It was always 1907 Freight car
The Hobo would fall asleep in a freight car yard
Having no place to actually live
But a good heart that wants to give
However, the Hobo happens to be a noun and not an adjective
It was the Holy Smoke Freight yard that caught the Hobo’s attention
But this Hobo’s story is his own presentation
A Hobo broke and having no job
Negative reactions feeling like a mob
The Hobo once had a home
But he was yet all alone
The only thing he would do at this point was to continue to roam
The Hobo was one who always loved to travel
The thought of the entire United States with inspiration in captivation of marvel
So one freight car became the Hobo’s personal home
He travelled everywhere and got rest beyond compare
The Hobo travelled far
He got around without a car
The freight train would normally stop in a town or a nearby city
But numerous people had no pity
However, the Hobo didn’t pity himself
He refused to be like everybody else
He lived and rode the freight train as if it would be a lifetime
But the freight car was the Hobo’s space
A freight train having no problem with the Hobo ride
The Hobo lived his life in being his stride.

I said I am moving like a freight train....but I am trying not to go insane
Although I am in so much pain...I am still moving like a freight train
My love for her is so intense......I sit and to all of it I try to make sense
But I am still moving like a freight train .....trying to keep from giving insane
The pain I am in cuz I miss her so much.......and with reality I still lose touch
But I am still moving like a freight train.....maybe I am better off taking a jet plane.
This woman and the world I try to live in.....they are both always in my head.....and always remind me where I have been
But here I am still moving like a freight train.......but I am still trying to keep from going insane..
Everyday and night my life has got me going from left to right.....I keep falling but I won't stay down.....I refuse to walk through it always wearing this frown
But again here I am moving like a freight train...and trying to no end to keep from going insane
......(talk ) as long as this train keeps going strong ..I will always remember right from wrong
Because I am moving like a freight train.....and who knows if I will ever go insane.

A freight train just sitting in the yard
Yet from a hill it could be seen from the courtyard
A young boy who marveled trains
It was his heart being sustained
The boy stepped down from the hill
His Sister told him to keep still
But he was determined at his will
The boy looked into one of the freight cars
The freight train was preparing to depart, and it was going to be far
The boy smelled the scent of bananas in the freight car
As the boy entered in
The freight train pulled out on the signal of when
The freight train door closed and tracked the boy
The train then pulled off
The boy thought, “He was alone”
But was he?
He peeked through the train’s open hatch
He saw churches in the distance along the way
There were many words in thought he could say
But the freight train was still moving astray
Well the word got out that a boy was trapped on the train
The train was stopped at Buzzards Point, a small rail yard
The Engineer was told there is a boy aboard
There were 20 freight cars
Luckily in the fifth freighter car was opened up, it was the boy standing
The boy was asked by one of the rail yard workers, “You felt funny in the freighter being alone”
The boy replied, “I wasn’t exactly alone”
Even though physically you are alone, but spiritually, there is always
a Guardian Angel that helps you see time.

In her leggings,
and her striped
Cape Cod dress,
we meet Kim.

She’s in possession
of ankles the circumference
of Kennedy half-dollars,
a wasp’s nest of black curls
piled on her head,
she’s a straight line
from shoulder to heel.

She’s a real catch, Kim is,
and she knows it.

She has no idea that
she looks like a peacock
dipped in motor oil,

she’s giving ol’ Josh
the goldfish eye.

We’re all here to see The Freight Train,
The Rabbit Killer, but Kim’s hoping
for more.

Kim’s looking to get her
bunny stuffed, she
don’t care much about who
does the stuffing,

but she’s hoping for Mr. Clark,
he’s her mark, no doubt.

Now, Josh bought Kim
a beer, but was asked to
leave the cap on,

He looks at me, confused.
“It’s so you can’t Rufie her.
She wants to *******, but
she wants it to be her idea.”

Josh nods;
so does Kim.

As the evening proceeds,
and we’ve all done
“The Freight Train Boogie”
it’s become increasingly
obvious to Kim that Josh
is not agreeable to buttering
her biscuits, she moves,
which is to say stumbles,

around the room.

Every so often she’ll climb onto
the lap of some guy she’s known,
biblically or otherwise, before.

Sam, Bob, Steve, Ralph, or Charlie,
it hardly matters.

Earlier, she’d told us about
the 6-year-old twins,
the teenaged daughter
at home, ex-husband,
boyfriend, whatever, in jail.

The Freight Train moves ever
onward, but I’ve seen too
much of ol’ Kimmy’s show,
now depressed, it’s time
to bail.

*

-JBClaywell

©P&ZPublications; 2016

NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
       such strange things ‘have Never happened in our Land’,
       such quaint things ‘could Never happen in our Land’’,
       such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

The ***** grinder preaches fine on Sunday afternoons -
he quotes from books but overlooks the Secrets Carved in Runes:
“You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
it’s sink or swim as echoed dim in swinging door saloons”.
The laughingstocks are flinging rocks at ball-and-chained baboons.

While ghetto boys are looting toys preparing for their doom
and Mademoiselles are weaving shells on tapestries with looms,
Cathedral cats and rafter rats are peering in the room,
where ragged strangers stoop for change, for coppers in the gloom,
whose thoughts are more upon the doors of crypts in Christmas bloom,
and gold doubloons and silver spoons that tempt beyond the tomb.

Mid *** shots from vacant lots, that strike and ricochet
a painted girl with flaxen curl (named Wendy)’s on her way
to tantalise with half-clad thighs, to trick again today;
and indiscreet upon the street she gives her pride away
to any guy who’s passing by with time and cash to pay.
(In concert halls beyond the Walls, unjaded girls ballet,
with flowered thoughts of Camelot and dreams of cabarets.)

Though rip-off shops and crooked cops are paid not once but thrice,
the painted girl with flaxen curl is paring down her price
and loosely tempts cold hands unkempt to touch the merchandise.
A crazy guy cries “where am I”, a ****** titters twice,
and double quick a lunatic affects a fight with lice.

The alleyways within the maze are paved with rats and mice.
Evangelists with moneyed fists collect the sacrifice
from losers scorned and rubes reborn, and promise paradise,
while in the back they cook some crack, inhale, and roll the dice.

A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
with broken neck, he looks a wreck, the sparrows all aflutter,
the passers-by, they close an eye, and turn their heads and mutter:
“Let’s pray for rains to wash the lanes, to clear away the clutter.”
A river slows neath mountain snows, and leaves begin to shudder.

The jungle teems, a siren screams, the air is filled with ****.
The Reverent Priest and nuns unleash the Holy Shibboleth.
And Righteous Jane who is insane, as well as Sister Beth,
while telling tales to no avail of everlasting death,
at least imbrue Hagg Avenue with whisky on their breath.

The Reverent Priest combats the Beast, they’re kneeling down to prey,
to fight the truth with fang and tooth, to toil for yesterday,
to etch their mark within the dark, to paint their résumé
on shrouds and sheets which then completes the devil’s dossier.

Old Dan, he’s drunk and in a funk, all mired in the mud.
A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
“I’m feeling pain and crying rain and flailing in the flood
and no god’s there inclined to care I’m always coughing blood.”
The Monk, he turns, Dan’s words he spurns and lets the bible thud.

Well, Banjo Boy, he will annoy with jangled rhymes that fray:
“The clanging bells of carousels lead blind men’s minds astray
to rings of gold they’ll never hold in fingers made of clay.
But crest and crown will crumble down, when withered roots decay.”

A pregnant lass with eyes of glass has never learned to cope.
Once set adrift her fall was swift, she slid a slipp’ry ***** -
she casts the Curse, the Holy Verse, and shoots a shot of dope,
then stalks discreet Asylum Street her daily horoscope -
the stray was struck by random truck which was her only hope.

So Banjo Boy, with little joy, he strums her life entire:
“The wayward waif was never safe; her stars were dark and dire.
Born midst the rues and avenues where lack and want aspire
where no one heeds the childish needs that little ones require;
where faith survives in tempest lives, a swirl within the briar,
Infinity grinds as time unwinds, until the winds expire.
Her last caprice? The final peace that no one could deny her -
whipped by the flood, stray beads of blood cling, splattered on the spire;
though beads of sweat are cool and wet, cold clotted blood is dryer.”

Though broken there, she’s fled the snare with dying thoughts serene.
And now she’s dead, the rumours spread: her age? a sweet 16,
with child, *****, her soul dyed red, her body so unclean.
A place is sought where she can rot, avoiding churchyard scenes,
in limey pits, as well befits, behind forbidding screens;
and all the while a dirge is styled on tattered tambourines
which echo through the human zoo in valleys of the Queens.

Without rejoice, in hissing voice, near soil that’s seldom trod
“In pious role, God bless my soul”, was mouthed with mitred nod,
neath scarlet trim with black, and grim, behind a robed facade -
“She’ll burn in hell and sulphur smell”, spat Priest and man of god.

Well, angels sweet with cloven feet, they sing in girl’s attire,
but Banjo Boy, he’s playing coy while chanting in the choir:
“The clueless search within the church to find what they desire,
but near the nave or gravelled grave, there is no Rectifier.”
And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

A sodden dreg with wooden leg is dancing for a dime
to sacred psalms and other balms, all ticking with the time.
He’s 22, he’s almost through, he’s melted in his prime,
his bane is firm, the canker worm dissolves his brain to slime.
With slanted scales and twisted jails, his life’s his only crime.

A beggar clump beside a dump has pencil box in hand.
With sightless eyes upon the skies he’s lying there unmanned,
with no relief and bitter grief too dark to understand.
The backyard blight is hid from sight, it’s covered up and bland,
and Robin Hood and Brother Hood lie buried in the sand.

While all night queens carve figurines in gelatine and jade,
behind a door and on the floor a deal is finally made;
the painted girl with flaxen curl has plied again her trade
and now the care within her stare has turned a darker shade.
Her lack of guile and parting smile are cutting like a blade.

Some boys with cheek play hide and seek within a house condemned,
their faces gaunt reflecting want that’s hard to comprehend.
With no excuse an old recluse is waiting to descend.
His eyes despair behind the stare, he’s never had a friend
to talk about his hidden doubt of how the world will end -
to die alone on empty throne and other Fates impend.

