10 feet below the water’s surface and losing breath. A hundred pink gladiolus flowers float in the water above me. I see the sun’s rays burst through the edges of the petals to me. Grasping the sun’s rays to pull myself to the surface, I use the light as a ladder. I reach the surface and grap the pink gladiolus flowers. They turn into atropa belladonna in my cut up hands, the sun hurts me and Atropos threatens to cut my string. I retreat and go 11 feet under the water’s surface. I stay there and I lose breath, my lungs feel as if they’re going to collapse and just as I was going to close my eyes for good a single pink gladiolus gently sinks through the water past me. I watch it sink, it goes down past me and keeps sinking. I keep my eyes on it until it finally disappears into the darkness. I look up and I see hundreds of pink gladiolus flowers sinking in the water. The beautiful sight gives me hope. I grab flowers and pull myself up to the surface. I fly up out of the water and Atropos looks me in my eyes. I have one chance to change the goddess’s mind. I wrap my arms around her and she gently puts away her scissors. She knows that I’m worthy of a new fate so she sends me to a forest filled with gladiolus flowers and weeping willows. I know that I will someday see her again so I will make the most of the time that she gave me for now until we finally reunite.
END

Blooming in the heart of the sky
Gentle and free
Like a vibrant butterfly
You're a gladiolus
Supreme in it's strength
And you're so beautiful
You're heaven sent
You're gracious
A melanin queen
Your smile is like diamonds
At the bottom of a clear stream
You are the moon and the sun
Your laughter is infectious
And your presence feels like a warm embrace
You have an aura so luminous
It brightens up my world on my cloudiest days

(Narrator):
Upon a sunny day you see a girl leading a horse up a beach in the heated sun of the Roman Empire. She is a princess to a great roman king. This king’s name be Alexander the Great who in our history died young. The king dressed in white with red sashes covered over it is in the mist of trying to find his daughter a husband, one who will be fit to be king when he no longer can. The beach being sunny and warm princess Auria has chosen to take her horse for a ride while her father speaks to his men of the council.
Princess Auria: [riding her horse down the beach in a gentle stride] [clip clop………]

(Narrator):
Suddenly the horse rears up into the air throwing the princess from its back!

Princess Auria: [haa… … screaming [smacking into the ground] thump!]

Enters: Tibius [walking up to the horse who threw the princess tibius calls for it to calm itself and then walks up to Princess Auria asking… …]

Tibius: dear lady do you need some assistance?

Princess Auria: no but I thank you for retrieving my horse. Asking herself under her breath… What could have scared you so…?

Tibius: I believe it may have been that serpent over there near the sands edge.

Princess Auria: oh that must be the reason, Thank you again. What be your name young man.

Tibius: my name lady be Tibius and you are most welcome.
Princess Auria: Tibius you say. Would you be willing to come with me to see my father and gain his thanks as well for he would be most grateful to you for what you have done this day.

Tibius: I know not why this is needed but I will follow lead the way my lady.

Princess Auria: please call me Auria.

(Narrator):
Princess Auria leading the way takes Tibius to the king her father who sits in the throne room talking to friends and family. Walking up to her father she tells him what tibius has done. Tibius stands there after being shocked that the lady he helped was actually the princess. Not knowing what to say to the king tibius stands before him in silence.
King Alexander: you a man so young and by the looks of it having little coin save my daughter! This cannot be…

Tibius: if I may speak great king.

King Alexander: you may do so.

Tibius: I was walking along the beach when I saw a horse running in my direction but without rider. I choosing to find said owner came upon your daughter the princess Auria and thus I am now before you.

King Alexander: if this be true what my daughter says than you must in some way be rewarded. But how is the question…

(Narrator):
Enters Princess Auria’s mother Dayanara, coming from tending the gardens within the palace walls dressed in a blue dress trimmed in silver she walks towards her husband the king.

Dayanara: my husband may I say a word or two for I have heard what was said and have an idea.

King Alexander: what idea would you have dear wife.

Dayanara: I speak this let him guard Auria from this time forward both within the walls and without them so as we her parents need not fret so when she goes off alone. I know it may be much for so small a thing. Let him be her personal protector. My other words spoken, I have word of someone who wishes marriage to our daughter.

King Alexander: this is a wondrous idea about Tibius being a protector, let as my wife speaks be done. Do you agree daughter? What about this marriage you speak of Dayanara? Who?

