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"disrobed" poems
Healing leaves are now disrobed branches on the edge of this wilderness. Many tall Douglas Fir stand sentinel over 100 foot tall amazing grace — the fleeting leaves expose the beauty of the moss clad scaffolds adorned with a lime-grey lichen lace Nature is my refuge — solid ground to stand in this harmony and peacefulness. Jesse Stillwater — December 2018
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Dec 2, 2018
Dec 2, 2018 at 12:38 PM UTC
lime-grey lichen lace
the bus poets we are the modern day chimney sweeps, the ***** black faced coal miners of the city, digging up its grit, toasted with its spit, the gone and forgotten elevator operators, the anonymous substitutable, still yet glimpsed occasionally, grunts of urbanity provoking a surprised whaddya know! once like the bison and the buffalo, we were thousands, word workers roaming the cities, the intercity rural routes and the lithe greyhounds across the land of the brave, free in ways the founders wanted us to be us, the stubs and stuff, harder working poor and lower cases we were the bus poets, sitting always in the back of the bus, where the engines growls loudest, seated in the - the most overheated in winter time, so much so we nearly disrobed, and then come the summer, we were blasted with a joking hot reverie from the vents, but vent, no, we did not! no - we wrote and wrote of all we heard, passion overheated by currents within and without, recording and ordering the snatches and the soliloquies of the passengers, into poem swatches; the goings on passing by, the overheard histories, glimpsed in milliseconds, eternity preserved, inscribed in a cheap blue lined five & dime notebook, for all eternity what the eyes sighed and saw books ever passed onto the next generation in boxes from the supermarket, attic labeled, then forgotten beside the outgrown toys with our names writ indelible with the magic of black markers if you stumble upon a breathing scripter, let them be, just observe, as they, you, these movers and bus shakers, as they, observe you tell your children, you knew one in your youth, then take them to the attic retrieve your mother's and father's, teach your children how to read, how to see, the ways of their forefathers, the forsaken, the bus poets.
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Sep 29, 2017
Sep 29, 2017 at 7:53 AM UTC
The Bus Poets
the bus poets we are the modern day chimney sweeps, the ***** black faced coal miners of the city, digging up its grit, toasted with its spit, the gone and forgotten elevator operators, the anonymous substitutable, still yet glimpsed occasionally, grunts of urbanity provoking a surprised whaddya know! once like the bison and the buffalo, we were thousands, word workers roaming the cities, the intercity rural routes and the lithe greyhounds across the land of the brave, free in ways the founders wanted us to be us, the stubs and stuff, harder working poor and lower cases we were the bus poets, sitting always in the back of the bus, where the engines growls loudest, seated in the - the most overheated in winter time, so much so we nearly disrobed, and then come the summer, we were blasted with a joking hot reverie from the vents, but vent, no, we did not! no - we wrote and wrote of all we heard, passion overheated by currents within and without, recording and ordering the snatches and the soliloquies of the passengers, into poem swatches; the goings on passing by, the overheard histories, glimpsed in milliseconds, eternity preserved, inscribed in a cheap blue lined five & dime notebook, for all eternity what the eyes sighed and saw books ever passed onto the next generation in boxes from the supermarket, attic labeled, then forgotten beside the outgrown toys with our names writ indelible with the magic of black markers if you stumble upon a breathing scripter, let them be, just observe, as they, you, these movers and bus shakers, as they, observe you tell your children, you knew one in your youth, then take them to the attic retrieve your mother's and father's, teach your children how to read, how to see, the ways of their forefathers, the forsaken, the bus poets.
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59
Id love a big fat **** Or a wrinkled up old bag An ugly looking hag Who wants a ******* **** If I had a big fat ***** with a big fat bucket I'd lay between her fleshy thighs, and definitely **** it My thrusting **** inside her **** is where I'd like to tuck it Spunking up would be sublime, when I lick and **** it When your about to **** the fat, it takes a certain knack Stuffed up fishy **** ***** or **** ******* round the back A nice piece of chunky **** with a big long sweaty crack Fatty *** holes make you hard ,my **** would not be slack I would ride a big large Gal, just like a waterbed Bathroom ******* would be fun, as well as in the shed Spunking up between her legs, cream cheese would then be spread When both holes are full of *** she can **** my **** instead And after I have finished, with all of those fat ******* Something different I would want, maybe some old wrinkled witches All wearing apple gatherers, and big large ******* britches Older ***** long overdue, scratching long lost itches A lot of fun I could have, in an old folks place Disrobed willing grannies ***** stuffed right in my face At least eight bits of gristle ****** a display of my disgrace With each granny ****** in turn, if they can stand the pace As I lift their skirts up their knickers I would sniff I'm hoping that old fannies good, and they don't smell or whiff The smell of old used granny **** is probably just a myth But I won't let it bother me, as long as I get stiff I wouldn't even care, if they wore crap NHS glasses As long as I could **** and *** inside there wrinkled arses I would **** them old ****** , all from different classes Some of them in wheelchairs and some with heart bypasses. It's irrelevant how fat you are, I really do not mind As long as you are willing, and your pussy's wet and kind And if you like it up the **** then I'm that way inclined ******* ***** is quite fine, so is ******** from behind So come on girls fat or old, all slags are a possibility Your sexuality can flood out, there's no need for negativity I'm willing to **** who comes along, to the best of my ability Just make sure that I stay stiff, and maintain my agility
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Feb 18, 2016
Feb 18, 2016 at 5:44 AM UTC
Fat Slags And Old Bags *** Again - 2018
Id love a big fat **** Or a wrinkled up old bag An ugly looking hag Who wants a ******* **** If I had a big fat ***** with a big fat bucket I'd lay between her fleshy thighs, and definitely **** it My thrusting **** inside her **** is where I'd like to tuck it Spunking up would be sublime, when I lick and **** it When your about to **** the fat, it takes a certain knack Stuffed up fishy **** ***** or **** ******* round the back A nice piece of chunky **** with a big long sweaty crack Fatty *** holes make you hard ,my **** would not be slack I would ride a big large Gal, just like a waterbed Bathroom ******* would be fun, as well as in the shed Spunking up between her legs, cream cheese would then be spread When both holes are full of *** she can **** my **** instead And after I have finished, with all of those fat ******* Something different I would want, maybe some old wrinkled witches All wearing apple gatherers, and big large ******* britches Older ***** long overdue, scratching long lost itches A lot of fun I could have, in an old folks place Disrobed willing grannies ***** stuffed right in my face At least eight bits of gristle ****** a display of my disgrace With each granny ****** in turn, if they can stand the pace As I lift their skirts up their knickers I would sniff I'm hoping that old fannies good, and they don't smell or whiff The smell of old used granny **** is probably just a myth But I won't let it bother me, as long as I get stiff I wouldn't even care, if they wore crap NHS glasses As long as I could **** and *** inside there wrinkled arses I would **** them old ****** , all from different classes Some of them in wheelchairs and some with heart bypasses. It's irrelevant how fat you are, I really do not mind As long as you are willing, and your pussy's wet and kind And if you like it up the **** then I'm that way inclined ******* ***** is quite fine, so is ******** from behind So come on girls fat or old, all slags are a possibility Your sexuality can flood out, there's no need for negativity I'm willing to **** who comes along, to the best of my ability Just make sure that I stay stiff, and maintain my agility
