Down at the disco
some cool cats hang
so many faces
with so many names

There's Mighty Jack
guarding the door
Sass him to much
you'll be kissing the floor

Chris he'll serve you the best **** drink
then give you some advice
that will make you stop and think

Neva owns the dance floor
she's as sweet as pie
always blows you a kiss and a wink
when it's time to say goodbye

D rocks the jams
always keeps them hot
will make you get your groove back
if it's something  you ain't got

James he's the manager
keeping things cool as ice
He believes a good time
should not become a vice

In miniskirt she
Dances, streaked hair and all that
but oh, she is old!

The dark hours
Provide
My light
The best of me
Pops up
At night
A disco nap
Before I go out
Elated
Once the bass
Doles out
Energetic
'Til after dawn
I will continue
As long as
The music is on
And once I
Flit home
My morning song:
Streets in silence
Still playing techno.

Sometimes in a disco
I find myself lost in the music
Immersed in the lyrics
Of the sounds
Like the wasps *******
from the nectar
Unaware of the pollen
Flower dances
In the love of creation
And nuance

You sway
You move those hips
Disco flies through this air
And you give yourself away

Oh Generational gap, a cancer of to all mankind. The father of lack of communication between the young and the old. A difference brought about the tastes and values.
The pain faced between young and aged but can’t be touched. It started by 1960’s the decades of revolutionary change. It cut across the world in values of ***, religion and civil rights. The disease the emerged earned its self a name by social scientists. It then became “Generational Gap”
I would love to quote a man of great thoughts, Alexis De Tocqueville, who commented that;
“Among democratic nations, each generation is a new people” I have come to appreciate these words.
When I walk down the streets noticing the rising incompatibility existing in our society
Though I admire the old days when the old and young associated freely, working on the same farms
Grandparents telling stories to their little ones; what a lovely society they had.
With the invention of television and computers some families were bonded in communication
While others live in agony especially the illiterate.
The old desire different designs from the youth, whose trends change per living day of nakedness
Young people prefer working in executive places like offices compared to the donkey farm work considered to be for the old
Another cause of generational gap is decay in morals; the young people feel like they know everything and don’t like to be corrected thus taking information from old people as outdated, young people finding lots of hardships to great their elders
In the field of music elders prefer oldies and more preferably educative songs, and as for the youths they delight in Hip-hop and dancehall, am sure those present here can testify to this a term with no disco dances makes us dull students.
When it comes to religious issues, youth find it a burden to go to church and if they offer to go they prefer it to be in a club way. Praise and worship accompanied by jazz unlike the old days where drums are the centre of music.
Cultures in this way have greatly faded away; the trend of western culture has flamed up the world.
Drugs and *** are a hobby and celebrated amongst the youth, yet *** to the old was for companionship and co-creation.
But when we came to medical technology we all applause in general, young or old there is easy treatment, use of scanners, and medical facilities cuts across.

Miryam was sitting in the bar
of the base camp
outside Madrid

you sat next to her
on your second Bacardi
drawing on a smoke

she was sipping a glass
of white wine
where'd you get to last night?

she asked
thought you were going
to come to my tent?

thought your tent mate
would be there
you said

no we had a row
and she went to share
with Moaning Margaret

Miryam said
didn't know
you said

else I'd have come along
she sipped her wine
looking around the bar

spent a lonely night
she said
you exhaled smoke

and looked at her
taking in her frizzy
red hair

her eyes
her small tight ****
her tongue licking

the lips
I had that army guy
with me

you said
ex-army I should say
he got thrown out

why was that?
she asked
he didn't say

you said
and you thought on the guy
and how he went on and on

about his mother's new boyfriend
and how he felt pushed out
and the army life

was getting him down
and he did something
whatever and got

thrown out
Miryam drained her glass
I'm going now

where to?
you asked
my tent

she said
been a long day
touring around Madrid

you stumped out
your cigarette ****
in the glass ashtray

are you coming?
she asked
you looked uncertain

you don't have to
she said
I can always

sleep alone again
what if your tent mate
comes back?

you asked
she won't
Miryam said

too much was said
you drained your glass
and put it down

on the bar top
now?
don't you want to go

to the disco
in the other bar
by base camp?

no I'm tired
she said
ok

you said
see you later
later?

she moaned
I want to go to the disco
you said

she shrugged her shoulders
and stormed off
out the bar

into the night air
you went outside
and she had gone

between tents
into the darkness
disco music thumped

from the other bar
across the way
sounds of laughter

and voices calling out
and Bill waving to you
from his tent

on his way
to the other bar
his long wavy hair

caught in the breeze
and jeans with holes
or tears in the knees

and you thinking
of Miryam
in her tent alone

no longer waiting
maybe fuming
getting undressed

wanting you
not wanting to rest
and back at your tent

the army guy
lying there
full of woe

waiting for your return
to tell his tale
of life that fate

had sent
walking to
the other bar

(with Bill)
you wished you'd gone
to Miryam's tent.

When I'm sliding down another line
And bells in my head liquid chime,
When I'm disco dancing
                   Across the floor
And the feeling's building
                    From the basic core
Playing good funky and loud
And I recognise the faces
                           In the crowd
When the demon of joy
                           is laughing and prancing
In the stuttering strobe
I gotta slip, I gotta do some disco dancing.

When I take my time to rush not hurry
When I'm completely free of emotion
                                       and financial worry
When I'm with an aquarious **** girl
And she is disco dancing as well
When I'm rising and the lights are trancing
I'm inviting you for some disco dancing.

Warning:
The seagull flying over the Appalachians
could not possibly be amused by the
puzzles of an illegitimate composer
and the skyscrapers climbed.

1.
The skyscrapers were played by tall
rocks a girl climbed when she couldn't
remember if the cape she wore was
made from steel or newspaper.

11.
The newspaper they all read together
that morning (girl, boy, king, etc)
promised nothing but a fifty percent
chance of dandelions terrorizing the bus stop.

2.
The bus stop had since become a
dealer corner and the sunset behind
the mountains was blocked by the
flipping hair of a lost boy.

7.
The boy bought a toy for cheap -- it had
a built-in laser, so she stole it to blast a
whole hole in that guilt-ridden quilt hung
over the four dollar love seat.

6.
The love seat, she bought the day he went
to maple -- the soap dispenser was broken,
but she couldn't find anything new (that she
knew) to wash her hands with.

5.
The hands that handed her a hammer were covered
in promotions, so she stole the motorcycle when
they were watching the scarecrow going
through electric-shock, disco therapy.

8.
The therapy that she received from the
parrot-king and his troupe of square roots
was enough to make her not forget not regret
the boy with feathers in his ears.

10.
The ears she woke up with one morning
were different in shape than before
and the black fur she knew
was growing before her eyes.

3.
The eyes of the boy were wider than
the nightly news station promised, and
there wasn't really a difference
between caves and boxes in a town that small.

4.  
The town she arrived in didn't have
a carpool lane or derby, so
she had to take her pet goldfish
to the river for his depressive state.

9.
The river wasn't as flooded after a couple
weeks of changing the tune on the jukebox
she found way before the departure
of her white gold pearls.

12.
The pearls she wore for her
coming-of-age were buried beneath
a dirt mound when she promised herself
to always insist on herself.

WHEN Kylie Minogue began the process of tracking down 25 years of costumes and memorabilia for an exhibition on her (literally) glittering stage career, she had one crucial call to make.

“There were a few items the parentals were minding,” laughs Minogue. “I, too, do the same thing as everyone else: ‘Mum, Dad, can you just hold onto a few things for me?’ It’s just lucky they weren’t turfed out from under their watchful eye.”

Kylie On Stage is the singer’s latest collaboration with her beloved hometown’s Arts Centre Melbourne. She’s previously donated a swarm of outfits to the venue, going all the way back to the overalls she wore as tomboy mechanic Charlene on Neighbours.

This new — and free — exhibition rounds up outfits starting from her first-ever live performances on 1989’s Disco in Dream tour. Still aged just 21 and dismissed by some as a soap star who fluked a singing career, Minogue found herself playing to 38,000 fans in Tokyo, where her early hits “I Should Be So Lucky”, “The Loco-motion”, “Got To Be Certain” and “Hand On Your Heart” had made her a superstar.

“From memory, I was overexcited and didn’t really know what I was doing. I just ran back and forth across the stage,” says Minogue of her debut tour.

Disco in Dream also premiered what would become a Kylie fashion staple: hotpants. “Those ones were more like micro shorts, not quite hotpants, but they started it,” she admits. “There were also quite a few bicycle pants being worn around that time, too, I’m afraid.”

That first tour stands out for one other reason: Minogue officially started dating INXS’s Michael Hutchence at some point during the Asian leg.

“I had met Michael previously in Australia, but he was living in Hong Kong [at the time] and I met him again there. The tour went on to Japan and he definitely came to visit me in Japan.”

