Healing leaves are now disrobed branches
on the edge of this wilderness.
Many tall Douglas Fir stand sentinel
over 100 foot tall amazing grace — the fleeting leaves
expose the beauty of the moss clad scaffolds
adorned with a lime-grey lichen lace
Nature is my refuge — solid ground to stand
in this harmony and peacefulness.


Jesse Stillwater — December 2018

the bus poets

we are the modern day chimney sweeps,
the ***** black faced coal miners of the city,
digging up its grit, toasted with its spit,
the gone and forgotten elevator operators,
the anonymous substitutable,
still yet glimpsed occasionally,
grunts of urbanity
provoking a surprised
whaddya know!

once like the bison and the buffalo,
we were thousands,
word workers roaming the cities,
the intercity rural routes and the lithe greyhounds
across the land of the brave,
free in ways the
founders wanted us to be
us, the stubs and stuff,
harder working poor and lower cases

we were the bus poets,
sitting always in the back of the bus,
where the engines growls loudest,
seated in the - the most overheated
in winter time, so much so
we nearly disrobed,
and then come the summer,
we were blasted with a joking
hot reverie from the vents,
but vent, no, we did not!

no - we wrote and wrote of all we heard,
passion overheated by currents within and without,
recording and ordering the
snatches and the soliloquies of the passengers,
into poem swatches;
the goings on passing by,
the overheard histories,
glimpsed in milliseconds, eternity preserved,
inscribed in a cheap blue lined five & dime notebook,
for all eternity what the eyes
sighed and saw

books ever passed
onto the next generation in boxes from the supermarket,
attic labeled, then forgotten beside the outgrown toys
with our names writ indelible with the magic of
black markers

if you stumble upon a breathing scripter,
let them be, just observe,
as they, you,
these movers and bus shakers,
as they, observe you

tell your children,
you knew one in your youth,
then take them to the attic
retrieve your mother's and father's,
teach your children
how to read, how to see,
the ways of their forefathers,
the forsaken,
the bus poets.

Id love a big fat ****
Or a wrinkled up *******
An ugly looking hag
Who wants a ******* ****

If I had a big fat *****, with a big fat bucket
I'd lay between her fleshy thighs, and definitely **** it
My thrusting **** inside her ****, is where I'd like to tuck it
Spunking up would be sublime, when I lick and **** it

When your about to **** the fat, it takes a certain knack
Stuffed up fishy **** *****, or **** ******* round the back
A nice piece of chunky ****, with a big long sweaty crack
Fatty *** holes make you hard ,my **** would not be slack

I would ride a big large Gal, just like a waterbed
Bathroom ******* would be fun, as well as in the shed
Spunking up between her legs, cream cheese would then be spread
When both holes are full of ***, she can **** my **** instead

And after I have finished, with all of those fat *******
Something different I would want, maybe some old wrinkled witches
All wearing apple gatherers, and big large ******* britches
Older ***** long overdue, scratching long lost itches

A lot of fun I could have, in an old folks place
Disrobed willing grannies *****, stuffed right in my face
At least eight bits of gristle ******, a display of my disgrace
With each granny ****** in turn, if they can stand the pace

As I lift their skirts up their knickers I would sniff
I'm hoping that old fannies good, and they don't smell or whiff
The smell of old used granny ****, is probably just a myth
But I won't let it bother me, as long as I get stiff

I wouldn't even care, if they wore crap NHS glasses
As long as I could **** and ***, inside there wrinkled arses
I would **** them old ****** , all from different classes
Some of them in wheelchairs and some with heart bypasses.

It's irrelevant how fat you are, I really do not mind
As long as you are willing, and your *****'s wet and kind
And if you like it up the ****, then I'm that way inclined
******* ***** is quite fine, so is ******* from behind

So come on girls fat or old, all slags are a possibility
Your sexuality can flood out, there's no need for negativity
I'm willing to **** who comes along, to the best of my ability
Just make sure that I stay stiff, and maintain my agility

The Story
by Kamal Nasser
translation by Michael R. Burch

I will tell you a story ...
a story that lived in the dreams of my people,
a story that comes from the world of tents.
It is a story inspired by hunger and embellished by dark nights of terror.
It is the story of my country, a handful of refugees.
Every twenty of them have a pound of flour between them
and a few promises of relief ... gifts and parcels.
It is the story of the suffering ones
who stood waiting in line ten years,
in hunger,
in tears and agony,
in hardship and yearning.
It is a story of a people who were misled,
who were thrown into the mazes of the years.
And yet they stood defiant,
disrobed yet united
as they trudged from the light to their tents:
the revolution of return
into the world of darkness.

Kamal Nasser was a much-admired Palestinian poet and Palestinian Christian, who due to his renowned integrity was known as "The Conscience." He was a member of Jordan's parliament in 1956. He was murdered in 1973 by an Israeli death squad whose most notorious member was future Israeli Prime Minister Ehud Barak. Barak (born Ehud Brog) later ruled as Israel’s tenth Prime Minister from 1999 to 2001. His adopted Hebrew name Barak means "lightning." As a younger man, Brog/Barak was a member of a secret assassination unit that liquidated Palestinians in Lebanon and the occupied territories. In the 1973 covert mission Operation Spring of Youth in Beirut, which was part of the larger Operation Wrath of God, he disguised himself as a woman in order to assassinate Palestinians. The raid resulted in the deaths of two women, one of them an elderly Italian. Two Lebanese policemen were also killed, along with the poet Kamal Nasser.

Nasser was the PLO's most prominent Christian and he enjoyed "great appeal" in Lebanon, Syria, and Iraq "both as a distinguished poet and likeable personality." He was the “conscience of the Palestinian revolution,” according to Nazih Abul-Nidal, who worked with him on the magazine Filastin al-Thawra. Nasser “had the most democratic outlook of all Palestinian leaders at the time,” he recalls. He respected opposing views, admired the commitment of young people, and was a major recruitment asset for the Palestinian revolution. “That is why he was put high on the hit-list.” The previous year, the Israelis had murdered another renowned Palestinian writer and activist in Beirut, Ghassan Kanafani, by *****-trapping his car. Nasser’s successor, Majed Abu Sharar, was also assassinated by Israelis, in Rome in 1981 while attending a conference in solidarity with the Palestinian people.

