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"frets" poems
The Swan from Cornwall Oh gracious on the pond, Reached out it wings while singing his song Listen my friend like the frets on a guitar I'll play you a tune so  distant so far The words go like this, So simple and pure Ripples the effect I have given the cure. The banshee it screams like sirens in the night, the slow dive that surrounds its about perfect flight Oh swan you lifted me from shadows of past, No sin is untold More stories to last Gratitude and fortune I wish you a fond The Swan from Cornwall Oh gracious on your pond
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Sep 19, 2014
Sep 19, 2014 at 5:51 PM UTC
The Swan from Cornwall
Maids, not to you my mind doth change; Men I defy, allure, estrange, Prostrate, make bond or free: Soft as the stream beneath the plane To you I sing my love's refrain; Between us is no thought of pain, Peril, satiety. Soon doth a lover's patience tire, But ye to manifold desire Can yield response, ye know When for long, museful days I pine, The presage at my heart divine; To you I never breathe a sign Of inward want or woe. When injuries my spirit bruise, Allaying virtue ye infuse With unobtrusive skill: And if care frets ye come to me As fresh as nymph from stream or tree, And with your soft vitality My weary ***** fill.
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10.1k
'Maids, not to you my mind doth change'
Peter, my closest friend, Worries. Name it - he worries. Shows it too, In everything: *Cause I worry Bout everything,* he frets. What advice can I offer: Don't use Compound W.
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Mar 11, 2016
Mar 11, 2016 at 1:29 PM UTC
The Worry Wart
Hush, lullay. Your treasures all Encrust with rust, Your trinket pleasures fall To dust. Beneath the sapphire arch, Upon the grassy floor, Is nothing more To hold, And play is over-old. Your eyes In sleepy fever gleam, Their lids droop To their dream. You wander late alone, The flesh frets on the bone, Your love fails in your breast, Here is the pillow. Rest.
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6k
Lullaby
Sweetheart silent killer manifests all inside my mind, The moon’s a magnifying glass as it rises in the sky. At 2 a.m. it giggles, a thick knife in its teeth, And drops it down into my head as I lie underneath. The glass I keep so carefully to remain ***** in the day, Shatters and releases a burning, breathing self-assay. A kaleidoscope catoptric, all frets out in the free, A band of thought-filled thieves invade to steal my sleep from me. Tossing and turning beneath the stars, I’ll wait til I burn out, At night my brain is flooding and in daylight there’s a drought. Lullaby myself with tears, wake up way too late, Stuck as an insomniac, suicide’s sweet bait. I wish I was an autumn leaf, I’d float into the sky, And every fall I’d have the opportunity to die. I don’t want to die, I just want to dream, Instead of replaying my sick realities that make me want to scream. But this will still all stay the same as my brain and blood run white, I’ll feed myself with Satan’s sugar, the depressed primrose of the night.
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Jun 19, 2013
Jun 19, 2013 at 11:05 PM UTC
Primrose Photosynthesis
"She should have died hereafter. There would have been a time for such a word. Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life’s but a walking shadow, a poor player That struts and frets his hour upon the stage And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing." ~Shakespeare, from 'Macbeth'
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Oct 2, 2018
Oct 2, 2018 at 9:46 PM UTC
For Johnny, A 'nother Tailisman
I drank once, from the deep well of sleep when cool waters refreshed this parched earth, now barren without nourishing dreams. My worries grow futile shoots in the hardpack, they wither and die. Ashes scattered dryly fuel further frets. This drought is not over.
