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judy smith Sep 2015
Cheap fancy dress costumes are to be subject to spot checks by trading standards inspectors, to avoid a repeat of the fire that seriously injured the daughter of the television presenter Claudia Winkleman.

Ministers have ordered the nationwide crackdown as thousands more children’s outfits and accessories, some of which are aimed at babies and toddlers, go on sale online and in supermarkets in the runup to Halloween.

The costumes, ranging from witches’ outfits to skeleton onesies, selling as cheaply as £6 each, will be subjected to flammability tests to assess whether they are compliant with safety standards.

The crackdown follows Winkleman’s warning about fancy dress costumes when her daughter suffered serious burns as her outfit, bought from a supermarket, caught fire. Winkleman questioned why the outfits were treated as toys rather than clothing when it came to safety tests.

The business secretary, Sajid Javid, said: “My immediate concern as a father and a minister is that children wearing these fancy dress costumes are safe. It is unacceptable for any costumes to be sold that do not comply with safety standards. That’s why I’ve granted funding to trading standards to carry out spot checks as part of a nationwide investigation. Parents should feel confident that any fancy dress they buy meets required standards.”

His department said it was working with the British Standards Institute to assess whether the applicable European safety controls needed to be more tough. Trading standards is to report back to the business secretary with their findings later in the autumn.

Sales of fancy dress costumes for children have soared in recent years, prompted by cheap imports being available and children increasingly wanting to dress as their favourite characters from blockbuster films. Halloween outfits have become more popular in the UKowing to the influence of American films and sitcoms. Supermarkets report that 31 October accounts for significantly more consumer spending than Bonfire night.

The dangers of the outfits were exposed in November last year when Winkleman’s eight-year-old daughter, Matilda, suffered serious burns when her witch costume caught alight. The outfit – a hat, cape, striped tights and flowing skirt – bought at a supermarket, was ignited by a flame.

Winkleman, host of the BBC show Strictly Come Dancing, said on Thursday: “We’re extremely happy the government are taking action on this and we’re so grateful to the supermarkets who are selling safer costumes.”

Some retailers have agreed to go further than minimum standards, after a recent investigation launched by Winkleman with the BBC1 series Watchdog. Tesco, Aldi, Asda, Morrisons, and Sainsbury’s, all responded to the investigation by stating that their fancy dress outfits for children would meet the equivalent of the higher fire safety standards required for youngsters’ nightwear.

A spokesman for Sainsbury’s said: “We have looked at every detail of our children’s dress-up range in creating our new standard and believe that it will be industry leading. This has not been a simple task, but the safety of children is our number one priority and introducing more rigorous safety standards for our children’s dress-up is the right thing to do.

“All clothing carries some fire risk, but we hope that introducing our own rigorous testing standards that test clothes as clothes rather than as toys will be the first step towards safer testing across the industry.”

read more:www.marieaustralia.com/formal-dresses-perth

www.marieaustralia.com/formal-dresses-sydney
Liam hopson Sep 2018
Costumes of different breeds populate the EARTH
Costumes of different breeds have controlled us since BIRTH
Costumes of different breeds
Decide OUR Worth
Costumes of different breeds must work together
To bring peace here on
GODS EARTH.
Danny Valdez Jan 2012
He woke up
next to the empty spot
where Wonder Woman had been.
He puked in the toilet
slammed down a forty-ounce Miller High Life
and started putting the suit on.
boots
the gray and black tights
the gloves
the yellow utility belt
and the cape.
It was leather.
He put the cowl
under his arm and left his apartment.
It was a late start
nearly noon
by the time
the bus got him to
Mann's Chinese Theater.
He saw a lot of his
friends and colleges
as the bus went down to his stop.
It was a regular day
all the characters were
in their usual little groups.
Spider-Man & Captain America
two Mormon boys that had been
excommunicated from the church
they got caught **** *******
each other
now they were stuck in Hollywood
like everyone else.
The X-Men
or H-Men as most people called them
were a group of junkies.
One of them had a cousin at Fox
and they got four replica X-Men costumes.
So that's how they scored
their junk everyday
garnered pretty good tips from the tourists.
Cyclops, Jean-Grey, Storm, and Wolverine.
It was a good grift. **** good idea.
Then you had the impersonators
plastic surgery freaks
obsessed with Michael Jackson
creepy bald men dressed as Dr. Evil
and there was always
a lazy fat guy
that would do Elvis.
Not know any of the songs
and saying the catch phrases all wrong,
"Well, thank you Ma'am....thank you so much."
Those guys never lasted too long.
The cutesy cartoon characters
were almost always
pedophiles or ******* ladies.
The horror people were hands down
the most bat-**** insane of the lot.
They got into the most fights
they terrorized the kids
and they talked a lot of ****.
Would bate guys into fights.
Michael Myers would always start ****
with guys that had beautiful women with them.
It was ****** up.
The LAPD took away Freddy Kruger last month
for beating up a guy
right in front of his kids.
There was talk from the cops
about shutting down their whole thing down.
Making it illegal to dress up in costumes
and get tips.
'Panhandling' as the office had said.
But
Batman hung out with
Superman & Wonder Woman
while doing his thing.
The night before
Wonder Woman and him
had been drinking, smoking, and
they ****** once
before she asked him
what she needed to.
"We got two new guys starting tomorrow."
"What?"
"Yeah. They came up to me on the street today,
wanted to know if they could hang with us."
"Wha? What? Well...do they have costumes?"
"Yeah." She said, exhaling smoke, wrapped in the sheet on the bed.
"These guys got a Green Lantern and a Robin costume. Really good quality,
they showed me pictures. Hey, you finally got a Robin now! Isn't that great?"
"****...I don't know Diana...I was kinda liking our little *******.
"Oh come on, Bruce. It'll be good." She said, wrapping her arms around him
as he sat on the edge of the book, looking out the window.
"We can finally get the big, group tips. Like what the H-Men got going."
"Alright. That's fine."
And the next day
there they were,
Green Lantern & Robin.
Wonderful costumes, like she said
their hair color and overall appearance
spot on.
"Hey there!"
"Hello. Robin. Green Lantern."
Their gloved hands all shook.
They got acquainted and he couldnt help but like them.
Nice guys, musicians, Rockabilly guys, from Venice.
They went out into
the crowd of people
Superman's voice booming over the crowd
telling everyone that they're safe from
evil and wrong doers, blah, blah, blah,
the usual ******* that Superman always said.
Batman yelled to Robin over the enclosing crowd.
They were now fully entrenched by people
fat & sweaty
Batman's panic attack took over.
"COME ON!" He shouted over the rising crowd noise.
The dynamic duo
shoved & pushed
parting the sea of fat tourists
and breaking out onto the sidewalk.
"What's up, Batman?" Robin asked
looking up to him.
The size difference was just like in the comics
Robin was a little guy.
"I just needed to get outta there. Let's go take a lap
down Hollywood Boulevard...see what kinda cash we can grab."
"Okay, Batman."
They walked
up and down
the walk of fame
posing for a few pictures
making some kids day
with wide-eyed excitement
that will be with them forever.
They made forty bucks too.
"Alright, that's good for now. Let's grab a beer, Robin."
It was a small dive
on Hollywood Boulevard
they were two beers in
and Robin was learning a lot
about how Hollywood really was.
Some real talk from Batman to Robin.
"Yup. I moved out here in 1997. I saw that movie 'Swingers' and I thought...
I could do that, that could be my life, I want that."
"And what happened Bats?"
"Well...I came out here, went to film school, did everything I was told, and...
I still got ******." He said, taking a long pull from the bottle.
"Well what happened exactly?"
Robin's green glove, gripping the brown bottle
tilting it back, bubbles rising
"Well...ya see...when I was in film school, the instructors all told us...you either do your internship here in Hollywood or go to New York. Anywhere else and you won't be able to make it. That's what they said."
"Yeah?"
"Yeah. So I did my internship here in Hollywood and it was for nothing. The whole two years that I was at Faramount, I was never allowed to even touch any film equipment. Well, just to dust it off and clean it. But they didn't even try to teach me anything there. I just did food runs at lunch, got them their Starbucks in the morning, and took out the trash. Swept the parking lot, cleaned the toilets, I was a ******* janitor at that place. And you know what happened next?"
"Huh?"
"One day they just fired me. Just like that. After two years of being their ***** boy. So now I have $50,000 in student loans that I can't pay back, and a degree that got me nowhere."
"****." Robin said, finishing his beer.
"Yeah. So what do you do?"
"I'm in school for audio engineering."
"Ah...the music business eh?"
"Yeah, Batman."
"Hmm."
Batman grew silent then, just finishing his beer, and staring into the mirrored wall.
He wanted to say,
"I have 117 scripts sitting in a stack next to my t.v. That's eight screenplays a year. Robin, I've been at this for fourteen years and it doesn't get any better. I never stop trying and I keep at it, year after year. But I'm done. Get out while you
still can Robin. This city will eat you, **** you, **** you. If you still have a home, I suggest you go back to it."
Batman sat there, his beer finished, still staring straight ahead.
Robin pulled out a ten dollar bill, smiling, calling for the bartender
with that sparkle in his eye
of youth and hope.
He didn't want to say all that ****
crush that gleam in Robin's eye
like he once had.
Those were the best days
the great days
the glory days
to be young, handsome, poor, and hopeful
that you could make it
that it could happen.
So Batman didn't say another word about it.
Nope.
There were things
Robin would have to learn all on his own.
cbczcm Aug 2015
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I.

One night at the Troubadour I spotted this extraordinary girl.

So I asked who she was.

‘A professional,’

That was my introduction that on a scale of one to ten

there were women who were fifteens—beautiful, bright, witty, and

oh, by the way, they worked.

Once I became aware,

I saw these women everywhere.

And I came to learn that most of them were connected to Alex



II.

She had a printer engrave a calling card

that featured a bird of paradise

borrowed from a Tiffany silver pattern

and,
under it,

Alex’s Aviary,

Beautiful and Exotic birds.



A few were women you’d see lunching at Le Dôme:

pampered arm pieces with expensive tastes

and a hint of a delicious but remote sexuality.

Many more were fresh-faced, athletic, tanned, freckled

the quintessential California girl

That you’d take for sorority queens or future BMW owners.





III.

The mechanism of Alex’s sudden notoriety is byzantine,

as these things always are.

One of her girls took up with a rotter,

the couple had a fight,

he went to the police,

the police had an undercover detective visit

(who just happened to be an attractive woman)

and ask to work for her,

she all but embraced her

—and by April of 1988 the district attorney had enough evidence

to charge her with two counts of pandering

and one of pimping.

For Alex, who is fifty-six

and has a heart condition and diabetes,

the stakes may be high.

A conviction carries the guarantee of incarceration.

For the forces of law and order,

the stakes may be higher.

Alex has let it be known that she will subpoena

every cop she’s ever met to testify at her trial.

And the revelations this might produce

—perhaps that Alex compromised policemen

by making girls available to them,

—perhaps that Alex had a deal with the police to provide information

in exchange for their blind eye to her activities

—could be hugely embarrassing to the police and the district attorney.

For Alex’s socially correct clients and friends,

for the socially correct wives of her clients and friends

and for a handful of movie and television executives

who have no idea they are dating or

married to former Alex girls,

the stakes are highest of all.



IV.

Alex’s black book is said to be a catalogue of
Le Tout Los Angeles.

In her head are the ****** secrets

of many of the city’s most important men,

to say nothing of visiting businessmen and Arab princes.

If she decides to warble,

either at her trial or in a book,

her song will shatter more than glass.





V.

A decade ago, I went to lunch at Ma Maison,

There were supposed to have been ten people there,

but only four came.

One of them was a short woman

who called me a few days later and invited me to lunch.

When I arrived, the table was set for two.

I didn’t know who Alex was or what she did,

but she knew the important facts of my situation:

I was getting divorced from a very wealthy man

and doing the legal work myself

to avail lawyers who wanted to get a big settlement for me.


Occasionally, she said, I get a call for a tall, dark-haired,

slender, flat-chested woman

—and I don’t have any.

It wouldn’t be a frequent thing.

There’d be weekends away, sometimes in Palm Springs,

sometimes in Europe.

The men will be elegant,

you’ll have your own room

—there would be no outward signs of impropriety.

And you’d get $10,000 to $20,000 for a weekend.





VI.

The tall, slender, flat-chested brunette

didn’t think it was right for her.

Alex handed her a business card

and suggested that she think about it.

To her surprise, she did

—for an entire week.

This was 1978, and $20,000 then

was like $40,000 now,

I knew it was hooking,

but Alex had never mentioned ***.



Our whole conversation seemed to be about something else.



VII.

I was born in Manila

to a Spanish-Filipina mother and German father,

and when I was twelve

a Japanese soldier came into our house

with his bayonet pointed at us,

ready to do us in.

He locked us in and set the house on fire.

I haven’t been scared by much since that.



My mother always struck me as goofy,

so I jumped on a bus and ran away,

I got off in Oakland,

saw a help-wanted sign on a parish house,

and went in.

I got $200 a month for taking care of four priests.

I spent all the money on pastries for the parish house.

But I didn’t care.

It felt safe.

And the priests sparked my interest in the domestic arts

—in linen, in crystal.



A new priest arrived.

He was unpleasant,

so on a vacation in Los Angeles I took a pedestrian job,

still a teenager,

married a scientist.

We separated eight years later,

he took our two sons to another state

threatened to keep them if I didn’t agree to a divorce.

Keep them I said and hung up.

It’s not that I don’t have a maternal instinct

—though I don’t,

I just hate to be manipulated.



My second husband,

an alcoholic,

had Frank Sinatra blue eyes, and possibly

—I never knew for sure—

had a big career in the underworld

as a contract killer.

Years before we got serious,

he was going out with a famous L.A. ******,

She and her friends were so elegant

that I started spending time with them in beauty salons.

They were so fancy,

so smart

—and they knew incredible people,

like the millionaire who sat in his suite all day

just writing $5,000 checks to girls.



VIII.

I was a florist.

We got to talking.

She was a madam from England

who wanted to sell her book and go home.

I bought it for $5,000.

My husband thought it was cute.

Now you’re getting your feet wet.

Three months later,

he died.

After eleven years of marriage,

just like that.

And of the names in the book

it turned out

that half of the men were also dead.

When I began the men were old and the women were ugly.



IX.

It was like a lunch party you or I would give,

Great food Alex had cooked herself.

Major giggles with old pals.

And then,

instead of chocolate After Eight,

she served three women After Three



This man has seen a bit of life

beyond Los Angeles,

so I asked him how Alex’s stable

compared with that of Madam Claude,

the legendary Parisian procuress.

Oh, these aren’t at all like Claude’s girls,

A Claude girl was perfectly dressed and multilingual

—you could take her to the opera

and she’d understand it.





He told me that when she was 40

she looked at herself in the mirror

and said

Disgusting.

People over 40

should not have ***.

But She Was Clear That She Never Liked It

even when she was young.

Besides, she saw all the street business

go to the tall,

beautiful girls.

She thought that she never had a chance

competing against them.

Instead,

she would take their money by managing them.





X.

Going to a ****** was not looked down upon then.

It was before the pill;

Girls weren’t giving it away.

Claude specialized in

failed models and actresses,

ones who just missed the cut.

But just because they failed

in those impossible professions

didn’t mean they weren’t beautiful,

fabulous.



Like Avis

in those days,

those girls tried harder.

Her place was off the Champs,

just above a branch of the Rothschild bank, where I had an account.

Once I met her,

I was constantly making withdrawals and heading upstairs.





XI.

We took the lift

and Claude greeted us at the door.

My impression was that of the director

of an haute couture house,

very subdued,

beige and gray, very little makeup.

She took us into a lounge and made us drinks,

Whiskey,

Cognac.

There was no maid.

We made small talk for 15 minutes.

How was the weekend?

What’s the weather like in Deauville?

Then she made the segue. ‘I understand you’d like to see some jeunes filles?’

She always used ‘jeunes filles.’

This was Claude’s polite way of saying 18 to 25.

She left and soon returned

with two very tall

jeunes filles,

One was blonde.

This is Eva from Austria.

She’s here studying painting.

And a brunette,

very different,

but also very fine.

This is Claudia from Germany.

She’s a dancer.

She took the girls back into the apartment and returned by herself.

I gave my English guest first choice.

He picked the blonde.

And wasn’t disappointed.

Each bedroom had its own bidet.

There was some nice

polite conversation, and then



It was slightly formal,

but it was high-quality.

He paid Claude

200 francs,

not to the girls

In 1965, 200 francs was about $40.

Pretty girls on Rue Saint-Denis

could be had for 40 francs

so you can see the premium.

Still, it wasn’t out of reach for mere mortals.

You didn’t have to be J. Paul Getty.





XII.

A lot of them

were models at

Christian Dior

or other couture houses.

She liked Scandinavians.

That was the look then

—cold, tall, perfect.

It was cheap for the quality.

They all used her.

The best people wanted

the best women.

Elementary supply and demand.



XIII.

She had a camp number tattooed on her wrist. I saw it.

She showed it to me and Rubi.

She was proud she had survived.

We talked about the camp for hours.

It was even more fascinating than the girls.



She was Jewish

I’m certain of that.

She was horrified at the Jewish collaborators

at the camp who herded

their fellow Jews

into the gas chambers.

That was the greatest betrayal in her life.



XIV.

She was this sad,

lonely little woman.

Later, Patrick told me who she was.

I was bowled over.

It was like meeting Al Capone.

I met two of the girls

who worked for her.

One was what you would expect

Tall

Blonde

Model.

But the other looked like a Rat

Then one night

she came out

all dressed up,

I didn’t even recognize her.

She was even better than the first girl.

Claude liked to transform women like that.

That was her art.

It was very odd,

my cousin told me.

There was not much furniture

and an awful lot of telephones.

“Allô oui,”



XV.

I had so many lunches

with Claude at Ma Maison

She was vicious.

One day,

Margaux Hemingway,

at the height of her beauty, walked by.

Une bonne

—the French for maid

was how Claude cut her dead.

She reduced

the entire world

to rich men wanting *** and

poor women wanting money.

She’d love to page through Vogue and see someone

and say,

When I met her

she was called

Marlene

and she had a hideous nose

and now she’s a princess.

Or she’d see someone and say

Let’s see if she kisses me or not.

It was like

I made her,

and I can destroy her.

She was obsessed

with “fixing” people

—with Saint Laurent clothes,

with Cartier watches,

with Winston jewels,

with Vuitton luggage,

with plastic surgeons.



XVI.

Her prison number was

888

which was good luck in China

but not in California.

‘Ocho ocho ocho,’ she liked to repeat

Even in jail, she was always working,

always recruiting stunning women.

She had a beautiful Mexican cellmate

and gave her Robert Evans’s number

as the first person she should call

when she was released.



XVII.

Never have *** on the first date.



XVIII.

There will always be prostitution,

The prostitution of misery.

And the prostitution of bourgeois luxury.

They will both go on forever.



“Allô oui,”



It was so exciting to hear a millionaire

or a head of state ask,

in a little boy’s voice,

for the one thing

that only you could provide

It's not how beautiful you are, it's how you relate

--it's mostly dialogue.



She was tiny, blond, perfectly coiffed and Chanel-clad.

The French Woman: The Arab Prince, the Japanese Diplomat, the Greek Tycoon, the C.I.A. Bureau Chief — She Possessed Them All!



XIX.

She was like a slave driver in the American South

Once she took a *******,

the makeover put the girl in debt,

because Claude paid all the bills to

Dior,

Vuitton,

to the hairdressers,

to the doctors,

and the girls had to work to pay them off.

It was ****** indentured servitude.



My Swans.



It reached the point

where if you walked into a room

in London

or Rome

as much as Paris

because the girls were transportable,

and saw a girl who was

better-dressed,

better-looking,

and more distinguished than the others

you presumed

it was a girl from Claude.

It was, without doubt,

the finest *** operation ever run in the history of mankind.



**.

The girl had to be

exactly what was needed

so I had to teach her everything she didn’t know.

I played a little the role of Pygmalion.

There were basic things that absolutely had to be done.

It consisted

at the start

of the physical aspect

“surgical intervention”

to give this way of being

that was different from other girls.

Often they had to be transformed

into dream creatures

because at the start

they were not at all



Often I had to teach them how to dress.

