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Jon Sawyer Jan 2018
A new year is come and you're still not gone.

I can feel you creeping up on me. You feed on my energy, yet, I cannot see you. I'm glad I can't see your face.

You smell like an old forgotten rot underneath a seam of doors hiding the old death of forgotten men. Your cousin looms, taunting me to acknowledge your presence.

You climb on my back--you've caught up to me.

I've tried running, it doesn't help. You live under my shadow; you're quiet like him too.

I can hear the smack of your lips graze across my consciousness, your breath--icy. You touch my eyes and they freeze without freezing. The hairs on the back of my head hurt because they stand on end amidst your frozen breath. You make your move and whisper icily into my ear,

. . . . You're nothing.

I almost agree.

. . . . No one loves you.

My wife does! And my daughter too!

. . . . No one wants to hear you speak.

Fine, I'll shut up. I look into a mirror to see my reflection staring back at me. My icy stare sends chills to my bones. Is that really me?

. . . . Yes, you're dead.

Sometimes I feel like it, yeah.

. . . . Nothing matters.

Finally, we agree on something.

. . . . It would be better if you just weren't here.

I begin to cry.

. . . . Remember your daughter, here's a picture.

She's so beautiful. I cry some more.

. . . . You will fail her.

. . . . You have failed her.

. . . . I will consume her.

. . . . You perpetuated this all on your own.

. . . . You're a fraud, seeking pity.

. . . . You're a sorry person, aren't you?

. . . . Feel that burning inside you? This is what happens when you let in the dark passenger.

. . . . I shall consume you, too.



. . . . --AND IT'S ALL YOUR FAULT.



Yes, it is my fault. Like the fault line in the earth's crust, my mind splits in twain.

The excitement ends when I've become drunk with madness, not seeing the light around me. I sleep a little, contemplating all that I convinced myself.

In the morning the sun is out, shining through the window. You're still sleeping though, dear dark passenger. I try not to wake you. I seek the sun hoping you will disappear and take your darkness with you, but you persevere, keeping your hands at the ready until I am vulnerable again, waiting to make my dance to the tune of hopelessness--always just, "one more time."
6 January 2018 - My take on bipolar depression, the dark passenger. My biggest struggle is what it does to me, using my daughter as a pawn to dig the deepest abyss my imagination can create; I cast myself in. She's both my shining star and my worst despair, because I fear the dark passenger will take her, too.
josin137 Apr 2015
I spoke icily,
Only because I'm hurting,
The sky exploded.
I'm hurting because of *you*
Pauper of Prose Aug 2018
As I scale the *****
I note the melody of the wind
With its sweeping symphonic shifts
My nails grind against granite
Before flaking and falling into the abyss
Yet I persist
Upward along the lone path
Where the air recedes like tides
And frost forms fellowship upon my eyes
Before seeking to turn my sore limbs, frigid
Icily assuring each ache is anchored in anxiety
Which stems from the worn clothes of society
Yet as I climb, the fabric is discarded
Like old styles of yesteryear
Now basking in all my naturalness
I finally summit, my thoughts thankfully descend
My heart lifts up its scepter and then my chin
Beating with Brilliance it grins
Furls up it sleeves and wordlessly begins
The work of healing from within
And aren't we awash in fear when we receive our climbing gear
Although it is a cold evening,
down by one of the fishhouses
an old man sits netting,
his net, in the gloaming almost invisible,
a dark purple-brown,
and his shuttle worn and polished.
The air smells so strong of codfish
it makes one's nose run and one's eyes water.
The five fishhouses have steeply peaked roofs
and narrow, cleated gangplanks slant up
to storerooms in the gables
for the wheelbarrows to be pushed up and down on.
All is silver: the heavy surface of the sea,
swelling slowly as if considering spilling over,
is opaque, but the silver of the benches,
the lobster pots, and masts, scattered
among the wild jagged rocks,
is of an apparent translucence
like the small old buildings with an emerald moss
growing on their shoreward walls.
The big fish tubs are completely lined
with layers of beautiful herring scales
and the wheelbarrows are similarly plastered
with creamy iridescent coats of mail,
with small iridescent flies crawling on them.
Up on the little ***** behind the houses,
set in the sparse bright sprinkle of grass,
is an ancient wooden capstan,
cracked, with two long bleached handles
and some melancholy stains, like dried blood,
where the ironwork has rusted.
The old man accepts a Lucky Strike.
He was a friend of my grandfather.
We talk of the decline in the population
and of codfish and herring
while he waits for a herring boat to come in.
There are sequins on his vest and on his thumb.
He has scraped the scales, the principal beauty,
from unnumbered fish with that black old knife,
the blade of which is almost worn away.

Down at the water's edge, at the place
where they haul up the boats, up the long ramp
descending into the water, thin silver
tree trunks are laid horizontally
across the gray stones, down and down
at intervals of four or five feet.

