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"dears" poems
when life is quite through with and leaves say alas, much is to do for the swallow,that closes a flight in the blue; when love’s had his tears out, perhaps shall pass a million years (while a bee dozes on the poppies, the dears; when all’s done and said,and under the grass lies her head by oaks and roses deliberated.)
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When Life Is Quite Through With
Lovely dainty Spanish needle With your yellow flower and white, Dew bedecked and softly sleeping, Do you think of me to-night? Shadowed by the spreading mango, Nodding o'er the rippling stream, Tell me, dear plant of my childhood, Do you of the exile dream? Do you see me by the brook's side Catching crayfish 'neath the stone, As you did the day you whispered: Leave the harmless dears alone? Do you see me in the meadow Coming from the woodland spring With a bamboo on my shoulder And a pail slung from a string? Do you see me all expectant Lying in an orange grove, While the swee-swees sing above me, Waiting for my elf-eyed love? Lovely dainty Spanish needle, Source to me of sweet delight, In your far-off sunny southland Do you dream of me to-night?
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The Spanish Needle
Loving me with my shoes off means loving my long brown legs, sweet dears, as good as spoons; and my feet, those two children let out to play naked. Intricate nubs, my toes. No longer bound. And what's more, see toenails and all ten stages, root by root. All spirited and wild, this little piggy went to market and this little piggy stayed. Long brown legs and long brown toes. Further up, my darling, the woman is calling her secrets, little houses, little tongues that tell you. There is no one else but us in this house on the land spit. The sea wears a bell in its navel. And I'm your barefoot ***** for a whole week. Do you care for salami? No. You'd rather not have a scotch? No. You don't really drink. You do drink me. The gulls **** fish, crying out like three-year-olds. The surf's a narcotic, calling out, I am, I am, I am all night long. Barefoot, I drum up and down your back. In the morning I run from door to door of the cabin playing chase me. Now you grab me by the ankles. Now you work your way up the legs and come to pierce me at my hunger mark
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Barefoot
Here is my version of a paradigm shift, Socratic questions if you get my drift. Why did God make the Universe elliptical? To make an Aussie football, not spherical! Why did God make football? See here, To make men miserable, my dears! Why did God make beer? To make men happy, my dears! So, some intelligent chappies here, Taking beer to the football, no fears, Now they're miserable and happy dears!
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Jun 29, 2015
Jun 29, 2015 at 6:05 AM UTC
PARADIGM SHIFT.
With gentle cheeky smiles and cheery cheers, You endeared yourself to your deary dears, My jealousy rose up like the towering tiers, of classic wedding cake infused with beers, Drunk even more in love without you here, Us becoming strangers made me shed tears, Somehow your babbling is a delight to hear, But you're getting far away, not even near.
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Sep 19, 2015
Sep 19, 2015 at 5:28 AM UTC
A Jealous Stranger
My Estranged Dear Why couldn't we piecemeal the past The pieces that crashed Over dinner and a cup of joe Over the branches that glow Why did the leaves fall from their limbs Before the Autumn hymns Before their time Our days lost in chime Why do two hearts sever alone Confetti tomorrows falling to stone Why my estranged dear do you dread A benevolence served over broken bread A posse of good nature willed In fall of olive branches milled To my estranged dears Collectively over the years I sat in front of the mirror Farther away than nearer Pondering the same sad old song Of where golden went wrong Was it being on the ruler of the river With no catches to deliver Being next to our campfire Small flames freezing your heart's desire Was the heat of the night Dancing in plight Were the words I spoke Just a convoy of smoke Was it sleeping in the restless tent Your pent up passion spent On black bears in others, you see And not in me To my estranged dears My eyes were blind to your fears I admit with regret And knowingly I know my debt Yet I can only wander on the past In hopes that an ember is cast A ruler I was not Though vetted by such for naught Logan Robertson 8/11/2018
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Aug 11, 2018
Aug 11, 2018 at 7:02 PM UTC
To My Estranged Dears
The fairys laugh in their play- letting the sugary pollen flutter onto pale lashes, with their pixie dust drifting into the darkest of ashes. I'm going to lay back down, Amongst the fleeting flowers. For I swore I saw the remedy, Hidden with in your golden heart. Alast, I could have it wrong. Was it not you, who dare to tell me, "be brave". But is it not your spent heart, at her feet as the blackest of ashes. Glittering fairy dust, could not hide the ruins. For evils wicked had already been undone. A curse; a curse, upon your wretch soul. Sweep the cinders in a coffer- Lock them under key, Cover your tracks. Hide the way. I forgive thee: I do, I really do. But please, my love. Leave. For if not, she will find ye-- And it will hurt only me. Hurry forth now, The witch sends her huntsman. The howls, I hear them dancing on the winds. Run. Do not look back. But please, my dearest of dears, forget me. As I have forgiven you-- Now go: A thousands I loves you. Leave me be.