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40
The Story by Kamal Nasser translation by Michael R. Burch I will tell you a story ... a story that lived in the dreams of my people, a story that comes from the world of tents. It is a story inspired by hunger and embellished by dark nights of terror. It is the story of my country, a handful of refugees. Every twenty of them have a pound of flour between them and a few promises of relief ... gifts and parcels. It is the story of the suffering ones who stood waiting in line ten years, in hunger, in tears and agony, in hardship and yearning. It is a story of a people who were misled, who were thrown into the mazes of the years. And yet they stood defiant, disrobed yet united as they trudged from the light to their tents: the revolution of return into the world of darkness. Kamal Nasser was a much-admired Palestinian poet and Palestinian Christian, who due to his renowned integrity was known as "The Conscience." He was a member of Jordan's parliament in 1956. He was murdered in 1973 by an Israeli death squad whose most notorious member was future Israeli Prime Minister Ehud Barak. Barak (born Ehud Brog) later ruled as Israel’s tenth Prime Minister from 1999 to 2001. His adopted Hebrew name Barak means "lightning." As a younger man, Brog/Barak was a member of a secret assassination unit that liquidated Palestinians in Lebanon and the occupied territories. In the 1973 covert mission Operation Spring of Youth in Beirut, which was part of the larger Operation Wrath of God, he disguised himself as a woman in order to assassinate Palestinians. The raid resulted in the deaths of two women, one of them an elderly Italian. Two Lebanese policemen were also killed, along with the poet Kamal Nasser. Nasser was the PLO's most prominent Christian and he enjoyed "great appeal" in Lebanon, Syria, and Iraq "both as a distinguished poet and likeable personality." He was the “conscience of the Palestinian revolution,” according to Nazih Abul-Nidal, who worked with him on the magazine Filastin al-Thawra. Nasser “had the most democratic outlook of all Palestinian leaders at the time,” he recalls. He respected opposing views, admired the commitment of young people, and was a major recruitment asset for the Palestinian revolution. “That is why he was put high on the hit-list.” The previous year, the Israelis had murdered another renowned Palestinian writer and activist in Beirut, Ghassan Kanafani, by booby-trapping his car. Nasser’s successor, Majed Abu Sharar, was also assassinated by Israelis, in Rome in 1981 while attending a conference in solidarity with the Palestinian people. Keywords/Tags: Kamal Nasser, Palestinian, Palestine, PLO, Conscience, Ramallah, Christian, religion, poet, Arab, Arabic, Arab Spring, betrayal, conflict, courage, devotion
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Dec 9, 2021
Dec 9, 2021 at 7:55 AM UTC
Translation of "The Story" by the Palestinian poet Kamal Nasser
The Story by Kamal Nasser translation by Michael R. Burch I will tell you a story ... a story that lived in the dreams of my people, a story that comes from the world of tents. It is a story inspired by hunger and embellished by dark nights of terror. It is the story of my country, a handful of refugees. Every twenty of them have a pound of flour between them and a few promises of relief ... gifts and parcels. It is the story of the suffering ones who stood waiting in line ten years, in hunger, in tears and agony, in hardship and yearning. It is a story of a people who were misled, who were thrown into the mazes of the years. And yet they stood defiant, disrobed yet united as they trudged from the light to their tents: the revolution of return into the world of darkness. Kamal Nasser was a much-admired Palestinian poet and Palestinian Christian, who due to his renowned integrity was known as "The Conscience." He was a member of Jordan's parliament in 1956. He was murdered in 1973 by an Israeli death squad whose most notorious member was future Israeli Prime Minister Ehud Barak. Barak (born Ehud Brog) later ruled as Israel’s tenth Prime Minister from 1999 to 2001. His adopted Hebrew name Barak means "lightning." As a younger man, Brog/Barak was a member of a secret assassination unit that liquidated Palestinians in Lebanon and the occupied territories. In the 1973 covert mission Operation Spring of Youth in Beirut, which was part of the larger Operation Wrath of God, he disguised himself as a woman in order to assassinate Palestinians. The raid resulted in the deaths of two women, one of them an elderly Italian. Two Lebanese policemen were also killed, along with the poet Kamal Nasser. Nasser was the PLO's most prominent Christian and he enjoyed "great appeal" in Lebanon, Syria, and Iraq "both as a distinguished poet and likeable personality." He was the “conscience of the Palestinian revolution,” according to Nazih Abul-Nidal, who worked with him on the magazine Filastin al-Thawra. Nasser “had the most democratic outlook of all Palestinian leaders at the time,” he recalls. He respected opposing views, admired the commitment of young people, and was a major recruitment asset for the Palestinian revolution. “That is why he was put high on the hit-list.” The previous year, the Israelis had murdered another renowned Palestinian writer and activist in Beirut, Ghassan Kanafani, by booby-trapping his car. Nasser’s successor, Majed Abu Sharar, was also assassinated by Israelis, in Rome in 1981 while attending a conference in solidarity with the Palestinian people. Keywords/Tags: Kamal Nasser, Palestinian, Palestine, PLO, Conscience, Ramallah, Christian, religion, poet, Arab, Arabic, Arab Spring, betrayal, conflict, courage, devotion
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25
A swansong of the Indian Partition... Kal humaare ghar ke diye bujhe rahenge, Kal hum kuch rishton ke liye rote rahenge... Tomorrow the lamps of our home will remain put out, Tomorrow we shall keep crying for some relations... Rishte un bantwaara hue kheton se, Rishte un bhatakte hue jawaanon se... Relations with those partitioned farmlands, Relations with those misguided young men... Rishte us chamakti Multani mitti se, **Rishte us damakti Pakhtunkhwi **** se...** Relations with the glistening soil of Multan, Relations with the bright snow of Pakhtunkhwa... Rishte Ganga ke us Bangali muhaane se, Rishte Sindhu dariya aur samudr ke us mel se... Relations with the Ganga's Bengali estuary, Relations with the confluence of Indus and the Sea... Rishte us Balouchi kapaas se, Rishte udhde un kapdon se... Relations with that Balouchi cotton, Relations with those clothes torn away... Rishte luti us izzat se, Rishte mari us bahu se... Relations with the disrobed honour, Relations with the slain bride... Rishte jo sajaaye the mandap mein, Rishte jo likhaaye the jannat mein... Relations decorated inside the temple, Relations written in the paradise... **********
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Aug 14, 2019
Aug 14, 2019 at 2:10 PM UTC
Kal Humaare Ghar Ke Diye Bujhe Rahenge...|Tomorrow The Lamps Of Our Home Will Remain Put Out...
I am alone with you. A fire burns in the distance It lights our faces As before in the empty cinema, Where we arrived, at some beginning To watch a foreign film. Our eyes, In new utterance, murmuring subtitles,   What words could never speak The tips of seats, rows of air And the moony screen, A tableau of feathers and cloud Two of us, alone, as one Rapt in the spread of wings. Later, alone we dine in the Café   Campagne. Our conversation   Deafens a burgeoning crowd Coffee was nectar, our words   Were whispering petals. Dearest Blodeuwedd, I saw the sweetest   Sorrow on your face, the green ocean In your eyes, I was cleansed   By your tears.  I have always Known you. Across the border on the far island, You stepped into the waters with me And when you disrobed you lit the stars And the stars and my eyes kissed your skin Your slender legs, columns that taught   The Greeks in Helens age, touched the water   And the sky. I saw the milky way that night. Síneánn, I am your Pablo We are two white birds sailing Over the foam of the sea. Solvent to my stone you are the hinge   To my casement world.  Rain petal Voice, lithe, alabaster woman, I am lost in your Sargasso eyes   I hold your skin, my Selkie Sweet Niamh, I have lived   One hundred years this week. It is warm in the distance In the country of the sun We end at the house in Umbria In the autumn, there is no word Siberia, my light Rosaleen. Now is harvest time.   At the great table we feast   With family and friends   And I am not alone with you.
