"clerks" poems
the lady has me temporarily off the bottle
and now the pecker stands up
better.
however, things change overnight--
instead of listening to Shostakovich and
Mozart through a smeared haze of smoke
the nights change, new
complexities:
we drive to Baskin-Robbins,
31 flavors:
Rocky Road, Bubble Gum, Apricot Ice, Strawberry
Cheesecake, Chocolate Mint...
we park outside and look at icecream
people
a very healthy and satisfied people,
nary a potential suicide in sight
(they probably even vote)
and I tell her
"what if the boys saw me go in there? suppose they
find out I'm going in for a walnut peach sundae?"
"come on, chicken," she laughs and we go in
and stand with the icecream people.
none of them are cursing or threatening
the clerks.
there seem to be no hangovers or
grievances.
I am alarmed at the placid and calm wave
that flows about. I feel like a ***** in a
beauty contest. we finally get our sundaes and
sit in the car and eat them.
I must admit they are quite good. a curious new
world. (all my friends tell me I am looking
better. "you're looking good, man, we thought you
were going to die there for a while...")
--those 4,500 dark nights, the jails, the
hospitals...
and later that night
there is use for the pecker, use for
love, and it is glorious,
long and true,
and afterwards we speak of easy things;
our heads by the open window with the moonlight
looking through, we sleep in each other's
arms.
the icecream people make me feel good,
inside and out.
195.8k
there's a bluebird in my heart that
wants to get out
but I'm too tough for him,
I say, stay in there, I'm not going
to let anybody see
you.
there's a bluebird in my heart that
wants to get out
but I pur whiskey on him and inhale
cigarette smoke
and the ****** and the bartenders
and the grocery clerks
never know that
he's
in there.
there's a bluebird in my heart that
wants to get out
but I'm too tough for him,
I say,
stay down, do you want to mess
me up?
you want to ***** up the
works?
you want to blow my book sales in
Europe?
there's a bluebird in my heart that
wants to get out
but I'm too clever, I only let him out
at night sometimes
when everybody's asleep.
I say, I know that you're there,
so don't be
sad.
then I put him back,
but he's singing a little
in there, I haven't quite let him
die
and we sleep together like
that
with our
secret pact
and it's nice enough to
make a man
weep, but I don't
weep, do
you?
52k
To the tweaker who just ate lunch
On the side of a 55 mph highway
I'm not staring because I'm judging
I can judge without looking
I'm staring because I want to know
If my eyes can slow down your limbs
Like the arms of a fan
So I can see that you're still somebody's daughter
I'm staring because I understand
Never mind the gawking eyes of midday traffic
Never mind the glares of the gas station clerks
I understand
You're just having lunch
I understand
The bugs, the tics, the needs
You are not a stranger to me
You are who my sister used to be
You are what the father of my niece
Is trying not to be anymore
You are every shady character
Who ever knocked on my door asking questions
I do not know your name
But I know you
I know you were once somebody's daughter
And I hope you still are
I'm not here to pass judgment
Definitely not here to help
I know all to well there is nothing I can do
I just want you to know I know
And so does any body you're trying to hide it from
And they'll be waiting up for you
Whether you come home or not
Your mom hasn't had a full nights sleep
Since the last time she saw you
I hope for her sake
It was this morning
And I know you won't believe this
But grown woman and all
Your dad just wants to bounce you on his knee
But what I know most of all
Is that your little brother
Can't go two hours without crying
He's got ulcers again
And he misses you
You probably see him the most
But he hasn't seen you
Since you took your first hit
He misses your advice
He misses your hazing
And all he wants is a sober hug
And I'm sure this isn't what you wanted to hear
During your picnic
But it's everything I wish I could've told my sister
Even if she wouldn't have listened
I'm not staring to judge
I'm staring to care
And I don't presume to know what addiction is
But I do know how it feels
I just watched you barely cross the street
I can't imagine you making it
Wherever you're going tonight
So if you die
I hope there's **** in heaven
But if you by some miracle don't
I hope rock bottom's not to far down
And that one day you get clean
And start to make amends
So you can remember what it's like to dream
And if that day ever does come
Do me a favor
Sit on your father's lap
Sleep in your mother's bed
And hug your little brother
Because there's a girl he could use some help with
No matter what you've done
Or how much pain you've caused
Through the twitching
The nervous glances
The weight loss
You're still somebody's daughter
I know you
I understand you
Enjoy your lunch
Jan 4, 2010
Jan 4, 2010 at 10:26 AM UTC
The lady has me temporarily off the bottle
and now the pecker stands up
better.