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Sep 3, 2014
Sep 3, 2014 at 11:10 AM UTC
Insomnia
Just a crack in the brick wall A red rubber ball The last time you can't remember When you stood tall The monotonous hologram The seaside hotdog stand The regrets piled higher than any mountain can Four stringed guitar Home in an abandoned car Courage in a bottle Wishing still on the first star Still he caresses the neck Presses down the frets Sings three octave blues On life's reef of wrecks He's free lost in the chords The music opens doors The pathway is as bleak as sin While inside he reaches for more He goes off to sleep He has his dreams deep About a paradise for losers And a five string guitar
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Oct 14, 2018
Oct 14, 2018 at 10:12 PM UTC
Four String Guitar
i'm going to die here, i know i will, they change their scope of helping me, every time i slide farther down the hill, "you can have this pill at a certain time," "NO! Wait! We've changed our mind," "you can have it at this new time, how kind!" "just make sure there's someone on who can tell the time.." and if i lay here waiting, for what i may or may not get, my hands will slowly tremble and my mind so deeply frets, all alone in this wrinkled bed clothes, no one sees me yet, but now the nurses have come to me with a little more regret: "the doctor says you'll now have to wait 7 more hours for relief, it seems he doesn't like being awaken at nighttime when he sleeps." so, i get to feel my tears build up behind my bloodshot eyes, no one is here at all to help me understand just why. you should see me now alone trying so hard now not to cry, all i feel is stunned, cold shock and this feeling that i will die --i'm going to die here, bit by bit, inside out and all alone, i don't know what to do or say, or how to make last atone, for all i've done in my life, that has brought me to this place, to compose this death-wish poem to read as tear-drops paint my face. but, for now with nothing else left to do in my hospice room, i do the last thing that i can do the best, just write and wait for doom. is there anyone out there? help, help, help me, i beg and try to plead! will anyone please come here, hold and hug me in my need? i'm  going to die here, and i'll be all by myself, left alone like a broken knick-knack on a dusty shelf. ___________
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Nov 6, 2010
Nov 6, 2010 at 8:45 PM UTC
i'm going to die here
i'm going to die here, i know i will, they change their scope of helping me, every time i slide farther down the hill, "you can have this pill at a certain time," "NO! Wait! We've changed our mind," "you can have it at this new time, how kind!" "just make sure there's someone on who can tell the time.." and if i lay here waiting, for what i may or may not get, my hands will slowly tremble and my mind so deeply frets, all alone in this wrinkled bed clothes, no one sees me yet, but now the nurses have come to me with a little more regret: "the doctor says you'll now have to wait 7 more hours for relief, it seems he doesn't like being awaken at nighttime when he sleeps." so, i get to feel my tears build up behind my bloodshot eyes, no one is here at all to help me understand just why. you should see me now alone trying so hard now not to cry, all i feel is stunned, cold shock and this feeling that i will die --i'm going to die here, bit by bit, inside out and all alone, i don't know what to do or say, or how to make last atone, for all i've done in my life, that has brought me to this place, to compose this death-wish poem to read as tear-drops paint my face. but, for now with nothing else left to do in my hospice room, i do the last thing that i can do the best, just write and wait for doom. is there anyone out there? help, help, help me, i beg and try to plead! will anyone please come here, hold and hug me in my need? i'm  going to die here, and i'll be all by myself, left alone like a broken knick-knack on a dusty shelf. ___________
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32
Metal strings, triangle pick, painted board, mind plays tricks. Humming noise; the silence clicks. Dust on frets, bent-down spine, aching chords, blurred by time. Still, I hum... though not in rhyme.
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Jul 30, 2025
Jul 30, 2025 at 3:16 PM UTC
Calluses on My Fingertips
(I) Her hour upon the stage, She struts and frets. Applause, admiration Behind a mask to reflect. In moments of true emotion, Behind closed doors, The mask would slip off And shatter on the floor. (II) As years went by And her heart withered, She’d rather keep the mask on. Revealing her true-self she feared So secure behind the guise So full of her-assumed-self. She diffused into the mask And the mask into herself. (III) Two eyes in the crowd Shone apart from the rest. They were there for the she, She had always neglect. While the crowds cheered on, In those eyes at her affixed, For a few flickering seconds Her true self she glimpsed. By the mirror she stood. Hand clasped to her face, In futile agony, This mask to efface. (IV) “A mask may be adamant. It may cover the face whole But it can never drape Those windows to the soul.” “It will be difficult to search The true-self long concealed. Let these drape-less windows The path reveal.” “Look deep in mine eyes,” said he.