Fast-forward from Minogue’s very first tour to her most recent, 2015’s Kiss Me Once, and the singer performed a cover of INXS’s “Need You Tonight”. She remembers first hearing the song as a teenager. “I don’t think I really knew what **** was back then,” notes Minogue. “But that’s a **** song.”

Before the Kiss Me Once tour kicked off, the Minogue/Hutchence romance had been documented in the hit TV mini-series Never Tear Us Apart: The Untold Story Of INXS. Minogue said then it felt like Michael was her “archangel” during the tour — “I feel like he’s with me.”

Her “Need You Tonight” costume was also deliberately chosen to reflect what Minogue used to wear when she was dating the rockstar. “It was a black PVC trench coat and hat,” she says. “I loved that. It just made so much sense for the connection to Michael. I literally used to wear that exact same kind of thing, except it was leather, not PVC.”

By 1990, Minogue’s confidence had grown, something she’s partially attributed to Hutchence’s influence. Before her first Australian solo tour, she performed a secret club show billed as The Singing Budgies — reclaiming the derisive nickname the media had bestowed on her. It would be the first time her success silenced those who saw her as an easy target. Next year marks her 30th anniversary in pop; longevity that hasn’t happened by accident.

Minogue’s career accelerated so quickly that by 1991 she was on her fourth album in as many years and outgrowing her producers, Stock Aitken Waterman, who wanted to freeze-frame her in a safe, clean-cut image.

On 1991’s Let’s Get To It tour of the UK, Minogue welcomed onboard her first major fashion designer — John Galliano. He dressed her in fishnets, G-strings and corsets; the British press said she was trying too hard and imitating Madonna at her most sexed-up.

“Of course those comparisons were made, and rightly so. Madonna was a big influence on me,” says Minogue. “She helped create the template of what a pop show is, or what we came to know it as, by dividing it up into segments. And if you’re going to have any costume changes, that’s inevitable.

“I was finding my way. I don’t think we got it right in some ways, but if I look back over my career, sometimes it’s the mistakes that make all the difference. They allow you to really look at where you’re going. I’m fond of all those things now. There was a time when I wasn’t.

“Now I look back at the pictures of the fishnets and G-strings I was wearing ... Maybe the audience members absolutely loved it, maybe they were going through the journey with me of growing up and discovering yourself and your sexuality and where you fit in the world.”

As the ’90s progressed, Minogue started experimenting with the outer limits of being a pop star, working with everyone from uber-cool dance producers to indie rocker Nick Cave.

Her 1998 Intimate And Live tour cemented her place as the one thing nobody had ever predicted: a regular, global touring act. Released the year prior, her Impossible Princess album had garnered a credibility she’d never before enjoyed. But more credibility equalled fewer record sales.

The tour was cautiously placed in theatres, rather than arenas. Yet word-of-mouth led to more dates being added — she wound up playing seven nights in both Melbourne and Sydney, and tacking on a UK leg. All received rave reviews.

The production was low-key and DIY: Minogue and longtime friend and stylist William Baker were hands-on backstage bedazzling the costumes themselves. The tour’s camp, Vegas-style showgirl — complete with corset and headdress — soon became a signature Kylie look, but it was also one they stumbled across.

“I remember the exact moment: the male dancers had pink, fringed chaps and wings — we’d really gone for it. I was singing [ABBA’s] “Dancing Queen”. I did a little prance across the stage and the audience went wild. I thought, ‘What is happening?’ That definitely started something.”

Then came the “Spinning Around” hotpants. Minogue couldn’t wear the same gold pair from the music video during her 2001 On A Night Like This tour — they were too fragile — but another pair offered solid back-up.

“That was peak hotpant period,” says Minogue. “Hotpants for days.”

After the robotic-themed Fever 2002 tour (featuring a “Kyborg” look by Dolce & Gabbana), 2005’s Showgirl tour was Minogue’s long-overdue greatest hits celebration.

Following a massive UK and European run, her planned Australian victory lap was derailed by her breast-cancer diagnosis that May. Remarkably, by November 2006, Minogue was back onstage in Sydney for the rebooted Showgirl: The Homecoming tour.

“I look at that now and I’m honestly taken aback,” she admits. “It was so fast — months and months of those 18 months were in treatment.”

Minogue now reveals her health issues meant she had to adjust some of the Showgirl outfits: “I was concerned about the weight of the corset and being able to support it. I was quite insecure about my body, which had changed. For a few years after that I really felt like I wasn’t in my own body — with the medication I was on, there was this other layer.

“We had to make a number of adjustments,” she adds. “I had different shoes to feel more sturdy ... It was pretty soon to be back onstage. But I think it was good for me.”

The singer’s gruelling performances involved dancing and singing in corsets, as well as ultra-high heels and headdresses that weighed several kilos.

“A proper corset, like the Showgirl tour one, is like a shoe,” she explains. “It’s very stiff when you first put it on. By the end of the tour it was way more comfortable. The fact it made it quite hard to breathe didn’t seem to bother anyone except for me. But it was absolutely worth it. I felt grand in it.

“It took a while to learn how to walk in the blue Showgirl dress,” she continues. “I had cuts on my arms from the stars that were sticking out on pieces of wire. You’re so limited in what you can do. You can’t bend your head to find your way down the stairs.

“Whether it was the Showgirl costume or the hotpants, or the big silver dress from the Aphrodite tour [in 2011] that was just ginormous, they all present their own challenges of how you’re going to move and how you’re going to do the choreography. There are times the costume can do that [figuring out] for me; other times I really have to wrestle with it to do what I need to do.

“But you’re not meant to know about that,” she adds, “that’s an internal struggle.”

Minogue has spent much of 2016 happily off the radar, enjoying the company of fiancé Joshua Sasse, 28. She gets “gooey” talking about her future husband, whom she met last year when she was cast opposite him in the TV musical-comedy series Galavant. He proposed to Minogue last Christmas.

Just like the “secret Greek wedding” that was rumoured but never happened, reports of summer nuptials in Melbourne are also off the mark.

“I hate to let everyone down, but no,” she says. “People’s enthusiasm is lovely, we appreciate that, but there are no wedding plans as yet. I’m just enjoying feeling girly and being engaged.”

Minogue will be in Queensland next month filming the movie Flammable Children. The comedy, set in 1975, features her former Neighbours co-star Guy Pearce and is written and directed by Stephan Elliott (The Adventures Of Priscilla: Queen Of The Desert ).

“It’s Aussie-tastic,” laughs Minogue. And she is also planning a sneaky visit to check out her own exhibition when she’s back in Melbourne.

“I’ll probably try to move things around the exhibition,” she says. “And they’ll probably tell me off: ‘Who’s that child playing with the costumes?’”Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/formal-dresses-2016

there was a little cat  he took a holiday
across the ocean blue to the USA
visiting the sites on his little trip
he was rather cool and very very hip
visiting the disco getting in the groove
doing twist and spins he could really move
a proper john travolta  in his suit so white
dancing there for hours  dancing through the night
people gathered round amazed at what they saw
clapping very loud shouting out for more
a  proper dancing star from so far away
dancing in America in the USA
he had lots of fun on his holiday
and vowed he would return to dance another day

"
"nor is this a fact," nor is my syntax the 'true.'
i can't use quotations in the way i'd like to,
to allow the paradoxical to seep through
in the sly act of revising 'this' honestly--
merging truth with falsity, to silently see--
grammar become a means to shatter certitude

"i can't tell the 'truth' with these ["i can't tell the 'truth'
with these{...} very words"] very words"; i really can't...
it's somewhat unfair to communicants, this rant.
let me bolster your trust by not telling it slant:
in fact, it's not poetry, not from this angle.
maybe when you read, this 'this' will be poetic?
meh, i'm relying on telling, not showing. so...
quiet's often better than such entanglement

but this is not about value, it's about truth.
sincerely, i doubt i'll keep those two separate

perhaps... if you pretend i'm a prolix parrot,
who happened through some acosmic accident
to be the transmigrated daimon-soul of Sappho,
or Hypatia, Gertrude Stein or Plath even...
(yeah, i'm like a Cretan for going on): they weren't,
'your gobbledygoo,' or 'Sweet sweet sweet sweet sweet tea.'
stripped bare at the Caesareum, being murdered
for the crime of godlessness or female wisdom
spoken in the scapegoat-hungry rule of Rome...
this is not what they were, not the whole truth, at all
and though from winds of ****** she spoke in verse
that her vast poetic fame 'was no delusion:'
and that, 'dead, I won't be forgotten,' i fail,
painfully fail, to trace into a verbal womb
the seeds of those that transformed all, yet now entombed...
for to remember them in me is to revise,
reduce, sadly in that poetic untruth found...