Keywords/Tags: Kamal Nasser, Palestinian, Palestine, PLO, Conscience, Ramallah, Christian, religion, poet, Arab, Arabic, Arab Spring, betrayal, conflict, courage, devotion

I
A body of white walls
houses familiarity

Somehow even familiarity
distorted itself
beneath raw cinder blocks
doused white enough
that I could see
the eyes of the past
the eyes of the future
looking back at me,
the eyes of the present

Must journey
behind the white walls
into the familiar unknown

For there is something there

Beyond walls
so very high

They
only crumble,
only die

For there is something there

I must look now
through the deep crevices
deep through my mind

For there is something there

Do I find?

I see people
I see minds
Beyond the white walls
looking back
at I

Why oh why
must I continue?
looking forward
only to
look back again

I am stuck,
encased inside
eternity

Only looking back
to find
a way out
a way out
of me

Me
I have always
been my own infinity

Inside, a prisoner
handcuffed to
the white walls
I am shackled here,
alive
kicking

Death
here in the
eternal infinity

Great intellects
dead,
killed by me

I am my own infinity

I must **** me
I will be free
no longer shackled

I am my own infinity
I am my own uncertainty
I am my own familiarity

It is me
I am my own infinity

The white walls
close in on me,
my own infinity

I do not want to change myself
I do not want to change me

I change
I die

Death’s kiss might be sweet
death’s kiss may free me,
finally

Yet
I cannot accept it
I will not

I just want to be me
but I am everyone else
and they are me
my own infinity

Everything that is
is so very much
everything that is’nt

Beyond the white walls
are nothing you see

White walls
everywhere

White walls
everything

Encasing all
of us

It is here,
it is here

The white walls
shackle us,
shackle us
to
reality,
society


There is forever
no infinity
in me

The familiarity
tastes of death
mistaken for
reality
society

The burning truth

The familiarity
the distorted familiarity
that
is
reality
society

We rely on each other
So much we shoot
each other

We are not strong
We are not smart

We can be
We can’t be

If we break
the shackles
If we keep
the shackles

I am in pieces
I am shattered like glass

I cannot do this
I cannot presume

Death’s kiss
seems sweeter than ever
(forever lost in my own infinity)

You see we
build ourselves up
so
the white walls
eat us up

until we are part of
the white walls
until we are part of
the unknown familiarity

Can I break
through?

want to
need to
break through

White walls
oh,
white walls

I’ve been punching
for so long

I am tired,
I am weary

Resisting,
rebelling

Far too long

White walls,
White mazes

Around
my infinite
familiarity


I cannot
make it out
of myself

So I
walk,

So I
walk,

This great
maze of my
soul

Humorous,
I call it a
great maze

I only walk
in circles

Forever in cycle

I’ve felt the
tears,

Fallen onto
the white walls

Hard
to tell
if they
are clear
or just another
drop of paint

Mind
loops back
on itself,
(always does)

Losing it
(finally insane)


A mad man
I am

A new coat
to adorn

Darker

Darker

Darker

Cracks,
crevices
the white walls
emit abysmal black paint

So-cold
oil,
(called paint)
I will make darkness burn
It stings,
makes a statement
deep within me

Have you ever
felt pain?

Have you ever
felt life?

Walls
I have forgotten
what color
infinity was

Happiness,
feels
so white
but
burns
so dark

Have you ever
felt dark?


Dark feels me
as I
wander,
wither

In
white darkness

II
Out of
walls,
like ghosts
come the hounds

Hounds of the world!
is this all you are?

Animals
who eat away the
stone
rubble
of my soul

Is that what I’ve
become?

Only
stone?
rubble?

White,
raw stone
crushed,
unbroken
by the
organized animals
mistaken to be ourselves

Somehow still shackled
to white darkness
I’ve felt it
I feel it
it feels me

As if to caress
something so bare-beautiful
as a women,
disrobed in the
eternal darkness
of countless midnights

Spent down beneath
the infinity of
blacks,
purples
and blues

Laying in the
leaves of grass
I am
looking at the holes
of the black galaxy
that shoot their beams
back into the
familiar infinity
of my soul itself

For there is something there

There always never always was
something there

I can hear the hounds
once again
prancing
dancing their way
down the halls of
white walls

The white walls that were always never always
there

I walk through them
like such a ghoul
and see
so much of
every nothing
White walls
they melt like
glue

No support

No support

No support

For this life,
for all who may be
in this life

Have nothing
only others

They only
have the other souls,

For they have lost
their own lives
replaced them with
others

Ayn Rand, were you right?
Ayn Rand, were you right?

I’m searching for something
I’m searching for nothing

Where are you?
Individual?

My soul
it pours out
it fills the droughts
of this eternal infinity

But does reason flow?

I only need reason
all I wanted it was


NO!

NO!

NO!

Reason where are you?

The individual,
where are you?

Only descending into
further into madness

I must live!

I must thrive!

I will break this
structure of society

I will shatter
the layers of
humanity,
the layers of
society,
the layers of
reality

I spit lightning
I inhale thunder

Ever before
more alive

The sun rises tentatively through the forest heights behind the palace. In the pre-dawn light Jia Li has secured water and fuel for her visitors and despite the attentions of the pack horse men, who have returned from an evening at her village the worse for drink, she settles to feed her infant child. Meng Ning enters to seek her counsel. She already guesses his intentions and answers his brief questions with confidence. She knows the route to the Red Slate Path, perhaps four li distant. The path is clear, though little used. It is not a place those of her village visit, though she has learnt that the path itself defies nature’s attempts to cover its existence.
    Zuo Fen is standing on the terrace as Meng Ning returns to the Emperor’s Hall. She has slept deeply, is refreshed after a period of meditation and, despite the cold, has been washed and massaged by her maid. She appears dressed for walking, her boots, fur cloak and hat in purposeful combination. As she surveys the lake flocks of wild geese and duck chatter and squabble as they float on the surface. There are some experimental flights, pairs of duck taking off to fly in wide arcs only to return to the same stretch of water from where they rose in tandem. Soon the geese will leave to fly across the forests and moorland for distant harvested fields where they will spend the day foraging. Meng Ning points to a distant peninsula jutting out from the northern shore of the lake. Behind it, he says, lies the cove of the Red Slate Path. Perhaps there they will be able to understand more keenly the why of this mystery.

‘At such a distance,’ says Zuo Fen, ‘the detail of a boat would be quite lost. I imagine the peninsula acting like a pointing finger to its floating form. There is already fashioning within me a possible story that might explain this mystery.’

