THEY walk / Just one / Alone on the cracked pavement / Toes dragging, head sagging / tripping over lines that aren’t there.
High tops / the likes of God himself /sanctified, glorified, / pearly white as the gates of heaven / Consumerism, cleverly disguised / as divine ascension, the righteous liberty of choice / the steering of your own destiny- / and yet / ... / those footprints in the dirt /  seem only to last as long  / as anyone cares to look.

THEY / THEIR / THEM / Words rarely respected / most often neglected / every conversation, a silent battle / for the right to exist as THEY see themselves / THEY are a complete deviance from / the suffocation of two / neither pink, nor blue. / THEIR body, our bodies / once beautiful in our youth and vigor / now condemned as destitute wastelands. / Reaped of any / dichotomized consumeristic value, / that the world instilled during our years of innocent persuasion. / We are dust now, society tells us / just ghosts of what the earth once bore;  / our place is nonexistent in this world. / Little choice but the next,  / a test with limited boxes to check. / Maybe they’ll listen when our cold, nighttime howls / are too loud to ignore. / Maybe one day, we’ll fill the ears with our voice / never to be quelled again. / But until then / existence becomes more a question than fact.


A red rover world; / it croons to us lovingly,  / as does the sun coax the flowers to bloom / come out! the world says / come out! / our wayward sons / come out! / our wandering daughters / come out, oh battered children of the world / let us cradle your broken hearts! / let us see your tears!  feel your anguish! / and maybe we will know you better for your suffering. / And so we came, and continue to come. / not all, but enough for the satisfaction of the status morale / Be different! the world challenges / And so THEY dare to live differently, / and by extension, dangerously. / We ascend, just like the logos told us we would- / only to be brutally thrown aside / because we’re all the wrong shoe size. / our punishment is most often internalized / we knew all along, our woes an offbeat cry / to the rest of the planets unwavering bass line.


Scrutiny badgers us, in the guise of necessity / when in reality, it is the / furtherment of our marginalization. / What’s in your pants? / What bathroom do you use? / How do you ****? / Liquidated words flow free like water, / but stay behind, slow and thick like hot tar; / it hurts just the same. / Has it occurred to you / that THEY might want to share with you / more than the anatomy of THEIR mortal shells? / THEIR minds, THEIR souls transcend ignorant thought. / Ask THEM something beautiful, because that is what THEY are. / Do THEY come together like a star, in a glorious explosion of light and motion? / Or is it more like a flower blossoming, fragile pulses beating under translucent skin?


The labels of today / the toxic expectations building up from within / like residual filth trapped under your fingernails / never gone, bound to return, nearly inescapable / and never directly addressed / for the sake of not / corroding. / The stars are within kaleidoscope eyes. / yes, dexterous hands have crafted this being / see the light, the mystique and wonder of / this stardust child, set to change the spin of things. / and THEIR heavenly shape is beautifully flawed / maybe marred by the solar winds of the sun / or glimmering with interstellar dust- / a lingering kiss of radiation  / from THEIR time among the asteroids. / This person of universal intent / THEY must be big, and THEY must be brave / for whilst joined under flag and name, THEY are still just one  / a lonely phantom wandering cracked, forgotten sidewalks / Where the lights flicker and the air is stagnant and thin. / THEY cast THEIR eyes skyward, searching for something / a twinkling like THEIR own, in the map of the vast unknown / A reflection of what THEY must become / to simply be.


In a way only the universe can, / it whispers back on the celestial winds / with an unnoticed correspondence. / One of those skidded toe marks / Has smudged the lines of / blue and pink / Hopscotch lines, much like unspoken, unbroken lines / that is where THEY reside. / the fray, the cusp, the precipice / THEY see THEIR world in the skidmarks / a grand spray of color, like the nebulas that THEY once knew / Not the line, but the divergence of what is known / into something new... / and a hopscotch hymnal, / a broken prayer on clumsy lips / not to the God with the high tops, / pearly and clean as heaven’s gate, / but to a vast and anonymous universe / is answered.

that's 3 weeks without a keyboard,
that's 3 weeks on a dual-detox -
         that's that: roughly: antagonism
of: once upon a time...
           there can only be one Hans Andersen,
and as the story goes: ol' granny
   passed on the tales, without which:
no talk of posterity, and seances at
the theatre; alternatively: what if Kierkegård
opted for opera, rather than theatre?
    well: horrid is the task of dropping names,
as if being a village idiot, in that
capacity: giving directions... no such thing!
  nonetheless: a horrid task...
3 weeks... without this horrid world-entanglement...
amphetamines in the wild west,
                   and yet... everything slows down...
that's 3 weeks without such ''luxury''...
    and would you believe it?
3 weeks went by: in a blink of an eye.
             strange, or what 21st century writers
fail to recognise: the ******* canvas has changed!
any-single-one-of-them bothered to scrutinise
this new canvas? anyone?
     ah yes, it's still in its adolescence -
it's still: Dostoyevsky, scuttering in the grand
dungeon: that's the Moscow underground.
             the canvas! the canvas!
                             and indeed, if this be some
bellowing horn, from the depths of some forsaken
place... i'll go into the street, and sabotage
civilisation with graffiti...
                     then again: i have the least
expectations, such that capitalism works...
poetry... and what investment have you made?
nil, or almost nil... evidently: zilch!
      ah, but to have invested in canvases,
a studio, paints, brushes... see... no one sees
investment in poetry: primarily because the poet
has done the minimal...
            unless of course it turns out to ****
with a hot poker something once resembling
nations... which now resides in the insane asylum
(even though those, have been abolished)
                           , nation - ooh! what a ***** word!
the left irksome sometimes uses it:
in theory: the nation-state...
                        and then there's the resurgence of
ancient Greece... in a sing-along:
maybe 'cos i'm a Londoner... brother! brother!
Athenian! Athenian!
                                       but we are born into
a Spartan wedlock... no one really bothers to
**** our gob with Shakespeare...
    then again that is the schizophrenia (alias
dualism) in humanity... thus, to be frank,
psychiatry can be congratulated, it has provided
one useful term... and i will use it, over and over again,
in a non-symptomatic way, because, i find,
it stands, as if the Olympic Graeae (Zeus, Poseidon
and Hades) eating the carcass of some inhabitant
of Tartarus...
                               evidently: tartar steak...
doubly evident: tartars, or the remnants of mongols,
settled in crimea, and elsewhere in the Ukraine...
   tartar                      tra-ta-ta-ta... ku ku ryku!
a ja fu! krecha! a ja znow... fu!       radowitą
uprzejmość... skłaniam...  
    or what i call: rising spontaneously from the depths...
polymaths applauded, the tribunal resides in
bilingualism... trenches... history... perspectives
and current affairs... wicker man media...
                        so... an example of pedantry?
ó....               that's an orthographic dignitary -
        an aesthetic muddle... as is
c-ha                               contending with samo-ha...
     ch                            came from antagonism of
cz                                   which was later antagonised
by č               in česka.... say that: hen party
bound to Prague... in the Czech republic...
                                          ch      k..­.
i am, quiet frankly... standing at the feet of the tower
of babel... and i'm looking up, and i see
correlations, and i see decimal marks,
which, when given enough geography,
can seem like England and the isles,
       and central Europe...
    Iberia? phantom of Seneca...
  eureka! let's begin, once again...
  why is there a continuum beginning with
Plato and Aristotle?
                                           we could become
reasonable people... told to deal with madmen...
we could claim beginnings with Seneca...
and Cicero...
                      and why? the Romans loved poetry...
the Greeks antagonised Homer...
            the Romans loved Horace, Virgil,
                           Ovid... perhaps we should really forget
beginning with Plato and Aristotle...
       the former has become a church,
the latter a dentist's assistant (minus the ancients'
concept of a joke).
                      evidently i have to finish off reading
Seneca... his educational letters to Lucilius....
      moralising ******* that he was, thus, perhaps
a nibble at Cicero? but i must say:
                           it has to begin somewhere,
so not necessarily in stale-bread Athens...
                      and having such perspectives helps
in claiming casual conversation?
   assuredly - if it doesn't involve talking about
the weather...
                                which is always a great mystery
   if it's given enough aurora.
   onto the mystery of dialectics,
as discovered by Alfred Jarry in his Faustroll
Pataphysics contraband...
                                                nag­ging agreement...
nodding without approval... (chapter 10) -
beginning with αληθη λεγεις εφη
        (you speak the truth, he replies) -
   and ending with ως δoκεì
                              (how true that seems)...
and then some dub-step...
        know nothing dROP! boom! jiggy jiggy,
get the rhythm.
   as i always find it hard to look at
    diacritical arithmetic...
                                  given the following
represent a prolonging: hangman:
       å, ā and ä...
                             esp. in Finnish -
stratum: hedningarna täss on nainen.
                        rolling yarn, plateau, two dips;
and i will never say something profound...
i'll just say something no one else has said,
benefit of the doubt? somewhere, someone,
                                      kneels at the same altar.
  such are the distinction - invaders from the
north, and invaders from the south...
                                           even with
crusading Golgotha mann -
the times? many bats, supers, spiders,
but not enough readings of thomas mann...
                              easily befallen into prune-nosed
high-airs... it comes with the diet of literature...
   unfortunately.
                              and with yet another book:
i have burried yet another living person
i could have had a beer with, and conversed.
it always happens, every time i read a book
i have to attend a funeral... by reading a book
i have burried someone alive...
                          shame, in all frankness...
    i will sit in a congested train, touch a breathing
body, and consecrate the touch with
a warring genuflect - harbringer of a Teutonic
passion for initiation: a komtur's slap across the cheek.
   chequers played with passions...
           and some have to be approached like
caged animals, their vocabulary as cages,
                and the whole world before them:
cageless!
             some have indeed become so encrusted in
their daily: routine, that it would take a zoologist
(thrice oh, begs some sort of diacritical marking)
rather than a psychologist to understand them...
    like the darting dupes they are, enshrined in
20% gratis! smile! have a nice day! boxing day sales!
all but pleasantries, fathoming the grave.
   stiff vocab and all other kinds of perfume...
                           a king and his charlatan knights,
who are merely ditto-heads.
                  and not of this world, afresh -
among the nimble hands prior to birth -
surely there is: more grandeour in birth
   that entry via a ******...
                            the greatest pain of ****...
and when the ancient treaty was signed
under the name: Augustus Cesarean - or
recommended for a need of aristocracy -
    it was, for a time, the mana magnetism:
and such was the rule of poetry:
rather than a crown, donned the laurel leaves...
donned the laurel leaves...
    and such was the covenant from ancient
foes when trying to assimilate the Jew...
three kings from Babylon,
                         the child in Egypt...
          no good tides from Nazareth...
         a crown of myrrh - later overshadowed
by dogmatic sprechen, simpler: thorns...
yella things... or rzepak, Essex is filled with it...
rzepak... so why bother adding a dot above
the z, when you get capricious and use rz to
denote the same?! thus a science:
voiced retroflex fricative... Stalingrad!
                       can you really stomach this kind
of jargon? if it wasn't for science fiction:
science would be twice removed from gott ist tot,
*******' worth of pondering, given the close
proximity rhyme... nothing that rhymes should
ever be taken seriously, it should be hymnal!
                         Horatio! mein lyre!
   mein Guinness leier! rabbi krähe -
     and they deem that ****** white when talking:
thinking? i'd prefer Cezanne in real life -
   maggot wriggling and all...
                                          as much eroticism
as bound to a dog slobbering its testicles:
which means ****-all in an almighty stance
   for a dollop of halleluyah in Nepal.
well: pretty talk, pretty pretty pretty: i feel pretty,
oh so butter-fly-e.
                                    2 week stance,
***** in autumn... but so many Swiss hues
coming from the same concentration of decay!
shweet!  zeit-ser!        and that's me talking
kindergarten german: innovation begins with
a fork and a spoon, should the tongue come to it...
            i see a poem,
i see something worth bugging... c.i.a.,
f.b.i., hannibal's lecture in Florence, Venice for
the rats... bugging... shoving...
  shovelling... necro grounding, rattling...
    windy via north... Icelandic...
drums along incisors of abstract gallop:
violins... fringes of the mustang... airy airy...
all regresses toward the Vulgate...
         like ****, like said, and the only pristine
stress comes with vanilla ice-cream,
or a medium-rare beef ****! hmph!
                         fa fa fa excesses with that hurling
puff...
                      and i did finish Kant's
critique of pure reason... minus two calendars...
but, so help me god, the 2nd volume was hiding
under some corner...
                           thus, from transcendental methodology
came plump apricots, plums and pears...
             sweet decay fruit baron...
              and it's called sugars in the intricacy of pulp...
lazily grown, dangling on that caricature of
a formerly known: full crop of wheat-crude fringe.
    2 years... honest to god!
         but so many books in between...
i was given a recommendation...
i cited it already... kraszewski's magnum opus...
29 books...
                       although that's history fictionalised...
but nonetheless, it really was about
     the cossack uprising in the 17th century...
   and it was, as i once said, something i can forgive
sienkiewicz - the film version,
as in: i will not read a book once it has been adapted
to a movie... it's self-evident that too many
people have read a piece of work and are gagging
for a conversation... but where's the playground?
           ******* cherades!
  chinese whispers and a Manchurian candidate!
  i thought as much.
                          and whenever it's not a preplaned
escapade, what becomes of the day?
     was it always about a stance for carpe diem?
  syllables: di                em.
                            carpe is said with more lubricant.
corpus diem. well, that's an alternative, however
you care to think about it.
                and whenever you care to think about,
the proof is there: mishandling misnomers:
poets as tattoo artists... although no one sees the ink,
signatures on a reader's brian (purposively altered,
toward a Michael Jackon he-he, and other:
albino castratos the church venerates!)...
   that's 3 weeks in a catholic country...
  3 weeks... if only the football was better,
      i'd be called Juan Sanchez...
               but, evidently, the football is bad...
     so it's catholicism on par with a sleeping inquisition...
no one really expected Monty Python to conjure
that one... because it never really took place,
not until a trans-generational exodus
postscript 2004... once western brothels were exhausted,
and the Arab started ******* a hippo...
              then it was all about lakes and rivers
and Las Vegas 2.0 in Dubai!
                     you say quack... i say:
                                                    easy target.
and they did receive a blessing from Allah...
enough ink to write out Dante's revision of the Koran,
and some Al-Sha'ke'pir to write a play called:
the Merchant of Mecca.
  last time i heard, when the reformation was
plauging Christendom, no one invited the Arabs...
these days i think the little Lutherans of Islam
watched too many historical movies...
me? pick up a crucifix and march to Jerusalem?
  and is that going to translate into:
   blame the populists! blame the nationalists!
it's like watching a circus... why is the Islamic
reformation asking for third party associates?
                  i was happy listening to
the klinik... albums: eat your heart out...
time + plague...
                             once again: the world narrative
gags for enough people to conjure up
     a placebo solipsism... and that's placebo
with a squiggly prefix (meaning? how far
that ambiguity will take you) - ~placebo...
well: since existentialists were bores...
it's about time to head for Scandinavia
   and ask: is that " ''                 for passing on
an inheritance, or better still: ripe for
acknowledging ambiguity?
                          and if you can shove this
  into your daily narrative... you better be
a connaisseur of chinese antiques...
                frailty... then again, theres: ******;
well hell yeah *****'h, it's a murky underwold
after all.
                     and yes: that's called a petting word...
some say hombre, and we'll all be amigos
and muskateers at the end of the story.
                                    finally... i feel like i'm writing
a poem that i'll never end...
              why? it was supposed to be about
how John Casimir of Sweden championed
  the crown away from his brother Prince Charles
(volume 1)...
                      the bishop of Breslau...
a recluse... couldn't ride a horse...
    then again: nothing worthy imitation...
beginning with a donkey...
                               the transfiguration of palms
into whips... 2000 years later
talk of Hercules is madness... that other bit?
complete sanity.
                              well... if that be the case...
the book is there... i signed it, 2nd volume of
Kant's critique...
  
