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"posturing" poems
Shouting for longevity, Slamming at the counterers… - upon your dignified respite! Would-be detractors without brevity, Before the wine-dark Sea at night… A pleading to philosophy of commonly renowned, Beating sand and posturing, uncouth before a crown; “Priam please!” Sun and Moon, two sons shall plead, nay, -beg in tandem with the man; “He serves the seas, trust him please, our father; this priest of Trojan-land!” Laocoon “Fear the Greeks, of mind I speak, approval by a van-i-ty; it surely is a death you seek! An asp this horse, gift no more and tragedy in due remorse, I beg of you my call to heed, wooden-burnt this crispy steed, …alight in flame, glorified name; Poseidon shall endorse!” Priests of Apollo “Ridiculous! Worship we must, now bring it to the City thus!” Laocoon “The actions of accursed Kore, Need I remind you all Paris caused this war? For he mocked this god, the abyss it knows, with terror comes a deadly tide, **** that fool and his fiddling pride!* Burn this beast we must with haste for Greeks they have a certain taste, Their acts meant always to confound, wily, since they were unbound. What harm may do, to rest at shore? Consult the stars of yester-yore. Assign no chore, one heaven’s night, plus a day, to sit upon our princely shore?” Setting (read/spoken at the fastest pace the reader can go) A horrid hiss above the wave as two doth slither from out the cave…   The creatures from the darkest days, ancient spectacle for the knaves, bear witness to the punishment, commanded by a great trident, hearing screams of bannermen, for King and council a shocking twist, serpents ****** from out the mists, encircling priest and his kin, the howling they had done no sin, never be forgot-ten, as Typhon cried out merrily, serpents and the tragic sea; swallowed up all the three. Priam “Farewell dear Laocoon and two sons with thee!” *
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Jun 17, 2016
Jun 17, 2016 at 4:13 PM UTC
Knowledge of the Peoples
Shouting for longevity, Slamming at the counterers… - upon your dignified respite! Would-be detractors without brevity, Before the wine-dark Sea at night… A pleading to philosophy of commonly renowned, Beating sand and posturing, uncouth before a crown; “Priam please!” Sun and Moon, two sons shall plead, nay, -beg in tandem with the man; “He serves the seas, trust him please, our father; this priest of Trojan-land!” Laocoon “Fear the Greeks, of mind I speak, approval by a van-i-ty; it surely is a death you seek! An asp this horse, gift no more and tragedy in due remorse, I beg of you my call to heed, wooden-burnt this crispy steed, …alight in flame, glorified name; Poseidon shall endorse!” Priests of Apollo “Ridiculous! Worship we must, now bring it to the City thus!” Laocoon “The actions of accursed Kore, Need I remind you all Paris caused this war? For he mocked this god, the abyss it knows, with terror comes a deadly tide, **** that fool and his fiddling pride!* Burn this beast we must with haste for Greeks they have a certain taste, Their acts meant always to confound, wily, since they were unbound. What harm may do, to rest at shore? Consult the stars of yester-yore. Assign no chore, one heaven’s night, plus a day, to sit upon our princely shore?” Setting (read/spoken at the fastest pace the reader can go) A horrid hiss above the wave as two doth slither from out the cave…   The creatures from the darkest days, ancient spectacle for the knaves, bear witness to the punishment, commanded by a great trident, hearing screams of bannermen, for King and council a shocking twist, serpents ****** from out the mists, encircling priest and his kin, the howling they had done no sin, never be forgot-ten, as Typhon cried out merrily, serpents and the tragic sea; swallowed up all the three. Priam “Farewell dear Laocoon and two sons with thee!” *
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34
Why is it those with least to lose are first to give the most To walk the fields of Arlington with too many other ghosts The generations rested there sacrificed in all those wars Do they still feel nobility when its lacking in the cause For what is war but posturing sacrificing others sons in the name of "threats to freedom" where most blood shed, decides who's won Then afterward come treaty's bits of paper end the war and I have to ask the question what was all the killing for?
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Aug 22, 2010
Aug 22, 2010 at 9:57 AM UTC
Sacrifices
I take up the gauntlet Wrestling you, word and rhyme. Posturing my play afforded, For a mental good time. Tatting for *** This-ing for that Battling your wit Prose-ing a chat. No way to win, Enticing it may be. The towel I throw in You will always beat me!