She smiles warmly at Meng Ning who bows his head rather than stare into her jade green eyes. She moves closer to his standing posture, taking his left hand secure but tense against the balustrade of the veranda. Lowering one leg before the other she slowly kneels, removing her hat, loosening her fur cloak that now spreads itself of its own accord beside and behind her. With both hands behind her neck she lifts her long hair found to parted and tied in simple peasant fashion. Raising her hands to full-stretch her sleeping hair warm from the bare skin of her back slowly cascades forward and across each of her ******* to curl like two cats in the bowl of her robe.

‘Mei Lim is with Jia Li’, Zuo Fen says curiously and with a voice Meng Ning has not encountered before. ‘I fell to sleep dreaming of your kind presence and the joy of being touched and kissed.’ He cannot see her face as she speaks, only the quivering fall of her hair across her kneeling body. ‘I awoke feeling your breath on my cheek and so brought your limbs to entwine with my own.’ He now senses the delicate unguents of her body; they compass him about, his hand falls from the balustrade to touch her hair.

Finding her right ear his fingers describe its shape, its sculptured relief of folded forms and crevices. He is becoming faint with something outside passion that requires him to go beyond her ear and flow of hair about his fingers. He unties his cloak, letting it drop behind him. He removes his boots and outer garments. She follows his example. He moves to her side, adopts the position of the swallow resting on the wind. They face one another.  To the accompaniment of their breathing, her hands begin a dance in the space between their lower limbs as though they are birds turning and falling in flight. Unlike the courtesans he sees at court her nails are short, her fingers long. Then, it is as though her hand holds a brush forming characters and she begins to write on his body with short deft movements this way that way describing her flight of passion. Some intuition tells him to allow this, and not to seek repricocity, as it seems from her breathing that these very actions give her the greatest delight, bring her to the edge of the first coitus. Eyes closed, he moves his nose into a glancing embrace with her own, feeling there a semblance of perspiration, that tell-tale sign of a woman’s readiness for the deeper embrace. She responds to this with sighs and swift movements of rapture that envelope him, and now, as she quickly brings her limbs into a right conjunction, he places one hand beneath her, the other to recline her body gently to the floor, her cloak becoming a pillow for her head.
    He now looks directly at her, her face expressionless as though all thought and feeling has entered her body in preparation to receive his own. She does not blink. There is a moment of great stillness, a great wave of calm breaks, moves forward and pulls back – and again, again. In an instant he will enter her Jade Gate to caress and kiss and move where only his Lord has visited. He knows that once there he will seal his own fate . . .
     It is the talk of poets that women are often at their most sensitive to love’s attention in the morning hours, and that this was, for so many reasons, the most impractical of times for men. Zuo Fen herself had written fu poems that took the reader to the most intimate moments of a concubine’s experience in the morning hours, those times when alone the body gathers to itself its essential nature, and is often caressed with the woman’s own hand and thoughts. To understand such circumstance, to hold its sweetness as an abiding taste during the formalities of the day, only to release its flavour in the pleasure hours of the night, was a manly attribute, said to be treasured, indeed honoured by women.
      When Meng Ning withdrew Zuo Fen lay for some while letting the unaccustomed circumstance and its location only gradually allow a return to conscious and present thoughts. She pictured now her journey to the Red Slate Path, Jia Li, her baby on her back, striding beside Meng Ning, then herself and finally Mei Lim - who would have entreated her mistress to be allowed to accompany her. There was the glade, a small bowl in the hillside where it was just possible to see a small cave from which, glistening, the broken patterns of the slate path fell after half a li into the lake. She would investigate the cave. She would walk to the water’s edge, where the trees stepped into and reached over the lake to lay a carpet of fallen leaves. Then to see the path gradually, gradually disappear into the depths.
    Whilst Zuo Fen, with her eyes closed, projected her thoughts forward in time, with accustomed tact Mei Lim left those accouterments a woman needs after the attentions of a lover. She feared for the young man, though she knew her Lord prized too much his Lady of The Purple Chamber to effect jealousy or display anger.
    As the sun cleared away the thin cloud and approached its zenith the company broached the crest of the hill above the glade. It was, Zuo Fen had to admit, just as she had imagined lying prone and in disarray in the Emperor’s hall. In silence, and in the company of her imagination, she now paced from cave to path to water, and standing at the very edge of the lake’s bank focused her mind to envisage the events of twenty years past.
     It was as though a rhapsody was already formed. She found herself recounting the tale in her world of characters where there is only present time. She felt her hand describe them with the flow of her brush, heard the sound of its movement across the thick parchment. She was slow to notice that Meng Ning had disrobed and was entering the water. Without a word she watched him move through the carpet of floating leaves, some sticking to his nakedness, and onwards, slowly, following the submerged path until his torso then only his shoulders were visible. She then knew what he hoped to find, even after the passage of so many years.

She saw it all, suddenly. The sorcerer Yang Mo and the Emperor’s second wife descending the Red Slate Path as a cavalcade of fire and smoke, loud flashes of light, noises of brass and clashing metal enveloped the glade and the boat itself. The watching company witnessed for a moment the couple disappear under the waters only for their collective sight to be shrouded in a climaxed confusion of the sorcerer’s devices and effects.

When, finally the smoke cleared, the boat and the lovers had vanished.

Zuo Fen watched Meng Ning disappear from view. She imagined him, as the pearl fishers she had heard tell of, diving down to the depths, holding his breath to seek what might remain of the illusory boat. But time passed beyond the possibility of what she knew could be endured by human-kind. The surface of the water remained unbroken. The division of open water made by Meng Ning in breaking apart the carpet of floating leaves was already reforming itself.
   Removing her cloak and her boots, and unpinning her hair, Zuo Fen stepped into the water. A memory floated towards her of bathing in the lake near to her summer retreat. Water held no fear for her, only now the cold consumed her. Her loosed hair, and her elaborate untied robe settled on the water’s surface: to surround her like a lily pad, she the budding flower at its centre. She felt her feet still firmly on the Red Slate Path, her chin now resting on the water’s surface. Whatever had happened to Meng Ning she knew her action to be compliant. She had immersed herself with the very element that had brought him either death or, as she knew in her heart, a most honorable escape.

I am alone with you.
A fire burns in the distance
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud
Two of us, alone, as one
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin
Your slender legs, columns that taught  
The Greeks in Helens age, touched the water  
And the sky. I saw the milky way that night.

Síneánn, I am your Pablo
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone you are the hinge  
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes  
I hold your skin, my Selkie
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance
In the country of the sun
We end at the house in Umbria
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.

