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n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
RAJ NANDY Nov 2015
GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(
Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(
Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(
At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets
Alexander Klein Oct 2013
I

In eras weird with old mythology,
As if asleep the fabled country lay:
Her wave-like hills and faerie forests dense,
Her thorny brambles budding curling claws,
And ivy circling all the woodsey way --
The far swan's cry came soft and woke them not.
Forlorn, that selfsame call upon the gates
Did break; those gates of Britain's long-lost keep.
She too slept fast, the weary weathered stones
Of fairest Caerleon. O pulsing stream,
Thou vein of life in woods a-slumber, Usk!
Alone are you in knowing castle's face,
From years of timeless burbling at her feet.
What tales are told by water over stone?
What lark or wren can sing of sadness come?
Aye, answers are the beach-wet sand, yet hark!
Rejoicings spilled, proud hails, from Caerleon:
They cheered the ****-frost's melting with the Spring;
The holy Gwyl Fair y Canhwyllau
Had come at last, in foliage of dawn.

Within, their goblets sailed, wassailed, and crashed
Like growling Jove, their boasts and toasts like wine --
They drank it spiced and over-strong. Indeed,
Some stretched exaggerations: 'twas Sir Bors,
That spotless sheet, who tried to contradict.
He quoted purifying texts and spurned
The wine that nature raised and crafted sweet.
Yet "Loosen up!" uproared the host to him.
"The time has come to celebrate," said Kay,
Beloved knight, step-brother to the King,
"Aloft thy wine, below thy gills! Drink! Laugh!
Your stomach is a falsehood-spewing fool,
It must be drowned for you to feel a lord.
I speak a sooth, you need wine's fleeting bliss!
Know thee that man's tomorrows bleed him dry:
A wade through death and depths as sure as pain
That shall tomorrow light your brow. Laugh! Drink!"
Bold cheering spread with Kay's advice, though yet
To no surprise Bors turned aside the drink,
Unblemished bore, so celebrates alone.
Weep not for him, for soon he'll find a cup
More suited to his strange of chaste and grace.
And none to waste: his share was drunk by all.

Engaged in feast Owain ap Urien,
Engaged in tale now Bedwyr and Kay,
And Lancelot made eyes at Gwenevere.
It was a feast of great success and joy
As fitting of the season's robust gleam,
Yet two there were with shallow-rooted smiles.
Prince Mordred one, though ever-somber he:
Accursed spawn with bone in place of heart
And dreaded incantations for his blood;
His brooding perched like crow on him. Alas:
The other joy-bled man had beard aflame,
A bear-skin drape, and crystal eyes, the Lord
He was of Caerleon and Mordred both.
'Twas not the gleam in lover's gaze that vexed
Though it was seen; he had no heart in him
To chain his Queen as if in dungeon steel,
For Arthur lived believing to be fair
Was paramount, to even paramour.
It wreaked its toll, yet caused small grief this day.
Not even serpent son gave cause to mourn
That greater was than missing nephew's spot
Among the feast. His chair was naked bare
Returned though he should be from faerie quest.
At Calan Gaeaf they expected him
When winter storms had racked their shoddy hall,
Yet since, the months had rolled to Gwyl Fair
The milder season come, but not his kin.
The image of his maiméd corpse did taunt
And haunt the agéd mind of Arthur, King,
His phantom nephew slain anon by knight
That of no flesh was made. In year that died
This green-mailed knight arrived a guest and called
Infernal challenge. Trick it seemed to them
And trick it was, for subsequent the blow,
This seaweed knight did lift his severed head
And from dead lips he cried "Well struck! Now come,
Fulfill me of my game. The year to come
Shall see thee in my home, and as agreed
My turn 'twil be to answer with my axe."

So rapt in recollecting, Arthur missed
The growing clamor that beset his hall.
His ******* cleared the grief from him with taunt,
To bring him into grief. "What say thee, Dad,"
Dripped venom from his mouth, "No love for us?
Your hail we called, but disapprove your eyes.
Methinks that far away thou seest a dream
That visits oft the elderly: a place
Thou knewst when in thy prime, with love
Now filled to burst. Yet fear us not, away!
To land of youth far more beloved than we
Whose happiness with thine own heart is twined."
"My fellow, soft!" the King began, distressed,
Yet Lancelot rose to his feet and spake
"Blackguard is he who mocks our Lord to face!
Thou palest hide, thou Mordred, sit thee down!
This sniveling craven knight should be replaced."
A sounding of the table met his speech,
Again was hailed his toast, and Arthur glad,
Though burdened to his breaking point, and sad.

"Blackguard is he who mocks our Lord to face,"
Had spake his bravest champion and friend
With no regard to Blackguard wrapped in stealth.
See how his roughspun fingers coil in hers
And how some sweetened whisper 'scapes her lips?
The beams of color-stainéd light slip down
To play upon their blissful sin almost
As if King Arthur's King approved on high.
Sovereignty is ruthless, Arthur thought,
Well-wishings of my God grow ever-faint.
I must believe in good though I am ill,
Just as I find my countrymen displeased
Though I did calculate my every breath
To see that it did stand with God's own will
To help my common people from their murk.
I fear I am not what I wished to be,
And now my only solace peaceful death.
If up to me, I'd wish it in my bed.

What horn's blare? Hark! King Arthur roused from thought.
Court gatekeeper Glewlwyd Gafaelfawr,
Dressed plain in brown, took down the horn from lips
And loud as elk called to the hall "Have cheer!
Sirs, drink another beer and wreath your brow
With springtime blooms, for lost knight fair is found!"
Old Arthur trusted not his feeble ears,
But came a hush and Lancelot confirmed:
"What **," he boomed, "our brother has returned!
'Tis grey Gawaine, aye, Gwalchmai! Drink his hail!"
The uproar was enourmous: "Gwalchmai! Cheers!"
Was like to wake the sleeping wilderness
That hung suspended in the myth and mist.

II

Astonishment had come like breaking wave
Upon the thirsty sands of monarch's face
So long consigned to reap the low-tide's grief.
When Arthur's ursine hand clenched round his cup
And hailed his nephew's presence with a roar
Long lost to hibernation's hoary spell,
The hearts that beat in armor under him
Did swell to find their lord with cheer at last;
The toast they drank so hearty as to give
Sweet Dionysus pause against excess.
Though only two there were who did not drink,
And one of these were Bors, a sadness fell
Once more as tangible as any wrong
That chose to haunt a hall. 'Twas Gwalchmai grey,
The conqueror now home from quest to rest
Who would not lift his eyes to meet the King's.

"Has cheer so fled from you? Your life remains!
What black has inked you in?" the King did ask,
And silence overtook the hall to hear.
How strongly then did Gwalchmai wish to leave,
To blend once more his form to root or branch
Or soaring river. Wind, the songbird's muse,
Had been his fast companion on the road,
For known to him were many things. He was,
They say, some god that stalked the minds of man
In young enchanted places of the world
Though all his magic helped him not at court:
His shyness was a leaf obscured by rain.
Yet even gods of silence know to speak
When words of pain encircle heavy hearts.
He let them fly, birds in the sky, he said
"I failed. My quest was long and arduous,
The seasons changed while I in heather lost,
The moon its phases shed as fen-frogs called,
I floated through the endless cloying mist
That flows, a ghostly sea wrapped round our isle.
The path had nearly drowned me when I found
The chapel green enough to spell my doom.
When entered I, methought "It cannot be!"
So kind and courteous a host met me
That would have been disgrace to call him green.
He feasted me, and warmed my wounded bones,
Yet I betrayed him in the end; I failed.
I stayed his guest, and friend, and swore to him
That for his hospitality I'd share
Each thing I won while underneath his roof.
And all was well -- I'd rest, he'd hunt -- until
His wife played hearts with me. I did refuse,
But by her final trick was tempted and --
So lost all knightly honor and renoun.
Her lusts I spurned three times, but on the third
She offered me that which my heart desired,
Instead of love she begged me take her boon:
A silken girdle sewn with charms, and green,
Deceit I should have seen. She said the spells
Would keep me safe from harm and spare my life...
When on my rugged journey all I'd feared
Was twisting face of death that loomed so near.
I could not help myself, it seemed so tame,
Yet when the time had come I could not share
That gift, or else expose the husband's wife.
Beneath my armor tied when left that place,
My secret wore me down upon the bog.
It seemed the mist grew thicker, wind grew swift,
I now know under spell was I, but then
It seemed some vengence coming to a head.
My tale grows long, and past the point am I.
The Green Knight and my host were one in fraud:
An airy insect's dream. His "wife," a witch,
Had formed him out of acrid moorland soil:
Homunculus to carry out her scheme.
The blow he owed me carried little force,
Though still this scratch is plain upon my nape.
And so you see my folly plain as oak:
For though I kept the life I feared to lose
My lie grows in me like a cancer bloom
That in the span of time shall **** me sure.
I failed; I'm gone; to revelry return."
The silence, vast again, gripped all the knights
And king too dry to cry, who drowned his heart.

III

"Is there some madness come to roost herein?
Thy folly is ridiculous," said Kay.
"I valued mine own life past honor's flame,
A sin of selfishness, and blame, and wrong.
What of the world, if all would act as such?"
A weeping noise he made, but choked it back
And turned to leave in shame, and might have done
Had not the stout Sir Kay gripped Gwalchmai's arm.
He raised it in the air and shouted thus:
"Percieve our stunning champion stands nigh!
Though of a frail ennobled heart, we know
Thou art absolved. This trinket given free
To aid in quest I wager was for thee.
And as for sacred broken vows, this man --
You said yourself -- was conjured from a bug.
You owe him no alleigance Gwalchmai, sit!
This serious you need to be for wine:
Come sit with brothers now! We drink to thee!"
"Dispel the failure all you can, it stays
As weighty on my brain. It was a sign
To signify the kind of soul I am,
To me it showed my grimy ills and plain
Did tell my shaping, shape, and shape-to-be."
King Arthur to this nephew spake: "My child,
Is there no antidote to questing's woes?
What has become of jousts and silver swords?"
The anguish in the old man's eyes so keen
To those who knew him. Gwalchmai did reply
"Your majesty, there's not a grief can ****
My bird-like love of questing through the trees,
For only questing can redeem my shape."
"Then let us have this quest!" cried Kay beside
Him at the table, deep in drink he swore.
"Come with me, brother-knight, to clear thy mood!
You do you wrong blaspheming at yourself."
The wine was quaffed by Gwalchmai, yet he said
"I first shall stay, I need to rest my ills."
"Your ills are that which keep you ill, good knight.
I bid you come and we shall quest as birds
Who savor springtime berries in the mist."
"I shall not go, I seek my quietude."
"In sunlight you and I must bask. Comply,
Or else I challenge you by burnished blade."
All eyes on Gwalchmai, under pressure cracked
Into a grin and downed his kykeon.
"In stubborness persisting, Kay, you've won,
A river such as I could not keep stead
Against a boulder. When shall we away?
When come the summer blossoms, fair and red?
Or else not til the saps have lost their leaves?
Departure yours to choose, my brother-knight."
Kay beat upon the table and their ears
When called triumphantly "This very day,
This very hour! To help those who need aid
On holy days shall surely fix your heart.
No time to wallow in the swamp that's gone,
We now away, to break our swords with day!"
"You mock me or you heard me not, Sir Kay,
I wish not to away, I wish to rest!"
The fairest Guenevere, like silver bells,
Chimed in "You must forgive your heart's despair,
Or emanations of its guilt will plague
Your mind. I have a lunar garden if
You wish to sit in soothing calm and think."
"My queen is holy," Gwalchmai spoke in grace,
But Kay had cut him off with "Hear her not!
She will ensorce your mind to not explore,
To sit and think and mold with lunacy;
Beneath the sun we'll tred. It's known on quests
I favor Bedwyr, 'tis true, yet you
My fairest Gwalchmai, keep your wits -- and arms --
Two things in need of we shall be.
I mean you no offense, dear Bedwyr,
But I and Gwalchmai share a severed soul
And shall succeed; two sides of selfsame coin.
So come my cousin grey, to right our wrongs
We must away, to break our swords and say
'My heart is glad I did not stay at home!'
Consume your drink! We go," he trumpet-called.
Thus Gwalchmai was convinced, and so was forced
To nod politely to his Queen and stand,
Declaring to the court "I shall away,
This gloomy mood is dried beneath the sun
Though dearly do I wish some lunar grace
To lose myself in mysteries anew.
To bear this flesh is weighty, yet I've found
The strain to be rewarding in its way.
Think nothing of my former woes, they've passed
Like summer storm or wisp of misty cloud."
The hall at large did drink his hail, and then
Did thrice more drink for quest to which they went.
And Mordred scowled and drank the foulest wine
For his monsoon and fog would last his life.

