Tantalized by the fractious limerence of a vestigial habiliment of the old order, we conclude that hypertrophy leads to a limbo where random permutations alloyed by the rickety limits of concatenation subsume concepts that are equivocal but populate the imaginations of newfangled art forms that jostle the midwives of rumination to lead to unique pastures that are intuitively calibrated to correspond to definitive unitary events in conceptual space that sprawl unexpectedly towards the desultory but determinative conclusion of a meandering ludic sphere of rambunctious sentiments cobbled together to either rivet the captive audience or annoy the peevish criticaster when they dare to inseminate the canvassed and corrugated tract of intellectual territory created ad hoc to swelter the imagination with audacious ingenuity that is an inevitable byproduct of lexical hypertrophy. In this séance with the immaterial realm of concept rather than the predictable clockwork reductivism of a perceptual welter that is limited by the concretism circumscribed by spatiotemporal stricture we find that an extravagant twinge of even the smallest tocsin in the interstitial carousel of conscientious subroutines compounding recursively to pinprick the cossetted smolder of potentiality rather than extravagate into the vacancy of untenanted nullibiety can spawn a progeny of utilities and vehicles for dexterous abstraction that poach the exotic concepts we fathom by degrees of sapience malingering in lifeless bricolages of erratic abstraction in manners useful to transcend the repose of abeyance and heave awakening into the slumberous caverns of still-life to make them dynamically animated to capture ephemeral events that defy the demarcations of wistful indelicacy of the encumbered bulk of insufficient precision.

Today we embark on a quest to defile the anoegenetic recapitulation of canon that litters the dilapidated avenues of miserly contemplation that has a histeriological certainty and feeds the engines that enable novelty but ultimately remain rancid with the stench of the idiosyncratic shibboleths of synoptic alloyed impoverishment that leads to the vast wasteland of cremated entropy that is a stained foible of misappropriated context interpolated usefully as botched triage for daunting problems that require a nimble legerdemain of facile versatility that we easily adduce to conquer the present with the botched memorial of a defunct salience. Despite the travail of scholars to retreat from the frontier into the hypostatized hegemony of recycled credentialed information, we often are ensnared by the solemn attrition of decay as we traverse the conceptual underpinnings of all bedrock thought only to dangle precariously near the void of lapsed sentience because of transitory incontinence that is contiguous to the doldrums of crudity but nevertheless with mustered mettle we purport that the very self-serious awakening to our hobbling limitations is akin to a prosthetic enhancement of ratiocination capable of feats that stagger beneath the lowest level of subtext to elevate the highest superordinate categorization into heightened scrutiny that burgeons metacognitive limber. Marooned in the equipoise of specifiable enlightenment countermanded by the strictures of working memory we can orchestrate transverse pathways between the elemental quiddity of impetuous meaning and the dignified tropes of transitivity that bequeaths entire universes with feral progeny that modulate their ecosystems with both a taste of approximated symmetry and a cohesive enterprise for productivity that rests on the granular concordance of the highest plane to the indivisible parcels of atomic meaning that solder together to exist as intelligible if strained by the primordial frictions guaranteed by the brunt of motion incipient because of the metaphorical inertia created within insular universes to inform sprawling conurbations of mobilized thoughts designed to reckon with the breakneck pace of the corresponding reality to which they explicitly and precisely refer to.

We must singe surgically the filigrees that amount to the perceptible realities that transmute temperaments into the liturgy of routine conflated with the rigmarole of neural dragnets of reiterative quips in an elegant game of raillery with our supernal contumacy against the rigid authority of aleatory vagaries mandated by a dually arbitrary universe in a probabilistic terpsichorean dance with the depth of our dredge for subliminal acuity or the shallow bellicosity of common modes of glib contemplation characteristic of the basic nobility of improvisation. This basic interface with the world can either be mercurial or tranquil based on the interactionism of the enfeebled trudge of surface senses or blunt intuitions and the smoldering impact of the vestigial cloaks that deal gingerly with the poignant subtext evoked in the cauldron of immediacy rather than pondered with the portentous weight of imperative singularities of uniqueness derived from the plunge into the arcane citadel of microscopic introspection so refined that the ineffable drives we seek to fathom become amenable to the traipse of transcendental time that rarefies itself by defying the brunt of compartmentalized bureaucracies administered by the fulcrum of stereotypical notions of acquired gravitas imputed to mundane pedestrian quidnunc concerns that defile humanity rather than embolden the subaudition of gritty punctilios that show the supernal powers of the axiomatic divinity of sharpened sentience to reign with supremacy over the baser ignoble components of bletcherous nescience that leads to knee-**** platitudes that provoke folksy peevish divisions. We should rather orchestrate our activity by heeding the admonishment about the primogeniture of poignant sabotage buffered by the remonstration of innate tranquility and finding a whipsawed compromise of rationalization with true visceral encounters with the fulgurant quips of brisk emotions that grind industriously into amorphous retinues of the trenchant human imagination to either equip or hobble the leapfrogged interrogation of veracity and more consequently our notions of truth and fact.

When we see the hackneyed results of default ecological dynamics, we find ourselves aloof from purported transcendence because the whimpered bleats and cavils of the importunate masses result in a deafening din of cacophony because we strive throbbing with sprightliness towards the galloped chase of tantalization without the luxury of a terminus for satiation. Obviously a growth mindset is the galvanic ****** that spawns the imaginative swank of the pliable modulations of our perceived reality that, when protean, showcase the limitless verve of our primordial cacoethes for epigenetic evolution rather than the stolid and staid foreclosure of impervious sloth that memorializes the gluttony of speculation about fixed entities rather than imperative jostling urbanity that dignifies the brackish dance with dearth and the exuberant savory taste of momentary excess because it engages the animated pursuit of limerence rather than the exhumed corpse of wistful regret. Nature is a cyclical clockwork system of predatory instinct met with the clemency of the prosperous providence enacted by the travailing ingenuity of successive cumulative generativities that compounded unevenly and unpredictably to predicate a fundamental zeitgeist calculated to engorge the fattened resources of the resourceful and temper the etiolated dreams of the fringed acquiescence of a hulking prejudiced population of dutiful servants that balk at the diminutive prospects of a lopsided distribution of talent and means but slumber in irenic resolve created by the merciful hands of defensive designs that configure consciousness to relish comparative touchstones rather than absolute outcomes that straggle beyond a point of enviable reference to shield the world of the barbarism of botched laments clamoring for an uncertain grave from the gravity of the orbiting satellites of apportioned wealth both sunblind and boorish but simultaneously inextricable from the acclimated fortune of heaped nepotism and herculean opportunism. The intransigence of the weighted destiny of inequity is a squalid enterprise of primeval abrasive and combative tendencies within the bailiwick of the indignant compass inherent to the system that fathoms its deficiencies with crabwise and gingerly pause but airs a sheepish grievance like a bleat of self-exculpation but simultaneously an arraignment of fundamental attribution erroneously indicted without the selfsame reflexiveness characteristic of a transcendent being with other recourses to clamber an avenue to Broadway without malingering in the slums of opprobrious ineffectual remonstration against the arrangement of a blinkered metropolis of uneven gentrification.

We flicker sometimes between the strategic drivel of appeasement and the candor of audacious imprecation of the culprits of indignity or considerate nutritive encomium of the beacons of ameliorated enlightenment because we often masquerade a half-witted glib consciousness lazily sketched by the welters of verve alloyed with the rancid distaste of squalor and slumber on the faculty of conscientious swivels of prudential expeditions with an avarice for bountiful considered thought and wily contortions of demeanor that issue the affirmative traction of adaptive endeavor to cheat a warped system for a reconciled peace and a refined self-mastery. We need to traduce the urchins that sting the system with pangs of opprobrious ballyhoo and the effluvia of foofaraw that contaminate with pettifoggery and small-minded blather the arenas better suited for the gladiatorial combat of cockalorums tinged with a dose of intellectual effrontery beyond the span of dogmatism rather than the hackneyed platitudes that infest the news cycle with folksy backwardation catered to the fascism of a checkered established press that urges insurrection while tranquilizing dissent against the furtive actions of consequence hidden behind the draped verdure of pretense whose byproduct is only a self-referential sophistry that swarms like an intractable itch to devolve the spectator into a pasquinaded spectacle of profound human obtuseness that pervades malignantly the system of debate until the reductionists outwit themselves with the empty prevarication of circular logic that deliberately misfires to miss the target of true importance because of the pandered black hole easily evaded by creatures of high sentience but inevitably ensnaring the special kind of dupe into a cycle of bellicose ferocity of internecine balkanization. The vainglory of the omphalos of entertainment is also another reckoning because it festers a cultural mythos of glorified crapulence parading a philandered promiscuity with half-baked antics that gravitate attention and the lecheries of gaudy tenses of recycled tinsel alloyed by debased aberrations of seedy grapholagnia that magnetize as they percolate because of the insidious catchphrases embedded in pedestrian syncopation that ignite retention and acclimate to mediocrity the sounds of generations discolored by faint pasty rainbows rather than ennobled by majestic landscapes of ignipotent mellifluous sound that stands a supernal amusement still for the resourceful trainspotter.