Often they needed help

to repair

what nature had given them

which was not so beautiful.

At first they had to be tall,

with pretty gestures,

good manners.

I had lots of noses done,

chins,

teeth,

*******.

There was a lot to do.



Eight times out of ten

I had to teach them how to behave in society.

There were official dinners, suppers, weekends,

and they needed to have conversation.

I insisted they learn to speak English,

read

certain books.

I interrogated them on what they read.

It wasn’t easy.

Each time something wasn’t working,

I was obliged to say so.



You were very demanding?

I was ferocious.



It’s difficult

to teach a girl how to walk into Maxim’s

without looking

ill at ease

when they’ve never been there,

to go into an airport,

to go to the Ritz,

or the Crillon

or the Dorchester.

To find yourself

in front of a king,

three princes,

four ministers,

and five ambassadors at an official dinner.

There were the wives of those people!

Day after day

one had to explain,

explain again,

start again.

It took about two years.

There would always be a man

who would then say of her,

‘But she’s absolutely exceptional. What is that girl doing here?’ ”





XXI.

A New York publisher who visited

the Palace Hotel

in Saint Moritz

in the early seventies told me,

I met a whole bunch of them there.

They were lovely.

The johns wanted everyone to know who they were.

I remember it being said

Giovanni’s Madame Claude girl is going to be there.

You asked them where they came from and they all said

Neuilly.

Claude liked girls from good families.

More to the point she had invented their backgrounds.



I have known,

because of what I did,

some exceptional and fascinating men.

I’ve known some exceptional women too,

but that was less interesting

because I made them myself.



Ah, this question of the handbag.

You would be amazed by how much dust accumulates.

Or how often women’s shoe heels are scuffed.





XXII.

She would examine their teeth and finally she would make them undress.



That was a difficult moment

When they arrived they were very shy,

a bit frightened.

At the beginning when I take a look,

it’s a question of seeing if the silhouette

and the gestures are pretty.

Then there was a disagreeable moment.

I said,

I’m sorry about this unpleasantness,

but I have to ask you to get undressed,

because I can’t talk about you unless I see you.

Believe me, I was embarrassed,

just as they were,

but it had to be done,

not out of voyeurism, not at all

—I don’t like les dames horizontales.



It was very funny

because there were always two reactions.

A young girl,

very sure of herself,

very beautiful,

très bien,

would say

Yes,

Get up, and get undressed.

There was nothing to hide, everything was perfect.



There were those who

would start timidly

to take off their dress

and I would say

I knew already.

The rest is not sadism, but nearly.

I knew what I was going to find.

I would say,

Maybe you should take off your bra,

and I knew it wasn’t going to be

beautiful.

Because otherwise she would have taken it off easily.

No problem.

There were damages that could be mended.

There were some ******* that could be redone,

some not

Sometimes it can be deceptive,

you know,

you see a pretty girl,

a pretty face,

all elegant and slim,

well dressed,

and when you see her naked

it is a catastrophe.



I could judge their physical qualities,

I could judge if she was pretty, intelligent, and cultivated,

but I didn’t know how she was in bed.

So I had some boys,

good friends,

who told me exactly.

I would ring them up and say,

There’s a new one.

And afterwards they’d ring back and say,

Not bad,

Could be better, or

Nulle.



Or,

on the contrary,

She’s perfect.

And I would sometimes have to tell the girls

what they didn’t know.

A pleasant assignment?

No.

They paid.



XXIII.

Often at the beginning

they had an ami de coeur

in other words,

oh,

a journalist, a photographer, a type like that,

someone in the cinema,

an actor, not very well known.

As time went by

It became difficult

because they didn’t have a lot of time for him.

The fact of physically changing,

becoming prettier,

changing mentally to live with millionaires,

produced a certain imbalance

between them

and the little boyfriend

who had not evolved

and had stayed in his milieu.

At the end of a certain time

she would say,

I’m so much better than him. Why am I with this boy?

And they would break up by themselves.



Remember,

this was instant elevation.

For most of them it was a dream existence,

provided they liked the ***,

and those that didn’t never lasted long.

A lot of the clients were young,

and didn’t treat them like tarts but like someone from their own class.

They would buy you presents,

take you on trips.



XXIV.

For me, *** was something very accessoire

I think after a certain age

there are certain spectacles one should not give to others

Now I have a penchant for solitude.

Love, it’s a complete destroyer,

It’s impossible,

a horror,

l’angoisse.

It’s the only time in my life I was jealous.

I’m not a jealous person, but I was épouvantable.

He was jealous too.

We broke plates over each other’s heads;

we became jealous about each other’s pasts.

I said one day

It’s finished.

Sometimes I look at myself in the mirror and say:

Break my legs,

give me scarlet fever,

an attack of TB, but never that.

Not that.



XXV.

I called her into my office

Let us not exaggerate,

I sent her away.

She came back looking for employment,

but was fired again, this time for drugs.

She made menacing phone calls.

Then she arrived at the Rue de Boulainvilliers with a gun.

She shot three bullets

I was dressed in the fashion of Courrèges at this moment

He did very padded things.

I had a padded dress with a little jacket on top.

The bullet

—merci, Monsieur Courrèges

—stuck in the padding.

I was thrown forward onto the telephone.

I had one thought which went through my head:

I will die like Kennedy.

I turned round and put my hand up in a reflex.

The second bullet went through my hand.

I have two dead fingers.

It’s most useful for removing bottle tops.

In the corridor I was saved from the third bullet

because she was very tall

and I am quite petite, so it passed over my head.



XXVI.

There were men

who could decapitate,

****, and bomb their rivals

who would be frightened of me.

I would ask them how was the girl,

and they’d say

Not bad

and then

But I’m not complaining.

I was a little sadistic to them sometimes.

Some women have known powerful men because they’re their lover.

But I’ve known them all.

I had them all

here.



She will take many state secrets with her.



XXVI.

I don’t like ugly people

probably because when I was young

I wasn’t beautiful at all.

I was ugly and I suffered for it,

although not to the point of obsession.

Now that I’m an old woman,

I’m not so bad.

And that’s why

I’ve always been surrounded by people

Who

were

beautiful.

And the best way to have beautiful people around me

was to make them.

I made them very pretty.





XXVII.

I wouldn’t call what Alex gives you

‘advice,’

She spares you Nothing.

She makes a list of what she wants done,

and she really gets into it

I mean, she wants you to get your arms waxed.

She gives you names of people who do good facials.

She tells you what to buy at Neiman Marcus.

She’s put off by anything flashy,

and if you don’t dress conservatively, she’s got no problem telling you,

in front of an audience,

You look like a cheap *****!

I used to wear what I wanted when I went out

then change in the car into a frumpy sweater

when I went to give her the money she’d always go,

Oh, you look beautiful!



Marry your boyfriend,

It’s better than going to prison.

When you go out with her,

she’ll buy you a present; she’s incredibly generous that way.

And she’ll always tell you to save money and get out.

It’s frustrating to her when girls call at the end of the month

and say they need rent money.

She wants to see you do well.





We had a schedule, with cards that indicated a client’s name,

what he liked,

the names of the girls he’d seen,

and how long he’d been with them.

And I only hired girls who had another career

—if my clients had a choice between drop-dead-gorgeous

and beautiful-and-interesting,

they’d tend to take beautiful-and-interesting.

These men wanted to talk.

If they spent two hours with a girl,

they usually spent only five or ten minutes in bed.



I get the feeling that in Los Angeles, men are more concerned with looks.



XXVIII.

That was my big idea

Not to expand the book by aggressive marketing

but to make sure that nobody

mistook my girls for run-of-the-mill hookers.

And I kept my roster fresh.

This was not a business where you peddle your ***,

get exploited,

and then are cast off.

I screen clients. I’ve never sent girls to weirdos.

I let the men know:

no violence,

no costumes,

no fudge-packing.

And I talked to my girls. I’d tell them:

Two and a half years and you’re burned out.

Save your money.

This is like a hangar

—you come in, refuel, and take off.

It’s not a vacation, it’s not a goof.

This buys the singing lessons,

the dancing lessons,

the glossies.

This is to help you pay for what your parents couldn’t provide.

It’s an honorable way station—a lot of stars did this.



XXIX.

To say someone was a Claude girl is an honour, not a slur.



Une femme terrible.

She despised men and women alike.

Men were wallets. Women were holes.



By the 80s,

if you were a brunette,

the sky was the limit.

The Saudis

They’d call for half a dozen of Alex’s finest,

ignore them all evening while they

chatted,

ate,

and played cards,

and then, around midnight,

take the women inside for a fast few minutes of ***.



They’d order women up like pizza.



Since my second husband died,

I only met one man who was right for me,

He was a sheikh.

I visited him in Europe

twenty-eight times

in the five years I knew him

and I never slept with him.

He’d say

I think you fly all the way here just to tease me,

but he introduced me

by phone

to all his powerful friends.

When I was in Los Angeles, he called me twice a day.

That’s why I never went out

he would have been disappointed.



***.

Listen to me

This is a woman’s business.

When a woman does it, it’s fun

there’s a giggle in it

when a man’s involved,

he’s ******,

he’s a ****.

He may know how to keep girls in line,

and he may make money,

but he doesn’t know what I do.

I tell guys: You’re getting a nice girl.

She’s young,

She’s pleasant,

She can do things

she can certainly make love.

She’s not a rocket scientist, but she’s everything else.



The world’s richest and most powerful men, the announcer teased.

An income “in the millions,” said the arresting officer.

Pina Colapinto

A petite call girl,

who once slid between the sheets of royalty,

a green-eyed blonde helped the police get the indictment.

They really dolled her up

She looks great.

Never!

What I told her was: ‘Wash that ******.’





XXXI.

Madam Alex died at 7 p.m.

Saturday at Cedars-Sinai Medical Center,

where she had been in intensive care after recent open heart surgery

We all held her hand when they took her off the life support

This was the passing of a legend.

Because she was the mother superior of prostitution.

She was one of the richest women on earth.

The world came to her.

She never had to leave the house.

She was like Hugh Hefner in that way.


It's like losing a friend

In all the years we played cat and mouse,

she never once tried to corrupt me.

We had a lot of fun.


To those who knew her

she was as constant

as she was colorful

always ready with a good tidbit of gossip

and a gourmet lunch for two.

She entertained, even after her conviction on pandering charges,

from the comfy depths of her blue four-poster bed at her home near Doheny Drive,

surrounded by knickknacks and meowing cats,

which she fed fresh shrimp from blue china plates.



XXXII.

She stole my business,

my books,

my girls,

my guys.

I had a good run.

My creatures.

Make Mommy happy

Oh! He is the most enchanting cat that I have ever known.



She was, how can I say it,

classy.

When she first hired me

she thought I was too young to take her case.

I was 43.

I'm going to give you some gray hairs by the time this is over.

She was right.





XXXIII.

I was fond of Heidi

But she has a streak that is so vindictive.



If there is pure evil, it is Madame Alex.





XXXIV.

I was born and raised in L.A.

My dad was a famous pediatrician.

When he died, they donated a bench to him at the Griffith Park Observatory.



I think that Heidi wanted to try her wings

pretty early,

and I think that she met some people

who sort of took all her potential

and gave it a sharp turn



She knew nothing.

She was like a little parrot who repeated what she was supposed to say.



Alex and I had a very intense relationship;

I was kind of like the daughter she loved and hated,

so she was abusive and loving at the same time.



Look, I know Madam Alex was great at what she did

but it's like this:

What took her years to build,

I built in one.

The high end is the high end,

and no one has a higher end than me.

In this business, no one steals clients.

There's just better service.



XXXV.

You were not allowed to have long hair

You were not allowed to be too pretty

You were not allowed to wear too much makeup or be too glamorous

Because someone would fall in love with you and take you away.

And then she loses the business



XXXVI.

I was pursued because

come on

in our lifetime,

we will never see another girl of my age

who lived the way I did,

who did what I did so quickly,

I made so many enemies.

Some people had been in this line of business

for their whole lives, 30 or 40 years,

and I came in and cornered the market.

Men don't like that.

Women don't like that.

No one liked it.



I had this spiritual awakening watching an Oprah Winfrey video.

I was doing this 500-hour drug class

and one day the teacher showed us this video,

called something like Make It Happen.

Usually in class I would bring a notebook

and write a letter to my brother or my journal,

but all of a sudden this grabbed my attention

and I understood everything she said.

It hit me and it changed me a lot.

It made me feel,

Accept yourself for who you are.

I saw a deeper meaning in it

but who knows, I might have just been getting my period that day!



XXXVII.

Hello, Gina!

You movie star!

Yes you are!

Gina G!

Hello my friend,

Hello my friend,

Hello my movie star,

Ruby! Ruby Boobie!

Braaawk!

Except so many women say,

Come on, Heidi

you gotta do the brothel for us; don't let us down.

It would be kind of fun opening up an exclusive resort,

and I'll make it really nice,

like the Beverly Hills Hotel

It'll feel private; you'll have your own bungalow.

The only problem out here is the climate—it's so brutal.

Charles Manson was captured a half hour from Pahrump.



I said, Joe! What are you doing?

You gotta get, like,

a garter belt and encase it in something

and write,

This belonged to Suzette Whatever,

who entertained the Flying Tigers during World War II.

Get, like, some weird tools and write,

These were the first abortion tools in the brothel,

you know what I mean?

Just make some **** up!

So I came out here to do some research

And then I realized,

What am I doing?

I'm Heidi Fleiss. I don't need anyone.

I can do this.

When I was doing my research, in three months

I saw land go from 30 thousand an acre

to 50 thousand an acre,

and then it was going for 70K!

It's urban sprawl

—we're only one hour from Las Vegas.

Out here the casinos are only going to get bigger,

prostitution is legal, it's only getting better.





XXXVIII.

The truth is

deep down inside,

I just can't do business with him

He's the type of guy who buys Cup o' Noodles soup for three cents

and makes his hookers buy it back from him for $5.

It's not my style at all.

Who wants to be 75 and facing federal charges?

It was different at my age when I

at least...come on, I lived really well.

I was 22,

25 at the time?

It was fun then, but now I wouldn't want

to deal with all that *******

—the girls and blah blah blah.

But the money was really good.



I would've told someone they were out of their ******* mind

if they'd said in five years I'd be living with all these animals like this.

It's hard-core; how I live;

It's totally a nonfunctional atmosphere for me

It's hard to get anything done because

It’s so time-consuming.

I feel like they're good luck though....

I do feel that if I ever get rid of them,

I will be jinxed and cursed the rest of my life

and nothing I do will ever work again.



Guys kind of are a hindrance to me

Certainly I have no problem getting laid or anything.

But a man is not a priority in my life.

I mean, it's crazy, but I really have fun with my parrots.



XXXIX.

I started a babysitting circle when I wasn't much older than 9

And soon all the parents in the neighborhood

wanted me to watch over their children.

Even then I had an innate business sense.

I started farming out my friends

to meet the demand.

My mother showered me with love and my father,

a pediatrician,

would ask me at the dinner table,

What did you learn today?

I ran my neighborhood.

I just pick up a hustle really easily,

I was a waitress and I met an older guy who looked like Santa Claus.



Alex was a 5' 3" bald-headed Filipina

in a transparent muu muu.

We hit it off.

I didn't know at the time that I was there to pay off the guy's gambling debt.

It's in and out,

over and out.

Do you think some big-time producer

or actor is going to go to the clubs and hustle?



Columbia Pictures executive says:

I haven’t done anything that should cause any concern.

Jeez, it's like the Nixon enemies list.

I hope I'm on it.

If I'm not, it means I must not be big enough

for people to gossip about me.



That's right ladies and gentlemen.

I am an alleged madam and that is a $25 *****!

If you live out here,

you've got to hate people.

You've got to be pretty antisocial

How you gonna come out here with only 86 people?

That's Fred.

He's digging to China.

You look good.

Yeah, you too.

It's coming along here.

Yeah, it is.

I wanted to buy that lot there, but I guess it's gone?

That's mine, man! That's all me.

Really?

I thought there was a lot between us.

No. We're neighbors.



He's a cute guy

He's entertaining.

See, I kind of did do something shady to him.

I thought my property went all the way back

and butted up against his.

But there was one lot between us right there.

He said he was buying it,

but I saw the 'For Sale' sign still up there,

So I went and called the broker and said,

I'm an all-cash buyer.

So I really bought it out from under him.

But he's got plenty of room, and I need the space for my parrots.

Pahrump will always be Pahrump, but Crystal is going to be nice

All you need are four or five fancy houses and it'll flush everyone out

and it'll be a nice area.

They're all kind of weird here, but these people will go.

Like this guy here,

someone needs to **** him.

I was just saying to my dad that these parrots are born to a really ******-up world

He goes, Heidi, no, no; the world is a beautiful garden.

It's just, people are destroying it.

I’m looking into green building options

I don't want anything polluting,

I want a huge auditorium,

but it'll be like a jungle where my birds can really fly!

Where they can really do what they're supposed to do.

There were over 300 birds in there!

That lady,

She ran the exotic-birds department for the Tropicana Hotel,

which is a huge job.

She called me once at 3:30 in the morning

Come over here and help me feed this baby!

Some baby parrot.

And I ran over there in my pajamas

—I knew there was something else wrong

and she was like

Get me my oxygen!

Get me this, get me that.

I called my dad; he was like,

I don't know, honey, you better call the paramedics.

They ended up getting a helicopter.

And they were taking her away

in the wind with her IV and blood and everything

and she goes, Heidi, you take care of my birds.

And she dies the next day.

She was just a super-duper person.



XL.

I relate to the lifestyle she had before,

Now, I'm just a citizen.

I'm clean,

I'm sober,

I'm married,

I work at Wal-Mart.

I'm proud to say I know her. I look into her eyes

and we relate.





I got out in 2000,

so I've been sending her money for seven years

She was…whatever.

Girlfriend?

Yeah, maybe.

But ***, I tried like two times,

and I'm just not gay.

She gets out in about eight or nine months

and I told her I would get her a house.

But nowhere near me.

I didn't touch her,

but I'd be, like...

a funny story:

I told her,

Don't you ever ******* think

about contacting me in the real world.

I'm not a lesbian.

Then about two years ago, I got an e-mail from her,

or she called me and said, 'Google my name.'

So I Googled her name,

and she has this huge company.

Huge!

She won, like, Woman of the Year awards.

So I called her and I go,

Not bad.

She goes, 'Well, I did all that because you called me a loser.'

I go, '****, I should've called you more names

you probably would've found the cure for cancer by now.



XLI.

No person shall be employed by the licensee

who has ever been convicted of

a felony involving moral turpitude

But I qualify,

I mean, big deal, so I'm a convicted felon.

Being in the *** industry, you can't be so squeaky-clean.

You've got to be hustling.

Nighttime is really enchanting here

It's like a whole 'nother world out here, it really is

I’m so far removed from my social life and old surroundings.

Who was it, Oscar Wilde, I think, who said

people can adjust to anything.

I was perfectly adjusted in the penitentiary,

and I was perfectly adjusted to living in a château in France.



We had done those drug addiction shows together

Dr. Drew.

Afterward we were friendly

and he'd call me every now and then.

He'd act like he had his stuff together.

But it was all a lie.

Everything is a lie.

I brought him to a Humane Society event at Paramount Studios last year.

He was just such a mess.

So out of it.

He stole money from my purse.

He's such a drug addict because he's so afraid of being fat.

He liked horse ****, though. He did like horse ****.

This one woman that would have *** with a horse on the internet,

He told me that’s his favorite actress.

Better than Meryl Streep.



XLII.

The cops could see

why these women were taking over trade.

Girls with these looks charged upwards of $500 an hour.

The Russians had undercut them with a bargain rate of $150 an hour.

One thing they are not is lazy.

In the USSR

they grew up with no religion, no morality.

Prostitution is not considered a bad thing.

In fact, it’s considered a great way to make money.

That’s why it’s exploding here.

What we saw was just a tip of the iceberg.

These girls didn’t come over here expecting to be nannies.

They knew exactly what they wanted and what they were getting into.

The madam who organized this raid

was making $4 million a year,

laundered through Russian-owned banks in New York City

These are brutal people.

They are all backstabbers.

They’re entrepreneurs.

They’re looking at $10,000 a month for turning tricks.

For them, that’s the American dream.



XLIII.