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Oct 19, 2014
Oct 19, 2014 at 6:14 AM UTC
Girl in the Mask
If I might only love my God and die! But now He bids me love Him and live on, Now when the bloom of all my life is gone, The pleasant half of life has quite gone by. My tree of hope is lopped that spread so high, And I forget how summer glowed and shone, While autumn grips me with its fingers wan, And frets me with its fitful windy sigh. When autumn passes then must winter numb, And winter may not pass a weary while, But when it passes spring shall flower again: And in that spring who weepeth now shall smile, Yea, they shall wax who now are on the wane, Yea, they shall sing for love when Christ shall come.
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4.4k
If Only
The oldest one has set the bar - Brown eyes, brown hair, natural tan, Teeth that look just the way teeth should with no aid from metal or NASA-patented plastics. Kappa Alpha Theta, college homecoming queen, Following in the footsteps of our parents, To someday hand out bottles of pills with her God-given smile and white coat to match. I know she's not perfect, but I like to pretend. Then there's me. Then the next youngest, Long brown hair, massive brown eyes, pale skin with the occasional freckle. Her awkward phase - back brace, teeth brace, allergies, inhaler, tall and gangly - paid off in the best way. She wears her high heels to high school and looks straight off the runway. She wears her pointe shoes and unfolds like a plant growing in fast-motion. She sits at the table and draws and eats nothing but carbs and still looks made of sticks. She wants to be a cartoonist, people tell her to be a model, a ballerina, Our mother insists she's far too brilliant. Then the baby. Thin blonde hair, blue-grey eyes with a ring on the outside, grey skin when she's tired. As Dad says: the printer ran out of ink. She's beautiful like the rest, of course, but she's not finished yet, still learning that her peers are generally wrong. She frets and worries, but she listens to the music I tell her to, and her expensive pockets have less and less rhinestones. I tell her not to hug me so much when I come home, But it's fine. I'm proud of her. Someday she'll stop screaming at our mother and realize what she has to look forward to.
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Nov 10, 2012
Nov 10, 2012 at 1:39 PM UTC
i have more sisters than you do
The oldest one has set the bar - Brown eyes, brown hair, natural tan, Teeth that look just the way teeth should with no aid from metal or NASA-patented plastics. Kappa Alpha Theta, college homecoming queen, Following in the footsteps of our parents, To someday hand out bottles of pills with her God-given smile and white coat to match. I know she's not perfect, but I like to pretend. Then there's me. Then the next youngest, Long brown hair, massive brown eyes, pale skin with the occasional freckle. Her awkward phase - back brace, teeth brace, allergies, inhaler, tall and gangly - paid off in the best way. She wears her high heels to high school and looks straight off the runway. She wears her pointe shoes and unfolds like a plant growing in fast-motion. She sits at the table and draws and eats nothing but carbs and still looks made of sticks. She wants to be a cartoonist, people tell her to be a model, a ballerina, Our mother insists she's far too brilliant. Then the baby. Thin blonde hair, blue-grey eyes with a ring on the outside, grey skin when she's tired. As Dad says: the printer ran out of ink. She's beautiful like the rest, of course, but she's not finished yet, still learning that her peers are generally wrong. She frets and worries, but she listens to the music I tell her to, and her expensive pockets have less and less rhinestones. I tell her not to hug me so much when I come home, But it's fine. I'm proud of her. Someday she'll stop screaming at our mother and realize what she has to look forward to.
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27
Coupling wind and fire an terrific, tumultuous, take Time waits for no man but of him his fate, the fellow frets and is frightened by fame, Son of Father Time, cannot merely hide inside its vase, Blooming, what a fellow hath he grown noble and sublime soon to love and learn the great burden of his time.