Despite the contumely aimed in the direction of contrarians for deviating from the lockstep clockwork hustle of stooped pandered manipulation that peddles the wares of an entirely counterfeit reality, I stand obstinately against the melliferous stupefaction of entire genres of myth and subcultures huddled around the sentimental tug of factitious sophistries regaled by thick amorphous apostates that cherish the vacuous sidetracked spotlight with fervor rather than pausing on the enigmatic querulous inquisition about the penumbras that lurk with strained effort beneath or above the categorical nescience of the shadowy unknown that often coruscates with elegance even in obscurity. I fight with labored words to spawn a psychological discipline that invokes the incisive subaudition of the pluckily pricked exorcism of true insight from the husk of buzzwords that constellate auxiliary tangential distractions from the art form of psychological discernment that predicates itself on the concept that the rarefaction of rumination by degrees of microscopic precision enables the introspective hindsight of conscious events that can be parsed without the acrimony of cluttered conflations of the granular prowess of triumphant ratiocination that earns a panoramic perch with the added luxury of perspicacious insight into the atomic structure of the rudiments of our phenomenological field and the abstractions that linger beyond perceptual categorization. When we analyze the gradients of anger, for example, we can either be ****** into a brooded twinge of wistful resentment or we can decipher that through heuristics designed to cloister the provenance of subconscious repose with ignorance there exists a regimented array of tangential accessories embedded deep within the cavernous repository of memory that designates a cumulative trace of compounded symmetries of concordant experience immediately perceptible because of the tangible provocateur of our gripes and the largely subliminal tusk that protrudes because of primal instinct that squirms with peevishness because of the momentary context preceded by the desultory churn of smoldering associations swimming with either complete intangible sputtered mobility through the tract of subconscious hyperspace or rigidly fixated by an arraignment of circumstances with propinquity to the deep unfathomed flicker of bygones receding or protruding because of the warped and largely unpredictable rigmarole of constellated spreading activation.  
When we examine the largesse of the swift recourse of convenience we forget by degrees the travail that once bridged the span of experience from patient abeyance in provident pursuit to now the importunate glare of inflated expectations for immediacy that stings the whole enterprise of societal dynamics because it vitiates us with a complacency for the filigrees of momentary tinsel of a virtualized reality divorced from the concretism that used to undergird interaction and now stands outmoded as a wisp beyond outstretched hands straggling beyond the black mirror of a newfangled narcissistic clannishness that shepherds the ostentation of conceit to a predominant position that swaddles us with fretful diversion that operates on a warped logic of lurid squalor and pasty trends becoming the mainstays of a hypercritical linguistic system of entrapment based on the apostasy of candor for the propitiation of fringed aberration because of the majoritarian uproar about touchy butthurt pedantic criticasters with a penchant for persnickety structuralism. With the infestation of entertainment with the ubiquitous political cavils engineered by the ruling class to have a common arena of waggish irreverence we forget that sometimes the impetuous ****** of propaganda is cloaked by the fashionable implements of a rootless time writhing in a purported identity crisis only to gawk at the ungainly reflection of modernity in the mirror and remain blissfully unaware about the transmogrified cultural psyche that feeds the lunacy of endless spectacle based on the premise that one singular whipping post can unite an entire generation of miscegenated misfits looking for commonality to team up against the aging generations that cling to the sanctity of cherished jingoism against the intentionality of a revamped system that malingers with empty promises using exigency and legerdemain to obscure the mooncalves among their ranks that march on with quixotic dreams that tolerate only the idea of absolute tolerance and moderate only when feasibly permitted by the anchored negotiation of the fulcrum of totemic governmental responsibility between factions that wage volleys of invective at each other to promote a binary choice of vitiated compromises of mendaciloquence that ultimately endanger the republic with either the perils of hidebound conventionalism and nativist fervor or the boondoggles of fiscally irresponsible insanity cloaked with rainbows and participation trophies. Reproach can be distributed to both sides of the aisle because ironically in a world where gender is non-binary the most important reproductive ***** in the free world is a binary-by-default despotism that polarizes extremely ludic fantasies on the left met with the acrimony of the traditionalisms on the right that staunchly resist the fatuous confusions of delegated order only to the sharp rebuke of the revamped political vogue that owes its sustenance to a manufactured diplomacy of saccharine lies and ubiquitous lampoons that are lopsided in the direction of a globalist neoliberal bricolage of moderately popular buzzwords and the trojan horse of insubordinate flippant feminism that seeks to subvert through backhanded manipulation the patriarchy so many resent using lowbrow tactics and poignant case studies rather than legislating the egalitarian system into law using the proper channels. I myself am a political independent who sides with fiscal conservatism but libertarianism in most other affairs because the pettifoggery of law-and-order politics is a diatribe overused by sheltered suburbanites and red meat is often just as fatuous as blue tinsel and sadly in a majoritarian society the ushers of conformity demand corporate divestiture in favor of an ecological system of predictability rather than an opinionated welter of legitimate challenges to a broken system of backwards partisanship and wangled consent. Ultimately, I remain mostly apolitical, but I am a fervent champion of the mobilization of education to a statelier standard that demands rigor and responsibility rather than the chafe of rigmarole that understates the common objectives of humanity and rewards conventional thinking and nominal participation to earn credentialed pedigree when the bulk of talent resides elsewhere.

A Poem for Three Voices

Setting:  A Maternity Ward and round about

FIRST VOICE:
I am slow as the world.  I am very patient,
Turning through my time, the suns and stars
Regarding me with attention.
The moon's concern is more personal:
She passes and repasses, luminous as a nurse.
Is she sorry for what will happen?  I do not think so.
She is simply astonished at fertility.

When I walk out, I am a great event.
I do not have to think, or even rehearse.
What happens in me will happen without attention.
The pheasant stands on the hill;
He is arranging his brown feathers.
I cannot help smiling at what it is I know.
Leaves and petals attend me.  I am ready.

SECOND VOICE:
When I first saw it, the small red seep, I did not believe it.
I watched the men walk about me in the office.  They were so flat!
There was something about them like cardboard, and now I had caught it,
That flat, flat, flatness from which ideas, destructions,
Bulldozers, guillotines, white chambers of shrieks proceed,
Endlessly proceed--and the cold angels, the abstractions.
I sat at my desk in my stockings, my high heels,

And the man I work for laughed:  'Have you seen something awful?
You are so white, suddenly.'  And I said nothing.
I saw death in the bare trees, a deprivation.
I could not believe it.  Is it so difficult
For the spirit to conceive a face, a mouth?
The letters proceed from these black keys, and these black keys proceed
From my alphabetical fingers, ordering parts,

Parts, bits, cogs, the shining multiples.
I am dying as I sit.  I lose a dimension.
Trains roar in my ears, departures, departures!
The silver track of time empties into the distance,
The white sky empties of its promise, like a cup.
These are my feet, these mechanical echoes.
Tap, tap, tap, steel pegs.  I am found wanting.

This is a disease I carry home, this is a death.
Again, this is a death.  Is it the air,
The particles of destruction I **** up?  Am I a pulse
That wanes and wanes, facing the cold angel?
Is this my lover then?  This death, this death?
As a child I loved a lichen-bitten name.
Is this the one sin then, this old dead love of death?

THIRD VOICE:
I remember the minute when I knew for sure.
The willows were chilling,
The face in the pool was beautiful, but not mine--
It had a consequential look, like everything else,
And all I could see was dangers:  doves and words,
Stars and showers of gold--conceptions, conceptions!
I remember a white, cold wing

And the great swan, with its terrible look,
Coming at me, like a castle, from the top of the river.
There is a snake in swans.
He glided by; his eye had a black meaning.
I saw the world in it--small, mean and black,
Every little word hooked to every little word, and act to act.
A hot blue day had budded into something.

I wasn't ready.  The white clouds rearing
Aside were dragging me in four directions.
I wasn't ready.
I had no reverence.
I thought I could deny the consequence--
But it was too late for that.  It was too late, and the face
Went on shaping itself with love, as if I was ready.

SECOND VOICE:
It is a world of snow now.  I am not at home.
How white these sheets are.  The faces have no features.
They are bald and impossible, like the faces of my children,
Those little sick ones that elude my arms.
Other children do not touch me:  they are terrible.
They have too many colors, too much life.  They are not quiet,
Quiet, like the little emptinesses I carry.

I have had my chances.  I have tried and tried.
I have stitched life into me like a rare *****,
And walked carefully, precariously, like something rare.
I have tried not to think too hard.  I have tried to be natural.
I have tried to be blind in love, like other women,
Blind in my bed, with my dear blind sweet one,
Not looking, through the thick dark, for the face of another.

I did not look.  But still the face was there,
The face of the unborn one that loved its perfections,
The face of the dead one that could only be perfect
In its easy peace, could only keep holy so.
And then there were other faces.  The faces of nations,
Governments, parliaments, societies,
The faceless faces of important men.

It is these men I mind:
They are so jealous of anything that is not flat!  They are jealous gods
That would have the whole world flat because they are.
I see the Father conversing with the Son.
Such flatness cannot but be holy.
'Let us make a heaven,' they say.
'Let us flatten and launder the grossness from these souls.'

FIRST VOICE:
I am calm.  I am calm.  It is the calm before something awful:
The yellow minute before the wind walks, when the leaves
Turn up their hands, their pallors.  It is so quiet here.
The sheets, the faces, are white and stopped, like clocks.
Voices stand back and flatten.  Their visible hieroglyphs
Flatten to parchment screens to keep the wind off.
They paint such secrets in Arabic, Chinese!

I am dumb and brown.  I am a seed about to break.
The brownness is my dead self, and it is sullen:
It does not wish to be more, or different.
Dusk hoods me in blue now, like a Mary.
O color of distance and forgetfulness!--
When will it be, the second when Time breaks
And eternity engulfs it, and I drown utterly?

I talk to myself, myself only, set apart--
Swabbed and lurid with disinfectants, sacrificial.
Waiting lies heavy on my lids.  It lies like sleep,
Like a big sea.  Far off, far off, I feel the first wave tug
Its cargo of agony toward me, inescapable, tidal.
And I, a shell, echoing on this white beach
Face the voices that overwhelm, the terrible element.

THIRD VOICE:
I am a mountain now, among mountainy women.
The doctors move among us as if our bigness
Frightened the mind.  They smile like fools.
They are to blame for what I am, and they know it.
They hug their flatness like a kind of health.
And what if they found themselves surprised, as I did?
They would go mad with it.

And what if two lives leaked between my thighs?
I have seen the white clean chamber with its instruments.
It is a place of shrieks.  It is not happy.
'This is where you will come when you are ready.'
The night lights are flat red moons.  They are dull with blood.
I am not ready for anything to happen.
I should have murdered this, that murders me.

FIRST VOICE:
There is no miracle more cruel than this.
I am dragged by the horses, the iron hooves.
I last.  I last it out.  I accomplish a work.
Dark tunnel, through which hurtle the visitations,
The visitations, the manifestations, the startled faces.
I am the center of an atrocity.
What pains, what sorrows must I be mothering?

Can such innocence **** and ****?  It milks my life.
The trees wither in the street.  The rain is corrosive.
I taste it on my tongue, and the workable horrors,
The horrors that stand and idle, the slighted godmothers
With their hearts that tick and tick, with their satchels of instruments.
I shall be a wall and a roof, protecting.
I shall be a sky and a hill of good:  O let me be!