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Feb 26, 2017
Feb 26, 2017 at 5:09 PM UTC
Challenged Accepted (Mentally at least)
~ Painting a picture of porcupines playing Pincushions out in the field Purple and pink for this playful perception Plans of their purpose revealed Painful endeavors of pacified pranksters Presenting a pie at their place Pecan or pumpkin, pickle, pineapple Pieces are smeared on their face Putting the paint on some powder puff paper Pleasure in each stroke is plied Pausing to peer at the porcupines playing Prancing in pansies they hide Puzzling problems with pretzels and peanuts Posturing people to prove Pistachio perfume in prime presentation Preaches that peaches will move Polishing pastels on pre-printed pages Prized the possessions we seek Paisley the plumes of a peacocks posterior Portraits now come take a peek Pampering piccolos play the piano Pure as a pelican’s prayer Picking a parcel of plum flavored pudding Poetic prose fills the air Pleats in my pants shout in proud proclamation Puddle my pores they perspire Poodles on playgrounds prevent prosecution Plotting my hearts pure desire Passion precedes every past tense of parting Piled with a presence so true Painting a picture while purposely dreaming Promising my love to you
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Dec 11, 2014
Dec 11, 2014 at 4:21 PM UTC
Perfectly Presenting my Love
You need a porcelain mixing bowl and a wooden stirring spoon a cup and a measuring jug. Add one teaspoon of ripe inconsequentiality. then add two teaspoons of innate stupidity. Pour in one cupfull of political lack of integrity preferably nurtured in hot smelly air. Add 4 cupsfull of facile celebrity  chatter, preferably with the volume turned down.. Add 2 cupsfull of shallow religious nonsense full of obsequious morality. Add 2 cupsfull of vain "god" chatter and sacrificial demands. Pour in 1/4 cup of nonsensical "goddess" humbug and fatuous posturing. Sift untold millions of youthfull soldiers dried and powdered bones until finely ground in the crucible of never ending wars. Take up the wooden spoon of societal hypocracy and stir slowly with gossipy backstabbing. When all these ingredients are blended as smoothly as a shaven young girls **** put to one side covered with a bloodstained cloth for a millennia to rise to the occasion. Back in an hour
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Oct 9, 2014
Oct 9, 2014 at 12:40 AM UTC
Baking a GroupMind Pie
Twice around the corner Thrice around the bend, Twisting through contortions Will not make harassment end. Disparagement aside There's a lesson to be learnt, That your overbearing manner Won't prevent you being burnt. The reflection in the mirror Is immaculate and tight, Actuality shows fractures Though they're kept well out of sight. There's a teetering fractiousness, A blemish to your soul And no amount of posturing Will keep the image whole. Your background is impressive And scholastically well placed, Achievement in endeavors Show you've never been disgraced. You're social stature's formidable And your teeth are Oh so white, Then why is it, that you writhe in bed In the small hours of the night ? Why do horrors permeate The milky hue behind your eyes ? What source the irritation When the great majority complies ? What keeps your ego dominant When you see the weakness there, When the light falls on your handiwork And drives you to despair ? Twice around the corner Thrice around the bend, To camouflage your character Shall not make your problems end. Marshalg @theBach on sick leave Mangere Bridge 13 October 2009
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Oct 21, 2009
Oct 21, 2009 at 12:31 AM UTC
Twice Around the Corner
There were two mighty warriors whose rule upon the land were what legends now are sewn upon each feared by every man Odin was like a panther sleek and strong and lithe nothing less than greatness was for all that he would strive Kester was just like a bear his size gave him great power over mighty oaks and castle walls he easily would tower The warriors began a fight and the people stood around peasants Lords and Nobles threw lamenting on the ground They fought over who had the right to be the poet king folk ran to preserve themselves as the fists began to swing Believing they both owned all words to poetry, verse and prose both grandiose and posturing to each a thumb upon their nose So the fight grew on relentless both knew it was to death howling obscenities from Whitman hurling lines from out Macbeth Yelling words of literature pounding blows on blows quoting Thomas Hardy and Shakespeare's words of prose Grabbing Kester's throat Odin threw him to the floor like an angry roaring lion Odin screaming metaphor Like madmen holding hands grappling with each others cloak tearing at each others skin whose throat they'd love to choke There had to be a victor their words shook the city walls Odin held tight to Kester and kicked him in the syllables But no one stood victorious as poetry's life began to wain they thrashed it till it bled not seeing both their shame Clothes were torn and bruises bloomed wearing blood upon their trousers the people cried in unison "a plague a' both your houses" As the warriors stood back a step and looked upon the ground wounded and in agony poetry didn't make a sound No words on lips were uttered poetry blinked last unto the sun for its life about was scattered "My lords look, what have you done?" And as they wept they looked above Clouds gathering over head tears blurred those fated words on the sky the message... "He is dead" The warriors stood on trembling knees with death they both had kissed the last line they both uttered "Was sorrow... to this."
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Feb 8, 2016
Feb 8, 2016 at 4:20 PM UTC
Poetry's Demise
There were two mighty warriors whose rule upon the land were what legends now are sewn upon each feared by every man Odin was like a panther sleek and strong and lithe nothing less than greatness was for all that he would strive Kester was just like a bear his size gave him great power over mighty oaks and castle walls he easily would tower The warriors began a fight and the people stood around peasants Lords and Nobles threw lamenting on the ground They fought over who had the right to be the poet king folk ran to preserve themselves as the fists began to swing Believing they both owned all words to poetry, verse and prose both grandiose and posturing to each a thumb upon their nose So the fight grew on relentless both knew it was to death howling obscenities from Whitman hurling lines from out Macbeth Yelling words of literature pounding blows on blows quoting Thomas Hardy and Shakespeare's words of prose Grabbing Kester's throat Odin threw him to the floor like an angry roaring lion Odin screaming metaphor Like madmen holding hands grappling with each others cloak tearing at each others skin whose throat they'd love to choke There had to be a victor their words shook the city walls Odin held tight to Kester and kicked him in the syllables But no one stood victorious as poetry's life began to wain they thrashed it till it bled not seeing both their shame Clothes were torn and bruises bloomed wearing blood upon their trousers the people cried in unison "a plague a' both your houses" As the warriors stood back a step and looked upon the ground wounded and in agony poetry didn't make a sound No words on lips were uttered poetry blinked last unto the sun for its life about was scattered "My lords look, what have you done?" And as they wept they looked above Clouds gathering over head tears blurred those fated words on the sky the message... "He is dead" The warriors stood on trembling knees with death they both had kissed the last line they both uttered "Was sorrow... to this."