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Sep 10, 2018
Sep 10, 2018 at 2:06 PM UTC
Seed of The Sage
STOP CREEPING (Road signs in Australia thus remind us to keep to the speed limit) Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life’s but a walking shadow, a poor player That struts and frets his hour upon the stage And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing. William Shakespeare: MacBeth, Act 5 Scene 5. Creeping, seeping, peeping, sleeping, What’s the common factor through these ‘eep’ words deeming? Shakespeare calls them dusty and aligns them up with death. Our world calls it shadow but it chokes you out of breath. Churches cannot see them so they flout invisible. Jesus calls them idols yet they sound so plausible. Christians follow teachers in a roundabout way. Teachers crave disciples which determines what they say. But these are all poor players on a poorly structured stage. Their stage gives way. They tumble. They rise up in a rage. “Life has not been fair,” they say, and “Where is God in that?” Did they ask Him in the first place? Did they call God up to chat? The churches have no answers. Now where do I go from here? Go right back to the Bible, Friend. The truth is written there. Check it yourself. It’s relevant to eras far and near. Like natural laws it cannot change with fashion year to year. So do not mix the fashion in philosophies of life With Truth that stands forever among raging seas of strife. Counselling in modern terms can get you sympathy, But will it give you backbone for the next antipathy? Feminism needed to support the weaker staff, But now of our humanity it rejects one whole half! And money is too much an issue when it must be said That what is not of love is valueless to Christ our Head. Of all the thousands who are found in church each seventh day, How many can indeed discern the right and faithful way? How many put their lives on hold for truth and nothing less? How many first set out their plan and build their faith round this? Is there not one who will apply to God for his blueprint So s/he can play the part of power for treasure in Heaven’s mint? The Spirit of Truth cannot be found where ideas pull such weight. He’s somewhere else you don’t suspect. Chase Him, and don’t be late!
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May 14, 2014
May 14, 2014 at 10:38 PM UTC
STOP CREEPING
STOP CREEPING (Road signs in Australia thus remind us to keep to the speed limit) Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life’s but a walking shadow, a poor player That struts and frets his hour upon the stage And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing. William Shakespeare: MacBeth, Act 5 Scene 5. Creeping, seeping, peeping, sleeping, What’s the common factor through these ‘eep’ words deeming? Shakespeare calls them dusty and aligns them up with death. Our world calls it shadow but it chokes you out of breath. Churches cannot see them so they flout invisible. Jesus calls them idols yet they sound so plausible. Christians follow teachers in a roundabout way. Teachers crave disciples which determines what they say. But these are all poor players on a poorly structured stage. Their stage gives way. They tumble. They rise up in a rage. “Life has not been fair,” they say, and “Where is God in that?” Did they ask Him in the first place? Did they call God up to chat? The churches have no answers. Now where do I go from here? Go right back to the Bible, Friend. The truth is written there. Check it yourself. It’s relevant to eras far and near. Like natural laws it cannot change with fashion year to year. So do not mix the fashion in philosophies of life With Truth that stands forever among raging seas of strife. Counselling in modern terms can get you sympathy, But will it give you backbone for the next antipathy? Feminism needed to support the weaker staff, But now of our humanity it rejects one whole half! And money is too much an issue when it must be said That what is not of love is valueless to Christ our Head. Of all the thousands who are found in church each seventh day, How many can indeed discern the right and faithful way? How many put their lives on hold for truth and nothing less? How many first set out their plan and build their faith round this? Is there not one who will apply to God for his blueprint So s/he can play the part of power for treasure in Heaven’s mint? The Spirit of Truth cannot be found where ideas pull such weight. He’s somewhere else you don’t suspect. Chase Him, and don’t be late!
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45
Black dress, Black lace shawl, Red cherry violin, Black frets and strings, Black bow, white mane or tail, Tensely poised To move along the strings In dances sensuously slow, Tantalizing strings To vibrations sublime, Singing listeners to sway Eyes closed, adrift, in Streaming consciousness. Other movements quick and sharp, Impossible for any heavy-wielded harp, Dancing pirouettes of sound, Jetting needles sharp, Then  reeling tremulous... These caterwaulings of a horse's tail Held tautly on a stick. A deaf man here beside me, Only seeing, reads about The music that I hearing, feel... Somehow feels the Muse, Sways to the dancing bow.