A power is growing on me, an old tenacity.
I am breaking apart like the world.  There is this blackness,
This ram of blackness.  I fold my hands on a mountain.
The air is thick.  It is thick with this working.
I am used.  I am drummed into use.
My eyes are squeezed by this blackness.
I see nothing.

SECOND VOICE:
I am accused.  I dream of massacres.
I am a garden of black and red agonies.  I drink them,
Hating myself, hating and fearing.  And now the world conceives
Its end and runs toward it, arms held out in love.
It is a love of death that sickens everything.
A dead sun stains the newsprint.  It is red.
I lose life after life.  The dark earth drinks them.

She is the vampire of us all.  So she supports us,
Fattens us, is kind.  Her mouth is red.
I know her.  I know her intimately--
Old winter-face, old barren one, old time bomb.
Men have used her meanly.  She will eat them.
Eat them, eat them, eat them in the end.
The sun is down.  I die.  I make a death.

FIRST VOICE:
Who is he, this blue, furious boy,
Shiny and strange, as if he had hurtled from a star?
He is looking so angrily!
He flew into the room, a shriek at his heel.
The blue color pales.  He is human after all.
A red lotus opens in its bowl of blood;
They are stitching me up with silk, as if I were a material.

What did my fingers do before they held him?
What did my heart do, with its love?
I have never seen a thing so clear.
His lids are like the lilac-flower
And soft as a moth, his breath.
I shall not let go.
There is no guile or warp in him.  May he keep so.

SECOND VOICE:
There is the moon in the high window.  It is over.
How winter fills my soul!  And that chalk light
Laying its scales on the windows, the windows of empty offices,
Empty schoolrooms, empty churches.  O so much emptiness!
There is this cessation.  This terrible cessation of everything.
These bodies mounded around me now, these polar sleepers--
What blue, moony ray ices their dreams?

I feel it enter me, cold, alien, like an instrument.
And that mad, hard face at the end of it, that O-mouth
Open in its gape of perpetual grieving.
It is she that drags the blood-black sea around
Month after month, with its voices of failure.
I am helpless as the sea at the end of her string.
I am restless.  Restless and useless.  I, too, create corpses.

I shall move north.  I shall move into a long blackness.
I see myself as a shadow, neither man nor woman,
Neither a woman, happy to be like a man, nor a man
Blunt and flat enough to feel no lack.  I feel a lack.
I hold my fingers up, ten white pickets.
See, the darkness is leaking from the cracks.
I cannot contain it.  I cannot contain my life.

I shall be a heroine of the peripheral.
I shall not be accused by isolate buttons,
Holes in the heels of socks, the white mute faces
Of unanswered letters, coffined in a letter case.
I shall not be accused, I shall not be accused.
The clock shall not find me wanting, nor these stars
That rivet in place abyss after abyss.

THIRD VOICE:
I see her in my sleep, my red, terrible girl.
She is crying through the glass that separates us.
She is crying, and she is furious.
Her cries are hooks that catch and grate like cats.
It is by these hooks she climbs to my notice.
She is crying at the dark, or at the stars
That at such a distance from us shine and whirl.

I think her little head is carved in wood,
A red, hard wood, eyes shut and mouth wide open.
And from the open mouth issue sharp cries
Scratching at my sleep like arrows,
Scratching at my sleep, and entering my side.
My daughter has no teeth.  Her mouth is wide.
It utters such dark sounds it cannot be good.

FIRST VOICE:
What is it that flings these innocent souls at us?
Look, they are so exhausted, they are all flat out
In their canvas-sided cots, names tied to their wrists,
The little silver trophies they've come so far for.
There are some with thick black hair, there are some bald.
Their skin tints are pink or sallow, brown or red;
They are beginning to remember their differences.

I think they are made of water; they have no expression.
Their features are sleeping, like light on quiet water.
They are the real monks and nuns in their identical garments.
I see them showering like stars on to the world--
On India, Africa, America, these miraculous ones,
These pure, small images.  They smell of milk.
Their footsoles are untouched.  They are walkers of air.

Can nothingness be so prodigal?
Here is my son.
His wide eye is that general, flat blue.
He is turning to me like a little, blind, bright plant.
One cry.  It is the hook I hang on.
And I am a river of milk.
I am a warm hill.

SECOND VOICE:
I am not ugly.  I am even beautiful.
The mirror gives back a woman without deformity.
The nurses give back my clothes, and an identity.
It is usual, they say, for such a thing to happen.
It is usual in my life, and the lives of others.
I am one in five, something like that.  I am not hopeless.
I am beautiful as a statistic.  Here is my lipstick.

I draw on the old mouth.
The red mouth I put by with my identity
A day ago, two days, three days ago.  It was a Friday.
I do not even need a holiday; I can go to work today.
I can love my husband, who will understand.
Who will love me through the blur of my deformity
As if I had lost an eye, a leg, a tongue.

And so I stand, a little sightless.  So I walk
Away on wheels, instead of legs, they serve as well.
And learn to speak with fingers, not a tongue.
The body is resourceful.
The body of a starfish can grow back its arms
And newts are prodigal in legs.  And may I be
As prodigal in what lacks me.

THIRD VOICE:
She is a small island, asleep and peaceful,
And I am a white ship hooting:  Goodbye, goodbye.
The day is blazing.  It is very mournful.
The flowers in this room are red and tropical.
They have lived behind glass all their lives, they have been cared for
        tenderly.
Now they face a winter of white sheets, white faces.
There is very little to go into my suitcase.

There are the clothes of a fat woman I do not know.
There is my comb and brush.  There is an emptiness.
I am so vulnerable suddenly.
I am a wound walking out of hospital.
I am a wound that they are letting go.
I leave my health behind.  I leave someone
Who would adhere to me:  I undo her fingers like bandages:  I go.

SECOND VOICE:
I am myself again.  There are no loose ends.
I am bled white as wax, I have no attachments.
I am flat and virginal, which means nothing has happened,
Nothing that cannot be erased, ripped up and scrapped, begun again.
There little black twigs do not think to bud,
Nor do these dry, dry gutters dream of rain.
This woman who meets me in windows--she is neat.

So neat she is transparent, like a spirit.
how shyly she superimposes her neat self
On the inferno of African oranges, the heel-hung pigs.
She is deferring to reality.
It is I.  It is I--
Tasting the bitterness between my teeth.
The incalculable malice of the everyday.

FIRST VOICE:
How long can I be a wall, keeping the wind off?
How long can I be
Gentling the sun with the shade of my hand,
Intercepting the blue bolts of a cold moon?
The voices of loneliness, the voices of sorrow
Lap at my back ineluctably.
How shall it soften them, this little lullaby?

How long can I be a wall around my green property?
How long can my hands
Be a bandage to his hurt, and my words
Bright birds in the sky, consoling, consoling?
It is a terrible thing
To be so open:  it is as if my heart
Put on a face and walked into the world.

THIRD VOICE:
Today the colleges are drunk with spring.
My black gown is a little funeral:
It shows I am serious.
The books I carry wedge into my side.
I had an old wound once, but it is healing.
I had a dream of an island, red with cries.
It was a dream, and did not mean a thing.

FIRST VOICE:
Dawn flowers in the great elm outside the house.
The swifts are back.  They are shrieking like paper rockets.
I hear the sound of the hours
Widen and die in the hedgerows.  I hear the moo of cows.
The colors replenish themselves, and the wet
Thatch smokes in the sun.
The narcissi open white faces in the orchard.

I am reassured.  I am reassured.
These are the clear bright colors of the nursery,
The talking ducks, the happy lambs.
I am simple again.  I believe in miracles.
I do not believe in those terrible children
Who injure my sleep with their white eyes, their fingerless hands.
They are not mine.  They do not belong to me.

I shall meditate upon normality.
I shall meditate upon my little son.
He does not walk. &n

he snaps his barbed jaws made of thin sticks— you know
the kind that
SNAP and CRACK ominously underfoot when the woods have grown too
quiet, too calm, for all to be well
teeth gnashing— this the sound of dead leaves skittering against pavement and river rocks at dusk (that time when you need to settle down and get a fire started, but you’re not quite sure of where you are)
              homeless
wandering the woods in search for something he will never find
hysterical, eternally lost his

eyes

are the dim, barely there glow of camp fires that go out too early
fingers the cold that creeps around the base of your sleeping bag and along your neck
cheek bones the sun-bleached sides of mountains
his voice is the unrecognizable call from some animal you cannot identify in the depths of the woods, but not so deep that you cannot imagine it coming towards you. not so deep that the sound doesn’t make your hair stand on end.

his feet are bound with the ghost skins of snakes that lurk under rocks, darting out only when you have one foot precariously balanced on its side.

he travels — howling and yowling like some hell cat out of deep
mountain lore— starved, half crazed, ravenous
fever hot and parched
his mouth a voracious, vacuous, vorpal cave
that leads down into his river stomach— that part of the river you thought was deep, but revealed its true nature with the electric sting of broken legs after jumping.
his howl is the pounding of the wind at your tent
angry hands running broken glass claws against your skin as you walk against it.

he is jealous of those who wonder the wood for he has no true home.
his ribs the skeletons of eerie, too thick mountain laurel trees and the hollow shells of long fallen oaks.
the light of the moon burns his moth-wing skin on nights when the forest is full of her radiance. so he yowls, furious and powerless
rattling and shaking his bones — the dead arms of trees that stretch out over too steep mountains, acid burnt and raw

his name could have been pestilence to the christians
but only the Natives know his name and only whisper it lowly
and on nights when the wind is calm and he cannot hear their summons—
Windigo.

his only purpose is that he has none.
his motivation is endless hunger
that is older than the mountain itself-
or maybe it was born with the mountain…
he in his rabid madness has long forgotten the origin of his emptiness.
he is hungry, and you are in his wood.

VI. I, Ophelia
___________________

­{The Drowning}

It was her--
Flower Child.
Weeping Woman.
Crazed Ophelia--
who taught me that the
drowning is in the letting go
and not in the doing.

Ophelia did not flee to the riverside
with the intention of
drowning herself, no--
it was merely a promise of bouquets--
daisies, violet, rosemary,  rue--
of wild, velveteen petals nestled softly
against tear-stained cheekbones;
pine needles--
ticklish--
beneath raw feet
(do you recall how The Little Mermaid
danced upon knives
in the name of true love?);
and the train of her nightgown
a focal point for dewy leaves
and frayed bird feathers.