If you’re not into something,

don’t be into it

But,

if you want to take some whipped cream,

put it between your toes,

have your dog licking it up and,

at the same time,

have your girlfriend poke you in the eye,

then that’s fine.

That’s a little weird but we shouldn’t judge.



She was my best friend then

and I consider her one of my best friends now,

because when I was going through Riker’s

and everyone abandoned me,

including my boyfriend,

I was hysterical,

crying,

and she was the one that was there.

And, when somebody needed to step up to the plate,

that’s who did, and I have an immense amount of

loyalty, respect, and love for her.

And if she’s going to prison for eight years

—that’s what she’s sentenced for

—I’ll go there,

and I’ll go there every week,

for eight years.

That’s the type of person I am.
Mitchell Dec 2013
In the Fall, when the temperature of the Bay would drop and the wind blew ice, frost would gather on the lawn near Henry Oldez's room. It was not a heavy frost that spread across the paralyzed lawn, but one that just covered each blade of grass with a fine, white, almost dusty coat. Most mornings, he would stumble out of the garage where he slept and tip toe past the ice speckled patch of brown and green spotted grass, so to make his way inside to relieve himself. If he was in no hurry, he would stand on the four stepped stoop and look back at the dried, dead leaves hanging from the wiry branches of three trees lined up against the neighbors fence. The picture reminded him of what the old gallows must have looked like. Henry Oldez had been living in this routine for twenty some years.

He had moved to California with his mother, father, and three brothers 35 years ago. Henry's father, born and raised in Tijuana, Mexico, had traveled across the Meixcan border on a bent, full jalopy with his wife, Betria Gonzalez and their three kids. They were all mostly babies then and none of the brothers claimed to remember anything of the ride, except one, Leo, recalled there was "A lotta dust in the car." Santiago Oldez, San for short, had fought in World War II and died of cancer ten years later. San drank most nights and smoked two packs of Marlboro Reds a day. Henry had never heard his father talk about the fighting or the war. If he was lucky to hear anything, it would have been when San was dead drunk, talking to himself mostly, not paying very much attention to anyone except his memories and his music.

"San loved two things in this world," Henry would say, "*****, Betria, and Johnny Cash."

Betria Gonzalez grew up in Tijuana, Mexico as well. She was a stout, short woman, wide but with pretty eyes and a mess of orange golden hair. Betria could talk to anyone about anything. Her nick names were the conversationalist or the old crow because she never found a reason to stop talking. Santiago had met her through a friend of a friend. After a couple of dates, they were married. There is some talk of a dispute among the two families, that they didn't agree to the marriage and that they were too young, which they probably were. Santiago being Santiago, didn't listen to anybody, only to his heart. They were married in a small church outside of town overlooking the Pacific. Betria told the kids that the waves thundered and crashed against the rocks that day and the sea looked endless. There were no pictures taken and only three people were at the ceremony: Betria, San, and the priest.

Of course, the four boys went to elementary and high school, and, of course, none of them went to college. One brother moved down to LA and eventually started working for a law firm doing their books. Another got married at 18 years old and was in and out of the house until getting under the wing of the union, doing construction and electrical work for the city. The third brother followed suit. Henry Oldez, after high school, stayed put. Nothing in school interested him. Henry only liked what he could get into after school. The people of the streets were his muse, leaving him with the tramps, the dealers, the struggling restaurateurs, the laundry mat hookers, the crooked cops and the addicts, the gang bangers, the bible humpers, the window washers, the jesus freaks, the EMT's, the old ladies pushing salvation by every bus stop, the guy on the corner and the guy in the alley, and the DOA's. Henry didn't have much time for anyone else after all of them.

Henry looked at himself in the mirror. The light was off and the room was dim. Sunlight streaked in through the dusty blinds from outside, reflecting into the mirror and onto Henry's face. He was short, 5' 2'' or 5' 3'' at most with stubby, skinny legs, and a wide, barrel shaped chest. He examined his face, which was a ravine of wrinkles and deep crows feet. His eyes were sunken and small in his head. Somehow, his pants were always one or two inches below his waistline, so the crack of his *** would constantly be peeking out. Henry's deep, chocolate colored hair was  that of an ancient Native American, long and nearly touched the tip of his belt if he stood up straight. No one knew how long he had been growing it out for. No one knew him any other way. He would comb his hair incessantly: before and after a shower, walking around the house, watching television with Betria on the couch, talking to friends when they came by, and when he drove to work, when he had it.

Normal work, nine to five work, did not work for Henry. "I need to be my own boss," he'd say. With that fact stubbornly put in place, Henry turned to being a handy man, a roofer, and a pioneer of construction. No one knew where he would get the jobs that he would get, he would just have them one day. And whenever he 'd finish a job, he'd complain about how much they'd shorted him, soon to move on to the next one. Henry never had to listen to anyone and, most of the time, he got free lunches out of it. It was a very strange routine, but it worked for him and Betria had no complaints as long as he was bringing some money in and keeping busy. After Santiago died, she became the head of the house, but really let her boys do whatever they wanted.

Henry took a quick shower and blow dried his hair, something he never did unless he was in a hurry. He had a job in the east bay at a sorority house near the Berkley campus. At the table, still in his pajamas, he ate three leftover chicken thighs, toast, and two over easy eggs. Betria was still in bed, awake and reading. Henry heard her two dogs barking and scratching on her bedroom door. He got up as he combed his damp hair, tugging and straining to get each individual knot out. When he opened the door, the smaller, thinner dog, Boy Boy, shot under his legs and to the front door where his toy was. The fat, beige, pig-like one waddled out beside Henry and went straight for its food bowl.

"Good morning," said Henry to Betria.

Betria looked at Henry over her glasses, "You eat already?"

"Yep," he announced, "Got to go to work." He tugged on a knot.

"That's good. Dondé?" Betria looked back down at her spanish TV guide booklet.

"Berkley somewhere," Henry said, bringing the comb smoothly down through his hair.

"That's good, that's good."

"OK!" Henry sighed loudly, shutting the door behind him. He walked back to the dinner table and finished his meal. Then, Betria shouted something from her room that Henry couldn't hear.

"What?" yelled Henry, so she could hear him over the television. She shouted again, but Henry still couldn't hear her. Henry got up and went back to her room, ***** dish in hand. He opened her door and looked at her without saying anything.

"Take the dogs out to ***," Betria told him, "Out the back, not the front."

"Yeah," Henry said and shut the door.

"Come on you dogs," Henry mumbled, dropping his dish in the sink. Betria always did everyones dishes. She called it "her exercise."

Henry let the two dogs out on the lawn. The sun was curling up into the sky and its heat had melted all of the frost on the lawn. Now, the grass was bright green and Henry barely noticed the dark brown dead spots. He watched as the fat beige one squatted to ***. It was too fat to lifts its own leg up. The thing was built like a tank or a sea turtle. Henry laughed to himself as it looked up at him, both of its eyes going in opposite directions, its tongue jutted out one corner of his mouth. Boy boy was on the far end of the lawn, searching for something in the bushes. After a minute, he pulled out another one of his toys and brought it to Henry. Henry picked up the neon green chew toy shaped like a bone and threw it back to where Boy boy had dug it out from. Boy boy shot after it and the fat one just watched, waddling a few feet away from it had peed and laid down. Henry threw the toy a couple more times for Boy boy, but soon he realized it was time to go.

"Alright!" said Henry, "Get inside. Gotta' go to work." He picked up the fat one and threw it inside the laundry room hallway that led to the kitchen and the rest of the house. Boy boy bounded up the stairs into the kitchen. He didn't need anyone lifting him up anywhere. Henry shut the door behind them and went to back to his room to get into his work clothes.

Henry's girlfriend was still asleep and he made sure to be quiet while he got dressed. Tia, Henry's girlfriend, didn't work, but occasionally would put up garage sales of various junk she found around town. She was strangely obsessed with beanie babies, those tiny plush toys usually made up in different costumes. Henry's favorite was the hunter. It was dressed up in camouflage and wore an eye patch. You could take off its brown, polyester hat too, if you wanted. Henry made no complaint about Tia not having a job because she usually brought some money home somehow, along with groceries and cleaning the house and their room. Betria, again, made no complain and only wanted to know if she was going to eat there or not for the day.

A boat sized bright blue GMC sat in the street. This was Henry's car. The stick shift was so mangled and bent that only Henry and his older brother could drive it. He had traded a new car stereo for it, or something like that. He believed it got ten miles to the gallon, but it really only got six or seven. The stereo was the cleanest piece of equipment inside the thing. It played CD's, had a shoddy cassette player, and a decent radio that picked up all the local stations. Henry reached under the seat and attached the radio to the front panel. He never left the radio just sitting there in plain sight. Someone walking by could just as soon as put their elbow into the window, pluck the thing out, and make a clean 200 bucks or so. Henry wasn't that stupid. He'd been living there his whole life and sure enough, done the same thing to other cars when he was low on money. He knew the tricks of every trade when it came to how to make money on the street.

On the road, Henry passed La Rosa, the Mexican food mart around the corner from the house. Two short, tanned men stood in front of a stand of CD's, talking. He usually bought pirated music or movies there. One of the guys names was Bertie, but he didn't know the other guy. He figured either a customer or a friend. There were a lot of friends in this neighborhood. Everyone knew each other somehow. From the bars, from the grocery, from the laundromat, from the taco stands or from just walking around the streets at night when you were too bored to stay inside and watch TV. It wasn't usually safe for non-locals to walk the streets at night, but if you were from around there and could prove it to someone that was going to jump you, one could usually get away from losing a wallet or an eyeball if you had the proof. Henry, to people on the street, also went as Monk. Whenever he would drive through the neighborhood, the window open with his arm hanging out the side, he would usually hear a distant yell of "Hey Monk!" or "What's up Monk!". Henry would always wave back, unsure who's voice it was or in what direction to wave, but knowing it was a friend from somewhere.

There was heavy traffic on the way to Berkley and as he waited in line, cursing his luck, he looked over at the wet swamp, sitting there beside highway like a dead frog. A few scattered egrets waded through the brown water, their long legs keeping their clean white bodies safe from the muddy water. Beyond the swamp laid the pacific and the Golden Gate bridge. San Francisco sat there too: still, majestic, and silver. Next to the city, was the Bay Bridge stretched out over the water like long gray yard stick. Henry compared the Golden Gate's beauty with the Bay Bridge. Both were beautiful in there own way, but the Bay Bridge's color was that of a gravestone, while the Golden Gate's color was a heavy red, that made it seem alive. Why they had never decided to pain the Bay Bridge, Henry had no idea. He thought it would look very nice with a nice coat of burgundy to match the Golden gate, but knew they would never spend the money. They never do.

After reeling through the downtown streets of Berkley, dodging college kids crossing the street on their cell phones and bicyclists, he finally reached the large, A-frame house. The house was lifted, four or five feet off the ground and you had to walk up five or seven stairs to get to the front door. Surrounded by tall, dark green bushes, Henry knew these kids had money coming from somewhere. In the windows hung spinning colored glass and in front of the house was an old-timey dinner bell in the shape of triangle. Potted plants lined the red brick walkway that led to the stairs. Young tomatoes and small peas hung from the tender arms of the stems leaf stalks. The lawn was manicured and clean. "Must be studying agriculture or something," Henry thought, "Or they got a really good gardener."

He parked right in front of the house and looked the building up and down, estimating how long it would take to get the old shingles off and the new one's on. Someone was up on the deck of the house, rocking back and forth in an old wooden chair. He listened to the creaking wood of the chair and the deck, judging it would take him two days for the job. Henry knew there was no scheduled rain, but with the Bay weather, one could never be sure. He had worked in rain before - even hail - and it never really bothered him. The thing was, he never strapped himself in and when it would rain and he was working roofs, he was afraid to slip and fall. He turned his truck off, got out, and locked both of the doors. He stepped heavily up the walkway and up the stairs. The someone who was rocking back and forth was a skinny beauty with loose jean shorts on and a thick looking, black and red plaid shirt. She had long, chunky dread locks and was smoking a joint, blowing the smoke out over the tips of the bushes and onto the street. Henry was no stranger to the smell. He smoked himself. This was California.

"Who're you?" the dreaded girl asked.

"I'm the roofer," Henry told her.

The girl looked puzzled and disinterested. Henry leaned back on his heels and wondered if the whole thing was lemon. She looked beyond him, down on the street, awkwardly annoying Henry's gaze. The tools in Henry's hands began to grow heavy, so he put them down on the deck with a thud. The noise seemed to startle the girl out of whatever haze her brain was in and she looked back at Henry. Her eyes were dark brown and her skin was smooth and clear like lake water. She couldn't have been more then 20 or 21 years old. Henry realized that he was staring and looked away at the various potted plants near the rocking chair. He liked them all.

"Do you know who called you?" She took a drag from her joint.

"Brett, " Henry told her, "But they didn't leave a last name."

For a moment, the girl looked like she had been struck across the chin with a brick, but then her face relaxed and she smiled.

"Oh ****," she laughed, "That's me. I called you. I'm Brett."

Henry smiled uneasily and picked up his tools, "Ok."

"Nice to meet you," she said, putting out her hand.

Henry awkwardly put out his left hand, "Nice to meet you too."

She took another drag and exhaled, the smoke rolling over her lips, "Want to see the roof?"

The two of them stood underneath a five foot by five foot hole. Henry was a little uneasy by the fact they had cleaned up none of the shattered wood and the birds pecking at the bird seed sitting in a bowl on the coffee table facing the TV. The arms of the couch were covered in bird **** and someone had draped a large, zebra printed blanket across the middle of it. Henry figured the blanket wasn't for decoration, but to hide the rest of the bird droppings. Next to the couch sat a large, antique lamp with its lamp shade missing. Underneath the dim light, was a nice portrait of the entire house. Henry looked away from the hole, leaving Brett with her head cocked back, the joint still pinched between her lips, to get a closer look. There looked to be four in total: Brett, a very large man, a woman with longer, thick dread locks than Brett, and a extremely short man with a very large, brown beard. Henry went back
John MacAyeal Sep 2012
I thought the guy dressed up like a kingfisher
Didn’t really look like a kingfisher
His beak too long
His legs not yellow enough

But still he did a pretty good job of diving into the water
And coming up with a guy dressed up like a fish
Even though his fins looked a little too stiff to me
(No wonder the kingfisher caught him)

And the bull facing that matador
(who even had a pigtail like the one Hemingway kept mentioning --
Oh, I mean the real man not the man dressed as a bull)
He just looked too scared for a bull
Well that’s what I thought
And I’ve been to a lot of bullfights
Real bulls got more bravery than that
Sure they’re confused
But I’ve never seen one turn tail and run
Oh yeah -- and he forgot to put a tail on his bull suit

All in all it was a wash wasn’t it
Wetter than the guy in the kingfisher suit.
Still it was nice for us to dress up in animal costumes
To give the animals at least one day to have a day off

Maybe next year we’ll figure it out better
Both in our costuming and their cries
Theresa M Rose Oct 2018
A time in hand-cuffs;
… This was in 83’, I remember when because I left for Boston just shortly after Rose and I watched Thorn Birds together on the television in the basement; she allowed me to help her do a spring cleaning and ready everything for Easter Company. We cleared out the pantry closet upstairs putting new paper on all the shelves; we cleared out the kitchen-cabinets and fold and organized the all the linings in the hutch and best of all we enjoyed watching the mini-series together. I love spending my time with her; funny how I see so much of my relationship within the structure of this movies theme.  
We, Lisa, Denise and myself, we’re coming home after a grueling four week gig up at The famous Pussycat Lounge in Boston’s Combat Zone; I was the last on stage that night and after getting off I threw on an old-lady dusty over my costume  and began to rush about packing-up all my costumes. We run out to the van; and after tossing all of the bags and me into the back we start our long drive home;
My Agent, Lisa, with her broken leg in a cast, has out the road-map, her wig’s in her lap and she had a nylon *****’s on her head  she’s in the passenger seat; Headliner Denise (AKA The Luscious Lady double D’s Dynamite) the driver is dripping of the make-up remover on her face… she’s in nothing more but her bra and *******?! … Least I threw on my dusty. I’m on the floor in the back with a flashlight digging through the bags trying to see if I have all my new costumes I won at last night’s Show; we worked a big Jell-O Wrestling Tournament up in Cambridge... Hey, I win four costumes and I want to make sure they weren’t left behind! So, here I am all over the floor in the darkness with my little beam of light as a good hour and forty minutes go by…  I’m still going through the bags. Suddenly, I realize this intense quite?!  I pop up my head; there’s nothing out there; nothing but darkness, no highway, no streetlights just this long silent single narrow road we’re on. I climb up grabbing a hold of the bearskin spread pull myself onto the platform-bed back here and I look through the portholes on each side of the van to see the view… the view could only be described as Sod-Farms as far as the eyes could see; with this misty darkness looms above. It seems to gently illuminate over a kind of rippling sea of blackness stretching out from both sides of the van. I crawl back down onto the floor. I look forward out the front window as far as my eyes see… we’re on a road, small dots roll beneath the van but ahead nothing… our headlight lights diminish into blackness it seems darkness is gobbling up all things beyond us and we are on our way…
“Lisa?” Saying this hesitantly; …, couldn’t help myself there wasn’t a single set of vehicle lights anywhere and where we are being as dark as pitch?!
“Where are we…?”

Lisa turns in this growling tone,“ Someone did not want to go through Connecticut!”

Denise giggles,” Oh, come-on?!  I’ve been this way before… it’s faster taking Rhode Island! It’s an easier drive! ”

So, we go; yeah, down this road three gals’ in this converted van which looks like the red-light-district on wheels; driving somewhere in the middle of No-man’s Land, Rhode Island… At 2 O’clock in morning.

“Oh, ok.” I went back with my flashlight counting up and pairing off shoes.

All of a sudden out of darkness comes… in complete silence, flashing lights!
Denise begins popping brakes; bags dart about … as she sets the van to the side of the road.

Lisa, starts yelling at Nissie , “ You had to…; Had to take us through Rhode Island?!
Two, ******* Black //////////s and a little white cotton-ball lying over luggage in the back! You know… You know we’re all in jail tonight!!! You take us into the only northern state that thinks they’re south of the Mason Dixie “

While Lisa yells, (Huge bags Denise uses at high-end private parties falls from hooks and falls open contents toppling over me.)
Lisa turns to see how the van looks… Here I am; on my *** on the floor with boas dangling off me and an yard-long two header rubber buddy as ‘slap‘ hits down into my arms. There I am bellybutton high in whips, chains and the rest of Nissie’s extensive selection of ******* gear and every kind of Joy-toy which has ever brandished a battery and…

“Jesus!!!” Lisa yells, “Look at …! We look like a Traveling *******! Janice, don’t just sit there! Put that thing down…. Hide all that **** before that cop…”
Bang, bang, bang; suddenly, a cop’s metal flashlight s rapping and taps up the side of the van; the cop stands side of Denise’s door for what feels
He flickers his light into her face.

Lisa yells, “Open your window, Nessie!!!”

Remember… in nothing but a bra and *******!? As dainty as you please, “What’s wrong officer?”
She is saying this while the window handle’s giving her a hard time and she’s trying to wipe make-up Schmitz from her face.
“Why are you stopping us?”

Lisa leans …”Yeah! We’re just trying to get back to New York?!

The officer shines the light right into Lisa’s face then towards me in the back.
“Can I see your license and registration?”
And, I need the Id of everyone-else in this vehicle? Please.”
I call out, “I know mine is in one of these bags; this will take a minute please.

I am freaking and in a yelling whisper, “…, Oh Crap?”
Thinking, ‘There’s easily more than fifteen bags back here on the floor alone??? Half these… open and half empty all over?!
“Crap, crap, crap!” I start pulling at all the bags rummaging through everything.” Crap?!”

I hear the cop say, “Did you realize that you were speeding?”

Lisa and Nissie , “What ? Speeding? It’s the middle of the night?!  What the hell are you….”

