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the lady has me temporarily off the bottle
and now the pecker stands up
better.
however, things change overnight--
instead of listening to Shostakovich and
Mozart through a smeared haze of smoke
the nights change, new
complexities:
we drive to Baskin-Robbins,
31 flavors:
Rocky Road, Bubble Gum, Apricot Ice, Strawberry
Cheesecake, Chocolate Mint...

we park outside and look at icecream
people
a very healthy and satisfied people,
nary a potential suicide in sight
(they probably even vote)
and I tell her
"what if the boys saw me go in there? suppose they
find out I'm going in for a walnut peach sundae?"
"come on, chicken," she laughs and we go in
and stand with the icecream people.
none of them are cursing or threatening
the clerks.
there seem to be no hangovers or
grievances.
I am alarmed at the placid and calm wave
that flows about. I feel like a ***** in a
beauty contest. we finally get our sundaes and
sit in the car and eat them.

I must admit they are quite good. a curious new
world. (all my friends tell me I am looking
better. "you're looking good, man, we thought you
were going to die there for a while...")
--those 4,500 dark nights, the jails, the
hospitals...

and later that night
there is use for the pecker, use for
love, and it is glorious,
long and true,
and afterwards we speak of easy things;
our heads by the open window with the moonlight
looking through, we sleep in each other's
arms.

the icecream people make me feel good,
inside and out.
1.
From my
uneasy bed
at the L’Enfant,
a train's pensive
horn breaks the
sullen lullaby of
an HVAC’s hum;
interrupting the
mechanical
reverie of its
steadfast
night watch,
allowing my ear
to discern
the stampede
of marauding
corporate Visigoths
sacking the city.

The cacophony
of sloven gluttony,
the ***** songs of
unrequited privilege
and the unencumbered
clatter of radical
entitlement echoes
off the city’s cold
crumbling stones.

The unctuous
bellows of the
victorious pillagers
profanely feasting
pierces the
hanging chill
of the nations
black night.

Their hoots
deride the train
transporting
the defeated
ghosts of
Lincoln’s last
doomed regiments
dispatched in vain
to preserve a
peoples republic
in a futile last stand.

The rebels have
finally turned the tide,
T Boone Pickett’s
Charge succeeds,
sending the ravaged
Grand Army of the
Republic sliding
back to the Capitol,
in savage servility,
gliding on squeaky
ungreased wheels
ferrying the
Union’s dead
vanquished
defenders to
unmarked graves
on Potters Field.

The Rebels
joyous yell
bounces off
the inert granite
stones of the
soulless city.

The spittle
of salivating
vandals drips
over the
spoils of war
as they initiate the
disassemblage,
the leveling and
reapportionment
of the grand prize.

The clever
oligarchs
have laid claim
to a righteous
reparation
of the peoples
assets for
pennies on the
dollar.

Their wholly
bought politicos
move to transfer
distressed assets
into their just
stewardship
through the
holy justice
of privatization
and the sound
rationale of
free market
solutions.

In the land of the
pursuit of property,
nimble wolf PACs
of swift 527, LLCs
have fully
metastasized
into personhood;
ascending to
the top of the
food chain in
America’s
voracious
political culture;
bestriding
the nation to
compel the
national will
to genuflect
to the cool facility
of corporate
dominion.

As the
inertial ******
of the plaintive
locomotive
fades into
another old
morning of
recalcitrant
Reaganism,
it lugs its
ambivalent
middle class
baggage toward
it’s fast expiring
future.

I follow
the dirge
down to
the street
as the ebbing
sound fades
into the gloom
of the
burgeoning
morning,
slowly
replacing the
purple twilight
with a breaking
day of cold gray
clouds framing
silhouettes of
cranes busily
constructing
a new city.

The personhood of
corporations need
homes in our new
republic; carving
out new
neighborhoods
suitable for the
monied citizens
of our nation.

First amongst
equals, the best
corporate governance
charters form
the foundation of
the republic’s
new constitution.
Civil rights
are secondary
to the freedom
of markets; the
Bill of Rights
are economically
replaced by the
cool manifests
of Bills of Lading.

The agents of
laissez faire
capitalism
nibble away
at the city’s
neighborhoods
one block at a time;
while steady winds
blows dust off
the National Mall.

Layers of the
peoples plaza are
plained away with
each rising gust.  

History repeats
itself as the Joad’s
are routed from their
land once again.

A clever
mixed use
plan of
condos and
strip malls
is proposed
to finally help the
National Mall
unlock its true
profit potential.

As America’s
affection for
federalism fades
the water in
the reflection pool
is gracefully drained.

We the people
can no longer
see ourselves.

The profit
potential of
industry is
preferred over
the specious
metaphysical
benefits
of reflection.

The grand image,
the rich pastiche,
the quixotic aroma
of the national
melting ***
is reduced to the
sameness of the
black tar that lines
the pool and the
swirling eddies of
brown dust circling
the cracked indenture.

From his not so
distant vantage point,
Abe ponders the
empty pool wondering
if the cost of lives
paid was a worthy
endeavor of preserving
the ****** union?  
Has the dear prize
won perished from
this earth?

Was the illusive
article of liberty  
worth its weight in
the blood expended?

Did the people ever
fully realize the value
of government
by the people,
for the people?

Did citizens of
the republic
assume the
responsibilities to
protect and honor
the rights and privileges
of a representative
government?

Now our idea
and practice of
civil rights is measured
and promoted as far as
it can be justified by
a corporate ROI, a
shareholder dividend,
an earmark or a political
donation to a senators
unconnected PAC.

The divine celestial
ledgers balancing
the rights and
privilege of free people
drips with red ink.  

Liberty, equality
fraternity are bankrupt
secular notions
condemned as
expensive
liberal seditions;
hatched by
UnHoly Jacobins,
the atheist skeptics
during the dark times
of the Age of Enlightenment.

Abe ponders
the restoration
of Washington’s
obelisk, to
repair the cracks
suffered  from
last summer’s
freak earthquake.

I believe I detect
a tear in Abe’s
granite eye
saddened by the
corporate temblors
shaking the
foundations
of the city.

2.

The WWII Memorial
is America’s Parthenon
for a country's love
affair with the valor
and sacrifice of warfare.

WWII forms the
cornerstone of
understanding the
pathos of the
American Century.

During WWII
our greatest generation
rose as a nation to
defeat the menace of
global fascism and
indelibly mark the
power and virtue of
American democracy.

As Lincoln’s Army
saved federalism, FDR’s
Army kept the world safe
for democracy.

Both armies served
a nation that shared
the sacrifice and
burden of war to
preserve the grace of
a republican democracy.

Today federalism
crumbles as our
democracy withers.

The burden
of war is reserved
for a precious few
individuals while
its benefits
remain confined to
the corporate elite.

Our monuments
to war have become
commercial backdrops
for the hollow patriotism
of war profiteers.

We have mortgaged
our future to pay
for two criminal wars.

The spoils of
war flow into the
pockets of
corporate
shareholders
deeply invested
in the continuation
of pointless,
destructive
hostilities.

Our service
members who
selflessly served
their country come
home to a less free,
fear struck nation;
where economic
security and political
liberty erodes
each day while the
monied interests
continue to bless
the abundance
of freedom and riches
purchased with the
blood and sweat
of others.

America desperately
needs a new narrative.

The spirit of the
Greatest Generation
who sacrificed and met
the challenge of the 20th
Century must become
this generations spiritual
forebears.

The war on terror
neatly fits the
the corporate
pathos of
militarism,
surveillance
and the sacrifice
of civil liberties
to purchase
a daily measure
of fear and
economic
enslavement.

It must be rejected
by a people committed
to building secular
temples to pursue
peace, democracy,
economic empowerment,
civil liberties and tolerance
for all.

Yet this old city
and the democratic
temples it built
exulting a free people
anointed with the
grace of liberty
is being consumed
in a morass of
commercial
polyglot.

3.

During the
War of 1812
the British Army
burned the
Capitol Building
and the White House
to the ground.

Thank goodness
Dolly Madison saved
what she could.

The new marauders
are not subject to the
pull of nostalgia.  

They value nothing
save their
self enrichment.

They will spare nothing.

Our besieged Capitol
requires Lincoln’s troops
to be stationed along the
National Mall to defend
the republic.

The greatest peril
to our nation
is being directed
by well placed
Fifth Columnists.

From the safety
of underground bunkers,
in secure undisclosed
locations within the city’s
parameters, a well financed
confederacy employing  
K Street shenanigans
are busy selling off
the American Dream
one ear mark
at a time, one
huge corporate
welfare allotment
at a time.

The biggest prize
is looting the real
property of the people;
selling Utah,
auctioning off
the public schools,
water systems, post offices
and mineral rights
on the cheap
at an Uncle Sam
garage sale.  

The capitol is
indeed burning
again.

Looters are
running riot.

The flailing arms
of a dying empire
fire off cruise
missiles and drone
strikes; hitting the
target of habeas
corpus as it
shakes in its
final death rattle.
I make a pilgrimage
to the MLK Jr.
Monument.

Our cultural identity
is outsourced to
foreign contractors
paid to reinterpret
the American Dream
through the eyes
of a lowest bidder.

MLK has lost
his humanity.

He has been
reduced to a
a Chinese
superhuman
Mao like anime
busting loose from
a granite mountain while
geopolitical irony
compels him to watch
Tommy Jefferson
**** Sally Hemings
from across the tidal
basin for all eternity.  

MLK’s eyes fixed in
stern fascination,
forever enthralled
by the contradictions
of liberty and its
democratic excesses
of love in the willows
on golden pond.

Circling back to
Father Abraham’s
Monument,  I huddle
with a group of global
citizens listening
to an NPS Ranger
spinning four score
tales with the last full
measure of her devotion.

I look up into Abe’s
stone eyes as he
surveys platoons
of gray suited
Chinese Communist
envoys engaged
in Long Marches
through the National Mall;
dutifully encircling cabinet
buildings and recruiting
Tea Party congressmen
into their open party cells.

This confederacy
is ready to torch
the White House
again.