Cold dark deep and absolutely clear,
element bearable to no mortal,
to fish and to seals . . . One seal particularly
I have seen here evening after evening.
He was curious about me.  He was interested in music;
like me a believer in total immersion,
so I used to sing him Baptist hymns.
I also sang "A Mighty Fortress Is Our God."
He stood up in the water and regarded me
steadily, moving his head a little.
Then he would disappear, then suddenly emerge
almost in the same spot, with a sort of shrug
as if it were against his better judgment.
Cold dark deep and absolutely clear,
the clear gray icy water . . . Back, behind us,
the dignified tall firs begin.
Bluish, associating with their shadows,
a million Christmas trees stand
waiting for Christmas.  The water seems suspended
above the rounded gray and blue-gray stones.
I have seen it over and over, the same sea, the same,
slightly, indifferently swinging above the stones,
icily free above the stones,
above the stones and then the world.
If you should dip your hand in,
your wrist would ache immediately,
your bones would begin to ache and your hand would burn
as if the water were a transmutation of fire
that feeds on stones and burns with a dark gray flame.
If you tasted it, it would first taste bitter,
then briny, then surely burn your tongue.
It is like what we imagine knowledge to be:
dark, salt, clear, moving, utterly free,
drawn from the cold hard mouth
of the world, derived from the rocky *******
forever, flowing and drawn, and since
our knowledge is historical, flowing, and flown.
Ysa Pa Apr 2016
I never before flirted so willingly
With flames that burned so icily
My first 12w, forgive me because I can't come up with a title
Once Love found Hate in her bedroom;
her breaths short her cheeks pale with gloom.
Her skin bruised wanly with despair;
her eyes redd'ning like a fire.

In front of her spread a suitcase;
th' wooden one with four blue wheels
She packed her clothes in a blank daze-
scarfs, tights, pants, coats, and pretty heels.

Love stormed swiftly into th' room
Begged her to explain her doings
She turned around with shades of gloom
and suddenly stopped her packing.

'Why might thou want to know?' she said.
'I am to mount a carriage,
next to th' sea and pebbled shores-
leaving thee and t'is parsonage,
as I canst but love thee no more.'

Love start'd to plead and kneel by her.
'Part with me not, o, my darling!
Life without thee is like graveyards,
wherein my soul'd lie like a stone-
soul t'at's fond'f thee innocently!'

Love grabbed Hate's white wrist and kissed it
Tried to distract her with his wit
She icily frowned and flitted
Ran to her suitcase and yanked it

Off th' bed 'till 'tis on th' floor.
Clenching it she walked off to th' door.
Yet she turned once more onto him.
Staring at his blue eyes, she seemed.

'Thy heart what has hath ruined thee.
Detest, thy plant with scrutiny.
When I suffereth thou wert here not.
Thou just want'd to share what I got!

'For her thou locked up my feelings,
for her thou mocked away my smiles.
On her name thou scyth'd my flowers-
and painted my cards with remorse.'

'For her thou tore 'way my kisses,
for her thou pushed away my hands.
Put astray the blush of my cheeks,
ran naked at night into her charms.'

'Thou dreamed of her with dear passion,
and glared at me with aversion.
Thou praised her grace and affection,
and cursed me into damnation.'

'Who says love is like a fountain?
I find it replete with hatred.
Who thinks love resembl's a mountain?
It's soul as wicked as a *******!'

'Vileness t'at hath conquered my heart,
and torn my whole kindness apart!
I'm not an object of thy lies,
no more to watch thy sins and vice.'

'And I wish thee but one goodbye!
To 'nother world I shalt still fly
Like a bird or young butterfly
And seek thou not until I die.'

'But bless be with thee, o, darling!
Hope God still descends His mercy-
onto t'is happiness of thee-
And th' day of thy own wedding!'

'Invite me not, for Heaven's sake.
As in my moonlit den by t'en
Shalt I be writing my own fake
A story of fond childhood friends.'

'T'ey wert but I and thee, my dear,
before we becameth Love and Hate.
Within t'ose times I hath no fear;
of falling in love with my mate.'

'But I didst, eventually!
Thoughts of thee began to haunt me-
at my thirteenth birthday party.
T'at night of thee I wrote poetry!'

''Ah, t'is piece of writing t'at I loved,''
Hate pushed out a worn handkerchief
with breaths of an old deep relief.
"Keep it as thou dearest treasure!"

'On t'is blissful night of azure,
of her love thou still needst be sure.
Chain her to thee by'a happy knot,
have a wedding in one week short.'

'Saileth shall I deep into the sea,
a book and its poems be with me.
Littleness makes my heart merry,
abundance sends my nerves weary.'

'And by thy bliss shalt I hath gone,
when thy heart she'th finally won.
But it no more be of'a burden,
as thy joy makes my soul gladden.'

'And remember me not, whilst I'm none-
o thou who wert once my prince.
As I am just trivial like a stone,
when pain bites me still not I wince.'

'Cherish thy vic'try, o my love,
for today shan't be repeated,
like t'ose innocent young green groves-
who smile at th' wild, gusty winds.'

'And weep not, o, on my leaving,
for in death we'll be uniting.
As the heavens even howl not,
whenst I travel from dot to dot.'

'But pray to God, I canst tell thee
so thy sins shalt soon be atoned.
And from stains thy soul canst be free
as thy shoulders from pains t'ey'th borne.'

'And depart now I, o, my king!
Canst I watch now th' waves swirling
and th' ****** boat beside me-
wait for me to mount 'em in glee!'

With a grin on her faint red lips,
fall didst Hate on th' bed's blue sheets!
At first her eyes still bright, cheeks red and warm,
but minutes pass and her breaths fleet!

Sink didst Hate's head to her shoulder-
No matter how hard Love woke her!
And didst stop her heart from beating
Into silent death she's shrinking.

Love groaned and wailed 'till th' morn came,
but emptiness still frost'd th' streets.
No-one came in to bringst a flame;
except th' storm in graying fits!

Love sobbed 'till his eyes caught a knife
Laying nearby in th' kitchen.
Dart'd he forward in one long leap-
and seized it with his hands barren!

Stabbed it didst he into his chest,
with screams t'at pierced everyone's ears.
And fled they off from t'eir bed rest-
'fore thumping on into th' scene.