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68
we all remember where we were watching the towers burn and fall knowing that things would never be the same at all disbelief at first, or had an action movie slipped into the news no, it was real and then twenty years of vengeful repercussion of military posturing of suffering for many we watched the baddies being painted good and evil being redefined virtue confused impotence and power conflated lies and spin consecrated truth alternated idiot rich guys promoted tax for the poor promulgated democracy desecrated climate destruction accelerated by denialist complacency inequality more concentrated goodness and morality infiltrated by posturing political pus weasels venal vultures of self interest grasping for short term dominance and then .. complacency pervaded as absurdity was accepted as our new state of normal and the height of compassion was owning a dog and tut tutting as refugees marched across our news screens and now we bemoan being isolated from being contaminated we are mostly relegated to stay in our mansions while dinner is contemplated have you been vaccinated?
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Sep 11, 2021
Sep 11, 2021 at 4:32 AM UTC
when the world changed ...
ALERTS TO FINANCIAL AND MILITARY THREATS IN 2012 EUROPE By John Cleese (British writer, actor and tall person): The English are feeling the pinch in relation to recent events in Syria and have therefore raised their security level from "Miffed" to "Peeved." Soon, though, security levels may be raised yet again to "Irritated" or even "A Bit Cross." The English have not been "A Bit Cross" since the blitz in 1940 when tea supplies nearly ran out. Terrorists have been re-categorized from "Tiresome" to "A ****** Nuisance." The last time the British issued a ****** Nuisance" warning level was in 1588, when threatened by the Spanish Armada. The Scots have raised their threat level from ****** Off" to "Let's get the ******** They don't have any other levels. This is the reason they have been used on the front line of the British army for the last 300 years. The French government announced yesterday that it has raised its terror alert level from "Run" to "Hide." The only two higher levels in France are "Collaborate" and "Surrender." The rise was precipitated by a recent fire that destroyed France 's white flag factory, effectively paralyzing the country's military capability. Italy has increased the alert level from "Shout Loudly and Excitedly" to "Elaborate Military Posturing." Two more levels remain: "Ineffective Combat Operations" and "Change Sides." The Germans have increased their alert state from "Disdainful Arrogance" to "Dress in Uniform and Sing Marching Songs." They also have two higher levels: "Invade a Neighbor" and "Lose." Belgians, on the other hand, are all on holiday as usual; the only threat they are worried about is NATO pulling out of Brussels. The Spanish are all excited to see their new submarines ready to deploy. These beautifully designed subs have glass bottoms so the new Spanish navy can get a really good look at the old Spanish navy. Australia , meanwhile, has raised its security level from "No worries" to "She'll be alright, Mate." Two more escalation levels remain: ****** I think we'll need to cancel the barbie this weekend!" and "The barbie is cancelled." So far no situation has ever warranted use of the last final escalation level. A final thought -" Greece is collapsing, the Iranians are getting aggressive, and Rome is in disarray. Welcome back to 430 BC."
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Jul 10, 2012
Jul 10, 2012 at 3:22 PM UTC
Hilarious Piece by John Cleese
ALERTS TO FINANCIAL AND MILITARY THREATS IN 2012 EUROPE By John Cleese (British writer, actor and tall person): The English are feeling the pinch in relation to recent events in Syria and have therefore raised their security level from "Miffed" to "Peeved." Soon, though, security levels may be raised yet again to "Irritated" or even "A Bit Cross." The English have not been "A Bit Cross" since the blitz in 1940 when tea supplies nearly ran out. Terrorists have been re-categorized from "Tiresome" to "A ****** Nuisance." The last time the British issued a ****** Nuisance" warning level was in 1588, when threatened by the Spanish Armada. The Scots have raised their threat level from ****** Off" to "Let's get the ******** They don't have any other levels. This is the reason they have been used on the front line of the British army for the last 300 years. The French government announced yesterday that it has raised its terror alert level from "Run" to "Hide." The only two higher levels in France are "Collaborate" and "Surrender." The rise was precipitated by a recent fire that destroyed France 's white flag factory, effectively paralyzing the country's military capability. Italy has increased the alert level from "Shout Loudly and Excitedly" to "Elaborate Military Posturing." Two more levels remain: "Ineffective Combat Operations" and "Change Sides." The Germans have increased their alert state from "Disdainful Arrogance" to "Dress in Uniform and Sing Marching Songs." They also have two higher levels: "Invade a Neighbor" and "Lose." Belgians, on the other hand, are all on holiday as usual; the only threat they are worried about is NATO pulling out of Brussels. The Spanish are all excited to see their new submarines ready to deploy. These beautifully designed subs have glass bottoms so the new Spanish navy can get a really good look at the old Spanish navy. Australia , meanwhile, has raised its security level from "No worries" to "She'll be alright, Mate." Two more escalation levels remain: ****** I think we'll need to cancel the barbie this weekend!" and "The barbie is cancelled." So far no situation has ever warranted use of the last final escalation level. A final thought -" Greece is collapsing, the Iranians are getting aggressive, and Rome is in disarray. Welcome back to 430 BC."
