"constructions" poems
"Stoner's Poem"
I see your snapstories,
I see your ask profile.
I see how you comment and reply and flaunt your English skills.
Trust me, I love your rebuttals,
More than Biryani and the Lebanese pornstar.
I see your Facebook posts,
I see your WordPress,
And I see, how you craft your poems flamboyantly,
And then, and then,
Pilfer my breath,
And rob my me.
Sometimes, just sometimes,
Your deportment bewilders me,
More than Lowry-Bronsted's theory.
I see how you dance in the rain,
Like "All, sin, tan, cos", do in my brain.
I see how you frequent every segment of my cardiac muscle,
And then desert it, like it's one of the many dilapidated constructions.
My reminiscences about your thingness,
Escalate me to a higher spiritual level,
More than **** does.
Oh, that smile,
Oh, that look,
Oh, the mystique in you.
And again, I am writing of Love.
And the pen doesn't seem to stop soon,
For I have taken a greater risk,
Than asking my friend about cathodes and anodes and electrolysis, while I took my last chemistry exam,
When the invigilator was around.
May 14, 2016
May 14, 2016 at 3:55 AM UTC
1.
Nymphomaniac-addicts,
Overweight bisexual vegetarians
Climbing trees to stay fit
and eating 80’s fried chicken *******
2.
just imagine
Aquarians full of class valedictorians
Swimming on display for graduation ceremony…
reverse-symbolism of how Moolch drowned His *****
3.
Better yet, just imagine
Holy wars,
Beautiful words written to describe the burning pains
Of holocaust...the Kristallnacht nights
Under the mistletoe,
Watching Hall of fame ball hawks on pivot toes
Driving through hoes
After the whistle blows
4
College Literacy classes teaching basic:
Ideas that good questions leads to good answers,
Reading reminders
Free association conceptual constructions
5.
But ************ professor:
free association **** shticks
misfires, false alarms
are all art, too,
Like sticking a dagger into an apple,
Not the edible, but the technology.
6.
Go head, deconstruct the philosophy
Of oral cute-tification,
according to the Tautology of Leviticus,
With the same three half truths, pogroms
against biological deviant... FLAGS!
7.
Cryptic gospels of a ************
Where three F.F.F’s
Stands for six six six
Like how 1mg of juxtaposition
And a dose of metamorphosis
is the repertoire of a king of curmudgeon
‘cause even the Holy Ghost
drinks from the cup of Christ’s blood.
8.
Reading,
Self-flagellation gospel-manual of Pope John Paul II,
At shrink sessions under the daze of heron Piper methysticum blunts
With sweet phat butts like lit lickerish that droop eyes
Like the psalm of Valeriana officinalis root extract.
Feb 12, 2012
Feb 12, 2012 at 12:46 PM UTC
So, what's the deal with ******
Why is it that there's this whole weird thing
associated with being unclothed,
as if we don't wake up and each of us
strip down for a completely naked shower,
and under our clothes, we're completely naked.
Why is it we spend so much time pretending our bodies don't exist
and fragilely hiding behind these pointless social
constructions about what and whom you should and shouldn't be,
why do we lie about who we are and cover it up
because it's not safe for children?
CHILDREN ARE THE SAME SPECIES AS US.
THEY ARE THE SAME SHAPE.
They get naked too.
and if they're not quite the same shape yet, why do we hide what they're going to become?
It's completely pointless to build walls and act as if they were set there by someone other than ourselves, we've given each other amnesia, it's always 'they', it's always 'society', that did it.
Why do we create all these rules and desperately
struggle to follow them as if we weren't the ones
who wrote the rule book and we aren't the ones
who can erase it?
Why does he cover his emotions because he's scared to be called gay or too feminine?
Why does she wear long sleeves or look down when you talk to her?
It's not because of some conniving voice in all of our heads,
an imaginary force,
It's every time you made a sarcastic joke about people who defied the norm
and every time you yourself were afraid to break it,
you built the walls and now you're suffocating within them.
I see you, there, hiding, just like me, and it's painful to repress it, isn't it? It hurts because there's something more we're longing to do, somewhere else we're longing to be.