Princess Auria: yes father it is a pleasing reward.

King Alexander: and you Tibius. What do you say to this?

Tibius: I can do nothing else but agree for not too would be a dishonor to both you and your family king Alexander. So yes I say to what has been spoken.

(Narrator):
Scene changes to a battle on the high mountains behind the palace near the ocean. Hundreds of men from Rome and far off Greece that comes by ship battle on the damp sands and grasses of roman earth to take what is not theirs the Greeks wish. Blood and life be spilled at all ends and innocent’s being slaughtered without care. The roman princess waiting in the palace by her mother’s side wondering what is to become of them because no word has yet come about how the battle fares.
[On the battle field]

King Alexander: men raise your blades, your shields, do not yield! Do not I say!
[Clashing, banging of armor and weapons]

King Alexander: men forward March, lances and horses ready. [Forward……!]

(Narrator):

Enters: solder sadeen

Sadeen: my king the battle falls not to us but our enemy we lose men to fast.

King Alexander: we must find a way to get them into the water and then hit them with fire and oil that will burn greatly.

Sadeen: we could place oil along the hills and light it aflame this may drive them back if we make it strong and high.

King Alexander: see it done sadeen; see it done fast for I fear we will lose as you spoke before if you do not.

Sadeen: [riding away from the king at full gallop towards his men to carry out the orders given]
[Gallop… gallop…]

(Narrator): Sadeen follows the Kings orders by lighting aflame ***** of hay covered in oil his soldiers pushing them down the green grass hills where battle takes place to weaken the Greeks ground and might. [Greeks screaming]
[Outcry…… Shrieking…… Men dying]

King Alexander: [praying to himself that what he has asked of his men does not fail] you boy over their go to my family and give them this letter see to it that it is only to them you give it.
[Yes my lord]

(Narrator):
The boy with the letter runs as fast as his legs can carry him back threw the roman streets to the palace and gives the letter to the queen. The queen opens it and read the news of how the battle fares and the instructions given if the king falls.

Dayanara: [calling her daughter] auria… auria…

Princess Auria: what is it mother? Why do you yell so?

Dayanara: your father has written of the battle he pleads with us to leave and go to the villa where you grew as a child for the battle does not fare well and he fears that they will lose. He speaks to us that he will send someone to find us if they win. Come we must go.

Princess Auria: I will find Tibius he can see us to safety out of Rome and to the villa.

Dayanara: go to him in silence speak to no one else only him.

Princess Auria: yes mother [off she runs with her footed sandals slapping on the marble floors as she does].

(Narrator):
Princess Auria runs to the solders corridor and finds Tibius telling him in hurried breath that they must leave fathers words for they are in danger. Tibius gathers up his things and follows the princess back to the royal halls and they silently leave threw the gardens heading to were the villa rests dressed in peasants clothing they be. The king back in the battle hopes that the letter he wrote as found them in time. [He once more prays]

Tibius: come my ladies this way but be careful and quite

Dayanara: we walk silent but you must call us by our names not by title Tibius

Auria: mother is right do as she says for doing so will make others think we are peasants and family. It be less likely they will look our way with suspicion.

(Narrator):
[Suddenly Greek soldiers come of darkened shadows intending to strike and **** the ladies Tibius raises his blade to stop them].

Tibius: [Crash…… his blade smashing into another]

Soldier: his blade striking back [Clashing……]

Tibius: striking the soldier down leaving blood pooling upon the marble path [rushing away]

(Scene):
Days later the three peasants make it to a quite villa outside of Rome and begin a new life as mere workers for those who live there. Any who ask about the owners the peasants simple tell them that they are away due to the battle. They being servants were made to stay behind to keep the place clean for when the owners returned, when that is they do not know. Weeks and more months pass with no word from the king they begin to fear that all is lost when one day a man wearing roman armor rides up asking for the lady Dayanara. Tibius stepping forward asks why? They must return this man says for the king calls them to him.

Tibius: who is the king?

Stanger:  King Alexander of course

Tibius: wait here go nowhere else

Dayanara: what is it?

Tibius: there is a roman outside he says the king calls for us

Dayanara: then we go; this is the sign, find my daughter and gather our things.

Tibius: yes lady right away

(Narrator): They return home going back the way they had left, but through the city rather than the village.