For it was flying she thought of
as she climbed the scarred willow
and cradled herself atop its highest bough,
severed blossoms in hand,
legs dangling precariously over
blustering currents.

But
when the bough
b r o k e ,
the cradle did   f
                              a
                               ­   l
                                      l,
and down came
mad girl
cradle and all.

But you must understand--
the dismemberment of the
willow's flailing limbs
was not her doing;
when the rapids dragged her down
to the belly of the murky river bed,
she merely gave no struggle
as death lapped at her ribs--
she merely submitted,
allowed the snivelling maw of the river
to swallow her whole.

Now,
I think it suiting
that I ponder the demise of the
Flower Child
(wilted in her ruin);
Weeping Woman
(tears reunited
with the eye of
the water lily);
Crazed Ophelia
(forgotten)
and all she has taught me
of drowning
as I let myself
fall asleep in the bathtub
at three o clock in the morning,
all the while a little drunk
and so very sad.
(You'd might have even thought
I wanted to drown myself. )
__________________
{Th­e Resurrection}

Doused in the pallid wash
of blue stage light,
and the clamour
of imaginary tides
growling in my ears,
I metamorphosize into
Hamlet's Ophelia
and all the other Ophelias
who came before me--
mad.
broken.
lost.
women.

Women who were never
capable of quieting
the sea trembling
in their veins;
the barbaric deluge festering
within their souls;
the siren songs
musing to the cavernous twists
of their hearts,
piercing through artery
with stalagmite precision.

These women succumbed,  
not to the water,
but to the burden of their own
desire.
love.
heartbreak.

None of them survived.

Except for me,
of course.

And, I must admit,
it took my
writing this poem
to finally understand
why that is--
why--
how--
I have managed
to stay alive,
despite dreaming of that
same siren song
that lured my foremothers
to their destructions.

See,
alone,
Ophelia could not weather  
the tempest seething over her.

But I different--
I am not alone.

Because I carry with me the spirits
of all the Ophelias
who came before me,
the fragments of their beings
melding together to create
a brilliant gossamer of hope.

And that is why,
together,
we can breathe underwater.
____________________
{­Blackout}

Ophelia Bows,
her performance immortalized
through the remembrance
of a standing ovation.

As I sit here, at the dining room table and stare over decaf coffee at the screen on my Mac
my eyes are drawn, once and awhile, to the picture sitting on the buffet in the butler's pantry.
Before we continue you should know that "butler's pantry" in this case
means the "third bedroom" that we saw in the listing on Realtor dot com before we bought the house and that,
in the usual real estate-ese, is an optimistic label at best.

But I was talking about the picture.

The picture sits, slightly askew, in a carved wooden bowl given to us by my wife's boss
as a housewarming present.
It, the bowl I mean,  came with salad tongs or forks,
depending on what it is that you call them,
made of water buffalo horn.
They sit in the bowl too and,
although she'd never admit it,  
I know that the thought of serving salad with water buffalo horn salad forks...
lets just say.....
doesn't appeal to my wife.

Right, the picture....

It sits in on the buffet,
in the carved wooden bowl,
next to another wood bowl.
This one full of carved wood fruits and vegetables,
which evidently, includes sugar cane.
When my wife's dad moved from his house to an assisted living facility
the kids, my wife, her brother and sister, took turns going down to help him move.
My wife was the last and dad insisted that
someone
"had" to take the fruit.

But, the picture....

It, and the wooden bowls full of fruit and unused salad forks,
are surrounded by both faux and real glassware
and placemats
which all sit perched
on the top of the buffet as precariously as refugees
and all of their belongings
on the deck and roof of an overloaded fishing boat
chugging from their homeland
to some place that is hopefully better.

The picture...

It was painted by my father-in-law and,
of all the others we have in the house,
is one of my favorites.
It sits on the buffet, askew in the carved wooden bowl with the horn salad forks,
amid polycarbonate and glass drink ware,
and placemats,
unframed for some reason.
All of his other works came framed
but this is one he did not...
and did I mention that it is one of my favorites?

I like his choices of frames on all of the other pictures we have,
but this is just canvas, stretched over a frame,
sitting in that carved African wooden bowl
with those salad forks made from water buffalo horn
on the buffet next to the other wood bowl full of wooden fruits and vegetables,
and wooden sugar cane,
in the butler's pantry.

I’m not allergic to bee stings – I never have been, I probably never will be – but I am more afraid of bees than anything else. More afraid than heights, than fire, than opening up to others, than death by drowning. I have been stung more times than I will ever be able to count. My skin has since grown thicker, but I remember when it was soft, and I was small. I used up the entire allowance of pain I was given for life in less than four minutes.
Perhaps I should specify that it’s not bees that I am afraid of, but wasps.
When I was nine years old, much younger than I am now, I stepped on a yellow jacket nest. My bare foot went into the hole and came out covered in their little striped bodies. There was this buzzing noise that at the time I’d thought was normal, but I now know that it was the sound of the wasps that were in my ears. They had been trying to crawl down my ear canals. I wonder if they had mistaken my canals for their burrows, and had been trying to get back to their queen, but were disappointed to find my ear drums, instead.
My sister – the same age – covered in wasps alongside me, screamed and screamed, but I made no noise. By the time I even thought to cry, I had been stung so many times it would have been pointless to weep for my swollen, red toes. I remember being unable to feel the wasps’ venom running through my veins because I couldn’t even feel my veins. If I would have cried for anything, it would have been for fear that, being unable to feel them, I might have lost track of my tiny feet. They could have walked away without my body and I wouldn’t have known. They could have walked to school and back without me.
Of course, my feet could barely walk. After my initial disgust, I watched my sister run away from where we had been standing and I knew that I should run, too. I could still feel the wasps crawling, clamoring, on my skin, in my clothes, in my hair. I remember the feeling of these bees crawling around among the roots of my hair, making themselves well-acquainted with the tender skin of my scalp. I remember being unable to get them all out of my hair before I walked into the house.
I knew that I should run, and so, balanced precariously on my numbed feet, clambered after her.
I followed my screaming sister down to our farmhouse, past my stepmother who was also screaming, even louder than my sister. I don’t remember where my father was that day.
We ran down the dirt road that led from the barns to our house, removing our shirts as we went and stopping to strip down to our underwear on the front porch. I remember the honks from cars as they passed by. I remember not knowing why they were honking, but knowing that I was angry with them for honking, for ogling, rather than stopping to help. I remember not knowing how they would help, just knowing that I needed help, desperately.
The irony of our stings is that my sister, a year later, was cast in our school’s operetta, and ended up playing the part of a yellow jacket, a sort of elementary-school-gangster, part of a group of them, who wore – you guessed it – yellow jackets and stole other bugs’ lunch money. I would say that, if the wasps that attacked me had been human, they would definitely have been after the money I used to buy Little Debbie Oatmeal Crème Pies in the lunchroom.
If I had been stung even three years later, I would have been big enough to know that one doesn’t run around in untrimmed grass with no shoes on their feet for precisely this reason. If I had been stung three years earlier, I would have been too small, and dead. So I am grateful for even the smallest of coincidences, the tiny droplet of fate that had given me those stings on that day, at that age.


I would like to talk about pain transference. In your body, nerves often run between parts of yourself you never thought would be connected. If something hurts in your elbow, it wouldn’t shock you to find that your fingers hurt as well, but if your elbow hurt and so did your lower spine? You’d be a little confused.
This is pain transference.
It’s a form of generalized pain; you can locate the pain, it’s just not coming from any one place. You can feel the pain in more than one part of your body, though there’s no reason for anything other than your elbow to ache. This is also your body’s way of protecting you from pain. It’s not that this pain is more manageable, but that it is easier to understand. Your elbow might be more hurt than the ache lets on, but you can’t tell, because your lower back is throbbing.
Now imagine your body as a hive of wasps. Imagine each of these wasps as a nerve inside of said hive-body. Imagine the queen as this hive-body’s brain. What is your body’s goal? To protect the brain. What is a hive’s goal? To protect the queen. Each wasp is born with an instinctual dedication to the queen. They must protect this individual at all costs. Your body, on the other hand, does everything it possibly can to protect the part of you that makes you so unbearably you.
Yellow jackets are social creatures. Each wasp has its own purpose in the hive, and the three different ranks within this hierarchy are the queen, the drones, and the workers. The queen (who is the only member of the colony equipped by evolution to survive the winter; every other wasp is dispensable) lays eggs and fertilizes them using stored ***** from the spermatheca. Her only purpose is to reproduce. Occasionally the queen will leave an egg unfertilized, and this egg will develop into a male drone whose only purpose is also reproduction. The female workers are arguably the most important part of the hive. They build and defend the nest.
Only female yellow jackets are capable of stinging, and wasps will only sting if their colony is disturbed. This fact is new and interesting to me. I remember thinking that it would make so much sense if the only wasps in the colony who could sting were the females. Females have a motherly, nurturing nature about them, but they are protective and willing to make sacrifices as well. Lo and behold.
The females are the nerves. They transfer the pain from the queen to themselves (and then, if disturbed, to the third-party individual who has disturbed them).
Psychics view pain transference as the transferring of pain between bodies rather than the transferring of pain between separate parts of the same body, but it works in a very similar way. Different types of energy vibrate at different frequencies; loving energy vibrates at a higher frequency than dark energy, therefore they transfer between people at different rates. Pain is simply dark energy that holds a fatalistic power over us.
According to psychics, energy can be transferred through the mind, the body, and the spirit, but pain is mostly transferred through physical touch. To transfer pain to another human being, you must touch them in a way that is not beneficial to their own or your spiritual growth.