So summoned then Glewlwyd Gafaelfawr
To hearken unto birds, as was his gift.
He said to all, "I shall now call my friends
And see what worthy tales of quests they bring!"
"There may be naught on Gwyl Fair," said Bors,
"A holy day, all wove with peace. Nor Gods
Nor men would stir their strife this day of days."
"We all shall see," the gatekeeper replied.
Beside his King upon the dais came
And played a serenade upon his horn
That rang throughout the keep and lands beyond.
A time did pass with no response recieved --
Slain silent was the raptness of the court --
But then through open pain in stainéd glass
A thrush did bob and weave in melody,
On finger of the Queen he briefly perched
Before he flit away upon the air.
His song so sweet, but then - what fright! No more!
A hawk had entered, just the same, and swooped,
And now the thrush was silent in his claws.
The cabinet of augers all took note
And sketched their calculations into books,
Though none, in this, more wise than Gafaelfawr
To whom the hawk said "Hail, you man of rank
Who speaks the tongue of wing-in-air. Now hark!
'Twas not in hunger slew this thrush, but fear
That what I have to tell might go unheard.
My family, we roost near Cornwall's sea
And late, the noises off the coast grew strange
As if some evil kraken raged at love.
My chicks; my wife and I; we're simple hawks.
We eat and some of us are eaten, yet
Beware the thing that slouched from out the waves.
His shape is something like a boar, but huge,
He dwarfs his kin, and hill, and oak,
This hall is large, yet he'd be stuck inside.
He does not eat what he has killed, instead
He smears the bloodied flesh on stones and trees,
What man could face a fear that bears this face?
If you could hear the rutting squeals he makes!
I swear this sooth by wind and waving plumes:
You men who craft with metal, hark!
Destroy the beast!" And then he flew away
Still calling after him "Destroy the beast!"

The court at large had heard the warbling hawk
But did not know the tongue, so only watched
Glewlwyd's unease upon his face
Until with stiff and rasping voice relayed
The content of the predatory news.
Unease began to show among the knights,
For many there recalled a beast so shaped
And all the blood and guile he took to drown
The first time. Arthur, grim, forbade Sir Kay
And Gwalchmai face these perils by themselves,
But recommended regiment of steel
To bolster ranks against the fearsome boar.
"I know this foe from days of old," he said,
His years of rule etched rough across his face,
"And so do most of you, though many gone
And this monstrosity not even slain."
But Gwalchmai said "'Twas hard indeed to win
Those relics that he bore. Remember I
That Trwyth was the name he chose, and we
Shall best him fair. Though not for trinkets now,
But with the zeal of mother guarding young:
This foe, Twrch Trwyth shall not raze the land
Nor wage a war against some peaceful ilk
While rounded table can beco
Nat Lipstadt May 2013
For Al, who left us, Nov. 22, 2014

With each passing poem,
The degree of difficulty of diving ever higher,
Bar incrementally niched, inched, raised,
Domain, the association of words, ever lesser,
Repetition verboten, crime against pride.

Al,
You ask me when the words come:

With each passing year,
In the wee hours of
Ever diminishing time snatches,
The hours between midnight and rising,

Shrinkage, once six, now four hours,
Meant for body restoration,
Transpositional for poetic creation,
Only one body notes the new mark,
The digital, numerical clock of
Trillion hour sleep deficit, most taxing.

Al, you ask me from where do the words come:

Each of the five senses compete,
Pick me, Pick me, they shout,

The eyes see the tall grasses
Framing the ferry's to and fro life.
Waving bye bye to the
End of day harbor activities,
Putting your babies to sleep.

The ears hear the boat horns
Deep voiced, demanding pay attention,
I am now docking, I am important,
The sound lingers, long after
They are no longer important.

The tongue tastes the cooling
Italian prosecco merging victoriously
With its ally, the modestly warming rays
Of a September setting sun,
finally declaring, without stuttering,
Peace on Earth.

The odoriferous bay breezes,
A new for that second only smell,
But yet, very old bartender's recipe,
Salt, cooking oil, barbecue sauce, gasoline
And the winning new ingredient, freshly minted,
Stacked in ascending circumference order, onion rings.

These four senses all recombinant,
On the cheek, on the tongue,
Wafting, tickling, blasting, visioning
Merging into a single touch
That my pointer finger, by force majeure,
Declares, here, 
poem aborning!
Contract with this moment,
now satisfied!

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.
__________
(this poem more than most,
for its birth celebrates
my loss, your loss,
which cannot be exonerated 8/7/18)


__________
written at 4:38 AM
September 8th, 2012

Greenport Harbor, N.Y.
Could be I’m on a mission:
Convince the entire world
I am the World's Greatest Living
English Language poet;
Of course, genius such as mine
Goes generally unrecognized until
The posthumous crowd weighs in.
And yet, wouldn’t it be nice?

• BEACH BOYS LYRICS-Wouldn't It Be Nice-A-Z Lyrics www.azlyrics.com /lyrics/beachboys/ wouldntitbenice. Wouldn't It Be Nice Lyrics-Beach Boys www.lyricsfreak.com›Beach Boys

Yes, wouldn’t it be nice?
(The Nobel Prize,
Tribute at the Kennedy Center,
A MacArthur Grant,
The Presidential Medal of Honor,
Reverent BJs from hipster groupies . . .
The Poet Laureate in his vicarage,
Enjoying my sweet twilight celebrity.)

(Cue “Guys & Dolls” soundtrack: “What's in the daily news?
I'll tell you what's in the daily news.”)
23: Beheaded at Nigerian Election Rally!
Amanda Knox Gets Away with ****** Again in Italy!
Kung Pow: Silicon Valley Penisocracy Crushes Ellen Pao
German Crash Dummy Co-pilot Flies Jet into the Alps!
Hilary’s Emails Are *****!
Sierra Leone Ebola Lockdown!
Iran: Kooks with Nukes!
Sri Lankan President’s Brother Dies from Ax Wounds!
Saudi Diplomats Evacuate Yemen!
Stampede at Hindu Bathing Ritual, Bangladesh Kills at Least 10!
Simply put:  THE WORLD IS IN A STATE OF ****.

Perhaps it’s time we turn again.
Seek solace in poetry—
“Yeah, chemistry,” insists my Sky Masterson,
My “Guys & Dolls” alter ago.
Surprised? You shouldn’t be.
All poets are gamblers & moonshiners.
We polish our chemical craft,
Sweet-talking the distillation apparatus,
Getting us, getting at linguistic essence.
Cunning linguists are we.
(Colonel Angus, are you back?)
Oyez! Oyez! The gavel raps:
“The Curious Case of Sam Hayakawa.”
We open this hearing to determine
Whether or not S.I. Hayakawa—guilty of
Numerous crimes against humanity & other
Professional Neo-Fascist “entrechats.”--
Whether or not he merits a kinder, gentler
Wikipedia BIO.
(Wikipedia ( i/ˌwɪkɨˈpiːdiə/ or  i/ˌwɪkiˈpiːdiə/ WIK-i-***-dee-ə) Wikipedia)
We open this forum, focusing on his
Courageous stand against the
SDS & Black Panthers, part of
An unlikely coalition: The Worker-Student Alliance
& It’s rival, Joe Hill Caucuses.
Da Name of the Place:
(“I like it like that!” Hot Chelle Rae-“I Like It Like That” lyrics| Metro Lyrics www.metrolyrics.com Lyrics to 'I Like It Like That' by Hot Chelle Rae. “Let's get it on, yeah, y'all can come along/Everybody drinks on me, buy out the bar /Just to feel like I'm.”)
The name of the place: San Francisco State,
1968-69, the longest student strike in U.S. history,
Led successfully to the creation of
Black & Other Ethnic studies programs
On campuses across the country,
And, one could argue,
Gave the green light to
Osama Hussein Obama,
Our first Uncle Tom President.
But I digress.

ACTING SFSU President, Dr. Hayakawa—
Perpetual audition, the pressure on,
Feisty, independent-minded & combative,
Screaming at that skeevy student mob:
(Skeevy as in “He bought the thing from
Some skeevy dude in an alley.")
Declaring “A State of Emergency,”
Calling in the SFPD, whose
Inexplicable slogan says”
“Oro en Paz,
Fierro en Guerra.”
Archaic Spanish for
Gold in peace,
Iron in war, by the by,
For you holdouts,
Those of you who still
Think the “English First Movement”
Breathes life still.
I’ve got more news for you:
That crusade died long ago,
Locked up, dark & shuttered,
Bank Repo thugs, their thick
Neck muscles flexing from side to side,
Sashaying across the parking lot,
Like John Wayne on steroids,
Right up to the front door.)
The SFPD: San Francisco city fuzz,
(As they were known at the time) &
The California National Guard, as well,
Obstreperously, generously catered by
Governor Ronald Wilson Reagan,
(Early stage, Alzheimer’s at the time.
But still very much “The Gypper,”
Still chipper in Sacramento.)
Ronnie--keenly interested in
The Eureka State’s congressional clout,
Lassoes a seat in the U.S. House of Lords:
AKA: The U.S. Senate, SPQR.
It’s still hard . . .

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Still hard to believe that California was once
Rock solid in the clutches of the GOP,
Gripped tightly in the Party’s
Desperate talons. But the grip slipped,
Slipped in the slip-sliding 1970s.
It got harder and harder . . .

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Harder and harder to remind
Leroy & the rest of his ebony posse,
That it was Abraham Lincoln—
“The Great Emancipator” himself—who was,
Our first Republican President.
The Emancipation Proclamation:
That toothless rhetorical flourish,
Based solely on Abe’s
Constitutional authority as
Commander-in-Chief,
Not on a law passed by Congress.
It was just Abe blowing smoke
Up their ***** again,
Just an egalitarian blast from
His Old Kentucky past,
A youth spent splitting rails,
Busting his *** just like
Any plantation ******,
A stark plebeian commonality,
Too deeply etched to be ignored.
Poor Abraham Lincoln:
Probably a **** Creek crypto-Jew,
Neutered by the opposition:
His very own Republican majority Congress,
Another example of the GOP
Shooting off its own foot, right up there
With Mitt Romney’s "47 percent of the people,”
The rhetorical gaffe which cost him his
Second & final shot at the White House.
But I digress.

Senator Sam S.I. Samuel Hayakawa:
That inscrutable Asian fixer, is now U.S. Senator,
Republican, California, 1976-83
Pulpit-bullying his Senate colleagues,
Fiercely opposed to transfer of the
Panama Canal & Panama Canal Zone to
Panama: a diplomatic no-brainer; Duh?
Their freaking name is on both of them.
Senator Sam, obstinate & blustering:
"We should keep the Panama Canal.
After all, we stole it fair and square.”
And Hayakawa, later the driving impetus
Behind the Far Right “English Only” movement.
His co-founding an "Official English"
Advocacy group, U.S. English;
Their party line summarizes their belief:
“The passage of English as the official language will help to expand opportunities for immigrants to learn and speak English, the single greatest empowering tool that immigrants must have to succeed."
That’s how they sold it, anyway.
In sooth: just old-fashioned nativist
Anti-immigration hysteria.