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Jun 3, 2012
Jun 3, 2012 at 2:32 AM UTC
Síneánn
I am alone with you. A fire burns in the distance It lights our faces As before in the empty cinema, Where we arrived, at some beginning To watch a foreign film. Our eyes, In new utterance, murmuring subtitles,   What words could never speak The tips of seats, rows of air And the moony screen, A tableau of feathers and cloud Two of us, alone, as one Rapt in the spread of wings. Later, alone we dine in the Café   Campagne. Our conversation   Deafens a burgeoning crowd Coffee was nectar, our words   Were whispering petals. Dearest Blodeuwedd, I saw the sweetest   Sorrow on your face, the green ocean In your eyes, I was cleansed   By your tears.  I have always Known you. Across the border on the far island, You stepped into the waters with me And when you disrobed you lit the stars And the stars and my eyes kissed your skin Your slender legs, columns that taught   The Greeks in Helens age, touched the water   And the sky. I saw the milky way that night. Síneánn, I am your Pablo We are two white birds sailing Over the foam of the sea. Solvent to my stone you are the hinge   To my casement world.  Rain petal Voice, lithe, alabaster woman, I am lost in your Sargasso eyes   I hold your skin, my Selkie Sweet Niamh, I have lived   One hundred years this week. It is warm in the distance In the country of the sun We end at the house in Umbria In the autumn, there is no word Siberia, my light Rosaleen. Now is harvest time.   At the great table we feast   With family and friends   And I am not alone with you.
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49
[[ **** blood pooling around her there she lay sprawled eyes glazed,motionless with no stir she is another victim to succumb to this heinous inhuman act the mission is accomplished the criminal thinks freely he walks head and shoulder held high among mortals he laugh life goes on ,another life gone my sister,mum and aunt the daughters of eve are endangered my brother,dad and i the all sons of adam are the perpetrators fear exists among our female species they fear to be stripped off their coverings they live in a nightmare of being stripped off their dignity unwillingly be disrobed and be robbed they fear being deflowered and defiled out of her will she was forced naked and spreadeagled vitruvian man style she lay her case was a repetition of a biblical story dinah and the sons of shechem blood freely trickled between her open pelvic life seeped out of her misused shell did she really deserve this??? who will end this atrocity? who will fight for the girl child? toddlers and grannies shamelessly chauvinist male defiles them its against the word its against the unwritten codes it's unafrican it's evil my anger is frothing like a volcano the lava is heating up my pen is crying for the female child i will shout this from rooftops on the skyline i will write it this battle is ours and we have to fight protection we've to offer [[the chronicles of the dumb speaker]]
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Sep 21, 2015
Sep 21, 2015 at 3:33 AM UTC
stripped innocence
Fenola watched as Eileen bathed. She took in the hand moving the lathered sponge over the contours of the body, moving between **** like some venture ship of old, moving down the belly, beneath the soapy water to the pleasure dome, then out again around the neck and under chin, then whole body over once again. She knew that body well, each inch of flesh, each orifice, each smell, each loving touch. Even the thought pleased her overmuch. Eileen looked over where Fenola sat, on stool, in bathrobe, with feet on mat. Come on in, she said, room enough for two, you rub my back, I’ll rub yours and other places too. Fenola thought awhile, took in her eyes that gazed, the smile that spread, the memory of the afternoon in bed, the positions held and played, the *** ensuing. Eileen pointed to the soapy bath, come in, she said with **** laugh. Fenola stood up from the stool, disrobed, set it aside, stepped in the bath and sat down, the water engulfing. Somewhere from the other room, Ravel played from hifi speakers, Bolero or some such piece, the sound touching the bathroom walls with steam and scent. The girls rubbed and scrubbed and laughed in soapy water, each one like a siren of the sea or Neptune’s daughter.
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Nov 28, 2012
Nov 28, 2012 at 3:42 PM UTC
BATHTIME SHARED.
Gray Owl hearkens the dappled daybreak knell echoing through the wildwood forest stand; rock doves and frosty stones abide, where a marooned heart doth dwell, disrobed by the longest night's frigid touch Timber stand grips tight red clay and bedrock of ages, postured tall and strong as eagle's spirit throne Pine cones hide in the low drifting clouds, ripe acorns tumble down alone unto  a  windblown shallow earthen grave, hillocked  beneath the sky-high canopy Bones of branches, furrowed bark from burled oak, wood-grains of pith, natural gnarled achings peeled by the shivering wind's breath Paling autumn memories grow dim as the receding sunlight, recollections of ebbing Jasmine's mellowing fragrant balm waft aloft in a favorite fading fantasy, the edge of winter metamorphosis bears down with a prodigious weight of a different kind of retreating light; brindled Queen Anne's lace hold sway across the tawny frostbitten meadow imbuing the poignantly whetting breeze The blink of an eye winks, to catch sight of an intimate glimpse, an unspoken solitude holds forth, the mesmerizing coo of rock doves, reverently mirroring the sanctity of the forest wildwood lingering amongst the frosty ferns and stones The harmony of tranquil silence wanders; only the bowing resistance of the boughs manifest the shapeless wind’s whispered  breathe swirling above the labyrinth threshold; therein lies an unfractured fault line rooted deeply beneath the earth’s crust like the sonorous heart of a sanctuary hearthstone Hence there is symmetry felt in silence that only whispers in the deep toned consonant of our own harbored sighs a holy human blood link born of  heritage wilderness heartwood beats keenly alive written by:   harlon rivers ... December 2017
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Dec 22, 2017
Dec 22, 2017 at 6:21 PM UTC
In the Winter Wildwood
Gray Owl hearkens the dappled daybreak knell echoing through the wildwood forest stand; rock doves and frosty stones abide, where a marooned heart doth dwell, disrobed by the longest night's frigid touch Timber stand grips tight red clay and bedrock of ages, postured tall and strong as eagle's spirit throne Pine cones hide in the low drifting clouds, ripe acorns tumble down alone unto  a  windblown shallow earthen grave, hillocked  beneath the sky-high canopy Bones of branches, furrowed bark from burled oak, wood-grains of pith, natural gnarled achings peeled by the shivering wind's breath Paling autumn memories grow dim as the receding sunlight, recollections of ebbing Jasmine's mellowing fragrant balm waft aloft in a favorite fading fantasy, the edge of winter metamorphosis bears down with a prodigious weight of a different kind of retreating light; brindled Queen Anne's lace hold sway across the tawny frostbitten meadow imbuing the poignantly whetting breeze The blink of an eye winks, to catch sight of an intimate glimpse, an unspoken solitude holds forth, the mesmerizing coo of rock doves, reverently mirroring the sanctity of the forest wildwood lingering amongst the frosty ferns and stones The harmony of tranquil silence wanders; only the bowing resistance of the boughs manifest the shapeless wind’s whispered  breathe swirling above the labyrinth threshold; therein lies an unfractured fault line rooted deeply beneath the earth’s crust like the sonorous heart of a sanctuary hearthstone Hence there is symmetry felt in silence that only whispers in the deep toned consonant of our own harbored sighs a holy human blood link born of  heritage wilderness heartwood beats keenly alive written by:   harlon rivers ... December 2017
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65
Heaven whispered your name, Lavender silk Smooth upon lips, ****** to the flavour of destiny....... Your tongue passed through mirages, Tasting the warmth of my soul, like Unexpected breaths washing upon The shores of thirst; Your white smile irising the sky... I held my breath ...for, I needed to relish yours Deeper than my sighs, Into the depths of ache; The pause in my heartbeat, lay tenderly Balanced on the edge of your soul... I dreamed the night's mist, An omen of silken-soft, upon velvet petals, An immaculate flower, Conceived in the poetry of this delicate awakening; The sweet intimacy Pressed into the dark of my heart... Your voice, became the Hands that stripped me bare, Wrapping around my essence like a myriad of Forbidden elixir's, from fountains beyond the Flinch of fingertips that Traced the pulse of my thighs... And your lips fell upon my body In creases... ...those secret places...where You arced the light of me, A coruscation of eyes, beyond burn, Changing darkness to blossom incandescence... My pelvis, captured moistened moments Quivering Beneath the power of your descent; Where I held you hostage Upon this pillow of my heartbeat, Levitated in the hush of your breath... You painted me beautiful, in moonlight With the brush of your lips, and I needed you, Needed you... Alas...only the Soft of shadows remain, To light disrobed hours, where Perfumed winds whisper Precious echoes of your words; Tracing the patient hues of roses, that will always dream To sway in the twilight of your arms........