And soon the boys chase phantom joys and, presto when they’re gone,
the old recluse, with nimble noose and ****** features drawn,
no longer waits upon the Fates but yawns his final yawn
- like Tinker Bell, he spins a spell, in fairy dust chiffon -
with twisted brow, he’s tranquil now, he’s floating like a swan
and as he fades from life’s charades, the night awaits the dawn.

A boomerang with ebon fang is soaring through the air
to pierce and breach the heart of each and then is called despair.
And as it grows it will oppose and fester everywhere.
And yet the crop that’s at the top will still be unaware.

A lad is stopped by roving cops, who shoot in disregard.
His face is black, he’s on his back, a breeze is breathing hard,
he bleeds and dies, his mama cries, the screaming sky is scarred,
the sheriff and his squad at hand are laughing in the yard.

Now Railroad Bob’s done lost his job, he’s got no place for working,
His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
The union man don’t give a ****, Big Brother lies a’ lurking,
the boss’ in cabs are picking scabs, they count their money, smirking.

Bob walks the streets and begs for eats or little jobs for trying
“the answer’s no, you ought to know, no use for you applying,
and don’t be sad, it aint that bad, it’s soon your time for dying.”
The air is thick, his baby’s sick, the cries are multiplying.

Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
and midnight dreams abound with screams. Bob knows he needs to hurry.
It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
he chooses gas, they breathe their last, there’s no more cause to worry.

Per protocols near ivied walls arrayed in sage festoons,
the Countess quips, while giving tips, to crimson caped buffoons:
“To rise from mass to upper class, like twirly bird tycoons,
you stretch the treat you always eat, with tiny tablespoons”

A learned leach begins to teach (with songs upon a liar):
“Within the thrall of Satan’s call to yield to dim desire
lie wicked lies that tantalize the flesh and blood Vampire;
abiding souls with self-control in everyday Hellfire
will rest assured, when once interred, in afterlife’s Empire”.
These words reweave the make believe, while slugs in salt expire,
baptised in tears and rampant fears, all mirrored in the mire.

It’s getting hot on private yachts, though far from desert plains -
“Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
Beyond the blame and pit of shame, outside the Walled domains,
they pet their pups and raise their cups, take sips of pale champagnes
to touch the tips of languid lips with pearls of purple rains.

Well, Gypsy Guy would rather die than hunker down in chains,
be ridden south with bit in mouth, or heed the hold of reins.
The ruling lot are in a spot, the boss man he complains:
“The gypsies’ soul, I can’t control, my patience wears and wanes;
they will not cede to common greed, which conquers far domains
and furtive spies and news that lies have barely baked their brains.
But in the court of last resort the final fix remains:
in boxcar bins with violins we’ll freight them out in trains
and in the bogs, they’ll die like dogs, and everybody gains
(should one ask why, a quick reply: ‘It’s that which God ordains!’)”

Arrayed in shawls with crystal *****, and gazing at the moons,
wiled women tease with melodies and spooky loony tunes
while making toasts to holey ghosts on rainy day lagoons:
“Well, here’s to you and others too, embedded in the dunes,
avoid the stares, avoid the snares, avoid the veiled typhoons
and fend your way as every day, ’gainst heavy heeled dragoons.”

The birds of pray are on their way, in every beak the Word
(of ptomaine tomes by gnarly gnomes) whose meaning is obscured;
they roost aloof on every roof, obscene but always herd,
to tell the tale of Jonah’s whale and other rhymes absurd
with shifty eyes, they’re giving whys for living life deferred.

While jackals lean, hyenas mean, and hungry crocodiles
feast in the lounge and never scrounge, lambs languish in the aisle.
The naive dare to say “Unfair, let’s try to reconcile.
We’ll all relax and weigh the facts, let justice spin the dial.”

With jaundiced monks and minds pre-shrunk, the jury is compiled.
The Rulers meet, First Ladies greet, the Kings appear in style.
Before the Court, their sins are short, they’re swept into a pile;
with diatribes and petty bribes, the jurors are beguiled.

The Herd entreats, the Shepherd bleats the verdict of the trial:
“You have no face. Stay in your place, stay in the Rank and File.
And wait instead, for when you’re dead, for riches after while”;
Aristocrats add caveats while sailing down the Nile:
“If Minds are mugged or simply drugged with philtres in a vial,
then few indeed will fail to feed the Pharaoh’s Crocodile.”
The wordsmiths spin, the bankers grin and politicians smile,
the riff and raff, they never laugh, they mark a martyred mile.

The rituals are finished, all, here comes the Reverent Priest.
He leads the crowds beneath the clouds, and there the flock is fleeced
(“the last are first, the rich are cursed” - the leached remain the least)
with crossing signs and ****** wines and consecrated yeast.
His step is gay without dismay before his evening feast;
he thanks the Lord for room and, bored, he nods to Eden East
but doesn’t sigh or wonder why the sins have not decreased.

The sinking sun’s at last undone, the sky glows faintly red.
A spider black hides in a crack and spins a silken thread
and babes will soon collapse and swoon, on curbs they call a bed;
with vacant eyes they'll fantasize and dream of gingerbread,
and so be freed, though still in need, from anguish of the dead.

Fat midnight bats feast, gnawing gnats, and flit away serene
while on the trails in distant dales the lonesome wolverine
sate appetites on foggy nights and days like crystalline.
A migrant feeds on gnats and weeds with fingers far from clean
and thereby’s blessed with barren breast (the easier to wean) -
her baby ***** an arid flux and fades away unseen.

The circus gongs excite the throngs in nighttime Never Land –
they swarm to see the destiny of Freaks at their command,
while Acrobats step pitapat across the shifting sands
and Lady Fat adores her cat and oozes charm unplanned.
The Dwarfs in suits, so small and cute when marching with the band,
ask crimson Clowns with painted frowns, to lend a mutant hand,
while Tamers’ whips with withered tips, throughout the winter land,
lure minds entranced through hoops enhanced with flames of fires fanned.
White Elephants in big-top tents sell black tusk contraband
to Sycophants in regiments who overflow the stands,
but No One sees anomalies, and No One understands.
At night’s demise, the dither dies, the lonely Crowd disbands,
down dead-end streets the Horde retreats, their threadbare rags in strands,
and Janes and Joes reweave their woes, for thoughts of change are banned.

The Monk of Mock has fled the flock caught knocking up a tween.
(She brought to light the special rite he sought to leave unseen.)
With profaned eyes they agonise, their souls no more serene
and at the shrine the flutes of wine are filled with kerosene
by men unkempt who once had dreamt but now can dream no more
except when bellowed bellies belch an ever growing roar,
which churns the seas and whips a breeze that mercy can’t ignore,
and in the night, though filled with fright, they try to end the War.

The slow and quick are hurling bricks and fight with clubs of rage
to break the chains and cleanse the stains of life within a cage,
but yield to stings of armoured things that crush in every age.

At crack of dawn, a broken pawn, in pools of blood and fire,
attends the wounds, in blood festooned (the waves flow nigh and nigher),
while ghetto towns are burning down (the flames grow high and higher);
and in their wake, a golden snake is rising from the pyre.
Her knees are bare, consumed in prayer, applauded by the Friar,
and soon it’s clear the end is near - while magpie birds conspire,
the lowly worm is made to squirm while dangling from a wire.

The line was crossed, the battle lost, the losers can’t deny,
the residues are far and few, though smoke pervades the sky.
The cool wind’s cruel, a cutting tool, the vanquished ask it “Why?”,
and bittersweet, from  Easy Street, the Pashas’ puffed reply:
“The rules are set, so don’t forget, the rabble will comply;
the grapes of wrath may make you laugh, the day you are to die.”

The down and out, they knock about beneath the barren skies
where homeward bound, without a sound, a ravaged raven flies.
Beyond the Walls, the morning calls the newborn sun to rise,
and Peter Pan, a broken man, inclines his head and cries...

1765

That Love is all there is,
Is all we know of Love;
It is enough, the freight should be
Proportioned to the groove.

school starts soon
smoking joints on the weekday afternoon

in a sidelined shady
freight car, property of
Norfolk Southern

debating if this car will be
northbound or southbound
and master-bating our fantasy
where we want to be taken

knowing full well maybe one of us -
(and they all looking at me)

will get out of this car and live to
see foreign places without having to
return in a body bag

we argue lazy who should go get the beer,
collect the quarters and sweaty dollar bills
and **** if I am not reappointed
leader of the beer fetching

besides it’s my
tan lab panting needing water so it’s my
responsibility and the nasty liquor store owner don’t hate me that much as the others so he’ll sell me beer without too much **** talk (some for sure)

asking where I’m laying low on a **** hot day like this one

tell him i’m getting on a train getting out of this two bit town which makes him reminisce and ask which direction

could be northbound could be southbound
hell could be west
but for sure won’t be
going eastbound

cause I seen the Atlantic and didn’t like it

too **** big and too **** cold,
too **** mean

Fingers on the rails can feel
The pulse of steel and diesel engines,
The muscle and sinew of a continent.
Ten thousand horses throb the air
And bear down on a mile of freight.
It rolls by like thunder
Under a clear blue sky, stirs the soul
With memories of lonely whistles
In the night, a desert wind, mystery lights;
When little fingers at the open window
First felt the pulse of steel and diesel,
A few million miles ago.

If I haven't posted in a while don't think of me as gone. I remain here waiting for my inspiration to hit me in the form of a freight train. And if my inspiration never comes; dear Juliet, I still love you.

I am reminded of the cliché
"It hit me like a freight train."
But honestly, have you ever seen a freight train?
Those things make a **** ton of noise,
They're absolutely ginormous,
And they're not that fast.
You would have to be blind, deaf, and ******* stupid to get hit by one.

So no, the pain doesn't hit like a freight train.
It hits like a avalanche.
You're just sitting there, minding your own business
When suddenly, you begin to feel the thunderous roar.
Before you even realize what's about to happen
You're engulfed in the crippling agony,
keeled over, begging for death.

All this because you wanted some ice cream.