[[ ****]]
blood pooling around her
there she lay sprawled
eyes glazed,motionless with no stir
she is another victim to succumb
to this heinous inhuman act
the mission is accomplished
the criminal thinks
freely he walks
head and shoulder held high
among mortals he laugh
life goes on ,another life gone
my sister,mum and aunt
the daughters of eve are endangered
my brother,dad and i
the all sons of adam
are the perpetrators
fear exists among our female species
they fear to be stripped off their
coverings
they live in a nightmare of being
stripped off their dignity
unwillingly be disrobed and be
robbed
they fear being deflowered and
defiled
out of her will she was forced
naked and spreadeagled
vitruvian man style she lay
her case was a repetition of a biblical
story
dinah and the sons of shechem
blood freely trickled between her
open pelvic
life seeped out of her misused shell
did she really deserve this???
who will end this atrocity?
who will fight for the girl child?
toddlers and grannies
shamelessly chauvinist male defiles
them
its against the word
its against the unwritten codes
it's unafrican
it's evil
my anger is frothing
like a volcano the lava is heating up
my pen is crying for the female child
i will shout this from rooftops
on the skyline i will write it
this battle is ours and we have to
fight
protection we've to offer
[[the chronicles of the dumb speaker]]

Feeling fond of my own two feet
I lock the bike, let the wind cool the heat
I'm the one with the illegible handwriting
writing, nonetheless, on the porch
sustained by cigarettes and self doubt
for how else do I know that I'm sane?

Thoughts on the page, a tricky task
ink implying some permanence
if I write it
it is
at least on this page

unnervingly nervous, even at the most receptive times
the thoughts have a path, but can you draw the line?
only one will fit, not two
if you find it or not isn't my concern
it isn't my concern at all

But still it feels good to let words fall
flat on the page, flat on their face
exposed for what they've been all along
just words, good words bad words
just words, no overarching ideas
archetypes cast upon sounds and letters

I wonder if I'll be able to read this
certain bits may become muddled but by how much
less, I'm sure, than by the reader
hello reader, yes you. yes me.
I don't address you often enough, but
it's certainly you and no one else that
brings me to life, back to life

These flat ideas, shadows of flatter ideals
toes dipped in self doubt, but only dipped
should we submerge them, or is that too

much.

putting the pen down never feels whole
maybe it's because I rarely write about anything anymore
**** it, goodbye, till next time, my dear

Fenola watched
as Eileen bathed.
She took in
the hand

moving
the lathered sponge
over the contours
of the body,

moving between ****
like some
venture ship of old,
moving down

the belly,
beneath the soapy water
to the pleasure dome,
then out again

around the neck
and under chin,
then whole body
over once again.  

She knew that body well,
each inch of flesh,
each orifice,
each smell,

each loving touch.
Even the thought
pleased her
overmuch.  

Eileen looked over
where Fenola sat,
on stool,
in bathrobe,

with feet
on mat.
Come on in,
she said,

room enough for two,
you rub my back,
I’ll rub yours
and other places too.

Fenola thought awhile,
took in her eyes
that gazed,
the smile

that spread,
the memory
of the afternoon
in bed,

the positions held
and played,
the *** ensuing.
Eileen pointed

to the soapy bath,
come in,
she said
with **** laugh.

Fenola stood up
from the stool,
disrobed,
set it aside,

stepped in the bath
and sat down,
the water engulfing.
Somewhere

from the other room,
Ravel played
from hifi speakers,
Bolero

or some such piece,
the sound touching
the bathroom walls
with steam and scent.

The girls rubbed
and scrubbed
and laughed
in soapy water,

each one
like a siren
of the sea
or Neptune’s daughter.

There’s a clumsiness
to the way I unbutton my shirt,
hoist it over my head
and let it snuffle to the floor.

I stand there, *******
and unkempt armpit hair on display
but you’ve already almost
totally disrobed,

the light from outside
licking your spine,
dribbling down a leg
like melted sunflower petals.

We catch each other’s eyes,
except you don’t catch eyes,
you see the other person
looking at you
and you know what’s next,

the standing ****,
dry skin and bellybuttons
viewed only by a fortunate few,
a bunch of names
like grapes squashed
into bed sheets
we won’t touch again.

I think this is supposed to be sexier,
my underwear flinging off,
boxer shorts champagne cork
towards the window,
your bra sunny side up
by the foot of the door.

Rather I watch you
peer at the skin I’m in
waiting for a shrill buzzer sound,
a number out of ten
and a spatter of applause
from a conjured-up crowd.

I think you look glorious.
I go to say this but my brain feels
as though it’s been whisked.
You walk over, slink your hands
towards my face,
put an icicle finger to my lips.
I’ve no idea what I’m doing
but you’ll show me the way.

Im guarded
And disrobed
Being naked
Doesn't mean I'm free
I'm shattered
And complexly put together
Glued piece by piece
Whats it like to feel
To know other emotions  
Than pain
Whats it like to be dry
As it's pouring rain
While love is my neighbor
Hate is my bestfriend
Im guarded
And disrobed
Because of him
Self respect..?
Ive lost it all
Although i stand a giant
I seem to feel so small
Continuously pushed
Out of my comfort zone
How am i suppose to believe in love
When I have no one to call my own