Congressmen and
the perfect patriots
from K Street slavishly
pull their paymasters
in gilded rickshaws to
golf outings at the Pentagon
and park at the preferred
spots reserved for
the luxury box holders
at Redskin Games.

They vow not to rest
until the house of the people
is fully mortgaged to the
People’s Republic of China’s
Sovereign Wealth Fund.

4.

A great
Son of Liberty like
Alan Greenspan
roundly rings
the bells of
free markets
as he inches
T Bill rates
forward a few
basis points
at a time; while
his dead mentor
Ayn Rand
lifts Paul Ryan
to her
Fountainhead teet.
He takes a long
draw as she
coos songs
from her primer
of Atlas Shrugged
Mother Goose tales
into his silky ears.

The construction
cranes swing
to the music
building new private
sector space with
the largess of
US taxpayers
money; or
more rightly
future generations
taxpayer debt.

Libertarians,
Tea Baggers, Blue Dogs
and GOP waterboys
eagerly light a
match to the
the crucifixes
bearing federal
social safety
net programs
to the delight
of NASDAQ
listed capitalists
on the come,
licking their chops
to land contracts
to administer
these programs
at a negotiated
cost plus
profit margin.

Citizens
dependent
on programs
are leery
shareholders
are ecstatic.

To be sure
our free
market rebels
don disguises
of red, white
and blue robes
but their objectives
fail to distinguish
their motives and
methods with
some of the finest
Klansman this
country has
ever produced.

5.

DC is a city
of joggers
and choppers.

Corporate
helicopters
wizz by the
Washington
Monument,
popping erections
for the erectors
inspecting the progress
of the cranes
commanding the
city skyline.

USMC drill team
out for a morning
run circles the Mall.

The commanding
cadence of the
DI keeps us
mindful of the
deepening
militarization of
our society.

A crowd  
rushes
to position
themselves,
genuflecting
to photograph
a platoon on
the move.

I try to consider
the defining
characteristics of
Washington DC.

DC is all surface.

It is full of walls
and mirrors.

Its primary hue
is obfuscation.

Open
communication
scripted from well
considered talking points
informs all dialog.

The city is thoroughly
enraptured in narcissism.

Thankfully, one can
always capture the
reflection of oneself in
the ubiquitous presence of
mirrors.  

Vanity imprisons
the city inhabitants.

Young joggers circle the
Mall and gerrymander
down every pathway
of the city.  

They are the clerks,
interns and staffers of
the judicial, executive
and legislative branches.

They are the children
of privilege.

They will never
alter their path.

You must cede the walk
to their entitlement
of a swift comportment
or risk injury of a
violent collision.

These young ones
portray a countenance  
of benevolent rulers.  

They seem to be learning
their trade craft well from
the senators and judges
whom they serve.

They appear confident
they know what's best
for the country and after
their one term of tireless
service to the republic
they look forward to
positions in the private
sector where they will
assist corporations
to extend their reach
into the pant pockets
worn by the body politic.

6.

Our nations mythic story
lies hidden deep in the
closed rooms of the
museums lining the
Mall.

I pause to consider
what a great nation
and its great people
once aspired to.

I spy the a
suspended
Space Shuttle
hanging in dry dock
at the air and
space museum.

Today America’s
astronauts hitch
rides on Russian
rockets.

America rents a
timeshare from
the European
space agency to
lift communication
satellites into orbit.

Across the Mall
I photograph
John Smithson’s
ashes in its columbarium.  

I fear it has become a
metaphor for America’s
future commitment
to scientific inquiry
and rational secular
thinking.

I am relieved to
discover a Smithsonian
exhibit that asks
“what does it mean
to be human?”

The Origins of Humans
exhibit carries a disclaimer
to satisfy creationists.

The exhibit timidly states
that science can coexist
with religious beliefs and
that the point of the exhibit is
not to inflame inflame religious
passions but to shed light on
scientific inquiry.

I imagine these exhibits
will inflame the passion of
the fundamentalist
American Taliban and
provide yet another
reason to dismantle
the Moloch of Federalism.

The pursuit of science
remains safe at the
Smithsonian for now.

7.

Near K Street at
McPherson Park
a posse of
well dressed
lobbyists, the
self anointed
uber patriots
doing the work
of the people
stroll through
the park
boasting a
healthy population
of bedraggled
homeless.

The homeless
occupy the benches
that have been
transformed into
pup tents.

Perhaps some of
the residents of this
mean estate were
made homeless by a
foreclosed mortgage.  

The K Street warriors
can be proud that their
work on behalf of the
banking industry has
forestalled financial market
reform.  

Through it exacerbates
the homeless problem it has
allowed these K Street titans to
profit from the distress of others.

Earlier in the day
I photographed
a homeless man
planted in front of
the Washington
Monument.

I wonder
if my political
voyeurism is
an exploitation of
this man’s condition?

I have more in common
then I probably wish to
admit with my K Street
antagonists.  

In another section
of the park the
remnants of a
distressed OWS
bivouac remain.

The legions of sunshine
patriots have melted away
as the interest of the
blogosphere has waned.

As the weather
improves Moveon.org
and democratic
party operatives
pitch tents in an
effort to resuscitate
the moribund
movement.

They hope
to coop any
remaining energy
to support their
stale deception,
a neoliberal vision
based solely on the
total capitulation
to the bankrupt
corporatocracy.

I heard someone say
a campaign lasts a
season; while a
movement for social
change takes decades.

If that metric proves
correct, and if the
powers don’t succeed
in compromising the
people’s movement
I’ll be three quarters
of a century old
before I see
justice flowing like
a river once again.

8.

I circle back to
the L’Enfant and
find myself
tramping amidst
the lost platoon
of Korean War
soldiers.

My feet drag
in the quagmire
of grass covering
the feet of this
ghostly troop.

My namesake
uncle was a
decorated
veteran of this
conflict and Im
sure I detect
his likeness
in one of the
statues.

The bleak call
of a distant train
sounds a revelry
and I imagine this
patrol springing
to life to answer
the call of their
beloved country
once again.

Yet they remain
inert.  

Stuck in a
place that the
nation finds
impossible to
leave.

The eyes of the
men stare into
an incomprehensible
fate.  

They see the swarms
of Red Army infantrymen
crossing the Yellow River
streaming toward
them in massive
human waves,
the tips of
sparkling bayonets
threatening to slash
the outmanned
contingent fighting
to bits.

They are the
first detachment
to bravely confront
the rising power
of China many
thousands of
miles away
from their homes.

America like
this lone company
is overwhelmed
and lost in the
confusion
that confronts
them.

Looking up
I perceive the
bewilderment
of my muddled image
reflected on the
marble walls
surrounding
the memorial.

I am a comrade-in-arms,
a fellow wanderer sojourning
with th
we have everything and we have nothing
and some men do it in churches
and some men do it by tearing butterflies
in half
and some men do it in Palm Springs
laying it into butterblondes
with Cadillac souls
Cadillacs and butterflies
nothing and everything,
the face melting down to the last puff
in a cellar in Corpus Christi.
there's something for the touts, the nuns,
the grocery clerks and you . . .
something at 8 a.m., something in the library
something in the river,
everything and nothing.
in the slaughterhouse it comes running along
the ceiling on a hook, and you swing it --
one
two
three
and then you've got it, $200 worth of dead
meat, its bones against your bones
something and nothing.
it's always early enough to die and
it's always too late,
and the drill of blood in the basin white
it tells you nothing at all
and the gravediggers playing poker over
5 a.m. coffee, waiting for the grass
to dismiss the frost . . .
they tell you nothing at all.

we have everything and we have nothing --
days with glass edges and the impossible stink
of river moss -- worse than ****;
checkerboard days of moves and countermoves,
****** interest, with as much sense in defeat as
in victory; slow days like mules
******* it slagged and sullen and sun-glazed
up a road where a madman sits waiting among
bluejays and wrens netted in and ****** a flakey
grey.
good days too of wine and shouting, fights
in alleys, fat legs of women striving around
your bowels buried in moans,
the signs in bullrings like diamonds hollering
Mother Capri, violets coming out of the ground
telling you to forget the dead armies and the loves
that robbed you.
days when children say funny and brilliant things
like savages trying to send you a message through
their bodies while their bodies are still
alive enough to transmit and feel and run up
and down without locks and paychecks and
ideals and possessions and beetle-like
opinions.
days when you can cry all day long in
a green room with the door locked, days
when you can laugh at the breadman
because his legs are too long, days
of looking at hedges . . .

and nothing, and nothing, the days of
the bosses, yellow men
with bad breath and big feet, men
who look like frogs, hyenas, men who walk
as if melody had never been invented, men
who think it is intelligent to hire and fire and
profit, men with expensive wives they possess
like 60 acres of ground to be drilled
or shown-off or to be walled away from
the incompetent, men who'd **** you
because they're crazy and justify it because
it's the law, men who stand in front of
windows 30 feet wide and see nothing,
men with luxury yachts who can sail around
the world and yet never get out of their vest
pockets, men like snails, men like eels, men
like slugs, and not as good . . .
and nothing, getting your last paycheck
at a harbor, at a factory, at a hospital, at an
aircraft plant, at a penny arcade, at a
barbershop, at a job you didn't want
anyway.
income tax, sickness, servility, broken
arms, broken heads -- all the stuffing
come out like an old pillow.

we have everything and we have nothing.
some do it well enough for a while and
then give way. fame gets them or disgust
or age or lack of proper diet or ink
across the eyes or children in college
or new cars or broken backs while skiing
in Switzerland or new politics or new wives
or just natural change and decay --
the man you knew yesterday hooking
for ten rounds or drinking for three days and
three nights by the Sawtooth mountains now
just something under a sheet or a cross
or a stone or under an easy delusion,
or packing a bible or a golf bag or a
briefcase: how they go, how they go! -- all
the ones you thought would never go.