‘Holy Hell; they’re fighting a policeman?! Their arguing with a cop about, what time of day it is… And, I can’t find my id???’ I’m pushing and shoving things into piles… All of a sudden…The side door flies open!
“Please; Step out of the vehicle.”
Like some startled meerkat my head pops up, eyes wide, from the piles surrounding me.
“What???” I crawl out.
Now; standing out by the side of the van with Lisa and Denise: And…,
I look down. My dusty snaps burst open.
Here we are! It’s the middle of the night and we’re on the side of the road;
Three women; One, the driver, standing barefoot in her everyday bra and *******; One, Talent- Agent, resting up on the van with crutches and cast on her leg to the upper thigh; And,… me…  I’m standing there in my freshly ripped dusty, revealing a pearly pink sequins bra-n- G string set, black fishnets and matching pearly-pink 5in. Stilettos.

The police-officer looks at me,” Did you find Id?”

“ Sir, no?!  No, not yet Sir. I was looking when you told me to get out … But?!”  I try to head-back into the van,” Let me find it…”

The cop grabs me by my arm and pulls me away from the door; he places me in hand-cuffs?!

“When you can find someone to bring you your Id we will release you to them.”

“ But sir…Please I have Id!? If you would just?!  Please, please allow me back in there?!  I’ll find it?! Please sir, please!”

Lisa and Denise, “Well, we have ours! Let us go!”
Lisa,” Keep her if you want but let us the hell out of here.”
Both of them; “We want to get back to the city!”

Lisa waves at me saying,” Stop by the office when you get back. I’ll store your stuff until you get yourself out of this…”

“Sir, please?! I have to get back home for my kids? I don’t have anybody able to come here and get me. I know, I have my I…”
I yell out, “I remember where it is!” homeward bound   “I know where it is!!!”
I begin pulling myself and the officer towards the front of van;” Lisa, Lisa you have it! Lisa has it! It is in there under her seat! My bag… My bag…?! It’s underneath her seat! Sir, look, Look it’s under there… Lisa! Remember, I gave you it before so you could get our pay from the owner at the Club?!  You said you’d put it there?!

“ Oh yeah; that’s right.” Lisa reaches under the seat and tugs my little bag free.
” Oops…; I forgot all about you giving this to me.”
“ Here you go her Id; could she now leave with us?”

The cop unclasped the cuffs and says, “I don’t want to have to see any of you here again; Drive carefully mind your speed.”
Back on the road and on our way home Lisa screams over and over; “Never in Rhode Island! Never again…!”
I sat there thinking, the two of them were going to leave me back there?  I’d be back there…. without a penny; no money; not even a way home.
Whelp, not the worst night of my life.



Please, I know this to be a short story  but could I ask for opinions?
This is a small segment of the book I've been working on.
About Costumes and Customs


Wear, wear whatever you dare,
Tho, the global locality has no morality...


Animals with human customs,
Humans with animal costumes
Form the world into a modest mode-


In which the smartest ones are silent
While the mass dress in rumbling drunkness,
In happy hues of the humbling violent,
Of the primitive ****-geniuses.


Does ****** equal with the human nature?
Which? Human as savage or creature?
Born or grown?
While sensations design human customs,
Is predestination more than a fake costume?


Does the world hold anything divine?
While we follow an immoral aurora-
Its warming colours in a frozen desert,
That implies no divine unseen scenes?


Questions are colorless, unseen but existing,
Alike to God's infinite fineness-
Probing our customs if they are probed.


Methink costumes as a colorful ocean,
Mesee customs as the change of the world.


We sink in the dying world's dying ocean.
19.02.2018
Turtle Eyes Oct 2014
I look forward to a lifetime of costumes and dress up with you.

Your beautiful free spirit shines brightly and beautifully with every outfit!
he adults new year rave that 6 year old patrick dunbar




in the year of 1945, patrick dun bar’s family were invited to a rave

but there was one small problem they couldn’t find babysitters

for patrick, so, what his parents did, is, go to the department store

and buy a tiger costume that would fit a 6 year old and this way

patrick can’t see the adult nonsense that was around, patrick dunbar

was ever so excited, as he called himself the new year tiger, and

every time an adult walked past him, he went growl like a

really fierce tiger cub, and his bro, rob dunbar also dressed up

as a tiger, but he looked at it as just another tiger costume

when new years eve came, patrick and rob were getting themselves

used to their tiger costumes 5 hours before they left for the

adults rave, well back then they called it, a new years eve party

and the parents said, don’t get too *****, cause their kids wearing

tiger costumes, dressed up as patrick said the new year tiger

was the only way in, and 5 hours later, they all hopped in the car

and their grandfather wore a tiger hat, to joint patrick and rob

and patrick screamed out the window, HAPPY NEW YEAR

and the father said, put ya cotton picking head back in the car

and patrick didn’t listen, and kept his head out of the window

yelling out happy new year, happy new year, happy new year

and in those days they couldn’t control the window from the

drivers seat like they do now, so he kept on driving with little

patrick dunbar yelling out of the window, HAPPY NEW YEAR

about 23 fucken times, and when they arrived at the party, their mum

told patrick and rob to hide inside, pretending your dwarfs, and

patrick said, i am not a dwarf, i am the new year tiger, ya see

in this life, i was a tad isolated, in my room, and there is no way

known to man, how i can figure out a lll this, but, as we walked in

i think the party people knew we were kids, cause dwarfs look different

but patrick and rob played all night, as much as it was fun, and despite

them knowing we were kids, we thought we would be treated differently

cause me, patrick was the new year tiger, and i used the biggest growl

to make all the adults spill their drinks, some drinks stained the carpet

and this really upset the host, and wanted the dun bars kicked out

and patrick dunbar said, i am not a dunbar, i am the new year tiger

and if you kick us out, i will bite ya with my teeth, but this party had 1940s

morals, and the dun bars were kicked out, and went for a walk down the

beach of green bay, and patrickj and robert were swimming in their new

year tiger costumes, and patrick rode one wave in, and said, the new year

tiger is coming, actually the dunbars sat on the beach till midnight, and there

were a great beach parade, of navy and army planes as well as the lifeguards

wearing clown uniforms, and then the lord mayor of wisconsin, cut the ribbon

to open a very colourful fireworks and patrick dunbar went up to the lord mayor

and said, i am the new year tiger, and i will eat ya up, and then the lord mayor closed the speech

there, and yelled out HAPPY NEW YEAR, AND patrick dunbar yelled out

a big HAPPY NEW YEAR too, as patrick dunbar was wisconsin’s new year tiger

GRRRROOOOOOOWWWWWWWL,

i am patrick dunbar, he was my previous life, before greame thorne

HAPPY NEW YEAR
judy smith Sep 2016
WHEN Kylie Minogue began the process of tracking down 25 years of costumes and memorabilia for an exhibition on her (literally) glittering stage career, she had one crucial call to make.

“There were a few items the parentals were minding,” laughs Minogue. “I, too, do the same thing as everyone else: ‘Mum, Dad, can you just hold onto a few things for me?’ It’s just lucky they weren’t turfed out from under their watchful eye.”

Kylie On Stage is the singer’s latest collaboration with her beloved hometown’s Arts Centre Melbourne. She’s previously donated a swarm of outfits to the venue, going all the way back to the overalls she wore as tomboy mechanic Charlene on Neighbours.

This new — and free — exhibition rounds up outfits starting from her first-ever live performances on 1989’s Disco in Dream tour. Still aged just 21 and dismissed by some as a soap star who fluked a singing career, Minogue found herself playing to 38,000 fans in Tokyo, where her early hits “I Should Be So Lucky”, “The Loco-motion”, “Got To Be Certain” and “Hand On Your Heart” had made her a superstar.

“From memory, I was overexcited and didn’t really know what I was doing. I just ran back and forth across the stage,” says Minogue of her debut tour.

Disco in Dream also premiered what would become a Kylie fashion staple: hotpants. “Those ones were more like micro shorts, not quite hotpants, but they started it,” she admits. “There were also quite a few bicycle pants being worn around that time, too, I’m afraid.”

That first tour stands out for one other reason: Minogue officially started dating INXS’s Michael Hutchence at some point during the Asian leg.

“I had met Michael previously in Australia, but he was living in Hong Kong [at the time] and I met him again there. The tour went on to Japan and he definitely came to visit me in Japan.”

Fast-forward from Minogue’s very first tour to her most recent, 2015’s Kiss Me Once, and the singer performed a cover of INXS’s “Need You Tonight”. She remembers first hearing the song as a teenager. “I don’t think I really knew what **** was back then,” notes Minogue. “But that’s a **** song.”

Before the Kiss Me Once tour kicked off, the Minogue/Hutchence romance had been documented in the hit TV mini-series Never Tear Us Apart: The Untold Story Of INXS. Minogue said then it felt like Michael was her “archangel” during the tour — “I feel like he’s with me.”

Her “Need You Tonight” costume was also deliberately chosen to reflect what Minogue used to wear when she was dating the rockstar. “It was a black PVC trench coat and hat,” she says. “I loved that. It just made so much sense for the connection to Michael. I literally used to wear that exact same kind of thing, except it was leather, not PVC.”

By 1990, Minogue’s confidence had grown, something she’s partially attributed to Hutchence’s influence. Before her first Australian solo tour, she performed a secret club show billed as The Singing Budgies — reclaiming the derisive nickname the media had bestowed on her. It would be the first time her success silenced those who saw her as an easy target. Next year marks her 30th anniversary in pop; longevity that hasn’t happened by accident.

Minogue’s career accelerated so quickly that by 1991 she was on her fourth album in as many years and outgrowing her producers, Stock Aitken Waterman, who wanted to freeze-frame her in a safe, clean-cut image.

On 1991’s Let’s Get To It tour of the UK, Minogue welcomed onboard her first major fashion designer — John Galliano. He dressed her in fishnets, G-strings and corsets; the British press said she was trying too hard and imitating Madonna at her most sexed-up.

“Of course those comparisons were made, and rightly so. Madonna was a big influence on me,” says Minogue. “She helped create the template of what a pop show is, or what we came to know it as, by dividing it up into segments. And if you’re going to have any costume changes, that’s inevitable.

“I was finding my way. I don’t think we got it right in some ways, but if I look back over my career, sometimes it’s the mistakes that make all the difference. They allow you to really look at where you’re going. I’m fond of all those things now. There was a time when I wasn’t.

“Now I look back at the pictures of the fishnets and G-strings I was wearing ... Maybe the audience members absolutely loved it, maybe they were going through the journey with me of growing up and discovering yourself and your sexuality and where you fit in the world.”

As the ’90s progressed, Minogue started experimenting with the outer limits of being a pop star, working with everyone from uber-cool dance producers to indie rocker Nick Cave.

Her 1998 Intimate And Live tour cemented her place as the one thing nobody had ever predicted: a regular, global touring act. Released the year prior, her Impossible Princess album had garnered a credibility she’d never before enjoyed. But more credibility equalled fewer record sales.

The tour was cautiously placed in theatres, rather than arenas. Yet word-of-mouth led to more dates being added — she wound up playing seven nights in both Melbourne and Sydney, and tacking on a UK leg. All received rave reviews.

The production was low-key and DIY: Minogue and longtime friend and stylist William Baker were hands-on backstage bedazzling the costumes themselves. The tour’s camp, Vegas-style showgirl — complete with corset and headdress — soon became a signature Kylie look, but it was also one they stumbled across.

“I remember the exact moment: the male dancers had pink, fringed chaps and wings — we’d really gone for it. I was singing [ABBA’s] “Dancing Queen”. I did a little prance across the stage and the audience went wild. I thought, ‘What is happening?’ That definitely started something.”

Then came the “Spinning Around” hotpants. Minogue couldn’t wear the same gold pair from the music video during her 2001 On A Night Like This tour — they were too fragile — but another pair offered solid back-up.

“That was peak hotpant period,” says Minogue. “Hotpants for days.”

After the robotic-themed Fever 2002 tour (featuring a “Kyborg” look by Dolce & Gabbana), 2005’s Showgirl tour was Minogue’s long-overdue greatest hits celebration.

Following a massive UK and European run, her planned Australian victory lap was derailed by her breast-cancer diagnosis that May. Remarkably, by November 2006, Minogue was back onstage in Sydney for the rebooted Showgirl: The Homecoming tour.

“I look at that now and I’m honestly taken aback,” she admits. “It was so fast — months and months of those 18 months were in treatment.”

Minogue now reveals her health issues meant she had to adjust some of the Showgirl outfits: “I was concerned about the weight of the corset and being able to support it. I was quite insecure about my body, which had changed. For a few years after that I really felt like I wasn’t in my own body — with the medication I was on, there was this other layer.

“We had to make a number of adjustments,” she adds. “I had different shoes to feel more sturdy ... It was pretty soon to be back onstage. But I think it was good for me.”

The singer’s gruelling performances involved dancing and singing in corsets, as well as ultra-high heels and headdresses that weighed several kilos.

“A proper corset, like the Showgirl tour one, is like a shoe,” she explains. “It’s very stiff when you first put it on. By the end of the tour it was way more comfortable. The fact it made it quite hard to breathe didn’t seem to bother anyone except for me. But it was absolutely worth it. I felt grand in it.

“It took a while to learn how to walk in the blue Showgirl dress,” she continues. “I had cuts on my arms from the stars that were sticking out on pieces of wire. You’re so limited in what you can do. You can’t bend your head to find your way down the stairs.

“Whether it was the Showgirl costume or the hotpants, or the big silver dress from the Aphrodite tour [in 2011] that was just ginormous, they all present their own challenges of how you’re going to move and how you’re going to do the choreography. There are times the costume can do that [figuring out] for me; other times I really have to wrestle with it to do what I need to do.

“But you’re not meant to know about that,” she adds, “that’s an internal struggle.”

Minogue has spent much of 2016 happily off the radar, enjoying the company of fiancé Joshua Sasse, 28. She gets “gooey” talking about her future husband, whom she met last year when she was cast opposite him in the TV musical-comedy series Galavant. He proposed to Minogue last Christmas.

Just like the “secret Greek wedding” that was rumoured but never happened, reports of summer nuptials in Melbourne are also off the mark.

“I hate to let everyone down, but no,” she says. “People’s enthusiasm is lovely, we appreciate that, but there are no wedding plans as yet. I’m just enjoying feeling girly and being engaged.”

Minogue will be in Queensland next month filming the movie Flammable Children. The comedy, set in 1975, features her former Neighbours co-star Guy Pearce and is written and directed by Stephan Elliott (The Adventures Of Priscilla: Queen Of The Desert ).

“It’s Aussie-tastic,” laughs Minogue. And she is also planning a sneaky visit to check out her own exhibition when she’s back in Melbourne.

“I’ll probably try to move things around the exhibition,” she says. “And they’ll probably tell me off: ‘Who’s that child playing with the costumes?’”Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/formal-dresses-2016
galaxy of myths May 2017
How many masks do I have in my collection
until someone realises something is off?

How long does the party go on until
everyone goes home, strips off
and sees that not everything is
as lovely, as majestic as how
the lights, decorations and music
made it out to be?

How many more superhero costumes
are made until they save me, from me?

-m.b
judy smith Jul 2016
The 9.6 million followers who tune in to watch Miranda Kerr having her hair done on Instagram — for this is how models spend most of their time — were treated to a rather more interesting sight last Thursday: a black and white photograph of a whacking great diamond ring.

Across it was the caption “Marry me!” and a twee animation of the tech mogul Evan Spiegel on bended knee. Underneath Kerr had typed “I said yes!!!” and an explosion of heart emojis.

A spokesman for Spiegel, founder of the Snapchat mobile app, who is 26 to Kerr’s 33 and worth $US 2.1 billion to her $US 42.5 million , revealed “they are very happy”.

At first, the marriage seems an unlikely combination: a man so bright he founded Snapchat while still at Stanford University, becoming one of the world’s youngest self-made billionaires by 22, and a Victoria’s Secret model who was previously married to the Pirates of the Caribbean star Orlando Bloom (she allegedly had a fling with pop brat Justin Bieber, leading Bloom to punch Beebs in a posh Ibiza restaurant).

Perhaps the union indicates that there is more to Kerr than we thought. More likely, it reveals something about Spiegel — and the way the social status of “geeks” has changed.

Since Steve Jobs made computers cool and Millennials started living online, nerds are king. Even coding is **** enough for the model Karlie Kloss, singer will.i.am and actor Ashton Kutcher to learn it. Silicon Valley has become the new Hollywood, as moguls and social media barons take over from film stars and sportsmen not just on rich lists, but as alpha men.

Being a co-founder of a company is this decade’s equivalent to being a rock star or a chef. And, if their attractiveness to models and actresses proves anything, then being a Twag — tech wife or girlfriend — is a “thing”. Sources tell me Twags are also known as “founder-hounders” because they like to date the creators of start-up companies.

Actress Talulah Riley was an early adopter. She started dating the PayPal founder Elon Musk in 2008. Riley, then fresh from starring in the St Trinian’s film, met Musk in London’s Whisky Mist nightclub after he had delivered a lecture at the Royal Aeronautical Society. I interviewed her shortly afterwards and she told me they had spent the evening talking about “quantum physics”. A month later they were engaged. Their on-again-off-again marriage lasted six years before she filed for divorce again in March. Currently Musk, worth an estimated $US 12.7 billion and focused on Tesla cars, is said to be “spending a lot of time” with Johnny Depp’s estranged wife, Amber Heard.

Model Lily Cole dated the Twitter founder Jack Dorsey in 2013. Later she had a son with Kwame Ferreira, founder of the digital innovation agency Kwamecorp. Actress Emma Watson is going out with William Knight, an “adventurer” who has an incredibly boringly sounding job as a senior manager at Medallia, a software company. Allison Williams, Marnie in the HBO television show Girls, is married to Ricky Van Veen, co-founder of College Humor website.

Could it be that these women are onto something? Dating a bro certainly has its appeal. They are innovative: how else would they invent apps that deliver cheese toasties or match singles based on their haircuts? They are risk-takers who must be charismatic enough to inspire investors and attract crowd-funding. They may not be gym-fit, but they are mathletes who can do your tax bill. They are animal lovers: every start-up is dog friendly. And they are fun: who would not want to date somebody with a ball pool in their office?

There is a saying about dating in Silicon Valley: the odds are good but the goods are odd. Nerds are notorious for peculiar chat-up lines and normcore clothes. Still, if geeks can be awkward, that is part of their charm. Keira Knightley, complaining that Silicon Valley was all men in hoodies and Crocs, described how one gave her his card, saying she should get in touch if she wanted to see a spaceship.

One Vogue writer recalled a Silicon Valley man messaging her via a dating app, in which he noted: “In 50 per cent of your photos you’re holding an iPhone. It may interest you to find out that I invented the iPhone. More accurately I was an engineer on the original iPhone . . .”

Most promisingly, some guys are astoundingly rich. It is suggested Kerr’s engagement ring is a 2.5-carat diamond worth around dollars 55,000. She has already moved into Spiegel’s dollars 12m LA pad. Between his money and her Victoria’s Secrets bridesmaids, no wonder sources claim they are planning an “extravagant wedding”.

It might rival even the Napster founder Sean Parker’s $US10m performance-art bash. He married songwriter Alexandra Lenas in a canopy among Big Sur’s redwoods decorated to look like an enchanted forest. Some 350 guests wore Tolkienesque costumes created by The Lord of the Rings costume designer Ngila Dickson. They sat on white fur rugs and were given bunnies to pet. Presumably rabbit babysitters were on hand when the disco started.

If such fantasies inspire you to become a Twag, the great news is you do not have to be a supermodel to be in with a chance. Such is the dearth of single women in Silicon Valley that one dating site, Dating Ring, crowdfunded a plane to fly single women to Palo Alto from New York.

Be warned, though: guys are single because they are married to the job.

No wonder most meet their partners at college or work — the Facebook chief executive Mark Zuckerberg met his wife, Priscilla Chan, at Harvard.

The Instagram co-founder Kevin Systrom met girlfriend Nicole Schuetz at Stanford. Melinda met Bill Gates when, in 1987, they sat next to each other at an Expo trade-fair dinner. “He was funnier than I expected him to be,” she said.

Kerr began dating Spiegel in 2014 after meeting him at a Louis Vuitton dinner in New York. You can bet he was networking. Shortly after Louis Vuitton showcased their cruise collection in a Snapchat story. Last season Snapchat went on to become the biggest new name at NY fashion week.

If you want to meet tech guys, you might catch them at Silicon Valley parties, which is how the Uber chief executive Travis Kalanick met his partner, Gabi Holzwarth, a violinist hired to play. Or they might be schmoozing clients downtown in a swanky Noe Valley club in San Francisco or a boring Union Square hotel in New York. In London you find them around Old Street, aka Silicon Roundabout, in bars, at hackathons, or start-up meet-ups. In the day they are coding at Google Campus or practising their pitching in a co-working space.