Murray

The bell from the cloister rang. Echoed around and settled upon nun in bed cosy in blanket against morning’s cold and frost. Stirred. Head raised. Eyes peered into the dawn’s light, sighed, shivered, moved arms against body’s length. Closed eyes. Wished for more sleep. None to have. Bell rang. Time, ladies, please. Time and tide. Stirred again. Lifted head. Sighed. Gazed at bedside table. Clock tick tock, tick tock. Moved to edge of the bed. Feet dangled. Toes wiggled. Hands joined for prayer. Breath stilled. Silence of the room. Bell stopped. Sighed. Breathed air, cold air. Wake up, rise, and shine. Funny words. Tired still. Wished to sleep, but no time. Dangled feet rose and fell. Toes wriggled. Rose from bed and knelt on wooden floor. Hard floor. Cold floor. Polished to a shine floor. Knees slid on smooth surface. Back stiff from straw-stuffed bedding. Sighed. Sister Teresa joined hands. Let fingers touch. Let flesh touch flesh. Sin on sin once maybe. Long ago. Sighed. Opened eyes. Gazed at crucifix on wall above bed. Old Christ, battered by time and grime. Eyes closed image held in mind’s eye. Prayer began. Words searched for amongst the wordless zones. Reaching through darkness for an inch of light. Light upon light. Darkness upon darkness. Who felt this she does not know. None speak except Sister John. Word upon word built. Holy upon holy. Sit here, she’d say. Rest a while. Rest in cloister. Rest on bench by cloister wall. You and she. Her hands old and wrinkled by time and age. Her eyes glassy. Her voice thin and worn, yet warm. Want to be close to warm. Especially in dark cold mornings like this, Teresa mused, lifting head and opening eyes to dawn’s light and cold’s chill in bone and skin. She stood and dressed. Disrobed from nightgown and into habit. Black as death with white wimple of innocence. Laughed softly. Such times. Such times. Harsh serge against soft flesh. Stiff whiteness on skin’s paleness. Sighed. Coughed. Made sign of cross from head to breast to breast. Never to touch, mama said, never let be touched. Words, long ago. Mama is dead. Rest in peace. No mirror. No image of seventeen-year old face or features now. Vanity of vanities. Sighed. Papa said, some men would deceive. Deceived by what? She often asked but none would tell. Ding **** bell. Silence now. Go now. Moved to door and down the cloister to the church and the dawn’s welcome cold and still. Teresa closed door and walked at pace soft and motionless seeming. None shall speak. Sing and chant and raise eyes and maybe a smile briefly, but none shall speak. Nor touch. For none may touch. Not as much as a sleeve felt or breath sensed. Each one an island. Water upon water none shall cross. Teresa sighed. Walked down the steps one by one, not to rush but not to lag sloth-like, lazily or drag wearily. Mother Abbess would know.Knows all. Sensed all. Next to God most feared. Most loved maybe if truth were known. Teresa sighed. Chill of cloister ate at bones and flesh. Nimble walking might ease, but walk as nuns do and cold bites like violent fish. Breathed in the air. The moon still out. Stuck out on a corner bright and white. The sun’s colour fed the dawn’s light. Brightness promised. Warmer weather. Warmer than Sister John. Who knows, Teresa mused, touching the cloister wall for sense of touch. Absence of touch can mean so much, Jude said, years before. Jude’s image faded now. No longer haunting as before. Teresa brushed her finger on the cloister wall. Rough and smooth. Rough and smooth. Men may deceive, papa said. Let none touch, mama advised. Long ago or seeming so. Seventeen-years old and innocent as innocence allowed. Jude laughed, feeling such. Wanting to touch. Over much. Entered church. Cool air. Sense of aloneness. Choir stalls. Smell of incense and polish mixed. Sense upon sense. Smell upon smell. Walked slowly. Genuflected to Christ. High on high. All seeing. Like Mother abbess. But less human. Less human all too human. The Crucified for all to see. Half naked there. Stretched wide arms. Head dangling lifeless or so seeming. Genuflection over moved to place in choir stall, stood, and stared at vacant wall. Brick upon brick. Sounds held. Chants upon chants sang once, held here. Chill in bone and flesh. Breviary held. Pages turned. Find the place and mark it well. Bell pulled sounds now. Nuns enter and gather round. Sister upon sister, elbow near elbow, but none may touch. None touch. None touch.Sister Rose eyes dim searched yours for morning joy. Smiled. Coughed. Awaited tap from Abbess. Smiled. Nodded. Hands held beneath black serge. Wanting to hold something, someone, but none may do so. None may touch. Tap, tap, wood on wood. Chant came as if from the cold air settled on ears. Felt in breast. Sensed and blessed, but none may touch. The sense to sing. The voice raised. The ear tuned. The mouth and lips employed, but none may touch. At least, said Sister Rose, not over much. Not over much. Still air. Cold air. Warmth wanted. Sister John or Sister Rose. None shall touch.

I am alone with you. 
A fire burns in the distance,
It lights our faces 
As before in the empty cinema, 
Where we arrived, at some beginning, 
To watch a foreign film. Our eyes, 
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air 
And the moony screen, 
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings. 

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd, 
Coffee was nectar, our words  
Were whispering petals. 
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean 
In your eyes, I was cleansed  
By your tears.  I have always 
Known you. 

Across the border on the far island, 
You stepped into the waters with me 
And when you disrobed you lit the stars 
And the stars and my eyes kissed your skin, 
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night. 

Síneánn, I am your Pablo, 
We are two white birds sailing 
Over the foam of the sea. 
Solvent to my stone, you are the hinge
To my casement world.  Rain petal 
Voice, lithe, alabaster woman, 
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week. 

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word 
Siberia, my light Rosaleen. 
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.

I am alone with you.
A fire burns in the distance,
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning,
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd,
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin,
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night.

Síneánn, I am your Pablo,
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone, you are the hinge
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.

I am alone with you.
A fire burns in the distance,
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning,
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd,
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin,
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night.

Síneánn, I am your Pablo,
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone, you are the hinge
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.

Because the beauty of your ****** is not a sin.**

I saw you in the twilight
Disrobed in the state of nature
And I gaped and gasped in awesome delight
Spellbound and elated in rapture
As I beheld your voluptuous features
As I gazed upon your priceless treasures
From peak of the mountain
I went down to the fountain
In the valley of your mons veneris
And holding on to your alluring pillars
I have been transfixed at the altar of your estuary
The estuary of your conjugal sanctuary.

I saw the falconer trading his falcon
With the bounty hunter for his gun
Lost in their lust for your connubial offerings
Spellbound by the allures of your charms
And I came in the fleeting mist of the fleeing night
To behold you even before the Aurora Borealis
And saw you embracing the heavenly light
As Father Heaven kissed Mother Earth
And you were enchanted in heavenly mirth
Oblivious of my winking mortal eyes
Hypnotized in the ether of celestial bliss.
At the unveiling of the beloved daughter of Eve
Made perfect in the bowels of boundless love.

Let the fire be kindled in my heart
The eternal flame of my spirit
The breath of eternity
The ether of life formed in purity
Born bare and born free
As my enchanted eyes can now see
Freed from the chains of pains
The pains of natal travails
Oh! Woman! Thou art the vessel of motherhood.
And in thy mammary gourds abound our first food
How much every man in bound to thy *****
For from the canal every man is born
Through the third eye of Eve where love flows
From the seed sown the fruit is grown
The sweetest fruit of love is found in the ******
To behold your naked beauty is not a sin.

~~ Orikinla Oosinachi, 2006.

