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"passageways" poems
'Today, The Jay...' I open my eyes to see its a new day. Today, What's the day? Is it Saturday or Sunday? The only thing of which I'm certain Is that its not a weekday. So, What can I do today? Without delay, The first thing I do is get my tray Light a blunt to take the pain away. Inhale and exhale, Through the passageways. Chill. . . Then, light another, just because its today. I'm still in bed, but it's already a good day. I push the sheets and pillows out the way Then I get up to empty last night's fluids away. Then to the kitchen, wondering what I can eat today What can I do, to keep the hunger at bay? Maybe some rice and filet? A little something to kickstart the day. While the food preps, I go back to my tray. I smile and giggle as I sculpt my one true love, the Jay With me at any time, anywhere, in any form, on any day. Even though I'm already high; 'Hooray'. I still want another hit of the Jay The Jay, Hits, Without delay. Stays, When everyone goes away. Fades, All the pain away. My worries, It allays. My happiness, it brings to the fray. Keeps my mind, from going astray. Literally, takes my breath away. Causes, no form of decay Keeps me, from getting 'ire' Doesn't negotiate, doesn't parlay. Just good vibes, all the way. The love of the Jay; Isn't just a single foray. Its a constant exchange, Everyday. It's a feeling, that once attained, Nothing, will ever take its place. And there goes the tale of my day, Spent with my true love, the Jay.
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Oct 27, 2018
Oct 27, 2018 at 11:26 AM UTC
Today, The Jay
The dictatorship of our state is profound in its mass propaganda, where the discernment of individuals seeps into an eternal chasm of self-sacrifice on the altar of political conformity. Let us actively withstand the passivity of our conventional hypocrisy as we engage with this ontological sleepwalk through sinister passageways of presumed social advancement. In our age of grandiose moralistic eclecticism where imperatives abound, I burn incense and contemplate the cosmopolitan artificiality which lavishes abundant gifts upon our self-opinion. Criminality is the result of discovery. So, oh thorn in my flesh, cover those rancid corpses by the veil of popularity, gain and pleasure. Subconscious social conditioning is the scourge of lustful appearance, don’t you think?
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Mar 17, 2014
Mar 17, 2014 at 10:23 PM UTC
Ethical Cosmetics
Images flashing Flashing With Recognizing Eyes And Registering Brain Played over Over Through Passageways By way Of Electromagnetic Impulse And Firing Neurons Within Within those Is a Deeper understanding As Cerebral Cortex Takes hold And forms Within Profoundness Insidiousness Forever
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Dec 5, 2012
Dec 5, 2012 at 5:02 PM UTC
Viewing
ᗩIᑎᕼᗩᖇᗩ ~ ⚪♫⚪ ~ "And people say that the Palace is the heart," Lyn murmurs, looking around the town. "The heart of Aurelinaea truly beats within the town." ~ ⚪♫⚪ ~ "Quite so, My Lady." Esshi nods in agreement. It rings true; Aurelinaea Palace rests and grows out of the heart of the large island. It is even whispered that there are secret passageways long lost, that only the royal family know. The towns are pulsing with the lives of hundreds of thousands. From the Palace, there is one street, a vein, thick and wide, that leads down to different parts of town. ~ ⚪♫⚪ ~ And like a heart, one vein connects to many; thick and thin, wide and narrow; several pathway, with and without wooden fences, are made of three colours; red stones, yellow stones and green stones. ~ ⚪♫⚪ ~ All of them are winding around, leading to several coloured houses, gardens, markets, docks, grand angel fountains that rests upon the mosaics, bridges and the canals. ~ ⚪♫⚪ ~ The air is full of many smells, perfumes and fresh flowers, fresh cakes, cookies and breads, fresh produce and fish, fresh cut grass and the sea. Smiths hammers away at their swords and armour, people laugh, children run and play around, cats meow, dogs barks, seagulls cry and people laugh, sing, talk and eat as they sail on the canals.
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Sep 23, 2018
Sep 23, 2018 at 4:28 PM UTC
♪♫♛♕ тнє мαѕкє∂ вαя∂ XIII♕♛♫♪
I The winter evening settles down With smell of steaks in passageways. Six o’clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps. II The morning comes to consciousness Of faint stale smells of beer From the sawdust-trampled street With all its muddy feet that press To early coffee-stands. With the other masquerades That time resumes, One thinks of all the hands That are raising dingy shades In a thousand furnished rooms. III You tossed a blanket from the bed, You lay upon your back, and waited; You dozed, and watched the night revealing The thousand sordid images Of which your soul was constituted; They flickered against the ceiling. And when all the world came back And the light crept up between the shutters, And you heard the sparrows in the gutters, You had such a vision of the street As the street hardly understands; Sitting along the bed’s edge, where You curled the papers from your hair, Or clasped the yellow soles of feet In the palms of both soiled hands. IV His soul stretched tight across the skies That fade behind a city block, Or trampled by insistent feet At four and five and six o’clock; And short square fingers stuffing pipes, And evening newspapers, and eyes Assured of certain certainties, The conscience of a blackened street Impatient to assume the world. I am moved by fancies that are curled Around these images, and cling: The notion of some infinitely gentle Infinitely suffering thing. Wipe your hand across your mouth, and laugh; The worlds revolve like ancient women Gathering fuel in vacant lots.