Every felt like the world is caving in on you?
Like there's no where to go anymore?
Like you're being kicked out?
Don't freight my little angel,
For I am Unwanted too

I am the 5th wheel
So I'm not even on the wagon
I was kicked out
By my best friend

Every felt like crying?
Or even like dying?
Don't freight my little Angel
For we are both Unwanted

But don't be sad
Dont be mad
We are alike
So unwanted, so lets be friends :)

The High Line (Pearls Before Swine)

is located on Manhattan's West Side. It was an elevated train track, that runs from Gansevoort Street in the Meatpacking District (wholesale butchers) to West 34th Street, between 10th & 11th Avenues, near the Hudson River, running parallel to the river.  

The High Line was originally constructed in the 1930's, to lift dangerous freight trains off Manhattan's streets. The High Line, nowadays, is open as a public park, owned by the City of New York. The District is now a night life hot spot of elegant shops and restaurants, among the few remaining meat packing firms, a "scene." If not in a hurry, and unfamiliar with the High Line, look it up (see notes), to get a visual of image. Or not. I can't remember who I promised I would dig out my High Line poem, but a promise kept.
_________________

Walk­ed the High Line after work,
early summer afternoon,
a pubescent evening-tide,
the teenage colors
of the setting ball,
seize your breath,
your eyes, enthrall.

On Little West 12th Street,
climbed up to
breathe the green,
thriving railroad earth-beds
tucked so cute,
tween the rusted ties of
intrepid railroad tracks.
still working in
service to humanity;
nature supporters now,
a new kind
of freight carried.

Climbed up on the backs
of a jumbled combo of
dressed beef carcasses
and yuppie carc-*****,
both obedient to the
Law of Consumption:
Consume or be consumed.  

Looked down on them,
grazing,
gazed upon them
pseudo social-dancing,
they are all prowling,
cat burglars,
searching for felines, roosters,
to tango/tangle with till
the shameful dawn walk,
a final tally of who,
was consumed,
and who,
got consumed.

Watch with bemused fascination
at the children,
swilling and chilling,
some liquor, some swill.
nonetheless  admiring each other;
their Lauren cut and Hilfiger heft
the finest of fat veined lines,
decorating their svelte,
but very attractive,
full figured appearances.

USDA Grade A,
a genuine meat market,
humans and
animals guts,
intertwined.

The Highline,
an architect's composition
of summer grasses,
planted in nooks and crannies
of man's discarded invention.

Summer grasses in unison,
stadium waving to
the music of summer breezes,
Manhattan sounds,
clinking glasses,
goods and services exchanged.    

The view admires you -
Oh baby you look so fine,
Your hair, like the
Hudson River's aquas
is a shining, streaked,
by High Line highlighted
late afternoon,  
sun-setting golden sparklers.

Your gold chains entwining,
fire crackers on top of a
the blue ribboned river,
exploding, dazzling,
your obedient admirers.  

They complement your skin,
aglow, one of nature's works,
soon to be painted on a canvas,
across a horizon of a
pinkish-tinged lavender sky -    
a gift of the oh-so-refined
refineries of South Jersey.  

Cool summer afternoon in
the Meatpacking District,
traffic, human, automotive,
clogs the Gansevoort piazza,
a NYsee zone pietonne,
a Manhattan cocktail of
young strivers and Eurotrash,
where you check me out,
and I return the favor,
using a pre-certified checklist.

Are you young?
Are you hip?
Are you beautiful?
Do you possess
what it takes
to undress me?
Reservations and a limousine!

Everyone who's there,
by definition, is in,
otherwise where else
would they be!

Pearls of perfect people,
perfect lives,
in, around and
before, swine.  

Am I the only one
who gets the joke,
or is the joke, me,
because I just don't got it
in order to get "it"?

Am I the only one
who sees the dead,
ancient and newly arrived,
human and other kind,
the living,
sharing the animal spirits
of the Meatpacking district:
some animated,
some haunted,
some summer tanned
some blood drained,
ghostly white veined?    

In this city,
my sweet city,
city where I bore
my first breath,
city where I'll be laid down to
my permarest,
the hues of my life
are city pastels,
colorful shades of asphalt
and concrete gray and
dried blood,
interspersed with the
speckled glitter of the
potpourri of human creation.

The Highline, an architect's
composition of summer grasses,
planted in nooks and crannies
waving to the jazzed music
of Manhattan lives,
its history, summer breezes,
emblem of the city's only coda:

Transform, rebirth -
survive and prosper,  
or else,
be slaughtered and die.

Summer 2010

A Hobo name may not sound like much
But when it comes to Charlie, a Hobo who once had fortune and fame
It has often been said, what’s in a name?
But the story of Charlie, I am not ashamed
Charlie was once a Wall Street Trader
Stocks and Bonds with a Buy or Sell
The Financial transactions at the New York Stock Exchange in tell
But the economy in 2008 is when stocks just fell
It was a down turn
Charlie felt he was burning in his own urn
Well Market Right & Company, Inc. laid Charlie off
For Charlie, it became a struggle of course
He loss his house
Later he loss his spouse
Even the car he ever owned was no longer known
Charlie’s life just became full blown
Well he began to go on a journey on a Freight train
Charlie’s professional life will longer remain
Life as a Hobo being plain
So to the Freight yard at Struggling Point
A Freight train was going to be travelling to the West Coast
But all Hobo Charlie could vision was boost
It was living quarters in freight car
It will be home travelling far
Destination West Coast being the trail
Hobo Charlie’s new beginning a distance in a Hobo’s prevails.

Face first crash,
****** mouth full of gravel,
some say this is how depression hits you.
Others say it is like
a freight train
that collides into them head first
and smashes them against the tracks,
Leaving bits and pieces of themselves
in places they don't belong.
Face first crash into depression,
so unexpected,
always hurts the most.

Muse of the many-twinkling feet! whose charms
Are now extended up from legs to arms;
Terpsichore!—too long misdeemed a maid—
Reproachful term—bestowed but to upbraid—
Henceforth in all the bronze of brightness shine,
The least a Vestal of the ****** Nine.
Far be from thee and thine the name of *****:
Mocked yet triumphant; sneered at, unsubdued;
Thy legs must move to conquer as they fly,
If but thy coats are reasonably high!
Thy breast—if bare enough—requires no shield;
Dance forth—sans armour thou shalt take the field
And own—impregnable to most assaults,
Thy not too lawfully begotten “Waltz.”

  Hail, nimble Nymph! to whom the young hussar,
The whiskered votary of Waltz and War,
His night devotes, despite of spur and boots;
A sight unmatched since Orpheus and his brutes:
Hail, spirit-stirring Waltz!—beneath whose banners
A modern hero fought for modish manners;
On Hounslow’s heath to rival Wellesley’s fame,
Cocked, fired, and missed his man—but gained his aim;
Hail, moving muse! to whom the fair one’s breast
Gives all it can, and bids us take the rest.
Oh! for the flow of Busby, or of Fitz,
The latter’s loyalty, the former’s wits,
To “energise the object I pursue,”
And give both Belial and his Dance their due!

  Imperial Waltz! imported from the Rhine
(Famed for the growth of pedigrees and wine),
Long be thine import from all duty free,
And Hock itself be less esteemed than thee;
In some few qualities alike—for Hock
Improves our cellar—thou our living stock.
The head to Hock belongs—thy subtler art
Intoxicates alone the heedless heart:
Through the full veins thy gentler poison swims,
And wakes to Wantonness the willing limbs.

  Oh, Germany! how much to thee we owe,
As heaven-born Pitt can testify below,
Ere cursed Confederation made thee France’s,
And only left us thy d—d debts and dances!
Of subsidies and Hanover bereft,
We bless thee still—George the Third is left!
Of kings the best—and last, not least in worth,
For graciously begetting George the Fourth.
To Germany, and Highnesses serene,
Who owe us millions—don’t we owe the Queen?
To Germany, what owe we not besides?
So oft bestowing Brunswickers and brides;
Who paid for ******, with her royal blood,
Drawn from the stem of each Teutonic stud:
Who sent us—so be pardoned all her faults—
A dozen dukes, some kings, a Queen—and Waltz.

  But peace to her—her Emperor and Diet,
Though now transferred to Buonapartè’s “fiat!”
Back to my theme—O muse of Motion! say,
How first to Albion found thy Waltz her way?

  Borne on the breath of Hyperborean gales,
From Hamburg’s port (while Hamburg yet had mails),
Ere yet unlucky Fame—compelled to creep
To snowy Gottenburg-was chilled to sleep;
Or, starting from her slumbers, deigned arise,
Heligoland! to stock thy mart with lies;
While unburnt Moscow yet had news to send,
Nor owed her fiery Exit to a friend,
She came—Waltz came—and with her certain sets
Of true despatches, and as true Gazettes;
Then flamed of Austerlitz the blest despatch,
Which Moniteur nor Morning Post can match
And—almost crushed beneath the glorious news—
Ten plays, and forty tales of Kotzebue’s;
One envoy’s letters, six composer’s airs,
And loads from Frankfort and from Leipsic fairs:
Meiners’ four volumes upon Womankind,
Like Lapland witches to ensure a wind;
Brunck’s heaviest tome for ballast, and, to back it,
Of Heynè, such as should not sink the packet.

  Fraught with this cargo—and her fairest freight,
Delightful Waltz, on tiptoe for a Mate,
The welcome vessel reached the genial strand,
And round her flocked the daughters of the land.
Not decent David, when, before the ark,
His grand Pas-seul excited some remark;
Not love-lorn Quixote, when his Sancho thought
The knight’s Fandango friskier than it ought;
Not soft Herodias, when, with winning tread,
Her nimble feet danced off another’s head;
Not Cleopatra on her Galley’s Deck,
Displayed so much of leg or more of neck,
Than Thou, ambrosial Waltz, when first the Moon
Beheld thee twirling to a Saxon tune!

  To You, ye husbands of ten years! whose brows
Ache with the annual tributes of a spouse;
To you of nine years less, who only bear
The budding sprouts of those that you shall wear,
With added ornaments around them rolled
Of native brass, or law-awarded gold;
To You, ye Matrons, ever on the watch
To mar a son’s, or make a daughter’s match;
To You, ye children of—whom chance accords—
Always the Ladies, and sometimes their Lords;
To You, ye single gentlemen, who seek
Torments for life, or pleasures for a week;
As Love or ***** your endeavours guide,
To gain your own, or ****** another’s bride;—
To one and all the lovely Stranger came,
And every Ball-room echoes with her name.