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Sep 26, 2012
Sep 26, 2012 at 8:59 PM UTC
Glittering Fairy Dust.
Foreigners are people somewhere else, Natives are people at home; If the place you’re at Is your habitat, You’re a foreigner, say in Rome. But the scales of Justice balance true, And *** leads into tat, So the man who’s at home When he stays in Rome Is abroad when he’s where you’re at. When we leave the limits of the land in which Our birth certificates sat us, It does not mean Just a change of scene, But also a change of status. The Frenchman with his fetching beard, The Scot with his kilt and sporran, One moment he May a native be, And the next may find him foreign. There’s many a difference quickly found Between the different races, But the only essential Differential Is living different places. Yet such is the pride of prideful man, From Austrians to Australians, That wherever he is, He regards as his, And the natives there, as aliens. Oh, I’ll be friends if you’ll be friends, The foreigner tells the native, And we’ll work together for our common ends Like a preposition and a dative. If our common ends seem mostly mine, Why not, you ignorant foreigner? And the native replies Contrariwise; And hence, my dears, the coroner. So mind your manners when a native, please, And doubly when you visit And between us all A rapport may fall Ecstatically exquisite. One simple thought, if you have it pat, Will eliminate the coroner: You may be a native in your habitat, But to foreigners you’re just a foreigner.
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Goody for Our Side and Your Side Too
It was only a legend, my dears, A normal town, living in fear, There were fat feral urban virgins here, Hell bent on their pleasures, cheers! "Down with boys' daks, get here!" A whole town living in fear, Was it all an urban myth, my dears? Urban virgins strolling the streets, Battleships waiting for boys to meet, Immaculate conception, each miss, Having divine parthogenesis, Yes, real fat funster chicks, It was all about ******** For each little Horatio, Or was it a fantasy of bliss, From an urban ****** miss? Did urban virgins wander away? Normal town, not a normal day, A normal town, living in fear... It was an urban legend, my dears.
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Nov 11, 2015
Nov 11, 2015 at 4:08 AM UTC
URBAN VIRGINS
*Between the night and daylight,      As twilight begins to shower, Comes a lull in the day's preparations,      Cherished as the Kittys' Hour. I hear in the kitchen beside me,      The patter of tiny feet, Rumbles of varying motors      With "meow's" gentle and sweet. Leaping from counter with agile grace      On my shoulder with a purr; Sail grave Thomas and sweet Lady Jane,      And Susan of golden fur. A "meow," and then a long silence,      I know by mischievous eyes, They are scheming and musing together,      To vanquish my weary sighs. With sudden dash from the hallway,      Tortie bounds into my arms! Felines of all colours sit starring,      Delighting me with their charms. Frolicking with skillful ease,      Tossing and batting their catnip-mouse; If I run to escape, they surround me,      They appear to overflow the house. Suffocating me with their kisses,      Furry paws patting my face; And though they have torn the kitchen blinds,      They dazzle me with their grace. I hug you all close in loving arms,      And will n'er let you depart, Nor ****** you dears out to coyotes,      For you each have won my heart. And here shall you dwell forever,      Cherished more each golden day; Till this glad house fall into ruin,      And I in dust shall decay.*                  ~Hilda~
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Oct 31, 2012
Oct 31, 2012 at 3:07 AM UTC
The Kittys' Hour.
