know where they’ve gone and I don’t want to “Is it that time of the month?’ said the shorter, more truculent boy and he sniggered I stood submerged in hard edged a laugh that liked to wrench my ears and make rounds on nights hot and heavy with languor and perhaps, had I not been so small or weak of muscle had I worn a different dress or forgotten to coat my lashes had I sipped on tea instead of ***** I could’ve flagrantly pushed them away Darted not with my eyes, but my legs I could’ve screamed “Get off me you scumbags!” until my throat shriveled up into a dried cranberry But I didn’t Instead I’m screaming on a piece of paper Because the worst that happens here is a paper cut.
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Jan 5, 2015
Jan 5, 2015 at 6:16 AM UTC
Violation
My blood is not red anymore It is not even rufous It is achromatic I’ve seen it go to a watery grave with moonshine It drowned for a foolish fluid one so dimwitted it forgot the word “No” could be spoken to bring their negligent ears into ******* (And not me) My blood rushed out In it’s gloom I wanted to emulate it and exit my body just as they entered What a theft What a “five-finger discount” Literally It was a perfect portrait A gun kissing the crown of my head and my indifference towards the money in the cash register that I called my soul-case If I’d even had any left My lips moldered shut They don’t like parting anymore Two buds charred sorely as a pen that speaks only in black ink I searched every crevice of that washroom for a noose I found my reflection and thought that close enough So there I hovered hung up on my mirror image suspended by two claws honed with dejection My eyes slammed taut My pulse ******* bones in my face and gnawing itself with prowling fluorescents I grazed the scuffs on my thighs I hadn’t put there for once Then I remembered the nausea snarled up in their cheeks Their words like spiders I don’t know where they’ve gone and I don’t want to “Is it that time of the month?’ said the shorter, more truculent boy and he sniggered I stood submerged in hard edged a laugh that liked to wrench my ears and make rounds on nights hot and heavy with languor and perhaps, had I not been so small or weak of muscle had I worn a different dress or forgotten to coat my lashes had I sipped on tea instead of ***** I could’ve flagrantly pushed them away Darted not with my eyes, but my legs I could’ve screamed “Get off me you scumbags!” until my throat shriveled up into a dried cranberry But I didn’t Instead I’m screaming on a piece of paper Because the worst that happens here is a paper cut.
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79
Hey time, C’mon, it’s you. ‘Wanna bring you to a standstill To get in touch with them. Nicked and pilfered you are Ended up missin’ too much of them, A sting in my wits, Conveyed my recall. I sniggered and cackled, As they beamed and grinned Gulped nil yet bushed, I’m kinda ******** now.** How wintry the weather is, For Christmas is roughly near Today, I’ll close these eyes Calling upon for their wellbeings. (12/14/11 @Xirlleelang)
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May 27, 2014
May 27, 2014 at 2:33 AM UTC
Bang a Drum, It's Untitled
On a whim one day we took the car And drove for miles and miles, quite far To visit a place, a sanctuary For cats and dogs and all things hairy All three of us without a plan Had never been best friend as man only can We had no clue when disembarking of all the curs Alone there skulking and marking The couple who had come on holiday Decided to stay when confronted by strays And in their house they were inundated With bowls and beds and little bodies mutilated In one cage a ball of fur hid and retreated Into the shadows and disappeared I failed to notice this little hound Instead shed tears for all around With anxious steps from Helena and Remy We were led to a cage much bigger and roomy Where inside seemed to hide a huge Bear Who smiled and sniggered and appeared not to care This one we took out for a walk But before that we asked who could not talk And from the cage the most pitiful thing With one broken leg and fear heartbreaking We bundled them both out that day And bathed and fed and loved them forever And still today
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Oct 4, 2016
Oct 4, 2016 at 6:48 AM UTC
Charlie and the Bear
CRAZY CANARY YELLOW (In Memory Of My Mother Ita Dempsey) Bright skin tight a crazy canary yellow jeans my pride & joy (my first Versace) took a lot of ***** to wear ‘em but then I got ‘em! My mother hated (with a vengeance) them (hated to pieces) them until one morning early up with the crow of the **** I cut them myself to pieces “Snick snack! ” sniggered the scissors (good for a laugh) threw the shreds of the threads up upon the roof let an hour or so pass and then discovering my own(the devil’s) handiwork accused her of the dastardly deed. Who else(I said) wanted the jeans dead? Who hated them with such a passion to do such...such a thing. Maybe she thought... “I did it in my(God forgive) sleep.” “Although I know I didn’t do it it’s what I would have wanted done.” After hours struggling like a worm I let her off the hook confess it was I that done them (the jeans) in. She annoyed at the spoof that took her in but delighted at the demise of those **** things. The hearty laugh of then the feeble smile of now as she(here is this hospital) tries not to die.