And th' two lovers nearly dead
Their heads laid straight by th' stabbed knife.
Despite his pain, Love smileth instead-
whispered 'I loveth Her' to his wife.

Wedded they wert at t'eir fun'ral
Amongst th' sobs of t'eir parents.
And even the lady, Hate's rival
was seen clearly 'midst th' currents.

"And blessed by Lord, is t'is couple"
Father Smith read his wan prayers.
"Both in their lives and now in death,
in t'eir Heaven walks and rambles."

And didst t'ey leave th' silent graves
'pon t'at farewell in th' churchyard
Where dwelleth th' lov'rs in t'eir new caves;
'nwhich no more love betrays t'eir hearts.

But on th' brown soil laid one poem!
Written fiercely by Love himself
Th' day beforeth Hate planned to move-
and showeth th' tale she wrote herself.

Th' tale t'at is now but buried;
with t'eir eternal love forever.
Beneath all th' soil and deadly stones;
of th' days t'at hath now been gone.

But how true words shalt never die;
and even in death still triumph.
So t'ere is no use of say'ng goodbye;
'fore winters to fading autumns.

'I love thee 'cos thou art my Hate-
th' devil side of my being.
Without thee incomplete my fate-
and mirthless is all my knowing.'

'I love thee 'cos of thee I'm made,
if I am King then thou art Queen.
Loving thee truly by my side,
I care no longer for her then.'

'I love thee 'cos thou art my breath,
if I'm anger then thou art wrath.
If I'm joy then thou shalt be glad,
when I'm angered thou shalt be mad.'

'But I love thee 'cos I just do!
And without thee my life is blue.
It's with thee I hath no more fears,
in joy and grief, in laughs and tears.'
-D Jun 2012
I lick the ice from my skin;

for it has remained there

since the moment you left,

and I know I must defrost my

indifference and ambivalence

before you return to my arms.

-

a cold, hard shell

encapsulates my heart

(which once throbbed with

love unquenchable)

and icily creeps steadily

up the walls

& down the corridors

only to stop

& melt

at the site of

my own

selfish,                       steaming,

lamenting,                  seeping,

cave of a dwelling.

-

*Yet still I wait

at the door,

to see who

will arrive with the pick.
Terry Collett Jun 2015
She sat on her bed
looking out the window.

Hannah looked at
the fulling rain.

Her mother passed by
the bedroom door
and looked in.

Whit ur ye daein'?
Her mother said.

Looking at the rain,
Hannah replied.

Ye can help me
wi' the washin',
her mother said.

Do I have to help
with the washing?

Her mother stared
at her
Whit ur ye
waitin' fur?

I'm waiting
for Benedict,
Hannah said,
gazing at her
mother's stern gaze.

O heem th'
sassenach loon,
her mother said
and walked off
down the passage.

Hannah waited.

She'd was pushing
her manners close
to the limits.

Once upon a time
her mother would
have slapped her
behind for talking so,
but now at 12 years
old her mother dithered
and set her tongue
to work instead.

She eyed the rain
running down the glass.

She could hear
her mother in the kitchen
banging pots and pans.

Then a knock at the door.

Benedict no doubt.

Gie th' duir, Hannah,
her mother bellowed.

Hannah went to the door
and let Benedict in.

He was wet, his hair
clung to his head
and his clothes were damp.

Got caught
in the downpour,
he said,
shaking his head.

Hannah smiled.

I'll get you a towel
to dry your hair,
she said.

She got him a towel
from the cupboard
and he began
to rub his hair.

We can't go out in this,
Hannah said,
have to stay here
and we can play games.

He rubbed his hair dry,
took off his wet coat
and stood by her bed.

What games?
he said.

Ludo? Chess?
Draughts? She suggested.  

Her mother came back
to the door of the bedroom.

Ye swatch dreich,
the mother said,
eyeing Benedict.

He looked at Mrs Scot
and then at Hannah.

Mum said you look drenched,
Hannah said.

O right, yes, I am,
he replied and smiled.

Mrs Scot didn't
smile back.

Dornt sit oan
th' scratcher,
Mrs Scot said icily.

Mum said don't sit
on the bed,
Hannah said.

Mrs Scot went
off muttering.

Where shall I sit?
He asked.

We'll sit on the floor,
Hannah said,
and play chess.

He nodded his head,
his quiff of hair
in a damp mess.
A BOY AND GIRL IN LONDON IN 1960 AND A GAME OF CHESS.
Lappel du vide Feb 2014
i get letters from home,
and girls tell me about the boys with the trench coats
who used to smack my *** and give me free brownies and smoke with me in the forest,
when snow was icily hugging the sleeping earth.
how he acquired a green thumb
and landed his ******, joking *** in jail
by painting "revolution" and "anarchy" on the walls of the
stone white highschool,
sprayed the word "pig" on a cop car.

i was proud,
remembering the time i told him i wanted him to help me
paint Pink Floyd lyrics in front of the library,
below the hill
on the big white canvas
to remind all of the dry-eyed, cardboard-mouthed kids that they're
just another brick in the wall.

i read it and my face glowed
with the fact that
they were revolting,
that the little town i left behind is still on fire
rife and ripe with the deep streaks
of maroon rebellion.

i hear about how
the only boy i've ever truly slept with;
fell asleep with our legs intertwined,
and woke with his soft breath on my neck in the morning,
naked skin growing goosebumps
in our bareness,
how he drew in my darling girl
of sweet chai and small teeth and big eyes and warm heart
like a soft, cozy cup of spicy tea,
how she became lost in his green eyes
and dripping confidence,
overflowing, superfluous
from the bursting vaults he holds inside
his chest, sprouting out along
with trees of light brown hair.