What is it that is so broken within ourselves that
we can't be raw and we can't be free and we can't kiss random strangers when we want to?
****** isn't dangerous if you don't hurt
and you don't make someone else feel vulnerable
or like they're trash for displaying
the image of God.
Why are we hiding the image of God?
Why do we cover our hearts like they're shameful to show?
We are born into this world naked and our parents
try to instill this ridiculous idea in our heads
that we can't share our innermost thoughts, we mustn't display,
"society won't like that"
YOU. ARE. SOCIETY.
I am a member of this universe, just like you,
and I was born naked and I take showers naked
and when we get up on stage, we're naked
and late at night, we're naked,
and when we cry, we're naked.
WHY ARE THERE ANY SECRETS LEFT WHEN WE ARE ALL HUMAN?
I have pain and joy, just like you, so show me.
My goal is to unclothe the knights in shining armor
because I don't care about the armor, I care
about his heart.
I will strip down these walls dividing you and me,
because I want to know everything about all people.
I want to unravel the secrets deep within God's mind.
I want to open the doors that are locked,
and I want to see you naked.
Mar 15, 2014
Mar 15, 2014 at 8:25 PM UTC
Hell no, you don't want to be compared to one of those models idolized in magazines.
True beauty lies outside the fashion industry’s visual constructions.
Fall in love with what you never expected to love, imperfection.
Brand-less self expression.
There are no cameras or flashing lights there
or visual effects.
We come in different range of sizes.
Shame on shallow marketing.
A pretty face can have nasty vices.
Hearts of Gold, now those aren't sold.
- C.Ek
May 31, 2015
May 31, 2015 at 5:18 PM UTC
These golden sunglasses
Appeared on my doorstep
The last day of
The spring semester,
Sitting in a plastic pumpkin.
They weren’t mine
But when they break
I get them fixed
And when they don’t sit straight
I keep them
Because they remind me
Of how finals were over
And I slept through so many goodbyes.
The night before
We lay in your room
Sounds flowing through us like
Waves in the ocean,
Then moved to the grass outside
Watching more shooting stars than I could count.
The wood by the dorms was dark
And we ventured in in fits and starts,
The shadows of authority figures
Dancing around us.
The gazebo was silent.
And we journeyed across campus,
A pilgrimage through abandoned constructions
To see the church alight in the dark,
But the power was out and it was nothing.
I woke up in the afternoon
And knew that spring wouldn’t be back
For us.
The sunglasses weren’t mine
But someone left them at my door
And I keep them.
May 31, 2013
May 31, 2013 at 6:55 PM UTC
From Brooklyn, over the Brooklyn Bridge, on this fine morning,
please come flying.
In a cloud of fiery pale chemicals,
please come flying,
to the rapid rolling of thousands of small blue drums
descending out of the mackerel sky
over the glittering grandstand of harbor-water,
please come flying.
Whistles, pennants and smoke are blowing. The ships
are signaling cordially with multitudes of flags
rising and falling like birds all over the harbor.
Enter: two rivers, gracefully bearing
countless little pellucid jellies
in cut-glass epergnes dragging with silver chains.
The flight is safe; the weather is all arranged.
The waves are running in verses this fine morning.
Please come flying.
Come with the pointed toe of each black shoe
trailing a sapphire highlight,
with a black capeful of butterfly wings and bon-mots,
with heaven knows how many angels all riding
on the broad black brim of your hat,
please come flying.
Bearing a musical inaudible abacus,
a slight censorious frown, and blue ribbons,
please come flying.
Facts and skyscrapers glint in the tide; Manhattan
is all awash with morals this fine morning,
so please come flying.
Mounting the sky with natural heroism,
above the accidents, above the malignant movies,
the taxicabs and injustices at large,
while horns are resounding in your beautiful ears
that simultaneously listen to
a soft uninvented music, fit for the musk deer,
please come flying.
For whom the grim museums will behave
like courteous male bower-birds,
for whom the agreeable lions lie in wait
on the steps of the Public Library,
eager to rise and follow through the doors
up into the reading rooms,
please come flying.
We can sit down and weep; we can go shopping,
or play at a game of constantly being wrong
with a priceless set of vocabularies,
or we can bravely deplore, but please
please come flying.