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Mar 5, 2016
Mar 5, 2016 at 3:19 PM UTC
CRAZY CANARY YELLOW (In Memory Of My Mother Ita Dempsey)
She had to lie she couldn't tell the truth,It was to embarrassing but he laughed as soon people would guess, and just for a second visualise what happened to you. With that she did blush and her eye watered more. He giggled every time he saw, he couldn't help it, even though she told him it was really sore. That eye was blood red, she had washed it out but her eyes just watered more. She had to go out but she wasn't very sure, then some friends popped over, do you think they'll guess, he sniggered as he opened the door. Hi how are you as they came through the door, as her friend looked on sheepishly O MY GOD they said in unison, he shot in your eye, it was ****** soar. The lads burst in to laughter and the ladies they did scorn, well you asked us to pull out and it did the long shot 50 points for the eye, and then every one laughed as the girls grabbed there eyes, which were still *** shot soar.
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Apr 27, 2014
Apr 27, 2014 at 5:20 AM UTC
Red Eye
I'll tell you a story Of Two men Who were best friends One who had a predisposition to feeling nothing The other who had a predisposition to sadness, suffering, and helping the people whom he loved Their names were pity and melancholy Respectively One day pity said:"I want to be sad Mel. I want to feel sad. I wonder what being sad feels like?" "Rather terrible I'd assume Pit." replied Melancholy "Well I guess I'll never know." Said Pity and with that the two friends went their seperate ways Melancholy was conflicted because he wanted to give Pity everything. Including sadness. So he sat down and started planning. He thought of sadness and raindrops and death and tears and scars and pain and cruelty and anger and many sad things about the human race. He drew things. Things that created tears in his eyes. Things that caused the void in his chest to deepen. Then he was ready He gathered all of his pencils and pictures and paints and brushes and palettes And he set out to paint the streets with sorrow He painted raindrops on the walls And death on the floor And cruelty on the lampposts And suffering on the windows He painted and painted He painted a man's tears raining down from the walls To drown the men on the floor As the demons sniggered in delight from their lampposts And their victims of torture hung fromm the windows Melancholy painted. He turned the river of tears into a river of blood And when he ran out of red paint He slit his wrists and used his own blood Pouring his life into his sadness Pouring his life into his river And then it was finished His masterpiece of sadness was complete "Maybe Pit will feel sadness." he thought as he lay in the wet paint and blood with a small smile on his face Pity walked around the corner and saw the tears and the demons and the corpses and he was scared He followed the ominous river and at the end he found an extremely well painted corpse It looked just like his friend Melancholy He picked up the painting and as he watched the life abandon his sad friend's eyes he felt it The pit The void growing in his chest Painful as if it were an acid that burnt up into his throat As he watched the life abandon melancholy's life he cried Because his friend was dead And he was sad
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Jun 28, 2015
Jun 28, 2015 at 5:03 PM UTC
Sad
I'll tell you a story Of Two men Who were best friends One who had a predisposition to feeling nothing The other who had a predisposition to sadness, suffering, and helping the people whom he loved Their names were pity and melancholy Respectively One day pity said:"I want to be sad Mel. I want to feel sad. I wonder what being sad feels like?" "Rather terrible I'd assume Pit." replied Melancholy "Well I guess I'll never know." Said Pity and with that the two friends went their seperate ways Melancholy was conflicted because he wanted to give Pity everything. Including sadness. So he sat down and started planning. He thought of sadness and raindrops and death and tears and scars and pain and cruelty and anger and many sad things about the human race. He drew things. Things that created tears in his eyes. Things that caused the void in his chest to deepen. Then he was ready He gathered all of his pencils and pictures and paints and brushes and palettes And he set out to paint the streets with sorrow He painted raindrops on the walls And death on the floor And cruelty on the lampposts And suffering on the windows He painted and painted He painted a man's tears raining down from the walls To drown the men on the floor As the demons sniggered in delight from their lampposts And their victims of torture hung fromm the windows Melancholy painted. He turned the river of tears into a river of blood And when he ran out of red paint He slit his wrists and used his own blood Pouring his life into his sadness Pouring his life into his river And then it was finished His masterpiece of sadness was complete "Maybe Pit will feel sadness." he thought as he lay in the wet paint and blood with a small smile on his face Pity walked around the corner and saw the tears and the demons and the corpses and he was scared He followed the ominous river and at the end he found an extremely well painted corpse It looked just like his friend Melancholy He picked up the painting and as he watched the life abandon his sad friend's eyes he felt it The pit The void growing in his chest Painful as if it were an acid that burnt up into his throat As he watched the life abandon melancholy's life he cried Because his friend was dead And he was sad
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44
There’s no sympathy for single mothers she said. He sniggered. Social services: what do you expect? I left me ‘usband when ‘e beat me up. They’d ‘ave been ‘appier to spend the public funds on a grave. No gravestone. Just a plot to mark the spot and two tiny tots clutching a bunch of weeds from the roadside. And no place to put ‘em.
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Oct 1, 2014
Oct 1, 2014 at 5:25 AM UTC
THRENODY