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Nov 14, 2013
Nov 14, 2013 at 11:17 AM UTC
The Violin
#*Dripping wet December gets It frets The rains have overstepped It’s not July No not September It’s been long August has slept Winters just checked into December Changing the air to mode, cold But the rains have overstepped Cold and wet December gets Last it is, but never the least Brings in joy and festivities Within a day or maybe two The rains will vanish in thin air Pleasant weather and sunshine December makes promises fair*#
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Dec 2, 2021
Dec 2, 2021 at 6:35 AM UTC
December moments
I had thanksgiving with my St. Lucian family, my loud, unapologetic, laughs-too-loud, generation-gap homemade *** heads in phones, blasting dancehall music old ladies dancing clap-back talk-back family. "Play us a song", my cousin and I sent to my room to play jazz chords, I finger along clumsily. He's in college and his dark eyes close, fingers sliding up and down the frets, frowning in concentration, cursing quietly at a missed note. My islander family comes over and prompts impromptu drinking games, "I'm not looking, I saw nothing", I lick a bit of vanilla ***** from my mother's shot glass, alcohol becomes a family affair, it takes away the danger and the stigma and throws a friendly, lovely light on a vice. It's raining, it's cold, islanders do not belong on a Kansas porch smoking cigarettes in the dark rain. I light candles on the wall. They all outlast their welcome, between four and a half hours of transition from uncomfortable "i don't remember your name", put on the spot, only-child-becomes-one-of-several to discussing baby names and family gossip, they all wrap up their food slaved over at nine am, they all troop out the door, they take their coats, they leave their wide smiles with us until next time.
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Nov 27, 2015
Nov 27, 2015 at 2:16 AM UTC
St. Lucia Thanksgiving
undress the frets and peel the strings, pulled as oxymoron through chord progressions hermetic code and the 8-fold path swim indefinitely within concept of illusion concept of illusion trick question.
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Feb 17, 2013
Feb 17, 2013 at 2:03 PM UTC
undetermined, MDA
*Let loneliness' tears explode and be transformed into thousand moaning stars tonight, As... My universe whips with meteors...                                                      Slashing the earth's flesh,  with scorching ***** of fire. My universe cries an august rain...                                               Leaving the earth in deep waters,                     breathless,  it won't survive. My universe hurls hails...                                                   Crashing the earth's face. My universe whispers comets...                                           Making the earth sigh with fiery passion. My universe frets in pain...                                                  Deafening sound echoes                                                                      in earth's hollow station. That... My universe in my arms is collapsing...                                                    And I, the earth, am dying with him.*
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May 10, 2015
May 10, 2015 at 10:53 AM UTC
My Universe
She paints herself, to better blend in; She pampers and softens, she plans all the right moves. She frets, ruffling her dusty feathers, so battered and dull, the sheen lost to empty restless nights alone; alone and growing cold in the night. She panics, blood rushing in waves, crashing against her organs, breath blown like strong wind. She picks her clothes, covers herself in shrouds; she knows you will be looking. She knows you will map her out; the rivers and channels that create her landscape. She paces, wondering if she will be enough for you. She only wants to be what you desire. She wants to be the last thing you see before you fall into sleep; the memory you search for in your dreams. She only yearns to have you coming back; wishing to see more of her. Be with her. Love her. Is this what we must do? Morph into another, less wholesome, creation of ourselves to secure love and emotion? How many forms can we take? Is this just going to be a battle; a raging brutal clash of shape-shifting and anxiety? Are we just going to tally the numbers of different self we can create walking out of bloodied bedrooms? The scars of each transformation hiding on secret patches of skin. I’m running out of choices…
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Aug 3, 2016
Aug 3, 2016 at 6:09 AM UTC
Painted Lady
As you slid your fingers across the frets your voice lingered inside my head Intoxicating me Making me forget everything you had said- the words that once stung, the wounds that ceased to heal all the things that you said you couldn't feel. It all seemed false when you sang of love with devotion that you could never give to me That was when it hit me It wasn't me you loved, It was her Your first guitar named Valerie.