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36
Five hundred feet from Terrapin Point the Birdman stands with his bicycle. His face as flat as the quarters he begs for, glares at foreign tourists. Two boisterous parrots, Larry and Mabel. They smell like tourists and change, and are footcuffed to three brass chains connected to his backpack. A Muslim family approaches. They want a picture. Birdman places the birds on the hands of the smallest boy, and his mother takes a picture. Mabel squirms. Larry squawks. Click. A reward for their posturing, Birdman places birdseed on his tongue, and the parrots peck away, ignoring his birdbreathe for an evening snack. The tourists clap and laugh at Birdman and toss him their spare change. Birdman stands. Waits. For another family to pose with his birds. Mabel licks her wings and Larry says, "Picture pic." Birdman stands alone.
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Oct 4, 2010
Oct 4, 2010 at 9:19 PM UTC
Niagara Falls
Grasping vagrancy in one's child Most simplistic act is not Fractured maternal heart bleeds wild Suffered soul the abyss caught Crucible ever prevails fraught Futile remedy ailment breeds Posturing all heedless things Neglecting primal earthly needs Harsh inebriant trappings Averse entirely lucid pleads Clamping malady straining chest Wakeful blackness vanished days Clutched slight suckling babe at my breast Cast tears enduring malaise Reflection of having caressed Tragic sustinence chosen vile Sighted resolves not to see Relentless self imposed exile Indifferent to love me Offer life to capture a smile Grasping vagrancy in one's child Cognizant of special spot An alternative to beguiled Alter processes of thought I am needing to know she fought
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Jul 31, 2014
Jul 31, 2014 at 1:01 PM UTC
Grasping at Straws
What you don’t know is that I don’t know either. What makes you stay inside on sunny days has pestered me as well my whole life. Shadows of things that would never happen grew ominous, loomed over my cowering heart so being a defensive, obsessive ruminator my hope to make the leaves in my yard stand still against gusts of wind – become a psychotherapist a posturing senex trailing his wounded child behind all made OK with a license to insult you pretending I know something you don’t. Will global warming disappear (?) just because I know thousands of facts about worms after rain about how so many weeds pop up in freshly-rained soil underneath even dominating magnolias and you pay me to wizen you. You stare like a mesmerized gazelle counting the lions a whole dozen of them drawing a circle around your life in tall grass. I want to tell you run from the need for a resting place from the pointless mobius strip of therapy’s semantic banter. I wish you would tell me to just be quiet for once invite me to hike a trail protected by angels with just so much sun enough rain to nurture and the lions yes the lions like Fu Dogs guard the entry to the hills. I always forget it isn’t my frustrated reverie my angst about knowing how important it is not to need to know anything this constant inability not to daydream that brought you here to a leather throne with an Olympus digital recorder so you can capture every single word.
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Feb 26, 2012
Feb 26, 2012 at 9:25 AM UTC
STUPID THERAPIST
Offering aid and comfort to the poor isn't a calling. It is a commandment. Something all are to do, But few attempt. Rather, we formulate a showdown. "For the least of these," Is how the words of the supposed savior begin. They may be the most ignored words in the whole book. Ignored out of sheer inconvenience. Rather, we formulate a showdown. The posturing must end. We either give of ourselves fully, no matter faith, Or we quit pretending. We can't do both. No more manufactured showdowns.
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Feb 9, 2015
Feb 9, 2015 at 6:01 PM UTC
A Showdown
Beauty is not flowers, given by a lover. Nor is it meadows and birdsong. And definitely not the pantomime of Weddings, with their Hyperbolic declarations and parodies of tailoring on Bodies too well-fed to house them. Instead, it is the soft curl of cigarette smoke, blue And graceful against the grime of a steamed window. Or in a poky kitchen, the remains of our meal crusting on Our plates, too absorbed were we in conversation To even remember the taste. It is the chuntered breath, just after, When we are both trying to ignore how bad We smell, and getting slightly annoyed that our heartbeats are out of sync And thinking how nice a drink or a shower would be. It is seagulls beside a river, in a military line, with White trails of **** Jackson Pollocking down the wall On which they stood, and how they all took flight one by one Like dominoes as I approached. It is certainly not sunsets.  After all, they occur every day And can be captured in a photogaph.  It’s the accompanying silence That makes sunsets special, and that is better found in libraries anyway. It is somehow more impressive to silence human tongues than watch The suns tired routine once again. On a bus full of rowdy, starched schoolboys with filmy faces, Posturing about experience, Beauty is the one boy reading. Beauty is not safety.  It is daring and bold.  Or perhaps it is quiet and Trying to be ignored,  I don’t know.  Perhaps we shouldn’t care a jot. Beauty is that thing that should be ugly, But is not.