Miryam meets you at the bar
of the base camp in Madrid.
She has an orange juice
and cereals
and a coffee chaser.

Did you sleep o.k?
you ask, sitting beside her,
with a coffee
and toast and cigarette.

Sure,
she says,
afterwards.  

Her eyes light up
like lights
on a pinball machine
when it's played well.

You? she asks,
you sleep all right?
Sure, but the ex-army guy
wasn't too pleased,
me getting back in the tent
at that hour,
you say.

**** him,
she says.
No thanks,
you reply.

She sips the juice,
her lips hold the glass
as she drinks,
her mouth is fish-like
as she swallows.

You talk about
the ex-army guy's moans
about his mother's boyfriend,
how they don't
get along(he
and the boyfriend),
and how he feels
left out and how
he got thrown out
the army because
he was suicidal.

She sips,
and you watched
her eyes feasting on you
as they did
the night before,
and you recall her
******* in
the small space
of her tent,
the girl she shared with
off ******* some guy
she'd met on the coach,
the tall guy
with an Australian accent.

You watched her,
as you disrobed yourself,
the space throwing
you together,
each touching each,
kissing and *******
and kissing.

He still feel suicidal?
she asks.
Guess so,
you say,
tried to talk him
through it all,
laying there
in my sleeping bag,
half asleep,
listening
and talking to him,
eyes closing,
and his voice
becoming a drone.

Anyway,
he seemed happier after,
snoring not long after,
as I was laying there
thinking of you.

She eats the cereal,
talks about the girl
coming back
just after you left,
well ******
and happy,
glassy eyed,
giggling
and stinking of *****.

You sip the coffee,
take in her small ****,
pressing against
her coloured top,
flowers and balloons,
patterns, eye catching.

She begs a smoke
from your packet
and you nod,
and she takes one out
and lights up
from the red
plastic lighter,
the cigarette,
held between her lips,  
kissable lips,
lickable.

Yes, it had been
a good night,
you and she
and someone
strumming a guitar
from the bar,
nearby,
loudly singing,
not far.

Morning:
My taken place at the faucet, a peer
Staring into eyes, not sworn to me
And I was standing, looking in the mirror
Speaking as my reflection
Spoke back to me.
I was shocked when he took my hand
Starting speaking about identity
I was shocked he knew so much
More of me
Than I.
He talked about my too-long hair
Or how good I looked in green
Or how messy my morning face could be
Or whether I was feeling smart or lean.
He knew it all:
I’d go so far to say more of me than I.

Evening:
Look to the east! A sun set
—Bravo! At least consistent and THEN gone.
Me? I’ve no such liberty
I couldn’t even tell, bereft a mirror,
The thing I like to call me.
Walking the roads, lined with lights
Bustling, living,
Lined with sights
Constituting the parts of me, invisible
—Added to nothing, they’re indivisible
Closed, exposed, fall and drizzle
Without the gall keep hold
From doors and boughs
In the windows—I’m there now
And THEN I’m gone.

Night:
The stone church’s door where
The righteous moor their souls
Piety flows
In its golden veins
And I’m there no more.
Their God does hate me
Without presence in the
Pews; I’m dross
Since the saint I chose
Was Saint Me beatified
Confirmed from the sinner Laity Goss
—So I turn
To the school affording play in my words
And a tact therefore
But rejects
All but their templates in blue shoes
Who sleight my for company
Only when within them
Or drowning in *****.
—So I turn
To the wilderness
Blooming in virginal grapes
Disrobed save the skin
Unfamiliar,
Self-aware but only on a whim
And whirlwinds that blow
Ice and shrapnel and
Exile me to the country
Where not but dearth may grow
In a single season of mine
—So I turn
Too afraid of that winter
So much more the fall
And me in the mirror
Knows it all, knows it plenty
A casual drop in a casual chat
About identity
—So I turn
Back to the mirror
Back to it all
With showers and pictures in its wall
Staring into eyes, sworn not to me
Speaking as my reflection
Speaks back to me
I was not shocked he knew so much
More of me than I,
Since he strides alongside mine
And only in a certain climb
Telling me
It’s almost time, I’m almost there
But it’s not clear in which direction,
Or where.

"Don't try too hard."
Beloved mantra for today's people
who are so scared to be disrobed.
What ugliness are they hiding?
When there is a chance of failure,
to try is to be naked.
I forget this memo occasionally.
I'm the one who makes passionate love
to my attempts, embracing ******,
and this, sometimes, I come to regret.
But there are times when
my results are beautiful,
and worth every inch of shame ridden.

Piercing the shrouded sky
They fight against surrounding black:
Like flowers breaking through sidewalk cracks,
The light seeps through the darkness.
Between the leaves
The stars reach for the eyes…

But now thought reaches away:
I escape myself through abstraction
As the past violently asserts itself:
Remembrance induced by a careless focus
On a memory flowing from a present vision:
The tree
now
Clothed in leaves
Beckons forth remembrance:

Autumn leaves,
Trundling into legs only to move past
As they ride the restless winds
Whispering their own poems
Of meaning only experience could collect…
They rush
Through fallow ditches
And enclosing brush which
Form a pattern around
The tree that beckons forth
- With disrobed branches glistening
White under stars,
Dampened by the still-settling dew-
A Self-realization that obliterates all boundaries
And encompasses no thoughts,
but the One
which gives them:
The One which gives a breath
Held together by the moments
Which trail the first puff of white
that joins the airs that wrap themselves
around the tree reaching up to the stars
which do not reflect the one who sees them
but give the light
towards which thought now reaches.

All these memories induce
The longing to feel the openness
No words could possibly posses
As slowly the months fade
Into the dissolving moments it takes
For the eyes to reach up to the light.