(Scene change): they are home at the royal palace before the king once more, but he was not alone.

King Alexander: you have returned safe, this makes me happy, and rushing to them he smiles [giving them fierce hugs]

Dayanara/ Auria: we are glad to be with you once more, it was worrisome and lonely without your presence being with us.

Dayanara/ Auria: who is this man that stands before us with Greek Armor?  Why is he not dead or imprisoned like the others?

King alexander: he is the prince of the Greek people and the son of King Simentos. Please be polite let me explain what has come about from the great battle on Mount Tear. [He explains]

(Narrator): alexander tells both his wife and daughter that the battle was won due to the son calling up a white flag of truce and asking that no more blood of their people be shed. (Enters Brontes).

Brontes: I am the son and prince of Greek and I wish to come up with a way to unite our lands and people. Your father mentioned that he was looking to finding you Auria a husband; I know that me being Greek may not seem a pleasant thing but I hope for a chance to prove my worth to you.

Auria: I know you be Greek but what does that have to do with the man you have become I see not. The place we are born and live helps us to grow but does not make us who we are.

Dayanara: husband I believe that Auria likes him and they seem to be getting along well [she whispers to him].

King alexander: do you think then that the idea of marriage to Brontes will suit her well, that she will love and or care for him as he will to her.

Dayanara: I do, but let them decide what their choice will be.

(Scene):  the princess and prince wonder into the garden that is covered with the roman flower called the Gladiolus which means sword lily. Speaking of many things that have happened in their lives they continue walking. She tells him that she would hope to see both her homes often if she were to say yes to this peace proposal.

Alexander/Dayanara:  we must speak with the two of you. Have you come to a decision about what this marriage may mean?

Auria/Brontes:  we have come to a final choice after our long talk. We believe that this marriage would be well placed for both of us to accept. We have chosen to wed here and stay till the spring then to travel to Brontes’s home and have a smaller wedding there to please his father. Though this set of weddings we will sign a truce treaty combining our to lands and people.

Dayanara/ Alexander: that is well thought of from both of you. Well done, I believe that this is going to be a very happy time for all of us. Let the wedding be within a months’ time.

(Narrator): the wedding takes place upon the hill where the battle was once fought this is where they will make peace and sign the treaty. The wedding is beautiful and the flowers that are thrown around them show their unity. Both are dressed in the colors of the ocean and their prospective homes. {This is the end of their tale and perhaps a new beginning for us all on earth}.

THE END

Blooming flowers in the heart of sky
dancing the shades vibrant of butterfly
magic of grass green
blending in light of the dawn serene

Rainbow with all it's colors
sprinkled on the contours of earth
red and green and blue
Like Sparkling drops of resting dew

soothing white lillies
and sensual red rose
captivating fragrance of jasmine
and the smiling marigold

ornamental purple vines of bougainvillea
glorifying in the bright of light
in the cloudy patterns of heaven
inciting mischief in the playful minds

Bells of Gladiolus
supreme in its strength
Sunlit sword of lily
Blushing,when emerging from it's stem


Manisha

We run from the downpour
to the safety of the car
a warm glow of paper cups
steam rising from their mouths
now silenced by water

I say,
“I hope he likes his hot chocolate
with a shot of rain"

You respond with a laugh;
Small and fleeting
and sincere.

i thought you were a painting at first,
with the way those dyed eyes matched mine,
with lips as full as a novel and as red as lower worlds,
made me think you were a painting--of something most divine.

i thought you were a painting at first,
with the way those small hands rose as mine did,
with the way those lips tasted of cookie dough and warm sugar,
with the way those eyes never seemed to leave me for naught,
and abandon me in lakes.

i thought you were a painting at first,
when i approached and eels ignited my mind--
with the thought--the picture-- the painting of you, O dear,
and set my mind within seas--clouds--of gladiolus's.

i thought you were a painting at first,
with that ever-always smile,
for do you not bleed at the mouth,
with that kryptonic sunshine?

i thought you were a painting at first, my love,
when my hand touched your sadistic smirk,
knowing i couldn't truly reach you,
and the heathers over-lapse me.

i thought you were a painting at first,
when my cheek touched your cool one,
and stained it with cherry pop blush,
for i know it's your favorite,
as you wear it to bed, all-while.

i thought you were a painting at first,
when i froze and my mind sung eulogies,
at my death at your satin feet,
for your beauty reaches past heaven.

