Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

"Patience," flapped the Butterfly's wings
"Patience," said Thomas Edison
"Patience," said Abraham Lincoln
"Patience," said the Diamond's sparkle
"Patience," said the Pearl's smoothness
"Patience," said Columbus' sailors
"Patience," the monks prayed
"Patience," the Mountains yawned
"Patience," Maturity recollected
"Patience," Healing nodded
"Patience," Insight demanded!
"Patience," winked the stars of the Milky Way

The Seven - The Mashup


In memory of my mother who passed away recently, I wrote, or intended to write seven (only six were actually done) new poems themed about her, her passing and some perspective on life and death.  All were read and I am deeply appreciative.  I have consolidated them all here, in order, though not necessarily the order in which they were written. But the order does matter, as it reflects the change in my mood with each passing day.   Perhaps I will write the seventh someday, but not now, not soon.

Thank you all so much for incredibly kind words of sympathy. I am not a dweller, so I set myself a goal to complete this vow, this task, in a week to correspond to the seven days of mourning the immediate family observes after the burial (the shiva, shiva meaning 7).  For seven days, the bereaved family "sits shiva," sitting on low, uncomfortable stools and the comforters come to share their grief, praise the deceased, from mourning till late at night

#1 Shiva

I am confused - what day is it?
Windows tell day or night, a necessary but a condition insufficient.
The days have no distinguishing marks, a video stuck on
Repeat - a single track of recollected tales, prayers add a mild seasoning.

Though brief is this week of pre-sentencing hearings,
If one cannot dice the time into portions,
Then, there can be no pardon,
No early release date, from Phase One.

Rinse grief. Repeat. Seven cycles.
Apply stain-stick at the intersection of
Bloodied hurts and dimming memories,
Strangers secreting, spilling on you secrets unwanted.

This play, saw it many decades ago,
Before there was poetry, children.
A young man of twenty one,
Very afraid, silently, of the newest unknown,
His father, cancer won.

I hated it then. Now experienced, I hate it more.
This semi-catharsis, a tapestry tale wove of faded pasts
Twisting an heirloom blade into an old wound,
the original cast, a new revival, playwright, regrettably, deceased...

First time at bat, hid in a small room, away from this tradition.
Beating my head against a wall privately,
That being my preferred manner of mourning,
Not this Broadway show, twice a day, seven days.

Rituals well intentioned, a time tested method,
nonetheless, jail time for me, a/k/a, the boy, the brother.
Familiarity comforts some. Me? A prison uniform.
I write my own poems, I am not a Borg collective.

Cast as Son, my obligations specific, aged.
My Hamlet doublet, cut/torn, messaging my somber status,
The cuts deepest, invisible, but all see this child
Drowning in eye pools that continuously self-replenish.

I'll do the time, this show the longest running ever,
Did forty years as son-shadow of a father-man,
Tacked another concurrent sentence for his woman,
End Date: Indeterminate...

The low stools will reappear, seven days for me,
Yet my job as poet not fully done, until this be read!
Leave 'em laughing o'er this Official Release from the obligatory,
Read, sit but once, read this poem, this script, this story, and be freed.

#2 Hover^

My Children:

Ancestral homes oft possess,
a unique scent, product of an atomizer, a memorizer

Musty time, the odor of
faded and shadow,
hollow, yet hallowed.

Somewhere along the road,
a residence transforms from home to
shrine-storage unit-hospital room-tomb-records depository.

Dust, expired perfumes,
the sweet odor of crumbling, yellowing books, disinfectant,
stale medicine chests, years of furniture polish, sabbath candles.

It is my smell -
the parfumerie of my history, a customized blend,
a commissioned work in 1964, entitled, more accurately, emitted,
"Her-Story."

Photographs, memories, and paper scraps
my very own Preservation Hall Jazz Band.
Yet the most potent firing pin for historical retrieval,
the molecules of scent.

Soon all will be dismantled, discarded,
just plain dis'ed.

Confused and disenchanted,
my departure orderly but, in a disordered fashion.
unable to seed one last kiss upon your forehead,
nonetheless, surreptitiously enter your neurons
though my entity, away, across the miles-wide Hudson River.

For three days, I will hover invisible,
implanting myself once more,
slapping your mucous membranes,
transversing this pathway, an additive to your cells, nuclei,
where my markers always reside.

Adding one more ingredient to your inner vision,
strengthening the formless structure, my altered state.
This odor, keep close, fresh, no becoming musty too, my scent,
the last of your senses knowing me, a true keepsake.

Hold me close and hold me fast.
This one last magic spell I cast.
This one last magic smell I set fast.
You cannot hold it, but it will cradle you.
You cannot see or touch it, but when contact comes,
You will see me, hold me, as in the days of your youth,
When you loved me best,
And I, you.

^According to the Talmud, the soul hovers over the body for three days after death.  The human soul is somewhat lost and confused between death and before burial, and it stays in the general vicinity of the body, until the body is interred.

#3 Orphan

The funeral will commence at 11:30 am.
Gives me one last review time before the
Final Exam.

Panicked, I discover a whole new chapter
for which I am wholly unprepared,
though its inevitable presence was
assuredly knowable long in advance.

Orphan

It doesn't fit, occur, imagery is of a young child to
soon abandoned, not a late-in-life curmudgeonly poet-boy,
who has been multi-times reincarnated.

I add this title to my list
of proper ways to address me,
titles earned by dint of hard work,
or just unlucky luck.

This new status, orphanhood,
bequeaths no special privileges,
other than, a semi-official
societal permission slip
to feel bereft, lost, and compose poetry.

Know a real orphan, from early, early on,
has never recovered and
never will for it is just impossible.
Just impossible.

So whom am I to make light of
my undesired, unrequested new degree?