The speaker in this case is a middle-aged witch, me- tangled on my two great arms, my face in a book and my mouth wide, ready to tell you a story or two. I have come to remind you, all of you: Alice, Samuel, Kurt, Eleanor, Jane, Brian, Maryel, all of you draw near. Alice, at fifty-six do you remember? Do you remember when you were read to as a child? Samuel, at twenty-two have you forgotten? Forgotten the ten P.M. dreams where the wicked king went up in smoke? Are you comatose? Are you undersea? Attention, my dears, let me present to you this boy. He is sixteen and he wants some answers. He is each of us. I mean you. I mean me. It is not enough to read Hesse and drink clam chowder we must have the answers. The boy has found a gold key and he is looking for what it will open. This boy! Upon finding a string he would look for a harp. Therefore he holds the key tightly. Its secrets whimper like a dog in heat. He turns the key. Presto! It opens this book of odd tales which transform the Brothers Grimm. Transform? As if an enlarged paper clip could be a piece of sculpture. (And it could.)
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The Gold Key
In the jungle of affairs cheaters run the fastest. The wind is left flustered. Dears turn to prey, their tales are now marred by pain. The starved and broken pick away The pieces of the heart that bleeds in vain, breeding dismay. Scarlet footprints on the road to heal again
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Apr 7, 2015
Apr 7, 2015 at 8:52 AM UTC
FAIR AFFAIRS?
Back of my back, they talk of me, Gabble and honk and hiss; Let them batten, and let them be-- Me, I can sing them this: "Better to shiver beneath the stars, Head on a faithless breast, Than peer at the night through rusted bars, And share an irksome rest. "Better to see the dawn come up, Along of a trifling one, Than set a steady man's cloth and cup And pray the day be done. "Better be left by twenty dears Than lie in a loveless bed; Better a loaf that's wet with tears Than cold, unsalted bread." Back of my back, they wag their chins, Whinny and bleat and sigh; But better a heart a-bloom with sins Than hearts gone yellow and dry!
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The Whistling Girl
"I'd like to be a fly on the wall," you say. Would you? Would you really like to be privy to all that drama and intrigue, without ever being noticed? Sounds nice, I suppose. But I'll let you in on a little secret- That, my dears, is false advertising. Truth is, people always notice flies They just choose to ignore them And lower their voices when you buzz by on sugar-spun wings of self-confidence- Maybe it's just all in your head Maybe you've misinterpreted things-behind kaleidoscope eyes It always looks like there are more of them than you. So you gain confidence You hover on the fringes of their circle And drone out a low hum of 'what've you been up to today?' Or 'how're you?' Or 'long day, huh?' The response is offhand A verbal flick of the wrist Batting the ball back into your conversational court Because coming at you with a fly swatter Or a rolled up Cosmo magazine Takes more effort than they're willing to give. You buzz about some more Hoping maybe the silence will entice them to engage But no, They can't hear your buzzing Or they won't. So instead you stand Fly on the wall Content with watching the light catch your wings Repeatedly wringing your hands near your face In a way they probably think is malevolent I promise I'm not plotting- I'm just juggling the weight of my loneliness Maybe if I shift it from one palm to another Somehow I will lighten the load. Take comfort in this, little fly- The sun makes your wings iridescent And even though they'll never get close enough to see that, you can. It's not a trick of the light Your fractal eyes do not deceive you- They are duplicate.
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Oct 30, 2017
Oct 30, 2017 at 12:53 PM UTC
Fly on the Wall
"I'd like to be a fly on the wall," you say. Would you? Would you really like to be privy to all that drama and intrigue, without ever being noticed? Sounds nice, I suppose. But I'll let you in on a little secret- That, my dears, is false advertising. Truth is, people always notice flies They just choose to ignore them And lower their voices when you buzz by on sugar-spun wings of self-confidence- Maybe it's just all in your head Maybe you've misinterpreted things-behind kaleidoscope eyes It always looks like there are more of them than you. So you gain confidence You hover on the fringes of their circle And drone out a low hum of 'what've you been up to today?' Or 'how're you?' Or 'long day, huh?' The response is offhand A verbal flick of the wrist Batting the ball back into your conversational court Because coming at you with a fly swatter Or a rolled up Cosmo magazine Takes more effort than they're willing to give. You buzz about some more Hoping maybe the silence will entice them to engage But no, They can't hear your buzzing Or they won't. So instead you stand Fly on the wall Content with watching the light catch your wings Repeatedly wringing your hands near your face In a way they probably think is malevolent I promise I'm not plotting- I'm just juggling the weight of my loneliness Maybe if I shift it from one palm to another Somehow I will lighten the load. Take comfort in this, little fly- The sun makes your wings iridescent And even though they'll never get close enough to see that, you can. It's not a trick of the light Your fractal eyes do not deceive you- They are duplicate.