Some tech boys date the old-fashioned way: on Tinder. Airbnb founder Brian Chesky met his girlfriend of three years, Elissa Patel, through the app. When I interviewed Instagram co-founder Systrom he admitted that when he had been single he had signed up.

Dating agency Linx — presumably a play on operating system Linux — is dedicated to making Silicon Valley matches. Amy Andersen set it up in 2003 after moving to Palo Alto and being “flabbergasted” by the number of eligible men. She claims her clients are “extremely dynamic and successful individuals’’: tech founders, tech chief executives, financier founding partners of large institutions and “tons of entrepreneurs”.

Andersen says tech guys make “fabulous partners”. Romantic and chivalrous, they write love letters, plan dates, “even proposing on Snapchat!” If you want to marry a tech billionaire, she says, “you need to bring your A game.” Her clients look “for women who are equally, if not more, dynamic and interesting than he is!”

There are drawbacks to dating tech guys. Before Google buys your amore’s business, he will be living on *** Noodles waiting for the next round of funding — and workaholics are dull.

Kerr says Spiegel is “25, but he acts like he’s 50. He’s not out partying. He goes to work in Venice [Beach], he comes home. We don’t go out. We’d rather be at home and have dinner, go to bed early.” Which might suit Kerr, but is not my idea of a fun.

You had also better be prepared to share your life. When Priscilla Chan miscarried three times, Mark Zuckerberg wrote about it on Facebook, while Chesky used a romantic trip with his girlfriend to promote Airbnb - uploading a picture of her in bed, with a note saying “f* hotels”. Besides all of which is the notorious issue of Silicon Valley sexism.

It has a chief exec-bro culture that puts pick-up artist/comedian Dapper Laughs to shame. Ninety per cent of women working in the Valley say they have witnessed sexist behaviour, 60 per cent have experienced unwanted ****** advances at work, two thirds of them from their boss. Whitney Wolfe, a co-founder of Tinder, took Justin Mateen to court for ****** harassment. Her lawsuit against the company alleged that Mateen, her former partner, sent text messages calling her a “*****”.

Spiegel has tech bro form. He apologised after emails from his days at Stanford emerged: missives about stripper poles, getting black-out drunk, shooting lasers at “fat chicks”, and promising to “roll a blunt for whoever sees the most **** tonight (Sunday)”. After one fraternity Hawaiian luau party, he signed off emails “f*
bitchesgetleid”.

No wonder some women are not inspired to become Twags. Especially when you could be a tech billionaire yourself. Would you not rather be Sheryl Sandberg, chief operating officer of Facebook, than married to the boss?Read more at:http://www.marieaustralia.com/evening-dresses | www.marieaustralia.com/black-formal-dresses
1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul? And if the body
were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself
     balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
     his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
     and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
     folds of their dress, their style as we pass in the street, the
     contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
     the transparent green-shine, or lies with his face up and rolls
     silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
     horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
     dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
     cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
     horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, *****,
     good-natured, native-born, out on the vacant lot at sundown
     after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
     muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
     suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d
     neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s
     breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
     the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
     beard, the immeasurable meaning of his black eyes, the richness
     and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
     massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal
     love,
He drank water only, the blood show’d like scarlet through the
     clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he
     had a fine one presented to him by a ship-joiner, he had
     fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
     you would pick him out as the most beautiful and vigorous of
     the gang,
You would wish long and long to be with him, you would wish to sit
     by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round
     his or her neck for a moment, what is this then?
I do not ask any more delight, I
     swim in it as in a sea.
There is something in staying close to men and women and looking on them,
     and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
     all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
     was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
     likewise ungovernable,
Hair, *****, hips, bend of legs, negligent falling hands all
     diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
     and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
     love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the
     prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born
     of woman,
This the bath of birth, this the merge of small and large, and the
     outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
     exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as
     daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
     sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
     utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
     the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
     soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
     laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
     much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
     no right to a sight?
Do you think matter has cohered together from its diffuse float, and
     the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized
     arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
     aspirations,
(Do you think they are not there because they are not express’d in
     parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers
     in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
     through the centuries?
(Who might you find you have come from yourself, if you could trace
     back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and
     times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
     than the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
     that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women,
     nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the
     soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
     that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s,
     father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
     sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
     jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
    ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
     finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-*****, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
     or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, *******, breast-milk, tears, laughter, weeping,
     love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
     tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
     meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
     toward the knees,
The thin red jellies within you or within me, the bones and the
     marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of
     the soul,
O I say now these are the soul!
Fanfare of northwest wind, a bluejay wind
announces autumn, and the equinox
rolls back blue bays to a far afternoon.
Somewhere beyond the Gorge Li Po is gone,
looking for friendship or an old love's sleeve
or writing letters to his children, lost,
and to his children's children, and to us.
What was his light? of lamp or moon or sun?
Say that it changed, for better or for worse,
sifted by leaves, sifted by snow; on mulberry silk
a slant of witch-light; on the pure text
a slant of genius; emptying mind and heart
for winecups and more winecups and more words.
What was his time? Say that it was a change,
but constant as a changing thing may be,
from chicory's moon-dark blue down the taut scale
to chicory's tenderest pink, in a pink field
such as imagination dreams of thought.
But of the heart beneath the winecup moon
the tears that fell beneath the winecup moon
for children lost, lost lovers, and lost friends,
what can we say but that it never ends?
Even for us it never ends, only begins.
Yet to spell down the poem on her page,
margining her phrases, parsing forth
the sevenfold prism of meaning, up the scale
from chicory pink to blue, is to assume
Li Po himself: as he before assumed
the poets and the sages who were his.
Like him, we too have eaten of the word:
with him are somewhere lost beyond the Gorge:
and write, in rain, a letter to lost children,
a letter long as time and brief as love.

II

And yet not love, not only love. Not caritas
or only that. Nor the pink chicory love,
deep as it may be, even to moon-dark blue,
in which the dragon of his meaning flew
for friends or children lost, or even
for the beloved horse, for Li Po's horse:
not these, in the self's circle so embraced:
too near, too dear, for pure assessment: no,
a letter crammed and creviced, crannied full,
storied and stored as the ripe honeycomb
with other faith than this. As of sole pride
and holy loneliness, the intrinsic face
worn by the always changing shape between
end and beginning, birth and death.
How moves that line of daring on the map?
Where was it yesterday, or where this morning
when thunder struck at seven, and in the bay
the meteor made its dive, and shed its wings,
and with them one more Icarus? Where struck
that lightning-stroke which in your sleep you saw
wrinkling across the eyelid? Somewhere else?
But somewhere else is always here and now.
Each moment crawls that lightning on your eyelid:
each moment you must die. It was a tree
that this time died for you: it was a rock
and with it all its local web of love:
a chimney, spilling down historic bricks:
perhaps a skyful of Ben Franklin's kites.
And with them, us. For we must hear and bear
the news from everywhere: the hourly news,
infinitesimal or vast, from everywhere.

III

Sole pride and loneliness: it is the state
the kingdom rather of all things: we hear
news of the heart in weather of the Bear,
slide down the rungs of Cassiopeia's Chair,
still on the nursery floor, the Milky Way;
and, if we question one, must question all.
What is this 'man'? How far from him is 'me'?
Who, in this conch-shell, locked the sound of sea?
We are the tree, yet sit beneath the tree,
among the leaves we are the hidden bird,
we are the singer and are what is heard.
What is this 'world'? Not Li Po's Gorge alone,
and yet, this too might be. 'The wind was high
north of the White King City, by the fields
of whistling barley under cuckoo sky,'
where, as the silkworm drew her silk, Li Po
spun out his thoughts of us. 'Endless as silk'
(he said) 'these poems for lost loves, and us,'
and, 'for the peachtree, blooming in the ditch.'
Here is the divine loneliness in which
we greet, only to doubt, a voice, a word,
the smoke of a sweetfern after frost, a face
touched, and loved, but still unknown, and then
a body, still mysterious in embrace.
Taste lost as touch is lost, only to leave
dust on the doorsill or an ink-stained sleeve:
and yet, for the inadmissible, to grieve.
Of leaf and love, at last, only to doubt:
from world within or world without, kept out.
  
IV

Caucus of robins on an alien shore
as of the **-** birds at Jewel Gate
southward bound and who knows where and never late
or lost in a roar at sea. Rovers of chaos
each one the 'Rover of Chao,' whose slight bones
shall put to shame the swords. We fly with these,
have always flown, and they
stay with us here, stand still and stay,
while, exiled in the Land of Pa, Li Po
still at the Wine Spring stoops to drink the moon.
And northward now, for fall gives way to spring,
from Sandy Hook and Kitty Hawk they wing,
and he remembers, with the pipes and flutes,
drunk with joy, bewildered by the chance
that brought a friend, and friendship, how, in vain,
he strove to speak, 'and in long sentences,' his pain.
Exiled are we. Were exiles born. The 'far away,'
language of desert, language of ocean, language of sky,
as of the unfathomable worlds that lie
between the apple and the eye,
these are the only words we learn to say.
Each morning we devour the unknown. Each day
we find, and take, and spill, or spend, or lose,
a sunflower splendor of which none knows the source.
This cornucopia of air! This very heaven
of simple day! We do not know, can never know,
the alphabet to find us entrance there.
So, in the street, we stand and stare,
to greet a friend, and shake his hand,
yet know him beyond knowledge, like ourselves;
ocean unknowable by unknowable sand.

V

The locust tree spills sequins of pale gold
in spiral nebulae, borne on the Invisible
earthward and deathward, but in change to find
the cycles to new birth, new life. Li Po
allowed his autumn thoughts like these to flow,
and, from the Gorge, sends word of Chouang's dream.
Did Chouang dream he was a butterfly?
Or did the butterfly dream Chouang? If so,
why then all things can change, and change again,
the sea to brook, the brook to sea, and we
from man to butterfly; and back to man.
This 'I,' this moving 'I,' this focal 'I,'
which changes, when it dreams the butterfly,
into the thing it dreams of; liquid eye
in which the thing takes shape, but from within
as well as from without: this liquid 'I':
how many guises, and disguises, this
nimblest of actors takes, how many names
puts on and off, the costumes worn but once,
the player queen, the lover, or the dunce,
hero or poet, father or friend,
suiting the eloquence to the moment's end;
childlike, or *******; the language of the kiss
sensual or simple; and the gestures, too,
as slight as that with which an empire falls,
or a great love's abjured; these feignings, sleights,
savants, or saints, or fly-by-nights,
the novice in her cell, or wearing tights
on the high wire above a hell of lights:
what's true in these, or false? which is the 'I'
of 'I's'? Is it the master of the cadence, who
transforms all things to a hoop of flame, where through
tigers of meaning leap? And are these true,
the language never old and never new,
such as the world wears on its wedding day,
the something borrowed with something chicory blue?
In every part we play, we play ourselves;
even the secret doubt to which we come
beneath the changing shapes of self and thing,
yes, even this, at last, if we should call
and dare to name it, we would find
the only voice that answers is our own.
We are once more defrauded by the mind.

Defrauded? No. It is the alchemy by which we grow.
It is the self becoming word, the word
becoming world. And with each part we play
we add to cosmic Sum and cosmic sum.
Who knows but one day we shall find,
hidden in the prism at the rainbow's foot,
the square root of the eccentric absolute,
and the concentric absolute to come.

VI

The thousand eyes, the Argus 'I's' of love,
of these it was, in verse, that Li Po wove
the magic cloak for his last going forth,
into the Gorge for his adventure north.
What is not seen or said? The cloak of words
loves all, says all, sends back the word
whether from Green Spring, and the yellow bird
'that sings unceasing on the banks of Kiang,'
or 'from the Green Moss Path, that winds and winds,
nine turns for every hundred steps it winds,
up the Sword Parapet on the road to Shuh.'
'Dead pinetrees hang head-foremost from the cliff.
The cataract roars downward. Boulders fall
Splitting the echoes from the mountain wall.
No voice, save when the nameless birds complain,
in stunted trees, female echoing male;
or, in the moonlight, the lost cuckoo's cry,
piercing the traveller's heart. Wayfarer from afar,
why are you here? what brings you here? why here?'

VII

Why here. Nor can we say why here. The peachtree bough
scrapes on the wall at midnight, the west wind
sculptures the wall of fog that slides
seaward, over the Gulf Stream.
                                                       The rat
comes through the wainscot, brings to his larder
the twinned acorn and chestnut burr. Our sleep
lights for a moment into dream, the eyes
turn under eyelids for a scene, a scene,
o and the music, too, of landscape lost.
And yet, not lost. For here savannahs wave
cressets of pampas, and the kingfisher
binds all that gold with blue.
                                                  Why here? why here?
Why does the dream keep only this, just this C?
Yes, as the poem or the music do?

The timelessness of time takes form in rhyme:
the lotus and the locust tree rehearse
a four-form song, the quatrain of the year:
not in the clock's chime only do we hear
the passing of the Now into the past,
the passing into future of the Now:
hut in the alteration of the bough
time becomes visible, becomes audible,
becomes the poem and the music too:
time becomes still, time becomes time, in rhyme.
Thus, in the Court of Aloes, Lady Yang
called the musicians from the Pear Tree Garden,
called for Li Po, in order that the spring,
tree-peony spring, might so be made immortal.
Li Po, brought drunk to court, took up his brush,
but washed his face among the lilies first,
then wrote the song of Lady Flying Swallow:
which Hsuang Sung, the emperor, forthwith played,
moving quick fingers on a flute of jade.
Who will forget that afternoon? Still, still,
the singer holds his phrase, the rising moon
remains unrisen. Even the fountain's falling blade
hangs in the air unbroken, and says: Wait!

VIII

Text into text, text out of text. Pretext
for scholars or for scholiasts. The living word
springs from the dying, as leaves in spring
spring from dead leaves, our birth from death.
And all is text, is holy text. Sheepfold Hill
becomes its name for us, anti yet is still
unnamed, unnamable, a book of trees
before it was a book for men or sheep,
before it was a book for words. Words, words,
for it is scarlet now, and brown, and red,
and yellow where the birches have not shed,
where, in another week, the rocks will show.
And in this marriage of text and thing how can we know
where most the meaning lies? We climb the hill
through bullbriar thicket and the wild rose, climb
past poverty-grass and the sweet-scented bay
scaring the pheasant from his wall, but can we say
that it is only these, through these, we climb,
or through the words, the cadence, and the rhyme?
Chang Hsu, calligrapher of great renown,
needed to put but his three cupfuls down
to tip his brush with lightning. On the scroll,
wreaths of cloud rolled left and right, the sky
opened upon Forever. Which is which?
The poem? Or the peachtree in the ditch?
Or is all one? Yes, all is text, the immortal text,
Sheepfold Hill the poem, the poem Sheepfold Hill,
and we, Li Po, the man who sings, sings as he climbs,
transposing rhymes to rocks and rocks to rhymes.
The man who sings. What is this man who sings?
And finds this dedicated use for breath
for phrase and periphrase of praise between
the twin indignities of birth and death?
Li Yung, the master of the epitaph,
forgetting about meaning, who himself
had added 'meaning' to the book of >things,'
lies who knows where, himself sans epitaph,
his text, too, lost, forever lost ...
                                                         And yet, no,
text lost and poet lost, these only flow
into that other text that knows no year.
The peachtree in the poem is still here.
The song is in the peachtree and the ear.

IX

The winds of doctrine blow both ways at once.
The wetted finger feels the wind each way,
presaging plums from north, and snow from south.
The dust-wind whistles from the eastern sea
to dry the nectarine and parch the mouth.
The west wind from the desert wreathes the rain
too late to fill our wells, but soon enough,
the four-day rain that bears the leaves away.
Song with the wind will change, but is still song
and pierces to the rightness in the wrong
or makes the wrong a rightness, a delight.
Where are the eager guests that yesterday
thronged at the gate? Like leaves, they could not stay,
the winds of doctrine blew their minds away,
and we shall have no loving-cup tonight.
No loving-cup: for not ourselves are here
to entertain us in that outer year,
where, so they say, we see the Greater Earth.
The winds of doctrine blow our minds away,
and we are absent till another birth.

X

Beyond the Sugar Loaf, in the far wood,
under the four-day rain, gunshot is heard
and with the falling leaf the falling bird
flutters her crimson at the huntsman's foot.
Life looks down at death, death looks up at life,
the eyes exchange the secret under rain,
rain all the way from heaven: and all three
know and are known, share and are shared, a silent
moment of union and communion.
Have we come
this way before, and at some other time?
Is it the Wind Wheel Circle we have come?
We know the eye of death, and in it too
the eye of god, that closes as in sleep,
giving its light, giving its life, away:
clouding itself as consciousness from pain,
clouding itself, and then, the shutter shut.
And will this eye of god awake again?
Or is this what he loses, loses once,
but always loses, and forever lost?
It is the always and unredeemable cost
of his invention, his fatigue. The eye
closes, and no other takes its place.
It is the end of god, each time, each time.

Yet, though the leaves must fall, the galaxies
rattle, detach, and fall, each to his own
perplexed and individual death, Lady Yang
gone with the inkberry's vermilion stalk,
the peony face behind a fan of frost,
the blue-moon eyebrow behind a fan of rain,
beyond recall by any alchemist
or incantation from the Book of Change:
unresumable, as, on Sheepfold Hill,
the fir cone of a thousand years ago:
still, in the loving, and the saying so,
as when we name the hill, and, with the name,
bestow an essence, and a meaning, too:
do we endow them with our lives?
They move
into another orbit: into a time
not theirs: and we become the bell to speak
this time: as we become new eyes
with which they see, the voice
in which they find duration, short or long,
the chthonic and hermetic song.
Beyond Sheepfold Hill,
gunshot again, the bird flies forth to meet
predestined death, to look with conscious sight
into the eye of light
the light unflinching that understands and loves.
And Sheepfold Hill accepts them, and is still.

XI

The landscape and the language are the same.
And we ourselves are language and are land,
together grew with Sheepfold Hill, rock, and hand,
and mind, all taking substance in a thought
wrought out of mystery: birdflight and air
predestined from the first to be a pair:
as, in the atom, the living rhyme
invented her divisions, which in time,
and in the terms of time, would make and break
the text, the texture, and then all remake.
This powerful mind that can by thinking take
the order of the world and all remake,
w
Dorothy A Jun 2012
With great recollection, there were a few things in life that Ivy Jankauskas would always remember—always.

She would never forget where she was when 9/11 happened; she was in her algebra class, doodling a picture on a piece of notebook paper of her dog, Zoey—bored out of her mind by Mr. Zabbo’s lecture—when she first heard the shocking news. Certainly, she could remember when she first properly fell in love; she was fresh into college when she knew that she loved Trevor Littlefield—the day after they agreed to get back together, right after the day they decided to split up—after she finally realized that she really loved him, much more than she ever, really, consciously thought. She would forever remember when her parents first took her to Disneyland; she was seven and got her picture taken with Snow White and Mickey Mouse, and she instantly decided that she wanted to become a professional Tinkerbelle when she grew up.

And, like it or not, she could remember her very first kiss. She had just turned five, and it was at her birthday party. How could she ever forget those silly paper hats, and all her little playmates wearing them? They were a good sized group of children, mostly from the neighborhood and her kindergarten class, which watched her open present after present. Ivy remembered her cherry cake, with white frosting, and the stain she had when she dropped a piece on her pretty, new dress that her mother had bought her just for the occasion.  

It was later that day, behind her garage, that Gordon Zachary Durand, the Third, a boy her same age, planted one on her. It was a strange sensation, she recalled—icky, wet and sloppy, and Gordon nearly missed her mouth. Not expecting it, Ivy made a face, puckering up her lips—but not for another kiss—as if she had just ****** on a spoiled lemon. Ever since then, it was the beginning of the dislike she had for Gordon Zachary Durand, the Third. She didn’t exactly know why—there was just something about him that bugged her from then on.