days like this. like your day today.
maybe the rain on the window trying to
get through to you. what do you see today?
what is it? where are you? the best
days are sometimes the first, sometimes
the middle and even sometimes the last.
the vacant lots are not bad, churches in
Europe on postcards are not bad. people in
wax museums frozen into their best sterility
are not bad, horrible but not bad. the
cannon, think of the cannon, and toast for
breakfast the coffee hot enough you
know your tongue is still there, three
geraniums outside a window, trying to be
red and trying to be pink and trying to be
geraniums, no wonder sometimes the women
cry, no wonder the mules don't want
to go up the hill. are you in a hotel room
in Detroit looking for a cigarette? one more
good day. a little bit of it. and as
the nurses come out of the building after
their shift, having had enough, eight nurses
with different names and different places
to go -- walking across the lawn, some of them
want cocoa and a paper, some of them want a
hot bath, some of them want a man, some
of them are hardly thinking at all. enough
and not enough. arcs and pilgrims, oranges
gutters, ferns, antibodies, boxes of
tissue paper.

in the most decent sometimes sun
there is the softsmoke feeling from urns
and the canned sound of old battleplanes
and if you go inside and run your finger
along the window ledge you'll find
dirt, maybe even earth.
and if you look out the window
there will be the day, and as you
get older you'll keep looking
keep looking
******* your ******* little
ah ah   no no   maybe

some do it naturally
some obscenely
everywhere.
there's a bluebird in my heart that
wants to get out
but I'm too tough for him,
I say, stay in there, I'm not going
to let anybody see
you.
there's a bluebird in my heart that
wants to get out
but I pur whiskey on him and inhale
cigarette smoke
and the ****** and the bartenders
and the grocery clerks
never know that
he's
in there.

there's a bluebird in my heart that
wants to get out
but I'm too tough for him,
I say,
stay down, do you want to mess
me up?
you want to ***** up the
works?
you want to blow my book sales in
Europe?
there's a bluebird in my heart that
wants to get out
but I'm too clever, I only let him out
at night sometimes
when everybody's asleep.
I say, I know that you're there,
so don't be
sad.
then I put him back,
but he's singing a little
in there, I haven't quite let him
die
and we sleep together like
that
with our
secret pact
and it's nice enough to
make a man
weep, but I don't
weep, do
you?
Victor was a little baby,
Into this world he came;
His father took him on his knee and said:
'Don't dishonour the family name.'

Victor looked up at his father
Looked up with big round eyes:
His father said; 'Victor, my only son,
Don't you ever ever tell lies.'

Victor and his father went riding
Out in a little dog-cart;
His father took a Bible from his pocket and read;
'Blessed are the pure in heart.'

It was a frosty December
Victor was only eighteen,
But his figures were neat and his margins were straight
And his cuffs were always clean.

He took a room at the Peveril,
A respectable boarding-house;
And Time watched Victor day after day
As a cat will watch a mouse.

The clerks slapped Victor on the shoulder;
'Have you ever had woman?' they said,
'Come down town with us on Saturday night.'
Victor smiled and shook his head.

The manager sat in his office,
Smoked a Corona cigar:
Said; 'Victor's a decent fellow but
He's too mousy to go far.'

Victor went up the his bedroom,
Set the alarum bell;
Climbed into bed, took his Bible and read
Of what happened to Jezebel.

It was the First of April,
Anna to the Peveril came;
Her eyes, her lips, her *******, her hips
And her smile set men aflame,

She looked as pure as a schoolgirl
On her First Communion day,
But her kisses were like the best champagne
When she gave herself away.

It was the Second of April.
She was wearing a coat of fur;
Victor met her upon the stair
And he fell in love with her.

The first time he made his proposal,
She laughed, said; 'I'll never wed;
The second time there was a pause;
Then she smiled and shook her head.

Anna looked into her mirror,
Pouted and gave a frown:
Said 'Victor's as dull as a wet afternoon
But I've got to settle down.'

The third time he made his proposal,
As they walked by the Reservoir:
She gave him a kiss like a blow on the head,
Said; 'You are my heart's desire.'

They were married early in August,
She said; 'Kiss me, you funny boy';
Victor took her in his arms and said;
'O my Helen of Troy.'

It was the middle of September,
Victor came to the office one day;
He was wearing a flower in his buttonhole,
He was late but he was gay.

The clerks were talking of Anna,
The door was just ajar:
One said, 'Poor old Victor, but where ignorance
Is bliss, et cetera.'

Victor stood still as a statue,
The door was just ajar:
One said, 'God, what fun I had with her
In that Baby Austin car.'

Victor walked out into the High Street,
He walked to the edge of town:
He came to the allotments and the ******* heap
And his tears came tumbling down.

Victor looked up at the sunset
As he stood there all alone;
Cried; 'Are you in Heaven, Father?'
But the sky said 'Address not known'.

Victor looked at the mountains,
The mountains all covered in snow
Cried; 'Are you pleased with me, Father?'
And the answer came back, No.

Victor came to the forest,
Cried: 'Father, will she ever be true?'
And the oaks and the beeches shook their heads
And they answered: 'Not to you.'

Victor came to the meadow
Where the wind went sweeping by:
Cried; 'O Father, I love her so',
But the wind said, 'She must die'.

Victor came to the river
Running so deep and so still:
Crying; 'O Father, what shall I do?'
And the river answered, '****'.

Anna was sitting at table,
Drawing cards from a pack;
Anna was sitting at table
Waiting for her husband to come back.

It wasn't the Jack of Diamonds
Nor the Joker she drew first;
It wasn't the King or the Queen of Hearts
But the Ace of Spades reversed.

Victor stood in the doorway,
He didn't utter a word:
She said; 'What's the matter, darling?'
He behaved as if he hadn't heard.

There was a voice in his left ear,
There was a voice in his right,
There was a voice at the base of his skull
Saying, 'She must die tonight.'

Victor picked up a carving-knife,
His features were set and drawn,
Said; 'Anna it would have been better for you
If you had not been born.'

Anna jumped up from the table,
Anna started to scream,
But Victor came slowly after her
Like a horror in a dream.

She dodged behind the sofa,
She tore down a curtain rod,
But Victor came slowly after her:
Said; 'Prepare to meet thy God.'

She managed to wrench the door open,
She ran and she didn't stop.
But Victor followed her up the stairs
And he caught her at the top.

He stood there above the body,
He stood there holding the knife;
And the blood ran down the stairs and sang,
'I'm the Resurrection and the Life'.

They tapped Victor on the shoulder,
They took him away in a van;
He sat as quiet as a lump of moss
Saying, 'I am the Son of Man'.

Victor sat in a corner
Making a woman of clay:
Saying; 'I am Alpha and Omega, I shall come
To judge the earth some day.'
Michael DeVoe Jan 2010
To the tweaker who just ate lunch
On the side of a 55 mph highway
I'm not staring because I'm judging
I can judge without looking
I'm staring because I want to know
If my eyes can slow down your limbs
Like the arms of a fan
So I can see that you're still somebody's daughter
I'm staring because I understand
Never mind the gawking eyes of midday traffic
Never mind the glares of the gas station clerks
I understand
You're just having lunch
I understand
The bugs, the tics, the needs
You are not a stranger to me
You are who my sister used to be
You are what the father of my niece
Is trying not to be anymore
You are every shady character
Who ever knocked on my door asking questions
I do not know your name
But I know you
I know you were once somebody's daughter
And I hope you still are
I'm not here to pass judgment
Definitely not here to help
I know all to well there is nothing I can do
I just want you to know I know
And so does any body you're trying to hide it from
And they'll be waiting up for you
Whether you come home or not
Your mom hasn't had a full nights sleep
Since the last time she saw you
I hope for her sake
It was this morning
And I know you won't believe this
But grown woman and all
Your dad just wants to bounce you on his knee
But what I know most of all
Is that your little brother
Can't go two hours without crying
He's got ulcers again
And he misses you
You probably see him the most
But he hasn't seen you
Since you took your first hit
He misses your advice
He misses your hazing
And all he wants is a sober hug
And I'm sure this isn't what you wanted to hear
During your picnic
But it's everything I wish I could've told my sister
Even if she wouldn't have listened
I'm not staring to judge
I'm staring to care
And I don't presume to know what addiction is
But I do know how it feels
I just watched you barely cross the street
I can't imagine you making it
Wherever you're going tonight
So if you die
I hope there's **** in heaven
But if you by some miracle don't
I hope rock bottom's not to far down
And that one day you get clean
And start to make amends
So you can remember what it's like to dream
And if that day ever does come
Do me a favor
Sit on your father's lap
Sleep in your mother's bed
And hug your little brother
Because there's a girl he could use some help with
No matter what you've done
Or how much pain you've caused
Through the twitching
The nervous glances
The weight loss
You're still somebody's daughter
I know you
I understand you
Enjoy your lunch
A collection of poems by me is available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
1
We, whose lungs fill with the sweetness of day.
Who in May admire trees flowering
Are better than those who perished.

We, who taste of exotic dishes,
And enjoy fully the delights of love,
Are better than those who were buried.

We, from the fiery furnaces, from behind barbed wires
On which the winds of endless autumns howled,
We, who remember battles where the wounded air roared in
paroxysms of pain.
We, saved by our own cunning and knowledge.

By sending others to the more exposed positions
Urging them loudly to fight on
Ourselves withdrawing in certainty of the cause lost.

Having the choice of our own death and that of a friend
We chose his, coldly thinking: Let it be done quickly.

We sealed gas chamber doors, stole bread
Knowing the next day would be harder to bear than the day before.

As befits human beings, we explored good and evil.
Our malignant wisdom has no like on this planet.

Accept it as proven that we are better than they,
The gullible, hot-blooded weaklings, careless with their lives.

2
Treasure your legacy of skills, child of Europe.
Inheritor of Gothic cathedrals, of baroque churches.
Of synagogues filled with the wailing of a wronged people.
Successor of Descartes, Spinoza, inheritor of the word 'honor',
Posthumous child of Leonidas
Treasure the skills acquired in the hour of terror.

You have a clever mind which sees instantly
The good and bad of any situation.
You have an elegant, skeptical mind which enjoys pleasures
Quite unknown to primitive races.