I would like to talk about smallness. I was nine when I was stung by these yellow jackets. I was nine and the first time I’d ever been stung was at a friend’s birthday party at maybe the age of seven, behind the knee, and it’d swelled up so large I couldn’t bend my knee for two days. I knew the dangers of disturbing wasp nests; I’d watched my friends all through elementary school getting stung on the wooden playground on the premises. I, myself, stuck to swing-sets and splinters.
I was always so careful. I never went near trees if I saw a nest in its branches. My teachers had told me that I should stay away from the part of our playground made up of tires, because the hornets liked to nest in the rubber. I was terrified of being stung again after that first time because all the mud in the world didn’t seem to make a difference. The wasp’s venom, even after drying up pile after pile of soft, wet dirt, made my limb stiff and sore. I was always so careful; it seems appropriate that the one time I’d been careless, I’d been stung enough times to make up for all the times I had avoided wasps as if my life had depended on it. Maybe it had.
I was small enough when I was nine. If I had been stung at six, or three, I would have been in a lot more trouble. I would have been in a lot more pain. At nine, my stings required calamine lotion and mud for the venom, and ice baths for the swelling. At six, they might have required a trip to the hospital. At three, they would have been much more alarming, considering I had never been stung by a bee by that age.
I was careless. It was summer and I was old enough to wear denim shorts and I had kicked off my flip flops so I could feel the grass under my feet and I was careless and I was punished for it. Now I watch my cousins and my niece play outside and I have to hold my tongue, remember that I am not responsible, that I cannot prevent their being stung, their stings, no matter how badly I want to.
I would like to talk about fate. I would like to talk about how, if I hadn’t been running barefoot, I wouldn’t have gotten stung so badly. I would like to talk about how if my father had been around to tell me not to run barefoot, at least my feet would have been safe. How, if I hadn’t been too stubborn to listen to my stepmom, too, I probably would have had shoes on. How, regardless of all of these things, I probably would have been stung no matter what.
In a world where people are stung by hornets every day – where people are stung by as many as I was, at once – I would like to say that I know now that this experience is not as unique as I had previously thought it to be. I know more people than I thought I did whose trauma involves insects smaller than their pinky finger but together cover their whole body, and venom. I know people who, when I tell them I was stung by hundreds of yellow jackets at the age of nine, shrug and say nonchalantly, “Hey, me too.”
I would like to talk about smallness, and fate. I would like to talk about not only physical smallness, but the smallness one feels when they are in pain.
Belittled might be the word I am looking for. My pain wasn’t belittled, per se, but my pain belittled me.
My pain made me feel small. My pain made me feel small when I was stripping my clothes off on my front porch, cars racing by on the state highway that ran past my house. When I was running my fingers through my hair under the faucet in my kitchen sink because my sister was older and always got first dibs on the shower. As these wasps that hadn’t suffocated under my hair stung my fingers, too, until they were as swollen as my toes. My pain made me feel small when it made me pity myself.


I would like to talk about standing up for yourself as an act of causing pain.
Honeybees, when they sting, are defending themselves and their queen, but they don’t know that when they sting, it will become lodged underneath the skin of whomever they sting and it will pull them apart and they will die.
I imagine the first time a wasp stings to be a sort of power trip. Female wasps can – and will – sting repeatedly to protect the colony. I also imagine they don’t know that their relative the honeybee dies after it stings, but it must be strange for them, nonetheless.
Have you ever seen a video of a woman protecting herself and those she loves? She’s vicious. She won’t stop until the perpetrator has retreated.
When a woman stands up for herself, though, it’s as if she’s tearing herself in half.
A woman standing up for herself is a dangerous thing, both dangerous for her and for those around her. It is an act of bravery and defiance and saving grace all in one.
A few weeks ago, I overheard someone equate being female with being terminally ill, as if we have no place to go but down. As if we are dying creatures, on our last leg of life, with no will to fight for what we want.
As if the pain of the world is being transferred into us all at once.
I would like to argue that it is the exact opposite. There is nothing more alive and breathing than femaleness.I am inseparable from my femaleness. I am inseparable from the that leaks from me when I think of all of the times I have been harmed But I am not inseparable from the pain that I have caused others. I cannot forget that.


I like to imagine sometimes what my stings would have been like if I had gotten them ten years later, as well. I am much bigger. I am much stronger. I am much more capable of handling pain than my nine-year-old counterpart.
I wish I could have been the one to have to handle that pain. I wish my nine-year-old self had known better than to let her foot fall into a yellow jacket nest. I think it’s unfair that, at such an early age, I had to deal with something so terrifying and painful and traumatic. My extremities were swollen for over a week. I couldn’t write, I could close the zipper on my backpack, I couldn’t turn the pages of a book. I couldn’t go to school, and I couldn’t read in bed, so it might be enough to say that the week I was kept out of school to elevate my legs and let the swelling go down was the most boring week of my entire life.
Sometimes I look at my ankles, swollen from blood flow, from standing too long or from sitting too long or from doing anything except elevating them, and I’m reminded of this time when my ankles were much thinner and I watched them on the end of the couch, my toes pointing toward the ceiling. I remember how terrified my mom was. I imagine that phone call must have been harrowing for her – Hi, Michelle, Em’s been hurt. No, she’s fine. Just a few bee stings is all. – and for her to see me for the first time, red and splotchy and itching myself like mad must have been even more so.
I think about my father’s reaction, how I hadn’t been around to see it, but how he must have been heartbroken at knowing he wasn’t there to protect me, to prevent the bees from attacking me. I believe, however, that there was no protecting me, that there was no preventing these wasps from defending their home against me, an infiltrator. I had stepped inside of their burrow and was instantly seen as a threat. Anything I see as a threat to myself, I instantly want to rid myself of.
This is the way of the world: we see something, we determine it to be good or bad, and we either bring it into our lives or defend ourselves from it depending upon which it turns out to be. I happened to be the ultimate evil in these wasps’ lives. They were simply protecting their queen, without whom their hive would no longer exist. I was dark energy, vibrating in a way that spoke to them as threatening. I was transferring pain to them when my foot stepped into the hole, and they were transferring it back to me when they stung me. I transferred energy into the ground as my feet thumped against it. Water transferred energy into me as it helped me rinse wasps out of my hair.
From pain to protection to pity, back to pain. From bee stings to womanhood to sadness and back again. One shouldn’t be afraid to introduce the things they’ve lost to the things they’ve loved, or the things they love to the things they’re afraid of. And I am afraid of wasps. Petrified, even. The other day, driving in my car, I rolled the window down and in, immediately, flew a yellow jacket. I watched as it she flew past me and then around the back of my head. I heard her and was immediately transported back in time. I wondered what she was doing in my car, so far from her queen. I wondered what was in my car that she possibly could have wanted. But I knew that she wasn’t there to hurt me, because I hadn’t invaded her home. I hadn’t made an attack on her queen. I knew there was no sense in panicking, so I didn’t. I didn’t panic.
I am afraid of things even though they won’t **** me, but I have watched myself face these fears. I have stumbled onto a Ferris wheel and then walked confidently off. I have left candles lit without standing to check on them after every episode of The Office I watch. I have loved people I never thought I would, and I have seen the other side.

Thinking of Eve Seeing First the Shiny Thing
The subtile beast, she saw eating of the tree she was
told
would **** her
if she ate it and she believed,
if she even touched it, she would die,
though die was something of a mystery.
What, she thought, is happening here?

The shining serpent thing
is living and eating the fruit of knowing
some thing known to this thing,
unknown to me, this shining serpent can't speak, needn't, but 'tis a beguiling
creature,
a scoff-god swallowing forbidden fruit
as nothing happens. Not dead,
what ever that may be,
why should I? Curioser
and curiosum it says, with its eyes,
"you shall know, as God knows, you shall not
surely die".
(those Kachinas, I imagine dancing off in time,
singing as the chorus of snakes,
"we hold such things as men can't hold in hands")

Oh, no, wait and see. We, you and me, we play no
past roles, no deed is redone, thoughts are rethought.

Everything has been thought, the object of thinking
is to think them again. Mr. Goethe made note of that fact,
when he thought, everything, excepting what I know,
is temporary at the moment, I recall the idea of

God knows what, but it ain't accidental,
and it ain't the misperception of decept-icons dancing
on the head of a pen.

You got that right - question - quest ions symbolize what
you do not know, so, who knows? Question marks
Symbolize the act of questioning. It's a primal need,
Wisdom, the principal thing of which
more is always desire-enabling.
Somebody beyond your knowing imagined that  right.
Would you believe the algorithm needed to program
perception of a who'll-go-rhyme,
or an I'll-go-rhythm positive knee-**** response
to the ***** of a pen or the whisper of a word,
which it is supposed, was written
by 100 monkeys with typewriters,
whacking away endlessly, balancing precariously
on the edge of the first 100 turtles
in the stack? What are the odds, eh?

Life has a plan with no plot, ought we think?
We shall not surely die, we know now, that's a lie.

Beyond believing lies, we know now, how and why
we are naked, by our own cognition.
We told us we are naked.
We, now, know that,

but here, in the pages of the book of life,
we are no longer subject to the ******* of fearing death.
Here, there is no more condemnation.
Believed lies re-cognized here,
affect no fear, we know,
the final foe fell. "It is finished" was no lie.
Take comfort here. Be still, and know,
rest prevents any
re-triggering viruses left by
the lying messenger's old fables, told as prophecy
or fair-tales oft sung as epics
pre-determining the possibility of evil winning in the end.
The words that built the lies remain,
not the lies. Evil never had a chance, life isn't fair.

The basic plot is a man-made thought, the purpose is not.
Life goes on, death never could have won
and now its power serves
to make eternal waves that keep thinkers thinking things differently.
Loneliness, after all is said and done,
is not
as common
as one might think. There's always
Details, details, details
God only knows.
Saying such a thing idly is vain.
Unless, you know, God knows.
****, that, too.
None of that here, you know.
no condemnation
Socrates was a joke, nothing new under the sun,
beyond that is no mortal's concern. Believe me.
Knowing nothing is far more difficult than men imagine.

Tongue in cheek was an old clue in fair play,
your gramps
could poke out his cheek like he had a snake in his mouth
struggling to break through sealed lips.  
Then he' tells a
fish-story and claims the magi know it true.
Tongue in cheek, so to speek, I see some missed conceptions
fructify from spores spat idly as ****** hells and damns
from tinkers tinning pots with crazy making lead solder.
Which meandered my other me to lead
Lead soldiers. I led the boys to war, that's what they were for.
It's all in the plot to make men of boys so we can help God
defend Heaven, in case…

What?
Good versus evil and all that whole lie.
Or is it faith we must defend?
How reasonable is that? What can **** an idea like
one of the big three?