i got angry
i don't want stupid men to touch her,
to taint her
with small lies,
slipping from soft lips,
just enough poison to enchant her.
i'd bite their fingers off
one by one,
and chew their lips out with my
raging teeth
before i let that happen.

sometimes i feel like i need to protect her,
even though i'm the one who
corrupted her in the first place.

i'm the one who taught her that
chain smoking cigarettes in a ditch
during P.E. isn't so bad,
(and it's not, i just dont want her to do it)
who told her that kissing boys half naked in
fall leaves behind apartment complexes,
and letting them take off my clothes in the bushes
getting thorns stuck in my hair,
letting my underwear and skirt scatter forgotten at my feet,
along with his softly murmured "i love you,"
i told her that's normal;
(i want her to kiss who she pleases
but
****
i just dont want them to touch her with their ***** hands.)
who ranted to her that commitment was for people
who didn't want to experience everything they possibly could in life,
for boring ones,
who weren't worthwhile.

i showed her that
self destructive tendencies,
messy, unbrushed hair,
and purple leather jackets,
tie dye skirts
smelling like an ashtray
from smoking Marlboros in the school garden house
with a yellow sun a top it just before class
was just a part of growing into a woman.
(i guess we all have different paths,
but i wont forget her eyes when she looked at me,
i was torn and she was
stitching me up with string made from her
own skin.)
and then i realized what an absolutely
horrible friend i am,
how wretched i had been to you,
when you called me so long ago
and told me in a dry, vacant voice,
you were sad,
you had thought about hurting yourself.
i should have realized what i'd done
i hadn't protected you enough from the
desirous, screaming demon inside me
always craving, aching for more,
never, ever satisfied.

then,
you tell me in a letter
that you understood why i did the things i did,
and that you're learning
its okay to let go and do them too.

and i had to let that sink in.
if that's what i always wanted, then why did panic suddenly take me, light my body on fire?

when i'm away from you, its so simple
to become overprotective,
lashing out my broken jaws and
roaring voice at anything that
dares try to hurt you
erase the truth,
purity,
that you hold so deeply inside you.

i don't want you to kiss manipulative boys,
with dark hair
and let them touch you in a sneaking drunk dreariness
within a winter cave of night,
and i don't want you to touch them back,
and find broken brandy bottles
and their shattered glass
slowly sinking their bodies into your delicate fingers.
i don't want you to be numb, hollowed out,
walking around halls
and open lockers of close-minded
highschools
with bloodshot eyes and unstable hands, shaking and jittering,
high off some good bud after third period,
and adderall just before sixth.
i don't want you to let boys finger
you so
hard
that you practically popped your cherry,
so you sit, hips cramping, and
hurt,
soreness sinking into you,
as he begs you to kiss him
and you refusing,
insisting that he ought to know by now
"you're just another boy
i have too many
to risk kissing you in public."
i cant believe he stayed.

i don't want you to realize,
when you're drunk and stumbling on black asphalt
in the early morning
that you always feel
so ******* empty,
and off-kilter,
like somethings missing,
but whatever you try to fill it with;
gentle *** in plaid sheets,
(or were they plaid boxers?),
burning *****
(was it whiskey?).
broken ashtrays
(i said sorry, but still didn't feel forgiven)
cigarette after cigarette
("you always try to drown yourself in perfume,
but i can always smell it.")
until you get a headache and a groggy voice,
hash smoked out of apple pipes from
cafeterias,
("i'll bury it here, whenever you want to ****, just dig it up.")
visits to the school therapist
("you're bright, you know that."
how many kids have you not told that to?)
hits from your mother
("i don't regret it, like you probably don't regret the cigarettes."
"WHY DON'T YOU JUST ******* EAT THEM IF YOU WANT
THAT POISON INSIDE YOU SO MUCH."),
call slips from the attendance office
(i pinned up all my detention slips on my walls,
white flags flying
far from surrender)
same record playing,
(Vincent, Don McLean)
blood dripping down to the brown
towel you set out
to catch your slipping fears,
as they bled out of you in crimson rivers
and made a savage battleground below you;
feeling like you will never fill that empty,
tar-like black
hole
burnt inside you.

i don't want it to happen.

i want to protect you fiercely like
a mother lion,
and keep you in the safe haven of my echoing
den,

but then i think of what i'd do if you were next me
laying on your silk sheets,
looking out the glassy windows
reflecting the sky,
i know without a ******* ******* doubt in my mind,
i'd light my eyes up with a mischievous grin,
glance at your paintings
(they always inspired me)
and march to your parents bar.
(why did they keep it downstairs when they knew you had friends like me?)
i'd insist we'd have to drink at least a little,
swerve our vision till the music
caresses us,
and then i'd take a bit of everything and i'd watch you
as the liquid slid down your throat,
then i'd say i was proud of you.

but really, i want you to know that
you'll grow up when your ready,
you're so precious, but so strong
and i just need you to remember who you really are.
you're inspiration,
paintings made out of dots,
you take care of me when i'm falling apart
and horrible
and yelling.
there cant be two of us
drunken,
screaming for cupcakes in the middle
of a brightly lit grocery store,
please don't change just because
other people are doing it.
you're so strong,
be strong.

god i'm so ******* contradictory.

i just love you so much.
i don't want you to hurt
i don't want you to lose things
like i have,
to greedy boys fingers,
i don't want you bearing the pain,
(it'll be gone by the second time anyways)
i'd do anything to stop it.