however, things change overnight--
instead of listening to Shostakovich and
Mozart through a smeared haze of smoke
the nights change, new
complexities:
we drive to Baskin-Robbins,
31 flavors:
Rocky Road, Bubble Gum, Apricot Ice, Strawberry
Cheesecake, Chocolate Mint...
we park outside and look at icecream
people
a very healthy and satisfied people,
nary a potential suicide in sight
(they probably even vote)
and I tell her
"what if the boys saw me go in there? suppose they
find out I'm going in for a walnut peach sundae?"
"come on, chicken," she laughs and we go in
and stand with the icecream people.
none of them are cursing or threatening
the clerks.
there seem to be no hangovers or
grievances.
I am alarmed at the placid and calm wave
that flows about. I feel like a ***** in a
beauty contest. we finally get our sundaes and
sit in the car and eat them.
I must admit they are quite good. a curious new
world. (all my friends tell me I am looking
better. "you're looking good, man, we thought you
were going to die there for a while...")
--those 4,500 dark nights, the jails, the
hospitals...
and later that night
there is use for the pecker, use for
love, and it is glorious,
long and true,
and afterwards we speak of easy things;
our heads by the open window with the moonlight
looking through, we sleep in each other's
arms.
the icecream people make me feel good,
inside and out.
Jan 29, 2015
Jan 29, 2015 at 5:31 PM UTC
Broccoli in a white lamp shade
cast shadowy face tattoos
to mark the unjoustly.
The festival in background
is throbbing in directly contrasting sound, to the art nouveau it's sleeping with.
Each vegan burger stand vomits exquisite neon. However
the collage itself
is apologetically brown.
Theatre masks and DJs, VR and a Just Dance floor set,
a sprint before midnight, a sprint after discount ethanol;
so I gaze and perhaps ponder for a friend.
And yet when counting the heads,
I find I needn’t more than my own to hands
for the few middle-aged supermarket clerks
Sep 29, 2018
Sep 29, 2018 at 4:01 PM UTC
On this day 70 years ago they stormed across the sand
Boys of many nations to remove the tyrants hand
Heros all those boys so young who shed their blood for us
In that ****** fight for freedom
Across the sand they struggled neath a hail of shot and shell
Never glancing backwards as around them comrades fell
Fear was in their eyes, terror in their hearts
Many never made it and twas on foreign sand they died
Yes they died to give us the freedom that we have got this day
They died to free the world, for us they made the play
Boys from ever walk of life crossed the beaches there
Office clerks and farmers and the ones who cut our hair
Yes they were heroes all who gave their lives for us
But lets not forget the few who made it possible
The girls who made the shells, the men who built the tanks
They were the unsung heroes
They have also have earned our thanks
Without their dedication to the task they had in hand
Many more would have lost their lives on that shell torn blood stained sand
They to can hold their heads up high, they knew they did their bit
In bringing freedom to the masses when they broke the tyrants grip
Jun 6, 2014
Jun 6, 2014 at 3:31 AM UTC
And all your heros are gone,
but you refuse to take off the mask.
A loudmouth, a capitalist,
with greasy hair and a golden toothpick,
he is your enemy
he is your oppressor and
he sits upon a throne of coal and blood
with armed security
and a nation built for him,
to protect him and his money,
a police state, pat downs on the corner,
murdered in the street,
your daughters gotta eat.