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Soft shapes touch a child's finger, Memories of their sweetness linger-- Helping grandma roll the dough In her kitchen long ago. I like the shape your cookies take When they spread out as they bake, Like the changing shapes of crowds, Melting snow or summer clouds. Oven-hot and placed on racks, Lined up , lying on their backs, Coming from a single batch, But none of them a perfect match. Toll house cookies, soft, convex, Each perfection, like the next: Chocolate chips their surface grace-- Freckles on a child's face. Pecan ball aren't perfect spheres, But they're gentle little dears: Bottoms flat, sides dented slightly, With white sugar sprinkled lightly. Sugar cookies cold days cheer, Shaped like angles and reindeer Glazed with frosting sweet and white, Decked with sprinkles all delight.   Santa's Whiskers, coconut rolled, Long fat logs of sugared dough, Cut in portions smooth and round, Pecan bits, cherries abound.   Molasses crinkles' faces lined Like old men's--the friendly kind-- With lines like back roads on a map, Dunked in milk before a nap. Oatmeal cookies, shapes amorphous Juicy raisins budge enormous, Semi-blobs, their texture rough, Sometimes packed with nuts and stuff. So many cookies through our life, Since we became husband and wife, In their sweet aroma and taste Years rushed by like cars in a race. Looking at their shapes diverse Reminds me of our love at first: We weren't sure just where we'd go And all we had was cookie dough.
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Dec 17, 2017
Dec 17, 2017 at 11:05 AM UTC
Cookies
Deeming that I were better dead, "How shall I **** myself?" I said. Thus mooning by the river Seine I sought extinction without pain, When on a bridge I saw a flash Of lingerie and heard a splash . . . So as I am a swimmer stout I plunged and pulled the poor wretch out. The female that I saved? Ah yes, To yield the Morgue of one corpse the less, Apart from all heroic action, Gave me a moral satisfaction. was she an old and withered hag, Too tired of life to long to lag? Ah no, she was so young and fair I fell in love with her right there. And when she took me to her attic Her gratitude was most emphatic. A sweet and simple girl she proved, Distraught because the man she loved In battle his life-blood had shed . . . So I, too, told her of my dead, The girl who in a garret grey Had coughed and coughed her life away. Thus as we sought our griefs to smother, With kisses we consoled each other . . . And there's the ending of my story; It wasn't grim, it wasn't gory. For comforted were hearts forlorn, And from black sorrow joy was born: So may our dead dears be forgiving, And bless the rapture of the living.
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3.4k
A Song Of Suicide
I've lost the Christmas Spirit It's nowhere to be seen I don't want a White Christmas This year it can stay green I've lost all thoughts of putting up A tree and Christmas lights I don't want to hear another song About a Christmas night I've tried to get the spirit Reading cards from years gone by I just can't get in the feeling And I know the reason why Santa can stay home this trip He can pass my house this year I just can't get in the spirit Not a chance of that my dears You see, as the new year dawns upon us I will be unemployed and out of work So, you see, the Christmas spirtit is behind a feeling I can't shirk The spirit should be in me But, this year it isn't here I think I'll give up looking There's no hope for me, I fear I'm not worried about the presents But, the feeling's not in me I can't find it in the music I can't find it in a tree I think if Christmas Spirits Came to work their magic act I'd just pay them for their hours And I think I'd send them back Don't waste your time on me boys My Christmas spirit up and left Of goodwill toward others I feel I am bereft I would hope next year to find it But, this year it's not in me To wish a Merry Christmas Maybe next year...we'll just see.