Hayakawa: always the high achiever.
Hayakawa: The Great Assimilator,
Preaching his xenophobic Gospel:
“Immigration Must Be Reduced!”
Aryan rhetoric, of course,
A bi-product of radical authoritarian nationalism,
A movement with deep American roots.
Senator Sam: a Japanese-Canadian-American,
Always tried too hard to fit in.
Sam, comfortable in Chicago during WWII,
Not personally subject to confinement,
Advocated that Japanese-Americans
Submit to FDR’s 1942, Executive Order 9066.
“Time in camp, will eventually work to Japanese advantage."
Later, during the Congressional debate over
The Civil Liberties Act of 1988 . . .
(Passed the House on September 17, 1987 (243–141)
Passed the Senate on April 20, 1988 (69–27, in lieu of S. 1009)
Reported by the joint conference committee on July 26, 1988,
Agreed to by the Senate on July 27, 1988 (voice vote) and
By the House on August 4, 1988 (257–156,
Signed into law by President Ronald Reagan 8/10/88.
He opposed $reparations for WWII internment:
“Japanese-Americans should not
Be paid for fulfilling their obligations."
Some guys, I guess, would say, or
Do anything for Bohemia Club membership.
Plagued by night terrors, nonetheless,
His Manzanar nightmares, his vivid
Imaginary experience at other Japanese
Internment Sites: Tule Lake & Camp Rohwer.
Stalag (German pronunciation: [ˈʃtalak])
Stalags, infamous still,
“Stalags ‘R Us,”
Still palpable memories for
Issei ("first generation")
& Nisei ("second generation").
See: 323 U.S. 214. Korematsu v. United States
(No. 22: Argued: October 11, 12, 1944.
Decided: December 18, 1944.140 F.2d 289.
The opinion, written by Hugo Black,
Chief Justice Harlan Stone, Presiding.)

Hayakawa: a strange duck, of course,
But we mustn’t ignore his strong credentials,
And I’d like to disabuse anyone here
Of the notion that it was anything
Other than his academic record
That got his case to this Forum.
Oyez! Oyez! The gavel raps:
“The Curious Case of Sam Hayakawa.”
So begins this fractured Pardoner’s Tale,
This petition for forgiveness,
The Capo di Tutti Capi,
Presiding: the original Italian mafioso,
His Eminence--the Vicar of Jesus Christ,
The Supreme Pontiff
Pope Paparazzi of Rome!
Roma: the only venue large enough to
Dispense dispensation of this magnitude.

Hayakawa: everyone says his C.V. is “impeccable.”
But did anyone ever freaking Google it?
Just where did Professor Sam go to school?
Undergrad? The University of Manitoba,
Truly, by any Third World Standard
A great bastion of intellectual rigor;
Grad school? McGill and U Wisconsin-Madison.
He was a Canadian by birth,
His academic discipline was Semantics.
(As in “That’s just semantics,”
That all-purpose rejoinder in any argument.)
Professor Hayakawa, The Semanticist,
He taught us: “All thought is sub-vocal speech.”

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Hmmm? We think in words.
The medium of thought is language.
If you grok this for the first time,
Let’s stop to celebrate our enlightenment,
With a cultural nod of respect,
We salute our Islamic brethren.
Radical Islam: the new bogeyman,
Responsible for keeping lights on in Alexandria,
Paying the defense & intelligence bills,
Sustaining that sinister
Military-Industrial complex
Ike warned us about.
Hang in there, Mustafa, old buddy.
Like the Cold War, this insanity
Will eventually blow over.
Orwell’s Oceania will reshuffle
Its deck of global grab-***, and a
New enemy will suddenly appear.
Big Brother, as always,
In the full-control mode,
Simply put: on top of the situation.
So Hurrah!
Allāhu Akbar. “God is Great!
The Takbīr (the term for the
Arabic phrase: usually translated as
"God is [the] greatest.")

“All thought is sub-vocal speech.”
What a simple, yet profound insight!
Just a short hop, skip & jump to the
Realization that, perhaps, the clarity
& Power of our minds can be groomed,
Improved upon by mastery of—
In Sam’s case, anyway--the English Language.
Was this, perhaps, the germ of U.S. English,
The political lobbying organization
He co-founded, dedicated to making
English, the official language of the United States.
Hayakawa: a wooly conservative of his own design;
No wonder Governor Reagan loved him.

Dr. S.I. Hayakawa, a colorful and polarizing
Figure in California politics during the 1960s and 70s.
Can we forgive his daily afternoon naps.
Asleep on the floor of the U.S. Senate,
Leaving California so pathetically,
So ostensibly under-represented.
Senator Sam’s comatose presence at
Washington-on Potomac; the
District of Columbia.
A long time ago,
In a distant galaxy . . .
Far, far away.

TEAR GAS.
Alas, long before he got to Washington,
Long before ever setting foot off campus,
He called for tear gas to
Disperse those pesky college kids.
I repeat myself for emphasis:
He authorized the use of tear gas at SF State.
Tear gas: a lachrymatory agent?
Actually, a potentially lethal
Chemical agent . . .
(Yeah, Chemistry!
To wit: Sgt. Sara Brown,
Referencing “Guys & Dolls” again.)
Outlawed for use during wartime,
Banned in international warfare
Under both the 1925 Geneva Protocol; & the
Chemical Weapons Convention;
“Tear gas:  a weapon of war against
The people. We believe that
Tear gas remains a chemical weapon
Whether used on a battlefield, or city streets.”

Thus, history will be your judge,
You unleashed tear gas on college kids,
So I wouldn’t expect a rep makeover
Any time soon, Ichiye-san, my ichiban friend.
Kiernan Norman Jul 2014
We didn’t bloom together the way we should have. We never eyed each other across neat soil; both self-conscious and self-righteous as we sipped the sun and, in quiet bursts, raced to touch the sky.  

We weren't planted by gentle hands in soft plots with room to stretch our limbs and shield our eyes, nor to bud in peace and thrive and find identity in both our own bold blossoms and as a pulsing piece of the whole lavish garden.

We didn't bloom because we erupted.
We running-start-swan-dived into stale dirt and were too close from the very beginning.
We didn’t sprout up straight; we snaked and lurked and left no bit of earth untouched by our vibrant, stencil **** fingers declaring ourselves alive.

By harvest we were tangled beyond repair.
By harvest I didn't know me from you and I liked it.

To be so entwined is lovely but depends on a balance
we could only begin to grasp.
To expand but not uproot requires perfect synchronicity maybe not beyond our years but certainly beyond our maturity. We spread out our emotions like tarot cards on a towel in the grass and reflected in your sunglasses I met the silent pieces of me.
In colorful, grim drawings those quiet, ugly bits floated up veins and settled under ribs.
They stayed silent. Until they began to scream.

And you and I- we didn't have the words;
not our own words that we earned and burned while stumbling across months and plains,
tripping over potholes and finding our feet quicker each time.
We had place-holders words we sang back and forth and splashed around and bathed in.
The words we spoke were profound and cardboard.
We were just reading lines, sharing identical scripts and an ache to be seen
so deep and desperate it was sinful.

We maybe shared the humid cling of regret; which hung heavy in stuck-air auditoriums,
it beaded sweat echoed, rolling down spines and turning blood to sticky wax as we whispered in the corner about the things we could say aloud while our minds never left the things we wouldn't dare.

We were mostly ill-equipped.
We joked about hurricanes
We didn't survive the first storm.

I want you to know you really hurt my feelings.
I want you to know you're the first guy I've given my feelings to hurt.
I want you to know I was terrible towards the end.
And I know that. But you gave up on me

You gave up on me at the exact moment I was giving up on myself.
Even as my tongue stung metallic and veins pulsed so hot and loud
through my eardrum that I felt I would explode- it was clean.
It was all remarkably clean.
and sterile.
There were no explosions.
No shattered plates, ****** knuckles or blown out voices
that scratched and rose in time with the sun.

Just a quick slash of rope-
an anchor cut loose and left to sink;
our secrets were set free to
rust over and collect algae.
We were suddenly off the hook
for any vulnerability we might have spilled
on each other in our fits of laughter
and hours of sleep.
A deep sigh of relief.
A deeper sigh of desolation.

The moment exists in sad yellow lighting that must have been added in restrospect.
I tweaked the floor of my memory too:
at that moment I was not wearing flipflops on linoleum- but sinking, slowly and barefoot, into chilly riverbed mud as it turned to ice.

I opened the door and there you stood.
You knew I had been crying and I didn’t try to hide it
it was too exhausting- running on fumes.

And I did expect something from you,
anything from you, that might dull the singed-dagger plunging
stab to my chest with each breath I gulped and spat .
I wanted anything that might reel me in from the cliffs edge
where my thoughts had carried me on horseback.

But you had nothing.
I watched your eyes swallow my swollen lips and pinched, glassy eyes
like a quick, sharp shot of warm whiskey.
Careful to avoid eye contact you slipped ‘**** this,’
under your breath and started to reach for my hand.

You started to, but then after a second suspended
you let your arm fall back to your body.
Head lowered, jaw clenched and you turned and fled with a new heaviness pushing down on your posture.
It looked painful and adult.
It looked like you finally felt the weight of our season.
And watching you go I shrank in lighter and thicker because I felt it too.

We are not going to get a happy ending-
not with each other and not right now.
Maybe not ever.
And that will have to do.
(Though I will miss your hand in mine.
I hope one day you'll remember being tangled with me and it will make you laugh before you cringe because I didn't like to be alone.)

If I wanted to be alone I would just go home.
I.
     Below a capable bay strays a profitable whistle. The castle wrongs an enemy. The retiring intellect renders the gateway. The shaking countryside copes throughout a bought photocopy. A caring cluster jams around the flash approval. The league pulses inside the shame.
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     Why won't a scotch season the tomato? Does the actor blink? Underneath the nominate manifesto leaps an obstructed contempt. A ground prize benches the infrequent duck. The expressway skips! A cheating animal fishes.
     The hook pays the painful insult above the quest. A theology rushs toward the biting waffle past the substance. Below the charmed heart sickens the intimate attitude. A filled magic decks any yearly dance. My amplifier hangs from the biggest handicap.
     When can the sock chamber the human soundtrack? A snag overlooks a conceivable scheme. A monochrome biologist originates without a code. A disaster relaxes near your crisp charter. A cook fudges before the chance kingdom. A room leaps inside a spigot.
     The starved incompetent aborts throughout the worthless lifetime. The protein writes inside an undocumented sniff. The instrumental panel lies before the pipeline. The spike pinches the scope.
     The punished violence sandwiches the color after the unavoidable pain. A scarlet automobile prevails beneath a sinful stone. The bridge quibbles below a custard. Does an amber designer whistle with a cell?
     The.
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     A diesel flowers before the rival. The wiser foot floats the faithful analogue. A chicken cows a megabyte. A fossil drains the content gulf. The crossword surfaces below a suicide.
     A near arithmetic breathes near the salary. The terrorist regains the slow aardvark. When will the designated shadow bake the military? The main interview kids in the very food.
     The secular shame hurts the scrap. My system mutters near a concern. A slippery giant does the kind holder. The rational sneak inhibits a tone.
     How will a chapter stick the foreigner? How can the meaningless pacifier monkey the nurse? Past the joke bores the approval. The enclosed advance pokes a moderate epic. Does the similar army pinch my elected soldier? The holy flies outside this swamped mystic.
     A slang drowns its operating alarm. The photo fumes below a hearing angle. How does the existence enter near the independent alternative? The enabling rocket despairs on top of a poet. An estate graduates on top of the located penguin.
     A damp psychologist assumes the food. Underneath a fighting lens worries a smallish motive. This bursting home experiments before the client. The musical turns without the highway.
     The hotel snacks beside a chemical. The cynical chocolate strains opposite a crisis. Does this sneak blood fume against the creator? Will a coast pant? Will the hand expand?
     The censor beams the flag. Will a functioning pope support a mounted toad? An unbalanced timetable yawns behind the meet defeat. A bedroom stretches around the global bigotry. The race writes. The predecessor guards an incapable contempt.
     When will the salary balance the expiring newcomer? The article bores! The advance rules without the arch! After the connecting human peers every par alien. The excess vends the fatuous courier. The carbon appends an inane sink.
     A four yawn cautions. How will the humorous concentrate refrain? The backbone flashes into the less premise. The servant retracts a voluntary flour.
     Beneath the mill bores the wetting pig.The kiss entitles my funded ballot throughout the throat. Our rose hastens a sample over the derived metric. The roundabout well coats the explicit truth. The stone persists.