"this" is a gestalt, i guess i'll have to say,
a "figure-ground," a floating 'shape' in some context,
one that you embody too, somehow, not in text;
even through a distant sharing, it's realized
(hold onto the random metaphors you find,
they're probably better than what's in my mind)
and to share this with you now, to hypocritize,
it's lunacy. i mean, the moon, the poetic moon
is not a meme, is not a custom, is not a poetic fact,
in fact, it's not in this poem, and if it were--
being televised with some authentic ontic pixel-space--
here between the lines augmented mOOn for you
it would prove how unpoetic the poem is, and how
very true the moon is, if it were here, right quoteunquote"here"
ineffably punctuated
            -- well, let me try
and fail again to make Erasmus proud:
the quotes would hang about romantic beams
parentheses to echo adjectival spectra streams,
an underscore horizonal and asterisks for stars.
but not these * asterisks,
or those_types of underscores--
better (parentheses) and far more "quothy" "quotes"--
the punctuation would literally ^punctuate^ the sky of my text.
time would stop.                                                            ­                   and that would be poetic.
you don't need to breathe, even; not this 'you,' in this moment
(the one i've failed to capture):
'i will put you on the moon' i say,
'and sit you buoyant by the buddha-astronaut, who,
in answer to the question sprinkles moondust in slow motion,
symbol-guiding realness, my "finger" for solution,
to present to you again, what is present to me now.
the Russian names, the rest of names, the 'face' some say cries, "sweetly,"
as if we could use the moon's sympathy,
or as if we should feel it for the white rock that elliptically defines us,
dances to our rhythm, (the tides, the ****** huntress)
the one that taught us to dance,
the one that taught us to yearn darkly in surreal eclipse
more hopefully for the chance of cataclysmic doom
some Greeks thought it was a disco ball, after enough *****, that Dionysian night,
some Greeks thought it was a disc,
like a coin that flipped just right
to match it's dance about our pearoid earth
in synchrony's anachronistic mirth.
i would lick each Bacchant clean to learn the mysteries of poem
i would lick each Bacchant clean. period. no music or noema known
this 'poem' is not a "poem"
in a very real sense
i did not make this,
nor did i compose or create it.
if you're not following it's ok, i'm barely there myself -- i'm trying to refer to...
the elliptical shape that certain publishers use
to refer to fundierung
the double-founding,
reversibility,
the flesh of passive
the flesh of active
enfleshed perceiving
the common meaning we contribute
but can't attribute to any source we express!
(however distorted) after the fact, yes! --
either all that, or the meaning you get from "this" act
doubly-enfolded, with two pairs of hands kneading the same dough,
two pairs of eyes weaving the same lOOm,
another Indra's net to sew,
in meaning you give now,
the techne of your reader's mind
and the meaning i'd wish to know,
if i were still writing what you are reading,
doing my best to ignore the title
and to write something worthwhile...

i do wish i could show it to you the way i love it in your own poetry,
but you would know that, already, without my love

without my unpoetic lack of facts, my rhymes.
free of poems, free to flout the literary sea.
free to be unwordly, and let the contradictions fly
"

this is truly a welcome break from:
freeing all the drafts -
which i imagined to be equivalent, or rather:
the 2nd parallel of the original adjecent -

i imagined it would feel like:
releasing doves with laurel branches firmly
lodged in their beaks -
just as the waters of the flood would recede...

but it truly felt like:
the inversion of the diarrhoea-constipation
"paradox"... because it felt like both,
but never giving me a clue as to
what was more prominent -

the sharp edge of a knife -
or the horizon when the sky becomes
the sea far away....

i'm not ashamed to throw this onto the fore...
it happened to me once...
but on purpose...
i wanted to compensate marquis de sade's
antic in a brothel when he implored
the ******* to turn the crucifix into
a ***** into his decapitated precursor
of a mary antoinette... puppet...

profanity in images and all the other seances
of the senses...
i wouldn't go as far as to make the crucifix
profane... or do anything profane
with it...

only the words...
hic (est) mea corpus - hic (est) mea cruor...
this is my body - this is my blood...
and i am aware the mead is the gods' ****
when they're in a good mood - all... jolly...
and that beer is the gods' **** when
laughter hits a dry run...
and that ms. amber or whiskey is but:
the blood of the gods...

i had to corrupt it...
to prove to myself: that i am not a god...
it was quiet simple...
once upon a time i was drinking
a glass of wine...
and as you do... on a whim...
i decided to **** into it...
perhaps all that drinking prior would
give me something to elevate the palette
of exploration that was to come...

hmm... at least that sorts out
hic: mea cruor... *** urinae...
but back then i did that on purpose...
and if only this was a desert scenario...
and i would have to drink my own *****
to survive...
well... i just thought: here's to starving
from a lack of better imagery...

i will come unto some Horace in a minute...
i don't know how i managed to find
this citation - it's only very losely related...
and yes i will showcase another draft from
May of last year...

but today i was unsure...
did i leave yesterday's pepsi max bottle
with only the stale pepsi left...
or did i forget to do the lazy sly wee whizz
jumping out of bed in the middle of
the night...
but i already poured this "cocktail"
over two shots of whiskey...
and i'm hardly desperate but...
my original intention of alligning myself
to the profanity of the crucifix...
i had to somehow make profanity
of the wine...

since i am... thinking how to compensate
being satisfied with wine...
how the ancient world was always
satisfied with wine...
the story of the 3 ambers of the north...
the beer, the mead and the whiskey...
all in a varying degree...
but i will not bow before the blood of a god
that's so... diluted...
whiskey yes... that can be blood indeed...
otherwise it's down in the trench
with gods' **** - mead if they are in a good
mood... beer if they are in a talkative mood...

thank god i wasn't thinking:
better salvage those two shots of whiskey
and drink this cocktail of the "ultimate" surprise...
and apparently eating a woman's
placenta is good for you...
as was... apparently once... breastmilk...
funny... give me the milk of a cow or a goat
and i'll show you: one dislocated thumb...
one dislocated distal + intermediate phalange
from the index finger of the right hand's
proximal phalange... no broken bones...

knock-knock... who's there? touchwood superstition.

it's not as bad as it sounds...
stale, yes...
but i am also known for sometimes
performing the antithesis of drinking tequilla...
*****... i'll sprinkle some cigarette ash
onto my hand... lick it... take a shot of *****
then throw one or two black peppercorns into
my mouth for the crunch...
each drinker and his own myths... right?
i call that the black cracovite...
cracow being so close to aushwitz...
and once it snowed and they thought it was
snowing... sure... ash from the furnaces
of aushwitz... here's my ode to... the dead...
in a drink...

hell better a cracovite than a cracowite, white?
i mean: right? seriously: low hanging fruit,
the elephant's testicles...

i will never understand this whole veneration
of wine: in vino veritas...
these days wine is better drank by women
and castrated monarchs of the clergy...
i had to check... so i ****** in my holy grail...
and guess what didn't come out
the other end? gods' **** (beer and wine)
or gods' blood (whiskey and wine)...
just this stale, almost bland...
water with a pinch of grape that has been
left to sit in a puddle on some
industrial estate in dagenham enjoying
the ripe downpouring of chemicals
that leave it with a rainbow of diluted
petroleum...

akin to: try shoving that sort of doughnut
into this kind of pile of ****...
not that i would...
but i have also been prone to test
99.9% spirits... or 96% absinthe...
with a locust mummified in the bottle's neck...
from Amsterdam...

i had to rethink: why become engaged...
when chances are...
to the displeasure of someone who read:
but never bought my work...
the self-editorial process...
the self-publishing process could be...
guillotined on a whimsical constipation
of a "dear reader"...
as it might happen...

again... Horace and the perfect example
of poetry with conversational overtones...
poetry as prosaic...
my god... paper was expensive back in old
Horace's days... surely you would need
something spectacular to write:
like a psilocybin trip account word for word:
wrong!
a certain don juan said to a certain
carlos castaneda: don't bring back words from
such experiences...
but of course: they did...
upon once upon a time loving the beatniks...
i started to abhor them...
getting drunk and smoking "something"
is one thing... exposing the altars of solipsism
of such experiences: words intact...
is a profanity...
each dream is individually curated
to the dreamer... the introduction of words
to relate back... for some next be disciple...
the "drugs" / portals of escapism are already
contaminated...

why wouldn't i: even if these are only
objective recounts of an experience?
perhaps because... they are subjectivelly null...
there are only the comparable heights of Gideon...
such experiences are best: kept to each individual's
right to enjoy... a freedom of thought...
and of silence...
each keeps a secret...
but what secret is left?
when the objective parameters have already
been stated?
i see no point... better down and finding
it at the end of a bottle...
or... ******* into a glass of wine
and drinking it...