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3.1k
Preludes
I The winter evening settles down With smell of steaks in passageways. Six o’clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps. II The morning comes to consciousness Of faint stale smells of beer From the sawdust-trampled street With all its muddy feet that press To early coffee-stands. With the other masquerades That time resumes, One thinks of all the hands That are raising dingy shades In a thousand furnished rooms. III You tossed a blanket from the bed, You lay upon your back, and waited; You dozed, and watched the night revealing The thousand sordid images Of which your soul was constituted; They flickered against the ceiling. And when all the world came back And the light crept up between the shutters, And you heard the sparrows in the gutters, You had such a vision of the street As the street hardly understands; Sitting along the bed’s edge, where You curled the papers from your hair, Or clasped the yellow soles of feet In the palms of both soiled hands. IV His soul stretched tight across the skies That fade behind a city block, Or trampled by insistent feet At four and five and six o’clock; And short square fingers stuffing pipes, And evening newspapers, and eyes Assured of certain certainties, The conscience of a blackened street Impatient to assume the world. I am moved by fancies that are curled Around these images, and cling: The notion of some infinitely gentle Infinitely suffering thing. Wipe your hand across your mouth, and laugh; The worlds revolve like ancient women Gathering fuel in vacant lots.
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58
Alice sits in the room with blackboard and easel and small desk and small chair with Nanny stern and strict pointing at the blackboard with her stick teaching her her letters the grammar paragraphs sentences by long rote and command and Alice knows now that any cause of Nanny's discontent will bring her punishment her father's hard hand smacks whack and whack she sits still taking note but bored she stares out high windows at tall tree tops and blue skies thinking of her mother locked away (ill in her head Nanny coldly said) then she thinks of her new adoptive mother who works below stairs(low stairs her father often says) the one with the red raw fingers thin and young who secretly said she would be her new adopted mother but to strive to learn to do her best and so she does but thinks of the time when lessons are over she can sneak down below stairs and along passageways to where her adoptive new mother works and feel her embrace her earthy smell her soft cheek against that rough cloth of apron the red fingers caressing her long hair whispering words but still the nanny drones on the lesson now taking its toll boredom sinking in wishing her adoptive mother would come and take her away for a walk to the horse stables or into town holding her hand the red hand holding her pink one or dreams of snuggling up to her in her bed feeling her motherly tender warmth but Nanny still drones on the long lesson word on word keeping her from the arms and caress and earthy smell of cloth of her new adoptive young mother below stairs Alice yawns secretly her small hand over mouth knowing this blowing soft from her palm to her young adoptive mother a secret kiss.
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Jan 14, 2014
Jan 14, 2014 at 1:53 AM UTC
ALICE AND THE SECRET KISS.
Alice sits in the room with blackboard and easel and small desk and small chair with Nanny stern and strict pointing at the blackboard with her stick teaching her her letters the grammar paragraphs sentences by long rote and command and Alice knows now that any cause of Nanny's discontent will bring her punishment her father's hard hand smacks whack and whack she sits still taking note but bored she stares out high windows at tall tree tops and blue skies thinking of her mother locked away (ill in her head Nanny coldly said) then she thinks of her new adoptive mother who works below stairs(low stairs her father often says) the one with the red raw fingers thin and young who secretly said she would be her new adopted mother but to strive to learn to do her best and so she does but thinks of the time when lessons are over she can sneak down below stairs and along passageways to where her adoptive new mother works and feel her embrace her earthy smell her soft cheek against that rough cloth of apron the red fingers caressing her long hair whispering words but still the nanny drones on the lesson now taking its toll boredom sinking in wishing her adoptive mother would come and take her away for a walk to the horse stables or into town holding her hand the red hand holding her pink one or dreams of snuggling up to her in her bed feeling her motherly tender warmth but Nanny still drones on the long lesson word on word keeping her from the arms and caress and earthy smell of cloth of her new adoptive young mother below stairs Alice yawns secretly her small hand over mouth knowing this blowing soft from her palm to her young adoptive mother a secret kiss.
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135
Empty halls filled with echoes of lost cries Passageways Dark Damp ***** Neglected by human hands Leading to a chamber Nearly empty Except for one thing Chained to a corner …a heart Alone, Crying, Dying Left to rot and wither The tears turned to rage Of loneliness, Brokenness, Grief, Damage.