I accept it and to my surprise,
It hurts.

# 4 Judgement Day

After you put in some time on this planet,
You kinda know what the world thinks
About you, your rep, what they don't say to your face,

Sure, thingies, time and incidence and circumstance
Can sometimes cause makeovers external,
But each of us know the quality of ourselves,
Self-certification, you can out your internal self,
Better than anybody else.

So I inquire of myself, about myself,
what will you be remembered for, if at all?

Why do I ask, today, now?
Do we not ask ourselves this
On the low down, subconsciously everyday?

Is this a poem?
Most assuredly...
And a trial.
You, the judge the jury and the prosecutor,
The defender, if u can, if u will.

For seven days my mother was adjudged,
Family, friends, hers, her children's,
Almost an 80 years of live, in color, HD, looking back video,
Tales told, memories dug up, old photos explicated,
Who what when where of the details of one women's voyages,
Creations.

I cannot, I will not, do the details here.
Suffice, acts of kindness, faith in people,
Feminist in a strange land, a chance taker,
Gifts of memories, streaming of adoration,
Many strangers are witnesses to me,
This trial a runaway train.

I am outed.  There will be no such verdict for me.
I am outed.  There will be no trial needed, just a
Summary judgement delivered.

Out yourself.
What will you be remembered for, if at all?

#5 Summer Girls In Their Summer Clothes

Oh yes!

The streets of Manhattan, jewel dusted,
Summer girls in their  summer clothes,
Bedeck the streets and make men say, Thank You!
To their creator.

Little black dresses, previously immortalized^,
Seasoning and sauces, halter tops and jeans cutoff,
Give thanks for the tanks, revel in the revelations,
For God created man and women in his/her teasingly bare image.

Yo! Dude!  This is number 5 in the series,
Of sad and somber, re dad and mother, ***?
Have you lost perspective, not read the directive,
You're in mourning, time to be introspective,
Not dis-respective!

My mother was a beautiful women.
Till the day she died.
Yes, physically beautiful at 98.

She, was a poem.
For her exterior was suffused, burnished,
By the spirit residing within her body

I ask myself, why not judge a book by its cover?
Her cover was exquisite, but what gave her a glow,
A radiance, was her modesty, her love of humanity.

What's under our cover?

^ Nat Lipstadt · May 30
The Little Black Dress (and its magic prowess!)

*#6 & 7 Live like you're dying

Perhaps you know the lyric, the song?

Live like your dying.
Dying caught my ear, my eye, can't imagine why.
Con-Textual emendation, Natalino style.

Live like your writing.

Yes, that makes sense...
Embrace with passion each new session
Charge every second stanza with ruminating rhythms,
Cut the wires to the air traffic control sensory tower, go solo,
Pulse each word, beat all into a plowshare, even the anger,
Even the hate, dressed to ****, in words, forgivable...

Grant the mundane, the insane, even the pain of tragedy,
You refuse so hardily to glorify, grant it and
Record it all - a moment,
A royal audience with all
Your writing parts.

No fancy footing, keep it simple.
No jesters in rain puddles,
Let images of clouds of sand
Born and perish  in other's eyes and sighs, let verbal games bedevil other
Wooden puppet princes drinking fairy ales.

Huh?

Write clean and clear,
Let the sheerest wonderment of a new combination,
Be the titillation of the tongue's alliteration,
No head scratching at oblique verbal gestation,
Let words clear speak, each letter a speck,
That gives and grants clarification, sensational.

You, afternoon quenching Coronas, white T shirts,
Sun glazes and later, a summer eve's Sancerre,
Wave gazing on the reality of rusted beach chairs,
Babies sandy naked, washed in waves of Chardonnay,
The traffic-filled word-way highways and bay ways,
Exiting at the Poet's Nook, for exegesis & retrieval.

Write of:
Body shakes and juices, skin-staining tongues,
Taking her, afternoon, unexpectedly, her noises your derring-do!
Broken tear ducts, the Off switch, so busted, write about
Real stuff.

Write not in fear of dying
Angels delivering bad news in vacuum tubes,
Write joyous, psalms of loving life,
Live like your writing,
Write like your living,
So you may die well.

Sweet and seductive
The twilight
Can I come in?
No need to worry
Frustrated moments
Tempting lies
Please don't scream
I'll be discrete
Caresses recollected
Old embraces
******* and bathos
Fur instead of hair
Movements in a mirror
Time for breakfast
The appearance of a peach
Fried sentences
Scrambled words
Rhyming couplets
Tea and coffee
Contradictory conversations
Flee from open mouths.

Seven New Poems For Seven Days #1: Shiva

Shiva means seven. For seven days, the bereaved family "sits shiva," sitting on low, uncomfortable stools and the comforters come to share their grief, praise the deceased, from mourning till late at night.*
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~­~~~


I am confused - what day is it?
Windows tell day or night, a necessary but a condition insufficient.
The days have no distinguishing marks, a video stuck on
Repeat - a single track of recollected tales, prayers add a mild seasoning.

Though brief is this week of pre-sentencing hearings,
If one cannot dice the time into portions,
Then, there can be no pardon,
No early release date, from Phase One.

Rinse grief. Repeat. Seven cycles.
Apply stain-stick at the intersection of
Bloodied hurts and dimming memories,
Strangers secreting, spilling on you secrets unwanted.

This play, saw it many decades ago,
Before there was poetry, children.
A young man of twenty one,
Very afraid, silently, of the newest unknown.

I hated it then. Now experienced, I hate it more.
This semi-catharsis, a tapestry tale wove of faded pasts
Twisting an heirloom blade into an old wound,
the original cast, a new revival, playwright, regrettably, deceased...