they have been contaminated by words that
have been retrieved from such experiences
that (a) no one should talk about...
(b) surprise! the objective reality already
being stated as altered...
am i going to a ******* cinema with my body...
or am i going to a surprise
gallery with my thought?
doesn't matter... word contamination...
bigmouth struck his final last time!
at least the remains is what gives me
the labyrinth... the blood the **** you name
it the three sisters amber... for all i care...
it's readily available: make do...
with what's already been given.

me? i drink for that very special date...
monday 9 march 2020...
when all the orthodox jews get drunk...
that's one of those celebrations i wouldn't mind
being a part of... purim, festival of Lots,
funny... that period of history...
the Persian aspect of the hebrews...
never made it to the big screen...
seeing modern day Iran as day-old Persia
in muslim garbs...
we're still only seeing the: African adventure...
perhaps once the dust has settled...
we will get the Persian installement...
and then... oh... **** it...
we're all in it for the long run...
then when christianity is no longer useful...
the Roman bit of history...
and how the hebrews conspired with the greeks...
2000 years later we'll probably see
some prince of egypt cartoon movie
of the pristine romance and a mention of germany...
not yet... ****'s still to ripe to entertain
the universal child and children...
no screen adaptation from "their" time in Persia...
songs... we have songs!
Verdi's Nabucco - the chorus...
perhaps only in song from Persia and always
with movies and hieroglyphs when from Egypt...

but the festivity... of course! i'll celebrate...
cf. though... Puccini's coro a bocca chiusa -
the humming chorus...
before the band enigma... i am pretty sure my mother
would crank up the volume to at least
one of these songs... should they come on the radio...
i'm still to hear christopher young's:
something to think about - to be on air...
and to also be treated as a piece of classical music...
if wojciech kilar's dracula soundtrack can be treated
as classical music... what's wrong with a little
bit of hellraiser?!

perhaps, "again" is this desecration of the sacred not,
simply hanging in the background,
all, the, ******, time?
who is to celebrate wine giving it a god's blood
status in sips? one is expected to somehow become
drunk on the passion!
no one is here for crumbs of sips!
first they came for the loaf of bread...
and said you should fast and eat only a crumb...
then they came for the bottle of wine...
and said you should abstain and drink only a sip...
then they came for *** and by then
vatican was a monaco with better tax protections...

it's an investement: having to **** into a glass
of wine you're about to drink...
worse... you accidently "forgot" about
******* into some left-over pepsi max
and you're making yourself a cocktail
with one of the graeae ambers - 2x -
and you wonder: is this the proper state
of carbonated water, stale?
but i'm hardly going to bash the crucifix...
i'm here for the words...

the... transfiguration of the wine into blood...
and i say of my gods:
and here is their **** - beer and mead...
and here's their blood: the three graeae ms. ambers...
see no: clearer? no... happier?

i will get onto ancient roman poetics
with its conversational overtones in a minute!
first we have to settle the sacraments!
the metaphors and the sacraments!
i have no ivar the boneless claim of god...
season 6? to be honest...
i'd rather watch an english soap opera...
at least the intricacy of the plot remains...
even though it has been recycled
so many times...

i can't **** out the gods' ***** even if it was
stale beer... or ideal mead...
as i can't leisure a Seneca's bath filled
with the blood of the immortals...
problem solved... "problem":
as if it ever was...

why, Horace? a very short rhetorical retort:
if Dante had his Virgil...
why can i have my Horace, as guide?
again... what Roman poet could venture for
ambitions among the myths -
or extend his "consciousness"
to devastate the land and become
the mad Xerxes wanting the waves
of a sea whipped into submission?
why, Horace? if Dante could have his Virgil...

poetry... at least among the roman poets
there's no boxed in a box "without" a "box"...
the conversational overtones are ripe...
the almost complete lack of
character dimensions... beside their dimensions
from anecdotes...

to difuse wine, to desecrate the hic mea cruor...
**** in it!
then drink it...
or have one of my antithesis of a tequilla surprise
with me...
smoke a cigarette... drop some ash on the lick-part
of the space between the thumb
and the index metacarpal... lick it...
follow it with a shot of *****...
then throw some black peppercorns
into the hades of your gob
and we've arrived at the black cracovite...

and also the day when the orthodox jews
recant their story of their time
in Persia... the festivity of Lots...
when they become blind drunk and pretend to
have the sort of alcohol intolerence as
the Japanese... 1 shot! just 1 shot:
and hey! they throw their kippahs in
the air and we can all dance the ukranian 'opak!

looks good to me!
but only looks good...
when there's this plump drunk playing the accordion:
i.e. me,
and there's the sort of adrew rieu directing
an upcoming crescendo of a poliushko polie...
and we can all leave the auditorium
feeling, less than russophobic...
and then i can be told...
you young to be old yet still
profane pan-siberian peasant root!
indo-european leftover!
well... at least then i have been allowed
the scrap i'm supposed to see
before i showcase my *****, frost riddled fangs!
of the lesser wolf that i am:
as a rabid dog!

since the crescendo will come...
what better fathom of it...
esp. just beside a cemetery... twirling to the music...
ear-plugs out seancing my time in a grand
orchestral hall... plucked from the ears...
the crescendo is coming...
but... plucked... the orchestra of buffalo-sized
snowflakes... and... the worst kind of ballet...
a male soloist... doing his crazy
ukranian folk... maestro! the music never ever
dies! even in the silence of the universe!
however micro- or macro- this theatre will take
form... the music remains playing: uninterrupted!

but the snow was there,
the "ballerina" was also there...
the night was there,
the music was there -
albeit no grand orchestral hall -
couldn't ask for a better canvas
than a cemetery -
and all the heart's content!
comparative "literature"
to love like a muslim...
or to love like a sparrow...
or to love with a grudge like a crow...
mind you; site note...
i have been many a pigeons attempt
fornication unabashed...
i've never seen two crows attempt it...
perhaps they do "it" in the night
and never in the open?

crows... pedantic priests of the kingdom...
and where the widower king
and the widow queen among the swans?
where i and you will have probably left them...
admiring a family of ducks...

as asked by the serpent of the swan...
you and me of the same birth in a Fabergé egg...
me with serpentine spine...
while you: with a crooked neck?
silly... it really is...
of a being.... that was once
a t-rex roar... now a pickled brain
in pickle jar... boasting about being...
pure spine and tingles and...
the better part of what... becomes the mammalian
hibernation...
hibernating "hibernating" upon the
impetus of digestion...
a serpent would ask a swan about
a crooked neck?

because what would a **** sapeins look toward,
as he is always prone to to look elsewhere?
if not to borrow the fixed, rigid ontology
of other animals?
i better from the birds, solely...
the swans and the crows...
perhaps the fox...
rarely something that has lent itself
to being curated by man's leash and grip...
collective the known herd...
otherwise the refined bonsai tigers...
perhaps the fish without a knowledge
of a tide or a wave...

i call a dog the noble friend,
the swan the sombre monogamist...
the crow the priest...
the furry spider one's own reflection
dealing with aracnophobia...
the snake the old "say-what?"
or that pickled spine with a brain
the worth of brine juices...
the extinguished remnant
of a dinosaur's toothache... or some
transcendental exploration
of the carpals of the wrist
extending into the length of a spine...

i'm not going to cry over this one...
skål!
i feel disinhibited from writing a memorandum!
slàinte!
gasoline to the peddle and... off... we, go!

i am bound to get this translaton right...
at some point of hinging-on... i.e. beginning with...
and most probably at the opposite end
of having to finish...
hence "open bracket"... prefix-
and -suffix allowance given the archeological
excavation began with:

-seu pila velox molliter austerum studio
fallente laborem, seu te discus agit, pete cedentem
aera disco: *** labor extuderit fastidia, siccus,
inanis sperne cibum vilem; nisi Hymettia mella
Falerno ne biberis diluta. foris est promus,
et atrum defendens piscis hiemat mare: *** sale
panis latrantem stomachum bene leniet. unde putas
aut qui partum? non in caro nidore voluptas summa,
sed in te ipso est. tu pulmentaria quaere
sudando: pinguem vitiis albumque neque ostrea
nec scarus aut poterit peregrina iuvare lagois.
vix tamen eripiam, posito pavone velis quin
hoc potius quam gallina tergere palatum,
corruptus vanis rerum, quia veneat auro
rara avis et picta pandat spectcula cauda:
tamquam ad rem attineat quidquam.
num vesceris ista, quam laudas, pluma?
cocto num adest honor idem?
carne tamen quamvis distat nil, hac magis illam
inparibus formis deceptum te petere esto:
unde datum sentis, lupus hic Tiberinus
an alto captus hiet? pontisne inter iactatus
an amnis ostia sub Tusci?
laudas, insane, trilibrem mullum,
in singula quem minuas pulmenta necesse est.
ducit te species, video: quo pertinet ergo proceros
odisse lupos? quia scilicet illis maiorem natura modum
dedit, his breve pondus: ieiunus raro stomachus volgaria
-temnit.

it's translated, isn't it? no
stefan gołębiewski or no 1980 warsaw...
is to know...