He grows fatter and fatter still,
he loves complacency,
he loves contentment,
he invests heavily in both.
He knows we are strong,
he knows we are many,
he knows he must divide us to win,
he knows we're his greatest weapon,
so he created Fox News,
he created TMZ,
stealthily,
we didn't even notice,
he created NPR and KVIE,
he gave them masks that look like ours.
They look poor,
they look starved,
they look like us, but they have a different master.
Our master is the earth,
our master is our coworker, our neighbor, our mailman,
our dishwashers, our bus drivers, our minimart clerks.
Our masters are not the TV,
our masters are not the radio,
our masters are not the New York Times,
they are not National Geographic,
they are not BP,
they are not our principals, our administrators,
our policemen, our CEOs, our investors, our bankers,
our insurance providers,
these people hate us,
they hate us because they can't squeeze blood from a stone,
and
the rivers are running dry,
the factories are standing still,
the people, our masters and our friends,
they're in the streets,
they're shouting "BLACK LIVES MATTER"
they're shouting "NO JUSTICE NO PEACE"
"NO MORE WAR FOR OIL"
**** THE POLICE"
"DOWN WITH THE 1%"
and soon
and soon,
The False Gods will grow so fat
and we'll have nothing left to eat but them,
and on that day we'll sit down to dine
and it won't be civilized and it won't be pretty,
their blood, our blood, will feed the rivers and their flesh will feed our hungry children and their money will burn and warm our chilled bones but we can't wait,
we can't wait for this to happen because everyday they grow stronger,
we grow weaker and the river becomes dryer.
The Bourgeois is our enemy,
they say 'All Lives Matter'
they say 'Work Hard and Your Dreams Will Come True'
BUT THEY LIE
Jul 12, 2016
Jul 12, 2016 at 4:54 PM UTC
It was down in California
Where the light hurt my eyes
I couldn't hear my thoughts or find a reason why
It was down in Louisiana
Where all my friends were now
When something went black and escaped into the south
So I went into the city
Of whatever state I'm in
I can't tell if it's New Orleans or if I'm drunk again
I buried all my secrets
In a tarnished leather book
At which only me and the universe can look
Thank god for himself
For he's given me pain
And if it's someone else
You can erase them with blame
So I jumped into a truck
Driven by border clerks
But halfway down to Mexico, I knew this wouldn't work
They had it in for laughs
At the expense of broken hearts
I know they meant no harm but they were tearing me apart
The flag above my head
Only made me feel sick
Someone tried to sell me love but I knew it was a trick
But when the sun finally fell
And the stars shined on me
I understood what people meant when they told me I was free
Mar 4, 2016
Mar 4, 2016 at 11:49 AM UTC
It was not, by any means, a loss of faith;
Indeed, her devotion was a boundless, unfettered thing
Beyond proscription, beyond rote chant and catechism,
And what she found as a novitiate
Were shuttered gates and gossipy confessionals,
Standoffish priests, pig-eyed and pinch-lipped
Sisters who thought life’s commerce
No more than mechanical prayer and spotless linens,
The whole enterprise
Smacking of the exclusion of Heaven’s bounty.
So she demurred when the time came to take her orders,
And she returned to the world of pavements and lesser pieties,
Free to seek God on park swings and barstools,
In pleasures of the pastoral and the profane,
Though her faith is no Dionysian walkabout,
As she is passionate to the cusp of maniacal
When it comes to the Book of James’ admonition upon works;
She is often found among the sisters she once tiptoed alongside
At food pantries and clothing drives
(She is scrupulous about ministering to only secular needs,
As the Bishop is not happily disposed towards those
Who choose not to take the veil,
And the specter of excommunication is a prospect
Too awful to contemplate)
Afterwards clambering onto some vaguely roadworthy MTA bus
Back to her studio apartment in Green Island,
Where she often walks down to the Erie Canal lock nearby,
Praying for those who have travelled near and upon the water,
Convenience store clerks and ragged Irishmen fleeing famine,
Feral kittens and insufficiently mourned mules.