First time at bat, hid in a small room, away from this tradition.
Beating my head against a wall privately,
That being my preferred manner of mourning,
Not this Broadway show, twice a day, seven days.

Rituals well intentioned, a time tested method,
nonetheless, jail time for me, a/k/a, the boy, the brother.
Familiarity comforts some. Me? A prison uniform.
I write my own poems, I am not a Borg collective.

Cast as Son, my obligations specific, aged.
My Hamlet doublet, cut/torn, messaging my somber status,
The cuts deepest, invisible, but all see this child
Drowning in eye pools that continuously self-replenish.

I'll do the time, this show the longest running ever,
Did forty years as son-shadow of a father-man,
Tacked another concurrent sentence for his woman,
End Date: Indeterminate...

The low stools will reappear, seven days for me,
Yet my job as poet not fully done, until this be read!
Leave 'em laughing o'er this Official Release from the obligatory,
Read, sit but once, read this poem, this script, this story, and be freed.

Bio-mechanical protocols govern my identity
And are implanted while I sleep.
My brain--my weak and weary CPU--
Is replenished, my discs defragmented.
A suite of magnetic & optical white rooms,
Cleansed free of contaminants,
Gun mounts & lifeboat stations
Manned and ready,
Standing at attention, saluting
British snap-style,
Snap-to and heel click,
Ramrod straight and cheerful:
“Ready for duty, Sir.”
My mind is ravenous,
Lusting for something,
Anything to process.
Any memory or image,
Lyric or construct, be they short-term
Dailies or deeply imprinted.
Fixations archived one and all
In deep storage time and space.
Memories, some subconscious,
Most vaporous; others--the scary ones—
Eidetic: frighteningly detailed,
Extraordinarily vivid.
Precise cognitive transcripts;
Recollected so richly, rife and fresh.
Visual, auditory, tactile, gustatory, & olfactory reloads:
Queued up and increasingly re-experienced.
The bio-data of six decades: it’s all there.
People, countless places & things cataloged.
Every event, joy and trauma
Enveloped from within or,
Accessed externally from cloudy storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral
Repositories and vaults, all the while,
The entire greedy process overseen,
Over-driven by that servile British bat-man,
Rummaging through the data,
In batches small and large,
Internal and external drives working
In seamless syncopation, self-referential,
At times paradoxical and infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but
There’s more to the story:
Thinking about thinking.
The curse & minefield for the cerebral:
Metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
It is the information technology of thought
That baffles me, adaptive & profound
As any evolution posited by Darwin.
Beyond the wetware in my skull
Dwells an entirely new operating system.
My mental & cultural landscape are now one,
Machines connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:

"It is the information technology of who I am. It is the operating system of my mental and cultural landscape. It is the machinery connecting the two."

This is the central point of this narrative:
Metacognition—your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear.
“LISTEN: the machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or
Not connected at all.
Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools
I’ve been using to shape & make
Sense of my environment, have reared up,
Turned around on me.
My tools have reshaped my brain,
Remaking my central nervous system.
Turning me into something simultaneously
More and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin, septic now,
A cluster of implanted sensors.
Content: currency made increasingly
More valuable as time passes,
Served up by & serving the interests of
A pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human;
Simply put by both Howards--Beale & Zinn:
HUMANOID

(Excerpt from "Confessions of a Hopi *** Israelite")

~~~~~~~~~~~~~~~~~~~~~~

Infinity's Mirror by Nat Lipstadt

Two mirrors, set in opposition observe created notional blending,
a reflecting pool of bonding's of unglued, contrary compositions.
Mirror to mirror, his imagery, fuses to Sylvia's images, hers,
faintly recollected, now living face, face to face, with his past insurrections, alters his future visions.

From cold water lake she's drawn, impaled by refracting regrets,
retrieved, drawing her words upon him, an awakening slap to drink,
beloved, tragic magic, infinitely captive.  But this old man's tiddlywinks, land-locked words, blunted instruments, needy for release & salvation, are neither silvered or exacting, just stains on a dulled, tarnished brass spittoon, except for the brunt'd bunting of lines across his roughened terrain'd face, black and white, pen and ink etched illustration of howling agitation.

His words worn down, hardened, red faced, purloined speckled pellets, damp to roll on down her rutted, almost ancient, tear streak paths, disbelieved superstitions, sacrificed for one of her living morsels of words.

Man, here to her, pledges allegiance, audaciously defiling her poetic sanctity, a visage endless repeated, delivers her shiny poem-poised countenance, even though no forgiveness from time can a mirror afford for either, from her words,  confession born, terrible truths beyond, beyond the finite.

                                                
~~~~~~~­~~~~~~~~~~~~~~~~

Mirror by Sylvia Plath

I am silver and exact. I have no preconceptions.
What ever you see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful---
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is a part of my heart. But it flickers.
Faces and darkness separate us over and over.
Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.

TIS past ! The sultry tyrant of the south
Has spent his short-liv'd rage ; more grateful hours
Move silent on; the skies no more repel
The dazzled sight, but with mild maiden beams
Of temper'd light, invite the cherish'd eye
To wander o'er their sphere ; where hung aloft
DIAN's bright crescent, like a silver bow
New strung in heaven, lifts high its beamy horns

Impatient for the night, and seems to push
Her brother down the sky. Fair VENUS shines
Even in the eye of day ; with sweetest beam
Propitious shines, and shakes a trembling flood
Of soften'd radiance from her dewy locks.
The shadows spread apace ; while meeken'd Eve
Her cheek yet warm with blushes, slow retires
Thro' the Hesperian gardens of the west,
And shuts the gates of day. 'Tis now the hour
When Contemplation, from her sunless haunts,
The cool damp grotto, or the lonely depth
Of unpierc'd woods, where wrapt in solid shade
She mused away the gaudy hours of noon,
And fed on thoughts unripen'd by the sun,
Moves forward ; and with radiant finger points
To yon blue concave swell'd by breath divine,
Where, one by one, the living eyes of heaven
Awake, quick kindling o'er the face of ether