but if you really want it,

some things are just so inescapable.
to Anabella Funk.
Mateuš Conrad May 2016
sure, the romance, they are the new gods,
     Paris, Rome, Barcelona (don't ask me about Madrid,
                                                       too royal),
a Venetian mask i would don, and become the quixote fighting treadmills rather than windmills -
although to Rome i have not walked
                for my footsteps to encounter the pave,
but in the Venetian pirate lair, plunderers of Byzantium
i have set foot on, at the same time to have learned
of the number 613 near a synagogue and heard the shofar.
Paris (not the Trojan) is the cliche synonym of Eros -
elsewhere Gemini: St. Petersburg as the Amsterdam
   of the north, and Edinburgh as the Athens of the north.

well, such a verse does indeed desire
                                                 more translation of Horace,
as in nimis ex vos, sed non satis ex "ego",
  yes, "ego" the abstract component of you that's
free from the three tier psychoanalytical *******,
what superego, what id? forget it! there's only you
and only "you" - work with me:
               too much out of you, but not enough
               from your alter (synonym of "ego" -
               Jungian shadow porridge);
but as promised, yet more Horace

               deus inmortalis haberi dum cupit Empedocles
               ardentem frigidus Aetnam insiluit.
               sit ius liceatque perire poetis:
               invitum qui servat, idem facit occidenti.
               nec semel hoc fecit nec, si retractus erit,
               iam fiet **** et ponet famosae mortis
               amorem. nec satis adparet, cur versus factitet,
               utrum minxerit in patrios cineres an triste
               bidental moverit incestus: certe furit ac velut
               ursus, obiectos caveae valuit si frangere clatros,
               indoctum doctumque fugat recitator
               acerbus; quem vero arripuit, tenet occiditque
               legendo, non misura cutem nisi plena
               cruoris hirudo.


but of course i'll translate, but prior in dogmatic proposals...
keep the book of revelation of the Ιωαννης,
discard the rest... the four primers are a parody of
the tetragrammaton - so gentle in his own land
yet such a vicious serpent in Egypt? which one's the fraud?
messiah of just hanging, standing still,
40 years in the desert or 40 hours on the cross?
and all that iconoclasm and modern too via narcissism?
"bring out the selfie shtick! oh wait... my hands are
nailed to a ******* crux!" and this persistent 2000 year old
negation - and being spared, the Romans, or
rather the alphabetum, Roma est mort but you
can still ask the italians of a cappuccino - Chino and
Khaki elsewhere with the Lombardy League ponce
rubbing shoulders with Saxons... Chino Versace
whistle at a Bella... you can still see c b g long after
and the coliseum in ruins... it wasn't swallowed up!
i too though the second H in the tetragrammaton was
intended as a déjà vu - it would sit perfectly with
anti-, the concept, but not the man as such,
and indeed the Y would make a perfect tree of Golgotha
in that tweaked geometric, then W and seas
and continuance - Roma alphabetum, sole constructor
of computer robot? maybe... but you see, the H
is a slippery *****, it's silent, like in Khaki... or
as is the usual case in Hindu - Dhal... it's not so much
déjà vu but silence - a necessary surd to make spelling
pretty... dyslexics think spelling is a bit like arithmetic...
it's actually an aesthetic, but they do find it as hard as
arithmetic, and that's why they're genius at numbers...
but the aesthetics is missing, so they cling to numbers
and the aesthetic is missing, and everything associated
with money... well, it's a bit ugly, isn't it?

... (postponed translation)... yes, London is Hades...
    doom and gloom.

but indeed the Gemini in the tetragrammaton,
but first the principle of three-dimensional space (Y) -
just look into one of the corners of a cube (yes
the room you're sitting in),
and lastly the principle of waves, whichever,
sine or cosine as you will, looks better that way
than mediating the ad infinitum of 1, 2, 3 etc.,
sea and constant fluxes (fluctuations),
pin-point the opposite, the principle of one-dimensional
space (a definite coordinate, rather than three-dimensional
space and that ****** indefinite coordinate) and
subsequent ripples, which aren't necessarily waves:
my tools? a-       and -the            and every other ism
that might act as an auxiliary attaché - time (W).
but indeed the anti- implementation that serves as
direct Gemini chiral-ism: the latter serves no close
resemblance to be guided to Golgotha,
hence guided toward Megiddo, and a crucifix also there?

**** such religiosity twice over with its vortex,
as promised the Horace translation

       Empedocles, desirous of godliness in being so,
       having icily strutted toward old age and by
       old age near frozen, was prophesied to jump
       into flaming Etna. as they want, let the poets
       have a right to a death (of their choosing).
       who whomever against his will saves,
       twice-over rattles the suicide's intentions.
       it hasn't been the first time, it's not that easy
       to say it: i am human. he wants to immortalise
       himself, fame posthumously. he writes poems.
       why? maybe he urinated on his father's grave,
       maybe in a place basked by throngs he took
       from it the vices and in solitude became
       desolate with inherited uncleanliness of urbanity?
       like a bear with scars, prison bars he breaks open,
       scares off the wise and the foolish, such
       the adamant nature of compulsive poetic labour,
       whoever he grasps with recitations he
       finishes off, the leech attached to his skin will
       not fall off, until satiated with enough blood.


**dicam Siculique poetae narrabo interitum.
Sacrelicious Apr 2012
Hello Stranger,
just
think nothing of my words.
I only feel obligated
to be kind
to you <3.

Love exists when its convenient
for hatred to take a day off.
& I think it's *******.

The darkness of a void abyss
is to cold,
for the frost frost
to icily
glaze-blaze it.  