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Sep 17, 2012
Sep 17, 2012 at 3:46 PM UTC
Eternal:
Heaven whispered your name, Lavender silk Smooth upon lips, ****** to the flavour of destiny....... Your tongue passed through mirages, Tasting the warmth of my soul, like Unexpected breaths washing upon The shores of thirst; Your white smile irising the sky... I held my breath ...for, I needed to relish yours Deeper than my sighs, Into the depths of ache; The pause in my heartbeat, lay tenderly Balanced on the edge of your soul... I dreamed the night's mist, An omen of silken-soft, upon velvet petals, An immaculate flower, Conceived in the poetry of this delicate awakening; The sweet intimacy Pressed into the dark of my heart... Your voice, became the Hands that stripped me bare, Wrapping around my essence like a myriad of Forbidden elixir's, from fountains beyond the Flinch of fingertips that Traced the pulse of my thighs... And your lips fell upon my body In creases... ...those secret places...where You arced the light of me, A coruscation of eyes, beyond burn, Changing darkness to blossom incandescence... My pelvis, captured moistened moments Quivering Beneath the power of your descent; Where I held you hostage Upon this pillow of my heartbeat, Levitated in the hush of your breath... You painted me beautiful, in moonlight With the brush of your lips, and I needed you, Needed you... Alas...only the Soft of shadows remain, To light disrobed hours, where Perfumed winds whisper Precious echoes of your words; Tracing the patient hues of roses, that will always dream To sway in the twilight of your arms........
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50
There’s a clumsiness to the way I unbutton my shirt, hoist it over my head and let it snuffle to the floor. I stand there, ******* and unkempt armpit hair on display but you’ve already almost totally disrobed, the light from outside licking your spine, dribbling down a leg like melted sunflower petals. We catch each other’s eyes, except you don’t catch eyes, you see the other person looking at you and you know what’s next, the standing **** dry skin and bellybuttons viewed only by a fortunate few, a bunch of names like grapes squashed into bed sheets we won’t touch again. I think this is supposed to be sexier, my underwear flinging off, boxer shorts champagne cork towards the window, your bra sunny side up by the foot of the door. Rather I watch you peer at the skin I’m in waiting for a shrill buzzer sound, a number out of ten and a spatter of applause from a conjured-up crowd. I think you look glorious. I go to say this but my brain feels as though it’s been whisked. You walk over, slink your hands towards my face, put an icicle finger to my lips. I’ve no idea what I’m doing but you’ll show me the way.
0
May 8, 2017
May 8, 2017 at 11:34 AM UTC
Kit Off
I am alone with you.  A fire burns in the distance, It lights our faces  As before in the empty cinema,  Where we arrived, at some beginning,  To watch a foreign film. Our eyes,  In new utterance, murmuring subtitles,   What words could never speak, The tips of seats, rows of air  And the moony screen,  A tableau of feathers and cloud, Two of us, alone, as one, Rapt in the spread of wings.  Later, alone we dine in the Café   Campagne. Our conversation   Deafens a burgeoning crowd,  Coffee was nectar, our words   Were whispering petals.  Dearest Blodeuwedd, I saw the sweetest   Sorrow on your face, the green ocean  In your eyes, I was cleansed   By your tears.  I have always  Known you.  Across the border on the far island,  You stepped into the waters with me  And when you disrobed you lit the stars  And the stars and my eyes kissed your skin,  Your slender legs, columns, tilting Toward heaven, in the age of Helen, Touched the water and the sky, I saw the milky way that night.  Síneánn, I am your Pablo,  We are two white birds sailing  Over the foam of the sea.  Solvent to my stone, you are the hinge To my casement world.  Rain petal  Voice, lithe, alabaster woman,  I am lost in your Sargasso eyes, I hold your skin, my Selkie, Sweet Niamh, I have lived   One hundred years this week.  It is warm in the distance, In the country of the sun, We end at the house in Umbria, In the autumn, there is no word  Siberia, my light Rosaleen.  Now is harvest time.   At the great table we feast   With family and friends   And I am not alone with you.
0
Aug 28, 2012
Aug 28, 2012 at 1:05 PM UTC
Shineane ( Síneánn )
I am alone with you.  A fire burns in the distance, It lights our faces  As before in the empty cinema,  Where we arrived, at some beginning,  To watch a foreign film. Our eyes,  In new utterance, murmuring subtitles,   What words could never speak, The tips of seats, rows of air  And the moony screen,  A tableau of feathers and cloud, Two of us, alone, as one, Rapt in the spread of wings.  Later, alone we dine in the Café   Campagne. Our conversation   Deafens a burgeoning crowd,  Coffee was nectar, our words   Were whispering petals.  Dearest Blodeuwedd, I saw the sweetest   Sorrow on your face, the green ocean  In your eyes, I was cleansed   By your tears.  I have always  Known you.  Across the border on the far island,  You stepped into the waters with me  And when you disrobed you lit the stars  And the stars and my eyes kissed your skin,  Your slender legs, columns, tilting Toward heaven, in the age of Helen, Touched the water and the sky, I saw the milky way that night.  Síneánn, I am your Pablo,  We are two white birds sailing  Over the foam of the sea.  Solvent to my stone, you are the hinge To my casement world.  Rain petal  Voice, lithe, alabaster woman,  I am lost in your Sargasso eyes, I hold your skin, my Selkie, Sweet Niamh, I have lived   One hundred years this week.  It is warm in the distance, In the country of the sun, We end at the house in Umbria, In the autumn, there is no word  Siberia, my light Rosaleen.  Now is harvest time.   At the great table we feast   With family and friends   And I am not alone with you.