Guided by this mind you cannot fail to see
The soundness of the advice we give you:
Let the sweetness of day fill your lungs
For this we have strict but wise rules.

3
There can be no question of force triumphant
We live in the age of victorious justice.

Do not mention force, or you will be accused
Of upholding fallen doctrines in secret.

He who has power, has it by historical logic.
Respectfully bow to that logic.

Let your lips, proposing a hypothesis
Not know about the hand faking the experiment.

Let your hand, faking the experiment
No know about the lips proposing a hypothesis.

Learn to predict a fire with unerring precision
Then burn the house down to fulfill the prediction.

4
Grow your tree of falsehood from a single grain of truth.
Do not follow those who lie in contempt of reality.

Let your lie be even more logical than the truth itself
So the weary travelers may find repose in the lie.

After the Day of the Lie gather in select circles
Shaking with laughter when our real deeds are mentioned.

Dispensing flattery called: perspicacious thinking.
Dispensing flattery called: a great talent.

We, the last who can still draw joy from cynicism.
We, whose cunning is not unlike despair.

A new, humorless generation is now arising
It takes in deadly earnest all we received with laughter.

5
Let your words speak not through their meanings
But through them against whom they are used.

Fashion your weapon from ambiguous words.
Consign clear words to lexical limbo.

Judge no words before the clerks have checked
In their card index by whom they were spoken.

The voice of passion is better than the voice of reason.
The passionless cannot change history.

6
Love no country: countries soon disappear
Love no city: cities are soon rubble.

Throw away keepsakes, or from your desk
A choking, poisonous fume will exude.

Do not love people: people soon perish.
Or they are wronged and call for your help.

Do not gaze into the pools of the past.
Their corroded surface will mirror
A face different from the one you expected.

7
He who invokes history is always secure.
The dead will not rise to witness against him.

You can accuse them of any deeds you like.
Their reply will always be silence.

Their empty faces swim out of the deep dark.
You can fill them with any feature desired.

Proud of dominion over people long vanished,
Change the past into your own, better likeness.

8
The laughter born of the love of truth
Is now the laughter of the enemies of the people.

Gone is the age of satire. We no longer need mock.
The sensible monarch with false courtly phrases.

Stern as befits the servants of a cause,
We will permit ourselves sycophantic humor.

Tight-lipped, guided by reasons only
Cautiously let us step into the era of the unchained fire.
Kristaps Sep 2018
Broccoli in a white lamp shade
cast shadowy face tattoos
to mark the unjoustly.
The festival in background
is throbbing in directly contrasting sound, to the art nouveau it's sleeping with.

Each vegan burger stand vomits exquisite neon. However
the collage itself
is apologetically brown.
Theatre masks and DJs, VR and a Just Dance floor set,
a sprint before midnight, a sprint after discount ethanol;
so I gaze and perhaps ponder for a friend.

And yet when counting the heads,
I find I needn’t more than my own to hands
for the few middle-aged supermarket clerks
The lady has me temporarily off the bottle
and now the pecker stands up
better.
however, things change overnight--
instead of listening to Shostakovich and
Mozart through a smeared haze of smoke
the nights change, new
complexities:
we drive to Baskin-Robbins,
31 flavors:
Rocky Road, Bubble Gum, Apricot Ice, Strawberry
Cheesecake, Chocolate Mint...

we park outside and look at icecream
people
a very healthy and satisfied people,
nary a potential suicide in sight
(they probably even vote)
and I tell her
"what if the boys saw me go in there? suppose they
find out I'm going in for a walnut peach sundae?"
"come on, chicken," she laughs and we go in
and stand with the icecream people.
none of them are cursing or threatening
the clerks.
there seem to be no hangovers or
grievances.
I am alarmed at the placid and calm wave
that flows about. I feel like a ***** in a
beauty contest. we finally get our sundaes and
sit in the car and eat them.

I must admit they are quite good. a curious new
world. (all my friends tell me I am looking
better. "you're looking good, man, we thought you
were going to die there for a while...")
--those 4,500 dark nights, the jails, the
hospitals...

and later that night
there is use for the pecker, use for
love, and it is glorious,
long and true,
and afterwards we speak of easy things;
our heads by the open window with the moonlight
looking through, we sleep in each other's
arms.

the icecream people make me feel good,
inside and out.
Joe Cole Jun 2014
On this day 70 years ago they stormed across the sand
Boys of many nations to remove the tyrants hand
Heros all those boys so young who shed their blood for us
In that ****** fight for freedom

Across the sand they struggled neath a hail of shot and shell
Never glancing backwards as around them comrades fell
Fear was in their eyes, terror in their hearts
Many never made it and twas on foreign sand they died

Yes they died to give us the freedom that we have got this day
They died to free the world, for us they made the play
Boys from ever walk of life crossed the beaches there
Office clerks and farmers and the ones who cut our hair

Yes they were heroes all who gave their lives for us
But lets not forget the few who made it possible
The girls who made the shells, the men who built the tanks
They were the unsung heroes
They have also have earned our thanks

Without their dedication to the task they had in hand
Many more would have lost their lives on that shell torn blood stained sand
They to can hold their heads up high, they knew they did their bit
In bringing freedom to the masses when they broke the tyrants grip
Afternote... nearly all 4,400 allied soldiers died on those beaches 70 years ago today
Nolan Higgins Jul 2016
And all your heros are gone,
but you refuse to take off the mask.

A loudmouth, a capitalist,
with greasy hair and a golden toothpick,
he is your enemy
he is your oppressor and
he sits upon a throne of coal and blood
with armed security
and a nation built for him,
to protect him and his money,
a police state, pat downs on the corner,
murdered in the street,
your daughters gotta eat.

He grows fatter and fatter still,
he loves complacency,
he loves contentment,
he invests heavily in both.

He knows we are strong,
he knows we are many,
he knows he must divide us to win,
he knows we're his greatest weapon,
so he created Fox News,
he created TMZ,
stealthily,
we didn't even notice,
he created NPR and KVIE,
he gave them masks that look like ours.
They look poor,
they look starved,
they look like us, but they have a different master.

Our master is the earth,
our master is our coworker, our neighbor, our mailman,
our dishwashers, our bus drivers, our minimart clerks.

Our masters are not the TV,
our masters are not the radio,
our masters are not the New York Times,
they are not National Geographic,
they are not BP,
they are not our principals, our administrators,
our policemen, our CEOs, our investors, our bankers,
our insurance providers,
these people hate us,
they hate us because they can't squeeze blood from a stone,
and
the rivers are running dry,
the factories are standing still,
the people, our masters and our friends,
they're in the streets,
they're shouting "BLACK LIVES MATTER"
they're shouting "NO JUSTICE NO PEACE"
"NO MORE WAR FOR OIL"
"**** THE POLICE"
"DOWN WITH THE 1%"

and soon
and soon,
The False Gods will grow so fat
and we'll have nothing left to eat but them,
and on that day we'll sit down to dine
and it won't be civilized and it won't be pretty,
their blood, our blood, will feed the rivers and their flesh will feed our hungry children and their money will burn and warm our chilled bones but we can't wait,
we can't wait for this to happen because everyday they grow stronger,
we grow weaker and the river becomes dryer.

The Bourgeois is our enemy,
they say 'All Lives Matter'
they say 'Work Hard and Your Dreams Will Come True'

BUT THEY LIE
Jordan Rowan Mar 2016
It was down in California
Where the light hurt my eyes
I couldn't hear my thoughts or find a reason why
It was down in Louisiana
Where all my friends were now
When something went black and escaped into the south

So I went into the city
Of whatever state I'm in
I can't tell if it's New Orleans or if I'm drunk again
I buried all my secrets
In a tarnished leather book
At which only me and the universe can look  

Thank god for himself
For he's given me pain
And if it's someone else
You can erase them with blame

So I jumped into a truck
Driven by border clerks
But halfway down to Mexico, I knew this wouldn't work
They had it in for laughs
At the expense of broken hearts
I know they meant no harm but they were tearing me apart

The flag above my head
Only made me feel sick
Someone tried to sell me love but I knew it was a trick
But when the sun finally fell
And the stars shined on me
I understood what people meant when they told me I was free
The sleet had piled high up on the side of the road, spraying the brownish gray over the pedestrians. Sharlesburg was far out on the Pennsylvania country side, and the town was choked by trucks hauling by and the smells of dairy farms. No one really stayed there long, aside from the clerks in the little stores, maybe a few waitresses, and none of them wanted to stay around. No, the waitresses all wanted to move to the city and get their big time jobs, and the clerks wanted to move down somewhere warmer to retire. Maybe to the lake, but that was too rough in the winters. Well, the Summers were gorgeous, and so maybe that would work. The only ones who wanted to hang around were the farmers.

     Life was slow, and the farmers knew the land. Time there plodded away slower than the cows grazing on the moors. As one year grew into two and two into six, not much ever really changed for them. The land would go from muddy and torn to green and sparkling, gold and cracked, and again to the mud, smeared with the white from the snow. And all the while, the animals paced, and so did the farmers, wandering deeper and deeper into the rut.

     Tyler sat by the window, watching the cattle huddle together out in the mud, her tea and her breath fogging the window. Her father was out at town for the weekend, though she never really asked why. Monday he would probably stagger home reeking of a medicine cabinet. Another cow might die this winter, she was sure, because she had never learned how to deal with a cow in labor, and the vet didn't like to come by any more. That Tyler wasn't sure of why, but her father was almost certainly the blame for that.

Her mother wasn't around anymore; she left with a furniture salesman to live on the lake.

The television glowered in the corner, the same four channels playing the same four things. Tyler switched them off, but wanted the noise, and turned on the radio.

"REPENT SINNERS REPENT SINNERS! FOR THE FIERY HELL AWAITS YOU! I MEAN YOU, YOU WITH YOUR ****** MUSIC AND YOU JEAN SHORTS! HAVE YOU SEEN THE TV? THOSE GIRLS, WITH THEIR EXPOSED CHESTS AND GOING TO WORK-,"

Tyler switched it off again.