Eve knew knowing good and evil cost her.
She paid attention to
the truth of all she so suddenly knew.
Otherwise,
she could not attempt the task of bringing
Able into the world, after the pain of Cain.

Oh, please, let Cain fulfill the promise, I cannot bear the pain,
said Adam in his shame.
Eve, on the other hand,
knew hope for joy she found in every
birth, and there were many twixt Able and Seth, all girls.
Cain had been gone for decades ere Seth came along.
Eve was o'er-joyed at the boy whose son would somehow
bring to bear the final sacrifice of travail and pain to
manifest the sons of God to play the role pre-ordained
for sons of God and their sons to play, wombed and un,
each, in his own way, the one creation groaned for,
the missing, wanted, desired, one, an
only begotten with just exactly your DNA,
one in 8 billion, a rare element, indeed.
You know.

I pull open the door
And hunt for food in the dim orange light.
"There's nothing inside"
Well, actually,
There is something:
Months old cream cheeses precariously stacked atop each other,
Several mysterious bottles of brown sauces,
Dried out leafy vegetables,
But nothing
This lazy *** can eat without preparing.

I push close the door,
Leaving my stomach rumbling and empty,
But filling my mind with
Dreams

Three-fourths of the dull gray door is covered
With colorful ceramic magnets
From my dad’s corporate adventures
To Batangas, Bohol, Bacolod, Davao,
Hong Kong, Singapore, Malaysia, Macau,
Nepal, Vietnam, Sri Lanka, China,
Dubai, Pakistan, Saudi Arabia
Sudan, Egypt, Ethiopia,
Canada, Greece, and Australia.

I examine each magnet’s contour and shine,
Letting its foreign dust seep into my fingers.
I dream that soon
I will return all those dusts to their lands
And bring home more magnets of my own.

Reading “Poem” While Waiting for her in Peet’s Coffee

Lukewarm coffee with nothing special
in it, and my brain buzzing
with words passed through a phone.
Ah, I’d love to go back to those days
spent singing and seeing colors in cement
questions asked precariously of my life
and yours, your and my possibilities.
But staring into the beyond, I am left
disappearing quick in the cold air like the warmth of coffee left on the table.


Precariously

in love
I was caressed to the point where
my face left itself
impressioned on the pillow
I pressed into every night.
My head was clear
because it was expelled
each night into a cell phone
away from here. It reached
an ear, soft and embracing
swallowing all I pressed into it.

The indentation I left
I saw as me
held precariously
in the head
of another.

Now, head spinning,
ready to be filled with anything
stable or not, I at least remember
being held.


Poem*

Is this love, now that the first love
has finally died, where there were no impossibilities?*

I saw no impossibilities with you
held there in all I wanted. True
there was bliss, but if what they say is true,
what else is that?
I remember more color
pointed out by you,
blues and oranges in shadows on cement
reds in faces and how the sky is the only one
who can blend yellow with blue, but

now all colors are an option
for this palette
though all colors mixed
leave grey

the bottle is

the
bottle
is

the bottle is empty

had its contents been precariously dealt with
or
drop by drop assimilated?

assimilated?by the cloths of
silk pashmina cashmere
or the blackness of a tuxedo

i might never
ever
know, my father forgets

to the left

to
the
left

to the left of the bottle
is another bottle
quite smaller.

it is filled with
pink liquid
half full--or half empty

barely used by its
current owner
it smells like apples

and by the bottles is

and
by
the
bottles
is

and by the bottles is a ring
with two keys
that open locks somewhere

of COURSE!

why, what else would you
use a key
for?

the darkest
alternative for a key's usage, though
is to

hurt
some
body
with
it

metal
grinding the
skin

and the bottles

and
the
bottles

and the bottles thrown
the former can shatter
the latter houses a liquid

but,

but,
but,
but,

why?

today's my birthday,
but i don't want presents
today's my birthday,
but i don't want wishes
today's my birthday,
but i don't want to be older
today's my birthday,
but i don't want a party
today's my birthday,
but i already have everything i want

they told me that my mom loved birthdays
they told me she'd stay up all night
baking cakes and cookies and pies
they told me she planned parties months in advance
they told me she loved to sing happy birthday
and that she had perfect pitch too

they told me she made me her
famous almond dream cake
for my first birthday
smothered in coconut frosting
with one little palm tree
precariously placed on top

they told me that she
learned to knit
just for me
to make me a soft blanket
adorned with the words,
my little angel, cara

today's my birthday,
but i don't want it to be

today's my birthday,
but i don't want to remember my mother

these thoughts...
they are my own,
walled within the deepest recesses
of my
cerebral labyrinth.

sprouting out of vine covered walls,
are multicoloured blooms
brandishing thorned stems
and
thirsty stigmas,
dripping with
absinthe.

mind full of poison in
permissible amounts...
i am caught in a
web of restless stupor,
anguish...
and regression...

these thoughts...
rationed out sparingly,
for they're not for unready ears
blooms of thought meticulously
triaged before
necessary expulsion.

hairline cracks between
insanity
and peace...
i tread precariously
the fine,
meandering line.

still clutching my flowers
in a tight obstinate grasp...
not letting go
for these tainted blossoms
are
undoubtedly
mine.

solid congealed masses of fat sit
balloons filling within joints
stagnant extremities feel as if they are solidifying
the man becoming a statue; a watcher
here lies a perfect specimen of 21st (and in the latter half to a third) a  20th century man seated before the primary means of oral, aural and visual communication.  Oral pertaining to the man's ability to only speak of it and the programmes displayed on it . . . .  .
as still as the brain is telling them to be
as still as the brain wants them to be
it doesn't want to be left out you see, feels secluded when dormant
alongside a healthy, active set of limbs and torso
so it persuades them ever so gently to become as lazy as he
so he feels more at home in his body; the brain he lords over the body tyrannically and purposefully.


Extraneous effort can be avoided, in all manners of life; whilst sitting, whilst working, whilst running.  Being properly lazy has to do with how little you can do without doing something else.  It is possible to run at a speed that does not cease to be running but it is not walking.  You can sit only so still before you are asleep.  Being properly lazy is being able to sit precariously on this line so perfectly you don't slip backwards or forwards into a useful action or being in the top percentile of the new lesser action which you are in essence, lording over physically.  An extremely intelligent man can be extremely lazy in an activity that would take a long concentrated effort from another less intelligent man, but in essence, he is really just avoiding falling asleep.

Laziness can be misappropriated; attributed to men who are not lazy at all.  A man at the enth of any discipline could not be considered lazy; the same could be said about a man at the enth of his ability.  We speak of course in terms of natural ability.  Actions achieved in ones current capability; carried out without carrying on other efforts to cavort himself into a higher category of actions (a laziness compared to ability graph could be constructed/plotted and then correlated if one could be bothered).  Of course, it goes without saying that the achievance of these goals necessary to propel or descend a man into the new upper or lower segment of before described laziness are in turn harder or easier to achieve depending on the man's predetermined stature; position in life even, considering we are talking of afflictions that affect a man and not a boy, and therefore we are assuming that the formative years are not thus (formative) and are but a compulsory precursor, a cross that every man must bear; not a development that pertains to the quantity of laziness he possesses.

with a sea of unachieved tasks/goals laid out before him he resides to sit patiently waiting for something to happen in front of him, sometimes clicking a mouse, sometimes a remote
sometimes he is angry that he is boring
sometimes he calls a friend to be angry at the boxes with him
sometimes he feels sick that he is a *******
sometimes he laughs at people on the boxes who are pieces of ****
but most of the time he is a ******* happily, content that he is at least part of a healthy digestive system, whether he is the result/byproduct of, or the action that produced the **** in the first place.

Morality

Getting high off other's deaths
Jerking off to artist's gore
Spurting up blood fountains
Like a breathless whale

Like a shy devil
Coming to a conclusion at last
To a clearing in the woods
Where the elephants lay

To swear off wishful thinking
To smear fresh remorse on old skin
To keep living vicariously
Precariously perched
Like the moon in a thunderstorm

With your cut Joker's smile
With your tiny hand on your heart
As if there was any difference at all
Between the merciful
And the merciless.