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50
I am alone with you. A fire burns in the distance, It lights our faces As before in the empty cinema, Where we arrived, at some beginning, To watch a foreign film. Our eyes, In new utterance, murmuring subtitles, What words could never speak, The tips of seats, rows of air And the moony screen, A tableau of feathers and cloud, Two of us, alone, as one, Rapt in the spread of wings. Later, alone we dine in the Café Campagne. Our conversation Deafens a burgeoning crowd, Coffee was nectar, our words Were whispering petals. Dearest Blodeuwedd, I saw the sweetest Sorrow on your face, the green ocean In your eyes, I was cleansed By your tears. I have always Known you. Across the border on the far island, You stepped into the waters with me And when you disrobed you lit the stars And the stars and my eyes kissed your skin, Your slender legs, columns, tilting Toward heaven, in the age of Helen, Touched the water and the sky, I saw the milky way that night. Síneánn, I am your Pablo, We are two white birds sailing Over the foam of the sea. Solvent to my stone, you are the hinge To my casement world. Rain petal Voice, lithe, alabaster woman, I am lost in your Sargasso eyes, I hold your skin, my Selkie, Sweet Niamh, I have lived One hundred years this week. It is warm in the distance, In the country of the sun, We end at the house in Umbria, In the autumn, there is no word Siberia, my light Rosaleen. Now is harvest time. At the great table we feast With family and friends And I am not alone with you.
0
Nov 2, 2013
Nov 2, 2013 at 4:32 PM UTC
Shineane ( Síneánn )
I am alone with you. A fire burns in the distance, It lights our faces As before in the empty cinema, Where we arrived, at some beginning, To watch a foreign film. Our eyes, In new utterance, murmuring subtitles, What words could never speak, The tips of seats, rows of air And the moony screen, A tableau of feathers and cloud, Two of us, alone, as one, Rapt in the spread of wings. Later, alone we dine in the Café Campagne. Our conversation Deafens a burgeoning crowd, Coffee was nectar, our words Were whispering petals. Dearest Blodeuwedd, I saw the sweetest Sorrow on your face, the green ocean In your eyes, I was cleansed By your tears. I have always Known you. Across the border on the far island, You stepped into the waters with me And when you disrobed you lit the stars And the stars and my eyes kissed your skin, Your slender legs, columns, tilting Toward heaven, in the age of Helen, Touched the water and the sky, I saw the milky way that night. Síneánn, I am your Pablo, We are two white birds sailing Over the foam of the sea. Solvent to my stone, you are the hinge To my casement world. Rain petal Voice, lithe, alabaster woman, I am lost in your Sargasso eyes, I hold your skin, my Selkie, Sweet Niamh, I have lived One hundred years this week. It is warm in the distance, In the country of the sun, We end at the house in Umbria, In the autumn, there is no word Siberia, my light Rosaleen. Now is harvest time. At the great table we feast With family and friends And I am not alone with you.
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50
**Because the beauty of your ****** is not a sin.** I saw you in the twilight Disrobed in the state of nature And I gaped and gasped in awesome delight Spellbound and elated in rapture As I beheld your voluptuous features As I gazed upon your priceless treasures From peak of the mountain I went down to the fountain In the valley of your mons veneris And holding on to your alluring pillars I have been transfixed at the altar of your estuary The estuary of your conjugal sanctuary. I saw the falconer trading his falcon With the bounty hunter for his gun Lost in their lust for your connubial offerings Spellbound by the allures of your charms And I came in the fleeting mist of the fleeing night To behold you even before the Aurora Borealis And saw you embracing the heavenly light As Father Heaven kissed Mother Earth And you were enchanted in heavenly mirth Oblivious of my winking mortal eyes Hypnotized in the ether of celestial bliss. At the unveiling of the beloved daughter of Eve Made perfect in the bowels of boundless love. Let the fire be kindled in my heart The eternal flame of my spirit The breath of eternity The ether of life formed in purity Born bare and born free As my enchanted eyes can now see Freed from the chains of pains The pains of natal travails Oh! Woman! Thou art the vessel of motherhood. And in thy mammary gourds abound our first food How much every man in bound to thy ***** For from the canal every man is born Through the third eye of Eve where love flows From the seed sown the fruit is grown The sweetest fruit of love is found in the ****** To behold your naked beauty is not a sin. ~~ Orikinla Oosinachi, 2006.
0
Jul 19, 2015
Jul 19, 2015 at 2:45 AM UTC
Naked Beauty
**Because the beauty of your ****** is not a sin.** I saw you in the twilight Disrobed in the state of nature And I gaped and gasped in awesome delight Spellbound and elated in rapture As I beheld your voluptuous features As I gazed upon your priceless treasures From peak of the mountain I went down to the fountain In the valley of your mons veneris And holding on to your alluring pillars I have been transfixed at the altar of your estuary The estuary of your conjugal sanctuary. I saw the falconer trading his falcon With the bounty hunter for his gun Lost in their lust for your connubial offerings Spellbound by the allures of your charms And I came in the fleeting mist of the fleeing night To behold you even before the Aurora Borealis And saw you embracing the heavenly light As Father Heaven kissed Mother Earth And you were enchanted in heavenly mirth Oblivious of my winking mortal eyes Hypnotized in the ether of celestial bliss. At the unveiling of the beloved daughter of Eve Made perfect in the bowels of boundless love. Let the fire be kindled in my heart The eternal flame of my spirit The breath of eternity The ether of life formed in purity Born bare and born free As my enchanted eyes can now see Freed from the chains of pains The pains of natal travails Oh! Woman! Thou art the vessel of motherhood. And in thy mammary gourds abound our first food How much every man in bound to thy ***** For from the canal every man is born Through the third eye of Eve where love flows From the seed sown the fruit is grown The sweetest fruit of love is found in the ****** To behold your naked beauty is not a sin. ~~ Orikinla Oosinachi, 2006.