Nov 16, 2017
Nov 16, 2017 at 10:39 AM UTC
look me in the eye and tell me that you love me
or was it all a sad story that you unconsciously believed
while you raided the fridge and fornicated wildly
too late is not really an acceptable position
and later on is usually an example of indecision
and sometimes specimens reject their predicaments
especially if they are eventually going to be your dinner
i am sure that i am here to usher in a new authority
resurrected like a phoenix i must be stronger than before
so even if forever is often equivalent to never
and september is the month of seven (or was it nine) serpents
that are to be reborn in the dawn of Time's obsidian
as our minds have spent oblivion in the forges
of turgidly engorged shores, torn from their former continents
as forms are always gripped in hands who choose intolerance
take administrators, lawyers, bureaucrats and clerks;
as examples of this; par excellence
Sep 6, 2018
Sep 6, 2018 at 3:21 PM UTC
When I look out from the smudged and cracked windows of home,
I know there's no place quite the same as right here;
No place I could find that quite catches my ear,
And no place quite the same that can swallow my fears,
To the depths of this heated and comfortable box,
In which I am protected by numerous locks,
From intruders and bandits,
Salesmen and clerks;
I am the legal intruder,
And for me, that's what works.
Yet I'm here when, in fact, I am meant to be there;
Not far from my home,
I'm meant to be learning whats fair.
I am meant to be learning what's right and what's wrong,
Yet 6 hours of my time a day seems quite long,
To be spending on verbs, nouns and pronouns,
On algebra, fractions, and abnormal word sounds.
This life is not theirs; this life is all mine,
Such an old and used system would appear to be right,
Yet I beg to differ, as revolution now squeaks,
To push through the systems cracks and cause leaks,
In which free-thinking filters the words of the old,
Who believe themselves better, for they're trained and so bold.
When I look to society, what is it I see?
Is it a throng of a thousand people who seem to be free?
Not quite, yet at the same time, that seems quite close,
They are free in a box, in which authority is the host.
*"Civilization has to be defended against the individual,
And its regulations, institutions and commands are directed to that task."**
Quite an obvious command,
And it seems that at last,
Man is learning to embrace what they each see as free;
And it does not simply stop at being free to simply be,
It goes beyond such in mind, matter, soul, and in trust;
For it is the systems denial,
Towards which I lust.
The institutions, and nations,
Corporations, news stations,
Stateism, classism, all attempt to control,
Who I am, what I do, where I go, who I meet;
They tell me to relax, and just take a quick seat;
Yet I know what I want from life is free feet,
To be who I am,
And take all the heat.
To do what I do,
And ignore what's 'elite.'
To go where I go,
And control, as such, my feet.
To meet who I meet,
And next to them, take a seat.
I am not a name,
And I am not a number.
I am always awake in my mind,
As I slumber.
Oct 18, 2010
Oct 18, 2010 at 10:58 AM UTC
In my home city of Dhaka, there is an abundance of bananas. Their sickly sweet aroma hangs heavy in the air, mixing with the stench of human toil and chemical wastes to produce the true odor of despair. The lives of these bananas are relatively short. They start off in a poor farmer’s tree, dragged to market in a broken-down truck, and sold at a cut-throat price to the vendor. In a well-rehearsed play, vendor and consumer haggle over bruised bananas. The tired consumer brings the bananas home and hangs them in the kitchen where cockroaches stalk empty cupboards.
The next day, we, the children, will carry the bananas in empty lunch boxes to school. Together, we will sit through vapid lectures, tailored to make the clock tick slower. Not once will the teacher pause to encourage us to achieve. During lunch, we will devour our bananas with unwashed hands. Despite our best efforts, we will be corralled into our parents’ lives and become the next generation of factory workers and office clerks.