  Endearing Waltz!—to thy more melting tune
Bow Irish Jig, and ancient Rigadoon.
Scotch reels, avaunt! and Country-dance forego
Your future claims to each fantastic toe!
Waltz—Waltz alone—both legs and arms demands,
Liberal of feet, and lavish of her hands;
Hands which may freely range in public sight
Where ne’er before—but—pray “put out the light.”
Methinks the glare of yonder chandelier
Shines much too far—or I am much too near;
And true, though strange—Waltz whispers this remark,
“My slippery steps are safest in the dark!”
But here the Muse with due decorum halts,
And lends her longest petticoat to “Waltz.”

  Observant Travellers of every time!
Ye Quartos published upon every clime!
0 say, shall dull Romaika’s heavy round,
Fandango’s wriggle, or Bolero’s bound;
Can Egypt’s Almas—tantalising group—
Columbia’s caperers to the warlike Whoop—
Can aught from cold Kamschatka to Cape Horn
With Waltz compare, or after Waltz be born?
Ah, no! from Morier’s pages down to Galt’s,
Each tourist pens a paragraph for “Waltz.”

  Shades of those Belles whose reign began of yore,
With George the Third’s—and ended long before!—
Though in your daughters’ daughters yet you thrive,
Burst from your lead, and be yourselves alive!
Back to the Ball-room speed your spectred host,
Fool’s Paradise is dull to that you lost.
No treacherous powder bids Conjecture quake;
No stiff-starched stays make meddling fingers ache;
(Transferred to those ambiguous things that ape
Goats in their visage, women in their shape;)
No damsel faints when rather closely pressed,
But more caressing seems when most caressed;
Superfluous Hartshorn, and reviving Salts,
Both banished by the sovereign cordial “Waltz.”

  Seductive Waltz!—though on thy native shore
Even Werter’s self proclaimed thee half a *****;
Werter—to decent vice though much inclined,
Yet warm, not wanton; dazzled, but not blind—
Though gentle Genlis, in her strife with Staël,
Would even proscribe thee from a Paris ball;
The fashion hails—from Countesses to Queens,
And maids and valets waltz behind the scenes;
Wide and more wide thy witching circle spreads,
And turns—if nothing else—at least our heads;
With thee even clumsy cits attempt to bounce,
And cockney’s practise what they can’t pronounce.
Gods! how the glorious theme my strain exalts,
And Rhyme finds partner Rhyme in praise of “Waltz!”
Blest was the time Waltz chose for her début!
The Court, the Regent, like herself were new;
New face for friends, for foes some new rewards;
New ornaments for black-and royal Guards;
New laws to hang the rogues that roared for bread;
New coins (most new) to follow those that fled;
New victories—nor can we prize them less,
Though Jenky wonders at his own success;
New wars, because the old succeed so well,
That most survivors envy those who fell;
New mistresses—no, old—and yet ’tis true,
Though they be old, the thing is something new;
Each new, quite new—(except some ancient tricks),
New white-sticks—gold-sticks—broom-sticks—all new sticks!
With vests or ribands—decked alike in hue,
New troopers strut, new turncoats blush in blue:
So saith the Muse: my——, what say you?
Such was the time when Waltz might best maintain
Her new preferments in this novel reign;
Such was the time, nor ever yet was such;
Hoops are  more, and petticoats not much;
Morals and Minuets, Virtue and her stays,
And tell-tale powder—all have had their days.
The Ball begins—the honours of the house
First duly done by daughter or by spouse,
Some Potentate—or royal or serene—
With Kent’s gay grace, or sapient Gloster’s mien,
Leads forth the ready dame, whose rising flush
Might once have been mistaken for a blush.
From where the garb just leaves the ***** free,
That spot where hearts were once supposed to be;
Round all the confines of the yielded waist,
The strangest hand may wander undisplaced:
The lady’s in return may grasp as much
As princely paunches offer to her touch.
Pleased round the chalky floor how well they trip
One hand reposing on the royal hip!
The other to the shoulder no less royal
Ascending with affection truly loyal!
Thus front to front the partners move or stand,
The foot may rest, but none withdraw the hand;
And all in turn may follow in their rank,
The Earl of—Asterisk—and Lady—Blank;
Sir—Such-a-one—with those of fashion’s host,
For whose blest surnames—vide “Morning Post.”
(Or if for that impartial print too late,
Search Doctors’ Commons six months from my date)—
Thus all and each, in movement swift or slow,
The genial contact gently undergo;
Till some might marvel, with the modest Turk,
If “nothing follows all this palming work?”
True, honest Mirza!—you may trust my rhyme—
Something does follow at a fitter time;
The breast thus publicly resigned to man,
In private may resist him—if it can.

  O ye who loved our Grandmothers of yore,
Fitzpatrick, Sheridan, and many more!
And thou, my Prince! whose sovereign taste and will
It is to love the lovely beldames still!
Thou Ghost of Queensberry! whose judging Sprite
Satan may spare to peep a single night,
Pronounce—if ever in your days of bliss
Asmodeus struck so bright a stroke as this;
To teach the young ideas how to rise,
Flush in the cheek, and languish in the eyes;
Rush to the heart, and lighten through the frame,
With half-told wish, and ill-dissembled flame,
For prurient Nature still will storm the breast—
Who, tempted thus, can answer for the rest?

  But ye—who never felt a single thought
For what our Morals are to be, or ought;
Who wisely wish the charms you view to reap,
Say—would you make those beauties quite so cheap?
Hot from the hands promiscuously applied,
Round the slight waist, or down the glowing side,
Where were the rapture then to clasp the form
From this lewd grasp and lawless contact warm?
At once Love’s most endearing thought resign,
To press the hand so pressed by none but thine;
To gaze upon that eye which never met
Another’s ardent look without regret;
Approach the lip which all, without restraint,
Come near enough—if not to touch—to taint;
If such thou lovest—love her then no more,
Or give—like her—caresses to a score;
Her Mind with these is gone, and with it go
The little left behind it to bestow.

  Voluptuous Waltz! and dare I thus blaspheme?
Thy bard forgot thy praises were his theme.
Terpsichore forgive!—at every Ball
My wife now waltzes—and my daughters shall;
My son—(or stop—’tis needless to inquire—
These little accidents should ne’er transpire;
Some ages hence our genealogic tree
Will wear as green a bough for him as me)—
Waltzing shall rear, to make our name amends
Grandsons for me—in heirs to all his friends.

where solar lips are parted
and crescent ******* hardened
cobalt fire licks your name off its oldest breath
this ****** hollow bends its neck through thermal skies and sand
scarlet waves of heat off your (sweet ancestral) hand
come inside, the door is open. the answer's always yes

Medusa’s gaze would turn to sand
if she knew the stony glories spanned
within rock candy walls ablaze
flood plains carry hydrogen freight
from your abyss' collapsing weight
the broken ***** flowers rusting in the haze

long stem bows in the cut orchestral
steal blood from the times ancestral
the ink has spilled and left a stain
under folded layers of skin
that the mirror reflects from views within
your eyes are naked lights, innumerable and plain.

Sometimes I sink into the couch when I'm deflated,
Then I jump up, limp over to a crutch, and become fixated.
Carvin a rut, punchin myself in the gut, getting faded.
Even the most fortunate son has misfortune to come.
I don't believe in bad luck.
I believe that you ****** up and that luck is based on mistakes, so you're the one that makes it.
Don't blame the universe for the problems that you've created.
Live as an example of someone who is always elated to view all things as a whole,
And chooses to focus on what's good for his or her own soul,

Fully accepting the ugly and embracing the beautiful,
Not reachin a peak then sinkin so low,
Just grind up some tea and speak to the old
Who inhabit the art that you teach, but don't reach for the gold,
Cuz focus on money keeps you away from your goals.

Restore your faith in humanity.
Replace it with insanity.
Product placement causes cavities.
Your plan is ****** sick.

Weekend warriors,
Just a buncha losers, all a buncha boozers.
Ya’ll take all the cash you earned and get your wrists slapped
Cuz you hand it all back to your rulers.

Put a rock on your lady’s finger, take a trip down to the jeweler, and then later you can trade her in for a sequel of half the value like a gamer, but who are you kidding, you ain't no player.  
By 2 years and 3 babies later you’re filing papers,
And the rock gets used as the paper's weight,
And who gets to keep it is a bigger debate than
Who has to get up and feed the kids every morning before eight,
And rush em off to school before beatin a desk for 5 days straight.
But that rock ain’t worth ****, isn’t that great?

She drowns in a pool of tears while he drowns his in beer til he gains enough courage or cowardice to stand on the tracks
And waits to be splattered like paint on the front of a freight.
Or maybe it’s the other way around since all males and females don’t share the same traits.
Either way they're all left with the same bad taste in their mouths, and they can't spit it out, no matter how much they try to *****, cry, smile, or pout.
So they just wait, and they wait, and they wait, and ask "Why?",
But that's not what life is about.
Get up. Get Out. Step away from the couch.
Start stepping to the beat of your own drum
Instead of beatin the beaten path;
Trying to climb a ladder with no rungs.

There are sleeping dreams and waking dreams;
What seems is not always as it seems.

I looked out of my window in the sweet new morning,
And there I saw three barges of manifold adorning
Went sailing toward the East:
The first had sails like fire,
The next like glittering wire,
But sackcloth were the sails of the least;
And all the crews made music, and two had spread a feast.

The first choir breathed in flutes,
And fingered soft guitars;
The second won from lutes
Harmonious chords and jars,
With drums for stormy bars:
But the third was all of harpers and scarlet trumpeters;
Notes of triumph, then
An alarm again,
As for onset, as for victory, rallies, stirs,
Peace at last and glory to the vanquishers.