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Nov 25, 2012
Nov 25, 2012 at 2:04 PM UTC
I've lost the Christmas Spirit
* * One can never see nor hold the same the same flake twice, but that cannot be said for the Queen whose skin is as white as a star and just as cold. A plum blossom who thrives off the winters and blizzards. Her silver locks tousled in her wind, her eyes were icebergs of the deepest blue and yet they burn with kindness Her thin lips form a smile when a flake falls in her palm, her open hand becomes a fist. But then unfurls like a flower in spring to reveal a plum blossom petal that glides away to the song of zephyrs. Winters may be cold but it brings warmth - lovers grow close, families bond children laugh Memories form... The Fae swirl leaving trails of shimmering blue as she looks to the distance. Her white robe billows, so cloud-soft. 'The Summer's sun has become Winter's,' she closes her eyes and exhales. 'I feel your warmth and pride, Sister Summer.' 'My dears?' the Fae flutter by her head in waiting. 'Be sure to have apricity embrace them all. In hour of the Summer's Queen.' * *
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Sep 5, 2018
Sep 5, 2018 at 3:24 PM UTC
Winter's Queen
The Jester came to see the King one day , “these fools are no good they are full of dancing’. Then the following day a joker came up to the king , “; these fools are no good for they are full of laughing . And we are no good for we sit and moan for the crown we stole has been a stolen . The ring we borrowed , the knowledge we shared , the love we cherished , Is as loose as a hang mans noose . The jester stands on our walls we built , just to tell us we are fools . The joker on our bed laughs tingles his bells as we lay asleeping . The minstrels have all but left to go a Caroling , the love we cherished lies as empty as the grains of wheat to sodden to eat , to sodden to sell . Christ’s love hangs in art ripped flesh a truth of love lost lies in rock umugst our sands . We head off to the streets with laughter one foot to the right , the other to the left , the joker stands in the middle . One foot to the left , then to the right and we all sing lasciviously , as the plagues acoming , and we go asinging , for its. acarolling time , and it dos’nt lead to heaven . For now the wine tastes sweet , and the barrels are dry ,, our heads are kinda dizzy , We ***** and puke , then **** and poo as we hung draw and quarter our souls as O the boils will rise by the morning. The joker jokes , the jester sings , and we held hands , round and round and round we went and it did not lead to heaven. #Gals. Come home my dears come home my loves , for we will cook you pottage in the morning and they didn’t end in heaven. Men reply and we’ll all be dead by the mor ..ning # And the boils arrived in the morning and they didn’t. lead to heaven.
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Jun 4, 2019
Jun 4, 2019 at 4:38 AM UTC
Jester and the Joker
The Jester came to see the King one day , “these fools are no good they are full of dancing’. Then the following day a joker came up to the king , “; these fools are no good for they are full of laughing . And we are no good for we sit and moan for the crown we stole has been a stolen . The ring we borrowed , the knowledge we shared , the love we cherished , Is as loose as a hang mans noose . The jester stands on our walls we built , just to tell us we are fools . The joker on our bed laughs tingles his bells as we lay asleeping . The minstrels have all but left to go a Caroling , the love we cherished lies as empty as the grains of wheat to sodden to eat , to sodden to sell . Christ’s love hangs in art ripped flesh a truth of love lost lies in rock umugst our sands . We head off to the streets with laughter one foot to the right , the other to the left , the joker stands in the middle . One foot to the left , then to the right and we all sing lasciviously , as the plagues acoming , and we go asinging , for its. acarolling time , and it dos’nt lead to heaven . For now the wine tastes sweet , and the barrels are dry ,, our heads are kinda dizzy , We ***** and puke , then **** and poo as we hung draw and quarter our souls as O the boils will rise by the morning. The joker jokes , the jester sings , and we held hands , round and round and round we went and it did not lead to heaven. #Gals. Come home my dears come home my loves , for we will cook you pottage in the morning and they didn’t end in heaven. Men reply and we’ll all be dead by the mor ..ning # And the boils arrived in the morning and they didn’t. lead to heaven.
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the middle commonplace      poor dears weak of voice           making minimum wage for all the       billionaire investors making up Wall street           holding in servitude    the poor dude trying to pay his          child support with no health care     when he gave his sanity in Iraq. or the single mother          sharing with the desolate faces the disgrace of      going to the food bank:            the land of the free home of the brave            has turned into the home of the rich: oligarchy entrenches,           that is why i gave up     a long time ago. I looked back, once there was a middle class.