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Dec 5, 2011
Dec 5, 2011 at 2:32 PM UTC
That, To Me is Beauty
Beauty is not flowers, given by a lover. Nor is it meadows and birdsong. And definitely not the pantomime of Weddings, with their Hyperbolic declarations and parodies of tailoring on Bodies too well-fed to house them. Instead, it is the soft curl of cigarette smoke, blue And graceful against the grime of a steamed window. Or in a poky kitchen, the remains of our meal crusting on Our plates, too absorbed were we in conversation To even remember the taste. It is the chuntered breath, just after, When we are both trying to ignore how bad We smell, and getting slightly annoyed that our heartbeats are out of sync And thinking how nice a drink or a shower would be. It is seagulls beside a river, in a military line, with White trails of **** Jackson Pollocking down the wall On which they stood, and how they all took flight one by one Like dominoes as I approached. It is certainly not sunsets.  After all, they occur every day And can be captured in a photogaph.  It’s the accompanying silence That makes sunsets special, and that is better found in libraries anyway. It is somehow more impressive to silence human tongues than watch The suns tired routine once again. On a bus full of rowdy, starched schoolboys with filmy faces, Posturing about experience, Beauty is the one boy reading. Beauty is not safety.  It is daring and bold.  Or perhaps it is quiet and Trying to be ignored,  I don’t know.  Perhaps we shouldn’t care a jot. Beauty is that thing that should be ugly, But is not.
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29
This woman I fell in love with is an enigma, none like her, I admire her, this quite night. Flames of desire lick me when I even think of her voluptuous softness wearing shimmering black. She prides in what she is, doesn't pretend as someone else. Darkness is her without any apology though she owns a brilliant cosmic jewelry shop; only she can display diamonds looking different in every minute, each more dazzling than the other. Without any arrogance or posturing that suggests invincibility, she surrenders all she has, when sun demands it, with the confidence that when she'd  come back after a hiatus, she will be no less.
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Jul 26, 2013
Jul 26, 2013 at 11:58 AM UTC
Night, the enigmatic woman I am in love with
All these whinging intellectual poetic wankers, scribbling Conditional Love "poems"that boringly lament why they are such obvious  failures at the game of life and self realisation. Spewing out weasel words of poetic hypocracy while wrapped in navel gazing infantile emotions. Writing degenerate untruthful words about a love they'll never know or never have known, as if unconditional love can be bought at the local Walmart. Voluntarily assisting the machinations of mind and groupmind, since their birth into a lifetime of Conditioned Identity, in the servitude of the Amerikan Oligarchy . Strings of meaningless associated words, lines of lies about life and love that are ever popular with "poets". Starting with every one of the so-called "holy" books from millennia past--calling for suicide bombers and child killers to strut the world stage spewing  religious racism and sexism like enlightened beings.. After all words have NO SHAME nor have poets.. Sin Verguensa. Words have NO GUILT nor have poets. Words have NO EMBARASSMENT nor have poets. You cannot hide  behind your lies from me. I see you--I have nous. Your beard is transparent. Your unceasing lies deny to others information to which they are entitled, "poets" are the worst LIARS of all, so easily spottable . Read these pages--see for yourself, through my eyes . See the silly shit-fed children of the Amerikan Oligarchy, wrapped in spangles and colours --posturing like super-heroes. Vomiting verbal diahorea in lifes gutters, appealing for just one more chance to play at love and humiliation. People with low IQs and lower morals pretending ,as always, to be mature and human, characters moulded like products of talk show hosts . No integrity. No truthfulness. No honour. No decency. No morals except those learned from Readers Digest. No to these escapees from the gallows of decency, torture instruments dangling round their necks, their prophet validated by being nailed and denied.
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Jul 9, 2014
Jul 9, 2014 at 12:07 PM UTC
surely enough is enough
All these whinging intellectual poetic wankers, scribbling Conditional Love "poems"that boringly lament why they are such obvious  failures at the game of life and self realisation. Spewing out weasel words of poetic hypocracy while wrapped in navel gazing infantile emotions. Writing degenerate untruthful words about a love they'll never know or never have known, as if unconditional love can be bought at the local Walmart. Voluntarily assisting the machinations of mind and groupmind, since their birth into a lifetime of Conditioned Identity, in the servitude of the Amerikan Oligarchy . Strings of meaningless associated words, lines of lies about life and love that are ever popular with "poets". Starting with every one of the so-called "holy" books from millennia past--calling for suicide bombers and child killers to strut the world stage spewing  religious racism and sexism like enlightened beings.. After all words have NO SHAME nor have poets.. Sin Verguensa. Words have NO GUILT nor have poets. Words have NO EMBARASSMENT nor have poets. You cannot hide  behind your lies from me. I see you--I have nous. Your beard is transparent. Your unceasing lies deny to others information to which they are entitled, "poets" are the worst LIARS of all, so easily spottable . Read these pages--see for yourself, through my eyes . See the silly shit-fed children of the Amerikan Oligarchy, wrapped in spangles and colours --posturing like super-heroes. Vomiting verbal diahorea in lifes gutters, appealing for just one more chance to play at love and humiliation. People with low IQs and lower morals pretending ,as always, to be mature and human, characters moulded like products of talk show hosts . No integrity. No truthfulness. No honour. No decency. No morals except those learned from Readers Digest. No to these escapees from the gallows of decency, torture instruments dangling round their necks, their prophet validated by being nailed and denied.