First, I would like to introduce Grayasety. She was a young girl, had soft strands of medium-short caramel hair, and she had green-blue eyes that looked like miniature earths. She was indeed a pretty girl and she was of average height, and had a healthy body. She also had a slight southern drawl; her mother was from Texas. She loved going on boat voyages as her father was the captain of a ship named Gray Asety, named after Grayesty, so she was often training to go on voyages.
                  One morning, just like any other ordinary morning, Grayasety left her house for the next-door stable with her baby sitter, Kinberly, which was part of her father’s crew.  Today was the big day, the day when Grayasety was going to go on a voyage with her father as an official crewmember. Today was Grayasety’s 13th birthday; today was the day when she was old enough to work on her father’s ship! Therefore, she gaily whistled and skipped along the road. It had always been her dream to work on her father’s ship, and today, finally, her dream was coming true. When she got to the stable she blew her small, pink whistle that, to human ears would make no sound, and like every morning her best friend, (which had the ability to morph into animals) trotted tiredly out of the stable in the form of a beautiful brown mare. The huge animal yawned and said, “Morning Kin!” And then addressing Grayasety she said, “ Well, well, little missy what do you want me to be today?” Today Grayasety wanted Mila to be a green parrot, Grayasety was obsessed in the color green, and Mila had reluctantly obeyed, the trio set off for the fresh smelling bay.
Kinberly, and Mila worked on the Gray Asety. Mann Forumest, or Captain Daddy as Grayasety called him had met Grayasety’s mom working as a crewmember on the Majesty, a steamboat. Grayasety’s mother, Magnolia Scott Forumest was the assistant cook. They married, but kept their jobs until one day when Grayasety was about five, the Sea Bandits, a notorious group of pretty woman stealers, kidnapped Her mother.
                        While on sea, Grayasety shared a rather large suite in the ship with her father. In the Bedroom were two desks, one big and one small, and in the corner was a bunk bed, the top bunk badly painted in green and the bottom bunk still bearing its natural mahogany color. Grayasety was sitting in her little green desk, scribbling madly in her deep green diary. Grayasety *** a liking of scribbling and those who have know her long enough could read her scribbles like one would writing. She could read and write although she was nowhere near a strait A student.
                   After a while Grayasety decided to bother her father and, forgetting to switch into her lime green boots, shinnyed up the main stairs to the deck in her faded fluffy mint green slippers. Mila, perched comfortably on Grayasety’s shoulder, started telling her that she was wearing her slippers when Grayasety shoved a faded green pacifier in Mila’s mouth; Grayasety often did this to keep Mila quiet.
Mila, not enjoying the dusty, stale taste of the pacifier unhappily decided to keep her mouth shut until Grayasty got in a better mood. In truth Grayasety was in a marvelous mood and rather liked shoving pacifiers in Mila’s mouth. As the girl got closer to the deck, she started to hear chanting from the kind crew. She especially heard Kinberly’s familiar raspy voice chanting,” Laaa dee daaa, the Gray A rolls along,” and as she emerged to the *****, wet deck she noticed that her father was talking to someone else already. “Botherin’ will have to wait some,” she whispered to Mila. Then she took the pacifier out of Mila’s mouth and scolded,” why didn’t you tell me that I was still wearin’ my slippers eh? Wanted to make me look like an idiot?” Mila simply rolled her eyes.
                    Right then, Captain Daddy, apparently finishing his conversation, came over to the pair and said affectionately, “How are my darlings doin’ today?” Mila especially enjoyed this for Captain Daddy always gave a loving stoke on her back and a whole chocolate chip cookie if he had one. Although Grayasety always stole some of the cookie Mila was happy enough with half. Grayasety, on the other hand was happy with a whole cookie so she begged Captain Daddy to give her another one. Captain Daddy gave her another cookie but chided her not to steal any more from Mila.
                    After the lecture on not stealing other people’s food, Grayasety clambered up the crow’s nest and almost knocked over Franz, a tall, but gaunt boy a couple years older then Grayasty getting in. ”Anythin’ unusual yet?” asked Grayasety hopefully. “Nope,” answered the calm boy quietly. ”Hi Franz. Do you have any cookies?” asked Mila mockingly, Franz just laughed and said,” If I had any I would of eaten it by now! Gray, can you get me somethin’ from the kitchen?”.
                   Grayasety got Franz a basket of food and got her self the same amount; Grayasety was basically always hungry, and had a little picnic on the roomy crow’s nest. After they finished their meal Grayasety decided to let Franz rest and did lookout. Franz had a small room to himself, which was about the size of a normal bathroom with all the stuff taken out. In the corner was an old, squeaky army cot and next to it was a rotund desk with a stack of blank paper, a jar of Indian ink, and a fountain pen laid precariously on it.
                    Franz was quite a writer and he spent his free time eating, sleeping, or writing and unlike Grayasety he actually wrote not scribbled. He was working on a story about gargoyles that came to life at night. It was an interesting story, really. He would of loved to stop working on the Gray Asety and go get his books published but he stayed for his family was a poor one and needed his help to make a living and also, Captain Forumest provided free paper. And, his daughter was the first friend he ever had; Franz was convinced that she was the best one.
                   Grayasety enjoyed being on ships. She liked feeling the cold air rush through her hair and she enjoyed the great view of the vast sea that surrounded her. She even liked the feeling of being so small compared to the humpbacks that swam by. She thought that the ship food was good, and she felt that the sea was truly where she belonged. Grayasety was very cranky when she was not at sea, (though she did like their big, ocean green house), so her father tried to include her on as many voyages as he could.
                     Captain Daddy, or Mann as I will call him spent most of day in a booth on the deck. He often worried about his daughter’s mental health (even though it was completely unnecessary). He talked to Grayasety’s doctor about this and Dr.Metalos, Grayasety’s doctor, gave them a list of mental deceases she could have, but none of them seemed like some thing she would have. Mann was sure that his daughter did not have one sickness; Much Too Much Time At The Sea Syndrome. If any one knew where Grayasety belonged it was Mann and he knew perfectly well that his daughter would go insane if she wasn’t at sea for too long. For one thing she preferred to sleep on her uncomfortable bunk at sea rather then on her fluffy green bed as soft as a feather at home.
                        Right then the ship did a tummy- flopping lurch and knocked off the map and compass from Mann’s desk, which interrupted his thoughts for a while. Below deck Franz’s desk toppled over, and Franz accidentally made a long and ugly scribble across his writing and on the crow’s nest Grayasety was having trouble standing up and she almost vomited right onto Kinberly’s hair. This was rare for Grayasety for she lived on the sea and was used to lurches; she had once survived a shipwreck, which explains her golden earring on her right earlobe.
                   That night as Grayasety lay in bed Mann quietly crept out of his bunk and scurried up the stairs to the deck. He wanted some time to himself. Ahead was Cape Horn; a very dangerous place where so many ships had sunk it could fill the biggest port in the world, but more personally, this was near the Sea Bandits main head quarters, 8 years ago the beautiful Magnolia Scott Forumest was captured here. Even though it was impossible in the foggy mist, Mann tried to make out the cave that marked the entrance to the headquarters. Only few people knew this entrance, and publicity stated that it was a “mere mystery” why most captives were capture near Cape Horn. Mann felt a chill run down his spine and then he thought he felt someone’s hand grab his shoulder. He looked down and saw what he dreaded most; a hand tinged with brown firmly held his shoulder.
                      Grayasety woke up feeling wonderful but apparently Mila didn’t. She kept screeching something about Captain Daddy being kidnapped and soon she found that what Mila had just screeched in her ear was true. She stormed into Franz’s cabin and told him what she discovered and they soon agreed to do what no one else wanted them to do; steer the boat right into the Sea Bandits’ headquarters and take back what, and who was theirs no matter how hard it could be.
                      Grayasety had Franz steer the boat and she herself navigated, Kin was lookout and the rest of the crew helped out. Franz dropped the passengers off at Puerto, and Mila morphed back into a human; what she really is, and helped out. Separated from the frenzy, Grayastey was quietly thinking to herself. She wondered why the Sea Bandits captured her father. They were well known for capturing pretty woman but not average looking men. Just then she heard a knock on the door. “Grayasety?” said the raspy voice of Kin. “There ya are. I just thought ya might wanna know why ya daddy was captured.” “Can you please tell me,” asked Grayasety, trying not to sound too eager. “Well rememba when ya daddy would be gone when ya woke up at mid night an’ I told ya that he had gone to the store to get some groceries? Well if you had thought some you woulda noticed that the store was closed.” Grayasety interrupted Kin in mid-sentence and said irritably, “Of course I rememba. Just get to the point Kin!” Kin flinched at Grayasety’s frustration and mumbled,” Well ya daddy was a spy. One of the best ones at that. He did all he could to stop organized crime, an’ he specialized in the Sea Bandit’s. They captured him ‘cause one less police the better for them.” Grayasety sat with her mouth hanging wide open. She never imagined that her father was a spy. But now every thing made sense. “ Sorry I didn’t tell ya before. Ya fatha simply wouldn’t allow it.” Kin apologized. Grayasety managed a squeak and then Kin left her.
                      After she repeated this to Franz and then Mila, Grayasety went down to her bedroom, she hated having to be near Her father’s belongings but she hated having people see her crying much more and cry she did, leaving her father’s mattress a soggy mess. Then she decided to clean that mess up for if they rescued her father she was sure he did not want to sleep in a soggy bed. Noticing it, she picked up her dad’s picture of her dad and mom’s wedding and became suddenly aware of how much she looked like her dad. The hair, the eyes, the quirky grin, every thing. Her mother had soft blonde hair and violet eyes that almost made you smell the pungent smell of lavenders and had a beautiful smile with bright red lips. All in all she was the most beautiful woman Grayasety had ever seen. She almost made Grayasety feel jealous.
                     “Hey! Gray. So are we gonna bring any weapons? Kin was a whole chest full of ‘em!” Said the distinctively low voice of Franz. “Well, I dunno. I suppose we should bring a couple guns. Always nice to be well prepared.” Replied Grayasety.

                     Franz was on lookout when the carrier pigeon came. The note it had on its leg was from Mann. It said:

Dear Grayasety and friends,

Do not come to save me. I’m with my wife in their dungeon but they want you guys to come too. You see, I’m like a bait. You’re the fishies. They want to erase all traces of the Forumest family. That means they have to dispose of those who would remember them. I will manage okay. Kin, Please take Grayasety and Franz home and forget about me for you and the children’s sake. Grayasety, I love you. Dispose all of my belongings and try to tell yourself that Kin is your mother. Believe me. It’s all for the better. Franz, I meant to tell you but your parents caught tuberculosis and died the other day. Your sister committed suicide soon after. Please take care of Grayasety.

             Mann

                    The trio stood silent for a long moment and then without warning Franz burst into tears, and scrambled to his cabin. Kin and Grayasety looked at each other sadly and went to their cabins themselves. Grayasety tried to sleep that night but images of Mann and her mother strapped up in chains kept her staring into the darkness with wide eyes. She reached over and got her personal music player, trying to distract herself but after a few seconds she turned it off again, for she could not bear listening to the lyrics; “It’s past midnight and something evil’s lurking 'round the dark” of Michael Jackson’s “Thriller”.
            The next morning, Mila and Kin steered the boat near the cave that marked the entrance to the Sea Bandits secret headquarters. Mila then morphed into a seagull and flew into the old, damp cave. From a safe distance Grayasety and her crew awaited Mila to return with some news. After swooping into the creepy cave Mila found the opening to the headquarters and perched on a ledge near it. There, she morphed into a rat, and scurried up into the opening.

                 After crawling along several hallways, Mila came across a steel door bolted very firmly marked “CELLS”. Luckily Mila was small enough to crawl under it. Scurrying along the bureau of prisons, Mila finally saw a cell with Mann and a stunningly beautiful woman captured in it. Mila slipped between the bars and trying not to gain the woman’s attention for fear that she would scream, climbed the steep hill of Mann’s arm to try to reach his ear. “Mann?? Don’t make any sound OK?? I’m Mila. I’m the rat on your shoulder. Kin, Grayasety, and Franz say they miss you a lot.” Whispered Mila. Then she saw a humongou

Poor poor toothbrush
Precariously perched upon the porcelain precipice
Each night I push your plastic pricklies into my plentiful plaque
Only to reduce you to your perch
To ponder your pitiful plight

Delicate,
yet rough
It hangs precariously
tips,
sways

perches in false peace
tottering
deftly shifting
above danger,
safe

Just a glance
a misplaced smile
a misdirected embrace
a poorly-aimed laugh--
right?