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Feb 21, 2015
Feb 21, 2015 at 1:32 AM UTC
Home of the Brave
Sometimes you see her admiring herself In the mirror that's hanging next to the shelf. And when she does it, oh, how she shines! Is that, dear cat, how you practice your lines? She seems not to care if we pay attention, But maybe right here I ought to make mention That being an actress, she's disinclined To always reveal what's going on in her mind. And she'll never, never tell you her age-- Aphrodite, the cat of the stage. She says, "You know…I'm not one to cuss, But when I am hungry, I WILL make a fuss." Yes, she can certainly put on a scene And act as though she's an importunate queen. She says, "My dears, if I'm weak or mild, I'll never drive the audience wild." That critical scene is repeated each night-- A regular tour de force all right. Yes, it's best to try to assuage Aphrodite, the cat of the stage. Her eyes were surely her greatest feature; She THUS scoured the town for a drama teacher, "Who," she says dolefully, "told me one night he Could make me a star. ME: Aphrodite!" But as it turned out, ol' Mr. Mittens Made her instead a mom of eight kittens. "But," she says, "THAT'S between you and me. You know how I like my privacy." It's good to always be on the same page With Aphrodite, the cat of the stage. One thing you learn is for her it's the norm To act a bit slighted when asked to perform. She must be totally in the mood Or else she behaves in a manner subdued. And heaven help you if you are neglectful Of if her audience is disrespectful. She'll exit the room like a "cat" out of hell, And you may not see her for quite a long spell. You never want to see her rage-- Aphrodite, the cat of the stage. She sighs and says, "It's such a shame that Few playwrights write good roles for a cat. My friends say--when they see me upset-- 'Commercials might be a better bet.' My talents, however, as you might have guessed, Best fit the stage. But now I must rest." With that she lifted her nose in the air And strutted out of the room with great flair. It's always nice: advice from a sage Like Aphrodite, the cat of the stage. -by Bob B (1-24-20)
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Jan 25, 2020
Jan 25, 2020 at 8:44 AM UTC
Aphrodite, the Cat of the Stage
Sometimes you see her admiring herself In the mirror that's hanging next to the shelf. And when she does it, oh, how she shines! Is that, dear cat, how you practice your lines? She seems not to care if we pay attention, But maybe right here I ought to make mention That being an actress, she's disinclined To always reveal what's going on in her mind. And she'll never, never tell you her age-- Aphrodite, the cat of the stage. She says, "You know…I'm not one to cuss, But when I am hungry, I WILL make a fuss." Yes, she can certainly put on a scene And act as though she's an importunate queen. She says, "My dears, if I'm weak or mild, I'll never drive the audience wild." That critical scene is repeated each night-- A regular tour de force all right. Yes, it's best to try to assuage Aphrodite, the cat of the stage. Her eyes were surely her greatest feature; She THUS scoured the town for a drama teacher, "Who," she says dolefully, "told me one night he Could make me a star. ME: Aphrodite!" But as it turned out, ol' Mr. Mittens Made her instead a mom of eight kittens. "But," she says, "THAT'S between you and me. You know how I like my privacy." It's good to always be on the same page With Aphrodite, the cat of the stage. One thing you learn is for her it's the norm To act a bit slighted when asked to perform. She must be totally in the mood Or else she behaves in a manner subdued. And heaven help you if you are neglectful Of if her audience is disrespectful. She'll exit the room like a "cat" out of hell, And you may not see her for quite a long spell. You never want to see her rage-- Aphrodite, the cat of the stage. She sighs and says, "It's such a shame that Few playwrights write good roles for a cat. My friends say--when they see me upset-- 'Commercials might be a better bet.' My talents, however, as you might have guessed, Best fit the stage. But now I must rest." With that she lifted her nose in the air And strutted out of the room with great flair. It's always nice: advice from a sage Like Aphrodite, the cat of the stage. -by Bob B (1-24-20)
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51
This is rude. I should stop using misnomers for my own devices, but I cannot help myself. So insomnia it shall be called, when I cannot find the words to sleep or the fervor to close my eyes. That sounded all wrong on my lips, but my head could care less at this point. The cool touch of my glasses on my nose wake me further. Way to go Grace, you're even more awake now. Like you ever needed it. There's a jitterbug in my leg, sending me so sky-high. Should I go to bed or continue pondering existence and words and dreams until my tongue goes numb from rolling all these R's: Rest, redeem, re-purpose, redo, remember. Always remember. Its hard to forget. Days past and the insomnia persists. I have slept, perhaps, in that time, but yet I have not dreamed, and that is where my insomnia lies. Which lies do I mean, that is the real question, duality always tricks the eye. Let's get these hearts beating faster, faster, to the beat of the music, while they touch each other's fingertips and kiss each other's lips and meet hips in a vain attempt to have it mean something more. The words have left me, and I do not know where to end. So i propose another unbirthday be the day of reckoning, and maybe another poem, another day, my make more sense to me. Adieu my dears, and hope to pray to live just another day, for life is the most beautiful tragedy we can ever love.