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Dec 4, 2017
Dec 4, 2017 at 1:07 PM UTC
The chamber
What on Earth took you? Do we dare land? A lark of descension. An aborted beginning. Moon trills. Captain is dead at the controls. Mother gives birth in the airlock. Trouble in the passageways. A struggle to name it. A drink before eclipse. All that's wrong with the world sounds like harmonium in the (wishing) well. First flight over Hölderlin's Archipelago, creating new and stranger versions in the sandclouds. So this is Tharsis Rise? Life without a trace. Non-terrestrial Martian field. Halcyon flowering seas. A rock with no trees, no urban hopes. Yet, the whole universe inside wants to be touched. I love you in zero gravity, pushing tender buttons. *** as solution. Moon trills. A kiss of atmosphere. This alien womb. Those android embargoes. Our children are born echoes of astronauts. Lunar schedules their first words. There's a lightspeed sensibility to this type of marriage and parenting: no leaving the hub, no exit procedure. The Sol they sing is a harm hymn, moon trills, subject to the ladder and the weight of breath this outside Earth. But I love you in the veil of a twilight moon. We're monuments burned into moments. Moments without a beyond.
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Jul 2, 2022
Jul 2, 2022 at 6:36 PM UTC
Permission to Land (Moon Trills)
How had he found himself in this dungeon a knight thrown in here. Sent by his king on his first secret mission true he was dressed as a peasant. Harshly he'd been treated a new experience but not regretting being sent. This awful place never inside one before an eye opener for him. Here he couldn't stay had to escape report back to the king. Noticed a sharp piece of wood at hand shouting out a demand. The jailer angrily came to the cell door he banged on the grill. In a temper the snarling man entered within seconds he was dead! Silently falling on to the dank stone the knight left alone! Few humans scurried about in passageways of the castles lower depths. Coming upon a sentry post a guard stood soon his life had expired! Putting on the uniform he was going home with a sword he would roam. Very lax security the knight slowly walked into the alien countryside. Luckily not challenged he saw a lone soldier getting off his horse. Never feeling the blow now homeward bound with the information found! Indeed the Barron was a traitor to his king the knight an army would bring! The Foureyed Poet.
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Feb 27, 2012
Feb 27, 2012 at 10:25 PM UTC
Knight
Life is a continuous matter of common observation. It enables us to realize, that each one of us, is a vivid and complex mortal living an epic story. One that carries on and on invisibly around you, like an anthill sprawling deep underground with several elaborate passageways to thousands of lives that you won’t have the chance to know. As time passes us by, we can’t help the rushing flow of frightening responsibilities coming through our way. As a result, we tend to focus more on these perennially problematic things, instead of looking at the bigger picture, which hinders us from exploring the beautifully intricate world we live in. However, as human beings, even if we choose to neglect these duties and just start enjoying the moments we have to explore this diverse environment, we’d always be afraid of what’s going to happen next, or the consequences of our actions to the unknown future. It can’t be helped, as we are all fear mongering creatures, crippled by uncertainties that may never happen and not even affect us at all. Despite our poor condition as temporary mortals in this world, we must always keep in mind that we exist in this universe to see our world unfold on its own beyond our imagination. To be risky enough to find our own adventure to keep us sane from the struggles we face in life, to see beyond barriers that others find to be a simple dead end, to draw things you love close to empower you to do the best of what you can with your abilities, and to find your true purpose in this life to be able to feel alive with zeal and vigor. That, to me, that is the true meaning and quintessence of life.
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Jul 24, 2016
Jul 24, 2016 at 6:39 PM UTC
The Quintessence of Life
Life is a continuous matter of common observation. It enables us to realize, that each one of us, is a vivid and complex mortal living an epic story. One that carries on and on invisibly around you, like an anthill sprawling deep underground with several elaborate passageways to thousands of lives that you won’t have the chance to know. As time passes us by, we can’t help the rushing flow of frightening responsibilities coming through our way. As a result, we tend to focus more on these perennially problematic things, instead of looking at the bigger picture, which hinders us from exploring the beautifully intricate world we live in. However, as human beings, even if we choose to neglect these duties and just start enjoying the moments we have to explore this diverse environment, we’d always be afraid of what’s going to happen next, or the consequences of our actions to the unknown future. It can’t be helped, as we are all fear mongering creatures, crippled by uncertainties that may never happen and not even affect us at all. Despite our poor condition as temporary mortals in this world, we must always keep in mind that we exist in this universe to see our world unfold on its own beyond our imagination. To be risky enough to find our own adventure to keep us sane from the struggles we face in life, to see beyond barriers that others find to be a simple dead end, to draw things you love close to empower you to do the best of what you can with your abilities, and to find your true purpose in this life to be able to feel alive with zeal and vigor. That, to me, that is the true meaning and quintessence of life.