The first barge showed for figurehead a Love with wings;
The second showed for figurehead a Worm with stings;
The third, a Lily tangled to a Rose which clings.
The first bore for freight gold and spice and down;
The second bore a sword, a sceptre, and a crown;
The third, a heap of earth gone to dust and brown.
Winged Love meseemed like Folly in the face;
Stinged Worm meseemed loathly in his place;
Lily and Rose were flowers of grace.

Merry went the revel of the fire-sailed crew,
Singing, feasting, dancing to and fro:
Pleasures ever changing, ever graceful, ever new;
Sighs, but scarce of woe;
All the sighing
Wooed such sweet replying;
All the sighing, sweet and low,
Used to come and go
For more pleasure, merely so.
Yet at intervals some one grew tired
Of everything desired,
And sank, I knew not whither, in sorry plight,
Out of sight.

The second crew seemed ever
Wider-visioned, graver,
More distinct of purpose, more sustained of will;
With heads ***** and proud,
And voices sometimes loud;
With endless tacking, counter-tacking,
All things grasping, all things lacking,
It would seem;
Ever shifting helm, or sail, or shroud,
Drifting on as in a dream.
Hoarding to their utmost bent,
Feasting to their fill,
Yet gnawed by discontent,
Envy, hatred, malice, on their road they went.
Their freight was not a treasure,
Their music not a pleasure;
The sword flashed, cleaving through their bands,
Sceptre and crown changed hands.

The third crew as they went
Seemed mostly different;
They toiled in rowing, for to them the wind was contrary,
As all the world might see.
They labored at the oar,
While on their heads they bore
The fiery stress of sunshine more and more.
They labored at the oar hand-sore,
Till rain went splashing,
And spray went dashing,
Down on them, and up on them, more and more.
Their sails were patched and rent,
Their masts were bent,
In peril of their lives they worked and went.
For them no feast was spread,
No soft luxurious bed
Scented and white,
No crown or sceptre hung in sight;
In weariness and painfulness,
In thirst and sore distress,
They rowed and steered from left to right
With all their might.
Their trumpeters and harpers round about
Incessantly played out,
And sometimes they made answer with a shout;
But oftener they groaned or wept,
And seldom paused to eat, and seldom slept.
I wept for pity watching them, but more
I wept heart-sore
Once and again to see
Some weary man plunge overboard, and swim
To Love or Worm ship floating buoyantly:
And there all welcomed him.

The ships steered each apart and seemed to scorn each other,
Yet all the crews were interchangeable;
Now one man, now another,
--Like bloodless spectres some, some flushed by health,--
Changed openly, or changed by stealth,
Scaling a slippery side, and scaled it well.
The most left Love ship, hauling wealth
Up Worm ship's side;
While some few hollow-eyed
Left either for the sack-sailed boat;
But this, though not remote,
Was worst to mount, and whoso left it once
Scarce ever came again,
But seemed to loathe his erst companions,
And wish and work them bane.

Then I knew (I know not how) there lurked quicksands full of dread,
Rocks and reefs and whirlpools in the water-bed,
Whence a waterspout
Instantaneously leaped out,
Roaring as it reared its head.

Soon I spied a something dim,
Many-handed, grim,
That went flitting to and fro the first and second ship;
It puffed their sails full out
With puffs of smoky breath
From a smouldering lip,
And cleared the waterspout
Which reeled roaring round about
Threatening death.
With a ***** hand it steered,
And a horn appeared
On its sneering head upreared
Haughty and high
Against the blackening lowering sky.
With a hoof it swayed the waves;
They opened here and there,
Till I spied deep ocean graves
Full of skeletons
That were men and women once
Foul or fair;
Full of things that creep
And fester in the deep
And never breathe the clean life-nurturing air.

The third bark held aloof
From the Monster with the hoof,
Despite his urgent beck,
And fraught with guile
Abominable his smile;
Till I saw him take a flying leap on to that deck.
Then full of awe,
With these same eyes I saw
His head incredible retract its horn
Rounding like babe's new born,
While silvery phosphorescence played
About his dis-horned head.
The sneer smoothed from his lip,
He beamed blandly on the ship;
All winds sank to a moan,
All waves to a monotone
(For all these seemed his realm),
While he laid a strong caressing hand upon the helm.

Then a cry well nigh of despair
Shrieked to heaven, a clamor of desperate prayer.
The harpers harped no more,
While the trumpeters sounded sore
An alarm to wake the dead from their bed:
To the rescue, to the rescue, now or never,
To the rescue, O ye living, O ye dead,
Or no more help or hope for ever!--
The planks strained as though they must part asunder,
The masts bent as though they must dip under,
And the winds and the waves at length
Girt up their strength,
And the depths were laid bare,
And heaven flashed fire and volleyed thunder
Through the rain-choked air,
And sea and sky seemed to kiss
In the horror and the hiss
Of the whole world shuddering everywhere.

Lo! a Flyer swooping down
With wings to span the globe,
And splendor for his robe
And splendor for his crown.
He lighted on the helm with a foot of fire,
And spun the Monster overboard:
And that monstrous thing abhorred,
Gnashing with balked desire,
Wriggled like a worm infirm
Up the Worm
Of the loathly figurehead.
There he crouched and gnashed;
And his head re-horned, and gashed
From the other's grapple, dripped ****** red.

I saw that thing accurst
Wreak his worst
On the first and second crew:
Some with baited hook
He angled for and took,
Some dragged overboard in a net he threw,
Some he did to death
With hoof or horn or blasting breath.

I heard a voice of wailing
Where the ships went sailing,
A sorrowful voice prevailing
Above the sound of the sea,
Above the singers' voices,
And musical merry noises;
All songs had turned to sighing,
The light was failing,
The day was dying--
Ah me,
That such a sorrow should be!

There was sorrow on the sea and sorrow on the land
When Love ship went down by the bottomless quicksand
To its grave in the bitter wave.
There was sorrow on the sea and sorrow on the land
When Worm ship went to pieces on the rock-bound strand,
And the bitter wave was its grave.
But land and sea waxed hoary
In whiteness of a glory
Never told in story
Nor seen by mortal eye,
When the third ship crossed the bar
Where whirls and breakers are,
And steered into the splendors of the sky;
That third bark and that least
Which had never seemed to feast,
Yet kept high festival above sun and moon and star.

1123

A great Hope fell
You heard no noise
The Ruin was within
Oh cunning wreck that told no tale
And let no Witness in

The mind was built for mighty Freight
For dread occasion planned
How often foundering at Sea
Ostensibly, on Land

A not admitting of the wound
Until it grew so wide
That all my Life had entered it
And there were troughs beside

A closing of the simple lid
That opened to the sun
Until the tender Carpenter
Perpetual nail it down—

You came in late, again
I said hello, pecked your cheek
and waited for the flow of excuses.
None came.
You went and poured a drink
I sat awaiting your words.
You came back in, sat heavily down
and looked at the floor.
I felt rage inside my breast,I had news to tell.
You never asked how I was, or how my day went.
I sat quietly waiting, listening to the ice ***** the glass,
I felt as vulnerable as that ice cube, once solid now melting,
waiting, fuming, controlling my anger.
You looked up, you looked at me, no through me, and said
"I'm late because I've been having an affair"
Did a freight train just hit me? I felt despair, but you said more,
"She's pregnant, and is keeping the child"
Clarity liberated me from my stupor, late nights,
meetings, high mileage on the car.
I asked a question,
"Are you leaving me?"
You dropped your head, and said the words most wives dread
"Yes, I have to be a father, do the right thing, I love you but....."
Your words trailed off.
I stood up, took your glass and refilled it for you.
My turn.
"Did you start coming home late because of her? Or because I've gained weight? Or both those reasons?"
Silence.
"Pack your bags, leave the keys, get a hotel bed"
Those words came out so clear, you'd swear I'd knifed you.
                                               ~
At the front door, you turned, about to say something, I cut you off
"Send me your new address, I need it for the solicitor,
I'm divorcing you. And by the way, before I forget, you're not the only
one that's been late, it would seem you know how to propagate"
I shut the door, rubbed my tummy, and waited to be called mummy.

Intro: You know, I don’t care what you’re saying about me.
For I’m not an insecure ***** like you but I do got to thank thee.
For if it weren’t for thy vile venom spitting I wouldn’t have a reason to enact my lyrical terrorism!
So, you only have yourself to blame for this ****, so don’t say I didn’t warn ya.

Verse 1
Uh, yeah let’s talk about it!
Can’t contemplate, the vicious state that contrary to popular belief I’m not a basket case!
Can’t misuse the time I got so here I go to vanquish these fraudulent thots!
Started an unfocused freight train that charged towards the lucid dream because I couldn’t assimilate!
In that time, I was so focused on changing everyone’s snot ridden hypocrisy about reality being Camelot.
I know I’ve also ****** up a lot but that’s something I had to face!
It’s not any of your business so stop ripping off my skin then rubbing in the salt!
I still have a goal in mind to destroy discrimination that incriminates my people,
by putting em on the hot seat.
So now that every one is up in arms I got my chance to aim at the sweet spot!
Everyone is hungry to be the fittest but not everyone has time to think how to be the smartest.
To strike will the fire’s hot or wait for the embers to spark and settle is the true test for an artist.
Who cares about the lines when it was never rightfully drawn in the first place?
Who cares about what spot or space is for you when it’s all been delegated to the privilege of a certain race?
I can only undergo so much disgrace So, sorry but I’m not willing to have my people’s history erased!
Free speech is going to be a ***** for some and a tool for others, I guess it all depends on that person’s poker face.
Inequality is frequent not just in Canada or The United States but every country, province, and common place.