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51
Our God is really excellent At death and genocide. How we love to celebrate How many folks have died. We always feel better about life And the wonderful heavenly joy When we’ve murdered some foreigner's wife. Or when we put to death girls and boys. It is so commendable of humans To execute those who are different Or if they commit the cardinal sin Of being some kind of sick dissident Who refuses to do what we want Like maybe lying down and acquiescing Or refusing to shut up and play along with Our political posturing and window dressing. And is is all sacred and very holy; Every bit of it is hidden by claims That all genocide and bigotry Is committed in our God’s name, Unless the genocide and prejudice Is directed anywhere near us. The we whip out our Bibles and cry And make a self-righteous fuss. The Golden Rule applies to all Except heathens and non-Caucasians. And then it’s a noose, SWAT team or At least an *** for every occasion. Because killing people is terrible; It is simply not the proper way To deal with all of life’s issues, Unless we want to, then it’s okay. And all of it is by The Good Book If the right verses are selected. The American Bible is written to insure The right people are not neglected. And everyone should worship And join the Living God’s legions And be exactly like he lived life: A blond-haired, blue eyed Norwegian.
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Jan 7, 2017
Jan 7, 2017 at 6:42 AM UTC
MODUS REPUBLICANUS
We sit together and talk, or smoke in silence. You say (but use no words) 'this night is passing As other nights when we are dead will pass . . .' Perhaps I misconstrue you: you mean only, 'How deathly pale my face looks in that glass . . .' You say: 'We sit and talk, of things important . . . How many others like ourselves, this instant, Mark the pendulum swinging against the wall? How many others, laughing, sip their coffee-- Or stare at mirrors, and do not talk at all? . . . 'This is the moment' (so you would say, in silence) When suddenly we have had too much of laughter: And a freezing stillness falls, no word to say. Our mouths feel foolish . . . For all the days hereafter What have we saved--what news, what tune, what play? 'We see each other as vain and futile tricksters,-- Posturing like bald apes before a mirror; No pity dims our eyes . . . How many others, like ourselves, this instant, See how the great world wizens, and are wise? . . .' Well, you are right . . . No doubt, they fall, these seconds . . . When suddenly all's distempered, vacuous, ugly, And even those most like angels creep for schemes. The one you love leans forward, smiles, deceives you, Opens a door through which you see dark dreams. But this is momentary . . . or else, enduring, Leads you with devious eyes through mists and poisons To horrible chaos, or suicide, or crime . . . And all these others who at your conjuration Grow pale, feeling the skeleton touch of time,-- Or, laughing sadly, talk of things important, Or stare at mirrors, startled to see their faces, Or drown in the waveless vacuum of their days,-- Suddenly, as from sleep, awake, forgetting This nauseous dream; take up their accustomed ways, Exhume the ghost of a joke, renew loud laughter, Forget the moles above their sweethearts' eyebrows, Lean to the music, rise, And dance once more in a rose-festooned illusion With kindness in their eyes . . . They say (as we ourselves have said, remember) 'What wizardry this slow waltz works upon us! And how it brings to mind forgotten things!' They say 'How strange it is that one such evening Can wake vague memories of so many springs!' And so they go . . . In a thousand crowded places, They sit to smile and talk, or rise to ragtime, And, for their pleasures, agree or disagree. With secret symbols they play on secret passions. With cunning eyes they see The innocent word that sets remembrance trembling, The dubious word that sets the scared heart beating . . . The pendulum on the wall Shakes down seconds . . . They laugh at time, dissembling; Or coil for a victim and do not talk at all.