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3
There's only one way To let the pain out. Only one way, Because i cannot shout. I'll rip myself open, To let the demons be free. They will run down my leg, Trickling so gently. Now the monsters are free, But just for one night. They'll be back again tomorrow, Screaming with all their might. That's why i bite my lips, Not to ****** your eyes, But these devils, so desperately Are dreaming of my demise. Now you say it doesn't make sense, To let them free at night. But iv'e grown so accustomed, To giving in to their desires. That i cannot stop, I cannot see, How you think this is really hurting me. The merely superficial passageways, That my demons travel, Will fade over night, Just like i will not matter.
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Nov 21, 2013
Nov 21, 2013 at 7:14 PM UTC
The Monsters
Alice stands in the room by the stairs, at the end of the house; the low end, servant's end, Father said, don't go there, but she does. She goes down the back stairs, down long dark passageways, watching staff in their world, the kitchen, scullery, the wash room, other rooms. And this room. She watches the thin maid called Mary ironing. Why're you here? Mary asks. To see you, Alice says. Why see me? Mary asks. I love you, Alice says. Mary frowns. You shouldn't use those words, Mary says turning round. Alice stands her small hands in pockets of her blue pinafore. But I do, I love you. Why is that? Mary asks. You are kind like Mother used to be before she had to leave. Mary heard, rumours spread, the mother had to leave, had problems in the head, locked away so they say, for a year and a day. She'll be back, Mary says. Alice sighs, I love you, I want you to stand in for Mother, between us, Alice says. Mary sits on a chair, flushes red, between us I can be I suppose, Mary says. Uncertain of her pledge she gazes at the child standing there. Need a hug, Alice says, motherly. Mary feels at a lost what to do. Can I sit on your lap? Alice asks. Mary nods and opens her thin arms. Alice walks to Mary and climbs up on her lap, lays her head on Mary's silky ******* smells apples and green soap. Mary hugs her closer, kisses on the child's head. Love you, too, Mary says. Our secret, Alice says, none must know. None will know, Mary says, just we two. Nanny's voice echoes down the passage Best go now, Mary says, learn for me at lessons, do your best, my daughter adopted. Alice nods, kisses quick, then goes up the back stairs out of sight. Seen Alice? Nanny asks. Not at all, Mary lies, sees the dark cruel eyes scan the room. She'll be pained if she's caught down this end, Nanny says. Then she gone, her black skirt swishing loud, the black shoes going click, clack, click, clack. Mary gives a rude sign with fingers behind fat Nanny's back.
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Jan 6, 2014
Jan 6, 2014 at 3:58 AM UTC
ALICE'S NEW MOTHER.
Alice stands in the room by the stairs, at the end of the house; the low end, servant's end, Father said, don't go there, but she does. She goes down the back stairs, down long dark passageways, watching staff in their world, the kitchen, scullery, the wash room, other rooms. And this room. She watches the thin maid called Mary ironing. Why're you here? Mary asks. To see you, Alice says. Why see me? Mary asks. I love you, Alice says. Mary frowns. You shouldn't use those words, Mary says turning round. Alice stands her small hands in pockets of her blue pinafore. But I do, I love you. Why is that? Mary asks. You are kind like Mother used to be before she had to leave. Mary heard, rumours spread, the mother had to leave, had problems in the head, locked away so they say, for a year and a day. She'll be back, Mary says. Alice sighs, I love you, I want you to stand in for Mother, between us, Alice says. Mary sits on a chair, flushes red, between us I can be I suppose, Mary says. Uncertain of her pledge she gazes at the child standing there. Need a hug, Alice says, motherly. Mary feels at a lost what to do. Can I sit on your lap? Alice asks. Mary nods and opens her thin arms. Alice walks to Mary and climbs up on her lap, lays her head on Mary's silky ******* smells apples and green soap. Mary hugs her closer, kisses on the child's head. Love you, too, Mary says. Our secret, Alice says, none must know. None will know, Mary says, just we two. Nanny's voice echoes down the passage Best go now, Mary says, learn for me at lessons, do your best, my daughter adopted. Alice nods, kisses quick, then goes up the back stairs out of sight. Seen Alice? Nanny asks. Not at all, Mary lies, sees the dark cruel eyes scan the room. She'll be pained if she's caught down this end, Nanny says. Then she gone, her black skirt swishing loud, the black shoes going click, clack, click, clack. Mary gives a rude sign with fingers behind fat Nanny's back.
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153
sonder n. the realization that each random passerby is living a life as vivid and complex as your own—populated with their own ambitions, friends, routines, worries and inherited craziness—an epic story that continues invisibly around you like an anthill sprawling deep underground, with elaborate passageways to thousands of other lives that you’ll never know existed, in which you might appear only once, as an extra sipping coffee in the background, as a blur of traffic passing on the highway, as a lighted window at dusk.