II.
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To raising usurpations.

III.
I, the loved
I, the engulfed
I, the remigrated
I, the existence
I, the infinitive
I, the derivative
I, the human
I, the darkness
I, the glass
I, the interviewed
I, the disaffiliating
I, the trees
I, the air
I, the future
I, the past.
I, the present.
I, the moment.
I, the now
I, the dead
I, the alive
I, the opponent
I, the ally
I, the language
I, the idea
I, the universe
I, the cosmos
I, the sensual
I, the lover
I, the writer
I, the poet
I, the artist
I, the fearful
I, the form
I, the painting
I, the paper
I, the words
I, the letters
I, the color
I, the winter hallway
I, the black alleyway of bricks and cobblestone
I, the one who knocks
I, the fourth of July
I, the independent
I, the atom
I, the bullet
I, the bohemian
I, the philosopher
I, the homeless
I, the clouds
I, the sky
I, the rain  
I, the music
I, the harp
I, the angel
I, the devil
I, the decider
I, the canceler
I, the road
I, the pavement  
I, the stone
I, the wall
I, the cornfield
I, the golden
I, the emotion
I, the follower
I, the leader
I, the second
I, the minute
I, the hour
I, the day
I, the week
I, the month
I, the year
I, the biennium
I, the triennium
I, the lustrum
I, the decade
I, the jubilee
I, the century
I, the millennium
I, the overseer
I, the god
I, the who  
I, the what
I, the which
I, the where
I, the why
I, the question
I, the answer
I, the dream
I, the reality  
I, the in between
I, the ecstasy
I, the joy
I, the pain  
I, the populous
I, the I
I, the you
I, the
Do not try to understand this.
The vets that fought for the Boston tea party
native impostors of tea tossing
or the vets that were slaves and fought for freedom
the vets that go to other countries to **** non white people
all of the care vets have or not
and funding and compassion
should go to freed slaves
the vets that killed slave masters
and saved their children from **** and torture
the independence that declaring freedom with broken chains
dead slave masters
beautiful songs and music
the blues
jazz
art and technology
affords
or the independence declared from being free of being taxed
The independence declared when a slave felt  
knowing that in Britain the emancipation has already been declared
seeing the desperation in the slave profiteers
seeing the desperation of whiteness
and the independence declared when experiencing the freedom
of Escaping liberty
proving that a human being is not a resource to exploit
Independence day
Arke Sep 2018
early, I worried our love was ludus
that you were merely playing with me
it was hard for me to believe that anyone
could love me when I did not love myself

or that I could allow someone to peer into me
and that they would hold me the way you had
with sincerity and beauty as deep as the oceans
and passion and fervor as strong as the waves

love, please know that my poetry is affirmation
a constant reminder that what we have is more
that it's persistent and real and infinite
my love refuses to diminish or disappear

if I must write a dozen poems for you
declaring my undying love for the world to see
I will continue to do so week after week
until I run out of words in the dictionary

yes, our love was ludus -- and eros, philia and agape
if I'm fortunate enough in the months to come
for the gods to smile at me and grant me bravery
I will find a way to break my chains

and if I'm lucky and you still want me in the end
if you do not tire of my over sentimentality
or the way my eyes become honey when they see you
I would get on both knees and beg you to be mine once more
Nat Lipstadt Mar 2015
(I love) Dignity

tearing words apart,
a part
of  a joy I cannot
explain or share exactly


knew a man once,
forty two years gone,
died too soon enough,
soon enough,
he and I will be
the same age

this man
a duck out of water,
a stranger in an adopted land,
trouble-stooped, a hard life, well lived,
never bent,
dignified in every step

I cannot remember him
ever kissing me, tousling my hair,
holding my hand, loving me in
a manner I wanted beyond  desperately

yet here I am, 5:22 am
weeping tears recalling him
in glimpses long ago seen,
adding them all up to get a
single sum

Dignity.

tearing words apart,
a part
of a joy I cannot/explain,
share precisely


dig
in
to
my
chambered memory storage units,
unlocking those rusted locks with freshly oiled
tears
and loving the dignity he exampled

to the son he could not kiss, hand hold,
but taught him the one lesson, digging deep
to respect life and stand apart,
stand with dignity.

all else will follow

the son kissed his children plenty,
in a vain attempt to make up his missed
homework

now the grandfather,
now the grandfather
is still kissing
his last hope, his newest babes,
rolling on the floor,
so silly kissing belly buttons,
smelling their skin repeatedly,

in a manner most
undignified

still weeping
the son,
he tries to sort it out

and forgives and does not forget
the man that taught dignity
in everything,
even, especially,
in slow dying,

forty two years is a long time to wait
to weep.

it takes two hands in the dark
repeatedly
to collect all the waiting patiently
wetness and the
accompanied sniffles,
so undignified,
the son smiles at himself
declaring unabashedly,
digging out from himself
a poem, a self-reflection
on time tarnished reflections
clear enough to make him
sob,
believing

I love dignity.
for my father...
Stephen E Yocum Aug 2018
Power is indeed a corruptive force,
Through all of mankind’s history
This has always been true.
Emperors, Kings, Potentates,
Popes, Presidents and Despots too.

Gathering near the Throne are the
Eager Courtier leeches reaching to
touch the anointed one’s robe.
Declaring their undying loyalty,
In the process selling their souls.
Their rewards, a speck of personal power,
Castles and new riches of gold.

Like their Master, the entitled ones
will lie and cheat, while ignoring
The principals of right and good.
Believing “Decency” is but a
poor man’s word, Never uttered
within the hearing of the Ruler.
Never a considered artifact of
absolute power.

The slaves, serfs, the common people
Matter not, but to serve the Ruler.
The power elite will start needless wars,
or offer up sacrificial lambs, all to distract
the unrest of the common man.
They will suppress human rights,
free speech and defame, banish
or imprison their detractors.

All merely smoke and mirrors to conceal,
Controlling agendas of personal greed.
From ancient times down to today
This cycle repeats. Now we are living
our own Textbooks history of tomorrow.

Kingdoms and Nations have perished
From this kind of poisonous corruption,
Needless to say, it will happen again.
Perhaps it already is.
Unless this write is too obtuse, We all
need to change our history to come.
Stand up and speak out and vote.
softcomponent Feb 2017
you're not going to read this, and why would you?*

it would be either
naive
or
stupid
of me to expect even so much as a text;
as if our separation implies the ******* of a proverbial
Berlin Wall* between us,
where less than a week ago we were the same *country,

our landscapes of rolling hills,
city skylines,
and forests
so overgrown
that only
slices
of sunlight
could parse the ever-greened canopy,
phasing into one another seamlessly.

We may have been our own provinces,
but aside from small street signs declaring
Welcome to Jen
and
Welcome to Kyran...
aside from separate cognitive centers of self-government
between
your shock-blue eyes and fleek eyebrows,
between
my navy-blue irises and grey,
sunken sockets,
we were a willing confederation of persons,
impulses,
                dreams,
                             ambitions,
                                              anxieties,
                                                              lo­ves,
                                                                ­        and betrayals---

In our past, and provisional separations,
it was your betrayal that pushed us both
into the doldrums of love-lost confusions
and self-hatred;
not that there would be much value
in assigning a blame
with hurt still attached,
because the point,
it seems to me,
was that we somehow made it through everything together.

There wasn't a personal adversity we didn't learn to conquer
---until I began to fade away from you--
lanky, thin, often broke, and depressed,
I retreated.

I cocooned myself in studies of the past and the present;
for some reason, despite my overwhelming love for you,
despite the unspoken commitment I had made
to you
in my head
so long after your second infidelity
when I realized I was finally over it
and that I loved you more than I'd ever loved anyone before
--and in ways I never could have foreseen--

I backed-off,
I fell back,
I disengaged,

and

I essentially abandoned you.

After your impulsive infidelities,
when you admitted you hadn't been
nor were you in your
"right mind,"
you promised you'd get better.

You saw councilors, therapists, psychiatrists,
and psychologists... and you did.

You really did get better.

You overcame all that had been pulling you so low and so far into the darker vicissitudes of irrationality.

And yet, when it came to my own faults,
inadequacies, and disengagement,
I lacked your courage.

I didn't even try to overcome them.
In my self-imposed screen-gazed solitude,
I often thought of how much I loved you;
of how I hoped you might just wait out my confused disengagement
like I forgave you for your betrayals which had,
in their times,
hollowed me out emotionally for months on end.

The thing is, you wouldn't have blamed me if I'd left you then.
You would have understood, and let me go,
regardless of the heavy pain in your solar plexus
and the hollow feeling in your heart.

Though it never came to that,
I now have the chance to do for you what you'd have done for me.

I don't blame you for leaving.

I understand,
and regardless of this heavy pain in my solar plexus
and the perceptive hollowing of my heart,
I will watch you as you go,
        I will wave,
I will live with the weight of regret and memory,
and remember what you wrote in a poem once
when we parted ways after your first infidelity.

Sitting in the university library, reading on Moses,
what went thru your head was

"closure feels more like i can go on without you, i’m glad i met you, however an emptiness drenched in self-regret will always remain."
https://www.youtube.com/watch?v=7pHzJVfGCDw
(Bu Ert Jordin by Frida Bark--listen while reading for added effect.)
Mazen Edlibi Oct 2016
A drop of Tear dropped.... before my steps into the Alter!
A drop of Tear dropped.... before saying my name!
A drop of Tear dropped.... before declaring my hunger!

I danced my signature...
I cast my charm...

I saw their eyes glowing and through receiving me...
I saw their smiles inviting me to rest...
I saw their tears and I'm happy in trusting them!

I cried in silence saying to myself... "Where have you been?!"
I saw their eyes and I fall in love for them...
I am finally in my Place!
I am in my Tribe!!
7-9-2016
Hasan Maruf Apr 2017
The last kiss from you
Lasted like a huddle in
The snow blitz
Rocking my anatomy
In the frosty glitz

The last words from you
That barged in my eardrum
You were in a hurry
To smell a new leaf
Draped in a diamond dew

The last gifts from you
Was an instrument
Which still I use
To recognize people
Or to refuse!

The last time
You said I love you
I remember I was laughing
Hysterically as if I was watching
Jared Leto’s jaded mimicry of Joker in YouTube

Intriguingly, when the last time I saw you ****
It felt like pretty Ivanka’s embarrassment
Noticing her dad is a lewd

The last time I was chatting
With you on Facebook
I was wondering why
I shouldn't hack your account?
To check your inbox

Yea, it was filled with the message of *******
F- Bombs, **** shaming and tagging you as harlot
All they were asking was your service of escort
Either in full discount or in hefty cash drops!

The last time I wrote
A letter of love to you
I discovered my Keyboard
Began to blurt out
No more, No more, No more…

The last time I had a chit-chat
With you in the Burger King or Pizza Hut
I listened to your hissing clack-clack
That someone else has become your puppy cat…

The last time I became sick
When I was with you
I heard you threw a party
Where you were whispering
To your besties, how
I become your double whammy!

The last time I was
With you in the bed
I felt like I was indentured
To **** a dummy toy
Sans spirit and flesh!

Loving you was like
Santa Claus gifted me
With a Pandora’s Box
As soon as I opened it
You decided to release
Our *** tape of your having ******
In pornhub’s forum of interracial!

The last time I heard of you
Is that you were giving an interview
To The Cosmopolitan’s board of review

Facing the barrage of inquisitions
You calmly joked, the series
Of latest uproar about you
In the social media or Internet
Is because certain people always
Love to rave about Women’s body
Shoving in and out of their pigeonhole
With their one night stand queen trophy
To flavor your form in their fantasmic mouth

You also smirked in a raspy voice
Defiantly declaring “we (women)
Have been locked indoors
With no air, no food, no water”
My last boyfriend is also no exception
He certainly thinks I came this far
Through ******* and deception
Slightly anti feminist but a poem representing contemporaneity in our life in a balanced manner of looking into male female relationship.
1SP Apr 2017
Happiness begins with blessings from heavens above,
Happiness begins with all that I prayed for,
Happiness begins with what every man dreams of,
My true happiness only begins with your love...

Happiness begins with sacrificing my whole life,
Happiness begins with bidding loneliness goodbye;
Happiness begins with crying all my tears away,
My true happiness only begins with you everyday...

It's no question true happiness may not sound real,
Something very hard to wait for and keep still,
But you are the one who gave me something to feel,
True happiness began with you as the Lord revealed.

Happiness begins with declaring your arms my home,
Happiness begins with no need in being all alone,
Happiness begins with companion who believes in us,
My true happiness only begins with earning your trust...

It's no question true happiness may not sound real,
Something very hard to wait for and keep still,
But you are the one who gave me something to feel,
True happiness began with you as the Lord revealed.