One boundless blaze ; ten thousand trembling fires,
And dancing lustres, where th' unsteady eye
Restless, and dazzled wanders unconfin'd
O'er all this field of glories : spacious field !
And worthy of the master : he, whose hand
With hieroglyphics older than the Nile,
Inscrib'd the mystic tablet; hung on high
To public gaze, and said, adore, O man !
The finger of thy GOD. From what pure wells
Of milky light, what soft o'erflowing urn,
Are all these lamps so fill'd ? these friendly lamps,
For ever streaming o'er the azure deep
To point our path, and light us to our home.
How soft they slide along their lucid spheres !
And silent as the foot of time, fulfil
Their destin'd courses : Nature's self is hush'd,
And, but a scatter'd leaf, which rustles thro'
The thick-wove foliage, not a sound is heard

To break the midnight air ; tho' the rais'd ear,
Intensely listening, drinks in every breath.
How deep the silence, yet how loud the praise !
But are they silent all ? or is there not
A tongue in every star that talks with man,
And wooes him to be wise ; nor wooes in vain :
This dead of midnight is the noon of thought,
And wisdom mounts her zenith with the stars.
At this still hour the self-collected soul
Turns inward, and beholds a stranger there
Of high descent, and more than mortal rank ;
An embryo GOD ; a spark of fire divine,
Which must burn on for ages, when the sun,
(Fair transitory creature of a day !)
Has clos'd his golden eye, and wrapt in shades
Forgets his wonted journey thro' the east.

Ye citadels of light, and seats of GODS !
Perhaps my future home, from whence the soul

Revolving periods past, may oft look back
With recollected tenderness, on all
The various busy scenes she left below,
Its deep laid projects and its strange events,
As on some fond and doating tale that sooth'd
Her infant hours ; O be it lawful now
To tread the hallow'd circles of your courts,
And with mute wonder and delighted awe
Approach your burning confines. Seiz'd in thought
On fancy's wild and roving wing I sail,
From the green borders of the peopled earth,
And the pale moon, her duteous fair attendant;
From solitary Mars ; from the vast orb
Of Jupiter, whose huge gigantic bulk
Dances in ether like the lightest leaf;
To the dim verge, the suburbs of the system,
Where chearless Saturn 'midst her watry moons
Girt with a lucid zone, majestic sits

In gloomy grandeur ; like an exil'd queen
Amongst her weeping handmaids: fearless thence
I launch into the trackless deeps of space,
Where, burning round, ten thousand suns appear,
Of elder beam ; which ask no leave to shine
Of our terrestrial star, nor borrow light
From the proud regent of our scanty day ;
Sons of the morning, first born of creation,
And only less than him who marks their track,
And guides their fiery wheels. Here must I stop,
Or is there aught beyond ? What hand unseen
Impels me onward thro' the glowing orbs
Of inhabitable nature ; far remote,
To the dread confines of eternal night,
To solitudes of vast unpeopled space,
The desarts of creation, wide and wild ;
Where embryo systems and unkindled suns
Sleep in the womb of chaos; fancy droops,

And thought astonish'd stops her bold career.
But oh thou mighty mind ! whose powerful word
Said, thus let all things be, and thus they were,
Where shall I seek thy presence ? how unblam'd
Invoke thy dread perfection ?
Have the broad eye-lids of the morn beheld thee ?
Or does the beamy shoulder of Orion
Support thy throne ? O look with pity down
On erring guilty man ; not in thy names
Of terrour clad ; not with those thunders arm'd
That conscious Sinai felt, when fear appall'd
The scatter'd tribes; thou hast a gentler voice,
That whispers comfort to the swelling heart,
Abash'd, yet longing to behold her Maker.

But now my soul unus'd tostretch her powers
In flight so daring, drops her weary wing,
And seeks again the known accustom'd spot,

Drest up with sun, and shade, and lawns, and streams,
A mansion fair and spacious for its guest,
And full replete with wonders. Let me here
Content and grateful, wait th' appointed time
And ripen for the skies: the hour will come
When all these splendours bursting on my sight
Shall stand unveil'd, and to my ravished sense
Unlock the glories of the world unknown.

Nothing is indestructible.
We all know most things can be broken.
At home, in your friend’s toy chest
Breaking things in a place you’re considered a guest
I guess,
Breaking a bone hurts. I know through some testimonies
I wouldn’t know, but maybe eventually
That ninety or so broken degree
Painful message sent through the spinal cord holding me--
Together.
Underneath the thin material having been tethered.
The spine surviving endless stages of weather
Holding on to claim being a backbone helplessly held together
Hoping through each trimumph the chronic pain might feel better
Only holding onto the self as a go-getter
As life’s building blocks as the brick setter
The rain picks up
And life’s damp becomes wetter.
Just let her.

Things, as if they were pushed right over the edge
Smashed, or broken, as the smasher’s true pledge
It’s not me. These ten fingers deny
To be responsible for all the pain felt as the time passed me by

Maybe it was everything. The endless rotation of our planet.
Maybe it was this or that. ****, I have had it.
It wasn’t everything, or anything, or anyone or body
It wasn’t the unerasable ink splatter and splotting
It wasn’t the wind that knocked me over
It wasn’t the colors you’d paint me
It wasn’t the night,
It wasn’t the morning,
It wasn’t the past or present cold mourning.