i thought you were a painting at first,
when my smile synced with yours,
when they poked our eyes,
when they wrinkled our noses,
and when the sun shone still--even though ours were enough.

i thought you were painting at first,
until our lips met 'neath blue light,
and the shivers i bled,
fueled our world a-night.

for, dear, i thought you were a painting at first,
when i could see my heart beat--pace as yours,
and the moon and sun morphed--into entity,
and made us water lilies birthed with ravens.

i thought you were a painting at first,
when God told me,
'for you are the most beautiful person i have birthed from my lungs,
and spoke my heart to,
for you--and your painting here--are the only things that dance to my world.'

i thought you were a painting at first, my love,
when i bleed into pots and saw you doing the same,
now i know when my time is scuffed 'neath the barren sand,
your blood--our resin--stains lots.

lots.

lots.

for i know you're a stunning painting, O love,
for you lock many hearts.
i'd hope to own thrice of many,
so you could master theft over, and over, and over again.

i know you're a wondrous painting, O dear,
when people beg you to pose,
so they could see that beauty too, O love,
and kiss it a wish.

i know you're a masterpiece, love--
sweeter than melted butter,
and the finest of berries,
for you're worth--worshiped--much more than,
such mundane things.

i know you're a vintage classic, O wonder,
when my eyes turn blinding stars,
and fill up night skies.

for i knew you were a--

masterpiece...

master... piece...

master...   piece...

master.

for i knew you were a human, O master,
when my eyes gloss over in drunken clarity,
and my lips spill cider;
my hand becomes water at your touch,
for the pool knows no words,

to bask in my beauty.

Dwindle-Melt-Dissolve
Lips of the world lost
        Unsolved
Evanesce bring to life
Live-Love- Dance

 Prayers>> of >the> Providence
        
Lips deep--- tears-seeded
    Life unfolds
Loved ones need to be hold
World spins High flower
       Chin

Are we all connected within?

Anxiety on the rise
Weaken flower transforms to begin
Sun lips gladiolus
Melody of Mozart- Amadeus
Honeysuckle- Rose lips

Healing rain European trips
Winding minds of stairs
They lost the flowers
Bad politics and affairs
I saw the light

Candle-lips star bright
Lips got healed God sent
Don't dwell on life the big rent

August is wonderful month for star gazing.
Camellias, dauphin Oise and renuculars in full bloom this August
How much sun does my August Moon flowers needs;
the more sun, the more golden the texture shine  on through

Here came the brides, marching down the aisles with theirs fathers
While, the theme of Goldenrod, Sunflower yellow, Saffron and Dandelion takes center stage,

August is a month that stands its own merit
an excellent month for bird migration, but not for illegal immigrants
August's birth flower is gladiolus, its comes with, calm, integrity, and infatuation

August is the wayward month no less.
Star gazing at its best

There she was, her eyes bright and shining buried in her rosy complexion of which was indecently shown through the discharge of the temperate winds longing like lost military men to taste a woman's sweet words once again. She held in her delicate fingers, thin and unsteady, a chain of sweet nothings that trailed after her scrupulous footstep as if solely existing for the chance to be in her superlative presence. Gladiolus, Poppies, Aster, Delphinium, Orchid, Peony all linked together in a perfect array of scent and color reflecting the consummate image of the girl that led them. The world accompanied her to a cliff looking down on a cold river, the scene smothered with the orange glow of sunset and the sky clear of all but the unwavering flap and call of the birds who claimed it as their own immovable kingdom. She walked to the edge of the land and twisted around, her heels grazing the edge of everything and nothing; life and death; to fall and to walk. Slowly she tipped and her gaze caught mine. I cried out in my head Ophelia, but nothing came to my lips, cold and thin. As she hit the icy drink she smiled, her flowers cast above her about to disappear forever along with all other sweetness worth living for in Denmark.