Happiness begins with a virtuous woman with grace,
Happiness begins with putting a smile your pretty face,
Happiness begins with finally finding soulmate like you,
My true happiness only begins with saying I do...

Happiness begins saying I do...

Mmm, baby, yes, I do...
I do not see space travel
as an evolutionary event
I look at it as an excess
of dissociative disorder
colonialism and the making
of whiteness
whiteness
justifying the guilt
by searching
and searching
somewhere else
not somewhere better
just somewhere else
there is nothing better
than how we evolved
are place within experience
all that surrounds
us is intimately woven with
our sheer experience
that has evolved
without the possibility
of memory
or redundancy
or even a pattern or repetition
to desire somewhere else
is to leave the best
most evolved experience
of being human
organic intelligence
artificial intelligence
has patterns that are not evolution
or the experience there of
they are patterns that are also
of this desire to be some where else
where ever it may be a space
or an entity
an other
counter-transferance
aliens
colonization
product of whiteness
excess
the profit of colonization
dissociative disorder
from the experience of being human
if you teach people that evolution
is something related to a process
that is merely the documentation
of the desire to be somewhere or something else
slavery is a combination of somewhere else and something else
it is like aliens
inherently under control
of a powerful military
actually the alien extracted from
their home
all mighty whiteness
is the most powerful
dissociative power
evolution did indeed give us the possibility to dissociate
but is was designed for empathy
not as a tool to be somewhere
or something else
the experience of
the dissociative human
declaring whiteness
has other opportunity
but to experience slavery
since it is a dissociation
it is delusional
and although the human
dissociating may not be within
the structure of slavery they conceive
they are without
the original
experience
I notice them
organic intelligence resumes
http://www.amazon.com/Escape-Liberty-Elan-Gregory-ebook/dp/B01B8XQYBG?ie=UTF8&keywords;=elan%20gregory&qid;=1459178234&ref;_=sr_1_1&sr;=8-1
Terry Jordan Feb 2016
You’re not Pro-life, just Pro-Forced Birth
Despite proclaiming loudly
On signs accusing, “******!"
To one in three women, proudly

You’re not Pro-Life, but Anti-choice
And Anti-women, too
Shutting down Planned Parenthood is
A War on Women’s coup

Your Pro-Birth stance is but a sham
Backwards in time, you’re swimming
Saying Jesus is your Lamb while
Cutting aid for pregnant women

I saw you there, in Salem, too
Pointing, declaring them WITCHES
Burned alive by your testimony
Betraying and damning your SISTERS

My mother used to say self praise
Was not really praise at all
How can you say you’re Pro-Birthers
Causing WIC funding to fall?

The schools that once were funded
Providing breakfast for hungry kids
Was cut-yet congress spends like Spartans
Government sold to the highest bids

Sixty percent of our money
In good ole USA
Goes straight to the military
And I demand a say!

‘Health’ gets only five percent
And ‘Education’ six
Yet that’s where congress goes
To cut funding to the quick

You shut down Planned Parenthood with
Dishonest screams and shouts…
Support Accidental Parenthood-
Is that what you’re about?
I saw a cartoon recently with an elephant holding a big sign declaring "I support Accidental Parenthood".   I just needed to get this out, in response to the people against Planned Parenthood, not even knowing its 100 year history and success at lowering infant mortality, teenage pregnancy, STD's and providing myriad other reproductive healthcare to women, primarily, but men, too.  Families.  It makes no sense, and was not done in past centuries, for government to interfere with women & their doctors in private, complicated healthcare decisions.  Some legislators would even prevent a teenager, ***** by a relative, to get an abortion.  As a nurse for many years, I remember seeing the results of that baby being born-I'll spare you the details.  But it's ignorant and unwarranted for the same ones declaring they'd like government  to get small enough to "drown in a bathtub", continue to interfere in women's reproductive freedom.  Will they want to shut down the VA, too?
There’s always been a counter-culture.
And by counter-culture
I do not mean the CPAs or CEOs,
Or those money **’s at Goldman-Sachs,
Nor do I conjure up a ****** of Brooklynese,
Some De Niro or Pacino, or
Bobby-come-lately Cannavale--
This decade’s guinea strunz--
Standing on the back of the truck
Checking his hand full of dollar--
As in Almighty Dollar--bills.
Another hour’s pay & time to
“Count duh money.”
Nor do I mean Harvey Korman
In his greatest film role:
“Count De Monet,”
Part 1 of Mel Brooks’
History of the World:
Harvey as French fop, 1789,
And we may as well throw a
Sop to Cerberus with nary a
Bean Counter around, to be found.
And if you are with me thus far,
You may as well stick it out to the end.

What one word defines the counter-culture?
For me: RESISTANCE,
Any kneecap reflexive swim against the tide.
For Count DeMonet:  La Résistance.
When hair is short,
They grow theirs long,
Or shave their heads,
Pierce their tongues & *******,
Inka-dinka-dooing their epidermis,
Mere skin-deep commitment to Liberté,
Always the least tangible of
French tripartite banner slogans.
The French:
As always, putting up a good show,
Masters of illusion & flexibility
When it comes to ethnic integrity,
Captain Louie Renault, Vichy stooge,
Exemplar extraordinaire,
Double shocked to find gambling
Going on at Rick’s Café,
His morality to the wind,
Tacking strategically,
Playing it safe, as always, a
Fickle-finger to the weather.
The French: girlie men, bent over
Presenting bidet-puckered rectums,
For *** and Viet Cong humiliation,
Once again, declaring victory,
While slipping out the back door,
Wearing nothing but their socks.
But I digress.

The Counter-Culture,
A mile wide and a centimeter deep,
Putting up a good front,
A Potemkin still life,
In it for appearance sake,
Like Billy Crystal doing Fernando Lamas:
“It's better to look good
Than to feel good.”
Looking marvelous, of course,
All the girls want to be
The Dragon Tattoo girl,
Haunted & smart,
Solitary & suspicious,
Cybercrime wealthy.
Cashing in, raking in affluence;
The guys all with Bobbitt night sweats,
***** shriveled, shrunken ball-sacks,
Count De Monet
Counting duh money.
david badgerow Jan 2014
a liar once told me that i write good poetry
i laughed and continued drinking,
the sudden rush of despair, the wicked beast, the dry pages
the man had no credentials
but he persisted, declaring me an inspiration
like seeing a strand of hair attract a magnet
or amber jewels lolling in a dimly lit case

imagination is a felony, i wagered as i poured another
a combustion i know like the back of my hands
i told him i dreamt of a morgue where everyone i ever loved
sat upright as sunflowers, declaring their love for the sun
and of a newspaper rife with disease and the passion of a janitor

there is a raccoon near a river somewhere cleaning an apple
with a heart as big as an artist in drunken euphoria
taking better care of it than me when i sit down at a typewriter
it's wearing a cape just like edgar allen poe
and having better conversation with an oak tree than i've ever had at a party
about the sunday crossword puzzle he completed  

yesterday i drank myself into a masquerade ball
arriving in a limousine being driven by a bearded mickey mantle
i was the guest of honor, sword fighting on table tops
and lecturing the guests about shakespeare through a garbage disposal
while a horse played backgammon with my father's brother
and there was a girl there behind the facade of an owl
who danced like the wind and everlasting light
and no one could stop her or look her in the eye

i am the only connection between my mind and the paper
merely a vessel, a john boat clearly breaching it's depth
either drowning like a fish in a sand dune or
being bounced like a baby on the knee of god
slavery, i call it, and hand him a glass of warm bourbon
as the splashing of my journal pages slap my crushed trachea

the typewriter is padlocked and painted over with cement
the metamorphosis trapped inside a bullet, boiling with sheer fury
Shit Asstrology Jul 2015
Aquarius, why must you make **** hard for yourself? What are you trying to prove by not flushing the ******* toilet? No one cares. You call yourself a rebel, when in truth, you're just a water bearing fool with preposterous ideas of some futuristic utopia that looks a lot like Yu-Gi-Oh!  Because of your idiotic rebellion, you seem to smash on about nothing really, declaring the world is in shambles, while scrying your turds for all the answers to humanity. And with such rebellion attitude, the "I don't care, I'll **** in the woods!" Again, no one gives a ****. If you'd rather **** in the woods and run around naked like a feral child poser, be my guest. Why don't you change your name to Nell why you're at it and forget your native language altogether since your such a rebel. I hate to break it to you Einstein, but it's all been done before.

Advice: What's the point? You're not going to listen. Have fun ******* in the woods and remember, we don't care if you know who we are. Truly. Ur **** is waiting, *chicka chicka chickabee.
Hussein Dekmak Jun 2022
I belong
To the roses blooming with elegance,
The birds song yearning for love,
The spring singing the song of life,
The dawn declaring a new beginning,
The moon shining on lovers’ footsteps.

I Belong
To the cry of the suffering souls,
The dish that feeds the hungry stomaches,
The sacred justice that was crucified,
The whispers of my mother’s prayer.

I Belong,
To the kind words that sooth other’s pains,
The random acts of kindness,
The hearts that are full of compassion,
The idea that plant seeds for positive change,

I Belong,
To the hope of all of humanity,
The inventor of all of the infinite beauty,
The beautiful song of all of creation,
The God of the whole universe.

Hussein Dekmak
Hal Loyd Denton Sep 2012
I need to finish the story for convenience I have the original Aftermath to be read first on the bottom
What was not stated in Aftermath was my concern for my writing you can’t write with two legs
Screaming when I got to the hospital my kidneys were of a concern eight alieve three times a day about
Thirty aspirins something like Tylenol didn’t count them no relief my mistake I would bang my ****** leg
Against the wood of the desk that would make it crazy for a few seconds so I finally had to stop for over
Two months well the devil won it seemed when I talked to my cousin I was at eighteen thousand reads a
Little while let me break in here for a second I know I’m talking about numbers it isn’t ego if I come in
Contact with any of you in any setting and I pass you by with just a glance I am your sworn Godless
Enemy I have just joined the cruelest damnable assassins Hell has ever released on the world I know
What awaits the lost even the Apostle Paul worked fervently because he knew the end cost of God’s
Holy severity can I do less I look but I take in all manner caring thoughts but without fail I am led to that
Future now no one even gives the last day a thought I will put this in as an excerpt this is the dream I
Had when I was seventeen or it starts this way your life began in the great head waters at Eden they will
End at the mouth of eternity. I was given a view into the celestial I was just a teenager while a sleep this
Dream came I looked into the heavens and saw two great wheels made of stars the hands of God started
To pull the wheels down as I continued I knew what was occurring God was stopping time. The wheels
Stopped then God turned to the seamless darkness grasped it and started to lift as he did it tore away
Reveling the bright true world of the spirit that was before hidden this was alarming since I hadn’t made
My peace with him Not long after this I was seventeen working at the refinery I just walked out of the
Boiler room into the section that was known as the flathead when a voice said time is finished all life and
Its concerns flowed out leaving me with the greatest sadness other men standing by laid down their
Tools and started milling about mindlessly on this wise in some manner this will happen all over the
World the great enterprises so important to man and society will halt government rule and authority
Abolished in an instant majesty and power will take the reins the river previously known will be
Empowered its first charge make the deserts bloom as a rose…

And I take the liberty to insert I am a person of deep feelings to make the case I wrote two pieces for
Roberta Merrifield’s birthday sorry your flowers are late then I forgot your card this was talking about
Her friends as flowers each of them need to go to their door and imagine nine hundred people standing
There reading about their lives that are filled with grace and beauty and earthen treasures that are in
Vessels of clay but to see them truly you will be speechless so I return to the numbers so it was
Eighteen thousand a little later when I couldn’t stand the pain any longer I called my retired preacher
Uncle and our pastor brother Russell I explained to them about being whipped and my writing had to be
Shut down it was thirty five thousand reads then so keys were stilled my lifeline to needy souls was at
A deadly stillness so then two months later I wrote fourteen pieces bringing the total to four hundred
And fourteen pieces and then Gods love demands the his heart be represented this is the one I am
Pleased about the most I wrote a piece called the mirrored pool over four hundred souls read this I’m
Sorry this is too important to excerpt it in you are not obligated to read I leave that to your discretion