It was not my limbs or the joints, or the ligaments that compose me
The fragments and pieces ] glued together intravenously

Each psalm taken in the hurricane seasons’ wrath
One, after another, too broken to cast

The two unequal hands ring based on the hour
Whose sounds was the ring of a shared life now gone sour
Because being ignored, as if I never existed is power
Unconsider yourself, at least today, that forever blooming flower.
I might be a million things. But of those not a coward.
Today you took the title with a medal to show off to the people you know
Welcome to the black and the white swan’s big show
At this point I’m the raven, she’ll never know
I was too drunk to function at the end of the show.

The curtains begin to rise, and I watch in surprise
How exposed and naked are the both of our lives
As your patience has taken time to disguise
Replacements as substitutions for the nature of the styles
We have to live life in the ways that we fight
Hoping for what we want in the end without struggle
How about perfection? I said on the double.

And those two uneven hands of the clock are due to change places
Ticking away at our concept of time
And aging our faces
The weeks pass us by
The days and the hours
Ask me who if not both of us are the coward

The giant dump truck grinds up countless materials
Making fragments of the things that existed for real
And what lasted in the bins of the emotions free wheels
Making internal rationalizations for what I tried to feel.
It’s over and over on what I wanted to seal
Were too many things to remember?
Dreams turning it all too, too real.
Turn my mind inside out I begin to expose now and peel.
How long will it take to forget
Or to heal?
I don’t know what to call this.
And idea or what’s real.
I’ll tell you what the heart asked for his final meal
Peace to believe what we did have was real.

Life keeps grinding up what treasures I’ve collected.
Forget what memories I ever recollected
All I’m asking is that I remain intact and protected.

But no one can guarantee me that.
No one can ask me to offer up my hands frostbitten with your cold
No one can ask me to bluff followed by my own fold
No one can ask me the number of me having been sold.
There was one dream and I bought it.
Except the belief in the memory is what I’ve left to have fought it.

I don’t ask or expect to ever be repaired.
But you didn’t break me, so why were you ever so scared?
Maybe for the immeasurable amount that you actually cared.
But today’s findings have left me quite frankly impaired.
I didn’t exist to you at all. I was the invisible man.
I use all my abilities to understand as I can.
But nothing makes sense to the invisible man.

So he hopes and he hopes for just one part of him to be seen.
One of his hands through the smoke in your overly-woven screen
To knowingly be holding one of yours, when your reality’s clean.
I’m the invisible man.
Pretending not to see me was a game played unclean.
I hope one day in your life he exists.
Parting through the smog and the fog and the mist
As I feel forgotten in both my clenched fists
What's left is to let go of  those fogged moments like this.

vi.xxiii.xii

616

I rose—because He sank—
I thought it would be opposite—
But when his power dropped—
My Soul grew straight.

I cheered my fainting Prince—
I sang firm—even—Chants—
I helped his Film—with Hymn—

And when the Dews drew off
That held his Forehead stiff—
I met him—
Balm to Balm—

I told him Best—must pass
Through this low Arch of Flesh—
No Casque so brave
It spurn the Grave—

I told him Worlds I knew
Where Emperors grew—
Who recollected us
If we were true—

And so with Thews of Hymn—
And Sinew from within—
And ways I knew not that I knew—till then—
I lifted Him—

She has a luminescence about her
A way of outshining the neon and fluorescent
That cling to her curves as she dances beneath them
I stood there, in my second-hand persona,
wearing a mask of bravado, now whimsical with
its mouth agape, staring as she made love to the music.
I recollected myself,
remembered to breathe,
swallowed my heart,
and dared to move closer.

The rhythmic pulse of the music
threatened to crush me as my feet touched the floor-
my head still in the cloud generated by her heat,
that permeated every molecule of my body.
The closer I got, the harder it was to keep
from succumbing to the lack of air.
"Remember to breathe.
You're sweating.
Abort. NO.
Play it cool. You're cool."

I could have pieced together
A thousand words, pulled from the ether
and crafted into exactly-what-she-wanted-to-hear,
But she had taken my air.
My tongue wouldn't move with my lips
To form a simple hello.
I just stood there in my mask.
No longer whimsical.
Nearly desperate
and certain that I would die right there.

Then, in a move that writes love songs,
that creates sunsets and shifts paradigms,
SHE, this caramel-skinned goddess
Wove her warm, illuminated fingers into mine
And pulled me into that dance
That she was sharing only with the music.
Not breathing again.
Keep moving.
Stop thinking.
Just be. Right now, just be.

So, I was. Dead to time and space,
alive to the moment and the music,
Her touch, the light and the curves.
She held to me as if she read my mind;
perhaps I wear my heart in my eyes.
Eyes that she seemed to pull my soul out of
To drown it in hers, as she danced
With me.
To me. Through me.
Beyond me.
But with me, as though I were the light and the music,
and she wasn't done making love.

The library is too quiet to read
too contemplate her clothed *******
the wooden chairs are thick with boredom
the boys stare at words that hide themselves
and the women are brave enough to still search for love
I can't hear a thing
A Toilet flushes
The loud thin aluminum and molar teeth Air Conditioner rattles like a starving stomach
I can hear pages being changed
Chairs slowly creaking
The chairs are considering suicide
They'll jump right out this window
Outside the construction workers are smoking
Outside a girl with a pumpkin colored sweater talks to a boy
Outside The Mobiles await their masters
Outside a single orange cone is placed next to an eight foot black light pole
And I stare at it
More interesting than the girl in a pumpkin colored sweater
more sound than the Library's hallways and book isles
More ****** and ****
More cigarette smoke
More sweat
Louder than a thousand heart beats drumming to the Tribal tune of life
**** with out feet dancing on hot coals and slaughtering a Cow for rain
The Cone waits
its plastic thick
bending in like the gut of an exiled starving Tribal member
The light pole Waits too
it avoids eye contact with the people that pass by
it makes small talk to the wandering insects looking for a junk lit fix
“Not for awhile, not for a while.”
The LampPole would say
and the insect would fly away on all of its wings
and hide in the trash can
or the muffler of a Camaro