I've never gotten flowers, not much to say
In love once, still can't beg to stay
I've never gotten flowers, but oh.. to dream of lilies
How the return of happiness will ever feel?
"Hold onto your baby breaths,"
They never given me any
All I ever wanted was a tulip
The same way my father use to gift my mother
Smiling while I hide behind him excitingly

Dreaming of  my once upon a dream as snowdrops grow
Sunflowers, how beautiful they could be
Joyfully restoring oxygen into my lungs
You never knew cause roses are the trend
Honestly, you never asked
Left, right you're gone
Not a rose in graved, they're all out of sight
Its alright I'll get gladiolus
Swimming in the lilies valley one day

Memory, Not a Flower girl

By:Zoulaikha

Beautiful Water
Sweet Spring of Life
You are more than enough as Thee
Each moment  I touch
and retouch your beginning
Willingness to Peace
A moment in time
Shared
Memory
Trickling thru

An orchards flare
Of
Apples picked
Macintosh then
First Learnings
Of the Truth
Gladiolus on the Side
Beauty Freed for
A Mothers Love

Ladder
From
Sustenance
To Grace
Something Sweeter Now
Maple Syrup
Tapped
by Wooded Gate

Johnny
A Real Hero
Changed the World
Kindly
And with Love

One Thought
His Pure expression
Always the Same
Gods Good
Life
Guitar String
For the Earth

His Arrow
Split the Heart in Two
An Apple
Felled
To the Ground

Witness
To a World UNComing
Mournful Courage
Put Away
A  soldiers
Duty
Paid
Prince
of
Brotherhood

St James

You Now
Are Made

i remember
(a pluchritudinal memory)
when almost so effortlessly
our lives lied to us most indefinitely
in the hours that return with
lashes and chains—

as in clothes heavy soldered
to washlines, the waft in the air is as familiar as the rain cooling
the blades of grass you speak of,
something the dark only conjures
waiting at the brink of my unclosed retina.
i know all of these well-placed memories
like furniture you have arranged
under the hollow hands of the home.
yet barely even so, a fond memory of—
the daedalus outside or the cut
gladiolus, plucked out of the moseying hour's vicious wingtip.

we do not always die like this.
when all our dying whispers are thrusted
underneath mouths of stone,
when all of our wishes hold a flame
paler than a vague rekindling of the dead.

sometimes promised something an ellipsis would half-ponder and postpone
in word's mid-birth.

the raging moon had waned.
all the windows shunned — hermetic,
air outside potent, leaving all books
half-read yet fully opened.
the children hide behind thin shades
of roses,
i can hear the steely grit of the flesh
pared from the bone as my mother
guillotines with kitchenware

we do not always die instantaneously.
most of our ways to go leave
demarcations on soul — something so easily displaced, doubled array of its arrival into half-wakefulness.

something only a last prayer thumbed
down to the last bead
and we cannot cry anymore.

night's flumine seeks to rebuild the wound undone delicately
leaving my breath and betraying my body.

we somehow always die like this.

in my heart's deserted street—

on the road and the cornucopia
of twists, and the unmindful turn:

surrounded by white-bellied,
inward-breaking, bright-***** creatures
as oblivion falls flat on the cage
rimmed with the glint of a scene's
surrounding peril.

what to make of it, now that i am alone?
the gladiolus is cut and my heart
sings winterward.

i can paint now with blood—
naked boys eaten by serpents,
a home fractured in the middle
of flightlessness. the sunlight,
the lie, the feigned sublimation of moon,
the audible death of star, felled on the floor, laughing, squirming insanely
on a waving line, water not warm enough
to bathe in, this serious multitudinously-blooded sea where i find
            
      nobody at all.
cutting the silence,
         bleeding the noise,
emptying the horizons,

     filling only the streets,
      


   but never myself.

The fiction of people’s pessimistic statements towards life seed and grow rainforests in my head. Breaking my skull so that the green may spread throughout my dirt shell. Nonfiction, as in reality, blooms into pink gladiolus flowers. The reality is that people’s thoughts can either work as an anchor or as an open sail. Whether those thoughts are anchors or are open sails is completely up to the thinkers, themselves.
END

That was the wind knocking on my door,
passing on the message you won’t be round no more.
The whirlwind lifted me up off my feet
and landed me in the middle of the rain and the sleet.
You said you ain’t gonna be my girl no more,
but that wind just keeps on knocking on my door.

That was a cloud passing by over my head,
sending me a message that to you I’m as good as dead.
It took my light and left me with this shadow
clinging onto my soul and blocking my view of the show.
You told me I was to you as good as dead,
but that cloud just keeps on passing by over my head.