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43
~ as she poses for the boys her irony is on display. the naked truth not easily deduced, it’s not just they that's being seduced. her looks they’ve bought, no heart nor touch, a stage, a pole, for them disrobed; “just leave your money please!” mum says, *“ladies don't act that way!”* but mum ain't seen hard times like these; *“com’on mum, let’s get along... you gotta know, its juxtaposition!”* behind bars, for driving cars; stolen sweets were such a treat; *“com’on Judge, rich guys got more cars than sense, what the difference? if i take just one, for just a spin, the only joy i'll ever ride... and besides, he left his keys inside my valet shack. those miles and dents, that i put on, surely ain't deserving this. sweet fruit was hanging far too low for my resistance. not my fault, you know; it’s juxtaposition!”* he sits high atop a silver tower, set beside the ocean fair; existence storied for he climbed every floor. they call them shares, it's what he sells, but this brand of sharing ain’t what his mamma told. it's a shell game by a different name; for it's more his soul that he has sold. you could say, *“for a song his soul sells short sales down by the seashore.”* or, you could say just what he says, “it's juxtaposition!” ~ *post script. what prompted this?  the city in which i live has the dubious and insidious distinction of having the greatest number of strip clubs per capita in these United States; not exactly something to be proud of.   and yet i realize there are many ways to sell one's soul. truth doesn't have many sides; if something does, then we can't call it truth; for truth, like gravity can be called many things, but under any name we still fall... and come up short!   but then... that's just-my-position!*
0
Feb 11, 2017
Feb 11, 2017 at 1:45 PM UTC
juxtaposition
~ as she poses for the boys her irony is on display. the naked truth not easily deduced, it’s not just they that's being seduced. her looks they’ve bought, no heart nor touch, a stage, a pole, for them disrobed; “just leave your money please!” mum says, *“ladies don't act that way!”* but mum ain't seen hard times like these; *“com’on mum, let’s get along... you gotta know, its juxtaposition!”* behind bars, for driving cars; stolen sweets were such a treat; *“com’on Judge, rich guys got more cars than sense, what the difference? if i take just one, for just a spin, the only joy i'll ever ride... and besides, he left his keys inside my valet shack. those miles and dents, that i put on, surely ain't deserving this. sweet fruit was hanging far too low for my resistance. not my fault, you know; it’s juxtaposition!”* he sits high atop a silver tower, set beside the ocean fair; existence storied for he climbed every floor. they call them shares, it's what he sells, but this brand of sharing ain’t what his mamma told. it's a shell game by a different name; for it's more his soul that he has sold. you could say, *“for a song his soul sells short sales down by the seashore.”* or, you could say just what he says, “it's juxtaposition!” ~ *post script. what prompted this?  the city in which i live has the dubious and insidious distinction of having the greatest number of strip clubs per capita in these United States; not exactly something to be proud of.   and yet i realize there are many ways to sell one's soul. truth doesn't have many sides; if something does, then we can't call it truth; for truth, like gravity can be called many things, but under any name we still fall... and come up short!   but then... that's just-my-position!*
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73
I am alone with you. A fire burns in the distance, It lights our faces As before in the empty cinema, Where we arrived, at some beginning, To watch a foreign film. Our eyes, In new utterance, murmuring subtitles,   What words could never speak, The tips of seats, rows of air And the moony screen, A tableau of feathers and cloud, Two of us, alone, as one, Rapt in the spread of wings. Later, alone we dine in the Café   Campagne. Our conversation   Deafens a burgeoning crowd, Coffee was nectar, our words   Were whispering petals. Dearest Blodeuwedd, I saw the sweetest   Sorrow on your face, the green ocean In your eyes, I was cleansed   By your tears.  I have always Known you. Across the border on the far island, You stepped into the waters with me And when you disrobed you lit the stars And the stars and my eyes kissed your skin, Your slender legs, columns, tilting Toward heaven, in the age of Helen, Touched the water and the sky, I saw the milky way that night. Síneánn, I am your Pablo, We are two white birds sailing Over the foam of the sea. Solvent to my stone, you are the hinge To my casement world.  Rain petal Voice, lithe, alabaster woman, I am lost in your Sargasso eyes, I hold your skin, my Selkie, Sweet Niamh, I have lived   One hundred years this week. It is warm in the distance, In the country of the sun, We end at the house in Umbria, In the autumn, there is no word Siberia, my light Rosaleen. Now is harvest time.   At the great table we feast   With family and friends   And I am not alone with you.
0
Mar 12, 2013
Mar 12, 2013 at 4:00 PM UTC
Shineane ( Síneánn )
I am alone with you. A fire burns in the distance, It lights our faces As before in the empty cinema, Where we arrived, at some beginning, To watch a foreign film. Our eyes, In new utterance, murmuring subtitles,   What words could never speak, The tips of seats, rows of air And the moony screen, A tableau of feathers and cloud, Two of us, alone, as one, Rapt in the spread of wings. Later, alone we dine in the Café   Campagne. Our conversation   Deafens a burgeoning crowd, Coffee was nectar, our words   Were whispering petals. Dearest Blodeuwedd, I saw the sweetest   Sorrow on your face, the green ocean In your eyes, I was cleansed   By your tears.  I have always Known you. Across the border on the far island, You stepped into the waters with me And when you disrobed you lit the stars And the stars and my eyes kissed your skin, Your slender legs, columns, tilting Toward heaven, in the age of Helen, Touched the water and the sky, I saw the milky way that night. Síneánn, I am your Pablo, We are two white birds sailing Over the foam of the sea. Solvent to my stone, you are the hinge To my casement world.  Rain petal Voice, lithe, alabaster woman, I am lost in your Sargasso eyes, I hold your skin, my Selkie, Sweet Niamh, I have lived   One hundred years this week. It is warm in the distance, In the country of the sun, We end at the house in Umbria, In the autumn, there is no word Siberia, my light Rosaleen. Now is harvest time.   At the great table we feast   With family and friends   And I am not alone with you.
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50
Miryam meets you at the bar of the base camp in Madrid. She has an orange juice and cereals and a coffee chaser. Did you sleep o.k? you ask, sitting beside her, with a coffee and toast and cigarette. Sure, she says, afterwards.   Her eyes light up like lights on a pinball machine when it's played well. You? she asks, you sleep all right? Sure, but the ex-army guy wasn't too pleased, me getting back in the tent at that hour, you say. **** him, she says. No thanks, you reply. She sips the juice, her lips hold the glass as she drinks, her mouth is fish-like as she swallows. You talk about the ex-army guy's moans about his mother's boyfriend, how they don't get along(he and the boyfriend), and how he feels left out and how he got thrown out the army because he was suicidal. She sips, and you watched her eyes feasting on you as they did the night before, and you recall her ********** in the small space of her tent, the girl she shared with off ******* some guy she'd met on the coach, the tall guy with an Australian accent. You watched her, as you disrobed yourself, the space throwing you together, each touching each, kissing and ********** and kissing. He still feel suicidal? she asks. Guess so, you say, tried to talk him through it all, laying there in my sleeping bag, half asleep, listening and talking to him, eyes closing, and his voice becoming a drone. Anyway, he seemed happier after, snoring not long after, as I was laying there thinking of you. She eats the cereal, talks about the girl coming back just after you left, well ****** and happy, glassy eyed, giggling and stinking of ***** You sip the coffee, take in her small **** pressing against her coloured top, flowers and balloons, patterns, eye catching. She begs a smoke from your packet and you nod, and she takes one out and lights up from the red plastic lighter, the cigarette, held between her lips,   kissable lips, lickable. Yes, it had been a good night, you and she and someone strumming a guitar from the bar, nearby, loudly singing, not far.
0
Dec 2, 2013
Dec 2, 2013 at 2:19 AM UTC
MIRYAM AND MADRID.
Miryam meets you at the bar of the base camp in Madrid. She has an orange juice and cereals and a coffee chaser. Did you sleep o.k? you ask, sitting beside her, with a coffee and toast and cigarette. Sure, she says, afterwards.   Her eyes light up like lights on a pinball machine when it's played well. You? she asks, you sleep all right? Sure, but the ex-army guy wasn't too pleased, me getting back in the tent at that hour, you say. **** him, she says. No thanks, you reply. She sips the juice, her lips hold the glass as she drinks, her mouth is fish-like as she swallows. You talk about the ex-army guy's moans about his mother's boyfriend, how they don't get along(he and the boyfriend), and how he feels left out and how he got thrown out the army because he was suicidal. She sips, and you watched her eyes feasting on you as they did the night before, and you recall her ********** in the small space of her tent, the girl she shared with off ******* some guy she'd met on the coach, the tall guy with an Australian accent. You watched her, as you disrobed yourself, the space throwing you together, each touching each, kissing and ********** and kissing. He still feel suicidal? she asks. Guess so, you say, tried to talk him through it all, laying there in my sleeping bag, half asleep, listening and talking to him, eyes closing, and his voice becoming a drone. Anyway, he seemed happier after, snoring not long after, as I was laying there thinking of you. She eats the cereal, talks about the girl coming back just after you left, well ****** and happy, glassy eyed, giggling and stinking of ***** You sip the coffee, take in her small **** pressing against her coloured top, flowers and balloons, patterns, eye catching. She begs a smoke from your packet and you nod, and she takes one out and lights up from the red plastic lighter, the cigarette, held between her lips,   kissable lips, lickable. Yes, it had been a good night, you and she and someone strumming a guitar from the bar, nearby, loudly singing, not far.