Verse 2
You want the real, raw, unfiltered Classy J well here you go!
Uh, Tell Trudeau to kiss my *** and stop ******* Trump’s ****!
While you’re at it can you tell your father that he’s a ******* stupid *****!
Also, totally forgot but can you tell Kim Jon un when he’s shafting you that he’s a ******* Buffoon!
But’s that’s enough about ******* politics let’s talk about ******* rap artist’s who think they’re hot but really, they so tacky and obsolete like the Zune.
To mister bi-racial we get it you’re into being superficial but’s honestly with you being so focused on being a ****** your delivery showcases the truth that you’re really a cringy ******.
Just face the fact dude that people will only see ya as a juggaloed Dolph Ziggler.
Uh, Now on to the next!
Dear mister Young moolah imma be front, you look like diseased uvula with the lyrical skill comparative to that of an elementary grade schooler.
Now to address the biggest flacky ***** in the game the not so slim shady.  
Here’s the matter Mr. Mather’s you look like a hobo who ***** guys off around the corner,
maybe that’s why you always diss homos.
Because youse a **** trapped in your mommas’ closet,
and if wasn’t for Dre’s hand up so far up your *** you wouldn’t be as popular of a puppet.
Oh ****, Shady you so focused on Doctor Dre and acclaim to fame that you forgot about Hallie.
****, and speaking of Hallie, I feel for you girl because just like you I also didn’t have a dad there for me.
I’m a man of war so every rapper got to get their **** together and better be prepared to me seriously.
For Imma slit their throats and turn em inside out rigorously, and I make sure those tardy cats will rule the day they ever had curiosity.

Verse 3
Just remember my people were here before you, and will be here after you!
And I’ll be here to destroy any of you who dare to pursue native issues!
Or if I’m just bored and feeling like killing you!
However, if I forget about dealing with you, I’m just to busy to properly give a **** about you!
It’s not just revenge, I see it as using justice by retorting with my wordplay to cleanse ya like shampoo!
But I’ve spent enough time dissing freeloaders, for it gives their ego’s too must **** exposure!
I won’t coaster to these composers, for a chauffeur can’t gain an advantage over a soldier!
I wont lower myself to these grouchy Oscar’s, who hunt for Grammy’s;
or as I refer to these events as pedantic half ***’d statements for excepting grandiose toasters.
Why bother, for it’s so annoyingly stupid that I would rather waste my time watching a movie featuring Adam *******.
So, **** this glass ceiling that defines and dictates what makes up a talented rapper.
I may not be a ******* goat but at least I’m confident enough to go out in my birthday suit and retain my composure for being dapper.
That’s the synopsis of my classy brain, and though it may be insane I’m willing to ride this hurricane!
To make sure you know my name, but yet not let myself get engulfed in the flames.

“Build me straight, O worthy Master!
Stanch and strong, a goodly vessel,
That shall laugh at all disaster,
And with wave and whirlwind wrestle!”

The merchant’s word
Delighted the Master heard;
For his heart was in his work, and the heart
Giveth grace unto every Art.
A quiet smile played round his lips,
As the eddies and dimples of the tide
Play round the bows of ships,
That steadily at anchor ride.
And with a voice that was full of glee,
He answered, “Erelong we will launch
A vessel as goodly, and strong, and stanch,
As ever weathered a wintry sea!”
And first with nicest skill and art,
Perfect and finished in every part,
A little model the Master wrought,
Which should be to the larger plan
What the child is to the man,
Its counterpart in miniature;
That with a hand more swift and sure
The greater labor might be brought
To answer to his inward thought.
And as he labored, his mind ran o’er
The various ships that were built of yore,
And above them all, and strangest of all
Towered the Great Harry, crank and tall,
Whose picture was hanging on the wall,
With bows and stern raised high in air,
And balconies hanging here and there,
And signal lanterns and flags afloat,
And eight round towers, like those that frown
From some old castle, looking down
Upon the drawbridge and the moat.
And he said with a smile, “Our ship, I wis,
Shall be of another form than this!”
It was of another form, indeed;
Built for freight, and yet for speed,
A beautiful and gallant craft;
Broad in the beam, that the stress of the blast,
Pressing down upon sail and mast,
Might not the sharp bows overwhelm;
Broad in the beam, but sloping aft
With graceful curve and slow degrees,
That she might be docile to the helm,
And that the currents of parted seas,
Closing behind, with mighty force,
Might aid and not impede her course.

In the ship-yard stood the Master,
With the model of the vessel,
That should laugh at all disaster,
And with wave and whirlwind wrestle!
Covering many a rood of ground,
Lay the timber piled around;
Timber of chestnut, and elm, and oak,
And scattered here and there, with these,
The knarred and crooked cedar knees;
Brought from regions far away,
From Pascagoula’s sunny bay,
And the banks of the roaring Roanoke!
Ah! what a wondrous thing it is
To note how many wheels of toil
One thought, one word, can set in motion!
There ’s not a ship that sails the ocean,
But every climate, every soil,
Must bring its tribute, great or small,
And help to build the wooden wall!

The sun was rising o’er the sea,
And long the level shadows lay,
As if they, too, the beams would be
Of some great, airy argosy,
Framed and launched in a single day.
That silent architect, the sun,
Had hewn and laid them every one,
Ere the work of man was yet begun.
Beside the Master, when he spoke,
A youth, against an anchor leaning,
Listened, to catch his slightest meaning.
Only the long waves, as they broke
In ripples on the pebbly beach,
Interrupted the old man’s speech.
Beautiful they were, in sooth,
The old man and the fiery youth!
The old man, in whose busy brain
Many a ship that sailed the main
Was modelled o’er and o’er again;—
The fiery youth, who was to be
The heir of his dexterity,
The heir of his house, and his daughter’s hand,
When he had built and launched from land
What the elder head had planned.

“Thus,” said he, “will we build this ship!
Lay square the blocks upon the slip,
And follow well this plan of mine.
Choose the timbers with greatest care;
Of all that is unsound beware;
For only what is sound and strong
To this vessel shall belong.
Cedar of Maine and Georgia pine
Here together shall combine.
A goodly frame, and a goodly fame,
And the Union be her name!
For the day that gives her to the sea
Shall give my daughter unto thee!”

The Master’s word
Enraptured the young man heard;
And as he turned his face aside,
With a look of joy and a thrill of pride
Standing before
Her father’s door,
He saw the form of his promised bride.
The sun shone on her golden hair,
And her cheek was glowing fresh and fair,
With the breath of morn and the soft sea air.
Like a beauteous barge was she,
Still at rest on the sandy beach,
Just beyond the billow’s reach;
But he
Was the restless, seething, stormy sea!
Ah, how skilful grows the hand
That obeyeth Love’s command!
It is the heart, and not the brain,
That to the highest doth attain,
And he who followeth Love’s behest
Far excelleth all the rest!

Thus with the rising of the sun
Was the noble task begun,
And soon throughout the ship-yard’s bounds
Were heard the intermingled sounds
Of axes and of mallets, plied
With vigorous arms on every side;
Plied so deftly and so well,
That, ere the shadows of evening fell,
The keel of oak for a noble ship,
Scarfed and bolted, straight and strong,
Was lying ready, and stretched along
The blocks, well placed upon the slip.
Happy, thrice happy, every one
Who sees his labor well begun,
And not perplexed and multiplied,
By idly waiting for time and tide!

And when the hot, long day was o’er,
The young man at the Master’s door
Sat with the maiden calm and still,
And within the porch, a little more
Removed beyond the evening chill,
The father sat, and told them tales
Of wrecks in the great September gales,
Of pirates coasting the Spanish Main,
And ships that never came back again,
The chance and change of a sailor’s life,
Want and plenty, rest and strife,
His roving fancy, like the wind,
That nothing can stay and nothing can bind,
And the magic charm of foreign lands,
With shadows of palms, and shining sands,
Where the tumbling surf,
O’er the coral reefs of Madagascar,
Washes the feet of the swarthy Lascar,
As he lies alone and asleep on the turf.
And the trembling maiden held her breath
At the tales of that awful, pitiless sea,
With all its terror and mystery,
The dim, dark sea, so like unto Death,
That divides and yet unites mankind!
And whenever the old man paused, a gleam
From the bowl of his pipe would awhile illume
The silent group in the twilight gloom,
And thoughtful faces, as in a dream;
And for a moment one might mark
What had been hidden by the dark,
That the head of the maiden lay at rest,
Tenderly, on the young man’s breast!

Day by day the vessel grew,
With timbers fashioned strong and true,
Stemson and keelson and sternson-knee,
Till, framed with perfect symmetry,
A skeleton ship rose up to view!
And around the bows and along the side
The heavy hammers and mallets plied,
Till after many a week, at length,
Wonderful for form and strength,
Sublime in its enormous bulk,
Loomed aloft the shadowy hulk!
And around it columns of smoke, upwreathing,
Rose from the boiling, bubbling, seething
Caldron, that glowed,
And overflowed
With the black tar, heated for the sheathing.
And amid the clamors
Of clattering hammers,
He who listened heard now and then
The song of the Master and his men:—

“Build me straight, O worthy Master,
    Staunch and strong, a goodly vessel,
That shall laugh at all disaster,
    And with wave and whirlwind wrestle!”

With oaken brace and copper band,
Lay the rudder on the sand,
That, like a thought, should have control
Over the movement of the whole;
And near it the anchor, whose giant hand
Would reach down and grapple with the land,
And immovable and fast
Hold the great ship against the bellowing blast!
And at the bows an image stood,
By a cunning artist carved in wood,
With robes of white, that far behind
Seemed to be fluttering in the wind.
It was not shaped in a classic mould,
Not like a Nymph or Goddess of old,
Or Naiad rising from the water,
But modelled from the Master’s daughter!
On many a dreary and misty night,
‘T will be seen by the rays of the signal light,
Speeding along through the rain and the dark,
Like a ghost in its snow-white sark,
The pilot of some phantom bark,
Guiding the vessel, in its flight,
By a path none other knows aright!

Behold, at last,
Each tall and tapering mast
Is swung into its place;
Shrouds and stays
Holding it firm and fast!

Long ago,
In the deer-haunted forests of Maine,
When upon mountain and plain
Lay the snow,
They fell,—those lordly pines!
Those grand, majestic pines!
’Mid shouts and cheers
The jaded steers,
Panting beneath the goad,
Dragged down the weary, winding road
Those captive kings so straight and tall,
To be shorn of their streaming hair,
And naked and bare,
To feel the stress and the strain
Of the wind and the reeling main,
Whose roar
Would remind them forevermore
Of their native forests they should not see again.
And everywhere
The slender, graceful spars
Poise aloft in the air,
And at the mast-head,
White, blue, and red,
A flag unrolls the stripes and stars.
Ah! when the wanderer, lonely, friendless,
In foreign harbors shall behold
That flag unrolled,
‘T will be as a friendly hand
Stretched out from his native land,
Filling his heart with memories sweet and endless!