With dynasties of negative constructions
darkening and dying around you,
with grammar that suddenly turns and shines
like flocks of sandpipers flying,
please come flying.
Come like a light in the white mackerel sky,
come like a daytime comet
with a long unnebulous train of words,
from Brooklyn, over the Brooklyn Bridge, on this fine morning,
please come flying.
2.9k
The Rent-a-Mob loonies, the gangsters and the Racists
damaged scums of society and contemporary politics
Ignorant arrogant sociopaths who want it all for nothing
Indulgent wasters in nation awashed with opportunities
In idle union they scream, feed us poor and **** the Rich
Strangers come Poland, Bulgaria, India and all over
to work in farms, hospitals, hotels and Constructions
Building futures and faring in endeavours with sweat
Crimson gangs and Renta Mobs states we serve nobody
**** the wealth makers, **** the parasites and let's drink
Our shyster gangs of Revo-comrades and malcontents
See killing fields, whereas strangers toil and find rich pickings
Our Revos Distract, confuse, sow seeds of dissent, make strife
Blame all others, lie and decieve, fling indulgent political turds
Rent brainwashed Mobs,into ***** bridgard to do their ***** work
We all know life is unfair and even roses have imperfections
Some are born to riches in spades and some born to beggars in dusts
Those with time, sit and ask God why, just a fact of life to accept
But from dust has risen billionaires, whilst riches have made duds
Insane Crimson sits in spurious guise and odious fallacy playing God
Yeh, **** the Rich and feed the poor, why hide and use Rent a mob
Why not air your case in broad daylight and stand your conviction
The coward you are knows it hold no sanity for those with sense
Except for thieves, the workshy and wasters who cheat to survive
In your city of merits aplenty, Revo-crimson is beneath contempt
Dec 13, 2018
Dec 13, 2018 at 9:56 AM UTC
Derk! The Harold angels sing.
The muffin is my savior. Jesus lies.
Pacific Islands. The screaming of fires.
Rulers. Words. Meters. Feet.
The magnetic field is the only field.
If I could trust baseball, I would.
But cereals, Vonnegut, lies.
-ectomy. The ubiquitous suffix.
Suffixes make the world hell.
-ism, -itis, -like, -tude, cease
your
silly
constructions!
Constructions
are
power
I will smash
bye bye now
Feb 3, 2015
Feb 3, 2015 at 6:51 PM UTC
****** **** Gay
these words cut through queer youth
like their razors through their wrists
words that cause the list of queer youth committing suicide seem like a revolving door
queer youth of color forced into a two doored slaughter house
The army or the pen
Queer youth of color being harassed, beaten, and killed
While gay marriage is the sign of equal rights for gays
I CALL ********
There is no equal rights for gays when gay people are given the “privilege” to enter the heteronormative social constructions of the American Dream, to believe in the American Way
There is no equal rights when the blood of gay youth floods America’s streets!
Apr 6, 2012
Apr 6, 2012 at 12:02 PM UTC
Scribbles on a yellow notepad, this ink won't last
Letting sweat dry from a long walk, half way there
I didn't notice it on my first passing, or my second
Third time is the charm they say, don't they?
Now I sit in this scummy drainage ditch, writing
A tree, growing from a pile of waste concrete
Dumped carelessly by rough, tired, hands
Green leaves adorn it, this oddity, only a sapling
Like a flower on the peak of Mount Everest
Or an ice cube in the middle of the Gobi
This is not so grand, this urban contradiction
Some day it will be as tall as me, maybe taller
Stretching its limbs, eroding its base
Praising sun rays through photosynthesis
Pushing down roots through man made constructions
Reclaiming the soil from which all life springs & returns
Oct 4, 2010
Oct 4, 2010 at 5:12 AM UTC
Free fall sensation in the dark
invited dizzy dreams
spark singed skin
the last time I felt like I do when you touch me
I had stuck a necklace in an electrical socket
to try and figure out how the lights work
I thought I could take the energy
I thought by touching it I could understand
Except for that hurt, and you are the opposite of hurt on the same intensity
just with fingertips
except for I understand alternating current now but not this
You make me want to make sculptures
and bad jokes
you make me write but the words come out like dogs off the leash in the park
Next to you is the place where I fell asleep at the beach
and woke up warm and sun-washed
where my body felt like it belonged to me
and the waves had washed away the smell of wet cities and
old growth trees
Next to you is banana pancakes with strawberries
and silence is a round comfortable thing
like hobbit feet
like blanket forts
safe and temporary constructions
inventive nomadic shelters
lovely places to spend rainy days
You are like aloe-vera gel
and I've been forgetful and spent to much time in the sun
trying to breath in life but got hurt
but it doesn't feel raw when you slide over my skin
instead its tingly bits of mint and blue
like gypsy wind chimes and spicy food
Oct 25, 2013
Oct 25, 2013 at 7:16 AM UTC
The home you miss, is my burden; the longing of distance and miles is not there.