Outside the trees are waiting
waiting for Mother Kansas Common Bird
For a nest
For an egg
For now the trees are bare
stripped like P.O.W
barley blooming

I wonder how those buds taste like

I see the Cone
still orange
still waiting for me to say
“Cone, I know you. I see that you wait.”
and perhaps this is what he was waiting for
Then the eight foot LampPole droops like lovely Egyptian ***** eyelashes

Outside
Outside
Outside
the Sun is open for business
Sun dresses
and
sun glasses
Waiting
Waiting
Waiting for boy
career
house
baby boy
******
love
ultimate Zen
but Career but House but Baby Boy Anthony oh so sweet but ****** but Love
gets in the way
and the Ultimate Zen is recollected as Silly as Childish as Unattainable
saying to herself
“Life has its plan”

But it doesnt
Zen still waits
Orange Construction Cone still waits
Eight Foot LampPole waits

Inside Inside Inside
Toilets are flushes
Books develop Mold like pregnancies
Inside *** dances in the mind with every passing Legs *** and *******
Inside carpets groan
inside dandruff
inside Clocks endlessly fueled by a battery
inside outside being stared at like the Ocean
and a boat with the Ultimate answer is on it
Inside nothing happens at all
Inside the Books are wondering where have their stomachs gone
Inside Legs and feet go numb
Inside Dry mouths smack
Inside lesbian couples kiss
Inside the florescent Lights shine without stop

I am inside
looking through the window
admiring the smooth **** chaotic curves and heights and birds of outside

-A woman in a pink sweater
-A man in a blue suit

Beholden.
I am for a tainted past.
Years of scars.
Inwardly vast.
Recollected memories so brawn.
In my dreams.
They will never be gone.
At a time..
Feeling worthless...
Knowing now.
A test..
A test of hidden purpose.
Purpose that has given me preparation.
Inspiration.
Determination.
Motivation for a delightful future is now my affixation.
I am..
Beholden.

You remind me of the earth,
   like deep burnt umber woodlands
mid downpours' fresh aroma
       & spring's foliage lushly reborn,
twinkling explosive pinpoints
       grazing beyond dark ether,
  sparkles dappling 'pon depths
        of eternal seascapes's nature,
amidst breath of relentless airy winds
    gusting above her majesty's hazes
       beyond purple mountain's apex
and streams of meadows' wildflowers in
  deftly painted horizons after moonbows,
vivid consciousness' uttermost reminisce
   of all things recollected in the long ago
        essence of your memories' presence

Wolf Love


The night settled in
an old comfortable friend
blanketing everything
Wolfs course hair kept him warm
from October air and winter storms
but he felt no urge to sing

His yellow eyes glinted
from the flat black
entrance of his den.
He knew that he would return
but he hadn't planned on when

Wolf was accustomed to the worn path
where he often liked to tread
He stepped beyond his concealed home
but did not raise his head


He began his journey through the trees
knowing where his paws would lead
but wolf was not the same...
No puffy chested bachelor any more!
He had met a dame...
A ***** they say

He snorted.
Steam trailed back along his face
like a train from much older days.
There was no trot, no bounce
no lively spring
to his tired pace.
Wolf simply made his quiet way
to a secret private place.
Something was wrong inside his heart
where once it had been content,
now he found a space.

She'd ran with him,
on mountain slopes
of green and shades of grey
scraping the very sky it seemed
in the fullness of the day.

He remembered how their voices echoed
cutting through the night.
They'd rolled entwined in fallen leaves.
They'd grabbed each others necks to please
such friendly, trusting bites

He was no fool and understood
the space he had inside.
His heart had moved, making room
for another one beside

Wolf was heading for that perch
where for a while they'd sang.
"Maybe I am obsessed." He thought
doing everything he could
to ignore the pain
this love had wrought.

Still his paws kept closing distance
in his heart was no resistance
heading for that place,
they liked to play

His tight stomach growled and turned
another thought inside him burned
He could have gone a different way
into the vale and to that farm
to eat that rooster who liked to crow,
greetings
at the start of every day

Wolf didn't even turn his head
he was off for higher ground.
He tested the air for her scent
but not a single hint was found.

Wolf hoped perhaps the wind was wrong
and tuned his ears to hear her song
then for higher ground he went
up and up, and on

He spotted prints they'd left
on warmer nights before
and for a while he walked with them
searching for even more.
Impressions in the earth

His mind was fixed on She Wolf
and the days when they had played.
Deer were near Wolf did not care
and continued on his way.

He longed to hear her howls again
rising up with his.
In the still night air free of care
that's where his heart
at first had lived

Lonely aching desperation
urged him up and on,
traversing slopes of rolling foothills
to the mountain just beyond.

He thought about their deep night love
and not the narrowing trail.
Up and up and on and on
all rubble and shale
soft earth was gone.
Wolfs feet were sure
and would not fail
up he went, and on

Now Wolf could smell her,
where she'd scraped a single birch
leaving her
She Wolf fur.
He took a breath
and savoured her scent,
like the finest wine
from the finest vine.
He left his mark in the dark,
recollected
then on he went

Obsessive desire drove him on
the need to find her
and fill his heart
with more than just the haunted dreams
that tainted all his memories.

He knew now that it wasn't far
over a spur into a vale,
then up the incline just beyond.
Beneath the stars he made his way
listening for her eerie song.

Wolf bent his concentration
wanting for his destination,
thought about her She Wolf love
and broke into a hungry run.
Panting and panting
running and panting,
ever closer to that place
where his heart had moved for her
and left for her a space.