There grew to be several reasons why Ivy knew that Gordon was a ****, something she first sensed at her birthday party behind the garage. Since about third grade, children picked on Ivy’s name, teasing her by calling her “Poison Ivy”.  And the one who seemed to be the loudest and most obnoxious of the name callers, chiming in with the other bullies, was Gordon Zachary Durand, the Third.  Ivy was proud of her name up until then, but the taunts made her self conscious. Her mother told her to be proud of her name, for it was unique and different, as she was unique and an individual. Still, Ivy felt uncomfortable with her name for quite a while. Only in adulthood, did she feel somewhat better about it.

A bit of a tomboy back then in school, she would have loved to punch Gordon right in the nose. If only she could get away with it! What a joke! Who would name their child Gordon anyway? She had thought it was far worse than hers.

So to counter his verbal assaults to her name, Ivy called Gordon, “Flash Gordon”, after the science fiction hero from TV and the comics. But Gordon was no hero to her. He was more of a villain, creepy, vile, and just plain mean!

Soon, new name of him caught on, and other kids were joining her. She had a smug sense of satisfaction that Gordon grew furious of the title, for it stuck to him like glue.

Gordon’s family lived right around the block, just minutes away from where Ivy lived. Ivy’s mom, Gail, and Gordon’s mom, Lucy, both went to the same Lithuanian club, and both encouraged their children to take up Lithuanian folk dancing. Ivy remembered she was eight-years-old when she began dancing. It was three years of Hell, she had thought, wearing those costumes, with long, flowery skirts, frilly blouses, aprons, caps and laced vests, and performing for all the parents and families in attendance. Worst of all, she often had to dance with Gordon, and he was one of only three boys that was dragged into taking up folk dancing by their mothers. Probably all of those boys went into it kicking and screaming, so Ivy had thought.

Many years have came and gone since those days. Ivy was now a lovely, young woman, tall and dark blonde, and with a Master’s degree in sociology, working as a social worker in the prison system. Ivy’s parents would never have imagined that she would work in a field, in such places, but she found it quite rewarding, helping those who often wished for or were in need of redemption.    

When Ivy came over to visit her mom one day, her mother had told her some news. “Gordon Durand’s mother passed away”, Gail announced. It was quite disturbing.

“What? When?” Ivy replied, her face full of shock.

“Well, it must have been a few days ago. I saw the obituary in the paper, and a couple of people from the Lithuanian club called me to tell me. The funeral will be Friday. Why, I didn’t even know she was sick! She must have hid from just about everyone. If only I knew, I would have gone to see her and make sure she know I cared”.

It had been a long time since Ivy saw Gordon, ever since high school. Now, they were both twenty-six-years-old. It never occurred to her to ever think of Gordon, to have him fixed in her mind like a fond memory from the past.

“Could of, would of, should of—don’t beat yourself up, Mom” Ivy told her "I guess I should go pay my respects”. But Ivy was not sure if she really should do it, or really if she wanted to do it. “Mrs. Durand was a nice lady. Sometimes, it is the nice ones that die young. What did she die of anyway?”

Ivy’s mom was pouring herself and her daughter a cup of coffee. “I believe it was leukemia. In the obituary, it asks for donations to be made to the Leukemia Society of America”.

Ivy shook her head in disbelief.  As she was sitting down with her mother at the kitchen table, drinking her coffee, her mom shocked her even more. Gail said, “Only twenty-six, same as you, and now Gordon has no mother or father! How tragic to lose your parents at such a young age! It breaks my heart to think of him without his parents, even though he is a grown up man now!”

“What?!” Ivy shouted in disbelief. “When did Gordon’s dad die?!”

Gail sipped on her coffee mug. “Oh, a few years ago, I believe. Time sure flies, so maybe it was longer than I think”. Gail had a far away look on her face like she was earnestly calculating the time in her mind.

“He died? You never told me that! How come you never told me?”

Under normal circumstances, the thought of Gordon Zachary Durand, the Third, would almost want to make Ivy cringe. But now Ivy was feeling very sad for him.  

“I did!” Gail defended herself. “You just don’t remember, or you weren’t listening. I am sure I told you!”

Gail was a round faced woman, with light, crystal blue eyes that always seemed warm in spite of their icy color. Ivy was quite close to her mother, her parents’ only child. She was grateful that her dad, Max, was still around, too, unlike the thought of Gordon’s dad dying. She felt that she could not have asked for better parents. They loved her and built her up to be who she was, and she felt that they could be proud of how she turned out, not the stereotypically spoiled, only child, not entitled to have everything, but one who was willing to do her share in life.  

“I would have remembered, Mom!” Ivy insisted. “I would remember a thing like that! What happened to him? Did you go to the funeral home?”

“I think he had a heart attack”, Gail replied, tapping her finger on her temple to indicate that she remembered. “I did go…oh, wait a minute. You were in Europe with your friends. It was the year after you graduated from high school, I believe. You couldn’t possibly have gone to the funeral home at that time”.

Since Gail did not want to go to Daytona Beach, in Florida, for her senior trip, her parents saved up the money for her to go to Germany and Italy. Ivy wasn’t into being a bikini clad sun goddess, nor was she thrilled by the rowdy behavior of crowds of *** craved teens—a choice that her parents were quite grateful that she chose, level headed as she was.

Since she was a little girl, Ivy dreamed of going to Europe. Her parents, both grandchildren of Lithuanian immigrants, would have loved for her to go to Lithuania, but Ivy and two of her friends had found a safe, escorted trip to go elsewhere,  on to where Ivy always dreamed of going—to see the Sistine Chapel and to visit her pen pal of eleven years, Ursula Friedrich, in Munich.  

Now, Ivy was available to visit the funeral home for Gordon’s mother, and she had decided to go with her mother. Not seeing Gordon in years, Ivy had her misgivings, not knowing what to expect when encountering him. Perhaps, he would be different now, but maybe he would prove to be quite the ****.

As she came, she noticed Gordon’s sister, Deirdre, and she gave her a hug. “I’m so sorry to hear about your mom. She was so nice”, Ivy told Deirdre. She felt uncomfortable talking to Deirdre, for she did not know what to say other than the usual, I am sorry for your loss. It was “sympathy card” talk, and Ivy felt like she was quoting something contrived from a Hallmark store.    

Deirdre was two years older than Gordon. She slightly smiled at Ivy and sighed. She must have said just about the same thing all day long, “It is good of you to come. Thank you for your kind support. Mom would appreciate it”.

Ivy looked around the room. There were many flowers, in vases and baskets, and people surrounding the casket. Ivy could not see Mrs. Durand in the coffin, for people were in the way, her mother included. She was glad she couldn’t see the body from her view.

Funeral homes gave her the creeps, ever since she was thirteen years old and her grandmother died, her father’s mother, and she had to stay at the funeral home all day long. Even a whiff of some, certain flowers was not pleasant to smell. They reminded her of being at a place like this, certainly not evoking thoughts of joy.          

Ivy looked around the room. “Where is Gordon?” she asked Deirdre.

Deirdre sighed again. “Gordon cannot handle death very well”, she admitted. “Go outside and look. He has been hanging around the building outside, getting some fresh air and insisting he needs a big break from all this.”

Ivy shook her head and smirked. “That sounds like Gordon, I must say”  

“Yeah”, Deirdre agreed, as she looked like Gordon’s help to her was a lost cause. “And he’s leaving me to do all the important work—talking to people who come in while he goes away and escapes from reality”.

Ivy went outside to search for Gordon. Sure enough, she found him by the side of the building, under a broad, shady tree. He was having a cigarette, standing all by himself, when he saw her approach.

Gordon looked the same—wavy brown hair and freckles, but much more grown up and sophisticated, his suit jacked off and his tie loosened up. Ivy knew that he always hated wearing ties. She knew that when both her mom and his mom convinced them to go out with each other—a huge twist of their arms—to the Fall Fest Dance in ninth grade and in junior high school. Gordon’s mom bribed him to go with her by promising to double his allowance for the month, and Ivy actually had a silly crush on Gordon’s cousin, Ben, hoping that she might get to talk to him if she went with Gordon to the dance.

Ivy glanced at Gordon’s cigarette, and he noticed. “Been trying to quit”, Gordon told her as she approached. He dropped it on the sidewalk and stepped on it to put it out. His face was somber as he added without any emotion, as if parroting his own voice, “Ivy Jankauskas—how the hell have you been?” It sounded like he had just seen her in a matter of months instead of years.

Well, at least he had no problem identifying her or remembering her name. She must not have changed that drastically—and hopefully for the better.

Ivy stood there before him, as he looked her down from head to toe. Same old Gordon! She thought he was probably giving her “the inspection”. She thought he almost looked handsome in his brown suit vest and pants—almost—with a sharp look of sophistication that Gordon probably wasn’t accustomed to. Surely, Ivy had no real respect for him.

“I’m well”, she responded. “But the question is more like…how are you doing?” Ivy studied Gordon’s blank expression. “No—really. I’d like to know how you are coping”.

Gordon stood there looking at the ground, his hands in his pants pockets, like he never heard her. “Come on. Let’s go for a walk”

“Here? Now?”

“Just a short work, around the block”, he told her. He already started walking, and Ivy contemplated what to do before she decided to follow up with him to join him.

They walked together in silence for a while. From anyone passing by, they surely would have looked like a couple, a well-paired couple that truly enjoyed each other’s company. Ivy could not believe she was actually walking with him. Gordon Zachary Durand, the Third? Of all people!

“You haven’t answered my question”, Ivy said. “How are you coping? You know I really liked your mom a lot. She always was pleasant to me”.

She wanted to add, “Unlike you”, but it certainly was not the right time or the right place. She felt a twinge of guilt for thinking such a thing. Under more pleasant circumstances, she would have jabbed him a little. That was just how they always communicated, not necessarily in a mean-spirited way, but in a brotherly and sisterly way that involved plenty of teasing.

Gordon thought a moment before he answered. “Yeah, it’s hard. But what can I do? I lost my dad. I lost my mom. Period. End of discussion. I’m too old to be an orphan…but I kind of feel like one anyhow. That’s my answer, in a nutshell”.

“And I wish I knew about your dad”, Ivy said, with a great tone of remorse. “I was in Europe at the time, and I couldn’t have possibly gone to the funeral”.

“Europe? Wow! Aren’t you the jet setter? Who else gets to do that kind of stuff but you, Ivy?”

Now that was the Gordon she always knew! It did not take long for the true Gordon to come forth and show himself.

“No! I don’t have all kinds of money!” she quickly defended herself. “I actually helped pay for some of that trip by working all summer after we graduated from high school. Plus, it was the trip of a lifetime. I may never get the chance to go again on a trip like that again”.  

Ivy was a bit perturbed that Gordon seemed to imply that she was pampered by her parents. He accused her of that before, just because she was an only child.

Autumn was approaching, but summer was still in the air. It was Ivy’s favorite time of year, with the late summer and early autumn, all at the same time.  The trees were just starting to turn colors, but the sun felt nice and warm upon her as Ivy walked along. It was surely an Indian summer day, one that wouldn’t last forever. She wore a light sweater over her sleeveless, cotton dress, and took it off to experience more of the sun.

“It has been ages since I’ve seen you”, Gordon admitted. “Since high school. So what became of you? Did you ever go to college?”

“I did and I work as a social worker…I work in various prisons”

Gordon laughed out loud, and Ivy gave him a stern look. “What’s so funny?” she demanded.

“I just can’t picture you going in the slammer, even if you aren’t wearing an orange suit”, he said in between laughing. He looked at Ivy, and she had quite a frown on her face. He changed his tune. “I was only joking, Ivy. I think you’d probably do good work at your job”.  

“And where do you work?” she asked, a devilish expression on her face. “At the circus?”

Ivy caught herself becoming snarky to Gordon. It did not take long. She opened her mouth to apologize, but Gordon, sensing her need to be sorry, stopped her.

Laughing even more, he said, “Good one! You are sharp and fast on your feet! You always have been! I work for an insurance agency. I work for Triple A”.

“Oh, really? Do you like your job?” Ivy asked. Her interest was genuine.

“It pays the bills. But, hey! I am going back to college in January. I just have an Associate’s degree right now. I am not sure what I want to take up, but I want to go back and at least get a Bachelor’s”.

“That’s great!” Ivy exclaimed. “I think you should keep on learning and keep on moving forward. That is a great goa
judy smith Apr 2015
Getting the fashion industry excited about an event is no plum task. And yet season after season, Anna Sui does it with her thoughtful and fun runway shows. Blame it on her ability to transport her audiences deep into her world full of references that range from Pre-Raphaelites to Diaghilev to disco. (Of course, the retro soundtracks and top models don’t hurt, either.)

Lately, Sui’s been sharing her passion for fashion history with a wider audience by taking on many collabs, the latest of which is with O’Neill, in stores now. Just in time for summer, the designer crafted a selection of swimwear and cover-ups that echo the bohemian mood of her main collection but also target a new kind of customer. We caught up with Sui at her Soho store to reflect on her career, her favorite muses, and texting with Anita Pallenberg.

You’ve been doing more collaborations in general lately—why is it important to you to diversify into these arenas?

Well, there are certain limitations that we have as far as production for what we’re able to do. A great way to overcome that is to work with somebody who has the expertise in that product. So working with Frye, they make the coolest, sturdiest boot that you can imagine, and so I think this is my third time collaborating with them. They’re just dreams to work with. It takes you to another place. And also you learn so much, because we’re so limited as far as resources now that it opens up new avenues. I did the same with the Coach bags and with the luggage with Tumi and now this collection with O’Neill.

How did you get involved with O’Neill?

Our sales manager knew somebody at O’Neill, and she started thinking that it would be such a great pair-up between O’Neill and Anna Sui because O’Neill is very much our girl. They’re very print-oriented and known for their surfer style, but we wanted to incorporate our bohemian style with it. I think that we’ve blended it so well. The clothes are just so dreamy; we were all just oohing and ahhing over these lace pieces.

That perfect white lace dress is a very necessary summer item.

It’s so true. I remember one summer I was looking at Naomi [Campbell] pictures on a yacht on Daily Mail or something, and every day she had the most beautiful, little white baby-doll dress. I thought, Where did she find all those?! But she can just zero in on something, too. That’s always been my dream, to have all those gorgeous white baby-doll dresses.

You have the best references season after season—who was the beachy surfer girl that you looked to for this collab?

We wanted to capture that true bohemian feeling of the ladies of Laurel Canyon: Joni Mitchell, Michelle Phillips, all those girls you put pictures on the wall and are like, “I hope I grow up and look like this.” So what we tried to capture was that dream.

I think fashion in general is really swinging toward the Anna Sui vibe, very bohemian.

It’s exciting. It’s kind of like a new beginning again. We’ve had so much reaction from all the stores and press—it’s like when I first started. It’s got that same feeling. It’s wonderful.

How do you define who your customer is and continue to change and grow with her over the years?

I think that somewhere I never grew up, and it’s still that same dream as when I was looking at the pictures of Michelle Phillips. It’s still always that same thing, and no matter where I go with the collection, Vikings or Pre-Raphaelites, there’s still that bohemian girl there. That was always my ideal. As much as I try to veer away from it, there are always a couple of those Michelle Phillips and Joni Mitchells in the collection. Through every collection you can find them.

So what’s the secret to staying young forever then?

I think loving what you do. You can’t ask for more. This is what I wanted to do since I was 4 years old, and just the fact that I’m able to do it and do it globally—I work in Japan and I work in Europe and I work in New York—it’s kind of a dream. It’s a lot of hard work and I’m very, very dedicated to it. I do a lot of sacrificing of other things, but it’s what I’ve always wanted.

As someone who’s been in the business for so long, how do you stay inspired and not get worn out or jaded?

One of the things that I love the most is research—learning new things and exploring new things. That’s what I do when I work on a collection: I find something that sparks my interest and then I’m obsessed with and I just go into it. It’s like going into the rabbit hole. Then all of a sudden you find out all these other things because one thing leads to another. Like when I did the Ballets Russes collection [Fall 2011], I saw that beautiful Diaghilev exhibit at the V&A; and I thought, OK, now I can be inspired by those Léon Bakst drawings. I remember one of the Ormsby Gore sisters was telling me that the way they started wearing vintage was because of a sale of the Ballets Russes costumes in, like, 1968. They couldn’t afford the principal costumes, but they could afford the costumes of the Sugar Plum Fairies, all these crushed velvets. So they started wearing them on the street, and all of a sudden the Beatles and the Stones and everybody else started following what they were doing. Well, don’t you know, in the Diaghilev exhibit, there was a film of that auction. I was just like, “Oh, my God.” That’s what sparked that whole thing where everyone was looking romantic and medieval. I love finding that connection. That makes my day—that makes my season when I find that out.

Do you feel like it’s harder or easier today to communicate that to your customer? I feel like with the pressures to make Instagrammable moments, it’s become very hard to get people excited about the history of fashion.

There are so many levels in what I do. Somebody like Tim [Blanks] will get the really intricate things, but then the obvious things will be the things that people talk about the most. I always try to bring it all back, make it current, and tie it in to something that’s happening in our pop culture, like the Viking thing. It’s really true—I was watching [the History channel TV series] and I got that idea. It wasn’t an intellectual idea, but that’s really how it happened. I think that you have to put it on different levels.

Is there one specific era or muse you feel like is the most Anna Sui?

My biggest idols are Anita Pallenberg and Keith Richards. So at the end of the day, it’s always like: Is there something that Anita would wear? Is there something that Keith would wear? Is it cool enough for them? And then I usually send Anita an image and say, “This is the outfit that I did for you.”Read more here:marieaustralia.com | www.marieaustralia.com/evening-dresses
I was at the bar big ******* surprise I know .
The pub was empty well aside from a few selected drunks but really there more like a modern art display that has to **** more than a toddler .

I sat there good Irish coffee in one hand laptop upon the bar my normal morning ritual
No I wasn't looking at **** I'm kidding of course I was duh what goes better with coffee then watching total strangers ******* a circus ****** but enough about family programming.

I had decided to take a change of pace no I wasn't watching barnyard babes instead get your mind out of the gutter you ******'s who do you think I am the owner of this site?
No I decided to swing by my true stomping ground the true home of Gonzo Hello .

I as always stopped by to check the tombstones of my amigos now long since passed .
They were all there on full display a reminder of a past I truly cant forget.
Then I decided to check out the new who's who of the new Hello .

There poems about Mom and Dad and that first crush and other assorted high school horseshit
that was as about as interesting as watching a marathon of twilight backed up by that closet case
Harry Potter honestly I thought that was a great **** name .

Just then I herd a school bus with it's annoying *** air brakes come to a halt outside the Pub
The doors flew open and fifty or so hobbits came wandering in the bar dear lord was it some sort of strike?

Hey there Gonzo I'll take a Bud Light and a bag of chips please.
Want a coloring book to go along with that Bilbo?
Hey look grandpa just do your dam job and get me a  beer okay?

This strange little hamster must have fallen out of his crib and cracked his skull on his power ranger if he thought I was some sort of man servant I swear do these little ***** get there manners ?
I looked at the group of micro mini people thinking deep and long  and sort of ruff with a slap on the **** before I dared to reply.

Okay you little ******* I'll bite but not that hard just who the hell are you and what in the **** are you doing here?
Were the new in crowd of the site were poets father time!

After almost laughing myself to death I decided to entertain the little hamsters .
Okay short stack but before you ask we don't serve milk and cookies and nap time is whenever you hit the floor.

Hey what's with this stupid *** jukebox there's nothing but music on here done by people who actually play music duh what kind of **** is this.
I believe it's actually called music or as your generations rappers like to call it three mile.
Samples to talk over to your generations ****** music.

Hey old man you better watch it what you hate rap?
No I don't hate rap I hate your rap  by the way number seven your banana split is ready.
Hey I got to pay the bills somehow people I haven't had costumers in like five years .

Look Gonz the leader of the diaper gang  spoke up.
I know were younger but we have a right to be here as well were just trying to express areselves and share are work is that so wrong.

The Jim Jones wanna be had a valid point but I honestly didn't care for my mind was on a much deeper subject the music played as in the corner four little mini ******* hotties in school girl outfits
danced away to some sort of teenage ***** they called music.

I was lost in my thoughts of um like deep poetic **** it's to deep for you to grasp .
I'm kidding I was just watching the show thinking hey I don't have to pay for this?

Gonz hey Gonz earth to Gonz  .
Well everybody I tried I guess we better leave I don't think he's interested  in us having a
open mic  poetry night.