Surely the mark was missed--
it all belongs to me!
but it tips again;
a sharp thought
a bitter contempt

Tips,
sways,
a maddening burden
it hangs precariously
delicate,
yet rough.

what folly
you cruel temptress;
can you not hold your own?
so uneven,
****** jealousy.

Sterling eyes close the falling red ward
Big Brother has seen it all
He tells me: there is danger
Terror past the massive, all-protecting Atlantic

Don’t stray there, the mouth
of stumbling heads say,
They want to take away
Our safety, our ways, our Freedom

Mr. Elected reassures
Nothing will harm you
Not with me going there
I don’t want you going there

He speaks like my mom
Warning me of the illicits
I am too vulnerable to experience
It’s death I’ll go to- I’ve been told

Sleepless red monocular
Enlightening the air to a passive blue
It’s opacity beneath and above
Ascending again

Mama and Baba say it’s time to go home
I confront the arid peninsula of Qatar
Lungs accustomed, vitality not frozen
Precariously perceiving the harmful

Sentiments of years past in Jordan,
I wonder why
my kin would ban this place
Rumor on dirt pavement in a draft, ears picking up

The Atlantic is not to be crossed,
A lack of morals, malintentions
lay beyond the scape.
Extravagant grenade above,
Falling to the horizon

And no detonation, collapsing behind a curved veil
Skyward lay the remnants
Of heat, frozen in time
The lips in a box on this shoreside

Warn the zephyrs from the ornery
Reaches towards our home
Be on guard of the deceitful
star at night that rains red

Tomorrow may not be there
My blood brothers of Lebanon say,
But I wait, field of vision
aligned to the east

Aural stumbles translate, articulating
My brethren begin their search of food
And in too many moments unnoticed,
Black on bottom, red on the low, blue slowly suffocating the obscurity above

When in dark despair drowned
I was thinking, joy was nowhere around
A gentle breeze from the upland peaks
Came and patted on my cheeks

Softly whispering- ‘joy is here’

When the last ray of hope had been snuffed out
From the vapid plane of my arid heart,
A cluster of orchids, beautiful and gay
Smilingly nodding their heads on my way

Sweetly murmured- ‘joy is here

When I feared the earth was caving in
Under my feet with no chance to win
A butterfly with rainbow colors
Alighting on a bunch of flowers

Euphoniously hummed- ‘joy is here’

When all my yearnings got shattered
And sustenance alone was what mattered
The blazing sun from behind the hills
Wiping away all morbid chills

Affirmed beaming-‘joy is here

When I thought I was drifting afloat
Without any moorings on my boat
A crystal drop precariously balancing
On the serrated edge of a leaf dancing

Confidently chimed-‘joy is here’

When darkness settles on the scene
When life loses all tinge of green
When days seem inert and grey
Don’t be in a hurry to say
    
“Joy is nowhere around”

Before you jump to conclusions dismal
And write off life as abysmal
Wait to see the cycle of seasons change
From winter’s haze to spring’s lovesome range!

I don’t want to be
the fat kid on the seesaw
anymore

The let down
the crash into
the dirt

I want to build castles
in the sandbox

Maybe  
hang precariously
inverted

Or perhaps slide
perpetually

Or swing so high
I might go upside down

then just
let go into a freefall
jump

by
rgpage

In this quiet time of night, I lie alone and prey to the bitter pain of
joy's absence. Lost in my mind's shallow thoughts the sharp fragments of
happy memories since shattered ***** at the sensitive fringes of my sleep.

Sleep: Nature's sanctuary

A quiet haven, an island set apart
from the daily consciousness of life
where my thoughts may at last run free.

An island with white sandy shores as
far as the eye can see. Blemished only
by my solitary figure walking the blue
water's edge.

And the forests of my paradise, their
deep green density gives substance to
my world. Often I stop to ponder their
far reaching greenness.

The warm subtle breeze carrying the
fragrance of this foliage across my
face, fills my nostrils with the pleasures
of nature.

And occasionally a gull overhead,
drifting unchallenged on the soft
warm currents of the azure, as free
in his world as I in mine; lends companionship.

All of the sudden in the beat of a heart,
from no where a large black cloud appears
to smother the sun's warm light, turning
the blue sky and green foliage black
and the white sand that I once walked
upon a cold gray.

And just ahead of me lying there in
death's humiliation, my winged companion;
soaked and scorned at the dark water's
edge.

I awaken:

This cold room and bed the greatest part of my conscious moment, and the sound of a distant train bell mocking the destruction of my comfort; its havoc upon my sleep done it now moves on. Saddened I once again wade through the shallow bogs of my loneliness, and the pains of memories of the love and life i'd wasted return. This painful sleepless night a most cruel retribution for my past. So firmly entrenched it seems I may never return to my paradise; yet remain in this cold room to suffer the long night's tortures.

Returning:

The warm sunlight, and gentle caress
of the water's pulse upon the white
sand.

And overhead my pure white friend
again drifts on the warm currents of
air, heralding not my return
but praising my presence....

...for my presence alone, gives
life to this warm yet oh so precariously
balanced paradise.

The white beach with its warm sand
leads me on my journey to the morning,
as I walk the blue water’s edge.

I  used to be your birdhouse.
I could coax you out from your seat in the treetops
from behind the camouflaging greens
and watch you edge out shyly with the wind ruffling your blush feathers.
You'd cling to me when the spring showers started falling
and I could keep you safe and dry, I could always do that.
I'd be there to hear your youthful songs, and I'd whisper back in a language just we knew
and then I'd hug you goodbye and watch you step precariously from my perch,
flapping in the wind, unsure, unaccustomed.
and  I'd be there for you the next day and the next
because I thought you'd still need me.
I never thought I'd see you, the point of a flying V
soaring with your head held high,
not even glancing down at
my tired wooden walls
and faded empty perch.

Destined to never be satisfied, that is me,
I will swallow the world and purge,
Wiping my mouth of the spittle, off too comes the grin,
Momentous occasions amount to invisible entrapment,
They'll try and tell me that it should be enough,
Sedated and post-op lobotomies on pedestals,
Formaldehyde jars packed with vernal reward,
Plopped on sofas staring at the **** tube barrel,
Fancier and well built imports,
**** measuring contest gone wrong,
Debt built up and drowning rats,
Tunnel vision scoped Dharman,
Wicker trinkets, frail mistreated,
Lunatics that love for the wrong reasons,
Insanity epidemic gross over-exaggeration,
Billy clubs fly from hands of misguided lawmen,
Prayers knelt under the bus benches,
***** corroding the underbelly of the social glance,
Blind blues moutharp in the corner still playing,
Trains running on time, taking the life from the patrons,
Steel breathes burnt crimson,
Foggy cauldrons from medieval nightmares,
The haggard ***** dangles her ***** precariously above,
Just an inch or two in the wrong direction,
And all this meaningless mess might be forgotten,
Books burned, learned forgotten, buildings from the sand,
Starting the sick cycle over again,
With an even wider **** eating grin,
Chartreuse Cheshire cats with inviting eyes,
Taking the breath from the first borns,
Replacing motor oil with sugar canes,
HOWLING what history has shown,
Making a prophet from the scammers and thieves,
I can't believe that we don't all see,
What my path of professed malnutrition,
Gambled stimulus, Golden fleece lined nimbus,
Never enough for the scabbed *****,
Never enough for the howling idiots in the sun,
Never enough for the lunatics undistinguished,
Surely never enough for you and me.
Continuing on snickering underhanded,
Snide underbreath worried about repercussions if found out,
Maybe even too ignorantly blissful enough to not give a ****,
Head down looking at your shoes,
Or ready to inflict a flat tire,
Graceful or oafish,
Humble sniveling whelp, prodding pious peacock,
Dividing rod stuck in the teeth of our teeth,
This is the loner society,
At least tolerance is taught in our schools,
Has anyone really learned anything?

Arrival


Upon my arrival, I whisper-walked
Erasing my steps like a broom
I avoided bottlenecks and having my back to the door


Soft voices and sweet
Made me cringe
So did people who had no smell.


What was I,  they wanted to know,
Such a delicate and precariously balanced thing,
Doing at the Crossroads?  


Even the smallest and most inconsequential among us,
Could knock you apart
with a soft, experimental tap.  


I’m sure that when they were children
They broke all their toys.
And I’m a living doll.


Perhaps I should, but I don’t want
To creak open the hinges of their faces.
There are things worse than skulls and brains.


Such as humorless laughter.
Indifference. Intentions.
And voids.


What you must realize,
What you need to comprehend.
Is that.

At times like this,
A girl would give anything
To be ugly.

Once
There was an ephemeral man
Precariously balancing on the ephemeral moon
That choleric moon
Always coughing and sneezing
Knocking off that precariously balanced man.

That parochial moon
With its offspring jogging and frolicking about
Maybe one day, that ineffable cough
Will be stopped.

The right thing
What is it?
I wonder
If you do the right thing--
Does it really make
everybody--
happy?

The proletarian moon child
Cogitated this
Along with a myriad of others
While gazing at the ephemeral stars
From the ephemeral moon

Apocryphal writings claimed the answer
But the child couldn't find solace in it.
So he jumped off
To join the vacuous inhabitants
Of the Earth below.

during a quiet spring sunset,
there was a foolish young boy,
precariously searching for release.

with fragile wings,
his father composed of
feathers and wax,
he had finally escaped.

he paid no heed to the warning,
“don’t fly too close.”

reaching for the sun was pure insanity,
as he realized all too soon,
his efforts were completely wasted.

oh how the wings,
of wax rapidly melted.

with clutching hands,
and a desperate cry
up towards the sky,
he fell to the sea.

Frost underfoot and crisp cold air
morning dew, everywhere
each a crystal pearl
a million drop fruits unfurl
as far as the eye could see
caught precariously
by all the tiny hands
on every flower, fern and tree

a myriad of wonder
nestled here with natures mother
Time is irrelevant
other than the pressing
impatience of Another

To him it was just wet
bathed in ignorance
and bad for driving,
so he said.

I disagreed.
and had to take
the bus instead