Sometimes though, a child manages to get a glimpse into the other world. I was fortunate enough to be one of these children. One afternoon, my father came into our tiny living room with a smile on his face and an object protruding from his shirt pocket. He told me that he had a special present for me. With a practiced flourish, he took out an orange from his worn shirt. My eyes widened with amazement.
To me, oranges were objects only celebrities and corrupt politicians could afford. They were luxury items, myths seen on television. Yet here I was, nothing extraordinary, holding a real orange in my palm. Slowly I peeled the orange, feeling my old impoverished self peel away simultaneously. As I tasted the first tangy slice, I heard the shackles of the banana chain fall. It was then that I truly felt that I had the power to become anything I wanted. That day, I was liberated from the vicious banana cycle.
From that day forward, I looked for positive events in my life, for signs of hope and change. One day, I saw my strict, condescending teacher discreetly hand an orange to a classmate whose family was unemployed. For the rest of the day, the child stood a little taller. For that day, he was no longer living in a destitute environment, but residing in the warmth of human nature.
Jan 1, 2013
Jan 1, 2013 at 1:13 PM UTC
700
You’ve seen Balloons set—Haven’t You?
So stately they ascend—
It is as Swans—discarded You,
For Duties Diamond—
Their Liquid Feet go softly out
Upon a Sea of Blonde—
They spurn the Air, as t’were too mean
For Creatures so renowned—
Their Ribbons just beyond the eye—
They struggle—some—for Breath—
And yet the Crowd applaud, below—
They would not encore—Death—
The Gilded Creature strains—and spins—
Trips frantic in a Tree—
Tears open her imperial Veins—
And tumbles in the Sea—
The Crowd—retire with an Oath—
The Dust in Streets—go down—
And Clerks in Counting Rooms
Observe—”’Twas only a Balloon”—
2.2k
Well Annie now you've done it
through your gyrations, characterizations
imitations
a spot of light of spirit
flipped out into the ether
like some kind of spiritual dandruff
all crystal prisms
twinkling stars shook off of you
and floated
through my eyes and ears
and penetrated and infused
my pumping heart
through my circulatory system
snapping synaptic changes,
touching those places
of
dreams and trances.
Well Annie now you've done it all night long
with images of Olive Oil
and no Popeye
I have become a sailor man
unmoored from the safety of the slip
dragging the anchor
until the tether breaks
and find myself floating
on some Jungian sea
of the unconscious far away from the shore.
Well Annie now you've really done it -
How will this all play out
when walking down the faux marble hallways
as I roll up one wave of imitation
and down another in
clients/secretaries/billing clerks
deranged psychiatrists stories
and all of this reality
grabbing trying ranting riffing
how is this all going to play out
when strange guerilla theatre
erupts on backwards
in administrators offices
and leadership committee meetings
when I spread my legs
as my grand opening
in carrot top hangings
and turn to clients
offer them too
this spirit spark of
courage.
Well you've really done it this time Annie
when my door is locked
and pagers are begging for my attention
but I will be in the room at that desk
throwing rules, regulations
and my professional reputation
to the current winds of unwinding
truths and soulful stories.
When they turn to me
and ask for my forgiveness
in their true confession
or when I shift shapes
to the big onion
when everyone who wanders near weeps
when they ask me for that magic sentence
to make it all okay
or write a treatment plan
or
just a hand on the shoulder;
as they begin to talk
like rooms of old echoes-
I will tell them that will cost them extra.
You've done it now Annie forever
in my minute little world
rocked the boat
that spirit
like the butterfly wings causing the hurricane
of courage.
You've done it now Olive Oil Annie
I have found my spinach
and
freedom cannot be far behind...
Jan 28, 2014
Jan 28, 2014 at 1:18 AM UTC
I had a customer at work today
with a tattoo across her chest
that said "Royalty" with a little
jeweled crown hanging off the "R."
She wanted a pack of cigarettes.
She didn't ask, she demanded.
She didn't say "please."