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | Y| | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |

        an oak... in a forest of pine...
an oak in pine wood...

then onto the wood of sighs:

aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
          (somehow the surd escapes,
and later morphs into, but prior to)

a short script: variation on MW...

      pears' worth of blunting runes:
opulance s and ᛋ - versus z,
    congregation minor: the interchange, ß,
buttocks and *****, minus phantoms of erotica.
yet, taking into account trigonometry...
sine (genesis 0), and cosine (genesis 1),
or            M                                   W
(no Jew would dare believe the Latins have
the second 'alf of the proof: that loophole of all
things qab-cannibal-mystic - cravat donning
mystique - a flit's worth of sharpening,
or dental grit... flappy tongue,
flabby oyster, lazing for a crab's palette)...
so?

1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0

of course there's an

Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. Her bio appears after her poems, and it is a fascinating bio...



Temple Hymn 42: an Excerpt

to the Eresh Temple of Nisaba
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



Temple Hymn 15
to the Gishbanda Temple of Ningishzida
by Enheduanna
loose translation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain,
dark like a mother's womb...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying...

Though approaching through a safe-seeming field,
our hair stands on end as we near you!

Gishbanda,
like a neck-stock,
like a fine-eyed fish net,
like a foot-shackled prisoner's manacles...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's Holy One,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!



Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains!...



Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!



Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!



Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!



Temple Hymn 42: an Excerpt
to the Eresh Temple of Nisaba
by Enheduanna
loose translation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



Lament to the Spirit of War
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy our land:
raging like thunderstorms,
howling like hurricanes,
screaming like tempests,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.

Tortured dirges scream on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down mountainsides.

Spirit of hatred, greed and vengeance!

******* of heaven and earth!

Your ferocious fire consumes our land.

Whipping your stallion
with furious commands,
you impose our fates.

You triumph over all human rites and prayers.

Who can explain your tirade,
why you carry on so?



The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!



Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name. She was the entu (high priestess) of the goddess Inanna (Ishtar/Astarte/Aphrodite) and the moon god Nanna (Sin) in the Sumerian city-state of Ur. Enheduanna's composition Nin-me-šara ("The Exaltation of Inanna") details her expulsion from Ur, located in southern Iraq, along with her prayerful request to the goddess for reinstatement. Enheduanna also composed 42 liturgical hymns addressed to temples across Sumer and Akkad. And she was the first editor of a poetry anthology, hymnal or songbook. Now known as the Sumerian Temple Hymns, this was the first collection of its kind; indeed, Enheduanna so claimed at the end of the final hymn: "My king, something has been created that no one had created before." And poems and songs are still being assembled today via the model she established over 4,000 years ago! Enheduanna may also have been the first feminist, as she made Inanna the supreme deity. Keywords/Tags: Enheduanna, translation, Akkad, Sumer, Nanna, Inanna, Ur, Sumerian temple hymns, Gishbanda, Ningishzida



The Love Song Of Shu-Sin
(the earth's oldest love poem, Sumerian, circa 2,000 BC)
loose translation/interpretation by Michael R. Burch

Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.
Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.

You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!
You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!

Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!
In the bedchamber, dripping love's honey,
let us enjoy life's sweetest thing.
Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!

Bridegroom, you will have your pleasure with me!
Speak to my mother and she will reward you;
speak to my father and he will award you gifts.
I know how to give your body pleasure—
then sleep, my darling, till the sun rises.

To prove that you love me,
give me your caresses,
my Lord God, my guardian Angel and protector,
my Shu-Sin, who gladdens Enlil's heart,
give me your caresses!
My place like sticky honey, touch it with your hand!
Place your hand over it like a honey-*** lid!
Cup your hand over it like a honey cup!

This is a balbale-song of Inanna.

This may be earth's oldest love poem. It may have been written around 2000 BC, long before the Bible's "Song of Solomon, " which had been considered to be the oldest extant love poem by some experts. The poem was discovered when the archaeologist Austen Henry Layard began excavations at Kalhu in 1845, assisted by Hormuzd Rassam. Layard's account of the excavations, published in 1849 CE, was titled Nineveh and its Remains. Due to Nineveh's fame (from the Bible) , the book became a best seller. But it turned out that the excavated site was not Nineveh, after all, as Layard later discovered when he excavated the real Nineveh.

As a surrogate for Inanna, the bride's mother would be either Ninlil or possibly Ningal, both goddesses.

As a surrogate for Inanna, the bride's father would be either Enlil or possibly Suen, both gods.