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Apr 6, 2018
Apr 6, 2018 at 11:50 AM UTC
Valerie
Night, and there is nothing more fragile than this fever, an opus of guitars swelling with song and water, fluent as the nocturnes are tuned to the lower scale and strings vibrate deep within the marrow as they ascend, the soul blowing glass, and filling the lungs with a long slow taper of light, streaming as fingers are brought to bear on frets covered in hoarfrost, and stray hair is pushed back from countenance, to reveal the fractions of fire caught upon iris there come slow indulgences, and forgotten things, to twine the body in banners of winter silk, scarves about the wrists, roped in tethers and these feathers of night-blooming jasmine hang in long strands of pearl, from my temple, teal threads of opal and heather braids twine the tone, the time is not all poems upon a blank page or songs to coo the concert of souls muted in chambers acoustically formed of minutes, stolen in a glance, at glimpse of skin or the tender touch of cheek as eyes brim soul-filled to overflow, nocturnal blends the silent pause between movements upon a page where there is room for words, though never found ,but in gesture and margin's note that lays soft upon the tongue, behind lips suited for sighs these lost manuscripts begin a long hand of notes held whole Let the music play again, its plea, eternal, my love, please do not forget how to preserve me, for this is night, and it is fragile....
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Nov 2, 2012
Nov 2, 2012 at 6:54 AM UTC
Nocturne:
Cool kid euphoria with our pastel colored pants and our Raybans on is what we all are in the basement of the 50’s house. Our phones blowing up while we sip whiskey and wine. Trying to get the attention of the cars on the main road By handstanding and flashing and cheersing our beers And we receive our victorious honks. Guitar clock radio with numbers around the fretboard and Sir Paul smiling and crooked, acid-trippin’ guitarist/violinist/celloist looking product of orange and gold look down upon as our patron saints. Swingin’ low, Sweet Chariot words stares up at me from the 70’s floral carpet. Ralph Stanley and Eric Clapton singing solos and duets in my head keep me company as the boys play and figure out key changes. Painted screen hiding the Etta James microphone stands forgotten in the corner— As I take in the teals and roses and golds. Give me a heart shaped box where I can store my love I fly so high in the world above I’ll come back down eventually. Lava lamped water stain engulfs the ceiling. As fingers go up frets And they go down frets And they go up frets And they go down frets. As you don’t enunciate when you sing. We all mourn our fallen brethren, the base of the telecaster with no strings and no head and it weeps silently from its place on the water pipes, hearing his cousins WAAAIIIIILLLLLL. As Cool kid euphoria is created with our pastel colored pants and our Raybans on in the basement of the 50’s house. We work all day so we can drink all night Getting high off the drug that is each other Chain-smoking Pall Malls like it’s our job Listening to oldies as we shoot the eight ball in the corner pocket. Garden tools and Lawn Mower parts as a sweet, creepy décor in the dank basement As we breathe in mold and dust and cigarette smoke. We are gloriously young. So **** off. We still think we can change the world. Not through politics or through fear or by means of war But by doing just enough to get by and loving everybody for who they are, even the parts or religions or particular ways of life we don’t like, Because people aren’t what they do or what they believe They’re who they are. We still think we can change the world And Maybe one day, we will But for now We’ll just be here, In the basement of the 50’s house with our pastel colored pants and our Raybans on.
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Jun 13, 2012
Jun 13, 2012 at 11:38 AM UTC
“Magic school bus graveyard is where we all go to die.”
Cool kid euphoria with our pastel colored pants and our Raybans on is what we all are in the basement of the 50’s house. Our phones blowing up while we sip whiskey and wine. Trying to get the attention of the cars on the main road By handstanding and flashing and cheersing our beers And we receive our victorious honks. Guitar clock radio with numbers around the fretboard and Sir Paul smiling and crooked, acid-trippin’ guitarist/violinist/celloist looking product of orange and gold look down upon as our patron saints. Swingin’ low, Sweet Chariot words stares up at me from the 70’s floral carpet. Ralph Stanley and Eric Clapton singing solos and duets in my head keep me company as the boys play and figure out key changes. Painted screen hiding the Etta James microphone stands forgotten in the corner— As I take in the teals and roses and golds. Give me a heart shaped box where I can store my love I fly so high in the world above I’ll come back down eventually. Lava lamped water stain engulfs the ceiling. As fingers go up frets And they go down frets And they go up frets And they go down frets. As you don’t enunciate when you sing. We all mourn our fallen brethren, the base of the telecaster with no strings and no head and it weeps silently from its place on the water pipes, hearing his cousins WAAAIIIIILLLLLL. As Cool kid euphoria is created with our pastel colored pants and our Raybans on in the basement of the 50’s house. We work all day so we can drink all night Getting high off the drug that is each other Chain-smoking Pall Malls like it’s our job Listening to oldies as we shoot the eight ball in the corner pocket. Garden tools and Lawn Mower parts as a sweet, creepy décor in the dank basement As we breathe in mold and dust and cigarette smoke. We are gloriously young. So **** off. We still think we can change the world. Not through politics or through fear or by means of war But by doing just enough to get by and loving everybody for who they are, even the parts or religions or particular ways of life we don’t like, Because people aren’t what they do or what they believe They’re who they are. We still think we can change the world And Maybe one day, we will But for now We’ll just be here, In the basement of the 50’s house with our pastel colored pants and our Raybans on.