I gave her the cigarettes.
She didn't say "thanks."
I asked how her day was going,
and she said "good."
She didn't ask how my day was.
At first I thought a girl like that
isn't royal at all.
But, the more I thought, the more
I realized that she was.
Because royalty doesn't ask,
it demands.
Royalty is above saying "thanks."
Royalty doesn't mingle with
gas station clerks.
Regardless, I muttered *****
under my breath as she walked away.
Sep 5, 2017
Sep 5, 2017 at 11:01 PM UTC
For he with the blonde curls,
Who set you from stone to glass,
For he with greyness and age,
Who set you from virtue to lust,
And for the fathers who warned,
Who set you in a statue of shame,
With his constant looks of disbelieving.
For she with the stars of freckles,
Who set you from glass to shards,
For she with the condensation of coldness,
Who set you on route to loneliness,
And for the mothers who neglected,
Who set you with no comfort,
With no help after the males visited.
For the creaks of floorboards,
Threatening unholy arrival,
For the thousands of bed squeaks,
Helping by gifting distraction,
For the hotel clerks gentle knowing smiles,
For the cheeks I can force upwards,
For the sacred of tears that disappeared with new numbness,
For the child within me who had such urgency to grow up,
And for me...for me.
Dec 15, 2018
Dec 15, 2018 at 8:45 AM UTC
I wonder if we walk into a store in the early morning hours the next day,
Holding hands and stealing kisses, waiting for the doors to be unlocked,
If clerks can tell how many times we had *** the night before.
I wonder if my skin glows where your hands and kisses caressed my skin
In the wee hours of morning when it seemed the entire world was fast asleep
Except for us;
Sharing love and secrets that no one else cared to know about each other.
I wonder if they could tell that every time I had almost fallen asleep,
You kissed my bare shoulder where the sheet didn’t cover
And the moonlight shone over my pale flesh,
Awakening me with such a desire to kiss you with the same
Hungry urge that you kissed me with.
Kisses led to more and before I knew it, the number of times we made love
For the night had climbed one number higher
And we both struggled to catch our breath.
Jan 26, 2014
Jan 26, 2014 at 9:31 PM UTC
In old New Orleans
Musical lumberjacks
Legitimizing their axes;
Just piano, clarinet,
Bass and the drums.
Bringing jazz back
And then some.
The cat could play
That skinny long black horn,
Hotter clarinet than
Anybody ever born,
He kept hitting notes
So pure and high
We felt each note
In our eyes!
And, if you chance by
Remember this,
They don’t allow dancing.
But when the drummer
Makes works those skins
And makes them talk out
There is plenty of toe-tapping
And nobody ever walks out.
Then, when the guy
Plays that bass fiddle
He adds an underscore
To top bottom and middle.
It’s an underbeat of grace
That will fill the rest space
And the hearts of all
In this overcrowded place.
Vintage jazz roars out
Of an old, old piano
Played by a happy madman
With fingers afire, he knows
He’s got them hooked;
He’s making them wild
As he wails on those keys
He looks out and smiles
And he puts the Satchmo touch
On those old-timey songs
And once in a while
They ask us to sing along.
For the past forty-six years
Those ugly plastered walls
Have never hear so many
Gratefully rendered curtain calls
From an audience of clerks and swells.
On Bourbon Street’s Fritzel’s.
Through hurricanes and beers
Like stepping back a hundred years.
Fats is still playing, Bessie singing
Original jazz music is still swinging.
Feb 25, 2016
Feb 25, 2016 at 6:50 PM UTC
Chairs were creaking from the strain of ignorance,
as the habit of ignorant anticipation gripped the
edge of a creative moment to disrupt thoughts
which hoped to choose the pastel colors of an
expressive photograph. Rather than deep garden
saturation, the light, fading to become ghosts
of movement, offered a place of acceptance. Shrugs
rounded the shoulders of the road, so it could be
claimed that no responsibility hindered the
development of suspension systems. Political
levitation supported the dancers as they turned onto
the public stage in a forum of occupation. The state
of the street, in the absence of smooth nylon, brought
the parachutes down to flutter, disconsolately, above
the pavement. Single waves of regret were drawn
to leave the stage, but, as this effort was declined,
determination measured resolve based upon
community options, described in the local papers.