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Jun 17, 2013
Jun 17, 2013 at 10:06 AM UTC
(sonder)
A choice along one direction leads to consequential choices based on quasi-essential needs. And countless more directions; some more pointless than they seem. Each with unique-essential implications; all random in their themes. And when faced with new directions, we all enjoy equating means. There are sub-directions and sudden choices; some with supplicatory pleas. Yes, implication's long duration is an invisible machine. A meta-physical motivation to a person and their genes. Personally, my own choices corresponded to these unlimited extremes. To these tiny little time-transporters that fit us into teams. And I thought I'd reached a choice; was on its corresponding way. I followed down its passageways and subdomains for consequential days. And from the way that we all network, I have come to the belief that our decisions implicate the parts that aggregate beneath. Yes, every person has these combinations aggregate throughout their lives. And by the afore-mentioned complications, They (eventually) divide to warring sides. On one side is destruction; On the other, love resides. If you make the wrong decision then these forces, they collide. To catastrophic implications and such damage done inside. But if you're able to pause for just a moment and hold them side-by-side. You will find the sort of peace that only finds those who have died. And suddenly life becomes so simple; no more chances need be applied. Just one choice and two directions Lie in front of your own eyes. You feel quite amazing in proportion to this fantastic new sensation. As one choice takes you to destruction; the other leads you to salvation. It's the truest self-realization and it's there for you to take it. There's a chance of your damnation... but, see, only you can make it.
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Aug 9, 2014
Aug 9, 2014 at 5:39 PM UTC
Directions
A choice along one direction leads to consequential choices based on quasi-essential needs. And countless more directions; some more pointless than they seem. Each with unique-essential implications; all random in their themes. And when faced with new directions, we all enjoy equating means. There are sub-directions and sudden choices; some with supplicatory pleas. Yes, implication's long duration is an invisible machine. A meta-physical motivation to a person and their genes. Personally, my own choices corresponded to these unlimited extremes. To these tiny little time-transporters that fit us into teams. And I thought I'd reached a choice; was on its corresponding way. I followed down its passageways and subdomains for consequential days. And from the way that we all network, I have come to the belief that our decisions implicate the parts that aggregate beneath. Yes, every person has these combinations aggregate throughout their lives. And by the afore-mentioned complications, They (eventually) divide to warring sides. On one side is destruction; On the other, love resides. If you make the wrong decision then these forces, they collide. To catastrophic implications and such damage done inside. But if you're able to pause for just a moment and hold them side-by-side. You will find the sort of peace that only finds those who have died. And suddenly life becomes so simple; no more chances need be applied. Just one choice and two directions Lie in front of your own eyes. You feel quite amazing in proportion to this fantastic new sensation. As one choice takes you to destruction; the other leads you to salvation. It's the truest self-realization and it's there for you to take it. There's a chance of your damnation... but, see, only you can make it.
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50
ARISTOCRATIC CHRISTMAS The goose was plucked for Christmas Not a feather was in sight The butler cleaned the silver Cook baked with all of her might The aristocrats in the morning room Sipped a sherry or two Whilst waiting for their dinner It was the thing to do All dressed in their finery The children there as well All except for Grandpa (The stories he could tell!) No one alas was listening And no one noticed there He’d on one foot a slipper And the other was quite bare. Below stairs was quite hectic Upstairs all serene And all along the passageways And sometimes in between Servants rushed as servants do To make things run with ease Tending fires fetching things Aiming just to please And Grandpa sat and nodded His head sank on his chest He remembered long ago The Christmas he’d thought best With one foot in a slipper The other one quite bare He waited for his dinner Sat there in his chair And soon the gong it sounded Its boom rang loud and clear They all trooped in the dining room With those they held so dear The table was resplendent The glasses gleamed and shone The cutlery was sparkling The goose it weighed a ton The master carved the mistress smiled The children looked in awe The butler served the vegetables (Cos that’s what they are for) The pudding was amazing The brandy sauce was ace They ate and ate until alas No more could they face All except for Grandpa He was sat quite still And no one noticed him not there As they all ate their fill With one foot in his slipper The other one quite bare. On Christmas day he died alone Sat there in his chair. © Pamela Brooke 2009
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Nov 28, 2011
Nov 28, 2011 at 9:32 AM UTC
ARISTOCRATIC CHRISTMAS