Concealed within living bone and spiral, no conquered land can I long winter, and longer yet retain.
Would you miss it - if it were always near? Those crude constructions composed of flora's corpses and Oran's nails; compose another, and... Still ye dismay:
"The house is similar, but the home is not the same."
A home requires a heart, but man has long since lost theirs; so crawling, I wonder:
"What difference is there?"
Oct 10, 2021
Oct 10, 2021 at 10:58 AM UTC
I favour the deep, impenetrable truth of the jungle
Over the smooth ride over sleek black rubber;
The ***** disturbing, demented disorder;
The distortions of the lights we bathe on,
Over outward alignments and the staleness of systems.
I favour the cheap, rugged, bittersweet taste
Of a late night's substandard drink,
In the midst of true lights and shadows
And the uncertainty they cast upon us,
Over the orderly and satisfactory--
The dead pleasures and securities that
Exist nowhere but in feeble projections.
I favour the basic, primeval, animal grunt--
The dirt, the dizziness of true treading
Across the muddy shallows--,
Over the clattering of an overflowed,
Certain mind.
I favour doubt, earnest doubt,
Unpalatable doubt, inescapable doubt--
A smile in a pitch-black room,
A journey on a lukewarm air balloon,
A half-finished sentence in a half-serious gloom--,
Over hasty conclusions and tainted allusions.
I favour the endearing messiness of reality;
The chaos of light and dreams;
The mystery, so out of reach,
Of you and me and the space in-between;
The stained, torn, shattered, burnt,
Twisted texture we find ourselves upon,
Over the smooth, marble-white,
Sterile surface where false certainties
Slide, grinning, before they find themselves
On an impending collision with the infectious hesitation of the ground.
I favour the acknowledging look
Straight into the eye;
A ladder with one step;
A race with no competitors;
A contentment without resentment;
A bread on your table that's good enough,
That doesn't tease you and promise you more,
And more,
And more,
So that you forget what you should really care for,
What lies deep under your skin,
What stirs up the dormant contents of your guts--
You climb to the hilltop
Which finally allows you to have
A peek at the next one.
I favour uncertainty and risk,
And walking too close to the edge;
I favour barely enough,
And cutting it too close;
I favour throwing all excess over the board,
And lowering standards;
I favour the taste of imminent failure
And the adrenaline of a heart-wakening sprint;
I favour meagre means
And big dreams, free of currencies;
For they all remind me what the world
Really looks like,
Who I really am,
And what the winter-night winds
Really feel like.
I favour the ways of nature, often erratic,
***** ugly and convoluted,
Often dumbfounding,
Unintentionally intelligent and mysterious,
Over the ways of fear-ridden constructions,
For there is no such thing
As a straight line.