Setting the pages down, each day, the play became
enamel baked onto the restoration and the satisfaction
which kept them all together as a group. Certain
curtains were raised, as others were lowered to close
the door excluding the poor
from the equal share of space related to the experiments
of the place.
Conversation by clerks sculpted freedom to crimp the
brass cases in ways not accepted by sprites in mid
flight. These were the colors in the ledger interpreted as
shades of gray or flashing midnight blue, faint copper,
and pearly white. Forces of education were dismissed
as a superficial demonstration indicating the character,
intensive.
Thus, they were reaching for the money, but funding
remained a gift offered only to those admired and,
through the glass, profitable by cultural attributes. Some
thought the process was the singular importance of an
event. The dancers were dreaming, as they rehearsed.
Another kind of artist discarded the event in favor of the
documents and images meant to persist. These, the
dancing players favored as memories to be contemplated,
some to be cherished.
Materialism, since it included spirit, ruled the transient
existence experienced as joy. Perception brought
enjoyment into being, yet when the unusual critic walked
away, it was a dispossession. Other critics were members
of the team.
Dec 26, 2013
Dec 26, 2013 at 8:36 PM UTC
Supermarket celebration
shoppers are cytoplasm searching
for cellulose, muscle, photosynthesis.
Oils, petrochemical and vegetable
love: faith and trust
for instance, the Food and Drug Administration.
In America, the custom is
to avoid meeting the other shoppers' eyes. We graze
like cows or wander as zombies to the oldies played over the aisles.
I've always liked it here.
Cornucopia, yes. Also
a place to be alone and depressed, or cool off.
Water and bone
and the known ingredients. Neurons
for remembering, calculating, touching stuff.
I have a favorite bagger
who has the smile of a lover,
wouldn't rather be elsewhere.
Like glamour stars in bikinis
(but unlike tomatoes and bananas)
cashiers and clerks are admired from afar.
Joe says What's not to like? Ice cream, yogurt,
profit, tofu.
To eat your fill is a blasphemy against God.
Aug 11, 2015
Aug 11, 2015 at 6:26 PM UTC
get away from me all you fools
store owners
underpaid store clerks
delivery people
disgruntled factory workers
bosses
know it alls
child molesting priests
rabbis
loud mouthed reverends
strippers
track armed hookers
pimps
johns who's wife won't give it up
teachers
shady lawyers
pill poppin' doctors
nurses
kids with colds
old people with dementia
***** dogs
feral cats
evil grandmas
perverted grandpas
street sweepers
***** garbage men
slick bartenders
waitresses
drunk people
people high on life
dope heads
meat heads
sober judges
all of you
go to hell in a handbasket
and let me live my life
in peace.
Oct 16, 2014
Oct 16, 2014 at 7:40 PM UTC
Hist? . . .
Through the corridor's echoes,
Louder and nearer
Comes a great shuffling of feet.
Quick, every one of you,
Strighten your quilts, and be decent!
Here's the Professor.
In he comes first
With the bright look we know,
From the broad, white brows the kind eyes
Soothing yet nerving you. Here at his elbow,
White-capped, white-aproned, the Nurse,
Towel on arm and her inkstand
Fretful with quills.
Here in the ruck, anyhow,
Surging along,
Louts, duffers, exquisites, students, and prigs--
Whiskers and foreheads, scarf-pins and spectacles--
Hustles the Class! And they ring themselves
Round the first bed, where the Chief
(His dressers and clerks at attention),
Bends in inspection already.
So shows the ring
Seen from behind round a conjurer
Doing his pitch in the street.