Then there it was,
above.
Their stage!
That naked outcrop where they'd sang
and their love engaged.

Wolfs heart pined and ached.
They'd loved beneath this sky
but She Wolf did not take the stage.
His head hung low once again
Wolf exhaled and let out a sigh,
where summer love had once been made.

Defeated,
Wolf sought his comfort
from the shoulder of the mountain side,
beneath an overhang of sorts,
that sill would let him hide.

Sleep is all he wanted now.
Sleep until he died.
There was nothing Wolf could do.
He could not lie.
His heart had moved,
making room
for She Wolfs right beside.

Slowly and with dark despair
he sought that overhang,
to sleep where they once had paired
on summer nights and sang

Then...like windy thoughts
the wind itself had changed.
Wolf raised his head,
now intent.
Wind had told him everything
and to that bed he went!
Howling! Howling!
Howling to the moon!
Knowing that his love was there
and that he would be there soon.

and so they met
with bites on necks
and mingled yips and yipes.
There his heart had moved for love
and there they spent the night.

On mountain side he met his bride,
perched above the world below.
There they danced loves sweet dance
staging for their night romance,
where only they would know.

Moons melting yellow light
touched everything with them.
She Wolf He Wolf sang in turn,
and then they loved again.
Loving love and making love
a true love to the end.

Wolf knew that his heart had moved
but hers had moved as well
and now they danced forever,
where both their hearts could dwell.

and all should howl
their hearts desire.
Find your love and love.
Shine with that internal fire,
out past the stars and so much higher.
Life is short.
the wolves cavort.
Howl at the moon!!!

Roosty!!

Did I ever ride one of these casino busses?
That's how I met my wife.

Is this weird enough?
seven measured spans of ten plus some,
this bit, this collection of second chances,
in how many?
in ever,
how many spans of tens have passed, without me?
or,
without the star stuff Sagan says  
I am made of?

or I am made? I was.

That's the measure of my worth,

nay, I say.
Rue the day I told that lie

shall be my epitath, should I leave without
a-counting
them there ex
acted, mockinbird killin' days and ways we was

when we was
never governed, as a people, or a tribe.
as ids,
we was wild injuns, us kids was. we did as we pleased.

life was fine,
livin' by the river, you can imagine a cloud

occlusion of green greasewood smoke
softening a barely waking moon
four thumbs high at sundown

keeping fairy tales down low enough
that grandpas
can snag

-- and release and come back jack, right here
--to this dangling hook

and it's always gonna be this way

catch and release,

life's story your story goes on.
You never lose your place,

that's mortally impossible
to pose a

quandry
quandary (n.)"state of perplexity," 1570s, of unknown origin, perhaps a quasi-Latinism based on Latin quando"when? at what time?; at the time that, inasmuch," pronominal adverb of time, related to qui"who" (from PIE root *kwo-, stem of relative and interrogative pronouns). Originally accented on the second syllable.

pronomial adverb, eh?
Writers were warned away from adverbs,
back when grammar tyranny strained
at knots and gnostic gnats magi-ifical
add-on augmented at your own risc

made you notice
tech times change faster than Timex

Sinclair-- sorry, senility function was left on from earlier missions

Force-recon recollected war stories being moved permanently into fish story status before
legend adds a layer
of gloryshit
at funerals.

Reduced Instruction Set Chip, chip
chipping is
addiction diction
A.I. *** us a whole Yah bus win, it's
Free Play day at the Ol' Folk Home.

We sing old songs on the way to Viejas and
laugh about all we left in Vegas.

The land is green,
And the water, blue.
Let us remove the solves,
Beneath sheltered feet.
Trekking through these colors,
Bare-foot.
Lapping waves wash out,
Con-caved imprints of adventure
From feet grazing the sand.

Photographs spark,
An array of mental depictions
With first hand sights.
Flashing activity, inside the mind,
Multiple memories,
Recollected in due time.
Words do not describe,
What a photograph provides
But a photograph does not suffice,
The memories which last a lifetime.

Why is that looking into the-
Wide and open city so upsetting?
I saw the bird,
She was looking amongst the buildings,
A space that was hers
Or maybe the space-
Her ancestors have told her,
The folklores and many songs-
Written on the very space.
She crossed mountains,
Seas and barren lands
To see the city lights and
The many dreams she had.
She is not homesick,
She doesn’t even have a memory
Of her home-land
It is a long lost dream
Which cannot be recollected.
She’s homeless.
Was she looking for a mirage
In between the tall buildings -
‘They’ said where dreams prosper?
It’s a furnace,
The colours of fire she could see,
The shadow painted colours-
Orange, red and grey and
Still it required meaning?

I’m looking for it too!
I am scared of forgetting,
Old age and Alzheimers
I’m a dreamer, a homeless hippie
But there is a root, a deep root
A scent, a strong scent and
A soul that is sometimes homesick.
I’m a coward, a bold faced, masked dancer
But there is no rhythm, no audience
It’s just silence, dull grey stillness!
These buildings scare me, where is it?
Where is my chariot?
I cannot follow the crowd
They have a home, a meaningful home
They like the cement, the black air
And bundles of printed paper.
They stamped me mad. Am i?
Maybe I am.
Hey bird, I’m not responsible-
For your destiny, look, look
Look at my hands, there is no blood
Look, look carefully, there is no stain
But I belong to the race, I belong to
The same age, the same world
That changed your fate!
I've no redemption from my sins!
I've no redemption from my sins!