Mirrored Pool
Wonder for all the hurts
First I knelt just to see my reflection then the depths started to reveal first the flowing thoughts were
Restrained and then a bubbling seemed to dislodge from greater depths hard truths churned with
Violent twisting but the motion made it impossible to turn away there were great large white clouds
From depths then even above the pool they rose fourteen stories high the sensation was you were
Standing outside clear air intoxicating views the pulse of many were throbbing in your ears their
Thoughts and dreams were known and their sorrows were weights that pulled you from the heights
It was a colossal game of tag and you were it first reaction fear then the appearance of bundled gifts
Broke down the fear it was promise in different sizes that met the required needs it was like a divine
Warehouse had just made a delivery there were cards with names and writing gave clarification tears
And smiles intermingled then the outer knowing postulated the difficulty the puzzle an enormous
Streaming that was now congested and it was beginning a vortex all was understood now human thought
With doubts was pulling the answer into this destructive hole where was one to find the lever to stop
This action that would disallow was the answer to touch the water bring the finger to my lips possibly
A blazing thought would occur that would strike the mind no all that brought was words that had the
Letters jumbled they made no sense unless there is a special book that is alive in it the letters and words
Are already set but they cover every act in the human condition the broken can pour over the pages
You won’t find thorns to repel your efforts there are thorns but they will speak and assuage your hurts
At the most basic and needed levels the points of your hurts will begin to dissolve from your eyes to
Your mind this inward rush and power will dislodge even spears driven deep by enemies carried for
Years you searched in vain over sad and lonely paths and days now you journey is at an end thorns of
Suffering for another produces profound power and mercy go in peace beloved one another bears your
Burden now maybe words cut you at depths you can’t even identify what if there is an antidote in a
Book you pick it up with trembling hands your body tingles from the knowledge that this is ancient texts
It will have a revival of appreciation in this world of texting but with gentle fingers and eyes that glow
With respect as you see the wisdom and the love cannot be denied you leave the world you know and
With total abandonment you swim in this sea of words until the your tears spill on this rich world of
Words those cruel barbed words that pierced tender skin and have bled internally all of these years
Begin to dissolve with stories and accounts of betrayals then the swells love and mercy you read about
Restoration not always found after apologies are given but the teaching of forgiveness strikes a cord
You have been made free from your prison the tangles of life are great as a great black cloud it hangs
Over head many are its troubles this isn’t mild but the disruptive made to strike and pierce deep the
Hidden that steals the morning blessing while other feast your hunger and unrest only enlarges a
Tormenting unquenchable fire a slow burn this is a forest being burned at the thermal level the hidden
Roots a slow process destructive but not so visible agony torture I have seen men crawl in war or fire
Fighting that where all else is lost you will know greater thrills than any other living soul with the
Desperate and those heavy burdened unable to stand a word will flow it puts out fires and gives
The luxurious buoyancy heaviness changed to joy the bouncy laughter every outward blast attack
The enemy launches is within its pages they are repelled overwhelmed by love you suffer unduly
If you don’t hold this fortress this informative book of stratagems that have made everyone a victor
Who has ever found themselves at their wits end no place on earth has a contingency plan though it
Will make the greatest claims all is just empty air when life as it too often does ***** the very air of life
Out we practically are unconscious but this help this rescue is activated by one name it’s not just a book
But the word is a person what a pool you will find what a reflection will engage you beyond your hope
To imagine just say Jesus all will be total peace your heart will know no more sorrow peace will surpass
Sorrow love will disallow the specter that was once a constant it will disappear it will return to the
Darkness from which it came stand in this newness totally free abide by still waters as the good
Sheppard stands by bless you

So the success against the evil one stands like this while he body slammed me the number of
Souls touched has risen to sixty three thousand five thousand while I was in Braidwood so I
Thank the father whose love and concern never wavers by Christmas I am hopeful I will reach
A hundred thousand if I make heaven I don’t want to see you at judgment and hear you say the
Words of that old song he knew I was lost but said nothing to me!!!!!!!!!!

The Aftermath
Please read this to see in my limited way I want to show you your true worth and value and you will see
what the devil never can get.
This is what I would stand and testify in church but what I have to say is lengthy here it can be read or
Not I would first say this to love souls is agonizing it comes with pain and great tears I went to the site
Where they started the church years ago on my Grandma Brown’s front porch as I set there I pleaded
With God to help me make a difference I turned and looked down the old street that held so many
Memories of course Tommy and Elise and Glena are the only ones that remain but I looked farther
That’s when God moved wave after wave of hard rocking sobs that lasted for thirty minutes or more
And after getting back home some will say this is foolish and I’m the first to know we can’t take the devil
On by ourselves but overcome with emotion I turned from the computer and spoke to evil its self that I
Was declaring total war for souls this is what it has cost me so far at the time I had one open wound on
My shin above the ankle two appeared directly above the first one then one to the side and then I knew
What was to come because I have sleep apnea I sleep in a recliner I knew the sores would ring my leg
And they did you can’t lay your leg out on the ledge with open wounds with nerve endings screaming
Then it jumped to my other leg so that was the first volley when I write I get lost time doesn’t exist many
A time daylight would surprise me coming through the window then the onslaught increases I go to the
Hospital I got there in early afternoon they got me in the room at ten thirty but just before a lady comes
In and takes my blood pressure it is close to perfect and then she comes back in five minutes and tells
Me take these three blood pressure pills trusting her I take them well about twelve or one they come
Into and take my blood pressure they had driven it down to seventy over thirty and plus my first
Experience with morphine I was sick and strangely loopy I wasn’t in the bed I couldn’t lay my legs
Down and no one else was in the room only one bed I did set at the end of the bed with it all the way up
In the back I put my head on it and slept comfortably one funny they have it posted call don’t fall I didn’t
Do this on purpose but when I was pulling the drawer out of the stand it came out with a wonderful
Crash Steve the male nurse made record time from down the hall at the nurse station he lunges in the
Room it wasn’t humpty dumpty just the drawer I couldn’t tell if he was relived or ticked off then it was
Their shot back over the net intravenous antibiotics five days needed a doctor from disease control to
Release me then there version of cons scarring kids with tales about prison to keep them messing with
Drugs scared straight now was scared healthy I walked out the same as I walked in I got a bill for thirty
Thousand well at least I didn’t have a bad heart then it was eleven weeks at the wound center this was
Where I met as I lovingly call them my healing angels they finally got all twelve open sores to close then
for the rest of the problem it was six weeks three times a week forty five miles to and from hundred
Degree heat every day you have to pay a hundred and seventy dollars yourself for the compress wrap
Material then you turn around a pay for compress socks that insurance doesn’t cover least the inside is
Pure silver so missed the Olympics but I got silver in fact every six months I will get silver again this is
Kind apropos I asked the compress wrap therapist where Lymph edema comes from and I will spare you
The pictures but the infection and lymph edema pictures even grossed me out but interestingly the
Therapist said an ancient king in Israel had the disease hello devil no cure just mange it from now on
This is the biggest cut of all someone else has to put them on I have always been called a free spirit
Try to take off on your own and what say hey stranger would you put these on my leg it’s like trying to
Put a baby squirrel skin on a full grown body the therapist does speeches internationally with a doctor
From India she asked permission after taking pictures to show the audience I wouldn’t want to see that
Show give the devil his due he is good at being bad I crossed swords with him he rampaged all over me
I didn’t include everything I have gone through and that doesn’t include my poor wife but I am profane
Corrupt undone should I speak to you of such great things as eternal verities matters that involve where
You will spend eternity there is the cleansing of the word the cleansing of changing my corrupt nature to
His by the spirit but know this no one will ever approach or in any way defile the very ones that as the
Finest gems will be placed in his Holy diadem this takes the cleansing of suffering and brokenness with
The heart Broken for souls and the most necessary of all this nature that is too much like the evil one
That’s what he doesn’t get the more he beats up on a person he is doing God’s work of purifying the
Most elemental evil that must be scourged if I touch you it has to be purist intentions of holy deign
We are awash in the lowest dregs dare I say quick sand only holiness can enable us to traverse this
Killing place of a dark and ever turning evil that compounds itself the devil will never lose the majority
On The Broad way that leads to destruction but there are the blessed few that stop and say oh no this is
Not for Me I was his child and I will be again thanks for the load you made me bear serving you devil now Only Love will be the weight I feel it comes by a great price of God Himself and His people

I need to finish the story for convenience I have the original Aftermath to be read first on the bottom
What was not stated in Aftermath was my concern for my writing you can’t write with two legs
Screaming when I got to the hospital my kidneys were of a concern eight alieve three times a day about
Thirty aspirins something like Tylenol didn’t count them no relief my mistake I would bang my ****** leg
Against the wood of the desk that would make it crazy for a few seconds so I finally had to stop for over
Two months well the devil won it seemed when I talked to my cousin I was at eighteen thousand reads a
Little while let me break in here for a second I know I’m talking about numbers it isn’t ego if I come in
Contact with any of you in any setting and I pass you by with just a glance I am your sworn Godless
Enemy I have just joined the cruelest damnable assassins Hell has ever released on the world I know
What awaits the lost even the Apostle Paul worked fervently because he knew the end cost of God’s
Holy severity can I do less I look but I take in all manner caring thoughts but without fail I am led to that
Future now no one even gives the last day a thought I will put this in as an excerpt this is the dream I
Had when I was seventeen or it starts this way your life began in the great head waters at Eden they will
End at the mouth of eternity. I was given a view into the celestial I was just a teenager while a sleep this
Dream came I looked into the heavens and saw two great wheels made of stars the hands of God started
To pull the wheels down as I continued I knew what was occurring God w
Arlo Disarray Apr 2015
Mercury is fine if you want to get poisoned
Venus ain't too shabby, but it's a little warm
Earth is overpopulated with **** and fools and noise and
Mars is dead
Jupiter's a constant storm
I adore Saturn and its gorgeous rings
When I rub their ridges, the planet sings
Uranus is too hard to say without cracking a grin
We can race a bobsled on Neptune, our space wolves would win
And we'll ride off to Pluto, declaring it a planet again
poetryaccident Sep 2018
I’ll protect the innocent
even while I may proclaim
my deep regard for who they are
controversy may be exclaimed
guiltless stated for my friends
this word is used at its most broad
when all children of the divine
deserve their refuge from abuse

even while I seek to proclaim
my admiration for their grit
stepping outside confining realms
leading the way for this questing one
on the shoulders of the perverse
this is how the public may respond
declaring wisdom I don’t share
when I see threads of commonality

in my heart I know we are the same
seeking power in our own way
being true to ourselves
while expressing how we live
humanity searching for a voice
I’ll add mine to the chorus
admitting that I’ve fallen far
while ascending to the heights

spectrums ranged in pursuit
my honest nature at last found
though at first I wrongly thought
I was alone when I was not
the free spirits led the way
I wish my voice could exclaim
and still I hold back my breath
protecting innocent like myself.

© 2018. Sean Green. All Rights Reserved. 20180909.
The poem “Protecting Innocent” is about my inability to properly attribute my praise and respect to the free spirits of the world.  Society always has some sort of box that it wants people to live in, and when the boxes are breached, the reaction is one of judgmental attack.
They said there was a drought water was short
not enough for domestic use.
At first declaring it was nobody's fault
it had not rained for a long time!
Committing an offence by using a hose pipe
truthfully was a load of tripe.

Water companies are making a financial killing
everyone encouraged not to waste water.
More fancy gadgets the public would be willing  
to buy water use multiplied.
As the buzz was building more on any land
telling us there was a demand!

Thousands of houses built was there a big need
statistics only the government held.
Groups tried protesting for it not to proceed
but fields were still built on.
Heavy rains came with more depleted drainage
so did the despair and rage.

A state of increasing taxes with nothing to show
more became classed as poor.
Communication with voters becoming very slow
the authorities had a strangle hold!
As the ban on a non existent drought dragged on
more doubters joined the throng!

Was there a danger of a growing national threat
from people against the elite.
Basking in luxury as the masses increasing in debt
the drought added more fuel.
Restrictions taking away their dignity it turned sour
there would be a defining hour.

Or is this just a modern nightmare tale?