So
Put away
your shovel,
in the end,
everything is brought to the surface.
No matter how
deep the ditch.
Frozen fragments
Icily dispersed
As beads that necklace
The moon.
The gleam
Of light reflected
Tinting
The lacy ring
With smudge-faded
Rainbow colors.

"Beautiful", they all say.

But poor Luna,
Who shows up every night.
Only considered wonderful,
Because of a mere circle of light.
There was a ring around the moon tonight.
Terry Collett Oct 2013
Isolde looks from the window
of her old bedroom,
she's not been in there
since they took her
to the asylum years before.

Tristana, her lover,
is sitting on a white chair
on the lawn
talking to Isolde's mother.

Her mother has the same
pinched features,
thin lips as if drawn
across in ink,
the narrow nose,
peering eyes.

Isolde smells
the mustiness
of the room,
the curtains the same,
the wallpaper fading.
Her mother's eyes  
have a look
of fear in them.

Her sister sits
beside her mother
hawk-like,
hands on the arms
of the chair,
eyes fixed
with that steady stare.

Isolde recalls
the last time
in the room:
the night they
came for her,
men in white coats,
the ambulance waiting,
flashing lights,
voices shouting,
her sister crying,
her father ordering
this and that
(the prat).

Father's dead now,
good riddance,
she muses,
running a finger
down the pane of glass,
seeing her lover
sitting there,
gesturing with her hands,
head tilted to one side.

Not once
did her mother visit her
in the asylum,
not a word sent
or love or concern
expressed.

She sits on the bed,
the springs complain,
the bedspread
pushes out dust.

She remembers Tristana
that first time
in the asylum,
that first meeting,
the side ward,
the nurse dragging her
along the passage,
cursing, gripping
her nightgown.  

The fat nurse let her
drop by the bed;
Tristana sat on the floor
wide eyed,
opened mouthed.

Isolde had struck the nurse
with the flower vase,
smashed it,
flowers spread
across the floor.

The nurse's head bled.
Looked worse than it was.
She smiles.
They locked her up
for weeks for that,
saw none,
except the nurses
who fed
and bathed her
cruelly.

Worth it.
She moves on the bed,
the springs sing.

She gets up
and goes
to the window again.

Tristana is subdued now;
the mother is talking,
moving her hands in the air
as if learning to fly.

Her sister sits crossed legged,
hands on her knees.
Dumb expression.
The mother mouths words,
moves her head
to one side bird-like.

Isolde recalls
the first kiss
on Tristana's lips.
In the toilets
off the ward,
evening time,
overhead lights
flickering.

Lips meeting,
soft, wet,
eyes closed.

They slept in
Tristana's bed
in dead of night,
close for warmth,
hands holding,
bodies touching.

The mother looks up
at the window,
her eyes empty,
hollow dark holes.
She gestures to Isolde
to come down,
her thin hand
moving icily.

Isolde walks
from the window.
On the glass,
where she had breathed
breath to smear,
she had finger written,
Isolde's mind and soul
once died here.
G Rog Rogers Sep 2017
Mother ****** is warm
But her blisters
they painfully sear

Life is such
in terror America
The police state
of all that I fear

A schoolyard where
bully's rule is taught

And some sick ****** people
with pit-bull power to flaunt

Our peace
Is by the heel of the boot

A piece
of our leather clenched fist

Your rights
have no might
Whatsoever

When your name
We put it down
on our list

Mother ****** is warm
Yet coldly she icily sneers

I'm your terror America

The police state
in the nightmares
of your fears.

-R.

TX
(06)
Concerning events which occurred to me regarding ***** cops in a *****-dog town.

©2017
High profile society
Keeps me in the fray
Of living with
the making of time
A simple prayer
As cool as the game gets
Trying my moves in every way
I guessed my hopes
For life
Are icily broken in the fire
That burns
When the sun sank low in the midday sky
And the clouds came in from the south,
He knew that the winter was coming in
And it made him down in the mouth.
With a hint of rain in the morning dew
The breeze cut in like a knife,
And he went to fetch the firewood in
For the sake of his invalid wife.

She sat and shivered before the hearth
When he opened the outer door,
As the wind whipped icily round her legs
A trail of leaves on the floor,
‘My love, be still, I’m lighting the fire
And you’ll soon be warm by the hearth.’
‘I fear it’s settling into my bones
And I’ll soon be deep in the earth.’

‘You’ll not get away so easily,’
He said, and gave her a smile,
‘We’ll settle this ague with bark and tea,
I’ll heat your bath in a while.’
‘I’d rather not leave the fireplace
While my thoughts are making me brood,
So put your spill to the wood fire, Will,
Then sit, and lighten my mood.’

He lit the fire and he made it roar
And he checked each draught, at last,
Jammed the rug right under the door
And he made the windows fast,
Then he sat and held his Helen’s hand
That was freezing to the touch,
And said, ‘Now winter’s sat on the land
I needn’t go out so much!’

She smiled, and ran a hand through his hair
And said that she loved him so,
‘Tell me a tale of foreign lands,
It will help the time to go.’
So he plucked a single hair from his head
And he said, ‘Each hair’s a tale!’
Then he told of sailors swinging the lead,
Of mariners under sail.

He told of pirates, walking the plank
Of treasure chests in the deep,
And saw that she was slumbering there,
Was slowly going to sleep,
He sat beside her all through the night,
Was piling wood on the fire,
And nodded off in the broad daylight
Right next to his heart’s desire.

The squalls came in, it began to rain
And the rain then turned to snow,
He only went out to chop some wood
And to make the cabin glow.
Each night he’d sit there, holding her hand
And he’d pluck a hair from his head,
‘Now here’s a tale from a northern land
Where the snow lies deep,’ he said.