The doctor rubbed my sore shoulder
spraying copious amounts of analgesic compound
to freeze the area
from the side of my eye I caught the
silver glint of a 6 inch needle poised
to penetrate my quivering shoulder
with cortisone
intense pain exploded through my consciousness
as the syringe fracked into the deeper regions of
my shoulder

Afterwards, while reflecting on this incident
I thought about polarities and Newton’s Law:
“For every action, there is an equal and opposite reaction”
The pain I had just experienced did not occur in a vacuum
Somewhere along the time continuum I’d set up that opposite
swing of the pendulum

I recollected all the intense moments of extreme and dizzying
sense enjoyment, lust and gratification
my mind has sought and indulged in with rabid satisfaction
always wanting more, restless, never content or at peace

When we examine this world, and its quintessential duality
we are confronted with extremes at every angle
Hot, cold, up, down, win, lose
We can’t have birth without death and so on
hmm…. I thought as the enlightenment bulb
went off in my head
This is why many great sages and saints
fostered a way of life that
transcended duality

Lord Buddha extolled the “Middle Path”
He described the middle way as moderation
between the excesses of carnal indulgence
and self mortification

Aristotle gave us the “Golden Mean”
“every virtue is a mean between two extremes, each of which is a vice.”

Sathya Sai Baba states:
“The object of meditation is equanimity,
the object of equanimity is samadhi (enlightenment or self realization)"

This beautiful quote by Bhagavan Baba is redolent with wisdom
and sublime beauty:

“Surrender to God and to life means the absence of duality
and being of the same nature as God.
But such a state is beyond man’s will.
Surrender is when doer, deed and object are all God.
It comes naturally to a heart filled with love for God.
God is as a spring of fresh and sweet water in the heart.
The best tool to dig a well to that inexhaustible source and
savor its sweetness, is Japa (Chanting God’s Name)

Are you a ******?*
Whirlwinds of flashes
Passed in front of her eyes
And she shut them tight,
Remembering,
Had he touched her?
No.
Had he touched her?
No!
Had he touched her?
Yes...
He had touched her deeper
Than the reach of physicality,
He had touched her firmer than
Sensations of all tactile reality,
She knew kisses that tasted of Forever,
Without having kissed at all,
So what could she answer!
She was untouched,
Yet she was not.
She recollected herself,
Replied a meek Yes,
And felt herself violated by
Another alien self,
A tear rolled down silently,
As her soul bled to death.

At one moment in time
  she was poetry in motion,
'til she pirouetted herself
  unto dusty shelves
midst old clouded rhymes
   & recollected love notes
yet, there were echoes
  glistening 'tween strands
   of web's interlacing design,
meshing her finessed
  past within gossamer's
complex entanglements
  amid labyrinths of
    ancient symphonies
she dances, still ~
  silently in her head
flirting with destiny
       albeit, not as grand

I forgot to take my medicine.

Don't freak out, but I forgot to take my pills.

My veins are not swirling and dancing and wait actually the pills probably slow them to stop swirling and dancing so I guess now is the time for said swirling and dancing, is it not?

I can feel a bit of mania in my head, so excited and so alive and so real. I can tell because there goes periods, out the window, never to be remembered or recollected or what was I talking about?

Its twitching and hopping and like Wonderland and here we go, no ashes, just painting the roses red, painting the roses red, here comes the queen of hearts and off there goes my head, we're painting the roses red, until we end up dead.

Am I somberly manic, or maniacally somber or am i even sad? I don't know its just the twitch, I can feel it, so Chesire under my skin, the smile is coming through and my head is racing and my focus is wasting away under the hot spotlight of my own personal theater. Bravo, Grace, take a bow!

Letters and figures and math and language, so different but so funny because people speak both, why do mathematicians not count as fluent in another language, because its certainly foreign to me.

Ooh, I probably should alert the one I never expected, tell him how my head's a twitching and my fingers a fluttering and all of it a maddening. I missed this, I'd hate to admit, with the progress and the productivity and the beauty and the wonder and the land and the magic carpet ride. What land am I in again?

How funny it would be to see an intoxicated me. Am I intoxicated now? I don't know, I act like it but nothing's in my veins to even the pills am I born intoxicated, am I intoxication incarnate, am I addictive, am I a problem?

I like my sweater today, its got words that I love and words that I feel, to be or not to be, that is the question, **** it feels like I'm on fire, my limbs are burning and I am flame reborn. Maybe I should take off my hat and let out some heat, but its a pretty hat and it might feel bad if I ignore it.

Time to go back to busy life, where the life is dull and i am the fire but I love the dullness and the normativity because it involves my wonderland friends and the one I never expected. They make me happy, which lets me fly like this. The flying fire is me.

A bit of another story
for someday when we can
make the time,

to think how old river tales are,
those ones when a river is bent,
to the will of empires, using tiny
autonomic nanobots, scene human scale.

Here your mind crossed mine in all probability
exactly once, just
right, it all was just fine, grinding
to a halt,

frictional tension, old blisters recollected
as reminders, what the science misthought right,
and sold mysteriously, for the promise to pay
all the taxes you manage to squeeze,
from the cash cows digital representation,

brass bull, where once stood a golden calf,
in the blood of a red heifer and a white buffalo.

Through a broken mirror I see your recollected smile
To the depth of a vision’s reach I see your tormented soul
Lost soul waiting to come out the materialistic exile
I see you reaching out your hand but the mirror is too cold,
You are trapped, who would have thought we could switch places
Though I feel your broken heartbeats
****** tears dripping down your shattered faces
I’ll stand by you, dimensionally, if your soul fits.
Your remains lie in your illusionary window
Until the end of time your existence remain a story untold
Your soul continues with no hopes of tomorrow
Your dull destiny was long foretold
I’m looking at you through this broken mirror
All I see is loneliness and false happiness
Dimensions repel me from stepping closer
While your soul falls down the infernal abyss.

*Well well, here we are again
Gazing upon you as I revisit your brain
You haven’t changed since our last encounter
Well I had to see you again as we open this new chapter.