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The House Of Dust: Part 03: 09: Cabaret
We sit together and talk, or smoke in silence. You say (but use no words) 'this night is passing As other nights when we are dead will pass . . .' Perhaps I misconstrue you: you mean only, 'How deathly pale my face looks in that glass . . .' You say: 'We sit and talk, of things important . . . How many others like ourselves, this instant, Mark the pendulum swinging against the wall? How many others, laughing, sip their coffee-- Or stare at mirrors, and do not talk at all? . . . 'This is the moment' (so you would say, in silence) When suddenly we have had too much of laughter: And a freezing stillness falls, no word to say. Our mouths feel foolish . . . For all the days hereafter What have we saved--what news, what tune, what play? 'We see each other as vain and futile tricksters,-- Posturing like bald apes before a mirror; No pity dims our eyes . . . How many others, like ourselves, this instant, See how the great world wizens, and are wise? . . .' Well, you are right . . . No doubt, they fall, these seconds . . . When suddenly all's distempered, vacuous, ugly, And even those most like angels creep for schemes. The one you love leans forward, smiles, deceives you, Opens a door through which you see dark dreams. But this is momentary . . . or else, enduring, Leads you with devious eyes through mists and poisons To horrible chaos, or suicide, or crime . . . And all these others who at your conjuration Grow pale, feeling the skeleton touch of time,-- Or, laughing sadly, talk of things important, Or stare at mirrors, startled to see their faces, Or drown in the waveless vacuum of their days,-- Suddenly, as from sleep, awake, forgetting This nauseous dream; take up their accustomed ways, Exhume the ghost of a joke, renew loud laughter, Forget the moles above their sweethearts' eyebrows, Lean to the music, rise, And dance once more in a rose-festooned illusion With kindness in their eyes . . . They say (as we ourselves have said, remember) 'What wizardry this slow waltz works upon us! And how it brings to mind forgotten things!' They say 'How strange it is that one such evening Can wake vague memories of so many springs!' And so they go . . . In a thousand crowded places, They sit to smile and talk, or rise to ragtime, And, for their pleasures, agree or disagree. With secret symbols they play on secret passions. With cunning eyes they see The innocent word that sets remembrance trembling, The dubious word that sets the scared heart beating . . . The pendulum on the wall Shakes down seconds . . . They laugh at time, dissembling; Or coil for a victim and do not talk at all.
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Safe inside my beehive Picking cobwebs off the honeycomb At the heart of this shipwreck The devil keeps me lukewarm Suckin' out the red sea Then parting ways with bad dreams By way of a submarine ark Carried by the gust of shooting stars Boney fingers on the steering wheel Fingernails dug into the leather If the sky preaches parades We'll be in for nasty weather Landfall calls for mongrels On crippled horses Salivating for a sister of mercy Or any kind of company Erase me, help me Before he gets me I've never seen his face Just his mafioso posturing Push me, pull me Let the sirens scream I'm too scared to sleep In the jaws of the peripheral
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Sep 13, 2011
Sep 13, 2011 at 11:32 PM UTC
Insomnia
“They sentenced me to 20 yrs of boredom For trying to change the system from within”   L. Cohen After all the posturing was over And the last attempts at honesty passed away He saw the victims of the system heading out to sea Coral wreaths held them Their eyes shone like stars in the waters Crawling on the beach, His last strength flowing out with the tide He saw the faces of broken-hearted children, Jealous lovers, sadistic losers, failed prophets and criminal con-men All crying for another chance Another ride on the roller coaster After a time, their cries became the sounds of gulls A new morning beginning to brighten the waters Now he lay on his side, trying to breathe Almost asleep when he first saw her Bare footed, she was wearing something white or gold Floating around her She seemed to be laughing Every step she took left a brief shining print on the sand At first, he didn’t think she’d notice him Just another piece of tidal wreckage But then She was there Her arms around him And he fell asleep in the warmth of the sun
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Jan 16, 2014
Jan 16, 2014 at 12:50 PM UTC
End of the Day Shift
Called-up to muster on the streets, Lay siege with pencils and paper shields, Place couplet sentries on every corner, March in-step with iambic feet, Shoulder prosaic figures of speech. Launch antithesis and irony, Landmine metaphors and similes. The poets engage guerilla warfare, Surrounding the body politic To water board with words and wit. Our units are indeterminate, Smearing ink for camouflage. Be wary of everyone you meet, Every tree lining your street; We're making notes in small black pads, To explicate the nots and haves. Pens are shovels digging trenches, Editing walls and blue pencilling fences, Giving refuge to the marginalized, From the onslaught of towering directives. We're parading in our uniforms, Raising banners, ragged and torn, Calling on all to weather the storm, To brace against cyclonic edicts That swirl and funnel from posturing egots.
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Feb 6, 2017
Feb 6, 2017 at 8:24 AM UTC
Attention, Private First-Class Poet
I see them still, From time to time, Their goofy smiles, Their laughing eyes. Still hear their ******* Their growled complaints, Their farts in the night, from five bunks down. The relentless joke telling, The brotherly jabs. Still see their sad empty eyes When no mail from home arrives. Oh and the lists of things That they would do, When back they'd go, Into the World, Added to daily, always growing. Get that new Camaro, "Set them tires on fire!", Cruse the strip back home and pick up chicks. Put on their Class A, And strut down the block. Find that foxy girl from English class, And make her his wife. Tell his old man, to actually **** Off!" We were but boys, Too eager and green, Posturing and playing at being men. What I wonder, would they have become, Given the chance to grow to a man? Young lives cut short by ballistic pain. So now still they linger, boys they remain, Night visions left in the mud and the rain.
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Nov 11, 2014
Nov 11, 2014 at 11:04 AM UTC
Night Visions
Overcome, Programmed years in technological mind mission To control, then dominate one’s thinking vision Overcome, Ingrained behavior taught since the inception To confine movement in the viewed perception Overcome, Battled sexes posturing for the top billing To uphold, then maintain movie star rating   Overcome, Perpetuated bigotry in narrow-minded fear To confuse truth with deceptions we hear Overcome, Chained hatred from a past mauled by meetings To render, then leave one’s will conflicting Overcome, Programmed desires to reprogram life simply To live without love and kindness openly.