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38
Vibes caught static between snares hips swinging searching for music that played their truth. The bass line wasn’t just music it was breath pulling ribs apart to let the rhythm in Fingers slid down necks like frets pressing into chords that hummed notes down thighs in time Wanting too blow saxophones Spitting all over the reed Jazz isn’t something you hear it’s something that happens to you cymbal crashed piano keys Play confessions no hymn would dare too black and white blending spilled burbon over smoke-stained wood Feet tapping out codes no one else could decipher syncopated riff breaking patterns breaking rules The off beat gospel you couldn’t write down. The room swayed with them walls leaning in leaning closer to the crescendo the saxophone came in it was a third hand tracing lines down spines nobody dared to blow before. This is jazz: argument turned foreplay rough pull dissonance before harmony slips in like a satin sheets you weren’t ready for. Hands hit bodies like drumsticks slap rolling inhale percussion moaning muted horn solo They weren’t just feeling the music; they were becoming it beating out solos on each other’s skin. The sweat smelled like vinyl records warm grooves pressed into the air spinning slow spins catching sparks needle skating over scars was a minor chord that somehow still felt major. learning how to recognize itself. Passion spilling out her mouth scotch over his mahogany wood The rimshot of her sigh Improvision improvisation of his kiss Scatting sound echoing from lips His horn hit her high note one that split the room in half she leaned closer saying “Do you hear that?” But he wasn’t listening to the music anymore. He was listening to her pulse that slick heartbeat drumming solo against his wrist. This is what jazz does You don’t just play It consumes. becomes the air the walls sweat the skin It’s the music you don’t hear but feel right there in the space where your ribs can’t hold the notes. Jazz doesn’t end it just fades into the background waiting for you to join again
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Nov 25, 2024
Nov 25, 2024 at 7:13 AM UTC
Jazz Becomes You
Vibes caught static between snares hips swinging searching for music that played their truth. The bass line wasn’t just music it was breath pulling ribs apart to let the rhythm in Fingers slid down necks like frets pressing into chords that hummed notes down thighs in time Wanting too blow saxophones Spitting all over the reed Jazz isn’t something you hear it’s something that happens to you cymbal crashed piano keys Play confessions no hymn would dare too black and white blending spilled burbon over smoke-stained wood Feet tapping out codes no one else could decipher syncopated riff breaking patterns breaking rules The off beat gospel you couldn’t write down. The room swayed with them walls leaning in leaning closer to the crescendo the saxophone came in it was a third hand tracing lines down spines nobody dared to blow before. This is jazz: argument turned foreplay rough pull dissonance before harmony slips in like a satin sheets you weren’t ready for. Hands hit bodies like drumsticks slap rolling inhale percussion moaning muted horn solo They weren’t just feeling the music; they were becoming it beating out solos on each other’s skin. The sweat smelled like vinyl records warm grooves pressed into the air spinning slow spins catching sparks needle skating over scars was a minor chord that somehow still felt major. learning how to recognize itself. Passion spilling out her mouth scotch over his mahogany wood The rimshot of her sigh Improvision improvisation of his kiss Scatting sound echoing from lips His horn hit her high note one that split the room in half she leaned closer saying “Do you hear that?” But he wasn’t listening to the music anymore. He was listening to her pulse that slick heartbeat drumming solo against his wrist. This is what jazz does You don’t just play It consumes. becomes the air the walls sweat the skin It’s the music you don’t hear but feel right there in the space where your ribs can’t hold the notes. Jazz doesn’t end it just fades into the background waiting for you to join again
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