- nec meus hic sermo est, sed quae praecepit Ofellus:
these are not my words, this said the simpleton
Ofellus - neither of which of us is a laurel-leaf
adorned Orpheus...

that via a living "game": stoking up an appetite
with this entertainment the appetite increaes...
as does one health...

sorry... pagans... bloodthirty people...
trouble with the translation...
apparently the mud slinging
***** and bricks are nothing new...

or when you "minus" the disk,
litter the distance, head with the wind into
competition!
after hardships of the body is good and
the meal is simple -
(apparently all of this is still "connected",
scratch of the ol' 'ed and we're fine...
we're ******* sailing!)
Falern will not hurt "us"...
seasoned by honey from Hymettis,
before the entré. Safaz left,
the sea rumbles, the zephyr of fish it protects,
storm, fishing made unsafe;
stomach grumbles, bread with salt:
excuisite; you do not have any better! why?
taste does not reside in the scent of dishes,
but in your self alone.
toil merely increases appetite's presence.
he who over-eats, will not know the taste
of an oyster, nor a turbot, nor chickpeas,
the northern bird.
perceptions take the scalp of the mountain
above the actual taste of the dishes
(one might scalp... but never eat the scalp)...
you will not take a chicken onto a tooth,
when you are given a peacock,
you will trust your delusion:
a rare bird, worth its own weight of gold,
a most rarified tail, how it sparkles
with subtle hues!
as if the tail were to lead -
and there was no head to be found!
do you allow yourself to judge the hue
of the feathers as precursor for the adjecctive:
that's it's "also" tasty? the meat, of course?
the old - judge a book by its cover...
is the oven baked... also as delicious / beautiful?
chicken meat... or peacock meat?
almost without difference.
therefore: light... albeit...
although only vanity lures the peacock
(to be compared to a poultry)...
let's go further... i want to know: after what
do you recognise this, that a pike
with its gaping mouth was left:
from the sea... or from the Tiber fished?
somewhere among bridges... or from some
conrete estuary? idiot-kin of the surname whim...
you admire a three-pound mullet!
do you take size... for the gauge of all measure?
when you... cut the bell?
then why... why... with disgrace
do you demand in appreciation:
elongating pikes!
evidently nature: this greater gave the proper
measure... and with it: the lesser weight -
an empty stomach will rarely -
being fed a simple thing - despise -
what is...

an empty stomach - rarely despises -
simple matters.

how true... i was allowing myself the time
it would take to drink,
and translate into the vulgate...
but... from no better source...
and i am still to add to this one of my...
"freeing of the drafts"...

as promised...
"draft"...

- a most confiscated man -
no italics included...

.the original draft:

binges, worth the count
of a liter of whiskey
per night,
for a year, if not more...
become so...
so unspectular...

          the world either
screams, or yawns,
generally:
it exhaust a desire
to toss a coin,
agitate the vocab.,

a grand canyon
huddling
in the "depths" of
a glass of water...

baron science
comes with his rubric
of bore,
      and:
i find myself,
most idle:
while the world
orientates
itself in keeping
itself busy,
bothersome,
always the prime concern,

the ant-colony coup,
the:
i always find friends
in the orientations
of an empty glass,
but prior to:

i drink
before no altar,
no mirror,
no confidante...

     pure flesh revels itself
in a blank's worth
of prior to dictum's
  allowance of, a page...

bothersome
the knot of the pretentious
anti- in scold of
the passing fancy:
expression...

            poker charm
of a love's affair...

_

i sometimes entertain myself
with ancients proverbs,
one slavic proverb reads:
better a sparrow in your hand
than a dove on your roof...

what, could, possibly be,
the interpretation?
care for the small joys in
your possession,
than, for the peace of your household,
which is, on the roof,
but not in your hands...

if i were paid? would i be more
honest?
probably not...
        what i see, is what needs
to be seen...
  em... simple pleasures talk...
once upon a time,
donning long hair, implied
you were a mosher...
a metal-head...
    now? three days +,
long hair, and you're not a
grunge fanatic?
  trans-, etc.?

   a man of simple pleasures,
i know what long hair,
jealousy, associated with
putting it in a french braid,
does to a camel jockey ego...
ruins and ruins as far as the eyes
can see...
    he replicates...
he grows his hair long...
at the same time boasting about
haivng a premature beard...
then you grow a beard yourself...
you start fiddling with it...
****, ***** on my face...
and then...
the "question" of a girlfriend
flies out of the window...
i'm happy with a beard,
thank you, very much,
i don't, exactly want to wish upon
myself, a female, company...

*** protest all you want...
the *** differences between men
and women, to my sort of understanding,
are, unrepairable...
     they were, never,
bound, to being, repaired...
savvy?
            i take my route,
a woman took her route...
  we're even...
                
      since what can only frighten a freed
woman, beside a monarch,
a free man?
                   a man with...
a gamble...
         i am a man with a gamble...
i don't like being told what
to be, or what to think...
like any man,
and like any man:
i don't like being forced
ownership over a being:
that can share my sense of freedom...
so...
    i find myself,
thrilled with relief,
at now having to answer to
a woman's subjugation...
like a woman, and, i have learned
from women: i like being
my objective's self...
rather than a "self" made subject...

i like that: thank you...
i can start feedings the pigs and the peasant
the diatribe life, and lie,
of: there being an existential cricis,
a need to reproduce...
and i, and i am, being demeaning
in this, way, for a justified reason...

once the peasants attack you:
you attack, the peasants...
you demean them in the same way
they demeaned you...

once upon a time i thought:
greater good came from the number
of innocents being salvaged
than for the few great of grand bearing
being salvaged...
even if bound to an ill will:
an ill command,
of a will, predisposed to pretend
actions of the blind...
but now i see...

   the many: if beside fulfilling
their petty deeds,
having to stand outside of those,
petty deeds,
  have ambitions equivalent
to their emotions...
            akin to something worth,
pity, akin to something
worth: as little as a rat's heartbeat...
petty, primitive bull-*******...
and all the amount of sorrow,
or pity,
or mercy...
              that, these, ******* allow...
are worth the same response
Pontius Pilate gave...
       there isn't enough of water,
in this world,
to wash my hands, clean,
of these people...
   even if innocent blood plagues
them,
    not enough waters have run their
due course,
to... release me from the indentation
of memory upon my mind...
and i am plagued by an elephant's
memory...
        we've reached the conclusion
of: some people...
  just do not see an insult,
             past the insult's eloquence!

i am a most conflicted man,
i binge watched vikings
for a while now,
and right now, i'm ready for
an extraction of what i have learned...

believe me: i am not someone
who has the sort of ego-presence
to fate myself in the role
of the protagonist...
     i'm too pedantic to have to
market my body and deeds,
for the fates tio see,
and history to ascribe fame unto me...

even homer was off too war
with troy,
   and blessed he became...

because? time morphs,
the longer something is kept,
the more, "unreal" is becomes,
a fairy-tale...
esp. now, with the onslaught
of journalism...
two things in this world
are insomniac,
money never sleeps,
and, now, apparently,
journalism doesn't sleep either:
well, given its ******
bed-fellow of political liars...
why should it?

             Rolo... a semi-minor character...
but i feel his angst at the already
fervent dichotomy,
(dichotomy, modern variety variant
of schizoid-affective...
or bilingual in turn)...

            music...
                    all these modły...
gesticulations of prayer,
phantom conjuring,
               lunatics with candles
at high-noon...
                  i am fated by music,
i am perverted by music,
i am swayed by music...
who is the god, patron,
of music?
who is the angel (demi-god),
patron of music?
         i do not seek the highest
influencer...
the minor one...

   when Archangel Sandalphon
met St. Cecilia...
but as such, i am, conflicted...
even though, this is the first time
i have heard of Sandalphon...