Something had fluttered outside. What really caught her eye was that it wasn't white, like the sky, it wasn't the snow, it wasn't the mud or a black back of a cow. It was something red and shiny.

The snow was falling pretty hard though. She couldn't be sure.

In the quiet, Tyler could discern the mooing yelps of one of the cows. She pulled on her yellow winter coat and scrambled outside. The air was cold and sharp against her nose, ripping away the smells of manure and filth. Even the tobacco from the ashtray was blank; the landscape was nothing but sound and snow and the ******* cold.

      The cows stood in a brace, black bodies radiating heat in the January snow. Tyler shoved them aside, though they hardly budged. Saliva dripped onto her shoulders and onto the ground, little pits in the mud. One cow groaned again, and as she got closer, she saw it was laying on its side in the middle of the brace. A pregnant cow, heaving under the pain of labor.

    She guffawed, trying again to shove the onlookers aside, but it seemed as though they merely packed closer together, and she could hardly get an arm through. As Tyler watched, the cow shrieked in pain.  Cows clamored tighter in the bunch and their eyes swallowed the sight as dully as cud.
"Please, move! get out of the way!"
     Of course, the beasts, they paid no mind. The heifer shrieked again as blood began to spout heavily fourth. The Cows did not even step back. They did not budge as Tyler beat on their rumps, not a flinch. The cries of pain grew weaker and weaker and the legs went from their horrible flailing to the slow movements of a dying moth.
When the scene ended, the cows were no longer amused, and passed on. The heifer was dead. Tyler scrambled forward in hopes of saving maybe the calf.
It was only a ****** rag , hanging sadly from the mother's bowels. no life had touched the wretched thing.
Tyler sighed.
And went back inside.
Wk kortas Nov 2017
It was not, by any means, a loss of faith;
Indeed, her devotion was a boundless, unfettered thing
Beyond proscription, beyond rote chant and catechism,
And what she found as a novitiate
Were shuttered gates and gossipy confessionals,
Standoffish priests, pig-eyed and pinch-lipped
Sisters who thought life’s commerce
No more than mechanical prayer and spotless linens,
The whole enterprise
Smacking of the exclusion of Heaven’s bounty.
So she demurred when the time came to take her orders,
And she returned to the world of pavements and lesser pieties,
Free to seek God on park swings and barstools,
In pleasures of the pastoral and the profane,
Though her faith is no Dionysian walkabout,
As she is passionate to the cusp of maniacal
When it comes to the Book of James’ admonition upon works;
She is often found among the sisters she once tiptoed alongside
At food pantries and clothing drives
(She is scrupulous about ministering to only secular needs,
As the Bishop is not happily disposed towards those
Who choose not to take the veil,
And the specter of excommunication is a prospect
Too awful to contemplate)
Afterwards clambering onto some vaguely roadworthy MTA bus
Back to her studio apartment in Green Island,
Where she often walks down to the Erie Canal lock nearby,
Praying for those who have travelled  near and upon the water,
Convenience store clerks and ragged Irishmen fleeing famine,
Feral kittens and insufficiently mourned mules.
look me in the eye and tell me that you love me
or was it all a sad story that you unconsciously believed
while you raided the fridge and fornicated wildly
too late is not really an acceptable position
and later on is usually an example of indecision
and sometimes specimens reject their predicaments
especially if they are eventually going to be your dinner
i am sure that i am here to usher in a new authority
resurrected like a phoenix i must be stronger than before
so even if forever is often equivalent to never
and september is the month of seven (or was it nine) serpents
that are to be reborn in the dawn of Time's obsidian
as our minds have spent oblivion in the forges
of turgidly engorged shores, torn from their former continents
as forms are always gripped in hands who choose intolerance 
take administrators, lawyers, bureaucrats and clerks;
as examples of this; par excellence
I

In the depths of the Greyhound Terminal
sitting dumbly on a baggage truck looking at the sky
        waiting for the Los Angeles Express to depart
worrying about eternity over the Post Office roof in
        the night-time red downtown heaven
staring through my eyeglasses I realized shuddering
        these thoughts were not eternity, nor the poverty
        of our lives, irritable baggage clerks,
nor the millions of weeping relatives surrounding the
        buses waving goodbye,
nor other millions of the poor rushing around from
        city to city to see their loved ones,
nor an indian dead with fright talking to a huge cop
        by the Coke machine,
nor this trembling old lady with a cane taking the last
        trip of her life,
nor the red-capped cynical porter collecting his quar-
        ters and smiling over the smashed baggage,
nor me looking around at the horrible dream,
nor mustached ***** Operating Clerk named *****,
        dealing out with his marvelous long hand the
        fate of thousands of express packages,
nor fairy Sam in the basement limping from leaden
        trunk to trunk,
nor Joe at the counter with his nervous breakdown
        smiling cowardly at the customers,
nor the grayish-green whale's stomach interior loft
        where we keep the baggage in hideous racks,
hundreds of suitcases full of tragedy rocking back and
        forth waiting to be opened,
nor the baggage that's lost, nor damaged handles,
        nameplates vanished, busted wires & broken
        ropes, whole trunks exploding on the concrete
        floor,
nor seabags emptied into the night in the final
        warehouse.

                II

Yet ***** reminded me of Angel, unloading a bus,
dressed in blue overalls black face official Angel's work-
        man cap,
pushing with his belly a huge tin horse piled high with
        black baggage,
looking up as he passed the yellow light bulb of the loft
and holding high on his arm an iron shepherd's crook.

                III

It was the racks, I realized, sitting myself on top of
        them now as is my wont at lunchtime to rest
        my tired foot,
it was the racks, great wooden shelves and stanchions
        posts and beams assembled floor to roof jumbled
        with baggage,
--the Japanese white metal postwar trunk gaudily
        flowered & headed for Fort Bragg,
one Mexican green paper package in purple rope
        adorned with names for Nogales,
hundreds of radiators all at once for Eureka,
crates of Hawaiian underwear,
rolls of posters scattered over the Peninsula, nuts to
        Sacramento,
one human eye for Napa,
an aluminum box of human blood for Stockton
and a little red package of teeth for Calistoga-
it was the racks and these on the racks I saw naked
        in electric light the night before I quit,
the racks were created to hang our possessions, to keep
        us together, a temporary shift in space,
God's only way of building the rickety structure of
        Time,
to hold the bags to send on the roads, to carry our
        luggage from place to place
looking for a bus to ride us back home to Eternity
        where the heart was left and farewell tears
        began.

                IV

A swarm of baggage sitting by the counter as the trans-
        continental bus pulls in.
The clock registering 12:15 A.M., May 9, 1956, the
        second hand moving forward, red.
Getting ready to load my last bus.-Farewell, Walnut
        Creek Richmond Vallejo Portland Pacific
        Highway
Fleet-footed Quicksilver, God of transience.
One last package sits lone at midnight sticking up out
        of the Coast rack high as the dusty fluorescent
        light.
        
The wage they pay us is too low to live on. Tragedy
        reduced to numbers.
This for the poor shepherds. I am a communist.
Farewell ye Greyhound where I suffered so much,
        hurt my knee and scraped my hand and built
        my pectoral muscles big as a ******.

                             May 9, 1956
Nota: his soil is man's intelligence.
That's better. That's worth crossing seas to find.
Crispin in one laconic phrase laid bare
His cloudy drift and planned a colony.
Exit the mental moonlight, exit lex,
Rex and principium, exit the whole
Shebang. Exeunt omnes. Here was prose
More exquisite than any tumbling verse:
A still new continent in which to dwell.
What was the purpose of his pilgrimage,
Whatever shape it took in Crispin's mind,
If not, when all is said, to drive away
The shadow of his fellows from the skies,
And, from their stale intelligence released,
To make a new intelligence prevail?
Hence the reverberations in the words
Of his first central hymns, the celebrants
Of rankest trivia, tests of the strength
Of his aesthetic, his philosophy,
The more invidious, the more desired.
The florist asking aid from cabbages,
The rich man going bare, the paladin
Afraid, the blind man as astronomer,
The appointed power unwielded from disdain.
His western voyage ended and began.
The torment of fastidious thought grew slack,
Another, still more bellicose, came on.
He, therefore, wrote his prolegomena,
And, being full of the caprice, inscribed
Commingled souvenirs and prophecies.
He made a singular collation. Thus:
The natives of the rain are rainy men.
Although they paint effulgent, azure lakes,
And April hillsides wooded white and pink,
Their azure has a cloudy edge, their white
And pink, the water bright that dogwood bears.
And in their music showering sounds intone.
On what strange froth does the gross Indian dote,
What Eden sapling gum, what honeyed gore,
What pulpy dram distilled of innocence,
That streaking gold should speak in him
Or bask within his images and words?
If these rude instances impeach themselves
By force of rudeness, let the principle
Be plain. For application Crispin strove,
Abhorring Turk as Esquimau, the lute
As the marimba, the magnolia as rose.

Upon these premises propounding, he
Projected a colony that should extend
To the dusk of a whistling south below the south.
A comprehensive island hemisphere.
The man in Georgia waking among pines
Should be pine-spokesman. The responsive man,
Planting his pristine cores in Florida,
Should ***** thereof, not on the psaltery,
But on the banjo's categorical gut,
Tuck tuck, while the flamingos flapped his bays.
Sepulchral senors, bibbing pale mescal,
Oblivious to the Aztec almanacs,
Should make the intricate Sierra scan.
And dark Brazilians in their cafes,
Musing immaculate, pampean dits,
Should scrawl a vigilant anthology,
To be their latest, lucent paramour.
These are the broadest instances. Crispin,
Progenitor of such extensive scope,
Was not indifferent to smart detail.
The melon should have apposite ritual,
Performed in verd apparel, and the peach,
When its black branches came to bud, belle day,
Should have an incantation. And again,
When piled on salvers its aroma steeped
The summer, it should have a sacrament
And celebration. Shrewd novitiates
Should be the clerks of our experience.