Shu-Sin was a Mesopotamian king who ruled over the land of Sumer close to four thousand years ago. The poem seems to be part of a rite, probably performed each year, known as the "sacred marriage" or "divine marriage, " in which the king would symbolically marry the goddess Inanna, mate with her, and so ensure fertility and prosperity for the coming year. The king would accomplish this amazing feat by marrying and/or having *** with a priestess or votary of Inanna, the Sumerian goddess of love, fertility and war. Her Akkadian name was Istar/Ishtar, and she was also known as Astarte. Whichever her name, she was the most prominent Mesopotamian female goddess. Inanna's primary temple was the Eanna, located in Uruk. But there were many other temples dedicated to her worship. The high priestess would choose a young man who represented the shepherd Dumuzid, the consort of Inanna, in a hieros gamos or sacred marriage, celebrated during the annual Akitu (New Year)ceremony, at the spring Equinox. The name Inanna derives from the Sumerian words for "Lady of Heaven." She was associated with the lion-a symbol of power-and was frequently depicted standing on the backs of two lionesses. Her symbol was an eight-pointed star or a rosette. Like other female love and fertility goddesses, she was associated with the planet Venus. The Enlil mentioned was Inanna's father, the Sumerian storm god, who controlled the wind and rain. (According to some god/goddess genealogies, Enlil was her grandfather.)In an often-parched land, the rain god would be ultra-important, and it appears that one of the objects of the "divine marriage" was to please Enlil and encourage him to send rain rather than destructive storms! Enlil was similar to the Bible's Jehovah, in that he was the supreme deity, and sometimes sent rain and plenty, but at other times sent war and destruction. Certain passages of the Bible appear to have been "borrowed" by the ancient Hebrews from much older Sumerian texts such as the Epic of Gilgamesh. Such accounts include the creation myth, the Garden of Eden myth, and the myth of the Great Flood and a mankind-saving ark. However, the Hebrew scribes modified the accounts to suit their theology, so in the Bible there is only one "god" who controls everything, and thus behaves like an angel at times and like a demon at others. And that is understandable if one posits that one god controls the weather, since earth's weather is unpredictable and at times seems like a blessing and at other times like a curse.



Untitled Heresies: The ur Poems

& GAUD said, “Let there be LIGHT VERSE
to illuminate the ‘nature’ of my Curse!”
—michael r. burch

reverse the Curse
with LIGHT VERSE!
recant the cant
with an illuminating chant
,etc.
—michael r. burch

Can the darkness of Christianity with its “eternal hell” be repealed via humor? It’s time to recant the cant, please pardon the puns.

if ur GAUD
is good,
half the Bible
is libel.
—michael r. burch

Christianity replaces Santa Claus with Jesus, so swell,
and coal, ashes and soot with an “eternal hell.”
—Michael R. Burch



day eight of the Divine Plan
by michael r. burch

the earth’s a-stir
with a GAUDLY whirr...

the L(AWE)D’s been creatin’!

com(men)ce t’ matin’!

hatch lotsa babies
he’ll infect with rabies
then ban from college
for seekin’ knowledge
like curious eve!

dear chilluns, don’t grieve,
be(lie)ve the Deceiver!

(never ask why ur Cupid
wanted eve stupid,
animalistic, and naked.)

ah-men!

Keywords/Tags: Enheduanna, Poetess, Sumer, Sumerian, Akkad, Akkadian, Saragon, Ur, High Priestess, Hymn, Hymns, Hymnist, Psalm, Psalms, Psalmist, Prayer, Prayers, Lament, Lamentations, Goddess, Nanna, Inanna, Ishtar, Astarte, Aphrodite, Sauska, Ornament of Heaven, mrbtr, mrbtran, mrbhymn

You're alone again...
another daylight epiphany, detached, taxed, viewing traffic through the misty window
as the sun inflates and coffee warms
your gentle bones.
I'm in a rainbow hotel with a black cat, singing truisms
down the hallway when nobody is around
(and I can slam the doors OPEN AND CLOSED)
just to make it seem like there's more going on in here than there actually is.
Some would call that insanity, I don't know what I would call it.
You're a stranger again, slowly aligned by one's entire life to a
parking lot blacktop,
faces passing like curtains, and you're blue
I'm blue too.
I require an anthem to get myself up at sunrise,
I require a great staircase limelight triumph signaling the (future) snow-capped mountains
to watch my great decay.
Oh it continues and will never cease...
my matter recollecting into life and then death again.

The whole world is lonely,
ceasing it's communal conversation to heal by
fire flower bloomed
and the whistle of
a kettle hymnal
you're alive and for now everything is all right.
I understand..
I don't understand
.....
you can't expect me to know any better as someone
who's endured the last four years in a storage unit
fenced by archaic wigs
and cockroaches who throw model parties
in the overcast shadow I can't illuminate
as it is all darkness there.
I could listen to cars travel by the locked door
and I could see the faint glow of a headlight when the sun goes down but I lacked the strength to pull that door open or to leave.
The only thing allowing me to escape was companionship,
“Will your own reality”
there's some situations in life that are simply inevitable
such as love
and lacklove
the searing pain in one's gut when they recognize another night in solitary confinement (a punishment of circumstance)
Or an internal circus in witness of the amaranth figure standing by my doorway and it's incandescent approach
and you (I) don't even have to plead.
That black cat likes to hide up in the lobby chandelier purring thoughts
......
To itself?
or to nobody
to the cat it doesn't seem to matter.
I named it Franz
(guess why)

In public, I have found there's always qualities you can appreciate in someone's smile,
they have a way of seeming so distant and yet all part of the same face,
crying without shedding a tear,
whispering for help without saying a word,
ready and willing to try with one another.
But instead it's the songs on a bus or silence.
I decide which
and so do the other passengers.
(subjectivity)
Your voices are beautiful I wish
you could really understand that,
when I wade by in a night
enclosed to a single room
in a single house
on an island in
it's own wet corner of the world,
only music.



Out
                          there                    ­      making
what I CAN of living
            with
                                  myself
­      and
s o m e t i m e s
(if I'm so lucky)

Others

sweetly           spinning
          
      coinless
                   and
              covered in heartbreak
on
   the
       way
             to
                a
                  shrine
                   ­        to
                              be
                             ­     kissed
                                            by
      ­                                          possibility.

The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!



The Exaltation of Inanna: Opening Lines, an Excerpt
Nin-me-šara
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

Lady of all divine powers,
Lady of the all-resplendent light,
Righteous Lady clothed in heavenly radiance,
Beloved Lady of An and Uraš,
Mistress of heaven with the holy diadem,
Who loves the beautiful headdress befitting the office of her high priestess,
Powerful Mistress who has seized all seven divine powers,
My lady, you are the guardian of the seven divine powers!
You have seized the divine powers,
You hold the divine powers in your hand,
You have gathered up the divine powers,
You have clasped the divine powers to your breast!
Like a dragon you have spewed venom on foreign lands that know you not!
When you roar like Iškur at the earth, nothing can withstand you!
Like a flood descending on alien lands, O Powerful One of heaven and earth, you will teach them to fear Inanna!

Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name. She was the entu (high priestess) of the goddess Inanna (Ishtar/Astarte/Aphrodite) and the moon god Nanna (Sin) in the Sumerian city-state of Ur. Enheduanna's composition Nin-me-šara ("The Exaltation of Inanna") details her expulsion from Ur, located in southern Iraq, along with her prayerful request to the goddess for reinstatement. Enheduanna also composed 42 liturgical hymns addressed to temples across Sumer and Akkad. And she was the first editor of a poetry anthology, hymnal or songbook. Now known as the Sumerian Temple Hymns, this was the first collection of its kind; indeed, Enheduanna so claimed at the end of the final hymn: "My king, something has been created that no one had created before." And poems and songs are still being assembled today via the model she established over 4,000 years ago! Enheduanna may also have been the first feminist, as she made Inanna the supreme deity. Keywords/Tags: Enheduanna, translation, Akkad, Sumer, Nanna, Inanna, Ur, Sumerian temple hymns

there is a song inside of my chest it
begs to be born from my naked breast
it comes to me in lullabies and keeps me from rest i find the goddess of earth in my dreams
a quest of solitude that only the soil can give me i feel
unraveled at the spine and
crave the blessing of death not for
the fear of life but merely the romance of the unknown
i speak words of love to all who
cross me i whisper intimacy
to my familiars all those whom are
dear to me are my soulmates
i was made
to love to be crucified
for sharing my body
*** is a gift
my body is communion
my divinity comes at the expense
of knowing myself
the sacred earth whispers to me words of mourning i cry for its
plants
body
and sacristy
and share myself to sacrifice
for the land which built me

My heartbeat sending up an erratic hymnal to the hand tightening around my neck: The same hand that grabbed my thigh under the table. Only God saw. The mouth that asked forgiveness on Sundays is on my collarbones in the park after sundown. It still gives me a stomach ache to think about you. Your fingers wrapped carefully around my throat wasn't the reason I couldn't breathe. I miss it already even though in the moment I wished I was anywhere else; my world was closing in again and I felt trapped. It happened on the same bench where I sat alone in grade school and wrote haikus about birds and waterfalls. Something must be wrong with me for thinking you were a blessing that I deserved.

My water tower in the sun, my pillar in the dark.
Rust on a warehouse door, **** anatomy of a shark.
A hidden, naked cartoon, vulnerable and hurt.
The afternoon rays of light, exposing my empire of dirt.

Squid in a dark room, forgotten seat for you to ****.
Discovering rotten apples, the fruitless empty pits.
Far on the *****, the eye is negligent to mankind.
No on has *****, yet "American ****" isn't hard to find.

From this floor to the next, watch out for the holes.
Stalactites are forming, between the rods and the poles.
The gang is all here, each with a gat.
Questioning Detroit, wondering "where da party at."

A symphonic silence, from abandoned piano keys.
For the love of the city, the birds and the bees.
A ladder to assist you, in anything but a climb.
Wasting away the day, when all you have is time.

Where they once opted elevators, they now offer only stairs.
Peacefully residing, in the asbestos, grime, and the glares.
The walls they're all puking, a paint chip epidemic.
No chalk at the chalkboard, a failed academic.

Some sign walls in scribble, some bless us with art.
Beautiful light fixtures hang, while sanctuaries fall apart.
The debris and the rubble, wooden frames and the splinters.
A back road in the city, in the dead cold of winter.

An altar to stand at, with no sermon or expectation.
A pew a sinner can rest, with only God's examination.
A wall devoted to an *****, hymnal at hand.
Stained glass more exaggerated, with shards in the plan.