Rome, never reached my peoples,
the Vikings did...
   weren't the ugly vikings the founders
of Kiev?
  so they must have passed via
the Polen (field) land, no?

feelings are not important,
facts don't care about your feelings...
granted...
but i'm not hear for facts,
contra, feelings,
i'm here for the rivers...
what i feel, what my heart yearns for,
needs to attain an equilibrium
with my mind...
for that: i need to clarify my feelings,
to hush my heart, silence it,
in order to listen to my mind,
and the mind, needs to feed into
heaving the heart: to do,
what, the heart, desires,
autonomous to what the heart
"thinks", is right...
                    that's how it was forver
going to work...
consolidated...
and yes, i much envy the punctuation
of king Ecgberht,
a man of cunning: much admired...
abstract thinker...
        and a reality...
        pun-ctu-a-tion...
the delivery of one's speech...
   much admired, as much as...
                the crude brawl possession...
the chief protagonist of the story?
as important as is: the required from
Atlas... burden upon burden...
a man burdened with the illusion
of freedom...

so why am i conflicted,
but becoming less and less so?
    it was always the music...

songs...

           chavelier, mult estes guariz...
wardruna - helvegen...
           da pacem domine...
             agni parthene...

you know... there's much more beside
being a jazz enthusiast or
a classical music snob...
         there's folk... there's religious and pagan
chants...
if there's one thing to benefit from,
in terms of the Byzantine context...
the chants...
        let the barbarians do the thinking
from now on: you do the sing-along...
no people ever reinvented themselves
from an ancient glory...
   new blood had to come to the fore...

like today...
       i spoke with my father and my mother...
about the names of apples...
we must have talked for an hour,
we named so many lost "breeds" of apple...
nouns i will not write,
nouns i wish death to write down,
i want Samael to have,
beside the book of my deeds in hand,
i want him to have
my dictionary in hand,
my knowledge of the sacred script,
i want to listen as he recites me the words
i've used,
notably today's conversation
            about the many types of apples...
e.g.: shogun apples...
             kox...
                    szare renety...
          papierówki...
                    marabella prunes...
that's all i ask of Samil.

I walked past my pantry
Late one Friday night
To the sounds of what appeared to be
The goings on of a party inside

I grabbed a hold the latches
Swung wide open the door
With absolutely no earthly idea
Of what was soon in store

Colorful lights were flashing
Somewhere in the back
I moved aside the ketchup and mayo
To see where it was at

I took out the pickles and saltine's
So I could better see
What all the commotion was inside
Of my food pantry

That's when I saw the flashing lights
Inside the jar of Nutella
I picked it up right away
Me being a some what curious fella

As I held it at eye level
It vibrated in my hands
In what felt like a driving rhythm
From a 70's Disco band

Can't say I wasn't nervous
As I loosened up the lid
No telling what was going on inside
What dangers lay ahead

With both hands slightly shaking
I removed the rounded top
There was a party in the making
And it was going on non stop

The Nutella had it's boogie on
Or if you prefer, it's groove
Whatever you wish to call it
A party was the mood

There was a strobe light and confetti
Even a tiny Disco ball
As I gazed over the edge of the jar
I saw banners wall to wall

I guess you could say Nutella
Is quite the party treat
That may cost you at the grocery store
But once home the cover charge is free

“One of the effects of living with electronic information is that we live habitually in a state of information overload.”                                                      
                                                                                      Marshall McLuhan
So, let’s review:
Man is a thinking animal.
Stanley Kubrick took us to space to get us to think.
Marshall McLuhan:  “There are no passengers on spaceship earth. We are all crew.”
Hemetucky: what was I thinking?
The Rapture for the 1%:   The Language of the World and The Language of Enthusiasm explains why Sir Richard  Branson’s ****** Galactic will only be taking the richest among us to space.
Ian (Limey Futurologist) Pearson:  “Binary is already the dominant language on Planet Earth with today’s machines having more conversations in 24 hours than the whole of humankind since the birth of Eve.”
Larry Flynt:  “**** is the answer to everything.”
Goofy:  “Yeah, I ****** Minnie. I shagged her rotten, baby!”  
Winston Smith:  “Do it to Julia!”
McNugget Buddies:   “Parts is parts.”                                          
Stunod: “Donuts-a -spella backwards issa stunod.” Think about it.
Tony Soprano.  “You ****** stunod, it's a joke.” (Stunod:  in southern dialect Italian means stupid, or a stupid person) http://(www.urbandictionary.com) define.php?term = stunod  / buy stunod mugs & shirts
Marshall McLuhan:    “Jokes are grievances.”
Mike “The Situation” Sorrentino:  “Antonio Gramsci thought that Stalin and Bolshevism could save him and Italy from Fascism:  stunod.”
The Cloud:  My acceptance of the Cloud into my life and my changeling cyborg self is by no means a capitulation to the surfing life.
Paulo Coehlo:  “The God you seek; that someone who awaits you is you.”
Howard Beale:  “That’s the God *******.”
God:   “Because you’re on television, stunod!”
The Elders of Zion:  Nu?
Meir Kahane:  “Let us not suffer from a national amnesia that causes us to forget who and what we are. No trait is more justified than revenge in the right time and place. I know that American and Israeli elections must be limited only to those who understand that the Arabs are the deadly enemy of the Jewish state, who would bring on us a slow Auschwitz - not with gas, but with knives and hatchets. Vote for Newt!”

**** Jagger:    “Get Yer Ya-Ya's Out” (40th Anniversary Edition, Rolling Stones)
Keith Richards +Fijian palm tree = Stunod.  
Marshall McLuhan:   “The more the data banks record about each of us, the less we exist.”    
Howard Beale: “If there's anybody out there that can look around this demented slaughterhouse of a world we live in and tell me that man is a noble creature, believe me: That man is not only full of *******, that man is  stunod.”
The Nam, Part I:   a demented slaughterhouse within a microcosm and grains of beach sand inside micro-Cosmo Kramer’s shorts. When I was in the Kingdom of The Nam I was always under the influence of some drug, mostly my own pure adrenaline when scared shitless--a frequent condition for me—not only my own piquant adrenal juice but other stuff like ****, hash, Thai stick, *****, amphetamines, H-Horse ******, quaaludes, horse tranquilizers and Russian *****. The drugs were always a welcome and needed friend, a respite from the horrors of war in Southeast Asia. To meditate & levitate, to transmigrate & navigate, to negotiate & regurgitate myself, I needed a head start if I was going to SLIDE through what would be called a wormhole today, making a three-dimensional movement between different parallel universes, a conquest of time and space. Cue our favorite narrator:
Rod Serling:  “You unlock this door with the key of imagination. Beyond it is another dimension--a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Twilight Zone.”
WWII, Part I:  A slider now, I SLIDE to my father’s war—the War in Europe in the years before V.E. Day, May 8, 1945. Suddenly I’m flipped right out of the jungle to Germania, to Deutschland in the winter of 1945. I am a P.O.W. of the Germans, sent out into the economy as slave labor. It’s February in Dresden, Germany, the Baroque capital of the German state of Saxony, the city called lovingly by her (****!) many lovers: “The Florence of the Elbe.” It was a long time ago, during the war and I Survived to Tell the Tale. I am a wet floppy Kilgore Trout; I’ve flopped right out of the Twilight Zone into what appears to be an underground meat locker in Dresden. There are animal carcasses hanging from the ceiling and the building is known as Slaughterhouse Number 5. I am a lucky ******* because even though I don’t know it yet, I’m in the safest place in the entire city. Cue the Bombing of Dresden, a strategic military bombing by the British Royal Air Force (RAF) and the United States Army Air Force (USAAF).  In four raids, 1,300 heavy bombers dropped more than 3,900 tons of high-explosive bombs and incendiary devices on Dresden. The resulting firestorm destroyed 15 square miles (39 square kilometers) of the city centre and killed many thousands, according to **** figures-- largely discredited by the victors who not only get the spoils but get to spin the history any which way but loose. Casualty figures were 200,000 and death toll estimates went as high as 500,000. Or maybe just 25,000 total, if you believe the ******* Anglo-American valkyries who unleashed the wrath of Khan’s Smoking Joe’s Barbecue Ribs and Hotlinks. Win a war, get a medal and a seat in Congress, maybe the White House; lose a war, get indicted. You’re going to Nuremberg, pilgrim, or the ******* Hague.
Kurt Vonnegut: “World War II was over and I was standing in the middle of Times Square with a Purple Heart on and a purple hard-on.”
Colonel Kurtz:  “We fight for the land that's under our feet, the gold that's in our hands, women that worship the power in our *****.  I summon fire from the sky. Do you know what it is to be a white man who can summon fire from the sky? ...What it means? You can live and die for these things, not silly ideals that are always betrayed  . . . I swallowed a bug. Who are you, captain?”
Willard:   “Please allow me to introduce myself, I'm a man of wealth and taste. I've been around for a long long year, stolen many man's soul and faith. Stuck around St. Petersburg when I saw it was a time for a change. Killed the Tsar and his ministers, Anastasia screamed in vain. I rode a tank, held a gen'rals rank when the blitzkrieg raged and the bodies stank. Pleased to meet you, hope you guess my name.”  
WWII, Part II:  The bombing of Dresden had to have been some kind of a violation of some International Code or Geneva Convention. But, of course, the bombers, the Victors, ran the Nuremberg show trials. The bombees didn’t get a chance to say much, didn’t want to make a fuss, seeing how generous the Army of Occupation was with their coal, gasoline, clothing and food handouts. But I was there when it was safe to climb out of the meat locker, and immediately got put to work on the après les bombes clean-up. I was there doing the ***** work, a corpse miner, tasked with collecting the fried grasshopper remains of so many unlucky Krauts who were simply burned alive, like heretics at the Inquisition. So it goes.
William Tecumseh Sherman: “War is Hell, Babaloo!”
Colonel Kilgore: “You can either surf, or you can fight!”
Sam Bottoms: “I dropped a tab of acid at the Do-Long Bridge, so I think I’ll surf for awhile: ‘I see a world in a grain of sand, and a heaven in a wild flower, Hold infinity in the palm of your hand, And eternity in an hour.’ Reading Blake: for years it was the only way I could block out the war, that and losing myself in a bunch of undercover assignments. Yeah, it was William Blake, I-Spy and lots more acid; that how I dealt with PTSD.”
The Nam, Part II, LT DAN:  “Good job, trooper; those ******* drugs got you coming and going, sliding so fast you’ve missed latrine duty 3 times this month. Now go get 5 gallons of diesel fuel and gasoline, mix it together and torch that ******* feces, soldier.”
** Chi Minh:  “This ain't no party, this ain't no disco, this ain't no fooling around.”
***** Friedman:   “The Democrats and Republicans are the same guy admiring himself in the mirror.”