These bland excursions into time to come,
Related in romance to backward flights,
However prodigal, however proud,
Contained in their afflatus the reproach
That first drove Crispin to his wandering.
He could not be content with counterfeit,
With masquerade of thought, with hapless words
That must belie the racking masquerade,
With fictive flourishes that preordained
His passion's permit, hang of coat, degree
Of buttons, measure of his salt. Such trash
Might help the blind, not him, serenely sly.
It irked beyond his patience. Hence it was,
Preferring text to gloss, he humbly served
Grotesque apprenticeship to chance event,
A clown, perhaps, but an aspiring clown.
There is a monotonous babbling in our dreams
That makes them our dependent heirs, the heirs
Of dreamers buried in our sleep, and not
The oncoming fantasies of better birth.
The apprentice knew these dreamers. If he dreamed
Their dreams, he did it in a gingerly way.
All dreams are vexing. Let them be expunged.
But let the rabbit run, the **** declaim.

Trinket pasticcio, flaunting skyey sheets,
With Crispin as the tiptoe cozener?
No, no: veracious page on page, exact.
Dean Bonsignore May 2010
They shuffle their feet
They trip and they moan
They have soulless eyes
They bite and they groan.

Their all wearing suits
Their hair's falling out
Their teeth are decayed
Their guts strewn about.

Well thats what I saw
When I went to the bank
But I guess that I have
Mondays to thank.
tread Oct 2010
When I look out from the smudged and cracked windows of home,
I know there's no place quite the same as right here;
No place I could find that quite catches my ear,
And no place quite the same that can swallow my fears,
To the depths of this heated and comfortable box,
In which I am protected by numerous locks,
From intruders and bandits,
Salesmen and clerks;
I am the legal intruder,
And for me, that's what works.

Yet I'm here when, in fact, I am meant to be there;
Not far from my home,
I'm meant to be learning whats fair.

I am meant to be learning what's right and what's wrong,
Yet 6 hours of my time a day seems quite long,
To be spending on verbs, nouns and pronouns,
On algebra, fractions, and abnormal word sounds.

This life is not theirs; this life is all mine,
Such an old and used system would appear to be right,
Yet I beg to differ, as revolution now squeaks,
To push through the systems cracks and cause leaks,
In which free-thinking filters the words of the old,
Who believe themselves better, for they're trained and so bold.

When I look to society, what is it I see?
Is it a throng of a thousand people who seem to be free?
Not quite, yet at the same time, that seems quite close,
They are free in a box, in which authority is the host.

"Civilization has to be defended against the individual,
And its regulations, institutions and commands are directed to that task."
*
Quite an obvious command,
And it seems that at last,
Man is learning to embrace what they each see as free;
And it does not simply stop at being free to simply be,
It goes beyond such in mind, matter, soul, and in trust;
For it is the systems denial,
Towards which I lust.

The institutions, and nations,
Corporations, news stations,
Stateism, classism, all attempt to control,
Who I am, what I do, where I go, who I meet;
They tell me to relax, and just take a quick seat;
Yet I know what I want from life is free feet,
To be who I am,
And take all the heat.
To do what I do,
And ignore what's 'elite.'
To go where I go,
And control, as such, my feet.
To meet who I meet,
And next to them, take a seat.

I am not a name,
And I am not a number.
I am always awake in my mind,
As I slumber.
*Quote from Sigmund Freud; The Future of an Illusion (1928)
Nuha Fariha Jan 2013
In my home city of Dhaka, there is an abundance of bananas. Their sickly sweet aroma hangs heavy in the air, mixing with the stench of human toil and chemical wastes to produce the true odor of despair. The lives of these bananas are relatively short. They start off in a poor farmer’s tree, dragged to market in a broken-down truck, and sold at a cut-throat price to the vendor. In a well-rehearsed play, vendor and consumer haggle over bruised bananas. The tired consumer brings the bananas home and hangs them in the kitchen where cockroaches stalk empty cupboards.  
                      The next day, we, the children, will carry the bananas in empty lunch boxes to school. Together, we will sit through vapid lectures, tailored to make the clock tick slower. Not once will the teacher pause to encourage us to achieve. During lunch, we will devour our bananas with unwashed hands. Despite our best efforts, we will be corralled into our parents’ lives and become the next generation of factory workers and office clerks.  
              Sometimes though, a child manages to get a glimpse into the other world. I was fortunate enough to be one of these children. One afternoon, my father came into our tiny living room with a smile on his face and an object protruding from his shirt pocket. He told me that he had a special present for me. With a practiced flourish, he took out an orange from his worn shirt. My eyes widened with amazement.
              To me, oranges were objects only celebrities and corrupt politicians could afford. They were luxury items, myths seen on television. Yet here I was, nothing extraordinary, holding a real orange in my palm. Slowly I peeled the orange, feeling my old impoverished self peel away simultaneously. As I tasted the first tangy slice, I heard the shackles of the banana chain fall. It was then that I truly felt that I had the power to become anything I wanted. That day, I was liberated from the vicious banana cycle.
               From that day forward, I looked for positive events in my life, for signs of hope and change. One day, I saw my strict, condescending teacher discreetly hand an orange to a classmate whose family was unemployed. For the rest of the day, the child stood a little taller. For that day, he was no longer living in a destitute environment, but residing in the warmth of human nature.
700

You’ve seen Balloons set—Haven’t You?
So stately they ascend—
It is as Swans—discarded You,
For Duties Diamond—

Their Liquid Feet go softly out
Upon a Sea of Blonde—
They spurn the Air, as t’were too mean
For Creatures so renowned—

Their Ribbons just beyond the eye—
They struggle—some—for Breath—
And yet the Crowd applaud, below—
They would not encore—Death—

The Gilded Creature strains—and spins—
Trips frantic in a Tree—
Tears open her imperial Veins—
And tumbles in the Sea—

The Crowd—retire with an Oath—
The Dust in Streets—go down—
And Clerks in Counting Rooms
Observe—”’Twas only a Balloon”—
Sjr1000 Jan 2014
Well Annie now you've done it
through your gyrations,  characterizations
imitations
a spot of light of spirit
flipped out into the ether
like some kind of spiritual dandruff
all crystal prisms
twinkling stars shook off of you
and floated
through my eyes and ears
and penetrated and infused
my pumping heart
through my circulatory system
snapping synaptic changes,
touching those places
of
dreams and trances.

Well Annie now you've done it all night long
with images of Olive Oil
and no Popeye
I have become a sailor man
unmoored from the safety of the slip
dragging the anchor
until the tether breaks
and find myself floating
on some Jungian sea
of the unconscious far away from the shore.

Well Annie now you've really done it -
How will this all play out
when walking down the faux marble hallways
as I roll up one wave of imitation
and down another in
clients/secretaries/billing clerks
deranged psychiatrists stories
and all of this reality
grabbing trying ranting riffing
how is this all going to play out
when strange guerilla theatre
erupts on backwards
in administrators offices
and leadership committee meetings
when I spread my  legs
as my grand opening
in carrot top hangings
and turn to clients
offer them too
this spirit spark of
courage.

Well you've really done it this time Annie
when my door is locked
and pagers are begging for my attention
but I will be in the room at that desk
throwing rules, regulations
and my professional reputation
to the current winds of unwinding
truths and soulful stories.
When they turn to me
and ask for my forgiveness
in their true confession
or when I shift shapes
to the big onion
when everyone who wanders near weeps
when they ask me for that magic sentence
to make it all okay
or write a treatment plan
or
just a hand on the shoulder;
as they begin to talk
like rooms of old echoes-
I will tell them that will cost them extra.

You've done it now Annie forever
in my minute little world
rocked the boat
that spirit
like the butterfly wings causing the hurricane
of courage.

You've done it now Olive Oil Annie
I have found my spinach
and
freedom cannot be far behind...
Blake Dec 2018
For he with the blonde curls,
Who set you from stone to glass,
For he with greyness and age,
Who set you from virtue to lust,
And for the fathers who warned,
Who set you in a statue of shame,
With his constant looks of disbelieving.

For she with the stars of freckles,
Who set you from glass to shards,
For she with the condensation of coldness,
Who set you on route to loneliness,
And for the mothers who neglected,
Who set you with no comfort,
With no help after the males visited.

For the creaks of floorboards,
Threatening unholy arrival,
For the thousands of bed squeaks,
Helping by gifting distraction,
For the hotel clerks gentle knowing smiles,
For the cheeks I can force upwards,
For the sacred of tears that disappeared with new numbness,
For the child within me who had such urgency to grow up,
And for me...for me.
Tyler Matthew Sep 2017
I had a customer at work today
with a tattoo across her chest
that said "Royalty" with a little
jeweled crown hanging off the "R."
She wanted a pack of cigarettes.
She didn't ask, she demanded.
She didn't say "please."
I gave her the cigarettes.
She didn't say "thanks."
I asked how her day was going,
and she said "good."
She didn't ask how my day was.
At first I thought a girl like that
isn't royal at all.
But, the more I thought, the more
I realized that she was.
Because royalty doesn't ask,
it demands.
Royalty is above saying "thanks."
Royalty doesn't mingle with
gas station clerks.
Regardless, I muttered "*****"
under my breath as she walked away.
I wonder if we walk into a store in the early morning hours the next day,
Holding hands and stealing kisses, waiting for the doors to be unlocked,
If clerks can tell how many times we had *** the night before.
I wonder if my skin glows where your hands and kisses caressed my skin
In the wee hours of morning when it seemed the entire world was fast asleep
Except for us;
Sharing love and secrets that no one else cared to know about each other.
I wonder if they could tell that every time I had almost fallen asleep,
You kissed my bare shoulder where the sheet didn’t cover
And the moonlight shone over my pale flesh,
Awakening me with such a desire to kiss you with the same
Hungry urge that you kissed me with.
Kisses led to more and before I knew it, the number of times we made love
For the night had climbed one number higher
And we both struggled to catch our breath.
feedback is always appreciated. go like my facebook page also :)
Brent Kincaid Feb 2016
In old New Orleans
Musical lumberjacks
Legitimizing their axes;
Just piano, clarinet,
Bass and the drums.
Bringing jazz back
And then some.