He thought that she’d get better in time
And he brought her gruel and soup,
Fed her a tincture of laudanum
Made from the ***** group.
But she still sat listless, pale and wan
And she slept more than she woke,
Though he plucked a hair from his head each night
And he whispered as he spoke.

He spoke of the place that lovers go
Away from the world of cares,
Of bubbling springs, and diamond rings
And a love that everyone shares,
But the snow outside was packed in a drift
Right up and over the door,
He couldn’t get out for the firewood
But shivered, asleep on the floor.

He woke next day when the sky was grey
With the cold set deep in his bones,
And looked at his wife in a mute dismay
For he knew that he was alone.
The undertaker was there by ten
With a coffin as cold as ice,
And he wept as he plucked a hair from his head
And wished her in paradise.

They buried her down in the cemetery
Not far from their cabin home,
And every day he would make his way
To her headstone, on his own.
The snow had finally melted when
They found he was there, stone dead,
Draped all over her headstone, but
There wasn’t a hair on his head.

David Lewis Paget
K G Oct 2016
Filthy chins are heaving
Weeks in and weeks out
To see the daylight leaving
My eyes pointed south
As i turn in

With eyes that fully see and hearts that fully love
The cows and sheep and crept onto houses one by one
The city icily eyes the approaching sun
As the light crawled, it all began to awake
We drift into and out of the light
casting shadows that catch us
erasing the night
raising statues to dead men and
drift off again.

When the men with the ***** have the walls to write words on
they will write up a storm to take down the statues
use crayon and paint to explain in some detail
the fall and the fail.
I sail with the pirates who sail on the sea where the light dips into the ocean for all men to be equal
for all men to be...
...the wind blows hard and the thousand yard stare stares icily back,
bolt action,my
reaction is to attack, but I throw
daffodils instead.
Eliana Dec 2013
I can't feel my feet.
Snow crunches under
my inadequate shoes and
melts into my socks.
I tread lightly.
My steps are quick,
my near-invisible footprints
fading swiftly behind me.

I walk quickly, though I
have no particular destination
in mind.
I do not seek refuge
from the icy white specks
swirling around me.
The cold was biting,
once,
but it must have stolen
its fangs from a spider
for its venom
numbs me.

This strange white world
is bereft of sensation, and I
have no desire to leave it.
When I depart
for places walled in and
warm
my feet will burn me
as they thaw.
I have no desire
to face that pain
just as I have finally begun
to cease feeling
my old, ever-present
ache.
When I remove
the garments that chafe
the rents and rips
I have torn
into my skin I
will once more wear
my wounds
as a badge of shame.

As I traverse this place of
icily blunted edges,
I gain knowledge I
have often sought.
I know what I want.

I want to take off my coat,
to pull my shirt over my head and
kick off my soaked shoes.
I want to slide my slacks
over my hips and
down my legs.
And when I have removed
the layers of fabric that stung
as they scraped against
my much abused skin,
I want to run naked
through the snow,
my bare feet sinking
into its softness, flakes
blown against my battered body.
I want to fall,
to tumble across the frozen ground and
let the cold sink
its soothing fangs into all the wounds,
all the holes in my flesh and
the tears in my skin.

Once it is done,
I will lie there
with all the warmth
slowly ****** from me,
life bleeding
from my skin
the way it dripped,
red,
from my cuts, and
I will be peaceful,
at last.
Written December 12, 2013
The Widow Jul 2016
1.

Sorry*
for gasping attempts
to distill something cruelly,
intangibly pure
on a page from nowhere.
I’ve done this
in lieu
of any useful gesture

2.

Sorry

I was late

3.

Sorry

I always say
'There are Worse Things Than…'

4.

I am sorry I froze
when all the worst things
crowded icily around your bed
RIP S.L.C
Shalini Nayar Sep 2014
These poems are always born colourful.
Pointy and symmetrical, they are life, crafted
Specially for schools that have no bell-rings
Or even recesses. How dull it must be.

They come in different morals: steaming ships
And inexperienced rafts, all trying to taste the
Same water at once. The ships do have an advantage
With big chimneys but it’s the rafts that are more careful.

And how kaleidoscopically they flaunt themselves!
Angels are always with their kin (how saintly), and tigers proudly
Race with their predation pride. The normal ones
Adapt normally, till the gold one comes oval-gaping for air.

It is almost operatic, the bullion fatly singing
A joyful soprano that spirals its corpulent body,
Indelibly marking its forte and making
Everyone else envious. The rest soon join in the orchestra.

Colloid-free, their airy world so thin and wet, the
Little air bubbles drop, drop, drop as clock-like as possible
To balloon and reign the surface. The water’s
Fully bloomed now. They are ready to breathe.

Doctor’s miracles, they are born with unblinking eyes.
Their skin flat and overlapped like thin slices of birdfeathers
And wide bloodless cuts run at each cheek. They defy
Physics with their aerodynamic bodies and a thousand striped hands.

Every nook and cranny of their house is carpentered accurately:
Mirror-rimmed and exact. Windows glued for viewing, flawless.
The tenants move about freely, occasionally pausing to wave
At the guests through the translucent eye pieces.

Untiringly they follow the irises that gawk at their gill-full skins.
The cameras icily smile flashes and these water-gods snap away
Like graceful thunders. Their scissor-tails dance from side to side, panicky,
With only three precious seconds added to their memory.