Love.  Some say that it is the sole reason to be alive.  Some say that love makes waking up in the morning just a little easier.  However, I find that hard to believe, nothing can make this torture any better.  I rolled to the edge of my bed and flopped onto the ground.  Hi, my name is Jack, Jack Jefferson.  You may be asking yourself, why is this guy such a ******?  Well first of all, this isn’t the nineteen hundreds, what’s with “******”?  Secondly, I am not being a ******, I just don’t see a point in going after something that never lasts and only leaves a nasty **** filled scar.
My life is pretty average I would say.  I was born in the most suburban place on the planet, no siblings and parents are divorced.  I’m not athletic or exceptionally smart.  I’m not artistic or deep in any way.  To top that long list of amazing attributes, I am viewed as weird and not normal because I don’t see all the fuss is about love.
I crawled to my bathroom and propped myself up on the shower door.  I disrobed and turned on the water.  I turned it to the hottest temperature at let the steaming water pierce my skin.  I stayed under the warm comfort of the water until I couldn’t remember what my skin looked like when it wasn’t wrinkled.  I got dressed and decided that I don’t need my breakfast.  I walked outside my one story house that was falling apart in every way imaginable, the paint was pealing, the driveway desperately needed to be repaved, and my mailbox was lying on the ground, it has been knocked over so many times that there would have to be a miracle for it to stand back up.  I just caught my bus and I was on to the prison for teenagers, John Tyler High School.
I went to my first few classes and just got bored so I hung out by my locker.  I sat at the base of the locker and plugged into my phone to listen to my music.  I probably would have stayed in my dazed state until some girl kicked my foot.  I looked up at her, figured that she would go away and then I continued to listen to my music.  She was being a pain though; she kicked me again and motioned for me to take off my headphones.  I sighed as I complied and she just stared at me.
“Can I help you?” I asked her trying to get her to understand that I wasn’t in the mood to talk.
“Yeah, you are kind of in front of my locker,” she answered as she pointed to the locker behind me.  I looked up and examined it.
“This isn’t your locker,” I informed her.
“I think it is, one twenty-six,” she said showing me a slip of paper with her locker information.
“Listen you must be new here, this isn’t your locker, it isn’t anyone’s locker, this busted up thing won’t even lock,” I told her trying to get back to my music.
“Well, yeah, I am new here, I’m Rachael Robinson,” she stretched out her hand as if she wanted a handshake, what are we, forty?  I grabbed her hand and shook it reluctantly.  “So what’s your name?” she asked in that kind of tone that implies that I forgot something.  I hate that, maybe I don’t want you to know my name!
“Jack,” I said trying to give her as little information about myself as possible.
“Jack what?” she now made her way next to me and sat next to me.  I felt incredible uncomfortable with her so close so I got up as fast as I could.
“listen, one twenty-six, your nice in all but I don’t wanna talk, here I’ll let you go to your locker and then we can both be on our way,” I said fed up with the fact that she wasn’t getting any of my hints.  She looked at with me with what looked like disappointment as she slid up and put her combination into the locker.  I put back on my headphones and began to try to forget all about her.  Out of the corner of my eye, I saw her organize her books in specific ways.  She then tried shutting the door.  It ended up bouncing right open and she looked to me for help.  I just shut my eyes and hoped that she got the hint.  Judging by the fact that she shut the locker as much as she could and walked away without a word.  My mind started going and I instantly felt guilty, I she was new here and she probably just wanted a friend.  I turned up my music and told myself that she was better off not being associated with me.
The rest of the day went by slow and the thought of that girl was still in my head, especially the fact that I couldn’t remember her name.  I decided to just file that as something strange in my head that makes me not forget certain people, like the old guy with the goatee at Wal-Mart, or the little girl scout outside of my bank, no matter who they are I can’t seem to forget them but one thing always stays the same, I never see them again for the rest of my life it seems like.
There was one thing I didn’t factor into this, her locker was one twenty-six, and mine is one twenty-three, so I’ll probably be forced to see her every day for at least the rest of the school year.  Well does it really matter, I mean she must have gotten the message by now.
The next day I didn’t even bother going to any of my classes, I just wondered the halls making sure to avoid any teachers.  When the bell rang for lunch I went to my locker to see if I could scrape up enough money for lunch.  When I reached the hallway that my locker was in, I peered around the corner and I saw someone sitting at my locker.  It took me a couple seconds but I soon realized that it was that girl!
“You know I can see you, right?”  She said before I was able to turn around, walk away, and forget about lunch.
I decided that it was no use hiding anymore so I slowly started walking to her, “Um, listen, don’t take this the wrong way, but can you stop stalking me?”  I asked her trying to be as polite as I can.
“I’m not stalking you, idiot.  I’m eating my lunch at my locker,” she exclaimed.
“Why?” I asked, “You do know that there is a lunch room, with real seats and even a table, I know its new, not a lot of schools have them but I guess we are pretty lucky.”
“Ha ha,” she said sarcastically, “I know about the lunch room, I… I just prefer eating alone.”
“Okay, can I get to my locker?” I asked trying to subtlety motion for her to slide over.  She slid her stuff over and both of us avoided eye contact.  The time it took me to open my locker and push around some books were the longest fifteen seconds of my life.  The worst part is, I didn’t even get any money.  I awkwardly walked away and I didn’t look back.  I felt bad that she was eating alone, don’t get me wrong, but think about it, if I sat with her what kind of message would that send?  I am trying to separate myself from her, not become best friends.
The day went on until my least favorite time of all, time to go home.  Any chance I get I will leave school but even school is better than my home.  I took the bus home, hoping that each speed bump was the bus breaking down.  The bus ended up at my stop in one piece and I reluctantly stepped off.  I checked my mailbox before going into my house.  The mailman is nice enough to still put the mail in the mailbox even though it is on the ground.  I’ve learned to ignore all of the late notices and only focus on the final notice ones.  Turns out they all were final notices this time around so that’s something to look forward to.  I walked inside and plopped on my couch.  I live with my mother for two main reasons.  The first is because of my father’s anger issues is something I just can’t handle anymore.  The second is because I have no idea where he actually is.  After my parents split he left the house, the town, the state, and possibly even the country.  I knew I had the house to myself because it was a weekday, and on those days, my mother works her two part time jobs.  On the weekend she tries to pick up any more shifts that she can.  I’m probably just gonna drop out of school so I can help Mom with the money.  I mean what kind of son I would be if I let my mother literally work herself to death.  She thinks I can’t see it by it is clear what the lack of sleep and the endless stress is doing to her.