Dancing on floorboards in rafters, climbing up to rooftops.
Wandering and trespassing, trying to avoid cops.
Panda bears, pillar ****, and playing in the snow.
In the shadows and the blackest rooms, I really like to go.

Pussycats in hallways and the golden lightning kitty.
Posing seductively in vacancy is where I feel pretty.
I've seen the light at the end of the tunnel, I've found King David.
Interrogated with the whys and don'ts, though I wish they'd save it.

Picasso in the projects, Sloth and Marilyn Manson.
Fairmont Creamery Company, a view held for ransom.
Some window panes are for looking out, some for looking in.
Struggle Buggy Snow White still sleeps, forever strugglin'.

I've seen them ask for me, "Warriors come out to play."
Detroit is to me, what night is to day.
I caught Pikachu and have seen a **** elephant.
In the frost of the Fisher, I found a heart that was spent.

But the cardio made of brick, spoke with such sass.
Resting bones at the Packard, in an armchair that's trash.
Patriots are nosey and robots attack.
Never putting an hour on when I'll get back.

On top of the world, or looking up from the bottom.
Abandoned buildings, schools, churches, there's something about them.
Where a tree has a better chance of rooting and planting.
When a society suddenly seems a bit slanting.

Color a flower on a wall that's been broken and charred.
Breathe life into a battlefield, encourage the scarred.
Take away ego and vanity, glance into a filthy mirror.
Don't just listen to a person, actually hear.

Sure maybe at times I may seem a bit morbid.
And my words can be harsh and approach kind of forward.
But when you're standing alone, in a hallways that's dead.
Whose last bell has been rung and last book has been read.

Then you hear footsteps from the floor up above.
It's in that uncanny awareness.
And fear...
I find love.

black-eyed child of the morning
sings blue-eyed hymns in the afternoon,
chokes on black water at night
pouring from the ceiling
depression waterboarding her small cheeks.

black-eyed child of the morning
paints red smiles on her thighs
running down her knees
heaven on her mind
looking for the tormentor in the ceiling.

blue-eyed child in the afternoon
lets sunshine soak up her irises
turning the light rose-colored
laughs drunkenly just under the
feedback
lies in bed and finds worlds in her mind
stroking their edges
closing her eyes

black-armed child of the night
resurfacing at last
shaking on the mattress
talking
screaming
to her thoughts
telling them to stop
trembling under the black water ceiling
crying because she's suffocating
begging because there is no choice

black-eyed child,
blue-eyed sometimes...
beggars can't be choosers

Lament to the Spirit of War
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy our land:
raging like thunderstorms,
howling like hurricanes,
screaming like tempests,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.

Tortured dirges scream on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down mountainsides.

Spirit of hatred, greed and vengeance!

******* of heaven and earth!

Your ferocious fire consumes our land.

Whipping your stallion
with furious commands,
you impose our fates.

You triumph over all human rites and prayers.

Who can explain your tirade,
why you carry on so?



Temple Hymn 15

to the Gishbanda Temple of Ningishzida
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain
like a mother's womb ...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying ...

Though approaching through a safe-seeming field,
our hair raises as we near you!

Gishbanda,
like a neck-stock,
like a fish net,
like a foot-shackled prisoner's manacles ...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's holy one,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!



Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains!...



Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!



Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!



Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!



Temple Hymn 42: an Excerpt

to the Eresh Temple of Nisaba
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!



Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name. She was the entu (high priestess) of the goddess Inanna (Ishtar/Astarte/Aphrodite) and the moon god Nanna (Sin) in the Sumerian city-state of Ur. Enheduanna's composition Nin-me-šara ("The Exaltation of Inanna") details her expulsion from Ur, located in southern Iraq, along with her prayerful request to the goddess for reinstatement. Enheduanna also composed 42 liturgical hymns addressed to temples across Sumer and Akkad. And she was the first editor of a poetry anthology, hymnal or songbook. Now known as the Sumerian Temple Hymns, this was the first collection of its kind; indeed, Enheduanna so claimed at the end of the final hymn: "My king, something has been created that no one had created before." And poems and songs are still being assembled today via the model she established over 4,000 years ago! Enheduanna may also have been the first feminist, as she made Inanna the supreme deity. Keywords/Tags: Enheduanna, translation, Akkad, Sumer, Nanna, Inanna, Ur, Sumerian temple hymns



The Love Song Of Shu-Sin
(the earth's oldest love poem, Sumerian, circa 2,000 BC)
loose translation/interpretation by Michael R. Burch

Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.
Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.

You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!
You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!

Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!
In the bedchamber, dripping love's honey,
let us enjoy life's sweetest thing.
Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!

Bridegroom, you will have your pleasure with me!
Speak to my mother and she will reward you;
speak to my father and he will award you gifts.
I know how to give your body pleasure—
then sleep, my darling, till the sun rises.

To prove that you love me,
give me your caresses,
my Lord God, my guardian Angel and protector,
my Shu-Sin, who gladdens Enlil's heart,
give me your caresses!
My place like sticky honey, touch it with your hand!
Place your hand over it like a honey-*** lid!
Cup your hand over it like a honey cup!

This is a balbale-song of Inanna.

This may be earth's oldest love poem. It may have been written around 2000 BC, long before the Bible's "Song of Solomon, " which had been considered to be the oldest extant love poem by some experts. The poem was discovered when the archaeologist Austen Henry Layard began excavations at Kalhu in 1845, assisted by Hormuzd Rassam. Layard's account of the excavations, published in 1849 CE, was titled Nineveh and its Remains. Due to Nineveh's fame (from the Bible) , the book became a best seller. But it turned out that the excavated site was not Nineveh, after all, as Layard later discovered when he excavated the real Nineveh.

As a surrogate for Inanna, the bride's mother would be either Ninlil or possibly Ningal, both goddesses.

As a surrogate for Inanna, the bride's father would be either Enlil or possibly Suen, both gods.

Shu-Sin was a Mesopotamian king who ruled over the land of Sumer close to four thousand years ago. The poem seems to be part of a rite, probably performed each year, known as the "sacred marriage" or "divine marriage, " in which the king would symbolically marry the goddess Inanna, mate with her, and so ensure fertility and prosperity for the coming year. The king would accomplish this amazing feat by marrying and/or having *** with a priestess or votary of Inanna, the Sumerian goddess of love, fertility and war. Her Akkadian name was Istar/Ishtar, and she was also known as Astarte. Whichever her name, she was the most prominent Mesopotamian female goddess. Inanna's primary temple was the Eanna, located in Uruk. But there were many other temples dedicated to her worship. The high priestess would choose a young man who represented the shepherd Dumuzid, the consort of Inanna, in a hieros gamos or sacred marriage, celebrated during the annual Akitu (New Year)ceremony, at the spring Equinox. The name Inanna derives from the Sumerian words for "Lady of Heaven." She was associated with the lion-a symbol of power-and was frequently depicted standing on the backs of two lionesses. Her symbol was an eight-pointed star or a rosette. Like other female love and fertility goddesses, she was associated with the planet Venus. The Enlil mentioned was Inanna's father, the Sumerian storm god, who controlled the wind and rain. (According to some god/goddess genealogies, Enlil was her grandfather.)In an often-parched land, the rain god would be ultra-important, and it appears that one of the objects of the "divine marriage" was to please Enlil and encourage him to send rain rather than destructive storms! Enlil was similar to the Bible's Jehovah, in that he was the supreme deity, and sometimes sent rain and plenty, but at other times sent war and destruction. Certain passages of the Bible appear to have been "borrowed" by the ancient Hebrews from much older Sumerian texts such as the Epic of Gilgamesh. Such accounts include the creation myth, the Garden of Eden myth, and the myth of the Great Flood and a mankind-saving ark. However, the Hebrew scribes modified the accounts to suit their theology, so in the Bible there is only one "god" who controls everything, and thus behaves like an angel at times and like a demon at others. And that is understandable if one posits that one god controls the weather, since earth's weather is unpredictable and at times seems like a blessing and at other times like a curse.

Keywords/Tags: Enheduanna, Poetess, Sumer, Sumerian, Akkad, Akkadian, Saragon, Ur, High Priestess, Hymn, Hymns, Hymnist, Psalm, Psalms, Psalmist, Prayer, Prayers, Lament, Lamentations, Goddess, Nanna, Inanna, Ishtar, Astarte, Aphrodite, Sauska, Ornament of Heaven, mrbtr, mrbtran, mrbhymn

I plead with a gray space
Pray to a slanted shadow, touch starved and pitying
Because there’s really no fooling
a self-delusion that shape shifts daily
It walks with me, a debonair escort that overtakes me by stride
Lines and angles made longer, magnified
Especially in the times I get turned around,
dizzy and disoriented with my back towards a setting sun
But here I find a circumstantial ally
A scorpion pacing figure eights on my back as I tread water
Saying “trust me for infinity, one way or the other”
How do you resist this temptation, the one of being known - of being leveled
It’s something like love if love were knowledge and prediction
And so when reason doesn’t work, reverence does
I gather the strength to acquiesce, already swept into a swirling current and soon spat out
At the feet of something larger and well fed
Prodigal I return, knees finding familiar furrows to sink into
Hands clasped firmly, aching and white
I praise “Thank You and Forgive Me and I Know” over and over
Calling out from within the stomach of a great dark fog

They say the devil
quotes scripture
in his red velvet
bathrobe, as he haunts
his own hallways,
with a voice that poisons
orchids and entices
the masses.

I need to know something. I don’t know if you want to tell me or not, but I really don’t care. You’re gonna tell me or you’re gonna find yourself in a world of trouble. I’m already ****** and it won’t take much to push me over the edge into dangerously angry territory.

No, **** it. Never mind. I’m ALREADY in “dangerously angry territory”. No, it wasn’t your fault. I was already close enough I could see the other side of reason before you came along.

But it would still be nice to know, if you’re willing to tell me. I mean, I’m not going to force it from you. That was the plan just a moment ago, but I’ve changed my mind. I’ve decided that my bitterness is not your fault. I won’t make you pay for it.

Yet I do feel as if it would do me a world of good to know.

Where were you when I was falling in love?

Were you sitting in a back seat of a crowded subway train with a cup of Starbucks coffee in one hand and a copy of “The Catcher in the Rye” in the other, holding it in front of your face as if it’s pages were a fascinating mirror? Was there an old man sitting near who turned to look at you every so often to the point where it creeped you out? Maybe you eventually said something to him, like “Excuse me, but is there something you wanted to say to me?"