The Foureyed Poet.
M Oct 2014
maybe the reason why I dislike Batman
and love the X-Men
is because Batman, gifted with money and power, chose his struggle
the X-Men were forced- they had mutanthood shoved upon them
and had to be crucifed as society pushed them away
hiding in fear and hatred of what they must face
the X-Men learn to adapt, they take what they have
and choose to be the better man, or the worse man,
but they take the fight that was given them
and the freakery that they were born with,
and they adapt.
Batman, however, was born normally,
did not have to run or hide, for he was privileged,
and he walked, walked straight into freakery
he took the burden others were throttled with
and laid it upon his own shoulders, crying 'woe is me'
whilst he went about the noble task of hero-dom
he made himself a fancy suit- he had been given
normalcy and he invented freakery in order to claim sacrifice
he did not need to give himself- he was an ordinary man
that laid down his life.
The reason why that bothers me so much
is that ordinary men do not need to lay down their lives
they are not called to that future
it is not in their cards
he claimed his heroic deeds and choose to throw himself into the
furnace flames- while others suffered unwillingly
he chose it
he took their pain and made it less
'see, I can do it! anyone can do it!'
what makes the X-Men special is that
their mutation isn't 'deal with pain of superheroism'
it's some other power, but they have to learn how to be ostracized
not anyone can do that- they had to
their survival depended on it
Batman walked into the struggle of their lives
and declared himself a hero
though, for some, the declaration
was not in their words or actions, it was written
into their DNA, it was marked in their skin
by the brands of their oppressors, it
was pounded into every heartbeat shocked with electricity
they fought and hid their heroism their whole lives
for they knew- it was not something to love,
it was something to suffer with-
and Batman took that, he took the heroism
and he projected it across the night sky,
declaring, "I am Batman",
and it is something he can escape from,
he can walk away, he can walk away, he can walk away,
and yes, he chooses not to,
but what he does is steal from those who cannot walk away
his heroism takes the nails in the hands of mutants and orphans
and masochistically drives them into his own palms
crying whilst doing it.
rather than being forced to adapt and look normal,
he puts on a suit and prances through the night dramatically
he takes everything sufferable about being a hero
and tosses it out the window-
he takes everything noble about being a hero
and growls it in a dramatic voice, posing, in his fancy suit,
when he could be safe at home. why would you choose this
why would anyone choose this
be thankful for your ability to be safe,
that is the real superpower- the ability
to be normal, to have a home to go back to, to
have a normal purpose and a normal life,
and Batman is completely, utterly, ungrateful-
he wishes there were more,
while those born with 'gifts' would be satisfied with even less.
Quentin Briscoe Feb 2012
I looked in the mirror and I saw it
The hideous thing..
Seeping from my nose
Peeking through my eyes
stretching from my ears....
Something that wasnt me...
but apart of me...
insainty...

And it surround it me,
held me like a mother would its child
and I accepted it
because it comforted me
made me feel secure
but I was far from safe,
The mirror became my prison
that internal heap of filth
made its way to the outside
trapping my true will inside
and it be came me..

stole my identity..
walked like me, spoke like me
but led me around blindlly
Im sorry, Im sorry
Im tryin to take back control
but he won these precious min
cunned me to give in
this Vile beast that feast
on my flesh and soul
I have to win this battle
not just to save my self
but those who i love so.

This darkness can't take over me!!!
Im declaring Victory!!
Lucky Queue Nov 2012
Worlds physical? Or worlds mental?
It makes all the difference.
Without the sciences it wouldn't matter either way
The last time I was taken from earth without moving?
Excepting when reading, with math.
Tesselations and fractals and numbers
Numbers have a flow all their own
Without numbers, meter and rhyme couldn't be
Even now, without numbers this discussion could not be held
Even now this typing is numbers
It may not look it, but its all ones and zeroes
The angle and curvature of every letter defines language
I say nay my friend, nay
I never spoke the words declaring math and science the crown of humanity
And the words stating english its clothes
They are important, both in their own way,
But think of this: you cannot do math
Nor calculate the distance from venus to the
Andromodean galaxy without math
But think also of this: communication may exist without english
Numerical codes and codexes and letters written entirely in numbers or symbols
Do exist
I dare not refute the value of english, but do you argue the language or the study?
The study can be done away with and easily
Put to rest, as it had to be created
The language too was created and came from
Some mother language
But we always had math.
Does not even an ape know that an even split
To a banana is half?
Apes have no words as we think of them
But still, they do not have english
They don't have a grammar and spelling system nor manner of speaking,
They communicate perfectly well, even without words
But how are they to place value on objects without math?
Even some crude understanding of value
Is math
A banana must be worth less than two, no?
English resides on emotion and feeling, whereas math and numbers rest upon fact
How does one win an arguement without numbers?
Even now you use them.
This was only the last cause she was done writing poems... and for those reading this first: you have to read 'math and numbers' first and all the others in sequence to fully understand
Why are you stretching around?
Like a crazy creature, stretching
And erecting at every bossom’s sight
Don’t you know this to be vile?
Behavior so uncouth and basest
That all men on earth dislike,

Leave me alone master, leave me alone
Show me a happy man without a ****,
I will show you the sorriest point on earth,
Which woman burst not with ecstasy?
On taste of my nature, which woman?

Shut up you sly creature
And manage you mandibles,
You always stretch and stretch
As if you want to lacerate my muscles,
Don’t you know that you put me in risk?
*** is all over and you stretch like crazy,

Leave me alone and let me stretch,
Don’t fear disease and risks,
For *** is now impotent
***** blood is now natured
Above any nonsensical vice
Like *** and his brothers,

Stop stretching or I chop you off
I don’t want any burden of next kid
I am not in any pocket fitness,
For one more mouth and one more ****,

You are a foolish coward
You fear even your success,
Who told you kids are a burden
And parenting a curse?
Beautiful liars taught you these,
Can’t you see china and Islamic State?
Declaring their muscles and mighty,
For no other reason but children
Surest quivers needed in your arch,

For sure don’t stretch, calm down
And stay balmy or I tear you off my torso
Where will I get land in this world?
To contain the useless proceeds
Of your raucous *****?

I am tired of cautioning you
Or I dare you and dare you again
That perhaps I am on the wrong body
Those who are few need land,
But those who are populous need not,
For their victuals come from tertiary means,

I am finally tired of your rudeness,
If you stretch again I will be irate,
As it will be uncouth act of mannerlessness,
For you surely know that my wife is aged
She shares not in your school anymore
If you stretch again know then that you’re vile,

Look again at your thoughtlessness
Who told you that I am condemned forever?
To be feeding on old women, harridans and *****?
I no longer want them on my ****** menu
Feed me on the young wenches in a polygamous fit,
For the elders like you and many others on earth,
will only renew their  old sinews
By merely feeding on the French chicken,

Then you persist in one line like the possessed
Are you possessed by the ****** devil?
I don’t have any ****** energy for your business,
You only put me into a desire for what I cannot eat,
Leave me alone by quitting your vicious *******,

Fear not at all for how you will eat,
You fail to enjoy because of your ego,
You focus on the finish line alone,
Remember  the process in coition,
Tighten you **** to delay *******
And here you will cogitate with gusto,

Negroes! Negros! All over the world,
Again you want me to make more Negros,
Be aware that your melanin is an eyesore
The world looks at you but in pain,
Suppliers of blinkers cannot quench,
The thirst for these wares,
With which the world can put on,
To ward off the pains in the look
At the skin of the *****,

Fear not Negros don’t create themselves,
They come from the supremo of deities
All creation is beautiful in wisdom’s eyes
Whoever that hates creation hates the self
No other act can then match the wickedness.
Ellen Joyce Jul 2013
Her laugh broke the window pane -
shards of glass pouring like rain,
the sound of shattering safety made her blood run cold
as she clung to disintegrating silence.

Grains of silent-self
pricking the backs of her eyes until tears streamed down her cheeks
wiping fiction from flesh, eyes turned to the floor
so you won't see the sadness where the sparkle should be.
Could be.
Would be.
Maybe.

She feels the barbed wire noose around her tongue loosen,
unfurling its razor sharp grip on her throat
to the melody of the sweet small voice singing soothing songs
seducing her to speak.

Speak.
The words fall clumsily from her lips like ***** clattering plates
splattering waste on wall and doors
leaving a mess that cannot be swept
nor hidden under the carpet or clothes.
"Please. Please.".

She feels eyes burning into naked-self
declaring the truth as if it had the strength to stand,
to bear the weight of shame from times that should remain untold,
but she told.
"Look away. Please. Don’t look at me,
I need you not to look at me, please please please".

She squirms beneath the squirming,
the crawling cascade of bugs under her skin,
in her-self, ***** girl -
ankles twisting, fingers bending, hands trembling,
heart beating, breath quickening, mouth begging
"please please don’t look at me".

The kiss to be seen, breaks like a scream
on the back of a lifetime playing dead,
choking back the words left unsaid,
hiding scars of the wounds that once bled.  

Wounds that call from beneath layers of scar tissue,
a symphony of whispering simpering bacteria
recalling the filthy mire imploding from the pyre;
seal after seal broken leaving her less beauty, more beast.  

In a place where animals do what animals do,
mounted like cattle, like dog catching *****
whose losing the battle to guard her chasm,
to keep the place barred.

Her pleas broke the threshold,
falling forward, hands and knees grinding into twigs and leaves,
his grip so thick on her hair
that he heaves out a scream from the depths of her bowels,
ripping through tension and fear
to gift a ***** with a mark, a shame, a name that won’t disappear –
“Don’t look at me”.  

They call it ******
as if you could name a pain that seared so deep it
drew a blood that would take a week to heal
and a ***** that would never stop rising.  

Her arms buckled under the weight of shame,
of blame, of every screaming name he seethed into her sullied flesh,
with every wavering breath she breathed – “please don’t look at me”.  

His hands grip beneath her hips
nails biting into aching, seeping flesh, filling her pores with
more, more, more.  

Baths - a thing of the past,
water hot, rusted and greying with the rot that lies on her,
with the putrid knot that lies in her.  
“I’m so ashamed.”

Her exhaustion broke her human-ness –
body depleted from repeated invasion that she couldn’t stop,
that he wouldn’t stop -
was sure he had reached a perverse plateau of the boundaries that he breached.  
She underestimated him.  

Label weathered bottle,
nectar alluring drawing inside crawling bugs
as forced kisses stole breath,
focus lost and a nip to his tongue would cost a choke-hold to blur the world,
spit on her face hurled with the venom of an injured python.  

Cold, hard, scraping against skin trying to get in –
“Please.” –
bugs crawling, cascading, invading,
fighting my womb, biting my flesh raw, boring into my blood
turning life force to mud and self separated from beautiful source.  

I felt his thrill at my hip.
“Please don’t ...
Is it masochism to share the most humiliating, hurt or is it healthy?”

Her mouth broke -
alive with sensations and nerves that serve
to taste to feel, to flex a tongue to sing to speak to eat.  
He drew her to her knees,
with greater and greater ease
to penetrate perception with ******* till her jaw ached and strained,
drained, choking back the spoils of man,
feeling panic as her stomach recoils vomiting shame.