Muhammad Hosni El Sayed Mubarak:   “Vote for Pedro.”
Drew Gilpin Faust, Harvard:    “Fight Fiercely!”
Marshall McLuhan:    “I wouldn’t have seen it if I hadn’t believed it.”
The Author:   I am a disaffected angry old man, formerly a disaffected angry young man; a Hopi-Italian Jew with Chinese offspring, namely my left-brained son, a mathematical genius but having a tough time dealing with idiots, the many truly stunod people in the world.  Then there’s my Rose, my sweet King Lear-jet daughter, like her half-brother, not yet finished paying for my sins. My offspring are haunted, visited upon daily by their father’s  ghosts, ghosts created, ghosts hovering over me, from wars hot and cold and peace lukewarm and cloudy, like the uranium ground contamination on the mesa, visited upon mothers and infants  and children who seek only a glass of cool water from the spring not to be glow worms in the dark, leukocytes made insane by something in the water. My sins, a father’s sins; things I did to curry favor, to ingratiate and advance myself with the 1%, things I did to get ahead in life, to get what I thought my father and others in the ancestral slipstream had failed to get, twice to the Rabbi for a get (Hebrew: גט‎, plural gittin גיטין), to get the edge my kids need now, the edge I never had, and life reduced to an exercise in ultimate combat, little more than a cage fight, man against man and God against all. The things I did for money and position shame me now. And shame is a large  source of my anger.  I will remain angry. I will hang on to my anger at God and myself and all who have been disappointed in me, by me, especially the cavalcade of short-term caretakers, women used, abused, left behind and forgotten. Why am I me? Sometimes I think that’s the way I’m programmed. But it’s okay, like Gaga: “I'm beautiful in my way 'Cause God makes no mistakes I'm on the right track, baby I was born this way' Cause God makes no mistakes, I'm on the right track, baby, I was born this way and will I continue to surf the Cloud: even though God is dead and I don’t believe you, or me, or them.
Basic: remember Basic?

10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30   GOTO 10
10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30  GOTO 10
10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30 A IS FOR ANGER NEXT 30
30  GOTO 10 Ad infinitum

rest, girl
rest, mother
rest, red disco queen

rest, white willow singing
rest, wind chimes
rest, redbone dog

rest, black sky
rest, yellow moon
rest, opaque stars

rest, *** on stovetop
rest, toes cracking
rest, boy typing

rest, sister
rest, child
rest, soul

rest

the sun machine
is coming down

rest

the children are
watching fire

rest

the thunder is born
with the night

rest

you too will know me,
sister
you will catch my wind
it smells of

tea tree oil

Let me know If I make too much noise
Trying to appeal like the modern Noyes
I can be Batman, he can be my Alfred
Washing out all the dread
One by one
My work is never done
Heaven knows why I measure my toise
Thinking I landed a Croise
But instead it looks like a kindergarten project
These lines I reflect
Are meant to create a sect
That disannuls the usual meaning of the word
I'm not dishing out a gird
I'm splitting the morally absurd
Into all the fragments I want
Labeling none
I can relate to revolving doors
Because they never stop
They never drop
The momentum
World filled with white
Commonly labeling knight
Spent so many nights trying to get it right
So many Nebulas saw me as a light
Made me think a little more open
Ready to bring the heat like Copan
Commonly called Peter Pan
Just got used to it all
I come back when I fall
The lone exception
Their biggest pushed deception
Is that the tale never happened
Till I was given the time slot
Ninety ninety seven
Praying that I'be been blessed by the Tree Of Heaven
Would be endorsed by Seventh Heaven
Can't be affiliated with the fake father
I know this is quite a fother
But I got to bring this to a poise
Blue, teal, turquoise
I feel my own noise
I chose to be the Spiro Disco Ball
A constituted mystery
I'm my own consistory
Flashy, want to be loved by all
I might not make that goal at all
But I'll continue to turn
The life of the party
I hope this delivery is never tardy
Give up, I hardly
I'll turn until there's no meaning and purpose left.
When will that be?

I first learned to dance when I was four
But my kids won't let me do it no more
They say I look like a perv
The way I wiggle a swerve
They say I even embarrass the floor

his fingertips as wild sparklers
his palms, wads of soft cotton
and the plateaus of his toiled finger beds
so his grasps -- stray, muddled, unintended
like paint swashes glazing my frigid worn skin
realeasing undue quivers down my delicate chine

Dizzy, twirling, spinning
Holding your partner closely.
Loud music.
Booming, pounding, rumbling,
Vibrating beneath your feet.
Your friends all gather,
Laughing, giggling, talking,
Having a great time.
Lights disco *****, strobes, everything you could imagine.
Glitter, confetti, sparkles.
Dizzy, twirling, spinning
Faster and faster.
Screaming, shouting, crying,
Coughing, choking, crackling,
Can’t breathe! Smoke fills the air, flames arise,
Beamers falling.
Their worst nightmare!

Trapped
As we enjoy
The tensions inside,
Something sparked
The darkness inside
Choked by this group of people we were tongue tied
Satan started to go wild
And spread faster than we thought
People started to panic and escape
The death beneath them but they cannot,
The dawn comes people starting to fade
Turning to miserable ashes decayed
Showing people not to enjoy too much death was portrayed
Do you feel the sadness within
Those crying souls for help begin,
Memories of their colorful yesterday
With hundred piled bodies started to gray,
Tried to save their self with their helpless shout
They cannot get out.
Disco magic, once you don't care
Death will take care.

My throat’s all scratched from this screaming I’ve done
My diaphragm is all rubbery from these animal calls
But I carry on until you answer my distresses

O Captain, o Captain! Take me away from these generic hoes
I’m too swag for this ghetto
These ******* be hatin’ but you were always mine for the takin’

So take me now—like I did you…
Please. We’re friends. We’ve partied together and cried together.
I even bought you taco bell.

Take me away on your disco stick because
This club can’t handle me and my electric *** pants

What good is your love when just our chakras touch…
I need your grasp, I need your smell…and your ****, dramatic stare

Captain, my Captain, you may not be fly like Kanye
And I may not be glam like Beyoncé,
But this club can’t handle us right now

The sounds of color buzzed of rhythm and blues
muddling my thoughts around psychedelic tapestries of saxophone.
Our hips shook in figurines
connected by a tight rope of invisible waves
as the sounds of color echoed through colorless boney hips
and sunk into restless souls.
Her moaning had ceased
and so had his heart ache
as we danced a silent disco
before the artwork of a distant time -
outsiders stood in silent shock as we danced
until their headphones
buzzed on cue
and they danced along to the rumbling tide of poetry;
how strange it is to write poetry about poetry.

I love to p;lay my stereo very loud

so loud, it can wake up the dead

and force them into total panic

I love to thrash out heavy metal

and every day i say to myself

i like the loud music

It doesn’t have to be heavy metal

It could be 80s disco or 70s disco

we could arrange big parties

with bourbon and coke and beer and champagne

we sit the the stereo on our shoulders near our ears

we suddenly go deaf from the blasting sound

the lead singer of AC/DC had to opt out of the band

TOO MUCH LOUD MUSIC TOO MUCH LOUD MUSIC

sometimes the stereo could be for aerobics

where all of our friends gather together

to keep themselves fit

so that one day the earth will be healthy

and the heavy metal will be needed to chill by

Baby let's go
                           tipsy-toed
               Skinny dipping in
         disco lights.
    Drunken mouth in
                              worship,
            you call my body             Jerusalem
till I'm        
spluttering up
                             pool water.


    The ceiling spins
                                 a salsa,
the fridge exhales something
                               obscene when it opens
and the furniture
                         blushes
          I'm jealous of the
                                   love story
                    in my home.