Jan 9, 2019
Jan 9, 2019 at 2:31 PM UTC
*throughout the day,
most oft at night,
start to say,
stop short,
painful for crying out loud thoughts,
shoutouts to any passing god
things that need to the air
be exposed,
but not to ears that
well, what could they say...
so stutter-stop
the bottling inside,
periodic fizz escaping,
and even poetry
cannot help
for it does over and over again,
end up as crumpled papers,
litter of the head,
halves, this's and that's,
even this one dies here and now*
~~~~~~~
irony delicious,
that litter sounds so literary,
so added débris,
lest my mangy constructions
manage to confuse you
the litter in question,
is your host's hors d'oeuvre
nibbles of works,
half-started, half-finished,
like rooms to let,
that come only half-furnished,
not a single morsel worthy
serving up,
all half-satisfactory
poems, of course...
the wrong write ***** clogged,
resting in peace,
Works In Progress (WIP)
unlike the poet,
who's just plain whipped
un-crumpled awaiting
an episodic finale,
if ever they should be televised,
they are needy for cumberbitches,
a birth or death certificate
sore lacking
pick up put down
new titles pop,
essays in need of love,
naught fruited, dead pits,
hanging on the tree till
gravity takes them prisoner
on and on for weeks
the side stitch does not
disappear, but does grow
aching familiar
perhaps the topic offends
you the most,
cloying, suffocating
self-pity
of your own hands
around your neck wrapped...
Aug 30, 2014
Aug 30, 2014 at 3:21 PM UTC
A SESTINA FOR BRIAN
How being born on Christmas Day can make
some people think that you have this passion
for being so compassionate and construct
all sorts of things like Christ the Great Carpenter
did for living spaces of all levels
of human dwelling. You have always had to create
things for dwelling spaces and you always change
It’s like you have been going in your innate passion
since you were a baby. I saw you in winter, to make
a snow igloo. You had everything planned and constructed
this igloo right by the side of the house. It had this level
of true sophistication for a boy of your age. You could create
wonderful things: towers and tree forts and then change
to art work to decorate our house.
Brian, I’ve known you to go out of your way to make
breakfast for us. I remember the strange passion
you had and made us peanut butter and banana constructions
of pancakes. You did all sorts of culinary things on the level
of perfection to even make the best chefs just create
something to quench their envy of you. You never change
Now, when you got older, you still possessed this desire to make
you went through Penn State Ogontz and kept up this passion
to create other things and learn enough to construct
buildings but you needed the education to earn a living to create
things with your hard-earned degree and actually change
and re-arrange houses or interior of places on a different level
Why your inner mental and emotional makeup came out in such passion
that all who came into contact with you when you failed to construct
a certain project to your own perfectionistic liking and it made
you very angry and you used such profanity and it just changed
you from this compassionate and soft hearted soul into creating a raving demon out of you.
The way that you used to go out of your way and created
A wonderful family unit from a wife to a pair of children made
you bring out another facet of your personality: the father level
The two children came out of that union as some construct
from your desire to keep on creating through this passion
to keep up on revising and re-building so that you always change
@2006 Linda Barrett
Dec 18, 2013
Dec 18, 2013 at 10:28 PM UTC
I could drown myself in cups of coffee, in nicotine, old books, and whiskey.
But that won't make me crave you any less.
I could immerse myself in the deepest of enthralling literature, poems, a sea of colloquy,
Waves, strangling the current of my mind.
But you'd still be the resonant word.
I could listen to the sweetest of voices on repeat, golden like honey, sticky,
But my ears would only ever truly answer to yours.
Serpents tend to bite their own tails, a mythological and alchemic symbol of the cyclic nature of the universe: creation out of destruction.
But I'm not breaking my heart, loving you.
Swollen, yearning, daydreamed astray, gathered fast by night.
Curiosity deniable no more, innocence lost, hands wandered exploratory below.
Clambering desperate over themselves, those hands fell over folds of warmed flesh, over forgotten nooks and unfound crevasses, over trembling thighs and aching calves.
Astounded by the vast array of fresh delicacies, of unencountered sensations and deepest pleasures, she stood by loyal as those hands swiftly accustomed themselves to pursuing true ecstasy.
What divine rapture. What soaring heights of pleasure to ascend to. And what a delicious revelation to encounter such unimaginable ecstasy.
That twelfth year become a fourteenth, a fifteenth, a sixteenth.
And with the passing of each came a series of ever more adventurous trysts, the sorts of which Cousteau, Armstrong, and even Columbus could all be truly proud of.
Depths sounded, crevasses plundered, self’s nectars tasted and devoured, the pleasures of the flesh went unearthed.