The music had stopped and the mini ***** were almost out the door but like some perverted ninja
I stopped them before they reached it.
Hey what's this I don't want to hear a open mic night duh I'm all about hearing your poetry
especially these little stripper poetry were do you all work I just love your costumes .

Um there are school uniforms pervert the one replied .

Hey look Gonzo It's  cool man we'll just be gone I mean you don't want to serve us and all.
I had to think  fast there leader was talking them almost out the door and I really couldn't afford
another kidnapping charge yet again don't ask.

Hey wait gang I was just ******* with you hell drinks on me what's your name Brittney Veronica Kelly hell it doesn't matter just pull yourself up a high chair and name your  poison.
What will it be beer wine crystal **** I know how you kids love that **** Brittney maybe you'd like a smooth roofie margarita I make the best in town just ask Lily .

Hey man what about that jukebox ?
I pulled out my trusty 38 the everyone hit the floor   as the sound blasted through the room worse than Justin Bieber getting **** ****** in county.
Oh baby baby Nooooo but enough with the foreplay children.

Honestly I never knew a power wheels could go that fast .

***** that jukebox amigo that's what mp3 players are for  .
I blasted some sort of strange music and poured the drinks as the hobbits began to
lose themselves in sort of twisted movements they called dancing dear lord man
they could really hold there drugs .

Then came there spoken poetry crap slash wet T shirt contest .
The party was a mad mad scene  like MTV's real world except with actual humans .

The mini strippers slash go go dancers were just about to get on the bar when all the sudden the doors flew open and the dark Lord himself once again stood in pub.

The room went as silent as when a semi  insane hillbilly on a **** TV show does a interview
and people find out he really is a backwards dip **** .
The dark lord spoke Gonzo!

A voice from under the bar spoke up he's not here *******.
Gonzo get your drunken *** from under that bar before I make my man servant come get you.

I popped up faster than a seventy year old man on ****** .

Hey boss how's it been dam you look great can I get you a drink hey have you been working out?
Look you halfwit clean this party out right now I could ban right this very moment .
Hey now look Adolf I was trying to connect with the hip new younger crowd is all because
I believe that a young mind is a terrible thing not to be totally wasted .

Seize him the dark lord called out to his staff of four halfwits .
I fought hard but eventually feel to the powers of those lady truck drivers let me tell you
those ******* fight ***** it was almost like getting *****  ****** if only I hadn't forgot my whistle.

Beaten shaken without my speak being slurred I was handcuffed and taken away .
And as I was being taken out the door a young little hamster spoke .
Hey Gonzo can I have your laptop yeah kids there real wise ***** sometimes.

The young hamsters all sat outside the pub as I was loaded up in the pinto hey poetry doesn't pay kids.

Goodbye Gonzo we'll miss you said one of the stripper students whatever the **** they were.
Goodbye little ***** I'll think about you often well I mean as long as I can remember.

I watched as the kids were scattered to the wind and my Pub was destroyed .
As I was taken away riding into the sunset like some outlaw in the back of a really ****** car.

Was this the end for are brain dead hero?
Would Hello finally see the demise of the legend slash guilty pleasure of Hello.
Would Timmy finally get out of that well to question his own sexuality?

Would this write ever ******* end?

Tune In next week for the exiting conclusion kids.

We now return you to your regularly scheduled programming .

Stay Crazy.

                                                         ­           Fin
Robyn Neymour Nov 2010
Iguana of diamonds,
Sand sea and sun,
Little children in sight,
Attractions of light,
Natives of love,
Decorative cities, what night.

Island’s of the Bahamas beauty as can be,
What more fun than playing with dolphins in the sea.
Creative costumes, dancers so bright,
The music dramatized, Feel the rush it’s a site.
Nothing more beautiful than the island themselves,
Well except the people willing to give help.
Pineapples, peas and rice, pink sand, flamingoes, and some conch salad,
Not forgetting the “KALIK,” cause’ “IT’S A BAHAMIAN TING”.
Blue, Black and Aquamarine, was just described to you,
All in the Islands Love.
Come and enjoy the exciting experience too!
My Bahama Land!

©
© RGN - Nov./3/10

Trying something new...
Jasmine Flower Oct 2014
September 1st, 2001.
I woke up to that same annoying alarm clock, 7:03 AM
Morning shower, morning coffee, morning breakfast –
I changed the calendar but I dropped the tack to hold it up.

September 2nd.
I’m thinking about October,
All the trees ablaze with orange and red, pumpkin pie in the season, cinnamon tingling in the air.
The new Spirit Halloween store opened up around the block. Superhero costumes are pretty cool.

September 3rd.
My mom takes me out to dinner because it’s Monday.

September 4th.
Routine

September 5th.
Routine

September 6th
In calculus, 11 is my favorite number.

September 7th.
Routine

September 8th.
Routine

September 9th.
My routine staccato.
Taxis responds after 3 calls,
My favorite professor gave me a hard time,
I wanna go home.
After the hustle of ants we call people,
loud street venders,
that creepy guy on the street corner,
NO, I do not want to try your new raspberry cheesecake Jack In The Box, I just wanna get my **** food and go home.
I arrive and melt into my sofa, falling asleep to the news.

September 10th.
No alarm clocks.
In the evening, my mom and I go out to dinner because today is Monday.
Red Lobster has the BEST seafood and while we’re eating,
she complains about the air conditioning in her new work place.
She works for some business in the twin towers.

September 11th, 2001
Instead of the alarm, sirens wake me.
I find the tack to hold up my calendar. – It’s Tuesday.
My feet, cold and lifeless, wander around the house until they trip over the scent of smoke.
Those sirens must’ve stopped nearby.
My mom is at work.
I want to get some air,
so I grab the keys off my splintered champagne desk,
****** them into ignition,
fingers wrapping around cruise control,
shifting into reverse,
the monotone GPS lady telling me to turn left.

The smoke is denser.
I follow her voice: turn right.
The smoke is solid.
Keep straight.
The smoke is suffocating.
In 3 hundred feet, turn left
The smoke is the sky –
Charlie Chapman gray.

My mom was at work.
Around me were firetrucks sparking with blinding flashes that screamed the word “emergency.”
My mom was at work.
The sight ahead was morbid. Unnerving. Disastrous.
It was like Halloween, except there were no superhero costumes, only firefighters and policemen.
My mom was at work.
The tower had holes punctured into their glass windows,
Smoke rising like leaves stemming out of the stump of skyscraper.
My mom was at work.
People like ants, fleeing, scattering, put on the mask of apocalyptic expression.
The throaty yells of “it was a plane” stuffed my eardrums
It was a plane, they said, it was a plane.
This was not routine.
My mom was at work.
The alarm woke me up.
I had my morning coffee.
It took all the synapses in my brain to deny what was right in front of me.
My senses detected telephone signals exploding with,
"I’m fine honey, don’t worry,”
Airlines confused and cramming.

I parked my car in overwhelming paralysis.
Above me, a screech of a whistle filled what was left of the air,
Followed by a boom that replicated my heart.
Frozen. Milliseconds frozen.
The plane was flying too low
WHAT HAPPENED?
There were people in those towers,
Everything was an epiphany --
Marriages, birthdays, fathers, sons, mothers, daughters,
Now cadaverous bodies antigravitating in rubble of boring office walls, family pictures.
Death in one swift move of terror.

My mom was at work.
We went to dinner yesterday.
My mom was at work.
The seafood tasted amazing.
My mom was at work.
She complained about the air conditioning.
My mom was at work.
She got a new job in the twin towers.
The twin towers are ablaze
The twin towers are spilling orange and red
They are sending ashes tingling through the air
This was not the October I asked for.
I longed for September 1st
I dropped the tack to hold up my calendar.

It’s Wednesday.
September 12th, 2001.
I did not sleep.
The news kept me awake, kept saying terrorist attack, terrorist attack, identified bodies, many mourning.
Because of their god, they lessened faith in mine.
This was the closest the public eye were to see a warzone-
Text messages cluttered with sympathy.
My routine changed for the rest of my life.

10 years later
Alarm clocks ringing, 7:03AM I stay in bed.
It’s Monday. I do not go out to dinner.
Instead, I drive 5 miles out to the cemetery.
People are still ants, pushing and shoving to where they need to go, they walk as if they had forgotten.
I no longer crave the red and orange of fall, cinnamon is foreign to my senses.
I hate the number 11 because it’s etched on your gravestone.
Your gravestone – gray and dense like the smoke
I wish they were not a constant reminder of the future I live in, but you don’t.
Today, there are no exclaiming yells of people or screeching whistles of planes.
Today there is only silence.

There is only silence.
My Dear Poet Mar 2022
Just like a shirt cannot
hide the hurt
or a headache
beneath a hat

nor a heartache in a suit
or cold feet in a boot
or glove for a trembling hand
neither a thought I think
could be bound
by a headband

You may appear
cool, calm and collected
but make-up and costume
cannot hide the bleeding
of a wound thats infected
judy smith Oct 2016
Marisa Mayeda's tiny hands are steady as she smooths the fabric out in front of her and examines the stitches, checking for bunching or knots.

“Lay it flat, so you can see the whole thing,” suggests instructor Joyce Blaney. Mayeda obeys, spreading out the gorgeous patchwork quilt she’s almost finished creating. It’s one of five she’s making for the babies at Torrance Memorial Hospital.

“It’s her Girl Scout project,” explains Blaney. “Each kid got to choose what they wanted to do, and since Marisa loves sewing, she picked this.”

Blaney’s studio at Sew Creative in Redondo Beach is colorful chaos: bolts of fabric, scrap baskets, ribbons and lace. Pincushions dot almost every surface, and the hum of Singer sewing machines underscores conversation.

It’s unhurried and something of a throwback that most post-baby boomers would recognize as a home economics class—a part of American curriculum that has dwindled over the decades. It’s where Blaney herself learned to thread a needle 50 years ago, fell in love with it almost instantly, and made it a part of her life.

“I learned in a classroom of 30 kids and one teacher. She must have lost her mind,” she laughs now. “It was very crowded. I didn’t realize how challenging that must have been until I started teaching my own students.”

The previous owner started Sew Creative in 1989 before retiring, whereupon Blaney—who had been an employee for several years—bought it and has run it for the past 13 years. Any kid—or adult —can join classes, starting from age six and up. “I primarily teach classes every day after school and on Saturdays. It’s a great opportunity for kids to have a creative outlet.”

According to studies from the University of Missouri, an increasing number of millennials and younger kids don’t know basic home skills, including sewing, cooking, or doing laundry. Only 30 percent of young adults know how to properly boil an egg, according to one study.

Learning by example, such as watching your mother hem a pair of pants, has become less common with each generation. We microwave our food or eat out a lot more. Convenience has made it easier to forgo learning how to cook, and with home economics classes gradually disappearing in the education system.

“Schools are so much more about academics now,” Blaney observes. “This gives kids a chance to make something with their hands, to feel confidence and have something to show for their work. One kid even said that sewing helps her relax, to focus on the moment. I mean, that’s pretty important. She gets it.”

The Queen Amidala costume that Ava Brunner is making for Halloween exemplifies that sentiment. Resplendent in flowing white fabric and a complex pattern of scalloped ruffles, it’s an intricate and challenging design. Brunner, who has been coming to Sew Creative for five years, is now a pro seamstress at age 11, and plans to be an actor and fashion designer.

“There’s no deterring her. Once she decides she’s going to do something ... ” Blaney shakes her head admiringly. “Nothing stops her.”

Mayeda, working diligently on her blanket, just started sewing two months ago at her mother’s suggestion. She had never sewn anything before, but she had a goal and dove in with enthusiasm.

“I wanted to make a new bag for my birthday, but I didn’t know how. So I needed to learn,” she said.

Like her teacher, she’s found a new thing to love—plus a brand-new bag for her birthday this week. And come this January, five newborns will get handmade, hand-stitched blankets for theirs.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/evening-dresses
Julie Fowler Jul 2012
A point of a toe, a stretch of your hand.  
romancing and twirling, you leap and then land  
A beautiful musical, you dance like a doll.  
Holding your posture, you don't ever fall.  

Beautiful costumes, you look like a queen.  
This is the most Amazing ballet I've seen.  
Hold your head high as you curtsy and bow.  
You were amazing! They love you now.
There’s a Devil of a night each year, the night of Mr. Haim!
When the devilish and ghoulie ones come out to play their monster’s game.
And why some would seek to trick or treat on this scary day of dead?
Careful now cause gremlins, trolls …sprites and wolves, will offer up their dread!
Quiet, shush, I hear a pack of creepy-crawly boots…

Ra’atan-Zu and the Boogedy-Boo!
And the skeleton bones, clink…
And the skeleton bones, clink…
The skeleton bones clink.

That crafty-smith of horns and hooves is spying on these kiddies,
As Ra’atan-Zu and the Boogedy-Boo are hunting strays to do their dastardly-ditties.
Quiet, shush, I hear a pack of creepy-crawly boots,
And their costumes, oh-so-foul, the evilest of suits!
And there she is, that little girl who can’t keep up, in a tasty mushroom ensemble.
And the skeleton bones clink in her path to give her quite a tomble!

Ra’atan-Zu and the Boogedy-Boo!
And the skeleton bones, clink…
And the skeleton bones, clink…
The skeleton bones clink.

And Sammy Haim, that smithy-devil, a ***** hoof -igniting ghoul’s desire,
He’s howling out, demanding now, “Put that child to the fire!”
And little does he know, no little bit, not even a small clue,
Neither Ra’atan-Zu nor Boogedy-Boo intend on giving him his due!
For once a year on Halloween they get one night to spaz,
Get down and *****, wild and crazy and play a little jazz!
That little mushroom of a girl will play a tiny fiddle,
Ra’atan-Zu and the Boogedy-Boo, a jazzy duet with child in middle!'

Ra’atan-Zu, Boogedy-Boo and a little girl too as they get down actin’ a spaz! Playin’ all night, howling to the moon and kickin’ out some wicked jazz!

And the skeleton bones, clink…
And the skeleton bones, clink…
  The skeleton bones clink.

Halloween narrative rhyme.
There is no need to dwell on the exterior cliche of an injured soldier, the propaganda is superficial. Civilians have only plastic green men, heavy dusty movie set costumes, and Army-of-One heroes to populate stereotypes. Keep your images larger than life, no use touching up a paint-by-number. Mine was banal, foolish, and 19; enough said.

One fence is the fraternity itself, the next is brain injury. No other way to understand but be there. A Solid-American-Made-Dashboard cracked my forehead at 45mph.
Crumpling into the footwell,
unaware that the flatbed's rear bumper
was smashing thru the passenger windshield above me
the frame stopped just shy of decapitating my luckily unoccupied seat.
Our vehicle's monstrous hood had attempted to murderously bury us under,
but the axle stopped momentum's fate and ended the carnage under dark iron.
Shards of my identity joined the slow, pulverized, airborn chaos.
Back, Deep, Gone.

Unconsciousness is the brain's frantic attempt to re-wire neurons, jury rig broken connections, the doctor's desperate attempt to re-attach, stand back and say, good enough. Essential systems limply functioned, but unessential ones were ditched. Years later a military doctor diagnosed an eventual triage: Hypothalimus disconnected from the Pituitary Gland, Executive Function damaged, long pathways for emotional regulation interrupted.

I woke up still kinda bleeding, crusty blood in my hair, a line of frankenstein stitches wandering across my forehead.   My sense of self had literally dissolved into morning dust floating in a sterile hospital sunbeam.  My name was down the hall, words and the desire to speak were on a different floor.  Life became me and also a separate me under constant renovation, a wrecking ball on one half, scaffolding and raw 2x4's the other.

Waking up in the hospital, I realized I needed help to get the blood cleaned up.   A nurse came in, largely glared at me in disregard, and quickly left… for an hour.   She returned and brusquely dropped a useless ace comb and gauze on the blanket over my feet and abandoned me again.  This was my introduction to the shame of a VA hospital.  I minced my way to the bathroom, objectively examined my face in the mirror with shocking stitches above one swollen eye.  Gingerly rinsing my hair, the water ran pink in white porcelain.  I remembered the sound in my skull between my ears when a doctor scraped a metal tool across my skull, cleaning debris before stitching.  I recalled that in the ER I was asking Is he ok, repeating it like a broken record, knowing I should stop but I couldn’t.  There was also perhaps a joke about an Excedrin headache.

It was morning, and since there was no such thing as time or purpose or feelings anymore, I wandered to the hall with my only companion, the IV pole. One side was a wall of windows, and I was, what, 10 or 12 stories up from the streets of a much larger city than where I crashed.  The hall was warm and sunny.  I wheeled my companion to a blocky square vinyl chair to sit next to a pay phone.  I didn’t have any thoughts at all, or care about it.   After about an hour my first name floated up from the void, then with some effort my last name.  It took the rest of the morning to remember I had a brother.  After lunch we resumed our post, and I spent the afternoon in concentration piecing together his phone number.  God had pushed the reset button.

Thirty years ago the doctors didn't understand head injuries; they only recognized the physical symptoms. At first there was good reason to be permanently admitted to the hospital.  My blood pressure was unstable, sometimes so low that drawing blood for tests caused my veins to collapse even with baby needles.  My thyroid had shut down completely, only jump-started again with six months of Synthroid.  I had to learn to live with crashing blood sugar and fluctuating appetite.  For years afterwards, any stress would cause arrhythmias, my heart filling and skipping out of sync, blood pressure popping my skull.  Will the clock stop this time?  

There is always at least one momentous event in every person’s life that becomes punctuation, before and after.  The other side of Before the accident truly was a different me.  I have a vague recollection of who that person may have been, and occasionally get reminders.   Before, I was getting recruiting letters from Ivy League colleges and MIT, a high school senior at sixteen.  After, I couldn’t balance a checkbook or even care about a savings account in the first place.  Before, I had aced the military entrance exam only missing one question, even including the speed math section.  They told me I could chose any rating I wanted, so I chose Air Traffic Control.  Twenty years later, I thumbed through old high school yearbooks at a reunion.   I saw a picture of me in the Shakespeare Club, not recalling what that could have been about.   On finding a picture of me in the Ski Club I thought, Wow, I guess I know how to ski.   A yellowed small-town newspaper article noted I was one of two National Merit Scholars; and in another there’s a mention of a part in the High School Musical.  

This side of After, I kept mixing right with left, was dyslexic with numbers, and occasionally stuttered with word soup.  Focus became separated from willpower, concentration was like herding cats.  The world had become intense.

(chapter 1 continues in memoir)
Jeremy Betts Jun 29
Who knows
How many more of those
Devastating blows
From life's twisted episodes
I can take
Before I get exposed
And everybody knows
This smile's a fake,
Adorned like over warn costumes on Broadway shows

©2024
judy smith May 2015
There was none of your itsy-bitsy, teenie-****** bikinis at a fashion show of vintage swimwear in aid of the Cleveland Pools.

The costumes on show on the catwalk at Green Park Station were a much more modest affair, with a lot less flesh on view, and with some very interesting costumes which seemed to amuse the younger audience.

The Vintage Swimwear fashion show celebrated the last 200 years of bathing suits – the pools celebrate their 200th birthday next year.

Costumes from the last two centuries were modelled down the catwalk, with some interesting reactions from the audience, many of them design or fashion students from Bath Spa University.

It was a great turnout according to Sally Helvey from the Cleveland Pools Trust.

"We had a great night, and it really was great fun," she said.

There was a bar and barbecue hosted by Green Park Brasserie, and ice cream from a vintage Humphry van.

The audience also enjoyed a photography booth, and picture and video slideshows.

The Cleveland Pools is the only surviving Georgian Lido in the country, with a beautiful outdoor pool nestling in the back woods by the River Avon near the Bathwick estate.

But it is very derelict and will need millions spent on it before it can be re-opened again to the public. Last summer the trust received the welcome news the amenity is to be granted more than £4 million from the Heritage Lottery Fund, so plans are in place to have the pools restored and open for use again possibly as early as 2017.

A lot more funding needs to be raised to try and match the funds given by the HLF, and the fashion show, organised by Bath Spa student Jenny Brown, was just one of many events being organised over the summer.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/bridesmaid-dresses
Ivy Rose Mar 2015
There's something odd about it.

How I know their names, their personalities, the jokes they tell.

How I know the plans you guys have made and the fun activities you'll all do as a team.