All is finished! and at length
Has come the bridal day
Of beauty and of strength.
To-day the vessel shall be launched!
With fleecy clouds the sky is blanched,
And o’er the bay,
Slowly, in all his splendors dight,
The great sun rises to behold the sight.

The ocean old,
Centuries old,
Strong as youth, and as uncontrolled,
Paces restless to and fro,
Up and down the sands of gold.
His beating heart is not at rest;
And far and wide,
With ceaseless flow,
His beard of snow
Heaves with the heaving of his breast.
He waits impatient for his bride.
There she stands,
With her foot upon the sands,
Decked with flags and streamers gay,
In honor of her marriage day,
Her snow-white signals fluttering, blending,
Round her like a veil descending,
Ready to be
The bride of the gray old sea.

On the deck another bride
Is standing by her lover’s side.
Shadows from the flags and shrouds,
Like the shadows cast by clouds,
Broken by many a sunny fleck,
Fall around them on the deck.

The prayer is said,
The service read,
The joyous bridegroom bows his head;
And in tears the good old Master
Shakes the brown hand of his son,
Kisses his daughter’s glowing cheek
In silence, for he cannot speak,
And ever faster
Down his own the tears begin to run.
The worthy pastor—
The shepherd of that wandering flock,
That has the ocean for its wold,
That has the vessel for its fold,
Leaping ever from rock to rock—
Spake, with accents mild and clear,
Words of warning, words of cheer,
But tedious to the bridegroom’s ear.
He knew the chart
Of the sailor’s heart,
All its pleasures and its griefs,
All its shallows and rocky reefs,
All those secret currents, that flow
With such resistless undertow,
And lift and drift, with terrible force,
The will from its moorings and its course.
Therefore he spake, and thus said he:—

“Like unto ships far off at sea,
Outward or homeward bound, are we.
Before, behind, and all around,
Floats and swings the horizon’s bound,
Seems at its distant rim to rise
And climb the crystal wall of the skies,
And then again to turn and sink,
As if we could slide from its outer brink.
Ah! it is not the sea,
It is not the sea that sinks and shelves,
But ourselves
That rock and rise
With endless and uneasy motion,
Now touching the very skies,
Now sinking into the depths of ocean.
Ah! if our souls but poise and swing
Like the compass in its brazen ring,
Ever level and ever true
To the toil and the task we have to do,
We shall sail securely, and safely reach
The Fortunate Isles, on whose shining beach
The sights we see, and the sounds we hear,
Will be those of joy and not of fear!”

Then the Master,
With a gesture of command,
Waved his hand;
And at the word,
Loud and sudden there was heard,
All around them and below,
The sound of hammers, blow on blow,
Knocking away the shores and spurs.
And see! she stirs!
She starts,—she moves,—she seems to feel
The thrill of life along her keel,
And, spurning with her foot the ground,
With one exulting, joyous bound,
She leaps into the ocean’s arms!

And lo! from the assembled crowd
There rose a shout, prolonged and loud,
That to the ocean seemed to say,
“Take her, O bridegroom, old and gray,
Take her to thy protecting arms,
With all her youth and all her charms!”

How beautiful she is! How fair
She lies within those arms, that press
Her form with many a soft caress
Of tenderness and watchful care!
Sail forth into the sea, O ship!
Through wind and wave, right onward steer!
The moistened eye, the trembling lip,
Are not the signs of doubt or fear.
Sail forth into the sea of life,
O gentle, loving, trusting wife,
And safe from all adversity
Upon the ***** of that sea
Thy comings and thy goings be!
For gentleness and love and trust
Prevail o’er angry wave and gust;
And in the wreck of noble lives
Something immortal still survives!

Thou, too, sail on, O Ship of State!
Sail on, O Union, strong and great!
Humanity with all its fears,
With all the hopes of future years,
Is hanging breathless on thy fate!
We know what Master laid thy keel,
What Workmen wrought thy ribs of steel,
Who made each mast, and sail, and rope,
What anvils rang, what hammers beat,
In what a forge and what a heat
Were shaped the anchors of thy hope!
Fear not each sudden sound and shock,
‘T is of the wave and not the rock;
‘T is but the flapping of the sail,
And not a rent made by the gale!
In spite of rock and tempest’s roar,
In spite of false lights on the shore,
Sail on, nor fear to breast the sea!
Our hearts, our hopes, are all with thee,
Our hearts, our hopes, our prayers, our tears,
Our faith triumphant o’er our fears,
Are all with thee,—are all with thee!

I sat curled up in the closet, my knees tucked up into my chest and my arms wrapped tightly around them. The more pain I felt, the tighter I clutched my knees to my chest, my fingernails digging into my skin, breaking it, hoping, with my blood, to make the hole stop throbbing, stop hurting, if only for a few minutes, a few seconds. The throb subsided, dulled, but didn’t go away. Silent tears rolled down my cheeks as another aching sob built deep in my chest, threatening to explode any second. The pressure built, higher and higher in my throat, the pain pushing its way to the surface, looking for a way out. My stomach tightened and convulsed as the sob broke surface, screaming out of my chest like a freight train, allowing the whole world to be privy to my most private pain, privy to the anguish that comes from losing something so dear to you that, when it goes, it takes a piece of your soul, and all of your heart, with it. As the last of my air escaped, my sob turned into a soft, pathetic whimper, like that of a dog sitting at the door when his Master leaves. Depleted of that life-giving substance, oxygen, my body and mind did that automatic thing: breathing. Air ripped through my mouth and down to my lungs, digging its wicked claws into the walls of my throat its entire way. A soft inward whine echoed up from the abyss of my chest just before my lungs were again filled to capacity and another sob burst forth, screaming my agony to the dark walls of the closet I had sheltered myself in.

Eventually, like always, numbness came. It worked its way up through my limbs, a sweet coolness working its way through my burning body. It started in my toes and feet, the furthest and therefore already dullest part of me. Its icy fingers began to massage their way up my ankles and calves next, pausing at my knees to work through the weakness there. I began to feel it work its way up my fingers next, cooling the burn that had been left by her fingers. It followed the paths that she used to trace up my arms, feeling nothing like her fingers’ tender caress. It moved its way up my thighs, chasing the paths her lips used to pursue on their way to my tender core, icing the burns left there. The ice flowed past my elbows, up my biceps, to my shoulders, still following her lips. Up my stomach and abs, along my ribs, over my chest, it searched out the heart that was no longer there. Its icy fingers took a firm hold of my chest and continued their ascent, up my neck and along my chin, gently caressing my cheeks, my nose, playing gently through my hair. And finally, the face, her face, that had been haunting me since I’d stepped into that closet, was frosted over and replaced with the grey haze that meant that I was able to unwrap my arms from around my knees and stand again.

I stood, then, and let myself out. I went to stand in front of the sliding glass door. It was sunrise. I’d sat in there another full night, hiding from the memory of her, hiding from her face, from everything that reminded me of her. I sighed and returned my attention to the sunrise. It was ablaze with oranges and reds and yellows, fire working its way across the sky, flames dancing in the sunrise clouds, heralding a new day. The light was streaming in through the windows, the hopeful light of yet another day. A soft breeze was playing through the aspens that were planted in strategic locations in the sidewalk five stories below. A woman jogged past, dressed in the typical black spandex sweatpants with white stripes running down the sides, accompanied by a tight tank top that revealed far more of the silicone masses, that her stock-broker husband no doubt paid for with his far-too-large Christmas bonus, than was truly necessary for a morning jog. His bonus probably paid for that nose-job that she was sporting as well. I wondered briefly why she was running. I was sure that her husband could probably afford liposuction for her. She jogged around the corner, taking my brief distraction with her, and I was left to ponder the sun rising on yet another day.

I looked around my room, seeing and not seeing the faceless picture frames lining the walls, their emptiness a shadowy reflection of my soul. A soft rage suddenly erupted from somewhere deep inside of me and I found myself tearing the empty frames from their perches upon the wall. Her face stared up at me from the empty, shattered glass that littered the floor. Her eyes haunted me in my rage as I trampled the broken glass, pulling my hair and screaming at the top of my lungs, wordless screams of anguish. My unclad feet began to drip blood onto the glass, hiding the green that was staring up at me, making her flee from the pools of glass that lay strewn upon the floor.

I turned my attention back to the sunrise. Opening the door, I stepped out onto the balcony. A sunrise this beautiful might have once moved me to tears, but the numbness was as paralyzing as it was relieving. All and any emotion was gone. My life was devoid of meaning now. I climbed onto the railing and steadied myself. I waited for the nausea and vertigo that normally came with heights to come, but it didn’t. I looked down, gazing at the sidewalk five stories below. The wind swept up, catching my hair in its grasp, and making me wonder for the first time what it would be like to fly. I spread my arms, my wings, and allowed the warm morning breeze to wash over them. It had a warming effect on my numb body, breaking the ice that had just recently formed all over my body. Her face came back into focus, obscuring the view of the street and the sidewalk below.

My mind, so tattered and torn with grief, brought me back to our last morning together. We had been up most of the night before, making love, our bodies moving in perfect synchronicity throughout the night until they had finally arched in ****** together leaving us sleeping peacefully in each others’ arms. Somehow, we’d still woken up with the sunrise, a blazing red and orange one, much like the one that I was staring at now. She had looked at me with a passionate fire burning in her eyes, softened by a tenderness in her cheeks, and told me that she loved me, that she wanted to stay with me forever. Our fingers entwined, I looked in her eyes and told her that nothing would make me happier. Our lips met then, our tongues entwining and our pulses racing as our bodies moved as one.