“Why would you get that idea?” he would ask, as if he were totally oblivious to his invasive nature.

“I don’t know…you just keep looking at me and I wondered if there were a reason for it.”

“Nope. Not that I can think of.”

Did you smack him real good right then? Did you draw blood? I hope you did. I hope the driver had to stop the train to come back and drag you off of him. It would have been a real drag if the police had to be summoned, but on the other hand, wow, how ****** the thought of you resisting arrest.

Or did you cower into your corner, turn a page in your book and let the lecherous ******* carry on? I don’t think so. I really don’t think so. I don’t think that’s the kind of girl you are. I think you’re a firecracker.

And I think that wherever you were when I was falling in love is not where I wanted you to be. Not where you should have been.

Because I fell in love with a robot. Who knows why I fell in love with an ottoman? I didn’t know she was one at the time. Do you really think I’m stupid enough to fall in love with a machine? No, she was flesh and bones when I met her. She seemed normal, like all the other women I’ve ever seen or known.

But then she started smoking cigarettes. She carried them around in a little soft leather pouch that could be mistaken for nothing else but a case for holding the little *******.

God I hate cigarettes. I hate the smell of them, whether they’re lit or not. I hate the dark tan color of their filters with the little white dots speckled randomly. I hate the cotton that stuffs their filters. I hate the white paper with the almost imperceptible stripes banding around their length. I hate how the brand is stamped close to the base of the filter. I hate the packages that they come in and the cellophane that wraps them. I hate how stray flecks of tobacco gather in the bottom of the boxes and the wrappers, too. I hate how they make a person’s breath stink. I hate how they make a person’s clothes reek. I hate the way they look in a shirt pocket. I hate the way they look between people’s fingers and in their mouths. I hate the way they burn down to the nub and the ash that they leave behind. I hate pitch black nicotine stains on ******* smokers’ hands. I hate the way some people put one between their ear and noggin and actually think it makes them look cool. I hate how smokers seem to have some code of sharing, how it’s always “Hey, can I *** a smoke from you?” and 99 times out of 100 the answer is “sure”. It’s never, “Okay, but you gotta pay me back.” Oh no, Smoker’s Karma is at work here. I hate the way too many people call ‘em “smokes”. “I’m off to get a pack of smokes.” Good God, I think that’s lame. “Smokes”. Ha. I hate the way smokers ***** about laws that prohibit them from smoking in public and how so many of them have absolutely no regard for non-smokers who not only can’t stand the smell of the ******* but would just as soon not chance even the most remote possibility of getting lung cancer caused by second hand smoke. I hate how smokers would tell that person, “Oh, don’t be ridiculous. The chances of that happening are one in a million.” So what? *******. ******* with your nasty cancer sticks and **** your tar-lined wheezing lungs, too. **** the death bed you will lie on when emphysema steals your last breath. **** the oxygen tanks that cost almost as much as all the cartons of cigarettes you have wasted your money on during the last who-knows-how-many years of your life. **** all your attempts to quit. **** the feeling of disappointment that overwhelms when you fail once again, as Mighty God Tobacco hugs you, strokes your wet hair, wipes the sweat from your forehead and the tears from your eyes. Sweet summer sweat. The tears of a clown.

You know what? She never smoked before. I never would have thought she would pick up that disgusting habit, but she sure as hell did. Picked it up like it was a twenty dollar bill someone lost that she found on the side of the road as she walked to the smoke shop to buy another pack of Marlboro Lights.

There’s another thing I hate about cigarettes. “Smoke Shops”. Where the value-minded smokers purchase their wares. Not “Cigarette Store”. Not “Tobacco Warehouse"…oh, no. It’s a SMOKE SHOP. You’re going to buy some smoke, brother Jim. You’re gonna spend too much money at the 7-11 and it’s all gonna go up in smoke, but by the grace of God you are gonna save a couple of bucks by purchasing them at the “Smoke Shop” instead of the convenience store. You complain until you’re blue in the face about how ridiculously high the ciggy prices are at normal retail outlets, but when you run out of ‘em and the God-blessed “Smoke Shop” is closed ‘cuz it’s Sunday you’ll drive like a madman to Love’s and blow ten bucks because there’s a “Buy Two Get One Free” special going on. What a ******* good deal that is, eh, mister?

Furthermore…CIGGYS??? I hate how people call ‘em “ciggys”. But not nearly as much as I hate the word “cigarette”. I cannot stand to speak the word. I hate the way it rolls of my tongue. I hate the way the word sounds like it means “little cigars”.

I hate the way some smokers empty out their car ashtrays in the parking lot. I hate the way all the butts look lying there in a heap, a pile of paper soaked with the spittle of a hundred different mouths. And yet the nicotine python grips some desperate smokers so tightly that they will pick them up and try to smoke the last tiny flecks of tobacco from their crushed and blackened ends. I’ve even seen people extract the remaining **** from several discarded butts, roll it all up in a Zig Zag paper and smoke it. Don’t these people even know what Zig Zag papers are for? They sure ain't for tobacco, Charter.

“Butts”. There’s another word in the smokers lexicon that just sounds silly. “Smoke ‘er down to the ****, Jack, we’ve got more!” “I don’t have an ash tray, Terry, so just put your BUTTS in that half empty soda can over there on the table”…never thinking that there might be someone else at the party who could very likely mistake that particular pop can for his own and take a mighty swig from it. Oh my God, the thought, it gags me. How nauseating it would be to feel one of those wretched things fall against your lips and…Egad…the flavor…and yet the cruel smoker will laugh at such misfortune.

****.

God help me.

She was not a robot when I met her. Oh, no, she was a beautiful, exciting, passionate loving woman with a heart of gold and a desire that was practically insatiable. Here…take a look, I have a photograph in my wallet. See what I mean? That’s right, daddy-O, she was a real dreamboat. I used to carry this picture with me wherever I went…I guess I still do, huh? But I don’t know why. I don’t know why I torture myself looking at it, remembering what was, all we had, our bright and glorious future wrecked and deserted by her newfound proclivity for smoking cigarettes. Yeah, my friend, she was a real keeper. But you know what? **** her now, y’know? Just turn her over and **** her.

But hey…perhaps I’ve been too harsh on the smoker in general (if not to her…no, not to her). Perhaps I have exaggerated a bit. After all, some of my best friends smoke. It’s their business, not mine. Never has been mine. I know that. If they knew how I felt about the whole thing, whose to say they wouldn’t tell me to ****** off and never come back? Then again, if they are so shallow as to take any of this as a personal insult, then maybe, just maybe they aren’t my friends after all. I doubt the robot would want anything more to do with me if she knew what a stalwart anti-smoker I am. But I thought she felt the same. She DID feel the same. She told me as much. Before she lost her soul. Before she started smoking cigarettes. Before she started bumming ciggys.

I got no time for changes in her life so now I ask you again…where were you when I was falling in love?

Were you sitting in a Pentecostal Holiness church on a hard pew early Sunday morning before the service began, thumbing through the hymnal, looking for one that best expressed your feelings of devotion at that point in your spiritual journey? And what would that hymn have been? “Onward Christian Soldiers”? “Peace in the Valley”? “In the Garden”? “Smoke on the Water”? “Hotel California”? Maybe some obscure Black Sabbath song tucked in at the end of the book, next to the Doxology?

Did your hair shimmer, reflected in the light that poured through the stained glass window directly behind you? Did you feel it’s heat on your neck? Did it draw out beads of perspiration there, glistening? Would you have let me lick them and taste their saltiness even in the sanctuary of the church building? Probably not. But I don’t think the idea would repulse you like it would some other bonnet headed midi-skirt wearing holy rollin’ *****.

Maybe I would have asked you outside so that you might feel a little more comfortable with what I’d had in mind.

And maybe you would have told me “no”. I couldn’t blame you for that. No, I wouldn’t. It’s only natural for a real woman to guard her integrity in situations such as this one. I could not hold that against you.

Is that where you were? I need to know. Where the hell were you when I was falling in love?

Scuzzy film on a scalding riptide,
Bare sinew woven like scaffolding,
Catcalling as warm-and-fuzzies
Mince by like so many exposed marble legs
Passing construction sites.
Crimped by a polaroid viewfinder,
I sit alone and click-click-click
With folded memories in my pocket.

Let me just set the record straight:
I’m still in love with our contrails,
But you can go **** yourself.
We were helter-skeltering kids
Rivulets of caustic devotion
Sweltering down our skeletons,
Fly away with me again, please
I’m seeing synonyms for you
In every ally-cat hymnal
This gutter throat can sputter out
Seeing scarecrows bound by wicker muscles
Shivering in a windfarm
Powered by all those doors you slammed
Snapping together like worn
Rubber bands warm summer hands --
Dance with me, you were
The most perfectly human
I've ever felt.

Is that Listerine rolling out of your mouth
In waves of empty bottles once meant for me?
Off of your shoulders like a cape,
A swindler, eyeing you
Like you’re trying to sell me cutlery.
Exchange glances that are
Trailmix crumbling between couch cushions,
Rubbing shoulders with waspy relief,
Tendrils of comfort had me gripped by the biceps
Spread eagle like a petrified starfish
Till I lashed out at you with bullwhip arms
Because my own back had been too hard to reach lately,  

Mirrored
Ad Infinitum.
Your tongue looks like a mirror,
Stick it out at me,
We always did look more than alright together
People stared on the subway,
Called us starry-eyed without a trace of irony.
Back in the day when you made me happier
Than something I don’t even have a metaphor for,
Just happy. Happy needs no metaphors.

I still check my reflection every once in a while
Never know if we’ll collide again anyway,
Best to be prepared but instead I
Drift aimfully towards a catacomb of eyelash wishes
And equally corny ******* I never believed in,
Still don’t,

It was getting at us, though,

Rubbing sandy fists down to the core
Instead of holding hands
Crunchy apple shell
Skin friction,
Bite the seed,
1,000 angry pomegranate teeth,
Chapped lips like crustacean shells,
Aligned like eye-freckles
Me looking like an unused punching bag,
You somewhere off in the distance,
A fading marble of plasticine light
On my wavering horizon.

Because yeah, you broke my ******* heart
You were novacane cruel and selfish
And so immature it stunned me
But you also taped it back into my chest
On the day we met so I guess we’re even.