We roll around in
                       bolognese
     I slurp the      happy
            out of
                     your mouth.
                                     Saucy smirks.
Oh keeper of my heart,
                             I chain myself to
your smile and
                              swallow the
                                                 key.

the devil had a disco a proper devils ball he invited gargoyles demons bats and all lots of dancing flames burning through the night dancing up and down that was his disco light the werewolves made the band howling very loud playing to the devil who wore a ******* shroud the fires they were burning keeping well alight lighting up his hell to make it nice and bright then he called his souls they would make his crowd a disco to remember to make the devil proud they danced on through the night till day began to fall  and that was the end off the devils ball.

******* your chucks,
Go work on a swagger,
Build your castles big,
The skies have never looked better,
Aren't you infectious?
It ***** 'cause it matters
Have you affections?
You ****** where it matters..

And i twist..and i turn...
when you're all soundly asleep...
And i twist..and i turn...
For i have...

Been waiting for a letdown the size of my hope,
Been aching for that perfect antidote,
Been shutting up my thoughts 'cause i gotta stop....

Writing you a song.

Disco is endless love on the floor

~
"Leave the lights off and on,
I feel mysterious tonight,"
she says.

"Every time you look different,"
replies her careful ecstasy.

Practice makes perfect,
and from chaos comes 💋 (kissing).
She floats free from
her own body's outer reaches:
The mirrorball and the mystic circle.
The mirrorball is a light
for attracting attention.
The mystic circle
is an unsustainable trance.

"Will I dream during the process?" she asks.

"Only if you know the wild that wants you," chants the infinite unsayable yes.
~

(This poem is on the earthquake that people in Sikkim,India had faced on 18 September 2011. I was one among them too! P.S- on this very that is my brother's birthday! So i remember it more profoundly....just read on to find out more. Certain words mean the following out here-
MG MARG- MAHATMA GANDHI MARG.{Marg means street.}
LAL BAZAAR-refers to a marketing place in the capital of Sikkim,i.e,Gangtok)
MAAL ROADING-Maal road is generally found in most of the hill stations in India. But in my college, Maal Road has a different and funny meaning.)
DISCO COMMITTEE-refers to the DISCIPLINARY Committee in our college,which takes stringent actions against the guilty.)

18 was the date-
When a bunch of girls had decided
to travel through the city.
But I was the one who wasn't prepared,
As it was raining pretty heavy.
The girls planned to eat,roam and shop about,
through the MG MARG and LAL BAZAAR!
Fortunately for me due to some unavoidable circumstances
the plan got dropped....
And all I could see was girls making unbearable pouts!!

In the evening,
when people go out MAAL ROADING,
I went to the shop with a company
for buying a recharge card as done daily!
Though I bought it,
I somehow forgot to scratch it, I rather kept it inside my bag.

Strolling down the campus
We sat on the football field
Watching the players kicking the ball in glee
With their boots,shorts and tee!
At exactly 6:10 pm, there was a great turbulence,
which caused a whole lot of purturbence!
Yes, that was the 6.9 that shook us!
People running to and fro to save their lives,
some shirtless,some barefooted and some in towels!

With buildings shaking and cracking
there was nothing
but utter horror and shouting!
People seemed like Refugees,
With no phone networks to contact friends,relatives and families!
We were told to sleep with our room doors open.
But how could we when there were still tremors coming?
SHAKE! and people would be out on the streets!

Such a day it was, when Mother Nature had terrorised us!
Still the authorities couldn't help themselves from separating boys and girls!!
If they happen to meet each other,
They would have to face the DISCO COMMITTEE all together!

Huh!! When will you get rid off this mentality?
So that we can live joyous and peacefully!!!

I don't really know if this is cut out for me. I rather go to Colorado in my singing voice* how I wish I was your lover please_ let's respect one another....

Here are the
stage lights
If you cannot
stand the heat
Bud light
Other seasons
The Four Seasons
Sherry Baby

Delicacies
Diva and Don Perion
Dressed
Navy and bloodshot
Eyes maroon
The fire desire
Only made them
Moon up higher
legacy
The voices
appetizer

Pina Colada
Fireworks Bella Diva
Gondola
Sunrise Prima Donna
Between the Diva
Fireworks outside
Of Lady Madonna

(Moonstruck)
Havana
Fireworks at
her breast
hot singer
editorial
Designer Hermes
scarfed $
Diva she raises
money
Fill in her gaps
Gap Navy
So savvy Honey
Oh! Jesus
Another
genius
Fireman
Rifleman
Joplin
Baby baby
Baby

She stepped
away
from reality
What about
me Robin
I am a singer
World became
my Godly
duty
Miss Mom Judy

The music
All trends
addicted to
shopping
Men %% $
Those  Poppins
Pop stars
Robin bob bobbin
along
She's chicken
Avocado
Comando
Chief Fido

Fireworks top
crooks
The safe box
She cooks
crock ***
Aluminum Clad
Potheads
Australian lads
All spread out in
Chickenpox

Egg Foo young
Cream say cheese
Lox Hip Hop
Sugar Daddy
Pops
Collegiate
Quickie talk
((Chatterbox))
The made hit
singers paradox
Calm me, Colorado
Endless voice

Eldorado
Diva had too many
Stars at the sing sing
of Rosy®
At the check coat Sassy
Tommy can you hear me
Her mouth
mento mints

Extreme bossy
Deep-throat
(Juicy Pineapple
Dole) her

The singer sways
all over him
Dancing Glove pole
If this is the
last thing
we ever do

Designed for a
Diva with
Jimmy Choo, it's
not a
better life
for me and you

******* coo
Lana Turner,
Turntable 4 the record_
Tina Turner
What does
loving a Diva
got to do
with this!!

So tramped on
Diva devourer
He's the observer

Maxwell millionaires

Tantalizing tongues
The Canaries
Yellow Solo
Not the goddess the
Diva Luv-a sun
{Ralph Polo]
Little darlings
Vampire
Diaries
The mad
librarian
BLT Diva VIP
The hell of
tinnitus

D=F ****-Fun
in" D"
Devilology
Diva Fireworks
sanitarium
Disney
aquarium

My sign the
Aquarius
So Forestal Crystal
Forest Hills US
open tennis

We are the
champions
The  sexter pistol
wedding ring
Go, Crystal
He compelled her
Divas revolver
Wild thing makes
my heart sing
And his boxers
make me  
so closer

Diva solver
Frenzy firecracker
pleaser
Who is ready to vote
Songs wanted
love pusher

Diva's eyes
  Maybelline
Maybe all lined
Stadium of voices
titanium
The Diva to
be resold

Too many songs
were sold
Wife trophy
Platinum had
a voice tone

Diva Grand
Marnier
He's the
connoisseur
of mouth's
experimental

Mentally
He tricks you
Singing horse
you just know
won't trick you
A singer is like
a horse

Wizard of Odd
Moms many colors
performances
This land is your
land from
California but
the Diva Islands
flipping
Las Vegas

Nothing is
guaranteed
((Lady GaGa))
Your out
Haha
Stay upright
lights down
out of sight

*Brooklyn Blackout
Cake Ebinger
We were eating
Singing and Guessing

Diva sucker
lollipops
Panic at the disco
To run him over
What R the odds
Getting even road
Steven the Cosmos

The singing
highway
project
Robin was
from Bayview
Project
All Adultery
Bills
Clintons Mastery
No Susie
homemaker
Hilariously singing
Shining like the
shoemaker

Sitting at
the pub
She ordered a
hot steaming
Spa voice
The Egyptian
grains
of love sand
Medler
Fergie Google
Ben Stiller
Singer just
pill her
burlesque

So Cher-like
if I could
change back
the time I would
do it anyway
Jumping Diva
Kangaroo  pouch

Too much Diva
Ouch----
Joe DiMaggio
fireworks of *****
Big wiggle
Opera
Marilyn Monroe
The Phantom
Of *** appeal
Propaganda
Blowing off
competition
nails

But__ dying inside
like a deadlight
Sparkle me
*** lights
That voice
signals
"Neon Nights"
ooh la the
Eifel tower
bowed her
Moonstruck
striking
wallet high Kicking
wages
Got her voice back
to be shot in stages

Her revolver
eight days a week
The real voice
never take
for granted

Genie
The Diva Luv
in her SUV
She was still
singing
And he wasted
his
whole
dinner

But I got
my voice back
Singing
She let her heart out
He turned his head
He said  what a stunner

Even when you have it in front of you it's already gone
Music lasts longer than people
Into the seamless dusk of night
Nomadic illusions
Colorful fumes

Holding what's not real
The lonely dance awaits
She left before the lights came on
Lay with lie
The beat is dead

Bummed out tunes
Run and run and run
Towards the disco-tech

© C. Valencia