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118
Morning: My taken place at the faucet, a peer Staring into eyes, not sworn to me And I was standing, looking in the mirror Speaking as my reflection Spoke back to me. I was shocked when he took my hand Starting speaking about identity I was shocked he knew so much More of me Than I. He talked about my too-long hair Or how good I looked in green Or how messy my morning face could be Or whether I was feeling smart or lean. He knew it all: I’d go so far to say more of me than I. Evening: Look to the east! A sun set —Bravo! At least consistent and THEN gone. Me? I’ve no such liberty I couldn’t even tell, bereft a mirror, The thing I like to call me. Walking the roads, lined with lights Bustling, living, Lined with sights Constituting the parts of me, invisible —Added to nothing, they’re indivisible Closed, exposed, fall and drizzle Without the gall keep hold From doors and boughs In the windows—I’m there now And THEN I’m gone. Night: The stone church’s door where The righteous moor their souls Piety flows In its golden veins And I’m there no more. Their God does hate me Without presence in the Pews; I’m dross Since the saint I chose Was Saint Me beatified Confirmed from the sinner Laity Goss —So I turn To the school affording play in my words And a tact therefore But rejects All but their templates in blue shoes Who sleight my for company Only when within them Or drowning in ***** —So I turn To the wilderness Blooming in virginal grapes Disrobed save the skin Unfamiliar, Self-aware but only on a whim And whirlwinds that blow Ice and shrapnel and Exile me to the country Where not but dearth may grow In a single season of mine —So I turn Too afraid of that winter So much more the fall And me in the mirror Knows it all, knows it plenty A casual drop in a casual chat About identity —So I turn Back to the mirror Back to it all With showers and pictures in its wall Staring into eyes, sworn not to me Speaking as my reflection Speaks back to me I was not shocked he knew so much More of me than I, Since he strides alongside mine And only in a certain climb Telling me It’s almost time, I’m almost there But it’s not clear in which direction, Or where.
0
Apr 4, 2014
Apr 4, 2014 at 7:28 PM UTC
The Daytime, The Mirror
Morning: My taken place at the faucet, a peer Staring into eyes, not sworn to me And I was standing, looking in the mirror Speaking as my reflection Spoke back to me. I was shocked when he took my hand Starting speaking about identity I was shocked he knew so much More of me Than I. He talked about my too-long hair Or how good I looked in green Or how messy my morning face could be Or whether I was feeling smart or lean. He knew it all: I’d go so far to say more of me than I. Evening: Look to the east! A sun set —Bravo! At least consistent and THEN gone. Me? I’ve no such liberty I couldn’t even tell, bereft a mirror, The thing I like to call me. Walking the roads, lined with lights Bustling, living, Lined with sights Constituting the parts of me, invisible —Added to nothing, they’re indivisible Closed, exposed, fall and drizzle Without the gall keep hold From doors and boughs In the windows—I’m there now And THEN I’m gone. Night: The stone church’s door where The righteous moor their souls Piety flows In its golden veins And I’m there no more. Their God does hate me Without presence in the Pews; I’m dross Since the saint I chose Was Saint Me beatified Confirmed from the sinner Laity Goss —So I turn To the school affording play in my words And a tact therefore But rejects All but their templates in blue shoes Who sleight my for company Only when within them Or drowning in ***** —So I turn To the wilderness Blooming in virginal grapes Disrobed save the skin Unfamiliar, Self-aware but only on a whim And whirlwinds that blow Ice and shrapnel and Exile me to the country Where not but dearth may grow In a single season of mine —So I turn Too afraid of that winter So much more the fall And me in the mirror Knows it all, knows it plenty A casual drop in a casual chat About identity —So I turn Back to the mirror Back to it all With showers and pictures in its wall Staring into eyes, sworn not to me Speaking as my reflection Speaks back to me I was not shocked he knew so much More of me than I, Since he strides alongside mine And only in a certain climb Telling me It’s almost time, I’m almost there But it’s not clear in which direction, Or where.
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86
"Don't try too hard." Beloved mantra for today's people who are so scared to be disrobed. What ugliness are they hiding? When there is a chance of failure, to try is to be naked. I forget this memo occasionally. I'm the one who makes passionate love to my attempts, embracing ****** and this, sometimes, I come to regret. But there are times when my results are beautiful, and worth every inch of shame ridden.
0
Apr 19, 2014
Apr 19, 2014 at 10:43 AM UTC
Try Again
Piercing the shrouded sky They fight against surrounding black: Like flowers breaking through sidewalk cracks, The light seeps through the darkness. Between the leaves The stars reach for the eyes… But now thought reaches away: I escape myself through abstraction As the past violently asserts itself: Remembrance induced by a careless focus On a memory flowing from a present vision: The tree now Clothed in leaves Beckons forth remembrance: *Autumn leaves, Trundling into legs only to move past As they ride the restless winds Whispering their own poems Of meaning only experience could collect… They rush Through fallow ditches And enclosing brush which Form a pattern around The tree that beckons forth - With disrobed branches glistening White under stars, Dampened by the still-settling dew- A Self-realization that obliterates all boundaries And encompasses no thoughts, but the One which gives them: The One which gives a breath Held together by the moments Which trail the first puff of white that joins the airs that wrap themselves around the tree reaching up to the stars which do not reflect the one who sees them but give the light towards which thought now reaches.* All these memories induce The longing to feel the openness No words could possibly posses As slowly the months fade Into the dissolving moments it takes For the eyes to reach up to the light.
0
Oct 11, 2011
Oct 11, 2011 at 6:06 PM UTC
I Am What I Am
Quirks of fate make nonsense of us all Shipwrecked on a vain reality we stand naked — before the Queen (Dreamsleep: October, 2025)
0
Oct 12, 2025
Oct 12, 2025 at 11:37 AM UTC
Disrobed
I am alone with you. A fire burns in the distance, It lights our faces As before in the empty cinema, Where we arrived, at some beginning, To watch a foreign film. Our eyes, In new utterance, murmuring subtitles, What words could never speak, The tips of seats, rows of air And the moony screen, A tableau of feathers and cloud, Two of us, alone, as one, Rapt in the spread of wings. Later, alone we dine in the Café Campagne. Our conversation Deafens a burgeoning crowd, Coffee was nectar, our words Were whispering petals. Dearest Blodeuwedd, I saw the sweetest Sorrow on your face, the green ocean In your eyes, I was cleansed By your tears. I have always Known you. Across the border on the far island, You stepped into the waters with me And when you disrobed you lit the stars And the stars and my eyes kissed your skin, Your slender legs, columns, tilting Toward heaven, in the age of Helen, Touched the water and the sky, I saw the milky way that night. Síneánn, I am your Pablo, We are two white birds sailing Over the foam of the sea. Solvent to my stone, you are the hinge To my casement world. Rain petal Voice, lithe, alabaster woman, I am lost in your Sargasso eyes, I hold your skin, my Selkie, Sweet Niamh, I have lived One hundred years this week. It is warm in the distance, In the country of the sun, We end at the house in Umbria, In the autumn, there is no word Siberia, my light Rosaleen. Now is harvest time. At the great table we feast With family and friends And I am not alone with you.