ARISTOCRATIC CHRISTMAS The goose was plucked for Christmas Not a feather was in sight The butler cleaned the silver Cook baked with all of her might The aristocrats in the morning room Sipped a sherry or two Whilst waiting for their dinner It was the thing to do All dressed in their finery The children there as well All except for Grandpa (The stories he could tell!) No one alas was listening And no one noticed there He’d on one foot a slipper And the other was quite bare. Below stairs was quite hectic Upstairs all serene And all along the passageways And sometimes in between Servants rushed as servants do To make things run with ease Tending fires fetching things Aiming just to please And Grandpa sat and nodded His head sank on his chest He remembered long ago The Christmas he’d thought best With one foot in a slipper The other one quite bare He waited for his dinner Sat there in his chair And soon the gong it sounded Its boom rang loud and clear They all trooped in the dining room With those they held so dear The table was resplendent The glasses gleamed and shone The cutlery was sparkling The goose it weighed a ton The master carved the mistress smiled The children looked in awe The butler served the vegetables (Cos that’s what they are for) The pudding was amazing The brandy sauce was ace They ate and ate until alas No more could they face All except for Grandpa He was sat quite still And no one noticed him not there As they all ate their fill With one foot in his slipper The other one quite bare. On Christmas day he died alone Sat there in his chair. © Pamela Brooke 2009
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58
The expectation, Of you to accept the inhalation, Of the evaporation, Of someone else’s waste. Make it make sense, How the walls of stalls, Fail to reach its maximum highs and lows, For all of us to share what we release. We listen to the air, That flubs between *** cheeks, Just as the **** projects deuces, Into the bowl that cups the sound of wind. We hear the moans and sighs, Of relief, constipation and strain, As we urinate nearby, Adjacent to the incomplete **** shack. Make it make sense, How tasting the gases, Of Joe Blow, blowing out his insides, Is a customary to our community. A sociological experiment, Deemed to generate sociopathy, As we laugh at the flatulence, And giggle at one’s vulnerability. Merely a forgotten fact, That we have been there too, We go there every day, And pretend that others don’t do the same. And without a mere act of courtesy, The space is left filthier than the last, Because why be considerate for the next? Someone’s job is to cleanse my waste. Furthermore is the neglect, Of faucets, soap and towels, Aimed to **** bacteria, That exits biological passageways. Why oh why, Must I be forced to study, Why this is simply unacceptable, This concept of oversharing? Recurring stage fright, Readily apparent, When forced to **** beside men, More than double my size. I’ll simply never understand, How by design, What we wouldn’t do in front of house guests, Is something we are urged to do in front of strangers. Bonding, With a bunch of hairy, overweight men, Who clear their throats, bladders and colons, In my personal space.
0
Nov 13, 2023
Nov 13, 2023 at 9:41 PM UTC
Public Restrooms
The expectation, Of you to accept the inhalation, Of the evaporation, Of someone else’s waste. Make it make sense, How the walls of stalls, Fail to reach its maximum highs and lows, For all of us to share what we release. We listen to the air, That flubs between *** cheeks, Just as the **** projects deuces, Into the bowl that cups the sound of wind. We hear the moans and sighs, Of relief, constipation and strain, As we urinate nearby, Adjacent to the incomplete **** shack. Make it make sense, How tasting the gases, Of Joe Blow, blowing out his insides, Is a customary to our community. A sociological experiment, Deemed to generate sociopathy, As we laugh at the flatulence, And giggle at one’s vulnerability. Merely a forgotten fact, That we have been there too, We go there every day, And pretend that others don’t do the same. And without a mere act of courtesy, The space is left filthier than the last, Because why be considerate for the next? Someone’s job is to cleanse my waste. Furthermore is the neglect, Of faucets, soap and towels, Aimed to **** bacteria, That exits biological passageways. Why oh why, Must I be forced to study, Why this is simply unacceptable, This concept of oversharing? Recurring stage fright, Readily apparent, When forced to **** beside men, More than double my size. I’ll simply never understand, How by design, What we wouldn’t do in front of house guests, Is something we are urged to do in front of strangers. Bonding, With a bunch of hairy, overweight men, Who clear their throats, bladders and colons, In my personal space.
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52
She models With nothing but her earrings on. Gold tendrils Dancing across her shoulders Lost in a sea of black curls. Her beauty Is that of an angel. A halo Of sheer radiance Glistening around her wings. Her body Is that of a woman. Lost In unmarked territory along open winding passageways that God Didn't even create a roadmap for. She can fly, He said. The only eyes to witness were her's and God's And the eyes gazing back at her through the mirror Watching her model With nothing but her earrings on. Gold tendrils Dancing across her shoulders Lost in a sea of black curls.
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Dec 6, 2012
Dec 6, 2012 at 12:24 AM UTC
The Mirror
. Ancient passageways :: ( We who would live ) •  • WAR ! •  • We hide /////// the playground Prison games Games of gangs and **** ;;||;; Getting educated Getting prepared )( Mutilating all true sensibilities >< goddess song We pretend we just cannot hear ! )( All the old folks Crippled and weak All the children ***** and obese )( Nature Is dead )( We play video games And talk about Muslims ! ;:; No one lives No one befriends We wait and hopefully We  will soon die /// Safely erased Hoping no one remembers us at a all .
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Dec 13, 2015
Dec 13, 2015 at 8:52 PM UTC
.../"""\...
The tour guide was usually a taxi-driver, But for a few extra Euros, he was my guide. Jobs are scarce. For two hours we toured Yeats Country, Me, sitting beside this man of letters, and for once, Enjoying the drive and not the anxiety On Irish roads. They're narrow and winding to Ben Bulben, With stops at neolithic stone circles, burial mounds, Passageways and, A Fairy's Fort. The culmination was  Drumcliff Churchyard Where I was to prove his existence. He has an unassuming stone, One usually doesn't linger long, But my Guide stood beside me, And suddenly recited, The Fiddler of Dooney. I was sure it was Yeats' accent, This unassuming poet. I did as bid, I Cast a cold eye, And stood glad that I Wasn't him, As I stopped, Before passing by.