How I even know the costumes they'll wear and the conventions you will all go to.

And I know what I'd say in conversation with them,

How I'd get to know them better,

How I would put my best foot forward,

How I've longed to actually hear their voices so I can match them with their persona.

But that's not in the cards.
It's okay, I'm okay.

But sometimes I realize how disconnected I am from your world.

How far away and far removed I am.
And I remember that no one knows me.

None of them know my name, or my personality.

They don't know the plans we have made or activities we are planning.

They don't think about what they'd say to me in conversation, or how they'd "get to know me better".

They wouldn't need to put their best foot forward or hear my voice to match me to the rest of my persona....

Because to all of them I don't exist. I'm a distant acquaintance from a long time ago.

I am a passing name in very loose conversation every couple of months.

I am the one who knows but isn't known.

I am a ghost.

And no one in your life can see me,

Except for a very special person,

And that's you.

(i. r.)
One day is far away, but one day it'll come. And I'll come to light as most other things do...
judy smith May 2015
An upcoming fashion show, and I don’t mean to be unkind here, is lacking in both. It’s just the way it is. These models are beautifully ordinary people, your neighbours, and their designs are self-crafted, each suiting the model’s personal interpretation of high fashion. It’s the social event of the season. Everyone in the “know” will be there.

Eight models and an emcee will take to the Capitol Theatre stage in Oxford Thursday at 7 p.m. for the third annual Foolish Fashion Show. Foolish is the operative word here. It’s an evening of fun, with each model parading across the stage in four outfits during the show. The fashions are indescribable literally. You have to see them to appreciate them.

The show is the annual fundraiser for the Oxford/Pugwash Unit of the Canadian Cancer Society. To date the show has raised about $5,000 for the society’s Lodge That Gives in Halifax.

The show was the idea of the local unit’s Bev Clark.

“At the time there were no people to canvas door-to-door,” she said. “People were getting older or had less time. There were also other fundraising campaigns going on at the time.”

After seeing a foolish fashion show elsewhere, she decided a similar one would work for the local cancer unit. The first show was a sellout and the models of the evening agreed to take to the stage the next year.

Each designer/model is responsible for their haute couture. With the final result left to their wild, some might say perverse, imaginations the creations are a sight to behold.

Unit secretary and past president Bob Hunsley in his best 007 voice introduces himself as “Bob, SpongeBob.”

“Every good fashion show should include good costumes,” he begins. “Here, our unit president Edna McCormick is wearing her all-weather coat. In this coat she is well prepared for sunshine, rain, fog and snow and all the wind that blows (the coat is adorned with representations of each weather condition). Notice her “son” hat (which is a tribute to her son).”

Jane Smith is new to the Foolish Fashion Show runway.

“I came to the show last year and really enjoyed it. It looked like fun,” she said.

First time jitters?

“Doesn’t bother me a bit.”

This show is one in which you can’t do anything wrong. You show off your creation however you deem fit. It’s all fun.

Tom Kay, is making his modelling debut also. And what will Councillor Kay be strutting his stuff in? Not to give too much away but a muscle shirt like you’ve never seen and shorts will be worn.

Nine-year-old Emma McCormick is also a featured model.

It’s a show not to be missed.Read more here:www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/formal-dresses-2015
The idea seemed like all my others genius why think  it through
had my parents ?
**** no if it wasnt for wild turkey  loud music wild women and
bad desiscions   gonzo wouldnt be here.
Thanks for being a party girl mom.

We had gotten hitched  i always said if i found a woman
who could out drink me under the table was smokin hot  and meaner than a rattle snake and would actully have *** with me without charging.
I would make my wife.

From the moment Skeeter had stepped into my life and said hey what
the ******* lookin at ***** ?
I knew that pint size ******* was the one.

And finally after my in house arrest and her brief vacation in Rikers was up we finally  tied the knott  and got married  but enough with the foreplay  children.

Like two insane people  with a shared thought.
The first night was outstanding the second even better she was like a
hot female  version of me.
A teenage hellcat who should have been busted for filling out that sweater  thank god for citezens arrest.

The first  week flew by Ya think we can everday?
My dear  if you just put your mind to it  and some other parts.
I know we  can.
Yes  to have a dream  and to be horney with someone
who shares  the same  dream is a wonderful thing.
Till you have to slip her roofies to get some sleep.
I knew thoose pills would come in handy  than for
just having them for  blind dates.

Although Ive learned your supposed to not take them also.
Then its just awkward waking up looking to the other person
saying hey  what happend and why are we in the burger king rest room?

After a few weeks i learned why people  actully spoke to each  other
and had these thing's called conversations.
I learned my Skeeter   loved halloweeen  for how could she not with so many costumes.
And she had a a real passion for law inforcement  with all the handcuffs  and tazers  a couple badges  a cop car  hmm makes me
wonder could it be yes your right.
People  really get carried away playing dungeons and dragons.

The first month was great the second made me rethink taking vitamins  she reminded of a  hamster in a wheel runnng without stop
just taking breif breaks  to hit the bottle  of Jack  Daniels
I miss working the pet store.

Leaving the house to  stagger to the bar  myself worn like a
a cheap motels matress.
Skeeter glowing like a neon sign if a neon sign were prone to random acts of violence.
Speaking sweet  nothing's to each other  like I love you sugar ,
did you hide the bullwhip ?  And hey wake up you drunk ******.

Her eye's  a work of true beauthy  that read  **** with me
and i'll knock your **** in the dirt   or light you on fire
ahh romance  it is grand and slightly dangerous and painful at times.

The night alive the drinks flowing  the waitress  a attractive  yet
soon to be mauled victem  of a five three spitfire.
The paper read of something i belive they call them numbers
dam you davinnci code.

Befor I could  down the wild turkey order four more and say in the name of Bono.
She sprang from her seat like a  miniture ninja leaping over the bar.
tackling the woman who had angred my mighty banshee.

the fight was epic and i did what any good red  bloodedand whiskey fueled pervert  would do I sat there and cheered on this cat fight.
get her honey it was a true sitght to be seen  hair being pulled
clothes being ripped off  okay i added that one.

And as a voice echoed over the crowd that said
hey who is that  hot crazy *****.
I turned  to the  man pointed saying  look its raining  
*****   and Adam Lambert  oddly enough he looked.

the sucker punch was fast hard and hurt like a son of
a *****  sorry but thats not just any hot insane horney carzy *****
thats my  teenage nymphomaniac  homicidle costume collecting halloween loving demon with a touch of sweetness wife.

The cops had arrived  but strangley enough Skeeter knew them all by
name.
Im starting to belive she might have a thing for tazers.
The questions flew around sir what caused this and why are you not wearing any pants.

She was in a rant so like any semi sober man  I decicded to set her straight  well  kinda.
And you!
I cant belive you take her number  the rage filling within her
building like a volcano  of pint sized sexiness mean chicks
are hot.

Well  honey I ment to tell ya mid flight  that was the bar tab.
Suprize.

And after i awoke from acoma  my hellcat in my hospital bed
I looked from a black eye saying skeeter  i love you more
with every day that does pass.
To which my teenage ******  replyed good.
God cause if ya didnt Gonzo id have to kick your drunken semi sane long winded  ***.
Dedicated to the real life Skeeter  who's probaly going to **** me
It's been nice knowing you all.
Im kidding I'll do what i always do when in danger run and scream like a girl.

Love ya Skeeter  
Always Gonzo
judy smith Jul 2015
With a personal trainer and a former Olympic champion for parents, it's no wonder that Summer Needs is a little water baby. The six-week-old daughter of Rebecca Adlington and Harry Needs has only just arrived into the world, but she's already enjoyed a dip in the pool three times.

Becky, who has previously said that giving birth was harder than winning her gold medals, has opened up about her baby's first swimming lesson – and how much motherhood has changed her life.

"It was absolutely brilliant," Becky told HELLO! Online of Summer's first dip. "You never know how babies are going to react but Summer was absolutely brilliant in the water. When we first bathed her, she just screamed the whole time so I was a bit worried but now she loves bath time."

Baby Summer was just three and a half weeks old when she first had a splash in the pool, and since then, new parents Becky and Harry have taken their daughter back twice.

"We both love being in the water so for us, it's amazing that we can take her in and share this family time together," said Becky. "Harry and I go in the water and pass her to one another and take turns going under the water. She comes back up, blinks a lot and there's been no tears at all. It's going really well so far."

Calling it her best memory yet, Becky, 26, added: "That's the one thing I was so excited about, taking her swimming and buying the costumes. She can't do much at this stage – we can't take her to the zoo and she doesn't really play with toys yet – but swimming is the one thing she can do and we can all do it together as a family."

Speaking about her little one, Becky, who says Summer has her eyes and Harry's nose, said: "She's really content. She's really laid back and chilled but when she wants something, like her ***** changed or she wants food, she definitely lets you know about it. She's a bit feisty in that way and she doesn't give you much warning.

"It's like, 'I want it now'. And you have to let her scream for a little bit while you get it ready and you're like, 'Okay Summer just chill out, you've literally gone from fast asleep to bawling your head off!' She's a bit impatient like us as well."

While Becky has been on maternity leave, personal trainer Harry went straight back to work after one week, but the nature of his job – working in the early mornings and late at night – has meant that he hasn't missed out on taking care of Summer during the day.

"Harry's definitely hands-on," said the former Olympian. "He's been changing her and feeding her. We share the responsibility and he's around for everything – he's seen Summer smile for the first time. It's hard for him because he's juggling work with family time but he's been absolutely amazing."

The Mansfield-born star has fully embraced her new role as a mother – something she has always wanted to be.

"Life is completely different but not in a bad way," she admitted. "You have to plan a bit more, you can't just walk out the house, but at the same time I've always wanted to be a mum.

"It's amazing how you love your baby straight away. You can't really explain it, you can't describe it. People spoke to me before about unconditional love and that you'll do anything for your baby, but you don't really realise it until it happens to you. It's bizarre because you don't know them and they don't know you but you just love them so much. It's absolutely amazing.

"It's definitely been life-changing but I guess it'll change when I go back to work, when Summer starts nursery. You have to accept that life will never be the same again but that's what's so exciting."

Describing motherhood in a nutshell, Becky added: "I'm such a family girl, it's amazing having that family time. It makes you realise that that's all you really need in life, as long as your family are happy and healthy then that's all that matters."

It's early days but the couple have already spoken about having more children.

Becky said: "About two days after I gave birth, Harry asked, 'So babe, when are we gonna try for another?' I said 'Not yet, I need my body to recover!' Nine months being pregnant is a long time! We do want a big family and we'd like a close age gap between our children, but we also want to give our time to Summer."

Becky, who has partnered with HUGGIES® Little Swimmers®, is encouraging all parents to don their swimsuits and have fun with their little ones in the water – even if babies and children are a little hesitant at first.

"For a kid who's absolutely tiny, that big pool is very, very big," said Becky. "Parents should recognise that each step is a huge achievement. Even if their child is just sitting on the side with their feet in the pool, that's better than last week when they just stood around.

"It's about persistence and taking them swimming regularly, and then that fear will disappear. Also taking them out of their lessons and going together as a family is good. If your children see you in the water as a parent, they'll know it's not a scary place."

read more:www.marieaustralia.com/red-carpet-celebrity-dresses

www.marieaustralia.com/formal-dresses
Z Feb 2018
Standing in the sand, smelling salty waters,
Of the Caribbean seas, through the cold vibrant breeze.
Watching all the tall, happy, swaying coco nut trees,
And when you sniffle a little of the bake and shark it makes you want to sneeze.

Then take a walk in our rivers and cook up a curry *** or stew,
With fish coo coo and a little calla-loo.
and you take a bite and you taste buds and glands spring water of the delicious flavors that makes you say mhmmm.    

Afterwards you can visit the reefs and see the dancing colors of the under water reefs,
Of the Caribbean seas, where I'm from and would always love to be.

But tho forget, it's Carnival time so come in your costumes and with your coolers because you're coming out to fete,
And tho forget, when you step out on "D" road of jouvert morning until night listen to the Soca music,
And let it rap you up and run through your ears with melodies that will make you want to bep.

Oh yes the Caribbean dream, where every man's a king and every woman's a queen.
Betty Ponder Oct 2013
Up early as usually but this time with a mission to complete Halloween Costumes.
Not a pain free day most definitely, but have kids who rely on me to be a good mom.

Everyone has haters; the two faced, "your girls" wanting your guy or envy clothes style,
or randoms you never met, desiring your life, home or new car bought with hard work.

Most days what's posted on sites about me makes not a bit of difference in my world,
I ignore and move on with my life, know haters have nothing better to do than gossip.

No news is good news and nothing from my usual "Town Criers" saying "Guess What?"
One day got messages in text, "You have been labeled Babylon's ***** by Craiglisters!"

Not a "lol" nor "Roflmao" situation. Thinking, What in the world? and How in the world?
Me, Ms. Abstaining and they, who love assuming and posting drama without thought.

Their world; small town America and believers of truth in "all" internet rumors and media,
not willing to give benefit of doubt, once minds, so limited in thought, have been made up.

E-mail inquiries from potential employers I never met from destinations far far away,
asking and informing that person with such low morals shall never be part of their world.

Drama finds me and neither welcome nor do I seek it out, way too emotionally draining,
believer in live and let live, authored "Celibacy" poem to stop jokes made to my kids.

Who knew that trying for your dreams could bring forth bringers or illogical pure hatred?
Who knew that emotions of my children whom I love, would be affected by narrow minds?

After family conference and with full support, by the way, had to explain "*****" to son,
this mom carries on and still on second journey pursuing dreams and making realities.

If I give up dreams it will never be because someone posted bold faced lies on open forum,
it will be because I choose to do it with good reasons and those reasons are mine alone.

Pitfalls? Have been numerous. Will? Strong and still determined to see this through to end.
Tomorrow isn't promised and hear my dad say, "Daughter, go forth and let haters be fuel!"
Md HUDA Sep 2013
Soon  I will be done with the ledger of my adolescence
The sun is still in his puberty, though older than me
The moon is still in her perfection, a blessed queen
I have bejeweled you with the sweat of my love
And have garlanded your beauty with rubies and pearls….
Today you are the ocean of love,
And I the sunny heat of summer.
You came that day, Expecting for your arrival
Sun poured shower of anguish on my amethyst Panjabi
Out of the blue You appeared like an expected spring
In her colorful curcuma domestica costumes.
Your locks  under the veil of spring’s yellow umbrella
Still counting the days, the nights, the ongoing time,
Sometimes my heart in quest of a Time –machine….
We took  the weight off our feet under a Blessed tree
I touched your hand joining my two palms
The cold current of  spring was soaring  there
My ill-fated heart could not Kiss your "Petals of Blood"
I drowned, I drowned in my own made ocean……..
curcuma domestica - yellow
Carly Salzberg Sep 2010
The sun bakes down heavily on a plastic micro planet in Orlando, Florida
where crowded trams drop American bushels of tourists into an alien world.
Quickly fantasy comes alive
through a corporation of disguise.
The workers mask themselves in a drapery of familiar life
-like costumes to charm little children’s hearts.
They smile wildly, carving a clear dimple line on the but of their cheeks. Walt’s Disney World
must have driven every one of America’s circuses out of business.
The flying trapeze is too elegant,
people now want to be strapped in,
buckled up and whipped around
to forcibly experience the true velocity of entertainment.
Even the participant’s attire is geared for this third world oblivion. Neon ***** packs rest like bloated kangaroo pouches
on fat sweaty old lady’s round hips, their plump fingers
holding on to leashed harnesses reined to their child’s small chest.
This is vacation,
strangers of people in massive conglomerations
with confused expressions and burnt faces.
Even the food seems wickedly unnatural,
like an artificial order of burning plastic and sour dough surprise.
Waiting is the enthusiast’s pastime as parades
of anxious voyeurs are captivated by a trance
fixation of lights and whistles.
They line up like schools of lemming,
plunging on rides,
one by one.

This is the place
Where memories are made
And dreams come true
Aaron LaLux Jul 2016
America’s Got Presidents


Lights camera action,
who’s up next,
politician,
or dumbsh!t pundit?

Oh I see,
everybody’s an expert,
man these candidates have switched sides so many times,
watching them flip-flop this much makes my neck hurt!

Candidate’s wearing make-up,
if you ask me it’s all a cover-up,
blemishes on their records,
when’s enough actually enough,

on stages,
synthetic sages make up stories,
while the police keep stuffing us into cages,
and the politicians keep talking about reclaiming America’s lost glory.

America’s lost glory what glory,
the one about us bombing innocents or the one about slaves,
well if that’s the glory then it’s not lost,
because the US still bombs innocents and pays most people a slave wage.

It’s fckn depressing,
these pop-star presidents,
jockeying for position,
just for a chance at a White House residence.

On a stage,
it’s a sad charade,
all these bad actors,
pointing fingers trying to shift the blame,

laaaaaame!

All they do is talk different when in front of a mic,
but behind closed doors they all act the same,
different costumes different connotations maybe,
but really there’s no significant difference because there’s no significant change.

It’s an act a sham a show,
pop star presidents hip hop rock and roll,
Barack stars sing about change without any evidence,
if you ask me they’ve all gotta go,

and this election year is no better,
if anything it’s worse,
you’ve got Hillary Clinton AKA Barack Light,
and of course running is another Bush,
then there’s Donald Trump,
who’s legitimately probably the Anti-Christ,
he’s a racist sexist selfish sociopathic narcissist,
he doesn’t want to debate anything he just wants to fight.

But what about Bernie Sanders,
people ask, “Are you feeling the Bern?”,
I mean the guy’s a 74 year old career politician socialist,
he’s gonna try and take half of everything I earn.

Sure,
I’d vote for him I guess,
outta desperation only,
because maybe it’d take someone that extreme to get us outta this mess,
but honestly he’s a bumble bee,
poking at the hornet’s nest,
I’d bet if he becomes a real threat to the one Corporate Establishent want’s to elect,
that the speech where he accepts ends with one of his last breaths.

Yup.

America the beautiful,
when’d you become such a bully,
you used to be my best friend,
but now you act like you don’t even know me,
you’re blood lust is revolting,
why’s your answer to everything violence,
and how can you say you speak for the people,
when most of the people are so fed up they just shut up and stay silent,

and even if we do get out and vote,
these days our votes aren’t even counted what gives,
what you think it’s just a coincidence,
that almost every state Hilary won was accused of being rigged?

I feel sick.

This political pile of tricks politics seems like a pile of ****t,
and the media’s forcing it down our throat,
I mean really what are we supposed to do,
when those that feel outcasted can’t even get the system to count their cast votes.

So I take notes.

And I write.

I write,
all of this with typing hands and a shaking head,
because I want a leader I can truly trust and believe in,
instead of some actor that can’t be trusted no matter what they’ve said.

Red,
state,
blue,
state,
red,
fish,
blue,
fish,

I’m not a Jew,
I’m only half so I’m Jew-ish,
and I’m not trying to be rude,
or to sound too prudish,
it’s just,
the history of half my people,
is filled with those that want to ***** us,
so the bait and switch poli-tricks these politicians politic,
well they’re Grand Old Party is nothing new to us.

Who to trust,
who to trust,
we’re tired of feeling like Lewinsky,
giving oral to the Oval Office and getting nothing back but fckt.

Fck.

When is enough enough,
no is supposed to mean no,
but we get it no **** on the ****** tube,
***; Slave & Master we’re all Lady Liberty’s ******* so on with the show!

Lights camera action,
who’s up next,
politician,
or dumbsh!t pundit?

Oh I see,
everybody’s an expert,
man these candidates have switched sides so many times,
watching them flip-flop this much makes my neck hurt.

Candidate’s wearing make-up,
if you ask me it’s all a cover-up,
blemishes on their records,
when’s enough actually enough?

∆ Aaron La Lux ∆

Volume 1
The H Trilogy:
The City of Angels
Just published on 7/7/16.
Somehow it was #1 worldwide today.
If you could take a moment to check it out,
and even write a review it'd be most appreciated.
All profits go to a charity that prevents child abuse and ****** assault.
So not only are you getting an epic book of poetry,
but you're also supporting a good cause.
Thank you SO much!

https://www.amazon.com/Trilogy-City-Angels-Aaron-Lux/dp/1535054328
I'm a bit frustrated.....

— The End —