Shalini Nayar
© 2002
Faizel Farzee Sep 2019
Time willingly caught in deja vu, Repeating this timeless moment
I slowly drown in your ocean blue eyes
In this heated atmosphere,we stuck, icily frozen

Your embrace releasing all the pressures of life
I breathe in your essence slowly,
every ounce of my being screaming to make you my wife
my earthly angel, defeating the nights so lonely

Your winged whispered word takes me higher
you are my oxygen, a match made in heaven
you set my soul on fire


So as i put your hand in mine, together we ascend
Our lips embrace with hungered tongues
Our immortal love, together we transcend.
As our love grows the higher our understanding ascend, you are the air that i breathe, you awake and maintain the poet within.
So for this i thank you, with a few written words,
You are the life i live for, the song of the birds.
Terry Collett Dec 2014
Death is a mere inch
or so away;
he stares in at us

day after day,
hour by hour,
moment by moment.

His cold fingers touch,
icily run down the spine;
shivers remember that?

Well Death
was just trying you out,
giving you the feel.

Death will leave you be
for a year or a day
or maybe

a whole decade
or more;
but it's just

a waiting game,
so get living,
take that vacation,

have that read
or go play pool
or have ***

or eat your fill
until you're ill,
but in the end,

my friend,
Death is there,
rubbing his

bony hands;
but Death’s only

a transporter
to another place,
deeper,

calmer,
warmer,
but Death

won't tell you such,
he'll just pretend
it's the end.
ON DEATH AND HIS GAME.
Ayn Jan 2020
Slipping somewhere cold,
My grip is forever lost.
How long is the fall?
Whenever I look down from a high place, I don't get scared, I have two thoughts: 1, the thought to resist the temptation to jump, and 2, "how far down is that, it looks really cool to see so far down!"
nick armbrister Jan 2018
Ice Fly
How many pilots died and old aircraft lost when they flew over jagged snowy peaks in the remotest corners of the world? Doing a dangerous job knowing the risks and trusting in fate and luck to bring the through. Some never made it, there planes impacting vertical mountain sides in sickening crashes. Bodies lost forever, frozen in the time of death. Icily cold and otherworldly remote.

From the Andes to Himalayas, Alps to the Rockies. If you ***** up or your engine stops, you’re going to crash and suffer. Survive and you’re *******, twenty thousand feet above sea level with no chance of rescue, just a slow cold death.

Of the ones who live and beat death in the mountains, they have stories to hold their grand kids in awe. Did you really fly a C-46 over the ****, risking *** fighters and Mother Nature? Sure did son, it was a walk in the park. Of the ones who didn’t make it, they remain forever on coldly beautiful mountains holding up the roof of the world.

Maybe their ghost will remain there forever, in rapture of the beauty of icy mountains, forgetting how they died.
Ksjpari Aug 2017
Books are indeed work insatiably
For those who think hourly;
Hours are not fit in humorously
In the timeframe of honoree
Of books as they work icily
In the warm world’s ivory.
Books really slog matchlessly
For those who value immensely.
Hence friends! Value the ministry
Who control the Money’s mockery.
Books are indeed work insatiably
For those who think hourly.
I am developing a new style of writing poetry where ending words of a line rhyme with one another, at least in last sound. I named it Pari Style. Hope readers will like it. Thanks to those invisible hands and fingers which supported and inspired me to continue my efforts in my new, creative, artistic and innovative “Pari” style. Thanks for your inspiring, kind, soft fingers.
Heather McCorkle May 2018
Don't you see the darkness? Don't you feel it hammering in your soul?
After school, walking through the halls
The bell's clang is still ringing in my ear like a reverberating hollow in a tree
Our faces connect, I'm fond of staring
You stare back but icily
Apparently, my face isn't looking friendly
Then you go back to smiling
Wide brimmed, joyful
I get it
You're excited to go home
To latch onto your friends and talk
Why are you smiling?
The WEIGHT OF THE WORLD IS ON MY SHOULDERS
In my mind, prison
Prison, in my mind
Eyes downcast
I'm longing
Are you longing?
If you are, you're not showing it
Haven't you noticed, that I leave the real world
After about an hour
That is where I fade into the neurons of my mind, into the knobby flesh of my brain
I'm thinking, I'm thinking, I'm reeling
Why are you smiling?
Aren't you thinking about all the suffering of the world?
Empty stomachs, bullets sailing
And how I can't do anything about it
I CANT DO ANYTHING ABOUT IT
I laugh a lot
I may pretend to be alright
Keyword: pretend
But I'm not really in the halls
My body has left and I'm simply lagging, floating, like a hologram
Wondering and wandering
Why are you smiling?
You shouldn't be
I've heard smiles are contagious
No, not me
No, not me
No, wait, a curve of my lip
A flash of my yellow teeth
Wait! Stop! I'm not happy!
THE WEIGHT OF THE WORLD IS ON MY SHOULDERS
Until I let it slide
The burden falls
The sun is shining
Why AREN'T you smiling?
Usually that perfect ending doesn't come. But I know that one day it will. Afterall, smiles are contagious.
#lostinthoughts
Dennis Willis Sep 2020
Can I really tell you
I want to tell you
I just don't want you to go
I just want to icily say

go away, go away, go Away
over and over i hear myself say
to your face go away just go away
mayhap more than one isn't icily

this doesn't work this never works
i just sit all day and resist what i want to say
come back come back u effin ****
and always u make me while away
Kia Sep 2018
Rejection is:

Small simpering sounds amongst the night
Sweetly whispering whimsical woes
Wondering whether you'll stay in sight
Soft stars singing silently in sunken sky
Sharp glistening gems and subdued cries
Frosted flares of fiery anger
Enraptured by an encased heart so icily clad
And so you feed a hurt based hunger
Hopelessy pining for what love was once had
To come calling,  cawing like crows

— The End —