That was a bird whispering in my ear,
that everything will be okay if I cast off the fear.
She sings in my dreams and gives me solace
and sits in my caged heart behind my gladiolus.
You said I will be okay if I cast off the fear,
but that bird just keeps on whispering in my ear.

I sit in the field
Where once myriads of gladiolus grew
Now—
There’s nothing but a heap of dried up grass here
In this barren space,
This isolated being.

Reckoning—
A shadow with a bone jaw
Gaps wide at me,
Baring it’s teeth.

Last of my breath
He draws me

A gray blurry guy
In another person's film
That guy casually passing by
On the protagonist's screen
Got no dialogues
Only seen on the prologue

The shepherd's purse in the garden
Unremarkable; easily forgotten
The broken mug on shelf
Filled with flaws of varying depths
The ghost of the forgotten past
An unidentified abstract
Of nightmares, memories, and sands

But dear, that is his tale
Why see things this way?
Different trains, different rails
You are not made on the same recipe
That gray guy on his story might be you
But you have your own coffee to brew

You are the main character of your scenario
A Gladiolus in it's bloom
A resolute gladiatior with thousand scars
Reminder of a survivor when carved
Those cracks you can't expose
Let's fill it with golds
Mend it with the sun's dew and the moon's kiss
Still pretty even with the bruises
The phantom of a gleaming future
An unidentified abstract
Of daydreams, wishes, and stardusts

Reader Reader on my wall
Who's the fairest of them all?

Dear, it's the hero of every movie
the protagonist of every story
the leading actor of every film
the adventurer of every tale

It's him
It's her
It's them
And
It's you

You are seen
You are known

We all are

I wanted to imprint my name into your skin.
I wanted to mark you as my own.
It’s not that I was jealous,
It’s that I was proud.

Because ****, look at this girl.
She’s one for the record books, and
She was mine for a moment, there.

I wanted to write the scientific names of bones
in Sharpie across your skin.
I wanted to take pictures of
gladiolus written in cursive down your sternum, because
your body is the best kind of canvas.
I wanted to make art with you.

My fingerprints painted with
the oils of your skin.
They wanted every speck of dust that settled
on your body to reveal their
loops and whorls and arches,
so people would know I’d been there.

My tongue traced calligraphy
on the insides of your cheeks
I signed your body in saliva and sweat.

I wanted to tattoo
the shape of your smile
underneath my eyelids.
It was never something I could see without grinning.

But saliva doesn’t stain and
Sharpie will come out after enough showers.
Fingerprints get smudged, smeared, erased by someone else’s touch.
Nothing was tattooed, etched in stone, permanent.

You didn’t leave any scars
because hickeys fade
but I still feel like
broken capillaries whenever I see you.

I keep setting my mind on fire, but it’s still so dark.
I hold my breath, and hold burning torches for your ache.
I have taken a thousand flowers to bed and none have bloomed,
I have held a thousand sighs and none have made me cry,
I have broken a thousand hearts and all of them were mine.

I’m on the wrong side of the river,
laying in the weeds and getting itchy,
waiting for the buzz of a motor,
praying for the sound of a train,
thinking of you.
I’m looking up at the sky
to see if there are still stars,
half convinced they won’t be there,
fingers stuck in the dirt and holding on to the ground for dear life.

I’ve thought of your body in a thousand ways,
all of them have been wrong.
I’ve thought about the room you keep locked away,
how it smells of a mother, the air like a grave.
A cabin without windows, like a body without blood,
a grazing patch for all the blows you’ve taken to the chin,
for all the heartaches you can’t put into words.

A ripped map, a bed for dead feet,
a closet to stow forgotten things, a radio that isn’t plugged in.
It’s a tomb and I won’t disrupt the dead.
I can offer to blow a hole in the roof,
string Christmas lights on every wall,
and lay a gladiolus bouquet at the door,
but I can't turn a haunt into a home, and I won’t try.

There are so many ways to touch you, I’ve imagined every one of them,
but none are enough. I can taste you on the back of my tongue,
I can smell your gloom some mornings. I can find you in the empty wine.
I can feel you in my bones, and see you in the light
that filters through the cracks in the blinds.

I want to destroy everything that destroys you.
I want to make you a home you don’t want to burn down.
Has your mind been on fire lately? Has my love been a flame?
I’m drawing a new map for you to read, I’m reclaiming the wrong
side of the river. I’m building a bed where everything blooms,
Where we can lay on our backs and see only stars.