It’s funny, already I can’t quite remember your voice,
the shape of my name in your mouth,
how you laughed,
but every word  you ever said
is still carved onto the back of my hand
like a roadmap towards all the ways
you showed me how to love myself.

Still rubbing them away with your scalding riptide,
All those words you said about forever,
Now just shackles,
So gladly did I submit to yours,
I still hate those ornery devices
Even now when,
They’re curled at my feet
Like broken wings.

during service
a slight girl
with a weight problem
somersaults
down
the church’s
main.  

in choir, her boyfriend
longs
for a dart-gun
so he can stop
slicking
birds.

the school’s
second janitor
crushes a beetle
in the pages
of a hymnal     but the beetle
survives.

it’s heard tell
that this
second
janitor
hit puberty
without ever
getting
an *******
because his blood
became sidetracked
by the smallness
of his fingers.

it occurs to me the only place
the janitor
can hold an egg
would need to resemble
a dark
weekday
church
and that
if god

gave beauty
the world     he gave

fragility
my first
unborn
son
perfecting     an attraction
to nothing.

Vultures are monogamous.
Cragged necks looped,
it takes them years to forget.
Wing and wing in a nest of rot,
together they pick at sinew.

Fierce devotion in a hollow church
and no organs remained.

She will consume her dead lover,
spanned on an opalescent log;
regurgitate his remains into a baby’s mouth.

Born into the leftovers,
we become remains.

let the hymnal display my soul
let me find space beyond god
let me by apart of every pulsing star.

Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. Her bio appears after her poems, and it is a fascinating bio...



Temple Hymn 15

to the Gishbanda Temple of Ningishzida
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain
like a mother's womb ...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying ...

Though approaching through a safe-seeming field,
our hair raises as we near you!

Gishbanda,
like a neck-stock,
like a fish net,
like a foot-shackled prisoner's manacles ...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's holy one,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!



Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains!...



Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!



Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!



Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!



Temple Hymn 42: an Excerpt
to the Eresh Temple of Nisaba
by Enheduanna
loose translation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



Lament to the Spirit of War
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy our land:
raging like thunderstorms,
howling like hurricanes,
screaming like tempests,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.

Tortured dirges scream on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down mountainsides.

Spirit of hatred, greed and vengeance!

******* of heaven and earth!

Your ferocious fire consumes our land.

Whipping your stallion
with furious commands,
you impose our fates.

You triumph over all human rites and prayers.

Who can explain your tirade,
why you carry on so?



The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!



Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name. She was the entu (high priestess) of the goddess Inanna (Ishtar/Astarte/Aphrodite) and the moon god Nanna (Sin) in the Sumerian city-state of Ur. Enheduanna's composition Nin-me-šara ("The Exaltation of Inanna") details her expulsion from Ur, located in southern Iraq, along with her prayerful request to the goddess for reinstatement. Enheduanna also composed 42 liturgical hymns addressed to temples across Sumer and Akkad. And she was the first editor of a poetry anthology, hymnal or songbook. Now known as the Sumerian Temple Hymns, this was the first collection of its kind; indeed, Enheduanna so claimed at the end of the final hymn: "My king, something has been created that no one had created before." And poems and songs are still being assembled today via the model she established over 4,000 years ago! Enheduanna may also have been the first feminist, as she made Inanna the supreme deity. Keywords/Tags: Enheduanna, translation, Akkad, Sumer, Nanna, Inanna, Ur, Sumerian temple hymns, Gishbanda, Ningishzida



The Love Song Of Shu-Sin
(the earth's oldest love poem, Sumerian, circa 2,000 BC)
loose translation/interpretation by Michael R. Burch

Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.
Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.

You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!
You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!

Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!
In the bedchamber, dripping love's honey,
let us enjoy life's sweetest thing.
Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!

Bridegroom, you will have your pleasure with me!
Speak to my mother and she will reward you;
speak to my father and he will award you gifts.
I know how to give your body pleasure—
then sleep, my darling, till the sun rises.

To prove that you love me,
give me your caresses,
my Lord God, my guardian Angel and protector,
my Shu-Sin, who gladdens Enlil's heart,
give me your caresses!
My place like sticky honey, touch it with your hand!
Place your hand over it like a honey-*** lid!
Cup your hand over it like a honey cup!

This is a balbale-song of Inanna.

This may be earth's oldest love poem. It may have been written around 2000 BC, long before the Bible's "Song of Solomon, " which had been considered to be the oldest extant love poem by some experts. The poem was discovered when the archaeologist Austen Henry Layard began excavations at Kalhu in 1845, assisted by Hormuzd Rassam. Layard's account of the excavations, published in 1849 CE, was titled Nineveh and its Remains. Due to Nineveh's fame (from the Bible) , the book became a best seller. But it turned out that the excavated site was not Nineveh, after all, as Layard later discovered when he excavated the real Nineveh.

As a surrogate for Inanna, the bride's mother would be either Ninlil or possibly Ningal, both goddesses.

As a surrogate for Inanna, the bride's father would be either Enlil or possibly Suen, both gods.

Shu-Sin was a Mesopotamian king who ruled over the land of Sumer close to four thousand years ago. The poem seems to be part of a rite, probably performed each year, known as the "sacred marriage" or "divine marriage, " in which the king would symbolically marry the goddess Inanna, mate with her, and so ensure fertility and prosperity for the coming year. The king would accomplish this amazing feat by marrying and/or having *** with a priestess or votary of Inanna, the Sumerian goddess of love, fertility and war. Her Akkadian name was Istar/Ishtar, and she was also known as Astarte. Whichever her name, she was the most prominent Mesopotamian female goddess. Inanna's primary temple was the Eanna, located in Uruk. But there were many other temples dedicated to her worship. The high priestess would choose a young man who represented the shepherd Dumuzid, the consort of Inanna, in a hieros gamos or sacred marriage, celebrated during the annual Akitu (New Year)ceremony, at the spring Equinox. The name Inanna derives from the Sumerian words for "Lady of Heaven." She was associated with the lion-a symbol of power-and was frequently depicted standing on the backs of two lionesses. Her symbol was an eight-pointed star or a rosette. Like other female love and fertility goddesses, she was associated with the planet Venus. The Enlil mentioned was Inanna's father, the Sumerian storm god, who controlled the wind and rain. (According to some god/goddess genealogies, Enlil was her grandfather.)In an often-parched land, the rain god would be ultra-important, and it appears that one of the objects of the "divine marriage" was to please Enlil and encourage him to send rain rather than destructive storms! Enlil was similar to the Bible's Jehovah, in that he was the supreme deity, and sometimes sent rain and plenty, but at other times sent war and destruction. Certain passages of the Bible appear to have been "borrowed" by the ancient Hebrews from much older Sumerian texts such as the Epic of Gilgamesh. Such accounts include the creation myth, the Garden of Eden myth, and the myth of the Great Flood and a mankind-saving ark. However, the Hebrew scribes modified the accounts to suit their theology, so in the Bible there is only one "god" who controls everything, and thus behaves like an angel at times and like a demon at others. And that is understandable if one posits that one god controls the weather, since earth's weather is unpredictable and at times seems like a blessing and at other times like a curse.

Keywords/Tags: Enheduanna, Poetess, Sumer, Sumerian, Akkad, Akkadian, Saragon, Ur, High Priestess, Hymn, Hymns, Hymnist, Psalm, Psalms, Psalmist, Prayer, Prayers, Lament, Lamentations, Goddess, Nanna, Inanna, Ishtar, Astarte, Aphrodite, Sauska, Ornament of Heaven, mrbtr, mrbtran, mrbhymn

seven years young, always sharing a still smile.
You find him decked out and drowning in choir robes, with
Golden curls placed gently on a hammered head.


This boy plays piano in a dead sanctuary
Following familial rule,
until he let it all go.

the boy began playing music unwritten,
off hymnal sheets
Harmonious melodies stream from dancing fingertips,
Intrinsically clearing the once-cloudy air with vivacious voodoo.

The boy’s fingers groove up and down the piano,
His touch graces ivory keys and
His foot performs a rhythmic pedal-pressing tango.
He calls the audience: everywhere, eyes ignite like flame:
A communal headturn towards the piano.

They need more.
They crave it.

All the sanctuary people rise from the seats,
Abandon their pews, they enclose this boy.
No means to scare him, they want to experience.
The audience turns their ears towards the piano’s emissions,  

Emanating from within

Inhaling soundwaves—
Intoxicatingly sweet.
They absorb his notes into every pore of their skin,
Fueling their bodies with musical nutrients.
Electric jolts flow right into the room’s extremities.
They let down their hair and begin to dance.

Until a brief noise, distinctive throat-clearing, came through the speakers;
Heads shifted to the podium, only to see their ticked-off pastor,
Smirking and waving sarcastically.

Discipline.

The congregation stumbled back to their seats.
The boy stopped playing.
Ending the enchantment, killing the sanctuary.

Air again filled with ‘God’s voice’
through the mouth of the speaker.

A speaker who just wanted attention.
The boy slipped out of the piano seat, out the church’s doors.

You want to chase after him, give him a ride
Where could the boy be going in the middle of the storm?



The pastor’s prodigal son.