0
Dec 6, 2014
Dec 6, 2014 at 2:40 PM UTC
Síneánn ( sha-neen )
I am alone with you. A fire burns in the distance, It lights our faces As before in the empty cinema, Where we arrived, at some beginning, To watch a foreign film. Our eyes, In new utterance, murmuring subtitles, What words could never speak, The tips of seats, rows of air And the moony screen, A tableau of feathers and cloud, Two of us, alone, as one, Rapt in the spread of wings. Later, alone we dine in the Café Campagne. Our conversation Deafens a burgeoning crowd, Coffee was nectar, our words Were whispering petals. Dearest Blodeuwedd, I saw the sweetest Sorrow on your face, the green ocean In your eyes, I was cleansed By your tears. I have always Known you. Across the border on the far island, You stepped into the waters with me And when you disrobed you lit the stars And the stars and my eyes kissed your skin, Your slender legs, columns, tilting Toward heaven, in the age of Helen, Touched the water and the sky, I saw the milky way that night. Síneánn, I am your Pablo, We are two white birds sailing Over the foam of the sea. Solvent to my stone, you are the hinge To my casement world. Rain petal Voice, lithe, alabaster woman, I am lost in your Sargasso eyes, I hold your skin, my Selkie, Sweet Niamh, I have lived One hundred years this week. It is warm in the distance, In the country of the sun, We end at the house in Umbria, In the autumn, there is no word Siberia, my light Rosaleen. Now is harvest time. At the great table we feast With family and friends And I am not alone with you.
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50
*A New York City state of mind    stagnating a pretty face, one in a crowd of thousands   had big billboard dreams     dressed to the nines         in expectation's               high class perfection    barefaced realizations'         disrobed an illusion - -*                           'neath harsh spotlights of reality
0
Jun 13, 2015
Jun 13, 2015 at 10:27 AM UTC
Harsh spotlights' perfection
~ ☾☀️☽ ~ Your fate was woven in the silence of time. Embroidered with dread and pain. Made bearable with bonds of friendship and love. ~ ☾☀️☽ ~ Disrobed in the darkness, the sky freckled with the light of stars, shivering. Never will we forget the undying. ~ ☾☀️☽ ~ For fate is something twined in a misty veil. Ignore the flute that sighs a sweet melody. For you, Noctis, will be bound to your threnody. ~ ☾☀️☽ ~ Born with the Storm's Blessing, in all it's strength and might and glory, all that will be left for you is a ruin of crying waters, deathless flames, and flooding song of the Oracle's lyre. ~ ☾☀️☽ ~ Her hair of spun gold; a primose in white, and pearls around her slender wrists. In her hand, a sylleblossom, bent low in your final kiss. Your final promise. ~ ☾☀️☽ ~ She stands strong, her trident in hand, knowing that she is a phantom of transient life. She looks at you. In a field of flowered ice. Standing as days of harsh sun and rain pass by. ~ ☾☀️☽ ~ It haunts you. The memories of where you dare not tread. Yet. ~ ☾☀️☽ ~ Give yourself into the song of the sweet summer bird. Give yourself to the Oracle - the Morn's Star who fears no sun in her wake. For she was born to die in the light. As are you. ~ ☾☀️☽ ~ No need to be afraid, Noctis. Your corona is a crown that befits no other. For all shall witness it's splendour and glory as the Chosen King. The days are waning. ~ ☾☀️☽ ~ The nights are burning. Alive with daemons and weeping plagues. The Sun and Moon reap pain sown from so long ago. ~ ☾☀️☽ ~ It's alright. Because you will be beyond our world. Where you will no longer be weary. Where you will no long be pitied. Where you will finally be free. ~ ☾☀️☽ ~ Where Love is sweet and Sleep is kind. To you both. The Storm was always yours. It blessed you for good reason. ~ ☾☀️☽ ~ Where the moon is full and the sun is high, Where the mountains stand so strong in vain, Where the meadows chant and greet the light, Where the roses bloom and sylleblossoms cry dew, Where the wind carry joy and not whirls of sad. ~ ☾☀️☽ ~ There you are, The King of Kings, Noctis Lucis Caelum, and his consort, Lady Lunafreya, ~ ☾☀️☽ ~ I see you there. Swaying and drifting off to the sound of sweet chimes. Under the Sky of the Light's Night... ~ ☾☀️☽ ~
0
Oct 9, 2017
Oct 9, 2017 at 4:04 PM UTC
The King of Kings
~ ☾☀️☽ ~ Your fate was woven in the silence of time. Embroidered with dread and pain. Made bearable with bonds of friendship and love. ~ ☾☀️☽ ~ Disrobed in the darkness, the sky freckled with the light of stars, shivering. Never will we forget the undying. ~ ☾☀️☽ ~ For fate is something twined in a misty veil. Ignore the flute that sighs a sweet melody. For you, Noctis, will be bound to your threnody. ~ ☾☀️☽ ~ Born with the Storm's Blessing, in all it's strength and might and glory, all that will be left for you is a ruin of crying waters, deathless flames, and flooding song of the Oracle's lyre. ~ ☾☀️☽ ~ Her hair of spun gold; a primose in white, and pearls around her slender wrists. In her hand, a sylleblossom, bent low in your final kiss. Your final promise. ~ ☾☀️☽ ~ She stands strong, her trident in hand, knowing that she is a phantom of transient life. She looks at you. In a field of flowered ice. Standing as days of harsh sun and rain pass by. ~ ☾☀️☽ ~ It haunts you. The memories of where you dare not tread. Yet. ~ ☾☀️☽ ~ Give yourself into the song of the sweet summer bird. Give yourself to the Oracle - the Morn's Star who fears no sun in her wake. For she was born to die in the light. As are you. ~ ☾☀️☽ ~ No need to be afraid, Noctis. Your corona is a crown that befits no other. For all shall witness it's splendour and glory as the Chosen King. The days are waning. ~ ☾☀️☽ ~ The nights are burning. Alive with daemons and weeping plagues. The Sun and Moon reap pain sown from so long ago. ~ ☾☀️☽ ~ It's alright. Because you will be beyond our world. Where you will no longer be weary. Where you will no long be pitied. Where you will finally be free. ~ ☾☀️☽ ~ Where Love is sweet and Sleep is kind. To you both. The Storm was always yours. It blessed you for good reason. ~ ☾☀️☽ ~ Where the moon is full and the sun is high, Where the mountains stand so strong in vain, Where the meadows chant and greet the light, Where the roses bloom and sylleblossoms cry dew, Where the wind carry joy and not whirls of sad. ~ ☾☀️☽ ~ There you are, The King of Kings, Noctis Lucis Caelum, and his consort, Lady Lunafreya, ~ ☾☀️☽ ~ I see you there. Swaying and drifting off to the sound of sweet chimes. Under the Sky of the Light's Night... ~ ☾☀️☽ ~
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