The cat could play
That skinny long black horn,
Hotter clarinet than
Anybody ever born,
He kept hitting notes
So pure and high
We felt each note
In our eyes!

And, if you chance by
Remember this,
They don’t allow dancing.
But when the drummer
Makes works those skins
And makes them talk out
There is plenty of toe-tapping
And nobody ever walks out.

Then, when the guy
Plays that bass fiddle
He adds an underscore
To top bottom and middle.
It’s an underbeat of grace
That will fill the rest space
And the hearts of all
In this overcrowded place.

Vintage jazz roars out
Of an old, old piano
Played by a happy madman
With fingers afire, he knows
He’s got them hooked;
He’s making them wild
As he wails on those keys
He looks out and smiles
And he puts the Satchmo touch
On those old-timey songs

And once in a while
They ask us to sing along.
For the past forty-six years
Those ugly plastered walls
Have never hear so many
Gratefully rendered curtain calls
From an audience of clerks and swells.
On Bourbon Street’s Fritzel’s.
Through hurricanes and beers
Like stepping back a hundred years.
Fats is still playing, Bessie singing
Original jazz music is still swinging.
Chairs were creaking from the strain of ignorance,
as the habit of ignorant anticipation gripped the
edge of a creative moment to disrupt thoughts
which hoped to choose the pastel colors of an

expressive photograph.  Rather than deep garden
saturation, the light, fading to become ghosts
of movement, offered a place of acceptance.  Shrugs
rounded the shoulders of the road, so it could be
claimed that no responsibility hindered the

development of suspension systems.  Political
levitation supported the dancers as they turned onto

the public stage in a forum of occupation.  The state
of the street, in the absence of smooth nylon, brought
the parachutes down to flutter, disconsolately, above
the pavement.  Single waves of regret were drawn

to leave the stage, but, as this effort was declined,

determination measured resolve based upon
community options, described in the local papers.
Setting the pages down, each day, the play became
enamel baked onto the restoration and the satisfaction
which kept them all together as a group.  Certain
curtains were raised, as others were lowered to close
the door excluding the poor

from the equal share of space related to the experiments
of the place.

Conversation by clerks sculpted freedom to crimp the
brass cases in ways not accepted by sprites in mid
flight.  These were the colors in the ledger interpreted as
shades of gray or flashing midnight blue, faint copper,
and pearly white.  Forces of education were dismissed
as a superficial demonstration indicating the character,

intensive.

Thus, they were reaching for the money, but funding
remained a gift offered only to those admired and,
through the glass, profitable by cultural attributes.  Some
thought the process was the singular importance of an
event.  The dancers were dreaming, as they rehearsed.
Another kind of artist discarded the event in favor of the
documents and images meant to persist.  These, the
dancing players favored as memories to be contemplated,

some to be cherished.

Materialism, since it included spirit, ruled the transient
existence experienced as joy.  Perception brought
enjoyment into being, yet when the unusual critic walked
away, it was a dispossession.  Other critics were members

of the team.
Robert Ronnow Aug 2015
Supermarket celebration
shoppers are cytoplasm searching
for cellulose, muscle, photosynthesis.

Oils, petrochemical and vegetable
love: faith and trust
for instance, the Food and Drug Administration.

In America, the custom is
to avoid meeting the other shoppers' eyes. We graze
like cows or wander as zombies to the oldies played over the aisles.

I've always liked it here.
Cornucopia, yes. Also
a place to be alone and depressed, or cool off.

Water and bone
and the known ingredients. Neurons
for remembering, calculating, touching stuff.

I have a favorite bagger
who has the smile of a lover,
wouldn't rather be elsewhere.

Like glamour stars in bikinis
(but unlike tomatoes and bananas)
cashiers and clerks are admired from afar.

Joe says What's not to like? Ice cream, yogurt,
profit, tofu.
To eat your fill is a blasphemy against God.
www.ronnowpoetry.com
susan Oct 2014
get away from me all you fools
store owners
underpaid store clerks
delivery people
disgruntled factory workers
bosses
know it alls
child molesting priests
rabbis
loud mouthed reverends
strippers
track armed hookers
pimps
johns who's wife won't give it up
teachers
shady lawyers
pill poppin' doctors
nurses
kids with colds
old people with dementia
***** dogs
feral cats
evil grandmas
perverted grandpas
street sweepers
***** garbage men
slick bartenders
waitresses
drunk people
people high on life
dope heads
meat heads
sober judges
all of you
go to hell in a handbasket
and let me live my life
in peace.
Colin Anhut Jan 2014
Head slumped:  heavy, ringing.  In the distance a **** whacker is constant.  If it's real, I can't tell anymore. This is me now, tomorrow I'll be straight.  Except that it is tomorrow, and everyone knows it but my ******* brain that plays on like a skipping record!  Ah! ****!  People pass by like flies, living at a different speed.  I coulda taken them all on last night but for now I need strength.  Food or *****, what's it gonna be?  The clerks know the game.  They see them stumble in at night ready to swallow the world whole, and in the morning, when cigarettes are their only friend.  Clerks stay straight to watch the show, to feel good about what they got.  They can keep it, though, gimme ***** for now.
"Is that all?", his voice echoed
"What?", "Yeah, that's all, what else would I get?"
"I don't know.  Food, maybe."
I looked the guy square in the eyes for a good six seconds.  His eyes were wide getting wider, he could feel the tension.  All I could feel was the hangover.
"No, just beer."
I looked down at the 12-pack, then at the manager walking towards us.
"Alright, I see the score."
As I left through the automatic doors the day broke my eyes in two with a sharp piercing ray, and it began ---
another one.
Hist? . . .
Through the corridor's echoes,
Louder and nearer
Comes a great shuffling of feet.
Quick, every one of you,
Strighten your quilts, and be decent!
Here's the Professor.

In he comes first
With the bright look we know,
From the broad, white brows the kind eyes
Soothing yet nerving you.  Here at his elbow,
White-capped, white-aproned, the Nurse,
Towel on arm and her inkstand
Fretful with quills.
Here in the ruck, anyhow,
Surging along,
Louts, duffers, exquisites, students, and prigs--
Whiskers and foreheads, scarf-pins and spectacles--
Hustles the Class!  And they ring themselves
Round the first bed, where the Chief
(His dressers and clerks at attention),
Bends in inspection already.

So shows the ring
Seen from behind round a conjurer
Doing his pitch in the street.
High shoulders, low shoulders, broad shoulders, narrow ones,
Round, square, and angular, serry and shove;
While from within a voice,
Gravely and weightily fluent,
Sounds; and then ceases; and suddenly
(Look at the stress of the shoulders!)
Out of a quiver of silence,
Over the hiss of the spray,
Comes a low cry, and the sound
Of breath quick intaken through teeth
Clenched in resolve.  And the Master
Breaks from the crowd, and goes,
Wiping his hands,
To the next bed, with his pupils
Flocking and whispering behind him.

Now one can see.
Case Number One
Sits (rather pale) with his bedclothes
Stripped up, and showing his foot
(Alas for God's Image!)
Swaddled in wet, white lint
Brilliantly hideous with red.
Mateuš Conrad Sep 2016
****...
        had an appointment,
a triage appointment from 8 a.m. onward,
that went high flying  with Icarus and Lucifer -
dazed and confused woke up at approx. 9 a.m.,
the life of a kingmaker; but never the king -
                                     energy! energy! energy!
downed a whiskey and eased... dialled the number
to the local surgery,
Dr. So-and-So was told he had a nice
voice... started doing the auto-cue...
nice muzak - classical, Bach
symphony no. don't know -
6th in line...
                      first dial the conversation
sounded like:
hello?
              can you hear me?
are you there?
             hello?
                                i could hear the
business of clerks and office
banter in the background, got hung up.
dialled again...
                   n'eh n'oh n'eh n'oh (more like
knee-no, knee-no, knee-no and
bright blue fluorescent blinking lights)
            waited with more Bach muzak...
  the same woman answered as she did
yesterday...
                       yeah, he called,
sorry, i'm an insomniac, fell asleep at
the last hurdle, missed the call,
can i book another appointment?
                 past the slight slur and
disorientation (**** me, mornings are
rough, not as rough as i remember them,
but rough enough these days):
and ever you hear the glorification of
work and never mention the Chinese thieves:
beckoning the dynamic toward Auschwitz.
   so i was playing Adele for a while...
- hello?
- hello?
                      - yes, hello...
- hello?
                    - me Tarzan, me book appointment...
- hello?
                          **** on me,
never do whiskey in the morning,
have some barley and milk...
               yes, me, book, appointment,
England pays me £120 a week for poems
but doesn't know it...
     i pretend to be sick but i'm competing
with Stephen Hawking for the disability...
turns out my brain isn't made of concrete
but of a variety of sponges that soaked up
salmon sweat...
                            so i get booked...
apparently nurse Lizzy (Elizabeth?
yes, Liz, she want's to check my blood pressure
and my cholesterol levels...
                                                   )
dandy, and Andy too (cockney hack for
lazed handy and the oops joke) -
                     **** on me, it's mandible,
jaw or play-dough,
            softer... softer... softly...
smooth operator... smooth operator...
             and she says bye like 20 times before
i hang up...
                             it all seems like lovers
talking by the end of it...
                               so after 2 p.m.?
   thank you...
                                the way women say
bye bye bye...
                                into that famous hush...
            i end up petting the cat
and watching the godforsaken drizzle of
                             jesting rain that feels like
a complete remark of wetting a square metre...
                  then it's onto an article
about Paxman's dad...
                                       i wasn't perfect, once
upon a Grimm's tale...
                                       i used to binge
once a week, never smoked,
                                      studied...
            all that hushed bye bye bye
over the phone and a Yob's redemption aren't
on the horizon... don't sacrifice yourself for
things inherent if you can't redeem...
                                  i'm just like the rest of them:
       broken,
                       broken,
                                        and left to scramble
testicles for the bitterest of jokes:
                             i don't pity the kids with
cancer...
                  they're too brave to be pitied,
they have no competence of life,
                                        and they're the lucky ones.
i pity the nervous wrecks that surround them,
staging excess ethical conduct of Hippocrates
            happy little ******* engaged with
so much affection... never human cruelty and
the human definition of thought-in-transit: boredom...
        happy little *******...
                                         angelic choir ensemble -
    and with a snap of the fingers: without a moan
or a groan... gone...
                                        gone gone gone...
a **** evaporating into roses and flamboyant
chequers of shameful cheeks
                              in Bermuda:
                         pirouettes in high-heels.
still...
          2 p.m. and another appointment...
fun playing that Adele game over the phone with
               a sexed up voice of longing.
Jeremy Duff Oct 2012
It's funny how no matter where you go
everything is the same. No kidding.
I've been to San Fransisco and everyone is pretending to not be fake,
and I've been to New York and they're even bigger phonies.