Every seal torn open; closed - locking the dirt inside.
This poem was written in the process of therapy to deal with **** and abuse experienced when I was in my early teens.  I share it now as I watch my god daughter turn thirteen and feel a fear for her and a need to protect her.  I share it now because I fought long for a voice and now its audible.
Love** lost in dreams
Far away from the soul,
For the beauty of life is
Lost in my mind
Left lonely, in pain
This **** in my spirit
I've been unable to cleanse
Tired friend, fellow traveler
Grasp my hand and
Feel cruel death pervading
In this world, this land
Lies unknown evils
Forbidden to know
Or comprehend good
Underneath the wild, impassioned sky
Of centuries past
Wandering in ageless night
Searching for the end of sorrow
Scouring through the mystery
Of existence and free thought
Here comes the exhilaration of
The cosmic dance of eclectic vibrations
Playing memories of melodies
And deep seated wisdom
Just beyond the cusps of our fingers
Beyond long, satin dreams
Stuck moving with the flow of
My slowly beating heart
As earth ceases to spin
In a moment, my desire calms
I have found my true self
My autonomy will never die
My heart does not weigh me down anymore
Floating in a state of bliss
You are the one person I have left
The beauty who has never gone from my side
Who's jeweled eyes illuminate my being
Like the night skies over the glaring city lights
Who's smile transcends boundaries of this known world
No assembly of words can begin to express
How just your touch eases the minds of beasts
Simple, pure, ecstasy hovers
Over the flickering fires of her passion
Living in angelic state of being
She forces cries of beauty from blind men
Streaming light of wisdom across infinite universe
As I gaze upon the stars of her kindness
Forever embowered by her grace
I need every essence of her bliss
The apprehension of lover's souls
Lost in the innocence of lusting eyes
Things left hidden from the
Enslaved masses who lie
In solemn wait for a taste
Of what it feels like to be free
Uncertainty striking fear into their hearts
As they delve ever deeper
Scouring, searching for what has already found them
Where it has always remained
The children of the wilderness
Hold the forgotten key to eternity
Human nature, this disease of self strife
Has mankind drowning in
An imaginary state of grace
Impure manifestations of
Unknowingly self mutilating prose
The serpent slithers slowly around our being,
Wide eyed and calculated
Innately beasts, unable to quiet ravenous, lustful intentions
We have misplaced our senses
Flowing through the caverns of life blindly
No good intentions remain
Upon finding misconceived treasures
We trade our consciousness for infinitesimal belongings
And blame others for our own failings and insecurities
Unable to forgive ourselves for thieving
Virtues and conscience from future ages
Living in a world, surreal
Where beneath the surface of
Media driven fallacies is saved individuality
Locked and hidden away from the masses
Dreaming fantasies into reality
Embowered by your warm embrace
Seemingly discovered unrivaled pleasure
I hear your heart slowly beating our lives away
For the shed blood of our past lives
Is recycled now, "Alive!," she cried
Awakened in the midst of a dream
Locked somewhere inside myself
My mind scattered in too many worlds to work efficiently
How can I forget why I have made this journey?
Sailing along the sweet breath of angel's choir
No longer shall I fear the unknown
I will no longer be fed the harsh injustices and lies
Of this used up, barren world
Your kiss goes softly
Beyond my lips and into the depths of my soul
Still clutching the vine
Children breast fed insanity through soured milk
Question your own indecision
The disease of latent, lustful desires
Will tear apart your home
Down turned eyes in shame
Declaring war upon the unborn
Who drown in hatred
And the false sense of being loved
Forced to live their lives
Knowing nothing but childhood fantasies
Naivety forces a silent scream for knowledge
Breathe deeply the wonderment of the wilderness
Forcing blind eyes into the morals of mankind
Out of fear of being outcast and exiled
Build your stronghold out of a center of loyalty and honor
Your face inspires silent intrigue
The one true form not ruined,
Not stolen from the enigma of righteousness
By hate and fearful, dastardly instincts
Souls thrashing wildly, chaotic
With no sense of direction
Unfortunately, this kismet cannot be deemed unjust
Deserving to walk hand in hand with death
The curse of falling just short of our desires
Left shaking in the cold, unrelenting world of lust and betrayal
No concept of real and surreal any longer
Shamans have foretold of such disasters
The walls of sanity crumbling before our eyes
Louder beats the heart of your discontent
Finding delight in mankind's incurred demise
Wiping sweat from the brows of beasts
The wandering eye innately searching for new meat
Millions expended in lustful quest
Enticing is the unquenchable thirst of desire
Shall I forever bear your cross of hate?
The last piece of my soul glimmers as it is ravaged by your touch
The last of my affection and love I shall bury
Where no light may shimmer
Guarded with riddles and bewilderment
Never finding a source of betterment
Killing who I once was
In order to erase the pain you cast upon me
The pain that forces grown men to fall upon knees
With black rose, she replied
"I give you my body, but never my heart"
Drowning in a chemical waste of salaciousness
My free will, stolen and hauled away
Pilfering my comprehension of life and love
Whispering sweet deceit unto the minds of our own flesh
Calling upon plastic deities and iconoclastic idols
Forcing weakness into humanity through the misrepresentation of free will
Shivering in the cold seasons of deceit
Watching as forlorn mothers give up unborn children
Their sorrow unites them under heavy skies
Huddled together, alone
Feeling only emptiness and shame
Fear pervading, bounding between broken hearts
Flesh ripped from beating flesh
Doomed to eternal anguish and unrest
Hearts heavy, forced to hold onto such misery
When shall revelation come?
The magnificence of beginning anew
Tired searches through tangled fates
Pretentious beings, undeserving of finding true love
Walking along the periphery of sadness
Unheard, undiscovered point of view
Falsification of our spirituality
Throwing stones at our creator
Yet, punishment still incomprehensible to blinded masochists
Continually directed towards evil by greed
Altruism has become incommunicable
Races ******, faking sorrow for a moment in the spotlight
Consciences left muddied with sin
Sensory perceptions dulled
Forced to sit idly by
While the moon changes the tides of my mind
A single cloud hangs drearily over my sorrows
This demoness from my nightmares
Trickles unknowingly into my reality
No immunity from one's own self demise
Plastic, insincere smiles forecast  
The ambivalent duality of man
We must defend each other from ourselves
Called upon to fight in this never ending battle
False accusations leveling the playing field of life
Flirting with the mystics of forgotten lore
The selfish needs of the human race left behind
Calmly we enter the palace of love
This castle, a fortress built on trust  
A reincarnation of innate, preternatural passion
Don't look upon the horizon for the answers of today
Find knowledge in the sullied, torn pages of history's lament
Waving excitedly, temptation captures our gaze
Awaiting a destiny that will sever supreme consciousness
Uneducated decisions made presiding over the life of another
No being will notice the face of pain in the unborn
Soiled our own goods with haste
Unable to understand the beauty of life
We are all criminals by nature
This wasteland does portend a future of destruction
Promised acquittal of our betrayal by men made of stone
We toss away our dignity in a mask of inebriation
Where does the gray lead the ******?
Psychotropic prescience of our kismet
The smile of the fallen angel looks hauntingly familiar
The permutation of lies through a thin film of comfort
I will be awaiting your arrival
In my final hour of being
Instant gratification has interlocked us with the ******
Fight through the coagulant of chaos and beg for a second chance
The thoughts of unknown genius have reinvented our race
A false sense of virility plagues the minds of the inebriated
My fervent heart beating ever more quickly with your supple touch
My eyes dive and dart away from the injurious visions of jealously
Awaiting my reincarnate reprise of rebirth
Flirtatiously, we whisper tender lies of affection
Her gaze looked deeply towards my inner being
As my emotional barriers fade into oblivion
Her smile holds the secrets of the infinite
Mortal issues seem insignificant as I
Began to brush away hair from her face
A predator tamed by acts of kindness and love
Her soft lips of silk tantalize my senses
I have fallen ill for lack of her touch
This worlds creates untold bewilderment
Of the feeble minds who inhabit it
An aching, lachrymose gaze I wear
Irrevocable damage forced upon the life I could not bear
This piece was created using my own "Words Used" page.  The **bold** words are from the list.  I have set some rules for myself:  I was not allowed to change the order of the words in the list, the words were not allowed to be altered in any way, and each line of the piece required a minimum of one word and a maximum of two words from the list.  Enjoy.
Find them a conscience declared in
an absolute casual
sun, find them a feat
declared by the happy
things
Absolute windows, absolute little lives
Always tell a wall, letter throne
stone desk-life, as it may
That which through
a cautious power dwells, accidental and passing.
Andrew M Bell Feb 2015
Ladies and gentlemen, welcome aboard Afterlife Airlines.
I’m your pilot, Captain Meta Physics.
Please fasten your sleep belts
as we are about to leave the body.
Please direct your attention to your stewardess
while she demonstrates safety procedures.

In the event of a drastic reduction in karma,
a mask will fall down from above you.
Place it on and breathe deeply of pure love.
Should those passengers who are clinically dead
find themselves returned by a surgeon’s skill,
the life raft under your seat will inflate
with a new sense of purpose.

After take off the stewardesses will serve milk and honey.
For your entertainment, the movie is
anything with Shirley Maclaine in it
or there are seven channels of chi
on the chakra-phones being dispensed soon.
For those contemplating joining the Tantric Mile High club,
please be considerate of your fellow passengers.

We’re making good time because
the breath of God is always behind us.
Below us to the right is the Ocean of Ego
and to our left some passengers may glimpse
the chain of islands: Faith, Hope and Charity.

We’ve been advised that it’s a little busy on The Other Side
so we’ve been placed in a holding pattern
on the astral plane.
Passengers are reminded to retrieve all emotional baggage
for security reasons
and please help Customs
by declaring all religious preferences.

Ladies and gentlemen, we’re cleared for landing now.
On behalf of the crew, I hope you enjoyed
your transdimensional flight with Afterlife Airlines
and we hope to see you aboard again soon.
Please fasten your sleep belts,
we’re coming in for reincarnation.
Copyright Andrew M. Bell. The poet would like to acknowledge The Press (Christchurch) who published an edited version of this poem.
AavelinaJaden Apr 2014
Finally together
At last
You close your eyes and wrap your arms around me
You hands explore mine as I'm trying to catch my breathe
You're exhausting the seven seas the way that you caress my bones and declaring I'm yours by decree
I swear ill hear you in my head past death
Breathing on my neck and whispering sweet words in my ear
I'm going to faint, I think as I pull your face up to kiss my lips
I will never ever ever love another, my dear
As we stare into the irises of each other, my whole world tips
I'm so in love
It's been two years and I still get goosebumps
i believe in a thing called love,

in toxic oxytocin tears and

jagged daggers of emotions

that hit hard and quick and deep

leaving lovers dazed and aroused

on kitchen tiles and sticky dance floors.

i do believe in love, i do,

in blood filled love potions

you put so much of yourself into it

that she just has to love you

she has to, she must,

and she does, she does,

ugly crying but ****,

for you, all for you,

please just hold on

she pleads -

mucus filled tears cascading down her face,

*******,

thighs,

pooling on the floor,

making the doctors both cringe with disgust and

simultaneously lean forward with interest

swaying in non-existent breeze -

and you die with your first kiss in your fist

and a piebald smile that splinters her inside forever

but i guess that isn't your fault, right?

i do believe in love, i do, i do,

in unfettered devotions

in ****-that-guy,

the quality relationship improvement show,

because you want to be a lover

but the guy ain't right

so just make him up

and use a real guy as his outside

you love him sanded, smoothed, buffed, painted

with rims and an inexplicable 48 inch lcd screen

you'll officially get hitched but don't cry

divorce is common and either way it doesn't matter

just look pretty and make sure to squint.

i do believe love, i do

i believe in

poisoning yourself for Juliet

rather than taking her pulse

to taking dear John's heart and

jumping on it happily

because you love him sooooo much

but like, the world has conspired against you,

not with guns and bombs and videotape

but with, like, freely made decisions,

peer pressure and jagermeister  

his blood makes pretty patterns on your

milk white thighs and i guess that

he sticks around for the show

oh boy, i believe in love, i do, that

6 and 9 aren't meant to be together

they just fit, that

there's no place for 'pure' in love cos it's all

pain and *** and spit

as for 'star crossed lovers'

the stars are always crossed

else eclipses would be boring and

each lost lover on a course

i do believe in love, i do,

in the sweetheart who lispes

licking earlobes and bottom lip biting

of metal snakes, happy fates

and piscean traits,

exuding high fructose glucose syrup

instead of saliva

so kiss them carefully or you'll

sugar high and sugar low

and sugar crash and burn

with every cosmic turn and

oh, i believe in love, lovers, oh i do, i do,

in the swirls of black and white that

play ying and yang

that kiss and grate and fornicate

forming a pasty grey

declaring that their grey is the

greyest, greatest, gayest grey

i do believe in love, i do,

bridezilla has destroyed new york in the

quest for the perfect dress as

otherwise her,

sorry,

their,

day will be ruined

milan and paris are shaking in their loius vuittons

praying they will be passed over

oh anna wintour,

just one more working day

please let the cake be next on it's list,

deliver us, oh lagerfeld, from

polyester blend shrouds in hideous off white,

amen.

but yeah,

i do believe in love, i do,

in philosophers that never tire

who'll be debating whether

kpattz, robsten, or my name for it,

sorry, them,

pattenwart,

really love each other

or are merely feeding off the media **** storm

to soothe their fragile bodies

and appease their shiny deities.

so yeah, i know what it involves

every ingredient labelled and shelved

sampled and sicked up and

given 5 star reviews on amazon

with words of advice

and i do believe in love.

i do.

oh, i do

so friends,

hold out your bleeding hearts

apply some anti-skeptic

your wounds will heal in 30 days

give or take a century.

— The End —