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Apr 19, 2015
Apr 19, 2015 at 5:32 PM UTC
Drumcliff Churchyard, Sligo
Meaning f a l l I n g like sparrows in silent wind like leaves in seasonal flux again and again…. into the violent dirt inflamed mud where we pity the worms and their empires of clay and mortar a pomegranate a jewelled pagoda moving and centralised cyclic and stagnant. Everywhere, I do not see directed untowards magnetic poles. Agni-metic people. The sparrows song in underwater caverns startles ripened ears (wrinkled, warn, and walled) between dogmatic slumbers… ertras, I can hear you »»»»» —————————————-» [you] where? f’-> : {inside euclidean halls} meaning, falling passageways toward nothing. [frameworks] -oliver and jonte
0
Jan 26, 2013
Jan 26, 2013 at 11:15 PM UTC
.6e
Which one's optimistic? Find him in phrases That are just as cryptic As Satan's phases, Find him stewing In septic patients, Incepting flashes Of dreamy fluid, Spewing a Druid Cadence, history Ripe with cages Rising, Built and filled By single-filed Homosapiens, Defiled by aliens And dumped in Pools of misery And mindless failings In perfect time, Devising misgivings And listening for Censored chimes. Find me explaining To a ghost The passageways of time, The tunnels a comatose Mind can dig to confine Fragile frames Of ****** bones. Find a savior Burning homes And training Holmes, Sentimental drivel Pouring like Greenland ice melt Into an ocean Of violence, The spittle Flying from the Mouths of the smelt, Hoping their notions Will achieve timeless Authority. Find yourself, Before your Lifeless body Is a gory Reminder of what Rotting Does to the Smelt esteem. Find a pacifist In a police state, Passing judgements And choosing who To hate, Leasing friendships And losing weight And feeling like their Righteousness Makes them fake; Makes their fate seem All too surreal, Catacombs full Of people, Voicing choices Between ways to feel. Find the unfound And unbound their Hands, their tongues, Fill their guts with Sacrificed lamb, **** Their haunts with Spiritual guns, Toast the rain And sink their bodies In beds of flames, Watch them rise, And equate the lies With the actualities In a cloud of shame. Find freedom in Everything. Find obscurity Inside a name. Find anything That stays the same.
0
Sep 3, 2012
Sep 3, 2012 at 10:56 PM UTC
--Just As Loud As I Can--
Which one's optimistic? Find him in phrases That are just as cryptic As Satan's phases, Find him stewing In septic patients, Incepting flashes Of dreamy fluid, Spewing a Druid Cadence, history Ripe with cages Rising, Built and filled By single-filed Homosapiens, Defiled by aliens And dumped in Pools of misery And mindless failings In perfect time, Devising misgivings And listening for Censored chimes. Find me explaining To a ghost The passageways of time, The tunnels a comatose Mind can dig to confine Fragile frames Of ****** bones. Find a savior Burning homes And training Holmes, Sentimental drivel Pouring like Greenland ice melt Into an ocean Of violence, The spittle Flying from the Mouths of the smelt, Hoping their notions Will achieve timeless Authority. Find yourself, Before your Lifeless body Is a gory Reminder of what Rotting Does to the Smelt esteem. Find a pacifist In a police state, Passing judgements And choosing who To hate, Leasing friendships And losing weight And feeling like their Righteousness Makes them fake; Makes their fate seem All too surreal, Catacombs full Of people, Voicing choices Between ways to feel. Find the unfound And unbound their Hands, their tongues, Fill their guts with Sacrificed lamb, **** Their haunts with Spiritual guns, Toast the rain And sink their bodies In beds of flames, Watch them rise, And equate the lies With the actualities In a cloud of shame. Find freedom in Everything. Find obscurity Inside a name. Find anything That stays the same.