Elaborate constructions lovingly shaped, waxed and honed, years of heady experimentation, trial and errors, fantasy and dreaming, all in the pursuit of even harder, better, faster, stronger ******* Perhaps it was that, or was it more a case of welcomed companionship? Ambidextrous frustration? A carnal appetite, most terrifying in its magnitude?
Isn’t it time then, you tried a little tenderness?
Be good to you.
Dec 6, 2013
Dec 6, 2013 at 3:20 PM UTC
He was equipped with a fine vocabulary
Far in excess of his intellectual needs
An entertaining fool
Stocked with dictionaries
Obscure constructions
Medieval verbs
Circumlocutory, verbose
Impenetrable
A simple mind hid amongst
A confusion of entangled phrases
As if using a foreign language
Assembling hopefully meaningful phrases
Where a listener may find coherence
A simple message
Every request
Every Statement
Observation
From his mouth, no matter how mundane
Appeared decorated
Embellished, almost..
Baroque
In this wordy fog
It was hard to know
Hard to find
Traces of a real person
A tangible, relatable identity
Something predictable.
In the swirling wind of
Constantly shifting
Complex expressions
Seeming riddles.
He was a prisoner
A lifer
Doomed to remain
Incarcerated in his usage
Dense, cloying, exaggerated, unyielding
Usage
He could not avoid
Unconscious, reflexive, merciless
He did not struggle,
That ended long ago.
Jul 29, 2014
Jul 29, 2014 at 2:15 AM UTC
I long for what I’ve never known: a word
that captures the foreign feels of speech surging
from my throat, the ways they shake and crack with
fury and failure as I break away
from the safety of silence, in jagged
and fragmented sentences–I’m desperate
to seize meaning, trying words like puzzle
pieces, I’ll force them to fit together
to form the spaces of pieces missing.
My greatest fear is to be incomplete.
And I’m constantly reminded of this
over coffee-talk and shared politics
as I recoil shyly in forced defense
of each vowel, and every consonant
and the myriad of their constructions:
they are stuck behind my eyes. I am left
apologizing for my vagueness and
for the grey shades of embarrassment and
finite language–when a dictionary
is never a long enough read for the
lone, longer walk around the circumference
of my head–or any red eye flight I have
ever caught that takes me from thought to thought:
the moving belts of baggage claim don’t
have to tell me of the luggage I lost.
As possessions were plucked from circuitry
I clung to the emptiness as if it
was mine and took it home as leverage.
I write in circles ’til I’m motion sick.
I write myself into thought-asylums
where silence is another language:
a slow germination of roots lacing
down the bell-curve of my spine.
A foreign tongue, An othered alphabet.
Nov 27, 2012
Nov 27, 2012 at 4:58 AM UTC
Time is an illusion
of the motion
of objects in space,
and the past
is a record
of the motion
of objects in space,
so the present moment
is not a moment,
it is eternity,
therefore time does not exist,
and growth
is a function
of the motion
of objects in space,
and these objects
are mass
which is none other
than energy,
and no energy
can leave space,
and death is only
transformation of energy,
and all mass/energy
is life,
and all mass/energy
is neither natural
nor artificial,
as these are only
thought constructions,
so everything is alive,
therefore,
welcome to eternal life.
May 3, 2012
May 3, 2012 at 8:46 AM UTC
Mos Def addict practicing my mathematics
multiplying gross deaths stacking high in my attic
banishing, your batting eyelashes in my hatchet
brandishing a reflection of death nothing can match it,
a packet of matches, three cans of gas am I mad *****
I’m a man mastering cracks of dark arts from a sad witch,
tears of evil, blasting apart marked hearts, sew they can’t stitch,
so I can cross your eyes and harvest every last inch
of your body I’ve got hauled high with my crass winch.
Dangling like abattoirs meat hanging upside down by your feet,
never is the time that I will retreat,
secreting discreetly in your petite physique,
desecrated secretly I never cease with the heat.
I’m a clever beast with the sweet smile of a pre-school teacher
I’m a leach, I’m an evil preacher,
I’m worse than a priest with someone not quite senior in reach.