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Jun 30, 2013
Jun 30, 2013 at 8:22 PM UTC
Reprogram
Girl No. 1 wears her jeans cuffed and hates everyone but the Jets. Her voice is honey-thick around biting words. Smiling does not come easy to her. She wears her face like a mask—big glasses, big eyes, big quiet. When I see her, she lifts her hand in a grim wave, delta creases in her brown palm. Her excuse for her silence is that she’s boring, but she’s not. She dots her eyes with tiny stars and listens to German orchestra whenever she can. She thinks she has buried herself well, but bits of her still protrude from the topsoil, aching to be known. Girl No. 2 is grey flannel and deliberate sentences. Her hair covers her face, yet when she speaks about trees and animals and the hole torn in our atmosphere by ultraviolet, ultraviolent rays, she is thunder. I gave her lotion for her cracked hands one time. When we smiled at each other after, we knew at once we were part of the same club. Girl No. 2 never corrects people when they forget her name. They say Kaitlyn, Kaleigh, Katie…let the word drop as if it were no more important than a used napkin. I hate it. I pick her used napkin name from the floor and smooth it over my lap. I say it right and she replies, with perfect seriousness, thank you: Thank you for the correct pronunciation of my identity. Girl No. 3 is a hard one. Look at her once and you’ll see Maybelline lashes and a glass-cutting face. Look twice and you’ll see more. The sag of her shoulders, the stinging weariness of posturing for people far beneath her. I startle her. I’m too inquisitive for her taste. She does not want the world knowing her mother drank three liters of ***** before driving off a bridge, that her favorite color is celery green, or that anorexia and anxiety stalked her through the halls of high school like a pair of vultures. She wants to stay in her castle of ice, but it has imprisoned her. You poet, she teases me. You right-brained heap of color and sensitivity. You’re too much. I don’t know what to do with you. I ask her who she is and she recites her answer. 130, 125, 2315. But this girl is more than her IQ, her weight, or her SAT score, and when I tell her so, her Maybelline lashes are ruined.
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Jan 29, 2016
Jan 29, 2016 at 9:32 PM UTC
anatomy of the quiet girls in the room
Girl No. 1 wears her jeans cuffed and hates everyone but the Jets. Her voice is honey-thick around biting words. Smiling does not come easy to her. She wears her face like a mask—big glasses, big eyes, big quiet. When I see her, she lifts her hand in a grim wave, delta creases in her brown palm. Her excuse for her silence is that she’s boring, but she’s not. She dots her eyes with tiny stars and listens to German orchestra whenever she can. She thinks she has buried herself well, but bits of her still protrude from the topsoil, aching to be known. Girl No. 2 is grey flannel and deliberate sentences. Her hair covers her face, yet when she speaks about trees and animals and the hole torn in our atmosphere by ultraviolet, ultraviolent rays, she is thunder. I gave her lotion for her cracked hands one time. When we smiled at each other after, we knew at once we were part of the same club. Girl No. 2 never corrects people when they forget her name. They say Kaitlyn, Kaleigh, Katie…let the word drop as if it were no more important than a used napkin. I hate it. I pick her used napkin name from the floor and smooth it over my lap. I say it right and she replies, with perfect seriousness, thank you: Thank you for the correct pronunciation of my identity. Girl No. 3 is a hard one. Look at her once and you’ll see Maybelline lashes and a glass-cutting face. Look twice and you’ll see more. The sag of her shoulders, the stinging weariness of posturing for people far beneath her. I startle her. I’m too inquisitive for her taste. She does not want the world knowing her mother drank three liters of ***** before driving off a bridge, that her favorite color is celery green, or that anorexia and anxiety stalked her through the halls of high school like a pair of vultures. She wants to stay in her castle of ice, but it has imprisoned her. You poet, she teases me. You right-brained heap of color and sensitivity. You’re too much. I don’t know what to do with you. I ask her who she is and she recites her answer. 130, 125, 2315. But this girl is more than her IQ, her weight, or her SAT score, and when I tell her so, her Maybelline lashes are ruined.
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An empire built on enslavement conquering and plunder striving to maintain order via censorship in a  modern milieu the irony isn't lost on me watched the news today a self declared expert cited a rather lengthy inventory of  mass murders a veritable host of troubled people he seemed well informed but half dead inside as if something was  internally devouring him an expert in stolid stage craft   oblivious to his self inflicted harm until he watched the playbacks that evening pretending, posturing, play-acting, contrived concerns now  collapsed in a fit on the floor groveling pitiful fragment vomiting  bourbon tears out of sight, above detection by them the watchers tomorrow, a different city another "shooting spree" another interview another barren bereft onslaught of absurd rhetorical questions hand ringing, and staged pandering consolations another pallid parroting reporter who thanks you for "tuning in." "next up, Sports!"
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Jun 8, 2013
Jun 8, 2013 at 11:08 PM UTC
the troubled reporter