Fierce is god impenitrable
glad glad glad there is a
Fire up the street called Heaven
There is

A woman wearing only one shoe who is taking
an exhaustive drag of her smoke in the
early morning where birds are
still heard in
                                    !!!!!!cities

A hymnal a
heralded nest of savory berries A quartzstone is trapped in time a myth is made more ridiculous when proven real

Continents wither where the flies glue their

regal canvases on downtrodden earth (missing Pangea)

Or smiles everlasting smiles meanwhile
(Blonde tongues wearing fashioned wigs)
in constant state of beguilement

The Neanderthalic stones will be unforgiving to the REVEREND who has collapsed through his song the song of lead pipedream fantasies of sexless dogma YEAH monkhood yeah Ghat burning holes in twilit schools of thought or no thought at all


I can

hear the collective Faerie outcry that silence has presented itself HEAvier to their wicked careless bodies ok I am innocent of love I love your innocent love I am careless(of their wicked careless bodies)
ResemblingA swans actual duty to die
a swan lies a swan lay
like an even more beautiful swan
on even more beautiful swanny grass
To die by swanlightSUN and MOON white like the swan where we soon listen closely to the swansong a celestialLOVELY
rhythm of gilded forest (((((orchestrals
The swan leaves us in happiness of bright groggy light
                         O (of which in chaos of day I am again innocent)


     The Reverend's desperate gaspings into a  micro -phone for a macro - cosmic prayer idol o idol where is your capability for worship idol o where is my chinstrap o idol where is ****** youth or the romanticized eternal SUMMERS I sing
     O bible O cloudland O where is your telephone operator is they deceased by their own fragrant holines? The church
     Watches the Reverend neverend his television routine of clamoring death odes
     Watches his senility come like an implorical shadow outline watches a demon lick its dreamless lips beyond the periphery of godless dreams
     Watches
     Reverend lose his sight in anInstant
     HeWAILSheWAILSandWAILS can you hear it Thomas De Quincey can you hear the sandbeaches ringing more clearly than the ChurchBells or the ****** Pagoda for torture /

his soul is to sleep in the (mossy)mountain the fire of the (forever)street called HEAVEN the mountain column supporting the sky(swan)gate of heavenHeaven!welcome

   to:

I don't know the rules. If I go looking
for grace and find it, what will grace

be but penance for my past, a silver
sinew-thread wrapping 'round old
            wrongs, gray hair for the
                        fickle.

I've naught but want for sweet release
from this history. The bombs ignored,
            repeating in gramophone static
                        dripping stiff

as wet bamboo. I remember someone
once sang here, once strung together

chords so sweet they rang like peace-
bells beneath cloudless sky. They've
            rang the bell upon my jaw and
                        done no wrong.

It's not so much unlike one's curiously
cold reception at a funeral. The cold
            and rain ****** at the skin
                        during graveside hymnal.

As long as the earth continues
its stony breathing I will breathe.

That which I cannot help but do.
Stuck between boulders, I sing.

When it stops, I will shatter back
into gravity. Into quartz.

Cruising along mudddy
mountain back roads
in my father's Bronco,
A misty rain hovering,
on the horizon,

The Eagles,
Or Fogleberg,
Or Little Feat
drifting fuzzily,
into the back seat
Dad intermittently,
singing along,
and cursing the fog.

My Grandfather's musty trailer,
Atari games beeping and blooping,
from the television,
A jubilee of pixles,
thrumming on the 32 inch set.

My cousins chasing me,
through the hay lofts,
Michael falling from the rafters,
Six feet into a cow pie,
the size of Mt. Everest,
Neck high and flies buzzing,

Jake and I making the long trek,
back to our parents,
to report that our charge,
had been accidentally,
suctioned into a vortex of ****,
They were mostly mad,
that we had left him there,

The sweet strumming,
of my father's guitar by a bonfire,
Beer cans hissing and popping,
morphing into alien shapes,
in the flames.

Stars a cacauphony,
of tiny lights overhead,
If you walked just a few steps,
away from the blaze,
you could get lost
in their cosmic spiral,

My dad had a story,
about the time he saw a ufo,
in those stars,
How one shot up into the sky,
then straight down,
like a plummeting rocket,

Only he didn't belive things like that.
Ever the pragmatist,
quick to interject that we were all,
just worm food,
but when he told that story,
his hairs stood on end.

Days spent
picking grapes off the vine,
gorging myself in the,
strawberry patch,
and in the orchard,
There were so many apples
that we left some for the deer,

I recall being jealous,
that the boys got to go hunting,
while I stayed back canning fruit,
with the women.

Weirdly wishing,
that I could amass,
rank and file,
with the men,
Douse myself in animal ****,
and sit painfully still,
for hours,
in a rickety tree stand,
Our play house was probably sturdier,
and better insulated.

Looking after those stupid beagles,
and gathering eggs from,
stupider chickens,
Feeding infant cows with,
oversized baby bottles,
cradling them,
kicking and *******,
in my skinny arms,
barely aware of the pervasive smell
of manure.

Eating Papa's tomato casserole,
and drinking buttermilk,
Thinking they were only things
in his whole kitchen,
that weren't mouldy,
or mildly terrifying.

Walking wooded trails,
on cold mornings,
catching quick glimpses,
of foxes and grouse,
before they fled,
Warned off by the snapping
of small twigs underfoot.

Such rare and beautiful moments.
I didn't appreciate them then.
Only now that those days,
are long past,
just wistful songs in the mountains,
can I recognize their worth,
and sing their twangy melody,
with warmth and love.

Let us spark,
Lest we dwindle on
Such ill preconceptions.

Let us spark
For the steps
We have taken
Towards setting suns
And rising moons.
For the tears we shed
And the blood we’ve sullied
Alongside tobacconists,
Who pray without hands,
Hymnal steam seeping through
Chapped lips
For the sounds of laughter
That erupt from
Inconsequential selves
Who only ask
A tiny bead
Of hallowed light
To cut the smoke
Dense in our skulls.


This heaving ashtray
Will go on for miles.
I beg pardon for
A moment’s reprieve
In dear memory
With cigars.

-Juan Carlos Gomez

I cried as the stars bore low, a listening ceiling of silver rips and pins. There was no moon and they pressed lower and lower still.

And all that could be heard was the ebb and flow of one creaking
breath, one and then another,
going, going;
I was surprised that they were mine.

I pushed myself forth and away from the horror of your love in that coffin of a room.
An epithelalium, a dirge and a hymnal came to me at dawn. It was a birth into a clean white winter.

There is a bright place on the frosted pane where my salt water has melted through;
Though I falter in my steps I know my legs will carry me far away.

Once upon a time we had the hymnal propped by the kitchen sink so's I could learn; years later Mum would sing along with me, and now...I like never but once in a blue moon dare to sing aloud, for missing her to tears.



(sonnet #MMMMMMCCXLVII)


What's happened to--me?  Rainy hours detail
Thet eye with silver's touch while green lawns fence
The minutes fog obscures by vague suspense
With softest carpets rolled out to avail,
And I'm not erm, my own in sheer betrayl;
Erst naked trees lost to mists' whitish sense
Of yonder, I could shiver, and do hence,
Cuz in a blink I'm his upon that scale.
One comment like my wont five days ere, poor
As what?  now he distracts aught hours 'til through
Suggestion I am giggling, sober, tour
His deepest sorrows, and maunt say he'd woo?!
Of course, I'm better searching violets, fer
All that.  Let purple wink low, saying we knew.

05Apr17b

Another heady day blooms and gathers pace
Spring dawns at 5 a.m. with a gargle and spit in the dark

Big rain drops and falls
Soft blood red wet cherry stones of bath salts
Splayed across my ageing face
Autumn showers then walks

The spiderweb of ragged birdsong feathers and
Threads through the branches
Of just November trees
Autumnal hymnal
Singing through the dying darkness, whispering
Don’t capture the light

And walking jogs thought
Factoring rebuke as Information unwanted  
Proof then reproof
The tarmac fields of youth
Tilled by broken hands with
Broken men mending pipes and wires
Time leaves a presage- a butterfly mark
Autumn leaves their signals sending winter’s mark
Beauty colours death

Open eyes
With sun's rise
Rouge roused room
Four by six box
Satin lined
Episcopal ritual,
Bury the dead
Mother, Father
Don Apache garb
Hymnal hummed
Candle lit
How could nature see this fit

Suspended

From casket
Rise
And rise
And rise
Above autumn leaves
Struck with vigor
And love unobtained
Taunting with every flick of the wrist
Breeze blows through hair
I rise
And rise
And rise
Far above atmospheric scene
Aesthetics please
Sculpted by hands pure and clean
Mountains and sea
Gifted unto me
Love unrestrained
Rise
And rise
And rise
Celestials gleam
Forever in a day
A glimpse I've obtained
Descend
And descend
And descend
To gift bestowed
To forest spring
Nestled in
Mother's green
Descend
To casket
Forever in sleep
Forever in dreams
Open eyes
Rise
And rise
And rise

I was born in the summer and love watching the clouds move with the night time breeze
I am the youngest of four girls and when I was 13 my older sister left my eyebrows over tweezed
It was the night of my 8th grade dance and when I looked in the mirror she saw me freeze
13 years later and I laugh about how I was afraid I’d get teased

My favorite colors have always been red and green but over the years the shades of each color have risen or fallen in coolness and warmth
I have always tried to guess which direction I’m standing in with my internal compass, I always bet I’m facing north
I am learning to not run from my feelings of unrest but instead rush forth

I love when it’s snowed all day and the clouds finally pass and the moon illuminates the fields around me as I'm driven around fast
I'm in love with the idea of moving forward yet somedays I can feel the shattered somethings haunting me from my past

I love Marilyn Monroe
I love Lana Del Rey and Tina Snow
these women who have come before me, have similar scars to me that they aren't afraid to show
I love the feeling of being known
I love feeling as if I'm finally taking my rightful throne
I love this room my mind created everything hand etched and carved of marble stone

The curls in my hair sometimes come out to say hello
I've always wanted to learn how to make choux pastry dough
I love walking, anywhere and everywhere, it reminds me to take things slow

I like pickled radish
and the water of the bay that is brackish
I love when someone says "you're going to love it, try this"

I regret anytime I allowed someone to challenge the beauty and fire I hold in my eyes
and how I wonder why in the first place I even allowed them to try
I allowed them to convince me the strands of my hair didn't shine with such beauty it made the moon cry
I allowed them to drown out my colors with cheap black box dye
and tell me "I've never seen that before" as they point at my full and curvaceous thigh

I buried myself in the deepest dirt and hibernated
while everyone else above celebrated
how being away from me means they successfully evacuated
Their plan was beautifully and tragically orchestrated

I slept and I slept
through every season and even after all the leaves had been swept
I tried to hold onto anything that made me forget why everyone left
Then one day the sun made it's way down and through all the cracks and crevices, it crept
it crept til it woke me up from this comatose dormancy
"how long have I slept?'
the sun said "long enough"
and I wept

but as I wept the sun lifts my head and looks into my eyes
"you are whole and alive, These eyes have yet to see the wonders where my light shines, will you look up at the sky?" and as I look I see clouds the color of the painting above the floor in Versailles, I see every time I felt alive, I see every time I showed mercy and how many low spirits I was able to raise and revive. I see every time my presence has lovingly and unknowingly given someone the strength to survive.