High shoulders, low shoulders, broad shoulders, narrow ones,
Round, square, and angular, serry and shove;
While from within a voice,
Gravely and weightily fluent,
Sounds; and then ceases; and suddenly
(Look at the stress of the shoulders!)
Out of a quiver of silence,
Over the hiss of the spray,
Comes a low cry, and the sound
Of breath quick intaken through teeth
Clenched in resolve. And the Master
Breaks from the crowd, and goes,
Wiping his hands,
To the next bed, with his pupils
Flocking and whispering behind him.
Now one can see.
Case Number One
Sits (rather pale) with his bedclothes
Stripped up, and showing his foot
(Alas for God's Image!)
Swaddled in wet, white lint
Brilliantly hideous with red.
1.4k
It's funny how no matter where you go
everything is the same. No kidding.
I've been to San Fransisco and everyone is pretending to not be fake,
and I've been to New York and they're even bigger phonies.
I walked into town once, two miles from my house to the park.
I walked along the highway and stuck my thumb out the whole way.
No one stopped until this man on a motorcycle did.
He asked me where I was going and I said into town.
He asked where in town and I said the first thing that came to mind.
Charlies Cafe, I said. We rode to Charlies Cafe which was only a 20 minute walk from where we were but whatever.
He didn't have a helmet but that was fine.
He dropped me off. I never even went into Charlies.
I walked a half block to the gas station and went inside.
I grabbed an Arizona and walked up to the counter.
"Anything else for yah?"
"Yeah uh, a pack of Natural American Spirits."
I slapped a ten on the counter and the man asked to see identification.
I told him I didn't have any but I also wouldn't need change.
He sold me the cigarettes and the Arizona and didn't give me change. It's that kinda stuff that ****** me off.
And that's what I mean. You ask someone for something and they act like they're doing you a hell of a favor and then you waive some money under their noses and they're shining your ******* boots.
I got off the subway and to the venue.
There were people filing in and smoking flowing out.
I stood in line, bought my ticket and went in. Some ******** band a friend had told me about who was playing. I was meeting him there in 30 minutes but wanted to scope it out early. A girl wearing fishnet stockings was looking cute in a booth all by herself. I sat down in the booth next to her and ordered a drink. The waiter was nice enough to forget to ask about my non existent ID. I leaned over and asked the girl if I could refill her drink.
She looked at me disgusted and said "I will let you know, that I have a boyfriend."
Jesus, it's not like I asked to **** her or anything.
"Jesus it's not like I asked you to **** me or anything."
I returned my lean to my booth. I'm usually not so curt with women but this ****** me off.
My friend never showed up and I bailed during the opening act.
I walked all the way back to my apartment and smoked.
It started raining.
Cute girls, gas station clerks, weather, they can all be *******
Oct 30, 2012
Oct 30, 2012 at 2:10 AM UTC
The meek rattle the earth
The battle distracted the clerks
The overseer dipped into his potion
As commotion in the open
Became action and it started gaining traction
And without pause the commanders reacted with factionalism
For a fracture collapses community structures
They rupture with signs of mistrust
Institutions induce us to fear our own neighbor
And keep our eyes forward and fixed on our labor
But me and you, that's the True True
Helping out when I know what I can do
Spreading gratitude will get you bread
And clothed enough to stay alive
Because we'll only survive if we help each other
Nov 26, 2012
Nov 26, 2012 at 10:20 AM UTC
Not sure how it really works
I go and ask the clerks.
Ages five and up…
it’s hard to ******
he said.
Really? It’s simple?
Give an example.
Turn on the boy and he'll find the girl.
Everyone's given it a whirl,
he said.
******** I’ve already:
poked out my eyes,
which left them leaking.
bruised my thighs,
which won’t stop aching!
and sealed my heart’s demise
for future breaking.
Stunned and oblivious he cocked his head
opened his mouth and said:
You’re doing it wrong.
Dec 16, 2010
Dec 16, 2010 at 9:31 PM UTC