I closed my eyes and took a deep breath, finally allowing myself to succumb to my memories, the happy ones she and I had made during our time together. I held onto them, allowing them to cushion me as only her love could.

i kept my hatches battened but that
didn't stop your love from barreling toward me
like a runaway freight train with faulty breaks.
and god almighty, did we crash.
you came to a screeching halt at my doorstep
and i didn't know what else to do but let you in.
you looked so cold. we did not start with a spark but a full-on fire.
i told myself i wouldn't fall, instead i jumped.
our sinking frames somehow morphed into life preservers,
and we managed to keep each other's heads above the waves.
we had seemingly saved one another.
you tossed your pills, i flushed my razors, and for a while that was enough.
but we learned the hard way that even the deepest love
can only keep the storm clouds in your mind at bay for so long.
eventually our cracks began to show.
missed calls and silent hours built houses of cards
that were blown down by too many miles.
we hardly ever smiled anymore.
my hands were sieves and yours were sand.
i want to break the hands of the clock
that cursed us with this bad timing.
i have mourned all the hours i won't ever have with you.
i have felt the thunder that rumbles in my lungs
when i reminisce about the memories we'll never make.
the moment i realized i would never wake up beside you
an atom bomb went off in the center of my chest.
but the radiation is what's killing me.
the life is being drained from me here in the wake,
in the ache of your absence. but i won't beg.
i will live out the remainder of my days
tormented by wondering if maybe in another world
our love is perfect and neither of us bleed.

- m.f.

Trick or Treat
Trick or Treat
I tried a trick in the last piece will mix this up with both but as Betty Davis said In all about Eve buckle up
It going to be a bumpy ride I will give you a little of both at first the deadly trick I didn’t know and the
Treat of playing chicken with a freight train only now I was seven we lived on Railroad Rd Ave the first
Street south of Jackson where the pizza wars are fought daily between Pizza Hut and Pizza man. I
Crossed the ditch and climbed the grade a little challenge at seven but as I played on the track I heard
That old devil that always shook our house as it passed but it made up for it with that romantic whistle
And the feeling you got as you listened to it fade into the distant night. Well I didn’t know what romance
Was totally except on westerns and I did think those Warren twins were cute and when those brownies
All gathered on the east side of Lincoln school under that tree I did stare and enjoy such a wondrous
Sight they would and have repopulated our world given us the promise of an unbreakable future I can’t
Tell if I heard I guess that was the case I heard it first when I saw the train it was down by the bowling
Alley it was just a dot at that distance not very big it didn’t take long for it to metamorphous in to a
Fierce giant black behemoth it was getting intimidating half way to the crossing to give you the distance
At the time I jumped out of the way and ran down the hill I almost was sent flying as I encountered
Angles we lived in the second house from pine and I was right across from my house they almost had
One less mouth to feed I feel they would have gotten over it about the time it would take to eat a
Hamburger at home town so you get the distance I let him come across the pine street crossing now
Tension was shaking me two things I didn’t know that they rolled back and forth and that they were two
Stories high the ground did more than tremble by this time he was through the crossing and driving
Toward my position that I wasn’t ready to forfeit just yet I had a stubborn streak and a rebel
Heart even back then that might yet land me in hell my wife just said I was banging the keys I talk loud
When I get excited about something and on here I bang the keys. I will have to leave you hanging for a
Moment then take you back for the ending on the same thought about being a rebel I had a dream
Some Years back I was standing in front of a mirror and God was trying to put this detailed and glorious
Crown of intricate gold on my head it wasn’t happening with ease like the time I was ten the coat I had was finished
Torn from the collar to the shoulder it hung down god awful inside stuffing best description here came
The enemy mom sister aunt Grandmother and her sister with a new coat I hit the floor with my best
Three Stooges Curly imitation not a pretty picture even scared the old auntie visiting well from coloring
Books to fox terrier dogs that was what it took for me to relent and give up my coat see what the train
Was up against I have to take this opportunity for years I have tried to honor this special teacher but the
Story to sad and tragic I tried another time to write about Candy Jack a young mother who died leaving
Two five year old twin girls for her mother to raise as I set there drawing on the feelings you have to have
To write I got more than I bargained for Candy was totally visible in my mind but a visitor came with her
As I write this I have a cold chill it was death now Candy lie in repose in her casket but the truth of her
Condition started to take over and grip my body that was all I wanted I dropped paper and pen and left
The room never to attempt her story again you can’t match Mrs. Dagon’s story with mere words I doubt
If even Faulkner could even though he masterfully handled the subject in she lay dying I set in her class I
Might have been at a loss in the business class but I got how much she loved her husband Jim that’s
When and only when her hard exterior softened I hope in vain that her hardness somehow gave her a
Semblance of armor you surly know the story Jim died of cancer they had her in the hospital she asked
To go home for an item she would be right back a promise maybe she meant to keep but the story she
Was wearing a gown and a thin oh to thin a house coat she went in one door maybe in that stillness and
In that reality I spoke of in The Magic Lamp she came to the end of her mind and hearts ability to endure
The untold agony this is what happened she walked out the other door crossed the same street her and
Jim followed home so many times in life she continued over and up to the tracks waited she heard the
Same romantic whistle but for her it was laced with unbearable pain she offered up her life as she
Stepped in front of a fast freight Jefferson stated the tree of liberty must at times be refreshed by the
Blood of patriots sometimes release outweighs the scale of life no longer in balance and can only be
Made so by extreme measures for all who love, you Mrs. Dagon made our experience far more richer
And I know Jim was as the old almost sacred song says I will wait for you just beyond the moon farewell
And God bless continuing in this tragic vain but back to the same crossing I left you at a display of exact
Opposites from Mrs. Dagon the Chesty potato chip man driving the little blue van was killed and people
With the ugliest actions he had barley been removed and they were vultures without human decency
Scrounging potato chip bags and cans of chili enjoy idiots it was a whole different story when the train
Derailed at Owaneco throwing boxes of shoes everywhere sure there was souls and heels everywhere
But they were leather. So there I stood he crossed through the crossing now it was terrifying thats why
They call it chicken I just kept standing there lengthening the thrill I had time now the trick, sometime
Later I played this on the side walk with two guys on a bicycle I kept standing there but when I finally
Started to jump the trick happened my nerves froze and I couldn’t move they hit me and knocked me
Down it was painful but I wasn’t there I was in my mind back on those tracks the train thirty feet away if
I didn’t jump when I did what a small minced pie I would have made.

The Ballad Of Jack Hammer (Concept by Jay Byrne)
=========================
Jack Hammer-Jay Byrne Black Fang Rob Sandman aka Schizophrenic.

Listen up I got a tale to tell.
About a black jack rabbit known for raisin' hell.
Jack Hammer's his name. Retribution the game.
Out on the plain with his kinfolk he did dwell.
Til that fateful day. No forgettin it.
Loss so painful. Jack was but a leveret.
While playin' out back.
Along the track came Black Fang and the Red River Pack.
And they were lookin, for blood.
Notorious outlaws up to no good.
In the low sun and The Pack started gunnin'.
So Jack started runnin'. The damage was done and it was over.
No time for goodbye. He just stood there.
Lookin' the Devil in the eye.
While his Momma bled.
The wolf walked up and this is what he said.

Are you sore that the Fang took away your Paw?
and the River Run's red with the blood o' your Maw?,
well hop away little blackjack eyes red raw,
-tell the rest o' the prairie what you done saw,
Red River is the Pack,I'm the one with the crown,
I'm the big bad wolf who blew your whole life down!
so cower and quiver little wabbit,have a cry...
you little ******* you took my **** eye!

From out me back pocket, pulled out me slingshot..
..I'm a real crack-shot when it comes to bringin' pain across lots.
Ya never saw it quicker.
Lickety-split I skedaddle into the thicket.
Then he was gone...

Spent the next few years wanderin'. Ponderin' recompense.
Lived paw to mouth honing his defense..
..and offense. Hell bent on atonement.
Twin six-guns blazin', layin' judgement.
While The Pack kept killin'.
Full split, full chisel, goin' the big figure.
Black Fang said it himself.

none bigger none badder than the Pack I'm with,
spit venom that hisses,hogleg never misses,
no-one messes with the red river,do and you die,
cry wolf-get engulfed,leave your colt lie,
whole pack'll rip lead to your head if you try,
but-one thing niggles while I sup down Rye
is to **** that rabbit that took my **** eye,
heard he built some fame,got himself a name,
Jackhammer IS MINE I STAKED MY CLAIM .


Like a freight train runnin' on collision course.
Jacks fate's been comin' like an iron horse.
Tour de force, pent up, fired up ready to blow.
On a stormy night into town he did stroll.


Jack walked into the saloon.
Black as all hell, no light from the moon.
Fang at a table playin' poker.
Soon to be Dead Mans Hand for that joker.
The pack'll pay.
I'll put the red in your river bringin' Judgement Day.
Stormbringer I'll deliver. Got an itchy trigger-finger..
..cos I'm quicker and fitter. Juiced up, not goosed up on hard liquor.
Then he catches me eye.
Takes a sip of his rye and says..

if it ain't the **** nipper that took the fang's eye,
waited all these years to come here and die,
no odds no winnin' no end to my sinnin' ,
Pack back up,fair game fangs winnin
last chance saloon,I'm too old for you,
ain't no-one ever outdrew me and old blue,
Navy Colt revolver,dead problem solver
so 'ware this wolf,you couldn't **** with silver

Black Fang, I've come to collect.
Anybody that don't wanna die better mosey outback.
But the pack can stay.
For what ya done did you're dyin' this day.

as I opened my mouth and slid my paw to old blue,
twas like the heavens opened up on my whole **** crew,
twin revolvers spitting,splittin' open my pack,
last shot ripped ripper my lieutenant in the back
cause I dragged him over me,hit the deck too,
little rabbit thinks its,over cause I  was hit too,
then I let rip,aiming straight for the head,
coulda sworn that shot left Jackhammer dead ... (but did it?)

Cosmos’ in line
Trying times are hanging up
Harrowing efforts
Are disappearing from the host

Flying through concrete
The gold trap is deepening
Pant pockets are disappearing

Frayed lives are whimpering
Too much whispering
Richness is changing our living

Galaxies full of notion and time
In our mind they harbor
Asteroids driving our madness
To the core of the emptiness inside

Ticketing our ride home
The rail blurts its bias for us to be gone
So we fall asleep with its subdued sounds
Until we’re out and about
On our own two vehicles

Blasting tasting racketeering tricksters
Devine, sane, and holly men
No one is the same but we’re falling in
Forces are at a tug of war
We’re just the pawns in between