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Oct 3, 2014
Oct 3, 2014 at 10:03 AM UTC
Insomnia pt. 2
The reason there aren't so many vampyres around these days is they don't like TV hype and the intrusions of TV news crews. It transpires that vampyres prefer late hours and like low light levels because they're egregarious and don't like to be seen inebrious in the middle of their heinous, intravenous revels. Also, unfavorable reviews about transfusions and the confusion caused by AIDS, at this juncture, has definitely reduced the appeal of being seduced by some crazed and gurgling Transylvanian bloodsucker lusting to puncture the jugular, or any other available vein again, especially when you don't know if they've disinfected their fangs or only licked them after draining their last victim. After all, vampyres were brought up in castles when there weren't antiseptics for gargles and they haven't been taught prophylactic criteria against such apocalyptic viral bacteria. And if you've ever seen vampyres with condoms on their teeth, you'll know what I mean.   It's a scream. Everyone finds them hilarious. It'd be easier to die laughing than to go down with anemia. Also, like everyone else, vampyres hate ridicule. No-one likes being seen as the fool.    And the other reason vampyres are scarce now is that there are so many genuine muggers, hoods, crims, druggies, financial leeches, homicidal maniacs, psychopathic liars and genocidal tendencies to conjure up real fears out there, that there's not much room left for quaint old-fashioned vampyres, poor dears.   But do you know something? Even though they were naughty, I miss their occasional **** I know it was gory, but those kisses, oh boy. We got into the femoral artery inside the thigh. It was ***** But when AIDs came along, that was it.  Definitely bye-bye. Nobody wanted to die.   These are the facts.   So these vampyres were starving and they reverted to bats.   Did a midnight flit, and that's the end of my story.
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Oct 31, 2012
Oct 31, 2012 at 6:01 PM UTC
Goodbye to Vampyres
The reason there aren't so many vampyres around these days is they don't like TV hype and the intrusions of TV news crews. It transpires that vampyres prefer late hours and like low light levels because they're egregarious and don't like to be seen inebrious in the middle of their heinous, intravenous revels. Also, unfavorable reviews about transfusions and the confusion caused by AIDS, at this juncture, has definitely reduced the appeal of being seduced by some crazed and gurgling Transylvanian bloodsucker lusting to puncture the jugular, or any other available vein again, especially when you don't know if they've disinfected their fangs or only licked them after draining their last victim. After all, vampyres were brought up in castles when there weren't antiseptics for gargles and they haven't been taught prophylactic criteria against such apocalyptic viral bacteria. And if you've ever seen vampyres with condoms on their teeth, you'll know what I mean.   It's a scream. Everyone finds them hilarious. It'd be easier to die laughing than to go down with anemia. Also, like everyone else, vampyres hate ridicule. No-one likes being seen as the fool.    And the other reason vampyres are scarce now is that there are so many genuine muggers, hoods, crims, druggies, financial leeches, homicidal maniacs, psychopathic liars and genocidal tendencies to conjure up real fears out there, that there's not much room left for quaint old-fashioned vampyres, poor dears.   But do you know something? Even though they were naughty, I miss their occasional **** I know it was gory, but those kisses, oh boy. We got into the femoral artery inside the thigh. It was ***** But when AIDs came along, that was it.  Definitely bye-bye. Nobody wanted to die.   These are the facts.   So these vampyres were starving and they reverted to bats.   Did a midnight flit, and that's the end of my story.
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Green grow the rashes, O! Green grow the rashes, O! The sweetest hours that e’er I spend, Are spent amang the lasses, O! There’s nought but care on every han’ In every hour that passes, O; What signifies the life o’ man, An ’twere na for the lasses, O? The warl’ly race may riches chase, An’ riches still may fly them, O; An’ though at last they catch them fast, Their hearts can ne’er enjoy them, O. But gi’e me a canny hour at e’en, My arms about my dearie, O, An’ warl’ly cares an’ warl’ly men May a’ *** tapsalteerie, O! For you sae douce, ye sneer at this, Ye’re nought but senseless ***** O; The wisest man the warl’ e’er saw, He dearly loved the lasses, O. Auld Nature swears the lovely dears Her noblest work she classes, O; Her ‘prentice han’ she tried on man, An’ then she made the lasses, O.
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Green Grow The Rashes