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88
I stood waiting for her I was told she would come I stood waiting cold and numb Numbed by the pain, tablets and lotions Numbed by the hope of a notion A notion that said I might find a cure A cure that would let me lead a life I could finally endure For my life has been one of repeated pain Pain from the physical, emotional, where there is no gain A life that is lived in between, of darkness and then sparkle A life that is to my own heart no more than a debacle I was told If I met her she could help me create My own alchemy, a precious recipe that would make A remedy that would soothe my soul allow it to rest Allow my physical body to stop undergoing this continual test I heard movement come through the blackness Towards me to meet, a beautiful figure, dazzling and complete Her beauty was breathtaking her adornment a delight She illuminated my world at once and reignited my own light She has a familiarity that my body recognizes, a bejeweled Being who lights up my world with her smile and surprises Even me as I watch and stare as she moves through the darkness With such knowledge and without care I follow her light down passageways and past keeps And notice parts of my body awakening like from a sleep A body that wants to talk to me and say That authenticity is the alchemy from which you have strayed Your body has such wisdom its waiting to be read. This is the alchemy you search for, its that voice in your head It is an illuminated manuscript gilded with the finest gold, gold of your own making your life experience is the beauty you need to hold. The magic is in your intuition, that you hold deep within yourself You follow this beautiful lady and yet she is a mirror of your own self She came because you finally called her and she sits in front of you now Administering her balms that lingers on your skin, it caresses the pain you feel and smoothes you from within. But this is a balm of your own making , made out of all your own pain It sparkles with the light you have been seeking it is your own beauty, Hopelessness and pain. So look no longer for the alchemists hand, behold what you see in the mirror and be glad that you stand, for you are a beauty to behold, a life to be treasured, a life that is lived in, a life that can be measured.
0
Apr 5, 2012
Apr 5, 2012 at 9:26 AM UTC
Alchemy
I stood waiting for her I was told she would come I stood waiting cold and numb Numbed by the pain, tablets and lotions Numbed by the hope of a notion A notion that said I might find a cure A cure that would let me lead a life I could finally endure For my life has been one of repeated pain Pain from the physical, emotional, where there is no gain A life that is lived in between, of darkness and then sparkle A life that is to my own heart no more than a debacle I was told If I met her she could help me create My own alchemy, a precious recipe that would make A remedy that would soothe my soul allow it to rest Allow my physical body to stop undergoing this continual test I heard movement come through the blackness Towards me to meet, a beautiful figure, dazzling and complete Her beauty was breathtaking her adornment a delight She illuminated my world at once and reignited my own light She has a familiarity that my body recognizes, a bejeweled Being who lights up my world with her smile and surprises Even me as I watch and stare as she moves through the darkness With such knowledge and without care I follow her light down passageways and past keeps And notice parts of my body awakening like from a sleep A body that wants to talk to me and say That authenticity is the alchemy from which you have strayed Your body has such wisdom its waiting to be read. This is the alchemy you search for, its that voice in your head It is an illuminated manuscript gilded with the finest gold, gold of your own making your life experience is the beauty you need to hold. The magic is in your intuition, that you hold deep within yourself You follow this beautiful lady and yet she is a mirror of your own self She came because you finally called her and she sits in front of you now Administering her balms that lingers on your skin, it caresses the pain you feel and smoothes you from within. But this is a balm of your own making , made out of all your own pain It sparkles with the light you have been seeking it is your own beauty, Hopelessness and pain. So look no longer for the alchemists hand, behold what you see in the mirror and be glad that you stand, for you are a beauty to behold, a life to be treasured, a life that is lived in, a life that can be measured.
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41
(aka Pinky Andrexa) 4/4/10 02.09am I am walking in a daydream under skies forever grey, Lying always in the shadow of ambitions all foregone; I'm going through the motions of another working day, Feeling permanently static, as the world is moving on. And you're forever shining like some distant blazing sun, You're gleaming as I'm dreaming, making all who see you smile; The wings upon your heels still elevate you as you run, So many want to be you, or would emulate your style. From distance I behold you, as a cat beholds a king, All doors open before you, in successions of success; Your flame's forever burning, while my own is dwindling, I could not be further away, or love you any less. While you, you dice with danger, dancing on the precipice, Leaving admirers breathless at your daring escapades; And all your leading ladies ever burn to taste your kiss, Your destiny speeds to you riding jet-powered rollerblades. Yet two unlikely paths have crossed and subtle friendship blooms, And many dreams take flight between the gutter and the stars; Making the span of distance shrink into adjoining rooms Opening secret passageways, where chosen dreamers pass.
0
Apr 3, 2010
Apr 3, 2010 at 5:13 PM UTC
The Artist and the Angel
Like thousands of soldiers in parachutes they come out of the winter sky One by one hitting the pavement to claim victory for the season now unfolding At first they are vanquished almost instantly a price paid for those leading the charge However as they begin to accumulate and cluster a formidable foe is being created Inch by inch, foot by foot, a fortress is being built one that can be transformed into an igloo for shelter if needed Soon the landscape will be covered by a heavy white blanket left unattended it will run amok overwhelming all As plummeting temperatures assault those not ready once open lakes and river pathways no longer escape routes A battering ram of inclement weather hampering travel imprisoning those caught unaware of its fury Snow drifts form obstructing passageways entrapping those not prepared with an escape route Waiting out the enemy a defensive strategy now in use As it surrounds you on all sides building an oppressing presence High winds and frostbite commingling in the air that will dominate at the end of the day Beauty or beast The conflict yet to be decided. Andreas Simic ©
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Apr 23, 2022
Apr 23, 2022 at 7:19 AM UTC
Amidst the Snowflakes