I popped some left over pizza into the microwave, sat on my couch, and waited for them to hear that ding.  While I was sitting, I started fighting to stay awake.  Eventually I couldn’t take it anymore and I gave in.  It was one of the worst dreams I’ve had in my entire life.  It started with me riding my bike to the elementary school to see if I can find some lost tennis ***** to try to sell.  Once I got there, it was eerily quiet.  I set down my bike and began to get to work.  As I was walking to the tennis court, something in the distance caught my eye.  I ended up walking passed the court’s entrance because my curiosity got the best of me.  As I was investigating the shimmer of light in the distance, my surroundings began to change.  I was no longer at the elementary school; I was now walking down the hall towards my locker.  I knew where this was leading but for some reason I couldn’t stop moving towards my locker.  Sure enough, she was there, but she was waiting for me, like me seeing her isn’t a coincidence.  She didn’t speak, all she did is smile at me and her body started swaying.  I felt myself start smiling too, and no matter what I did, I couldn’t force myself to stop.  This was no longer my dream.  I was watching two people see each other and I wasn’t either one of them.  My pizza being done awaked me.  I know that that doesn’t mean what I think I know what it means, ya know?  I do not like that girl in any way.  One Twenty-Six can jump off of aa bridge for all I care.  I ended up just throwing out the pizza because I lost my appetite and I just went to bed for the night.  While I was lying in bed I tried desperately to not fall asleep.  One nightmare was enough for one night.
I ending up losing the fight against sleep once again and I was out like a light.  Luckily I didn’t dream that time so when I woke up I was actually a little happy.  I went to school immediately saw her at her locker.  She had a set of tools on the ground next to her and she was doing something to her locker.  I tried walking passed her and to not make any eye contact and I guess it- was a little too obvious that I was trying to ignore her because she immediately stopped what she was doing.
“Look, I know you don’t like me, I don’t know what I did but I know that you for some reason hate me.  So please let’s just accept it because you are making this very uncomfortable,” she said waving a hammer at me.  I was blown away.  This girl is accusing me of making in ‘uncomfortable.’
“I’m the one who’s doing it? Ha, that’s funny.  You’re the one who keeps trying to talk to me when I clearly want to be alone,” I retaliated.
“I talk to you because I know firsthand, sometimes you want to be alone but you hate to be lonely,” She said now dropping the hammer and walking towards me.
“You think you know me, don’t you?” I asked now putting my finger on her chest, “You have no idea who I am or anything about me, so get that through your thick skull One Twenty-Six,” I said with a push.
“And I bet you think you know me, you think I’m some girl who just picks up some piece of trash and tries to become friends with it and make its life better,” she said putting her hand to her chest.  I would never admit it but she was right, I thought she was going to make me her little project.  It was clear that I was losing this fight and so I had to turn the tables to let me win and quick.
“That’s the thing, I don’t know you, and I don’t want to know you.  How would that benefit me to know some new girl?” I said off the cuff.  I felt proud of myself for thinking on my feet but then I noticed what my words had done.  I could see tears forming in her eyes but it was clear that she was using all of her strength to hold them back.  My mind immediately went to the idea that this was part of her plan, to make me feel bad so she could get the rewards of winning.  I stared at her blankly until she turned around without a word and just picked up her hammer again.
“So, uh, what are you doing?” I asked and I immediately regretted the words I chose, I was never good at small talk.
“Trying to fix my locker, you were right, it doesn’t lock,” she had the voice of someone who was about to break down crying.  That just breaks my heart, and on top of that I knew that it was my fault.
“Can’t you, like, call the school or something and ask them to fix it?” I asked putting my hands in my pocket and putting my head down.
I could tell that she already started to put our little conversation behind us, “I already did, and there is not enough money in the budget, so they said that until they get afford s replacement I would have to deal with the problem, so I’m dealing with it.”
“Well do you need a hand, like have you ever done something like this before?” I asked hoping that if I help it’ll excuse me from the guilt.
“Not from you, and no, I have not, but what else am I supposed to do?” she asked.  I feel like even though she asked in a sarcastic tone she was still wanting my help.  I started racking my head for something I could say that would help and then I got an awful idea.
“Hey, uh… since our lockers are so close together, it probably won’t affect you to much if we shared mine, I mean we can share my locker if that’s a solution your…okay with,” my voice trailed off in the end because I really wanted her to say no and I could be in the clear because I made an effort, but I wasn’t going to fight her to do this.
“Sure,” she said, I couldn’t believe how fast she answered.  Was she planning for me to ask, then again she probably was trying to think of all of her choices.  But who does that, I mean I’m not saying she was, but I would have thought that she didn’t want to sound desperate.
“Okay, umm when did you want to move your stuff?” I asked a little taken back of this entire evening.
“Well I got a lot of stuff, why don’t you give me your combo, cause I can do it while you’re in class,” she answered.
“C’mon, you know I don’t go to class,” I reminded her.
“Well why don’t you?” she asked as I took out a piece of paper and wrote down my locker combination.
“Well let’s just say that once I turn sixteen in a couple months, you can have that locker for yourself,” I told her, making sure I avoided eye contact.  You know how that subject is with some people, they take it so personally like you’re making them drop out too.
“You do know that you have to get parent consent at sixteen, it’s not until you are eighteen that you are able to leave without anyone’s permission,” she informed me, as if I hadn’t already looked into it.
“It’s called forging my Mom’s signature,” I told her.
“Wouldn’t your parents make you go?” she asked, so innocently I couldn’t be mad at her ignorance.
“First off, you mean parent, my father skipped town before I could remember.  And secondly, my Mom needs my help, once I leave I can get a job and we will be able to pay the bills,” I explained.
“Okay,” she said.  That’s all she said.  Why would that be all she said? ‘Okay,’ really?  That’s all you have to say.  I’ve been lectured day in and day out on how I’m not running my life, but all she says is ‘Okay.’
“Is that it?” I asked in disbelief.
“Yeah, what else would there be?” she a

I am alone with you.
A fire burns in the distance,
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning,
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd,
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin,
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night.

Síneánn, I am your Pablo,
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone, you are the hinge
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.

A New York City state of mind
   stagnating a pretty face,
one in a crowd of thousands

  had big billboard dreams
    dressed to the nines
        in expectation's
              high class perfection

   barefaced realizations'
        disrobed an illusion - -

                          *'neath harsh spotlights of reality

A new girl moved next door,
I helped her carry some of her boxes in
She was very nice
Little did I know what was in store
 
A few months had gone by
She was starting to settle in
One weekend, I was drawing, when I heard a spraying noise
I looked down and saw the girl
Washing her car, her attire, or lack thereof, making a lot of noise.

She looked up at me, saw me watching
She bit her lip and moved her bikinis string flossing
Teasing, and tantalizing, I slowly walked away into my room
It was kinda early but I contemplated pleasuring myself, at least before I go out this afternoon.

Right as I got up to get lotion
There was a loud knock at the entrance to my home
I answered the door and said who is it
And it was her, completely disrobed.

Wait Nero, how does the story end?