"In time you will see how your depth and beauty goes farther than the bottom of the sea, you will hear my hello from every leaf and every tree and when the ground tickles your feet, be still and know I am with you and will never leave. You are who you are and I couldn't be more pleased, you are the same girl who at nine fell of her bike and scraped her knee, you are the same girl who at thirteen got her eyebrows over tweezed, I promise your garden will grow once you plant your seeds."

For a moment I couldn't breathe
I was in awe of the way the sun could see me
and how even though he sees everything from all sides he still felt this way, how could this be?

"Because you have fiery embers that glow within you, your flavor is more complex than the finest coffee maker could ever brew. Your presence is favorable, please stop allowing your point of view to get skewed."

I stare at my hands and remember how they looked when I was little and how I dreamt of a life where I'd smile so much you'd see my dimple, one where every day I'd be drenched in crystals, and maybe at this point I would have finally learned how to whistle... I haven't mastered the art of it yet, for me it's not that simple. But little me would be happy to know that now when she sings she sounds hymnal.

Little me would love to know that a beautiful cobalt blue journal bought by a friend would begin the journey of a love affair between me, some paper, and a pen.
Little me would stare at the thousands of words I've written about the deep feelings brought on by men
wounds from my father and boys I loved back then
she would walk up to me and she'd be so short I'd be able to rest my hands on her head
she'd squeeze me tight and sigh before saying "I love that we never leave anything unsaid."

And she's right
I have poured my heart out in the depths of the night
to the people with who I wanted to give a final goodbye
I know the rule of ignoring my heart is one I will always defy
This declaration of claiming my life back is one I will amplify

I have spoken my truth terrified even after drinking up all the courage I could liquify  
and albeit terrified I know I'm one of the lucky few who will stand up and speak first of how things are unjustified

I will stand and put my finger in the face of any angry man who tries belittling a woman and tearing her down as much as he can
I will fly over to shield her with my 7 foot wingspan
and put a stop to all of this before it even began

I will dance in the aisle at the grocery store and not care because they are playing a song I adore
I will sing with the fervor of a thousand voices and belt it from my very core
I will drench everything in love for when it rains it pours

Hi, my name is everything I have been and ever will be
my name is the first flight of every butterfly and every bee
my name is the feeling of when the person you love gets down on one knee
my name is the way a new born baby breathes

my name is the way flowers bloom
my name is the way you stand back and smile after you've just painted your very first room
my name is the way you feel when the fireworks on fourth of July go boom
my name is the way you felt when you were a kid wearing your favorite Halloween costume

my name is the way you feel when you've styled your hair just right
my name is the way you feel when it's the first time they ask you to spend the night
my name is the way you feel when your best friend hugs you tight

my name is the way you feel when you're happy and you've had just enough to drink
my name is the way you feel when the sky is that perfect shade of orange and pink
my name is the way you feel when you finally know what to say after having some time to think

my name is my own
and when I get older I'm going to buy a horse that's a blue roan
and ride her for miles
for I used to be out on that lonely road
and my soul will forever want to roam
and as I look at her mane to comb
it's full of beautifully ornate braids with flowers sewn
I look at her and see myself and I say
"You're finally home."

There is something about churches—
the sanctuary filling slowly,
brass ***** pipes arrayed like halberds
in a medieval arsenal,
stooped ushers handing out programs
as the congregation
accumulates softly
like snow.

And the pulpit—like a queen
in a hive of wooden pews
all of polished walnut,
stands hushed and expectant.

(I know within that pulpit
there is a place to put cough drops,
a legal pad, second pair of glasses.)

Sanctuaries have a peculiar smell,
redolent of potted lilies,
Youth Dew perfume,
aging hymnals,
the suspired breath
of five hundred faithful
lifting their voices to that soaring
Byzantine dome.

I was glad for your presence that day,
the sound of your marvelous
voice, the warm sense
of your shoulder next to mine.
You cradled a hymnal
benevolently in your hand
as though you were baptizing a child.

"Jesus Christ is risen today, Alleluia!"

I sang more loudly, I suppose,
for gratitude that you were with me.
I held my hymnal with more care,
sang and looked up more hopefully
to that pulpit than I might otherwise
have done on any given Easter.
I prayed more ardently for good things to happen,
thought more kindly of the man
beside me who wouldn’t make room
when we three entered the pew
but stared blandly ahead as if
waiting for an opera to begin.

When the minister spread his arms
in benediction and bade us all go in peace,
we stayed to hear the postlude
and watch the Easter crowd
wind its way to the narthex
and spill out into the boisterous
parade on Fifth Avenue.

I sat there and listened with you
as the organist played his sonorous farewell.
When I was a boy sitting next to you in church,
you might gently pat my thigh
when the organist’s final note
passed through the sanctuary
like a great bird in flight.
You would smile as if to say,
“You made it through the whole service!”

On this Easter, when the hymn began,
and the mighty ***** notes swelled around us
like God’s own voice in song,
it was the thought of your shoulder near mine,
your hands upon the pew,
that halted my singing for a moment,
to let a silent bolt of longing
pass through me
like a solitary dog crossing a road.
Then it was gone, the thought,
but so, too, was your palpable nearness,
the idea of your voice
ringing through the church
like a celebration.

liturgical language of wind whispers in the pines.
the sky filled with the pearly puffs of Her word.
the hymnal call of the mountains.
angles rise from the depths of lakes.
the taps of rain on the ground proclaim the Almighty.
cavernous churches entombed within the minerals
of Her love.
upon Her watery canvas She paints portraits
of Her ardent, blue dreams of eyes, and erases them
with each passing kernel of time
repainting them just as fast.
paradise.
pinnacle of unselfish endeavors.
untainted beauty encapsulated in Her smile
She is good; She is infinite; She is yes.
my only escape,
ever-faithful,
unchanging beauty.
all is held within the womb of Nature,
waiting for birthing death into the ethereal.
thank god for Nature.

i was raised up
to sing ,
and to praise god ,
and to say amen .

nothing else .

but as i live this life
with all of the forks
in my yellow brick road ,
that i was urged to travel on
by people in my life
who i realize now
were children
compared to people who cared ,

i see no god .
i see no praise ,
for him or anyone else
that is said to deserve it .

i hear no singing .
just see thousands of quarter notes
in a hymnal book that five people
pick up
and study , like it's their job .

i hear no independent amen .
it is only said after one person's prayer
is finished
and after they have used
pointless
s p a c e f i l l e r s .

" dear
lord , we just thank you father
for the day to day lord . and
god , we just love you lord . and heavenly father ,
we would like to pray, lord , for those who couldn't
make it to this service tonight , god .
remember , dear lord , our soliders , god .
remember those of your children , father ,
who have strayed from you path god , and
please help them dear jesus to
find their way way back to you , heavenly father .
in jesus' name . amen ."

THEY KNOW WHO THEY ARE PRAYING TOO .
THEY NEED NOT A REMINDER EVERY SECOND .

i bet god gets sick
of his own name .

i bet he changed it
like mom does when the kids say "MOM"
too much .

maybe that is why prayers
aren't getting answered anymore .


i bet he changed it to something awesome , too .

like Spacefiller Christ .



i think a chorus of silent , heartfelt prayers
and hushed amen's
would be more beautiful
than any robotic , unified repeat ;
more beautiful
than any hymn .






STOP .


you are not just
one of god's children ;
you are whatever you want to be .

god is not glenda
and the devil does not only reside
in the west .

life was made
for you to awaken
from this controlled dream
and hug your auntie em
and to work on the farm in kansas
until you get the money to go
where you want to go .

you don't need to click your heels .
not even once .




you just need to wake up .

She lived in that white mansion
Up up on the tar hill
All her life she was wrapped in it
Look closely to find her
Between Christmas trees and patio
Spinning under them wishing so hard
She was a fairy and prayed for a wing
Late evening, she creeped under
this tree she doesn't even know
the name of it
Molding foods out of sands
Driving in a plastic car with her feet
Accidentally her right foot was under the car tyre
But kept trying to drive past this root from this big tree
Crossing over drains so gracefully

She told me the good times
When people praised
That she could write her own name on a markerboard
Or when people said she was pretty
In scarves even though
She looked like hell
She told me it reminds her
Of Fleet Foxes 'White Winter Hymnal' lyrics
With scarves of red tied around their throats
To keep their little heads
From falling in the snow
Her scarves was all red too with ribbons pinned on it
That she regret losing it now

Right back when she could wear dresses
Without remarks from her mom
That it felt good when people don't talk
About her hair that is bad everyday
Chocolates were shared without even a thought that she did not want it
Turtles can be kept because there
Were still aquariums
But they went missing the next day
Just like her hamster named Michael
Also this cat she left at a fish market a few time
But got back home like there's a GPS, itinerary and atlas all in its head

When her dad had to work until daylight
She will have to sleep upstairs with mum
In that little space there are microphones of which
She sang songs that find ways until 3 lanes behind her house
She hated the smell of the sofas
She wasn't afraid of heights but
Everytime she looked outside the windows she just get the chills
At nights engines revving on roads
Passing by frightened her so much

Once a burglar got into the room
Where her aunt sleeps in
When dad was working she slept to the room next to her aunt
At 4:00 she heard a distant cry
Up to this day, she doesn't like
The holes on the bathroom walls
She said she could feel someone
Watching
And still there's this trail of size 7
On the white wall under the window
Images of a flower *** moved to the front door
To stop us from running away,
that *******

Now she is out of her own
Beautiful tragic cage
Now she can be found beside this road
Her last step out of the black gates was no tears
I can still feel the echoes from the pictures of her mansion
Like a phantom limb hanging
The air that surround the mansion now
Is straight out of hell
The fog like a poltergeist in her head
Making sounds and moving things
Oiling cogs in my head
And sow the longing deep underneath
To come back in summer and search for her red scarves

His voice like the sky splitting open,
When a storm is just over head.
His smile is warm and crooked,
Framed by cheeks of rosy red.
Always to be found under the hood
Of a car being restored from old age.
Or a bench made of wood by a grand piano
Reading music from a hymnal's page.

The greatest example of a love for life;
Generous, kind, and forgiving.
Always thinking first of his wife,
As if she is the sole reason he's living.

But oh to hear him sing!
The sweetest tenor voice you've ever heard.
Hymns, carols, all sorts of things.
I would stand next to him and sing "Oh, my Lord"

He gave me a gift that is the best gift to give
The gift of a love for music
and the voice I use to sing it

After tending sheep,
He reads the worn Hymnal and
Dozes by the fire