I walked into town once, two miles from my house to the park.
I walked along the highway and stuck my thumb out the whole way.
No one stopped until this man on a motorcycle did.
He asked me where I was going and I said into town.
He asked where in town and I said the first thing that came to mind.
Charlies Cafe, I said. We rode to Charlies Cafe which was only a 20 minute walk from where we were but whatever.
He didn't have a helmet but that was fine.
He dropped me off. I never even went into Charlies.
I walked a half block to the gas station and went inside.
I grabbed an Arizona and walked up to the counter.
"Anything else for yah?"
"Yeah uh, a pack of Natural American Spirits."
I slapped a ten on the counter and the man asked to see identification.
I told him I didn't have any but I also wouldn't need change.
He sold me the cigarettes and the Arizona and didn't give me change. It's that kinda stuff that ****** me off.

And that's what I mean. You ask someone for something and they act like they're doing you a hell of a favor and then you waive some money under their noses and they're shining your ******* boots.

I got off the subway and to the venue.
There were people filing in and smoking flowing out.
I stood in line, bought my ticket and went in. Some ******* band a friend had told me about who was playing. I was meeting him there in 30 minutes but wanted to scope it out early. A girl wearing fishnet stockings was looking cute in a booth all by herself. I sat down in the booth next to her and ordered a drink. The waiter was nice enough to forget to ask about my non existent ID. I leaned over and asked the girl if I could refill her drink.
She looked at me disgusted and said "I will let you know, that I have a boyfriend."
Jesus, it's not like I asked to **** her or anything.
"Jesus it's not like I asked you to **** me or anything."
I returned my lean to my booth. I'm usually not so curt with women but this ****** me off.
My friend never showed up and I bailed during the opening act.
I walked all the way back to my apartment and smoked.
It started raining.

Cute girls, gas station clerks, weather, they can all be *******.
Owen Phillips Nov 2012
The meek rattle the earth
The battle distracted the clerks
The overseer dipped into his potion
As commotion in the open
Became action and it started gaining traction
And without pause the commanders reacted with factionalism
For a fracture collapses community structures
They rupture with signs of mistrust
Institutions induce us to fear our own neighbor
And keep our eyes forward and fixed on our labor
But me and you, that's the True True
Helping out when I know what I can do
Spreading gratitude will get you bread
And clothed enough to stay alive
Because we'll only survive if we help each other
Bob B Nov 2016
At five a.m. the doors swing open.
The throng of shoppers lined up at the store
Pushes and shoves and jabs and elbows
Its aggressive way through the wide-open door.
 
Once inside, the crowd scatters
This way, that way, in chaotic motion.
The store clerks gasp, feeling like islands
Surrounded by a raging ocean.
 
"Oh, no you don’t!" one woman shouts
At another woman clutching a box
Containing the last flat-screen TV.
"Hands off; it's mine!" the other one squawks.
 
A mad tug-o'-war ensues
As the two women grapple to claim what's theirs.
An onlooker who is knocked down in the skirmish
Shrieks, "What a sorry state of affairs!"
 
Everywhere you look, items are flying.
The store resembles the scene of a battle,
OR, perhaps, a giant herd
Of loud, thundering, angry cattle.
 
A man stops to pick up a bottle
Of perfume that he dropped--a gift for his wife--
And is trampled by the surge of shoppers.
The poor guy nearly loses his life.
 
One bold shopper with her canister of pepper spray
Threatens to douse the belligerent crowd
Until she is tackled by security guards
And is escorted away, cursing out loud.
 
Announcements blare from the loudspeakers:
"Shoppers' special on aisle three."
Suddenly, the rivers of shoppers change course
As the curious hope to get something free.
 
In the background, Christmas carols playing
The hopeful messages of joy and peace
Are drowned out by the ear-piercing din
That sounds like the honking of thousands of geese.
 
"I want my mommy," a whiny child cries.
"What do you want for Christmas: a dolly?"
Asks Santa, losing his last bit of patience
And doing his best to try to act jolly.
 
The chaos never ceases to wane
As the shoppers vie for the best shopping deals.
One man rushing to grab the last smart phone
Slips and falls head over heels
 
And slides into an obese grandma,
Sending her sprawling into some shelves
Of decorations, which all go flying.
The injured lie covered with reindeer and elves.
 
Interminable lines at the registers await
The exhausted shoppers. You get closer; hurrah!
The woman in front of you then needs a price check!
No, that can't be! That's the last straw!
 
Another day of Black Friday madness.
Would that it could be over! But no.
You've barely started; that's store number one.
You have four more stores to go!

- by Bob B
Wesley Williams Jun 2014
Bluebird
there's a bluebird in my heart that
wants to get out
but I'm too tough for him,
I say, stay in there, I'm not going
to let anybody see
you.
there's a bluebird in my heart that
wants to get out
but I pour whiskey on him and inhale
cigarette smoke
and the **s and the bartenders
and the grocery clerks
never know that
he's
in there.

there's a bluebird in my heart that
wants to get out
but I'm too tough for him,
I say,
stay down, do you want to mess
me up?
you want to ***** up the
works?
you want to blow my book sales in
Europe?
there's a bluebird in my heart that
wants to get out
but I'm too clever, I only let him out
at night sometimes
when everybody's asleep.
I say, I know that you're there,
so don't be
sad.
then I put him back,
but he's singing a little
in there, I haven't quite let him
die
and we sleep together like
that
with our
secret pact
and it's nice enough to
make a man
weep, but I don't
weep, do
you?

-Charles Bukowski
My favorite poem from the Master.
Matt KH Dec 2009
When we were kids we had ideas and dreams,
Of what we wanted to be.
It boiled down to one thing,
We wanted to be a somebody.
We could go as far as our imagination would let us.
And the stars were just figures in the sky,
That one day we could reach out and touch.
Maybe we just wanted to leave this world a better place,
Than when we met it
Maybe we just wanted to be remembered for something great.
But we grew up.
Dreams faded into the ether of the past.
And we became what we become.

Waitress' and waiters.
Callous palmed factory workers.
Ticket booth operators.
Cleaners, tradesmen and
Bus drivers.
Barmen, bank clerks and
Insurance salemen
People that make the world tick.

When you walk down the street,
You can hear a chorus of unsung hymns.
The girl who just wanted to sing.
But was too afraid to take to the stage.
So her songs remain hers.
The unseen kid.
Who's got a notebook of broken dreams.
But remains alive.
Because it's through the ink that his heart beats.
Through his words that his thoughts breathe.
Or the man who works a job he hates.
Just to hold up his family.
These people are just living their lives.
But these people are somebody to someone

Don't let this be just another poem.
Don't let these words mean nothing.
Their is more in life than being great.
Is it not enough to make one person happy.
Is it not enough to make yourself happy.
Nobody can define you.
The walls might not fall but
You got to try and make them
You can be anything you want to be.
Sing like no one's listening.
Dance like no one's watching.
Shine as bright as you can.

You are a somebody.
You always have been.
And you still have time to be.
Not sure how it really works
I go and ask the clerks.

Ages five and up…
it’s hard to ******,

he said.

Really? It’s simple?
Give an example.

Turn on the boy and he'll find the girl.
Everyone's given it a whirl,

he said.

*******, I’ve already:

poked out my eyes,
which left them leaking.
bruised my thighs,
which won’t stop aching!
and sealed my heart’s demise
for future breaking.

Stunned and oblivious he cocked his head
opened his mouth and said:

You’re doing it wrong.
Funny poem playing with meter :P My work is always under construction, so if you see something funny or confusing, let me know :)
Paula Kramer Jun 2019
On the third day of spring
In Hakone, Japan
A heavy snow fell

It was a bit of a sensation
Between the store clerks
And visiting tourists

I walked along the dark street
Letting it melt
In my hair

Like I was feeling it
For the first time again
And again
And again
And again
Jaymisun Kearney Nov 2013
You don't like Clerks like I do.
You don't appreciate AFI like I do.
You don't like Adventure Time as much as I do.
You don't agree with me when I rave about awesome uses of the uncanny.
Speaking of uncanny, you don't like David Lynch movies the way I do.
You definitely didn't love Blue Velvet the way I love it.
You hated that movie.
You don't like crowded public places like I do.
Crowded places give you panic attacks.
A lot of things give you panic attacks.
You're anxious just as much as I am,
but about entirely different things,
and so it's very frustrating.
You like Super Smash Bros.
You like Super Smash Bros. more than you like Street Fighter.
I don't even know if you like Street Fighter at all.
You don't like fitness like I do.
You don't like martial arts like I do.
You don't want to do active things very often.
You don't like the same food I like.
You don't like to cook like I do.
You don't like to do what I like to do in bed.

When you do the things that you do, you do them genuinely and with an impassioned scowl I don't think you'd appreciate if you could see it from the outside.
When you do what you do, you define yourself, and your definition caught me at first -- then waned and does wane -- and catches me now, usually when I'm absolutely certain there's no more left to share.
When you do the things you do, I spectate, never letting on, that I'm entertained so much I want a bowl of popcorn and the lights dimmed.

Agreement means little when you do the things you do.
The similarity we do share is the orb in the heart of our human cellars.
We both know how badly our moms messed up.
I couldn't ask for anything more.

I love you.

— The End —