I beseech you to keep my smile in mind when I breach
the regular limits of sin, an when the victim begins
spinning within the rhythm of my limb precision
positions a physician would think weren't natural
constructions. Causing concussions with my bone crack percussion
discussing the disgusting repercussions of being obstructive
with a kind as destructive as mine its reductive to imply
that I’m stuck with a mind superior to thine, let the subtleties shine,
you’re an inferior design, obsolete, so the premise is supremacist
there’s no preventing this, the evidence is left in every crevice of the premises.
Mar 29, 2013
Mar 29, 2013 at 6:14 AM UTC
LIFE IS SHORT
AND WE'RE A LONG TIME DEAD
Whether we are riding a unicorn
Across a rainbow
While the wind blows majestically
Our lustrous eye haloed by seagulls
We may act and act
Like we are tall
And our finger nails have
A big heart of their own
We may play kittens or puppies
And get excited about plastic bones
We may get lost in the grammar constructions and commas of sunset
In and out of our comfort zone
We may want to belong to two life clubs
And finish a movie every seven ten days
Always up for subtitles
Be it old sci fi 30's 40's 50's 60's noir war
We may try with a pair of scissors or a broom
To put death sleeping in socks and plan ahead endless possibilities of karma
If we're wildly in love with life
And understand that life isn't a pie
That being in life isn't a sport
And that faith on life is a little like a full time job
But that death is like a hook living just around the corner whom we share
With the same post code.
Life is short, life is petite
Life is a ****** a dwarf, a suckling
Life is fast as a snap of our fingers
Life is a bait, a worm
Life is sparks
And we're a long time dead
So let's fish capers and mangoes
In and out the apparences
In and out the distance
While the harvest season is booming
Up there in the blooming volcanoes of sunset.
Sep 13, 2019
Sep 13, 2019 at 2:43 PM UTC
Call me stricken
by her
my favorite color.
I want to fill my ears with static
to give my thoughts some room to move
and my eyes monochromatic
with an artistic side to prove
She writes
like shes giving
Noah Webster a *******
her labyrinthine constructions
of consonants and vowels,
leading in circles
obliterating disbelief,
and I
AM
the words.
She tastes like ***
and nostalgia
nauseating my pages,
wearing thin over keystrokes,
repetition,
the mother of decrepitude
so my muse
decimates my thoughts
one in ten
one in ten
one in ten
CRACK
Sep 12, 2013
Sep 12, 2013 at 2:06 PM UTC
Metaphors like similes
Alluring alliteration
Onomatopoeic sounds
Swish swash through its creation
Full of figurative constructions
To skyscrapers of the soul
That rise to a crescendo
Then with bathos quickly fall
So what is it I have written?
Just a stream of consciousness?
For if I claim a classic poem
Then you’d be right to take the …. :)
Mar 25, 2013
Mar 25, 2013 at 11:55 AM UTC
Drifters, sick with Now,
Swell and crowd the Elm Streets.
We, the self-anointed secretaries of culture war,
Parallel-parked car poets trapped in suburbia,
We claw our generation forward.
We seep from shifting city to evergreen forest, to
Seek answers from the grave-stone gods before us,
Learn of what they knew of man--
His vacuous constructions and his ash fortunes,
How to be martyrs and what makes us worth it.
Dec 8, 2012
Dec 8, 2012 at 10:25 PM UTC
I build sandcastles in my mind.
I've done it since a child.
As the dark thoughts they do run wild.
In my mind I build.
An architect I am for it makes me feel fulfilled.
These constructions I create.
In a world filled with hate.
They distract me from the norm.
And help me through life's storm.
In the dentists chair I lie.
Building in my minds eye.
For the bus I sit and wait.
To build I do not hesitate.
I go to a place where nobody knows.
On a sunny beach the warm wind blows.
Ruffles my hair, takes away my despair.
I hear gulls call as I construct these walls.
The tide never changes, hence they never fall.
Made of sand they are, and they're in my mind so far.
Fortresses with moats, where I can float a tiny boat.
All my worries fade away as I shape my hope.
Any tricky situation or when I lose my motivation.
I'm back beside the sound once more, of the crashing ocean.
Aug 6, 2014
Aug 6, 2014 at 10:20 PM UTC